Gimme Back My Bullets

Total Page:16

File Type:pdf, Size:1020Kb

Gimme Back My Bullets "Let 'er fly, boys. Anywhere," John Anderson says, his GIMME BACK MY BULLETS favored Remington .20 gauge shotgun at the ready on a COCKED AND LOADED, PERENNIAL COUNTRY STAR windy, unseasonably warm February day at Timberline, JOHN ANDERSON SHOOTS AGAIN FOR THE CHARTS the singer /songwriter's backwoods retreat. IT Seconds BY RAY WADDELL. earlier, Anderson's longtime manager /agent Bobby PHOTOGRAPH BY DAVID McCLIST Roberts had meticulously placed two clay targets on the skeet shooter. As he triggered the release, one skeet soared into the distance while the other careened toward Anderson, thudding into his shoulder. If The veteran singer shrugged off the impact, stayed focused and expertly disintegrated the solo target. ¶ The scene serves as an apt metaphor for Anderson's 30 -year career on the fringe of Music Row, and as a performer who demonstrates a remarkable ability to deflect misses and absolutely nail opportunities. The Apopka, Fla., native first came to Nashville in the late '70s with little more than a dream and a voice that Mark Knopfler described as sounding "like he's singing through a volume pedal." ir "Actually, when I first came to Nashville, I just wanted to sing and play for a living," Anderson says over the country ham special at Smithville's Rose Garden diner. "I always said if I could just pay rent, anything above that would be a bonus." Within two weeks of arriving in Nashville, radio for several years," Rich says. "I wanted Anderson was singing and playing at the city's to hear him singing again, simple as that. He's Lower Broadway honky -tonks, developing as good, or maybe better, than he ever was, and one of country's most distinct vocal deliver- many of my artist friends consider him a major ies. He signed to Warner Bros. in 1979, where influence on their music, as do I." a lengthy string of hits (20 Billboard top 10 Driving his Chevy Silverado through the singles) followed, beginning with "1959" in winding backroads of Smithville, where An- 1981; dating back to the pre- Nielsen Sound - derson has lived for nearly three decades, this Scan era, Anderson's handlers estimate he's master of twang seems to take it all in stride. sold more than 10 million records. Anderson "The new record is exciting just because it's became one of country's premier hitmakers a new record. We haven't had one in so long of the '80s with such staples as "Your Lyin' and for a while was wondering what to do Blue Eyes," the gold-certified "Wild and Blue" about getting a new record. John Rich about (his first chart -topper in 1982) and the 1983 answered all of our questions. I'm thankful mega -hit "Swingin'," recently named No. 30 to him for that," Anderson says. on the list of top jukebox hits of all time by The irony of returning to Warner with a hot- the Amusement and Music Operators Assn. shot producer is not lost on Anderson, who was After a dry spell, Anderson stormed back once the label's young gun himself. "We did a to the airwaves in the early '90s with hits like lot of good business with Warner in the early "Straight Tequila Night," "I Wish I Could days," he says. "Not only did I get hits, but back Have Been There" and the Florida Everglades then I got paid for most of them, I believe." anthem "Seminole Wind "; the album of the "Easy Money" is Anderson's 27th album, same name has sold double -platinum. counting repackages, and his first since "No- Along the way, Anderson has made the body's Got It All" on Sony in 2000, a brilliantly major -label rounds, with stops on Warner, constructed album that Roberts describes as MCA, Capitol, BNA, Mercury, Sony and now "barely released" by the label. Anderson ad- Warner Bros. again for a new release that mits his frustration at such an artistic effort many feel will give the artist an improbable not reaching its commercial potential. third run at mainstream success. "Yeah, it's going to be frustrating when you "Easy Money" streets May 15 on Raybaw Rec- cut a record like that, put your heart and soul ords /Warner Bros., propelled by an energetic in it, then it seems to go over like a lead bal- infusion from one of contemporar} country's loon. You feel like it's good, but I don't guess hottest players, John Rich, who produced the a person will ever know because it never got album and co -wrote many of the songs with An- the chance to prove itself, really," he says. derson. An unabashed J.A. disciple, Rich turned "Not enough people heard it to say whether what started out as a songwriting collaboration it was good or bad." into a full -blown album project, with all the con- Still, Anderson absorbed the frustration siderable juice behind it Rich can muster. much as he did that clay target back in "What inspired me to work on this project Smithville. "You can get as frustrated as you is the mere fact that John Anderson is one of want, and you can rant and rave and stomp the greatest country singers in the history of around the living room in front of your wife country music, and he has been absent from and kids and make them miserable. »> I APRIL 14, 2007 I www.billboard.biz 23 www.americanradiohistory.com.
