RANK and FILE Personal Histories by Working-Class Organizers

Total Page:16

File Type:pdf, Size:1020Kb

RANK and FILE Personal Histories by Working-Class Organizers Personal Histories by Working-Class Organizers RANK AND FILE Personal Histories by Working-Class Organizers Edited by Alice and Staughton Lynd Beacon Press Boston Copyright© 1973 by Alice and Staughton Lynd How I Became Part of the Labor Movement by John W. Anderson Copyright © 1973 by John W. Anderson Beacon Press books are published under the auspices of the Unitarian Universalist Association Published simultaneously in Canada by Saunders of Toronto, Ltd. All rights reserved Printed in the United States of America 9 8 7 6 5 4 3 2 Library of Congress Cataloging in Publication Data Lynd, Alice. Rank and file. I. Labor and laboring classes-United States- 1914- -Addresses, essays, lectures. 2. Trade- unions-United States-Addresses, essays, lectures. I. Lynd, Staughton, joint author. II. Title. HD8072.L883 331.88'092'2 [BJ 73-6247 ISBN 0-8070-0508-8 The editors gratefully acknowledge permission to quote passages from The Company and the Union, by William Serrin,© 1970, 1971, 1972 by William Serrin, by permission of Alfred A. Knopf, Inc. Table of Contents Introduction CHRISTINE ELLIS, People Who Cannot Be Bought 9 JOHN w. ANDERSON. How I Became Part of the Labor Movement 35 STELLA NOWICKI, Back of the Yards 67 GEORGE PATTERSON, JESSE REESE AND JOHN SARGENT, Your Dog Don't Bark No More 89 SYLVIA wooDs. You Have to Fight for Freedom 111 MARIO MANZARDO. Liberi Cuori [Liberated Hearts] 131 BURR MCCLOSKEY, I Appeal the Ruling of the Chair 149 NICK MIGAS. How the International Took Over 163 STAN WEIR. The Informal Work Group 177 GEORGE SULLIVAN, Working for Survival 201 KEN TUCKER. It Got My Back Up 223 WAYNE KENNEDY. An Absolute Majority 233 JORDAN SIMS, Going for Broke 253 JOHN BARBERO, ED MANN AND OTHERS, A Common Bond 265 BILL WORTHINGTON. LEE SMITH AND ED RY AN, Miners For Democracy 285 List of Abbreviations 297 Acknowledgments We wish gratefully to acknowledge many kinds of help. Helen Michalowski spent many, many hours transcribing tapes in an effort to deepen her own understanding of history. Jim Wright and Fred Stern provided some of the first introductions. Betty Balanoff gener­ ously shared her own resources in oral history. Alfred Young, Ann Gordon, and the editors of Radical America and Ramparts took this work seriously and made it possible for us to publish fragments. Above all, we wish to thank the individuals in the accounts, their friends and families, who opened up their lives to us. Alice and Staughton Lynd Introduction HE INDUSTRIAL UNION organizing drive of the 1930s was a T movement for democracy. Talk to the mass production work­ ers who took part in it, and they will tell you that what they wanted more than anything else was dignity. They wanted freedom from the petty harassment of a foreman who could send a man home at will and reward those who curried his favor with steady work, pre­ ferred jobs, and promotion. They wanted "unions of their own choosing" which could stand up to the power of corporate employers and bargain on equal terms. Like democratic movements in America before and since, they believed that the human right to a job should take precedence over the property right to manage an enterprise as the employer sees fit. After World War II the labor movement fell silent, and the demo­ cratic impulse made itself felt in movements of blacks, students and women. These movements insisted that American society claims to be democratic but the reality is often the reverse. They asked, how can a society which calls itself democratic prevent blacks from vot­ ing? How can it treat students as IBM cards, and women as sex objects? How can it make war without consulting Congress, let alone the people? All these movements agreed that people should participate in the decisions which affect their lives. Now American working people are stirring again. They are beginning to question foremen and corporation executives whom they did not elect, and union officials who have lost touch with their membership. The groups which took part in the cultural revolution of the 1960s are moving into the workplace. Blacks have become a majority in many automobile plants and steel mills, students have graduated and taken jobs in white-collar bureaucracies, veterans are returning from Vietnam, women have gone out to work in larger 2 Introduction numbers than at any time since World War II. A new restlessness is evident in wildcat (unauthorized) strikes, in rank-and-file rejection of contracts, in demands for humanizing work and for a pollution­ and hazard-free work situation. Two events in 1972 symbolized the