Swift, Coldplay Set for Iheartradio Festival
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Roots Report: an Interview with Weird Al
Roots Report: An Interview with Weird Al Okee dokee folks… Almost exactly one year ago I saw Weird Al Yankovic at the Zeiterion in New Bedford. In all honesty it was one of the BEST shows I have EVER seen. It was fun, funny, energetic … basically AWESOME! I had a grin on my face the whole time. Weird Al is a comical/musical genius. I know a lot of you will scoff at this and probably think what he does is easy. It’s not, but he makes it seem that way as he effortlessly genre-shifts and works lyrical magic with the lampoons. Weird Al is bringing his Mandatory Fun Show to the Providence Performing Arts Center on September 14, and I had the opportunity to talk to him about his tour, music and upcoming show. Before I did the interview I asked folks on Facebook what they would like to know about Al, and I based my all of questions on those responses. John Fuzek: What was your favorite video to film? Weird Al: Probably “Tacky” (a parody of “Happy” by Pharrell Williams). It was also one of the easier videos to film because it was all done in one shot. Once we had the DP and the crew rehearsed, my celebrity friends came in. We told them where their marks were, everybody was professional and we knocked it out in a couple of hours. It was great. I got to work with some of the funniest people I know: Jack Black, Aisha Tyler, Kristen Schaal, Margaret Cho and Eric Stonestreet … you know, they’re in my address book. -
The Prospector, July 5, 2016
University of Texas at El Paso DigitalCommons@UTEP The rP ospector Special Collections Department 7-5-2016 The rP ospector, July 5, 2016 UTEP Student Publications Follow this and additional works at: http://digitalcommons.utep.edu/prospector Part of the Journalism Studies Commons, and the Mass Communication Commons Comments: This file is rather large, with many images, so it may take a few minutes to download. Please be patient. Recommended Citation UTEP Student Publications, "The rP ospector, July 5, 2016" (2016). The Prospector. Paper 255. http://digitalcommons.utep.edu/prospector/255 This Article is brought to you for free and open access by the Special Collections Department at DigitalCommons@UTEP. It has been accepted for inclusion in The rP ospector by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. PAGE 5 JULY 5, 2016 EDITOR entertainment JULIA HETTIGER, 747-7477 Veliz Books brings contemporary literature to the borderland Community College and is married and their literatures with a larger to Duarte. audience. “Learning dierent languages and living in dierent places with dier- ent cultures has enriched the way I The idea gestated think and has made me more open- minded” Englin said. for some time until e covers for the books were de- signed from the support and collabo- last summer we ration of several local artists includ- decided that it was ing El Paso photographer Federico Villalba, who is responsible for the time to make it photograph on Pedrosa’s “e Dead Will Rise and Save Us,” and UTEP happen. MFA graduate Sylvana Ayala. -
Morrie Gelman Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/c8959p15 No online items Morrie Gelman papers, ca. 1970s-ca. 1996 Finding aid prepared by Jennie Myers, Sarah Sherman, and Norma Vega with assistance from Julie Graham, 2005-2006; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2016 The Regents of the University of California. All rights reserved. Morrie Gelman papers, ca. PASC 292 1 1970s-ca. 1996 Title: Morrie Gelman papers Collection number: PASC 292 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 80.0 linear ft.(173 boxes and 2 flat boxes ) Date (inclusive): ca. 1970s-ca. 1996 Abstract: Morrie Gelman worked as a reporter and editor for over 40 years for companies including the Brooklyn Eagle, New York Post, Newsday, Broadcasting (now Broadcasting & Cable) magazine, Madison Avenue, Advertising Age, Electronic Media (now TV Week), and Daily Variety. The collection consists of writings, research files, and promotional and publicity material related to Gelman's career. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Creator: Gelman, Morrie Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. -