Recommended publications
  • ~Tate of M:Enne~~Ee
    ~tate of m:enne~~ee HOUSE JOINT RESOLUTION NO. 695 By Representative Shepard and Senators Crowe, Herron A RESOLUTION to honor the professional achievements of musician John Rich. WHEREAS, it is fitting that the members of this body should pause to honor those exemplary citizens who contribute significantly to the reputation of Tennessee throughout the world as the center of the music industry universe and home of the most generous and compassionate citizenry by helping to reinforce the "Volunteer State" nickname; and WHEREAS, one such citizen is John Rich who has garnered high acclaim as a singer, songwriter, record producer, and television personality over the course of his illustrious and storied career in the music and entertainment industry; and WHEREAS, Mr. Rich, born on January 7, 1974, in Amarillo, Texas, moved to middle Tennessee in the early 1990s, where he attended and graduated from Dickson County Senior High School with the class of 1992, making lifelong friends and ties with the community; and WHEREAS, after high school, Mr. Rich chose to forego college to pursue his dream of becoming a country music recording artist. In the summer of 1992, he was chosen by executives at Opryland USA to be a performer in the Nashville-based theme park's daily variety show entitled "Country Music USA," wherein Mr. Rich performed songs by country music superstars such as George Jones, Garth Brooks, George Strait, and Vince Gill; and WHEREAS, during his time at Opryland USA, Mr. Rich met fellow performer Dean Sams, who along with Mr. Rich and two other fellow Texans formed a band named Texassee.
    [Show full text]
  • Working Finding Aid the Center for Popular Music
    THIS COLLECTION IS STILL IN PROCESS – WORKING FINDING AID THE CENTER FOR POPULAR MUSIC, MIDDLE TENNESSEE STATE UNIVERSITY, MURFREESBORO, TN ALAN L. MAYOR COLLECTION 17-005 Creator: Mayor, Alan Leslie (August 21, 1949 – February 22, 2015) Type of Material: Manuscript Materials, Photographs, Negatives, Slides, Datebooks, Sound Recordings Physical Description: 162 linear feet of manuscript material including: 113 linear feet of photographic prints 19 linear feet of negatives 22 linear feet of slides 5 linear feet of CD/DVD/Floppy disc photographic files 1 linear foot of datebooks 2 linear foot of press passes Dates: circa 1977 – 2012, bulk 1990-2000 Access/Restrictions: The collection is partially processed, but is open for research use. The Center for Popular Music only owns rights to the physical materials in this collection. All materials in this collection are under copyright that is owned by the Mayor Family. Researchers must receive prior written permission from the Mayor Family for any reproductions of use. Center staff are able to assist with copyright questions for this material. Provenance and Acquisition Information: This collection was donated by Alan Mayor’s sister, Theresa Mayor Smith, in October 2017. The Center’s Director and Archivist picked up a portion of the collection on October 6, 2017 from Mrs. Smith’s storage unit in Cadiz, Kentucky. The second, and largest, portion was picked up by the Center’s Archivist and Assistant Archivist on October 13, 2017 from Cadiz, Kentucky. The third batch of remanding binders of negatives was dropped off at the Center by Mrs. Smith on November 9, 2017. Subjects/Index Terms: Country music – 1971-1980 THIS COLLECTION IS STILL IN PROCESS – WORKING FINDING AID Alan L.