ferment. At the General Motors assembly plant in Lordstown, Ohio, workers struck against speed-up and arbitrary discipline. Their average age was under twenty-five. Many were veterans. Long hair and New Left life styles were common. In the Appalachian coal fields, the Miners For Democracy ousted the incumbent leadership of the United Mine Workers. Their movement grew in part from a campaign against unnecessary mine disasters and the slow death of Black Lung from breathing excessive coal dust. It is by no means clear whether the lasting impact of the new working-class consciousness will be progressive or reactionary. Miners For Democracy is widely supported by working people but so is George Wallace. Even supposing (as we do) that the thrust of working-class revolt is essentially democratic, what will protect it from betrayal by those whom it elects to office? Among rank-and-file working people there is universal resentment about union reformers who, once in office, kick the ladder away and forget to look back. It is hard to know how to prevent this. Thus difficult problems present themselves as workers sense their power and make their feelings known. This book is by and for people struggling with these problems. II In the following pages, a number of men and women tell of their experience as organizers. About half were active mainly in the 1930s and about half since World War II. About one third are currently involved in rank-and-file movements. Most grew up and worked in the Midwest and many in the steel industry, since this is the principal industry in the Chicago area where we lived while making the book. They were not selected at random. What unites these remarkable individuals is that, in our judgment, they belong to a tradition of working-class democracy. "Go see so-and-so," we would be told, "if you want to meet someone who expressed the spirit of the rank Introduction 3 and file." Led in this way from one person to the next we put to­ gether Rank and File. What do working people mean when they say ''rank and file'' and what do we mean by using it for the title of this book? Rank and file, in a general way, refers to workers on the job, not paid union leadership. Rank-and-file activity usually means people on the job taking whatever action they think is necessary, doing something for themselves rather than waiting for someone else to do it for them. It means people acting on their own, based on their own common experience. In the words of Percy Llewellyn, who helped to unionize Ford in Detroit, It wasn't the international [union]* doing it. We were doing it. This was on our own. We knew what the problems were in the plant, and we didn't have to go to some political officer to tell him we needed some help on this problem. We just went out and did it. And that was the big reason that Ford was organized. Ford was organized mainly because the workers in there did the job themselves. Rank-and-file activity may be directed against an intolerable employer or an unresponsive union bureaucracy. Neither the individuals in this book, nor we ourselves, are anti-union. "Don't get me wrong," says Clarence Stoecker, a retired farm equipment worker from the McCormick Works in Chicago (site of the strike which led to the Haymarket "Riot" of 1886). "I'll never say that you're better off without a union, that you'd do better to save that five bucks a month or whatever the dues is. You just can't do that." The fact remains that too many industrial unions have become bureaucratic closed corporations, like the craft unions of the old AFL. At best they are concerned with material benefits for their own members, not with the welfare of working people everywhere. At worst they have become a new kind of company union, financially independent of the rank and file because the company deducts union dues from the worker's paycheck (dues check-off) and politically all-powerful because the contract takes away from rank and filers the *National unions (as opposed to local unions) in the United States refer to them­ selves as "internationals" when they include Canadian members. 4 Introduction right to strike (no-strike clause). This is the situation that makes some union men and women say that they have two enemies, the company and their union leadership. How did this degeneration of the trade unions come about? The collective action of working people springs from the need for self­ protection. Those who are in a position to decide what others will do, when, where, and how they will do it and how much they'll get paid, have tremendous power over the lives of the people who work under them. It is extremely difficult for any single individual or any single local union to deal with that power.
