PÓRTICOSemanal Música 50 Nº 1112 — 10 marzo 2014 Obras generales Teoría y pedagogía musicales Ediciones musicales Historia de la música Música española Folklore — Jazz — Rock — Pop Etnomusicología Ópera — Canto — Danza Instrumentos musicales PÓRTICO LIBRERÍAS PÓRTICO SEMANAL Año XXVII, Nº 1112 — 10 marzo 2014 MÚSICA 50 Dirige: José Miguel Alcrudo Responsable de la Sección: Concha Aguirre PÓRTICO LIBRERÍAS, S.A. www.porticolibrerias.es Muñoz Seca, 6 HORARIO / OPEN HOURS: Tel. (+34) 976 55 70 39 50005 Zaragoza — España 976 35 03 03 Lunes a jueves / Monday to Thursday 976 35 70 07 Fundada en 1945 10–14 15–18 Fax (+34) 976 35 32 26 Viernes / Friday 10–14 OBRAS GENERALES Acciaiuoli, M. / P. Ferreira de Castro, eds.: A dança e a música nas artes plásticas do século XX 2012 – 174 pp. € 16,00 Anttila, M. E.: Luther’s Theology of Music. Spiritual Beauty and Pleasure 2013 – viii + 227 pp. € 89,95 ÍNDICE: Introduction — Voluptates aurium: the pleasures of music in Antiquity and the Middle Ages — Optimum Dei donum – the essence of music — Domina et gubernatrix affectuum humanorum – the power of music — Joy (gaudium) and Pleasure (voluptas) in Luther’s theology — Theology of beauty and the virtues of music — Conclusion. Begbie, J.: Music, Modernity, and God. Essays in Listening 2013 – 272 pp. € 43,70 ÍNDICE: Introduction: Listening to Music — Shifting Sensibilities: Calvin and Music — Disquieting Conversations: Bach, Modernity and God — The Nature of Music: Rameau, Rousseau and Natural Theology — Musical Apotheosis: Early German Romanticism — Room of One s Own? Music, Space, and Freedom — Music and God-talk (1): Mapping the Field — Music and God-talk (2): Interaction in Action. Bhogal, G. K.: Details of Consequence. Ornament, Music, and Art in Paris 2013 – 368 pp., 18 fig., 37 not., 2 tabl. € 52,45 ÍNDICE: Introduction — Ornament and Expression in Music and the Visual Arts — Ornament and the Arabesque: From Line to Melody — Ornament and Virtuosity in French Piano Music — Ornament and Antiquity from Debussy’s Arabesque to Ravel’s Daphnis et Chloé — Ornament and Neo-Primitivism in Le Sacre du Printemps — Ornament and Disenchantment around the First World War. PÓRTICO LIBRERÍAS PS 1112 — Música 50 3 Blanco Ruiz, C.: Historia del festival de plectro de La Rioja: una referencia internacional 2011 – 392 pp., 1 CD-ROM, 1 fig., lám.col. € 15,00 Brown, J. / A. Davison, eds.: The Sounds of the Silents in Britain 2013 – 352 pp., 27 fig. € 28,70 ÍNDICE: Introduction: The Sounds of the Silents in Britain: J. Brown / A. Davison — Speaking to Pictures: Professional Lecturing in Early British Film Shows: J. Kember — «Now, where were we?» Ideal and Actual Early Cinema Lecturing Practices in Britain, Germany and the US: J. Buchanan — Eric Williams: Speaking to Pictures: S. Bottomore — Sounding Scottish: Sound Practices and Silent Cinema in Scotland: T. Griffiths — Accompanying pictures: «Suitable music»: Accompaniment Practice in Early London Screen Exhibition from R. W. Paul to the Picture Palaces: I. Christie — The Art of Not Playing to Pictures in British Cinemas, 1906-1914: J. Burrows — «The efforts of the wretched pianist: Learning to Play to the Pictures in Britain, 1911-1913: A. Higson — The Reception of Bri- tish Exhibition Practices in The Moving Picture World, 1907-1914: J. Buhler — Perfor- mance in