    [Show full text]
  • ABC Watermark
    Please audition each disc immediately. If you have any questions, please contact us toll free at 1·800-423-2502. WITH IOI IIN05UY ABC Watermark ... COMPACT 01~·.c 11, TRACK 10, HAS 1 KHz REFERENCE TONE·- 3575 Cahuenga Blvd West Suite 555 Los Angeles CA 90068 213:882.8330 FAX 213.850.5832 TOPICAL PROMOS TOPICAL PROMOS FOR SHOW t4 ARE LOCATED ON CD SIDE 4, TRACK Z AND 8, DO NOT USE AFTER SHOW 14, 1. NEWCOMER MANIA AT TOP :25 HI, I'm Bob Kingsley and last week on ACC it was newcomer mania at the top of our survey. First, newcomer Sammy Kerrhaw moved up to #3 with his very first chart song. Tracy Lawrence hit #2 bi§. first time out ... and newly risen star, Collin Raye held on to #1 for the third week in a row. All these exciting new performers are just three reasons why you should c: ,oc" vut CA:i ii 10 "'; ,afi i:tl,,;(i.:;,. 11i~ wutti\ ~..1n A, rM:Jri~an Couui,y Cuunidown. (LOCAL TAG) 2. QEJJUT SORT OF R.~DEBUT FOR ANDERSON :28 I'm Bob Kingsley and last week a debut song called "Straight Tequila Night" was marked a sort of m-debut for singer John Anderson. John was one of the hottest young stars of the early to mid 80s and had recently slipped from chart view. But now we welcome John, as do his many fans, back to the fun of the survey as we start at #40 and count 'em down to that nurmer one song every week on American Country Countdown! (LOCAL TAG) - FOR YOUR CONVl':Nlf:NCE, WE HAVE PLACED A 25 HZ TONE AT ·10 DB AT THE END OF OUR NETWORK COMMERCIAL BREAKS TO ACCOMMODATE AUTOMATED AND SEMI-AUTOMATED STATIONS - -· •" ~ .
    [Show full text]
  • “The Stories Behind the Songs”
    “The Stories Behind The Songs” John Henderson The Stories Behind The Songs A compilation of “inside stories” behind classic country hits and the artists associated with them John Debbie & John By John Henderson (Arrangement by Debbie Henderson) A fascinating and entertaining look at the life and recording efforts of some of country music’s most talented singers and songwriters 1 Author’s Note My background in country music started before I even reached grade school. I was four years old when my uncle, Jack Henderson, the program director of 50,000 watt KCUL-AM in Fort Worth/Dallas, came to visit my family in 1959. He brought me around one hundred and fifty 45 RPM records from his station (duplicate copies that they no longer needed) and a small record player that played only 45s (not albums). I played those records day and night, completely wore them out. From that point, I wanted to be a disc jockey. But instead of going for the usual “comedic” approach most DJs took, I tried to be more informative by dropping in tidbits of a song’s background, something that always fascinated me. Originally with my “Classic Country Music Stories” site on Facebook (which is still going strong), and now with this book, I can tell the whole story, something that time restraints on radio wouldn’t allow. I began deejaying as a career at the age of sixteen in 1971, most notably at Nashville’s WENO-AM and WKDA- AM, Lakeland, Florida’s WPCV-FM (past winner of the “Radio Station of the Year” award from the Country Music Association), and Springfield, Missouri’s KTTS AM & FM and KWTO-AM, but with syndication and automation which overwhelmed radio some twenty-five years ago, my final DJ position ended in 1992.
    [Show full text]
  • Hundreds of Country Artists Have Graced the New Faces Stage. Some
    314 performers, new face book 39 years, 1 stage undreds of country artists have graced the New Faces stage. Some of them twice. An accounting of every one sounds like an enormous Requests Htask...until you actually do it and realize the word “enormous” doesn’t quite measure up. 3 friend requests Still, the Country Aircheck team dug in and tracked down as many as possible. We asked a few for their memories of the experience. For others, we were barely able to find biographical information. And we skipped the from his home in Nashville. for Nestea, Miller Beer, Pizza Hut and “The New Faces Show had Union 76, among others. details on artists who are still active. (If you need us to explain George Strait, all those radio people, and for instance, you’re probably reading the wrong publication.) Enjoy. I made a lot of friends. I do Jeanne Pruett: Alabama native Pruett remember they had me use enjoyed a solid string of hits from the early the staff band, and I was ’70s right into the ’80s including the No. resides in Nashville, still tours and will suffering some anxiety over not being able 1 smash, “Satin Sheets.” Pruett is based receive a star in the Hollywood Walk of to use my band.” outside of Nashville and is still active as a 1970 Fame in October, 2009. performer and as a member of the Grand Jack Barlow: He charted with Ole Opry. hits like “Baby, Ain’t That Love” Bobby Harden: Starting out with his two 1972 and “Birmingham Blues,” but by sisters as the pop-singing Harden Trio, Connie Eaton: The Nashville native started Mel Street: West Virginian Street racked the mid-’70s Barlow had become the nationally Harden cracked the country Top 50 back her country career as a teenager and hit the up a long string of hits throughout the ’70s, famous voice of Big Red chewing gum.