Recommended publications
  • ~Tate of M:Enne~~Ee
    ~tate of m:enne~~ee HOUSE JOINT RESOLUTION NO. 695 By Representative Shepard and Senators Crowe, Herron A RESOLUTION to honor the professional achievements of musician John Rich. WHEREAS, it is fitting that the members of this body should pause to honor those exemplary citizens who contribute significantly to the reputation of Tennessee throughout the world as the center of the music industry universe and home of the most generous and compassionate citizenry by helping to reinforce the "Volunteer State" nickname; and WHEREAS, one such citizen is John Rich who has garnered high acclaim as a singer, songwriter, record producer, and television personality over the course of his illustrious and storied career in the music and entertainment industry; and WHEREAS, Mr. Rich, born on January 7, 1974, in Amarillo, Texas, moved to middle Tennessee in the early 1990s, where he attended and graduated from Dickson County Senior High School with the class of 1992, making lifelong friends and ties with the community; and WHEREAS, after high school, Mr. Rich chose to forego college to pursue his dream of becoming a country music recording artist. In the summer of 1992, he was chosen by executives at Opryland USA to be a performer in the Nashville-based theme park's daily variety show entitled "Country Music USA," wherein Mr. Rich performed songs by country music superstars such as George Jones, Garth Brooks, George Strait, and Vince Gill; and WHEREAS, during his time at Opryland USA, Mr. Rich met fellow performer Dean Sams, who along with Mr. Rich and two other fellow Texans formed a band named Texassee.
    [Show full text]
  • Working Finding Aid the Center for Popular Music
    THIS COLLECTION IS STILL IN PROCESS – WORKING FINDING AID THE CENTER FOR POPULAR MUSIC, MIDDLE TENNESSEE STATE UNIVERSITY, MURFREESBORO, TN ALAN L. MAYOR COLLECTION 17-005 Creator: Mayor, Alan Leslie (August 21, 1949 – February 22, 2015) Type of Material: Manuscript Materials, Photographs, Negatives, Slides, Datebooks, Sound Recordings Physical Description: 162 linear feet of manuscript material including: 113 linear feet of photographic prints 19 linear feet of negatives 22 linear feet of slides 5 linear feet of CD/DVD/Floppy disc photographic files 1 linear foot of datebooks 2 linear foot of press passes Dates: circa 1977 – 2012, bulk 1990-2000 Access/Restrictions: The collection is partially processed, but is open for research use. The Center for Popular Music only owns rights to the physical materials in this collection. All materials in this collection are under copyright that is owned by the Mayor Family. Researchers must receive prior written permission from the Mayor Family for any reproductions of use. Center staff are able to assist with copyright questions for this material. Provenance and Acquisition Information: This collection was donated by Alan Mayor’s sister, Theresa Mayor Smith, in October 2017. The Center’s Director and Archivist picked up a portion of the collection on October 6, 2017 from Mrs. Smith’s storage unit in Cadiz, Kentucky. The second, and largest, portion was picked up by the Center’s Archivist and Assistant Archivist on October 13, 2017 from Cadiz, Kentucky. The third batch of remanding binders of negatives was dropped off at the Center by Mrs. Smith on November 9, 2017. Subjects/Index Terms: Country music – 1971-1980 THIS COLLECTION IS STILL IN PROCESS – WORKING FINDING AID Alan L.
    [Show full text]
  • ABC Watermark
    Please audition each disc immediately. If you have any questions, please contact us toll free at 1·800-423-2502. WITH IOI IIN05UY ABC Watermark ... COMPACT 01~·.c 11, TRACK 10, HAS 1 KHz REFERENCE TONE·- 3575 Cahuenga Blvd West Suite 555 Los Angeles CA 90068 213:882.8330 FAX 213.850.5832 TOPICAL PROMOS TOPICAL PROMOS FOR SHOW t4 ARE LOCATED ON CD SIDE 4, TRACK Z AND 8, DO NOT USE AFTER SHOW 14, 1. NEWCOMER MANIA AT TOP :25 HI, I'm Bob Kingsley and last week on ACC it was newcomer mania at the top of our survey. First, newcomer Sammy Kerrhaw moved up to #3 with his very first chart song. Tracy Lawrence hit #2 bi§. first time out ... and newly risen star, Collin Raye held on to #1 for the third week in a row. All these exciting new performers are just three reasons why you should c: ,oc" vut CA:i ii 10 "'; ,afi i:tl,,;(i.:;,. 11i~ wutti\ ~..1n A, rM:Jri~an Couui,y Cuunidown. (LOCAL TAG) 2. QEJJUT SORT OF R.~DEBUT FOR ANDERSON :28 I'm Bob Kingsley and last week a debut song called "Straight Tequila Night" was marked a sort of m-debut for singer John Anderson. John was one of the hottest young stars of the early to mid 80s and had recently slipped from chart view. But now we welcome John, as do his many fans, back to the fun of the survey as we start at #40 and count 'em down to that nurmer one song every week on American Country Countdown! (LOCAL TAG) - FOR YOUR CONVl':Nlf:NCE, WE HAVE PLACED A 25 HZ TONE AT ·10 DB AT THE END OF OUR NETWORK COMMERCIAL BREAKS TO ACCOMMODATE AUTOMATED AND SEMI-AUTOMATED STATIONS - -· •" ~ .