cinemas: 9. Selsior Dancing Films, 1912-1917: S. Bottomore — Song Perfor- mance in the Early Sound Shorts of British Pathé: D. B. Scott — Atmospheric Film Prolo- gues and the British Film Trade Papers, 1919-1926: J. Brown, R. Holloway — Animating the Audience: Singalong Films in Britain in the 1920s: M. Cook — Musicians, Companies and Institutions: Workers’ Rights and Performing Rights: Cinema Music and Musicians Prior to Synchronized Sound: A. Davison — Sound at the Film Society: J. Riley — Edmund Meisel’s «visual sound» in The Crimson Circle (1929): The Case of the Vanishing Part- Talkie: F. Ford. Cott, J.: Dinner with Lenny. The Last Long Interview with Leonard Bernstein 2013 – 208 pp., 15 fot. € 21,20 Dolan, T.: Manet, Wagner, and the Musical Culture of their Time 2013 – 310 pp., 84 fig., 4 lám.col. € 81,15 ÍNDICE: Introduction: Manet’s soundscape — Wagner in Paris: the music of the future — Listening to color and seeing sound: Baudelaire, Wagner and Manet — Transposing and composing — Gautier, Wagner and Manet — Realism and music: Champfleury, Courbet, Wagner and Manet — Ebony keys: Fantin’s Venusberg scene and Manet’s Balloon — Serious spoofing: Offenbach, Wagner and Manet — Facing the music: Wagner and Manet — Con- clusion: MéloManet. Fairclough, P., ed.: Twentieth-Century Music and Politics. Essays in Memory of Neil Edmunds 2013 – 312 pp., 5 fig., 18 not. € 87,45 ÍNDICE: Foreword, R. Milner-Gulland — Preface — Introduction, P. Fairclough — ‘A world of Marxist orthodoxy’? Alan Bush’s Wat Tyler in Great Britain and the German Democratic PÓRTICO LIBRERÍAS PS 1112 — Música 50 4 Republic, J. Bullivant — Stravinsky’s Petrushka: modernizing the past, Russianizing the fu- ture, or, how Stravinsky learned to be an exile, J. Cross — Détente to Cold War: Anglo-Soviet musical exchanges in the late Stalin period, P. Fairclough — Front theatre, musical films and the war in Nazi cinema, G. Heldt — ‘Those damn foreigners’: xenophobia and British musical life during the first half of the 20th century, E. Levi — ‘An angry ape’: some preliminary thoughts about Orango, G. McBurney — A bridge between two worlds: the founding years of the Warsaw Autumn Festival, B. Mika — Winning hearts and minds? Soviet music in the Cold War struggle against the West, S. Mikkonen — Preserving the façade of normal times: musical life in Belgrade under the German occupation (1941-44), M. Milin — Musical commemorations in post-Civil War Spain: Joaquin Rodrigo’s Concierto Heroico, E. Moreda Rodriguez — The radicalization and ghettoization of music in the General Government, K. Naliwajek — ‘I only need the good old Budapest’: Hungarian cabaret in wartime London, Florian Scheding; Irish nationalism, British imperialism, and the role of popular music, D. B. Scott — Shostakovich as film music theorist, J. Titus — Diaspora, music, and politics: Russian musical life in Shan- ghai during the inter-war period, H.