    [Show full text]
  • 6 FREE Cds: ALTERNATIVE 0 ROCK O R&B O COUNTRY Please Accept My at the Regular Price (Currently 512.98 to 816.98) at Some I Timein the Coming Year
    street grooves soft spot 2 Unlimited Hits Unlimited (Rodikal/Critigue) 150060 Air Supply Greatest His Live (Giant) 15.9111 Aaliyah Parkground Enter/AJI 16.2040 Blesskl Union Of Souls Hone (EMI) 12.2549 Beastie Boys 111Communocation (Capitol) A 48.4808 Cher Its A Man's World (Reprise) 15.9467 George Benson Thor's Right (GRP) 16.3386 Chicago® Greatest Hits 1982-89 (Reprise) 40.1166 Busts Rhymes The Coming (Eleleinsia 15.1399 Daryl Hell/John Oates Rock 'nSoul, PartI (RCA) 14.7025 Casablanca Records Greatest Hits Jordan Hill 1143 Records/Atlantic) 15.4203 Various Anis?, (Casablanca) 15.4062 Elton John Made In England (Rocket/Island) 12.2184 D'Angele Brown Sugar (EMI) 13.1714 k.d. long All You Con Eat (Warner Bros.) 13.9519 De La Soul Stakes Is High (Tommy Boy) 16.2321 Madonna Something To Remember "Eddie" Original Soundtrack (Island Block Musk) 15.7768 (Movenck/Siro/Warner) 13.9535 Funkmaster Fleas 60 Minutes Of Funk Lionel Rich. Louder Than Words (Mercury) 15.4047 Various Artists IRCA/Loud Records) 14.6522 Paul Simon Gracelond (Warner Bros ) 34.5751 Junior MA.F.1A. Conspirocy (Bog Bost/Ationtoc) 13.5988 Steely Don Alive In Americo (Giant) 13.9618 L Kelly (live) 14.2711 Rod Stewart Unplugged and Seated (Warner Bros 48.'4444 La Bourke Sweet DIVIOM, (RCA) 14.7546 Sting Fields Of Gold IA8d6) 11.3555 LL Cool J Mr Smith (Del Jam) 14.3560 Tina Turner Simply The Best (Capitol) 43.3342 Robert Miles Dreamland (Ans.) 15.8915 Vanessa Williams The Sweetest Days (Wing) 11.4256 MTV Party To Go Vol.
    [Show full text]
  • Srcd Oral History Interview
    Dale B. Harris Born 6/28/1914 in Northen Indiana; Died in 2007 B.A. (1935) DePauw University , M.A. (1936) University of Minnesota, Ph.D. (1941) University of Minnesota Married to Elizabeth Harris Major Employment: Head of Psychology, 1963-1968, Professor of Psychology, 1968- 1969, Professor of Psychology and Human Development, 1969- 1979, Professor Emeritus of Psychology and Human Development, 1978-2007, all positions held at The Pennsylvania State University Major Areas of Work: Research on children’s drawings, resulting in the Goodenough-Harris Draw-A-Person Test. SRCD Affiliation: Secretary and Governing Council Member SRCD ORAL HISTORY INTERVIEW Dale B. Harris Interviewed by David Palermo May, 1994 Palermo: Okay, I think we are suppose to begin with your general intellectual history. So would you describe your family background along with any childhood and adolescent experiences that may be of interest - where were you born, where did you grow up? What was your schooling like? Do you have any military or early work history you want to talk about? Harris: Well, I grew up in a town in northern Indiana on the eastern edge of what is now the rust belt. While it suffered pretty severely during the depression the town was hit earlier than the great depression generally because its main industry was musical instruments. There were five band instrument companies. Palermo: Five companies? Harris: Five companies and they produced something like 85% of the world’s supply. Germany was the only one that came even into the picture and of course radio coming in during the early 20’s just knocked home music and the town was badly hit by the depression by 1924/1925.