    [Show full text]
  • Dave Dellinger's Political Legacy to Occupy Wall Street
    Dave Dellinger’s Political Legacy to Occupy Wall Street cristina scatamacchia Recently historians have shown a growing interest in a small group of Christian radical pacifists, who became conscientious objectors during World War II, op- posed the Cold War and participated in the civil rights movement as well as in the movement against the war in Vietnam (Tracy; Bennett; Mollin). These longtime nonviolent activists were a small but significant minority, because they kept po- litical dissent alive in the forties and fifties when liberal consensus prevailed, bridging the gap between the Old Left and the New Left. Dave Dellinger was one of these activists and, as a leader of the antiwar movement, he played a crucial role in its evolution. He continued to be politically active throughout the eighties and nineties when dissent was virtually non-existent in American society, until his death in 2004 at the age of eighty-eight. His lifelong commitment eased the transition to Occupy Wall Street and provided ongoing continuity among radical movements. This paper outlines and evaluates the influence that Dellinger exerted upon subsequent generations of protestors, from the New Left to Occupy Wall Street. In the latter case, it was an indirect influence because Dellinger died before the beginning of the movement in 2011 and many young activists did not know who he was, even though they pursued the same political goals and strategies. In fact Dellinger was an influential champion of twentieth-century radicalism and is still revered by older activists, who have created a website, as well as an Essay 139 Contest and an annual “David Dellinger Lecture on Nonviolence” to honor his memory and keep it alive (Official Dave Dellinger Website; “Announcing”).
    [Show full text]
  • “The Stories Behind the Songs”
    “The Stories Behind The Songs” John Henderson The Stories Behind The Songs A compilation of “inside stories” behind classic country hits and the artists associated with them John Debbie & John By John Henderson (Arrangement by Debbie Henderson) A fascinating and entertaining look at the life and recording efforts of some of country music’s most talented singers and songwriters 1 Author’s Note My background in country music started before I even reached grade school. I was four years old when my uncle, Jack Henderson, the program director of 50,000 watt KCUL-AM in Fort Worth/Dallas, came to visit my family in 1959. He brought me around one hundred and fifty 45 RPM records from his station (duplicate copies that they no longer needed) and a small record player that played only 45s (not albums). I played those records day and night, completely wore them out. From that point, I wanted to be a disc jockey. But instead of going for the usual “comedic” approach most DJs took, I tried to be more informative by dropping in tidbits of a song’s background, something that always fascinated me. Originally with my “Classic Country Music Stories” site on Facebook (which is still going strong), and now with this book, I can tell the whole story, something that time restraints on radio wouldn’t allow. I began deejaying as a career at the age of sixteen in 1971, most notably at Nashville’s WENO-AM and WKDA- AM, Lakeland, Florida’s WPCV-FM (past winner of the “Radio Station of the Year” award from the Country Music Association), and Springfield, Missouri’s KTTS AM & FM and KWTO-AM, but with syndication and automation which overwhelmed radio some twenty-five years ago, my final DJ position ended in 1992.
