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Art. Contemporary. African art. contemporary. Edition 1 Featuring: african. Odili Donald Odita, Otobong Nkanga, Lynette Yiadom-Boakye, Simon Njami, Sylvester Okwunodu Ogbechie, Riason Naidoo, Chimurenga. (Re-) Mapping the field: a bird’s eye view on discourses. IMPRINT / IMPRESSUM SAVVY | art.contemporary.african. SAVVY | kunst.zeitgenössisch.afrikanisch. Online magazine / Onlinezeitschrift Editor-in-chief / Project Initiator Chefredakteur / Projektinitiator Dr. Bonaventure Soh Bejeng Ndikung Deputy Editor-in-chief Stellv. Chefredakteurin Andrea Heister Editors of edition 1 Editoren von Ausgabe 1 Andrea Heister, Bonaventure Soh Bejeng Ndikung Proofreading for edition 1 Lektorat von Ausgabe 1 Katja Vobiller, Simone Kraft, Andrea Heister, Bonaventure Soh Bejeng Ndikung Authors of edition 1 Autoren von Ausgabe 1 Aicha Diallo, Brenda Cooper, Andrea Heister, Prune Helfter, Nancy Hoffmann, Missla Libsekal, Alanna Lockward, Riason Naidoo, Bonaventure Soh Bejeng Ndikung, Simon Njami, Sylvester Okwunodu Ogbechie, Annette Schemmel, Fiona Siegenthaler, Kangsen Feka Wakai Translations Übersetzungen Katja Vobiller, Claudia Lamas Cornejo, Johanna Ndikung, Simone Kraft, Andrea Heister Web design Webdesign Alice Motanga Graphic design Grafikdesign Soavina Ramaroson Bureau Büro Richardstr. 43/44 12055 Berlin Germany 3 TABLE OF CONTENT 0. Editorial Bonaventure Soh Bejeng Ndikung 1. Spotlight on... Go tell it on the mountain Bonaventure Soh Bejeng Ndikung / Andrea Heister A Maestro kicks the bucket: an obituary on Malangatana Der Vorhang fällt: ein Nachruf auf Malangatana Andrea Heister Wangechi Mutu passes the courvoisier to Yto Barrada Wangechi Mutu reicht den Courvoisier an Yto Barrada Bonaventure Soh Bejeng Ndikung House of African Art: First African Art Space in Asia House of African Art: erstes Haus für afrikanische Kunst in Asien Prune Helfter Goddy Leye is dead Goddy Leye ist tot Annette Schemmel 2. Essays Ancient guilt, new tool Alte Schuld, neues Werkzeug Simon Njami Where is Africa in the Global Contemporary Art? Wo ist Afrika in der globalen zeitgenössischen Kunst Sylvester Okwunodu Ogbechie Painting Fela Fela Malen Kangsen Feka Wakai Reflections on 1910-2010: From Pierneef to Gugulective. An exhibition on a century of South African art Reflektionen 1910–2010: Von Pierneef bis Gugulective. Ein Jahrhundert südafrikanische Kunst – eine Ausstellung Riason Naidoo Main discourses of the 2nd Salon Urbain de Douala (SUD 2010) in Cameroon seen by an Indian runner duck Dominante Diskurse auf dem 2. Salon Urbain de Douala (SUD 2010) aus der Perspektive einer indischen Laufente Annette Schemmel Legitimizing the legitimate Das Legitime legitimieren Bonaventure Soh Bejeng Ndikung 4 3. Feature (Re)-Constructing Mindscapes Nancy Hoffmann The signifying donkey Brenda Cooper 4. Interview Chromatic Symphony. Interview with Odili Donald Odita Missla Libsekal I am still trying out… searching and finding and searching Interview with Maimuna Adam Andrea Heister “Re-Imagining…”. Interview with Ntone Edjabe Aicha Diallo 5. Retrospect Make Yourself at Home Bonaventure Soh Bejeng Ndikung The Idea of Africa (re-invented) #1: Bonaventure Soh Bejeng Ndikung Addis Foto Fest Andrea Heister AFROPOLIS Stadt, Medien, Kunst. Kairo, Lagos, Nairobi, Kinshasa, Johannesburg Fiona Siegenthaler The Era of Negritude. The Short Century, Independence and Liberation Movements in Africa 1945-1994 Alanna Lockward 4 5 0 Editorial The challenge of any journal aiming at hoisting the flag Ogbechie reshuffles the cards in Where is Africa of art critic and thus putting critical writing on art as its in Global Contemporary Art? while Riason Naidoo fundament is to pin point the eye of the storm in the reflects on his historical milestone 1910-2010: cyclone of positions and criticism within the realms From Pierneef to Gugulective, inter alia. The trip of its conceptual background. To participate in the also accompanies us through features on Otobong discourse means not only to add fuel to it but also see Nkanga and Lynette Yiadom-Boakye, negotiates turns how far one can go. A discourse is the only context on interviews with the likes of Odili Donald Odita in where ideals, ideas or concepts can be taken towards Chromatic Symphony and re-imagines with Ntone the end. Edjabe, publisher of the literary journal of arts, culture and politics, Chimurenga magazine. The journey takes In this light, the editors of the journal SAVVY | art. a retrospective glimpse at exhibitions with African contemporary.african. sailed out on a journey to map artists on board like Make Yourself at Home in the the field by capturing an overview on some ongoing Kunsthal Charlottenborg, The Idea of Africa (re- discourses in the academia and non-academic circles invented) in the Kunsthalle Bern, AFROPOLIS in by renegotiating