    [Show full text]
  • Request List 619 Songs 01012021
    PAT OWENS 3 Doors Down Bill Withers Brothers Osbourne (cont.) Counting Crows Dierks Bentley (cont.) Elvis Presley (cont.) Garth Brooks (cont.) Hank Williams, Jr. Be Like That Ain't No Sunshine Stay A Little Longer Accidentally In Love I Hold On Can't Help Falling In Love Standing Outside the Fire A Country Boy Can Survive Here Without You Big Yellow Taxi Sideways Jailhouse Rock That Summer Family Tradition Kryptonite Billy Currington Bruce Springsteen Long December What Was I Thinking Little Sister To Make You Feel My Love Good Directions Glory Days Mr. Jones Suspicious Minds Two Of A Kind Harry Chapin 4 Non Blondes Must Be Doin' Somethin' Right Rain King Dion That's All Right (Mama) Two Pina Coladas Cat's In The Cradle What's Up (What’s Going On) People Are Crazy Bryan Adams Round Here Runaround Sue Unanswered Prayers Pretty Good At Drinking Beer Heaven Eric Church Hinder 7 Mary 3 Summer of '69 Craig Morgan Dishwalla Drink In My Hand Gary Allan Lips Of An Angel Cumbersome Billy Idol Redneck Yacht Club Counting Blue Cars Jack Daniels Best I Ever Had Rebel Yell Buckcherry That's What I Love About Sundays Round Here Buzz Right Where I Need To Be Hootie and the Blowfish Aaron Lewis Crazy Bitch This Ole Boy The Divinyls Springsteen Smoke Rings In The Dark Hold My Hand Country Boy Billy Joel I Touch Myself Talladega Watching Airplanes Let Her Cry Only The Good Die Young Buffalo Springfield Creed Only Wanna Be With You AC/DC Piano Man For What It's Worth My Sacrifice Dixie Chicks Eric Clapton George Jones Time Shook Me All Night Still Rock And
    [Show full text]
  • Hypersonic and High-Temperature Gas Dynamics Second Edition This Page Intentionally Left Blank Hypersonic and High-Temperature Gas Dynamics Second Edition
    Hypersonic and High-Temperature Gas Dynamics Second Edition This page intentionally left blank Hypersonic and High-Temperature Gas Dynamics Second Edition John D. Anderson, Jr. National Air and Space Museum Smithsonian Institution Washington, DC and Professor Emeritus, Aerospace Engineering University of Maryland College Park, Maryland EDUCATION SERIES Joseph A. Schetz Series Editor-in-chief Virginia Polytechnic Institute and State University Blacksburg, Virginia Published by the American Institute of Aeronautics and Astronautics, Inc. 1801 Alexander Bell Drive, Reston, Virginia 20191-4344 American Institute of Aeronautics and Astronautics, Inc., Reston, Virginia 12345 Library of Congress Cataloging-in-Publication Data Anderson, John David. Hypersonic and high-temperature gas dynamics / John D. Anderson, Jr. - - 2nd ed. p. cm. Includes bibliographical references and index. ISBN-13: 978-1-56347-780-5 (alk. paper) ISBN-10: 1-56347-780-7 (alk. paper) 1. Aerodynamics, Hypersonic. I. Title TL571.5.A53 2006 629.132’306- -dc22 2006025724 Copyright # 2006 by John D. Anderson, Jr. All rights reserved. Printed in the United States of America. No part of this publication may be reproduced, distributed, or transmitted, in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. Data and information appearing in this book are for information purposes only. AIAA is not respon- sible for any injury or damage resulting from use or reliance, nor does AIAA warrant that use or reliance will be free from privately owned rights. To Sarah-Allen, Katherine, and Elizabeth Anderson, for all their love and understanding This page intentionally left blank AIAA Education Series Editor-in-Chief Joseph A.