    [Show full text]
  • Hundreds of Country Artists Have Graced the New Faces Stage. Some
    314 performers, new face book 39 years, 1 stage undreds of country artists have graced the New Faces stage. Some of them twice. An accounting of every one sounds like an enormous Requests Htask...until you actually do it and realize the word “enormous” doesn’t quite measure up. 3 friend requests Still, the Country Aircheck team dug in and tracked down as many as possible. We asked a few for their memories of the experience. For others, we were barely able to find biographical information. And we skipped the from his home in Nashville. for Nestea, Miller Beer, Pizza Hut and “The New Faces Show had Union 76, among others. details on artists who are still active. (If you need us to explain George Strait, all those radio people, and for instance, you’re probably reading the wrong publication.) Enjoy. I made a lot of friends. I do Jeanne Pruett: Alabama native Pruett remember they had me use enjoyed a solid string of hits from the early the staff band, and I was ’70s right into the ’80s including the No. resides in Nashville, still tours and will suffering some anxiety over not being able 1 smash, “Satin Sheets.” Pruett is based receive a star in the Hollywood Walk of to use my band.” outside of Nashville and is still active as a 1970 Fame in October, 2009. performer and as a member of the Grand Jack Barlow: He charted with Ole Opry. hits like “Baby, Ain’t That Love” Bobby Harden: Starting out with his two 1972 and “Birmingham Blues,” but by sisters as the pop-singing Harden Trio, Connie Eaton: The Nashville native started Mel Street: West Virginian Street racked the mid-’70s Barlow had become the nationally Harden cracked the country Top 50 back her country career as a teenager and hit the up a long string of hits throughout the ’70s, famous voice of Big Red chewing gum.
    [Show full text]
  • 6 FREE Cds: ALTERNATIVE 0 ROCK O R&B O COUNTRY Please Accept My at the Regular Price (Currently 512.98 to 816.98) at Some I Timein the Coming Year
    street grooves soft spot 2 Unlimited Hits Unlimited (Rodikal/Critigue) 150060 Air Supply Greatest His Live (Giant) 15.9111 Aaliyah Parkground Enter/AJI 16.2040 Blesskl Union Of Souls Hone (EMI) 12.2549 Beastie Boys 111Communocation (Capitol) A 48.4808 Cher Its A Man's World (Reprise) 15.9467 George Benson Thor's Right (GRP) 16.3386 Chicago® Greatest Hits 1982-89 (Reprise) 40.1166 Busts Rhymes The Coming (Eleleinsia 15.1399 Daryl Hell/John Oates Rock 'nSoul, PartI (RCA) 14.7025 Casablanca Records Greatest Hits Jordan Hill 1143 Records/Atlantic) 15.4203 Various Anis?, (Casablanca) 15.4062 Elton John Made In England (Rocket/Island) 12.2184 D'Angele Brown Sugar (EMI) 13.1714 k.d. long All You Con Eat (Warner Bros.) 13.9519 De La Soul Stakes Is High (Tommy Boy) 16.2321 Madonna Something To Remember "Eddie" Original Soundtrack (Island Block Musk) 15.7768 (Movenck/Siro/Warner) 13.9535 Funkmaster Fleas 60 Minutes Of Funk Lionel Rich. Louder Than Words (Mercury) 15.4047 Various Artists IRCA/Loud Records) 14.6522 Paul Simon Gracelond (Warner Bros ) 34.5751 Junior MA.F.1A. Conspirocy (Bog Bost/Ationtoc) 13.5988 Steely Don Alive In Americo (Giant) 13.9618 L Kelly (live) 14.2711 Rod Stewart Unplugged and Seated (Warner Bros 48.'4444 La Bourke Sweet DIVIOM, (RCA) 14.7546 Sting Fields Of Gold IA8d6) 11.3555 LL Cool J Mr Smith (Del Jam) 14.3560 Tina Turner Simply The Best (Capitol) 43.3342 Robert Miles Dreamland (Ans.) 15.8915 Vanessa Williams The Sweetest Days (Wing) 11.4256 MTV Party To Go Vol.