and reflecting on terminologies, Rautenstrauch-Joest Museum, Cologne, as well as spaces, concepts and contexts at stake in the field of the Addis Foto Fest 2010 and an almost nostalgic contemporary African art in its second journal edition take on Okwui Enwezor’s The Short Century. with the title: (Re-) Mapping the field: a bird’s eye view on discourses. This edition of the journal is especially dedicated to the loss of two beacons in the field of contemporary The challenge of this challenge was soon enough to African art who have paved the way for many today and realize that we had just placed a life-long task of the even more to come: the painter, poet and philosopher journal as our goal for this edition and that it was sheer Valente Ngwenya Malangatana and the media artist, unattainable to contain all the streams of discourses in cultural worker, pedagogue and visionaire Goddy one edition of the journal but rather to adopt a step-by- Leye. step (journal-by-journal) policy in covering the critical concepts, thematic choices, orders, correlations, Bonaventure Soh Bejeng Ndikung positions, functioning and transformations reigning Editor-in-chief within the framework of contemporary African art. On this “Mapping the field” expedition Simon Njami recounts on the incentive and onset of Revue Noire in Ancient guilt, new tool, Sylvester Okwunodu 6 Editorial Die Herausforderung einer jeden Zeitschrift, die es In dieser “Mapping the field” Expedition erzählt Simon sich zum Ziel gesetzt hat, in der Kunstkritik die Flagge Njami den Ansporn und Anfang von Revue Noire neu, zu hissen und somit kritisches Schreiben über Kunst in Alte Schule, neues Instrument, Sylvester als ihr Fundament zu betrachten, ist es, das Zentrum Okwunodu Ogbechie mischt die Karten in Wo ist des Sturms in den Zyklonen von Positionen und Kritik Afrika in der globalen zeitgenössisch innerhalb des Bereichs seines konzeptuellen Hintergrunds Kunst? während Riason Naidoo über den historischen auszumachen. Am Diskurs teilzunehmen bedeutet nicht Meilenstein 1910-2010: Von Pierneef zu nur, Öl ins Feuer zu schütten, um zu sehen, wie weit man Gugulective, inter alia, reflektiert. Die Reise begleitet gehen kann. Ein Diskurs ist der einzige Kontext, in dem uns auch durch Features über Otobong Nkanga und Ideale, Ideen oder Konzepte bis zum Ende durchdacht Lynette Yiadom-Boakye, behandelt Wendungen in und durchdiskutiert werden können. Interviews mit von Odili Donald Odita in Chromatic Symphony und stellt sich mit Ntone Edjabe, den Mit diesem Vorsatz begaben sich die Editoren der Herausgeber des literarischen Journals zu Kunst, Kultur Zeitschrift SAVVY | kunst. zeitgenössisch.afrikanisch, und Politik, das Chimurenga Magazine. Die Reise führt auf die Reise um das Feld neu zu zeichnen, indem uns mit retrospektivem blick zurück zu Ausstellungen mit ein Überblick über einige laufende Diskurse in der afrikanischen Künstlern an Bord, wie Make Yourself Wissenschaft und in nicht-wissenschaftlichen Zirkeln zu at Home in der Kunsthal Charlottenborg, The Idea geben. Terminologien, Räume, Konzepte und Kontexte of Africa (re-invented) in der Kunsthalle Bern, wurden neu verhandelt und reflektiert und stehen letztlich AFROPOLIS im Rautenstrauch-Joest Museum, Köln, im Bereich der zeitgenössischen afrikanischen Kunst als auch zu dem Addis Foto Fest 2010 und einem in der zweiten Editition mit dem Titel: (Re-) Mapping beinahe nostalgischen Trip zu Okwui Enwezor’s The the field: a bird’s eye view on discourses, zur Short Century. Debatte. Diese Ausgabe der Zeitschrift ist vor allem auch dem Die Herausforderung der Herausforderung war Verlust zweier Leuchttürme im Feld der zeitgenössischen eigentlich, dass wir eine lebenslange Aufgabe der afrikanischen Kunst gewidmet, die den Weg für viele Zeitschrift als Ziel dieser Edition gewählt hatten, und heute gebreitet haben und für mehr die noch kommen dass es schier unmöglich ist, alle Diskursströme in einer mögen: der Maler, Dichter und Philosoph Valente Edition der Zeitschrift wiederzugeben. Stattdessen Ngwenya Malangatana und der Medienkünstler, adoptierten wir eine Schritt-für-Schritt (Zeitschrift-für- Kulturarbeiter, Pädagoge und Visionär Goddy Leye. Zeitschrift)-Einstellung, durch die wir die kritischen Konzepte, die thematische Wahl, die Ordnung, die Bonaventure Soh Bejeng Ndikung Wechselbeziehungen, Positionen, Funktionierweisen Chefredakteur und Transformationen, die innerhalb des Rahmens zeitgenössischer afrikanischer Kunst regieren, abdecken. 6 7 1. Spotlight on… Go tell it on the mountain... Over the hills and everywhere Go, tell it on the mountain, That Okwui Enwezor comes. Bonaventure Soh Bejeng Ndikung / Andrea Heister Using John W. Work’s gospel hymn to announce Although the decision to enrobe this position with Okwui Enwezor’s nomination
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