    [Show full text]
  • Reading to a Different DRUM: the Directed Reading Using Music Strategy
    DOCUMENT RESUME ED 396 244 CS 012 484 AUTHOR Marchionda, Denise B. TITLE Reading to a Different DRUM: The Directed Reading Using Music Strategy. PUB DATE 96 NOTE Ilp. PUB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Class Activities; Novels; *Reading Motivation; *Reading Skills; *Reading Strategies; Secondary Education; *Songs; *Student Motivation; Thinking Skills; Vocabulary Development IDENTIFIERS *Directed Reading Using Music Strategy ABSTRACT The Directed Reading Using Music Strategy (DRUMS) is a type of reading strategy that can lead to the teachingof reflective thinking skills, increased reading comprehension and vocabulary, along with increased motivation for learning. Research indicates that contemporary song lyrics aid reading comprehension and can be used as motivational text. A wide selection of songlyrics should be used during the 40-minute lessons. Steps in the strategy are (1) motivation;(2) introduction of vocabulary;(3) setting a purpose for reading; (4) reading;(5) reinforce comprehension; (6) reread;(7) validate interpretations, reflect, and reinforce comprehension; and (8) extend and enrich the lesson. Teachers' and students' positive reactions to the DRUMS procedures suggest that the strategy may be useful in adding variety to the traditional reading class. Contains 26 references and short synopses of 8 novels and related songs. A 19-item list of novel and song titles is attached. (RS) ***********************************************************************
    [Show full text]
  • American Country Music of the Second Half of the Twentieth Century
    PALACKÝ UNIVERSITY OLOMOUC FACULTY OF ARTS Department of English and American Studies Martin Hujčák AMERICAN COUNTRY MUSIC OF THE SECOND HALF OF THE TWENTIETH CENTURY Master thesis Supervisor: Mgr. Jiří Flajšar, Ph.D. Olomouc 2015 UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra anglistiky a amerikanistiky Martin Hujčák AMERICKÁ COUNTRY HUDBA DRUHÉ POLOVINY 20. STOLETÍ Diplomová práca Vedúci práce: Mgr. Jiří Flajšar, Ph.D. Olomouc 2015 Prehlásenie Prehlasujem, ţe som diplomovú prácu na tému: American country music of the second half of the twentieth century vypracoval samostatne pod odborným dohľadom vedúceho diplomovej práce a uviedol som všetky pouţité podklady a literatúru. V Olomouci dňa……. ….……….. Podpis ……………………… Ďakujem vedúcemu mojej diplomovej práce Mgr. Jiřímu Flajšarovi, Ph.D. za uţitočné rady a pripomienky. Ďalej pánu doktorovi ďakujem za podnetné diskusie a trpezlivosť pri odpovedaní mojich otázok. V Olomouci 2.12.2015 Martin Hujčák Contents: Introduction ....................................................................................... 8 1 Country music background ............................................................... 10 1.1 American Folk music ..................................................................... 10 1.2 Society and the birth of Folk music ................................................ 11 1.3 Western music ................................................................................ 13 1.4 The beginning of commercial development ................................... 14 1.5 The
    [Show full text]
  • Lunch Special by Sally Robinson and Objects, Such As Bushes Or Parked Other Safety Issues to Consider Keith Bly Cars
    The Eagle Lake Headlight — News for Southern Colorado County, Texas Thursday, August 13,2009, Page 7 2009 Colorado County Fair Activities Information Continued from front page sitions. Keith Gattis, Bobby Bare line for greatness is no different. Flatonia, TX. Writes songs and There will be three sections in Entry forms are now available information should contact pa- Jr., Charles Bracco and Bruce Formed in early 2006, JAB was plays rhythm guitar. Vet student the contest: illustrations, cartoons at the Columbus Area Chamber of rade chairman Kim Dyer at the Springsteen provide the other founded by fraternity brothers: at Texas A&M. and three-dimensional work such Commerce located in the Stafford Chamber office at 979-732-8385 or four. Robison also produced the Josh Abbott, Austin Davis, Drew as sculptures made of clay or Opera House at 425 Spring Street at home at 979-942-0673. project. Hurt, and Neel Huey. Katelyn & other types of constructions. and at Potter's Western Store The deadline to enter the 2009 Overlapping the album's After playing mostly acoustic Christopher Hobaugh Students may enter one piece at 2106 Highway 71 South in Co- parade is Wednesday, September theme of lost love is the dawning open mic night shows at The Blue Katelyn Hobaugh will take in each section if they so desire. lumbus. 9. awareness of lost youth. "Gotta Light, Josh and Austin called on the stage with her brother, Chris. There is no entry fee for the Persons needing additional car full of dents/And a face full of Drew and Neel to give the band Katelyn has performed at the CHS Western Art Contest.
    [Show full text]