    [Show full text]
  • Living Inside Our Hope Also by Staughton Lynd
    Living Inside Our Hope Also by Staughton Lynd Anti-Federalism in Dutchess County, New York: A Study of Democracy and Class Conflict in the Revolutionary Era The Other Side (with Tom Hayden) Class Conflict, Slavery, and the United States Constitution The Resistance (with Michael Ferber) Strategy and Program: Two Essays Toward a New American Socialism (with Gar Alperovitz) Intelkctual Origins of American Radicalism The Fight Against Shutdowns: Youngstown s Steel Mill Closings Solidarity Unionism: Rebuilding the Labor Movement from Below Labor Law for the Rank and Fikr; or, Building Solidarity Whik Staying Ckar of the loaw Edited by Staughton Lynd American Labor Radicalism: Testimonies and Interpretations Rank and Fik: Personal Histories f7y Working-Class Organizers (with Alice Lynd) Homeland: Oral Histories of Pakstine and Palestinians (with Alice Lynd and Sam Bahour) Nonvioknce in America: A Documentary History (with Alice Lynd) "We Are All Leaders": The Alternative Unionism of the Early 1930s Living Inside Our Hope A Steadfast Radical's Thoughts on Rebuilding the Movement Staughton Lynd ILR PRESS An imprint of Cornell University Press Ithaca and London Copyright© 1997 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not he reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. First published 1997 by Cornell University Press First printing, Cornell Paperbacks, 1997 Li&rary of Congress Cataloging-in-Publiration Data Lynd, Staughton. Living inside our hope : a steadfast radical's thoughts on rebuilding the movement I Staughton Lynd.
    [Show full text]
  • Srcd Oral History Interview
    Dale B. Harris Born 6/28/1914 in Northen Indiana; Died in 2007 B.A. (1935) DePauw University , M.A. (1936) University of Minnesota, Ph.D. (1941) University of Minnesota Married to Elizabeth Harris Major Employment: Head of Psychology, 1963-1968, Professor of Psychology, 1968- 1969, Professor of Psychology and Human Development, 1969- 1979, Professor Emeritus of Psychology and Human Development, 1978-2007, all positions held at The Pennsylvania State University Major Areas of Work: Research on children’s drawings, resulting in the Goodenough-Harris Draw-A-Person Test. SRCD Affiliation: Secretary and Governing Council Member SRCD ORAL HISTORY INTERVIEW Dale B. Harris Interviewed by David Palermo May, 1994 Palermo: Okay, I think we are suppose to begin with your general intellectual history. So would you describe your family background along with any childhood and adolescent experiences that may be of interest - where were you born, where did you grow up? What was your schooling like? Do you have any military or early work history you want to talk about? Harris: Well, I grew up in a town in northern Indiana on the eastern edge of what is now the rust belt. While it suffered pretty severely during the depression the town was hit earlier than the great depression generally because its main industry was musical instruments. There were five band instrument companies. Palermo: Five companies? Harris: Five companies and they produced something like 85% of the world’s supply. Germany was the only one that came even into the picture and of course radio coming in during the early 20’s just knocked home music and the town was badly hit by the depression by 1924/1925.