-L. Yang. García Bernalt Alonso, B.: Catálogo del Archivo de música de la Capilla de la Universidad de Salamanca 2013 – 957 pp., not. € 50,00 García Quiñonés, M. / A. Kassabian / E. Boschi, eds.: Ubiquitous Musics. The Everyday Sounds That We Don’t Always Notice 2013 – 228 pp., 8 fig., 2 not. € 74,90 Garrett, C. H., ed.: The Grove Dictionary of American Music. Second Edi- tion, 8 vols. 2014 – 5.472 pp., 418 fig., 142 not. € 1447,00 Georis, C.: Claudio Monteverdi letterato ou les métamorphoses du texte 2013 – 744 pp. € 120,00 Glahn, D. von: Music and the Skillful Listener. American Women Compose the Natural World 2013 – 392 pp., 19 fig., 72 not. € 33,70 Haines, J.: Music in Films on the Middle Ages: Authenticity vs. Fantasy 2013 – 230 pp. € 99,85 Hui, A. / J. Kursell / M. W. Jackson, eds.: Music, Sound, and the Laboratory PÓRTICO LIBRERÍAS PS 1112 — Música 50 5 from 1750-1980. Edited by A. Hui, J. Kursell, and M. W. Jackson 2013 – 352 pp. € 28,70 Kelly, J.: In Her Own Words. Conversations with Composers in the United States 2013 – 448 pp., 25 fot. € 54,95 Liszt, F.: Correspondence of Franz Liszt and the Comtesse Marie D’Agoult. Edited by M. Short 2013 – 400 pp. € 69,70 Neumeyer, D.: The Oxford Handbook of Film Music Studies 2014 – 672 pp., 93 fig. + 58 lám. € 124,80 ÍNDICE: Overview: D. Neumeyer — 1. Film Music : Central Questions: Music and the Ontology of the Sound Film: The Classical Hollywood System: J. Buhler / D. Neumeyer — Opera and Film: M. Citron — Visual Representation of Film Sound as Analytical Tool: R. Altman — Film Music from the Perspective of Cognitive Science: A. Cohen — Composing for Film: Hanns Eisler’s Lifelong Film-Music Project: P. Schweinhardt & al. — Ontological, Formal, and Critical Theories of Film Music and Sound: J. Buhler — 2. Genre and Platform: Drawing a New Narrative for Cartoon Music: D. Goldmark — Genre Theory and the Film Musical: C. McDonnell — «The Tunes They are a-Changing»: Moments of Historical Rupture and Reconfiguration in the Production and Commerce of Music in Film: J. Smith — The Compilation Soundtrack from the 1960s to the Present: J. Hubbert — The Origins of Musical Style in Video Games, 1977-1983: N. Lerner — 3. Interpretative Theory & Practice: Classical Music, Virtual Bodies, Narrative Film: L. Kramer — Gender, Sexuality, and the Soundtrack: J. Buhler — Psychoanalysis, Apparatus Theory, and Subjectivity: J. Buhler — Case Studies: Introduction: R. Stilwell — (Case Study 1) The Order of Sanctity: Sound, Sight, and Suasion in DeMille’s The Ten Commandments: M. Morris — (Case Study 2) Strange Recognitions and Endless Loops: Music, Media, and Memory in Terry Gilliam’s 12 Monkeys: J. McQuinn — 4. Contemporary Approaches to Analysis: Transformational Theory and the Analysis of Film Music: S. Murphy — Listening in Film: Music/Film Temporality, Materiality and Memory: M. Kielian-Gilbert — Auteurship and Agency in Television Music: R. Rodman — 5. Historical Issues: When the Music Surges: Melodrama and the Nineteenth-Century Theatrical Precedents for Film Music Style and Placement: M. Pisani — Audio-Visual Palimpsests: Resynchronizing Silent Films with «Special» Music: J. Brown — Performance Practices and Music in Early Cinema outside Hollywood: Kathryn Kalinak — Performing Prestige: American Cinema Orchestras, 1910-1958: N. Platte. Orden, K. van: Music, Authorship, and the Book in the First Century of Print 2013 – 256 pp., 13 fot., 8 tabl., 4 not. € 52,35 Osborne, R.: Vinyl: A History of the Analogue Record 2012 – 224 pp. € 74,90 PÓRTICO LIBRERÍAS PS 1112 — Música 50 6 Rogers, J.: The Death and Life of the Music Industry in the Digital Age 2013 – 192 pp. € 24,95 Stravinsky, I. / R. Craft: Memorias y comentarios. Traducción del inglés de C. Font 2013 – 437 pp.