    [Show full text]
  • Request List 619 Songs 01012021
    PAT OWENS 3 Doors Down Bill Withers Brothers Osbourne (cont.) Counting Crows Dierks Bentley (cont.) Elvis Presley (cont.) Garth Brooks (cont.) Hank Williams, Jr. Be Like That Ain't No Sunshine Stay A Little Longer Accidentally In Love I Hold On Can't Help Falling In Love Standing Outside the Fire A Country Boy Can Survive Here Without You Big Yellow Taxi Sideways Jailhouse Rock That Summer Family Tradition Kryptonite Billy Currington Bruce Springsteen Long December What Was I Thinking Little Sister To Make You Feel My Love Good Directions Glory Days Mr. Jones Suspicious Minds Two Of A Kind Harry Chapin 4 Non Blondes Must Be Doin' Somethin' Right Rain King Dion That's All Right (Mama) Two Pina Coladas Cat's In The Cradle What's Up (What’s Going On) People Are Crazy Bryan Adams Round Here Runaround Sue Unanswered Prayers Pretty Good At Drinking Beer Heaven Eric Church Hinder 7 Mary 3 Summer of '69 Craig Morgan Dishwalla Drink In My Hand Gary Allan Lips Of An Angel Cumbersome Billy Idol Redneck Yacht Club Counting Blue Cars Jack Daniels Best I Ever Had Rebel Yell Buckcherry That's What I Love About Sundays Round Here Buzz Right Where I Need To Be Hootie and the Blowfish Aaron Lewis Crazy Bitch This Ole Boy The Divinyls Springsteen Smoke Rings In The Dark Hold My Hand Country Boy Billy Joel I Touch Myself Talladega Watching Airplanes Let Her Cry Only The Good Die Young Buffalo Springfield Creed Only Wanna Be With You AC/DC Piano Man For What It's Worth My Sacrifice Dixie Chicks Eric Clapton George Jones Time Shook Me All Night Still Rock And
    [Show full text]
  • Hypersonic and High-Temperature Gas Dynamics Second Edition This Page Intentionally Left Blank Hypersonic and High-Temperature Gas Dynamics Second Edition
    Hypersonic and High-Temperature Gas Dynamics Second Edition This page intentionally left blank Hypersonic and High-Temperature Gas Dynamics Second Edition John D. Anderson, Jr. National Air and Space Museum Smithsonian Institution Washington, DC and Professor Emeritus, Aerospace Engineering University of Maryland College Park, Maryland EDUCATION SERIES Joseph A. Schetz Series Editor-in-chief Virginia Polytechnic Institute and State University Blacksburg, Virginia Published by the American Institute of Aeronautics and Astronautics, Inc. 1801 Alexander Bell Drive, Reston, Virginia 20191-4344 American Institute of Aeronautics and Astronautics, Inc., Reston, Virginia 12345 Library of Congress Cataloging-in-Publication Data Anderson, John David. Hypersonic and high-temperature gas dynamics / John D. Anderson, Jr. - - 2nd ed. p. cm. Includes bibliographical references and index. ISBN-13: 978-1-56347-780-5 (alk. paper) ISBN-10: 1-56347-780-7 (alk. paper) 1. Aerodynamics, Hypersonic. I. Title TL571.5.A53 2006 629.132’306- -dc22 2006025724 Copyright # 2006 by John D. Anderson, Jr. All rights reserved. Printed in the United States of America. No part of this publication may be reproduced, distributed, or transmitted, in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. Data and information appearing in this book are for information purposes only. AIAA is not respon- sible for any injury or damage resulting from use or reliance, nor does AIAA warrant that use or reliance will be free from privately owned rights. To Sarah-Allen, Katherine, and Elizabeth Anderson, for all their love and understanding This page intentionally left blank AIAA Education Series Editor-in-Chief Joseph A.
    [Show full text]
  • Reading to a Different DRUM: the Directed Reading Using Music Strategy
    DOCUMENT RESUME ED 396 244 CS 012 484 AUTHOR Marchionda, Denise B. TITLE Reading to a Different DRUM: The Directed Reading Using Music Strategy. PUB DATE 96 NOTE Ilp. PUB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Class Activities; Novels; *Reading Motivation; *Reading Skills; *Reading Strategies; Secondary Education; *Songs; *Student Motivation; Thinking Skills; Vocabulary Development IDENTIFIERS *Directed Reading Using Music Strategy ABSTRACT The Directed Reading Using Music Strategy (DRUMS) is a type of reading strategy that can lead to the teachingof reflective thinking skills, increased reading comprehension and vocabulary, along with increased motivation for learning. Research indicates that contemporary song lyrics aid reading comprehension and can be used as motivational text. A wide selection of songlyrics should be used during the 40-minute lessons. Steps in the strategy are (1) motivation;(2) introduction of vocabulary;(3) setting a purpose for reading; (4) reading;(5) reinforce comprehension; (6) reread;(7) validate interpretations, reflect, and reinforce comprehension; and (8) extend and enrich the lesson. Teachers' and students' positive reactions to the DRUMS procedures suggest that the strategy may be useful in adding variety to the traditional reading class. Contains 26 references and short synopses of 8 novels and related songs. A 19-item list of novel and song titles is attached. (RS) ***********************************************************************
    [Show full text]