Download File
Brevard Live August 2015 - 1 2 - Brevard Live August 2015 Brevard Live August 2015 - 3 4 - Brevard Live August 2015 Brevard Live August 2015 - 5 6 - Brevard Live August 2015 Contents August 2015 FEATURES LAURA JANE GRACE While at Bonnaroo Matthew Bretz did Columns BMA-WINNERS not just listen to many artists’ perfor- Charles Van Riper The music fans have spoken: FunDecid- mances, he also had the opportunity to 22 Political Satire ed is Brevard’s Entertainer of the Year talk with them. Laura Jame Grace of 2015. Meet the band members of this Against Me was one of his interview Calendars self-proclaimed “tourist band” and find partners. Live Entertainment, out who else went home with a BMA Page 18 25 Concerts, Festivals trophy. Page 12 ROBERT TRUJILLO Outta Space He was the bassist for the Suicidal Ten- 30 by Jared Campbell 80s IN THE PARK dencies, the Infectious Grooves. He This year’s roster features Lita Ford, toured with Ozzie, and played with the Local Download Slaughter, Asia featuring John Payne, Black Label society. Then in 2003 Tru- by Andy Harrington LA Guns, Kip Winger, Firehouse, Bullet 33 jillo joined Metallica and that’s where Local Music Scene Boys, MASS, Autograph, Femme Fatal, he’s been ever since. Nova Rex, Kenny McGee, and more. Page 20 Flori-duh! Page 15 36 by Charles Knight MAKING THE SCENE “WEIRD AL” YANKOVIC For the past five years Steagles has been The Dope Doctor “Weird Al” is the biggest-selling comedy offering more than the Best Cheesesteak 38 Luis Delgado, CAP recording artist in history. -
To Download Conference Program
ACMI & THE AUSTRALIAN RESEARCH COUNCIL PRESENT 6–8 December 9am–7pm Join 50 leading experts as they unmask the critical thinking behind superheroes from comics to film, TV and videogames #acmisuperheroes While at the Superheroes Beyond Welcome to the conference come and experiencE... Conference! Superheroes are transmedia, transcultural, and transhistorical icons, and yet discussions of these a VR experience at Screen Worlds at ACMI caped crusaders often fixate on familiar examples. This conference will go beyond out-dated definitions of superheroes. Over the next three days we will unmask international examples, WE’VE BEEN WAITING FOR YOU! SuperHeroes: Realities Collide examine superheroes beyond the comic book page, identify historical antecedents, consider real is a trip to an alternative comic dimension in room-scale Virtual world examples of superheroism, and explore heroes whose secret identities are not cisgender men. Reality. The City of Melbourne needs you to create your own unique character, choose powers and abilities to transform into a This conference is part of the larger Superheroes & Me Linkage research project funded by the superhero who will protect us from a dangerous comic contagion. Australian Research Council. Partners in this project included Swinburne University of Technology, Melbourne University, National University of Singapore, and our industry partner ACMI. While at Created in a unique collaboration between Swinburne University of ACMI please make sure to visit some of the other project outcomes including the newly curated Technology, celebrated technology artist Stuart Campbell aka Cleverman: The Exhibition, which goes behind the scenes of the ground-breaking Australian superhero SUTU and award-wining VR studio VISITOR. -
WDAM Radio Presents the Rest of the Story
WDAM Radio Presents The Rest Of The Story # Artist Title Chart Comments Position/Year 0000 Mr. Announcer & The “Introduction/Station WDAM Radio Singers Identification” 0001 Big Mama Thornton “Hound Dog” #1-R&B/1953 0001A Rufus Thomas "Bear Cat" #3-R&B/1953 0001A_ Charlie Gore & Louis “You Ain't Nothin' But A –/1953 Innes Female Hound Dog” 0001AA Romancers “House Cat” –/1955 0001B Elvis Presley “Hound Dog” #1/1956 0001BA Frank (Dual Trumpet) “New Hound Dog” –/1956 Motley & His Crew 0001C Homer & Jethro “Houn’ Dog (Take 2)” –/1956 0001D Pati Palin “Alley Cat” –/1956 0001E Cliff Johnson “Go ‘Way Hound Dog” –/1958 0002 Gary Lewis & The "Count Me In" #2/1965 Playboys 0002A Little Jonna Jaye "I'll Count You In" –/1965 0003 Joanie Sommers "One Boy" #54/1960 0003A Ritchie Dean "One Girl" –/1960 0004 Angels "My Boyfriend's Back" #1/1963 0004A Bobby Comstock & "Your Boyfriend's Back" #98/1963 The Counts 0004AA Denny Rendell “I’m Back Baby” –/1963 0004B Angels "The Guy With The Black Eye" –/1963 0004C Alice Donut "My Boyfriend's Back" –/1990 adult content 0005 Beatles [with Tony "My Bonnie" #26/1964 Sheridan] 0005A Bonnie Brooks "Bring Back My Beatles (To –/1964 Me)" 0006 Beach Boys "California Girls" #3/1965 0006A Cagle & Klender "Ocean City Girls" –/1985 0006B Thomas & Turpin "Marietta Girls" –/1985 0007 Mike Douglas "The Men In My Little Girl's #8/1965 Life" 0007A Fran Allison "The Girls In My Little Boy's –/1965 Life" 0007B Cousin Fescue "The Hoods In My Little Girl's –/1965 Life" 0008 Dawn "Tie A Yellow Ribbon Round #1/1973 the Ole Oak Tree" -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard -
Amy | ‘Tis the Season | Meru | the Wolfpack | the Jinx | Big Men | Caring for Mom & Dad | Walt Disney | the Breach | GTFO Scene & He D
November-December 2015 VOL. 30 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES NO. 6 IN THIS ISSUE Amy | ‘Tis the Season | Meru | The Wolfpack | The Jinx | Big Men | Caring for Mom & Dad | Walt Disney | The Breach | GTFO scene & he d BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Le n more about Bak & Taylor’s Scene & He d team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications KNOWLEDGEABLE Full-time staff of A/V catalogers, backed by their MLS degree and more than 43 years of media cataloging expertise 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review Amy HHH 2011, she died of alcohol toxicity at the age of Lionsgate, 128 min., R, 27. Drawing on early home movies, newsreel DVD: $19.98, Blu-ray: footage, and recorded audio interviews, Amy $24.99, Dec. 1 serves up a sorrowful portrait of an artist’s Publisher/Editor: Randy Pitman This disturbing, dis- deadly downward spiral. Extras include au- concerting, booze ‘n’ dio commentary by the director, previously Associate Editor: Jazza Williams-Wood drugs documentary unseen performances by Winehouse, and Copy Editor: Kathleen L. Florio about British song- deleted scenes. -
Cadenza! the Official Yearbook of the New York Summer Music Festival
Proudly Presents Cadenza! The Official Yearbook of the New York Summer Music Festival 2007 Season June 24 – August 4, 2007 2 "My Favorite Moments of NYSMF" by Nick Halgren All those moments when Jason Rigby blew my mind into about fifteen pieces, which I will spend many years reassembling and become way better in the process. He’s phenomenal. All those moments when Paul Cohen blew my mind by actually making me realize how a saxophone physically produces different notes. Listening to Billy True play three saxes at once. No lie. My first high G! Sheddin’ those killin’ charts for sax quartet. (This one goes out to Megan) Portraying a wasted Lieutenant Kije in one solo line but only finding out about it later. (Hrm...that was the “Romance” movement. I guess he met his true love in a drunken stupor?) Getting back to my band geek roots! I haven’t been in band or wind ensemble since 8th grade. Having my heart broken when the altos sang their line at the end of Water Night. It’s gorgeous music by my gorgeous man-crush Eric Whitacre! Every straight dude gets one. Taking bets on who will prevail: Battle-Axe Brenda, or Brenda, queen of the land of unicorns and rainbows. Watching Joe try to succeed in speed dating using only a trumpet mouthpiece. Hearing powerful music composed by my peers and performed beautifully by faculty. Trying to eat a calzone from Silver Bullet that could feed a Chinese army. Countless moments of laughter with friends, which would be impossible to explain properly. -
The Potential of Informative Comedy Music As Supplementary Teaching Material
http://dx.doi.org/10.7592/EJHR2018.6.3.mckeague European Journal of Humour Research 6 (3) 30–49 www.europeanjournalofhumour.org Lyrical lessons: The potential of informative comedy music as supplementary teaching material Dr. Matthew McKeague Kutztown University of Pennsylvania [email protected] Abstract The comedic arts have provided opportunities for humourists to spread information to audiences, sometimes intentionally and other times as a side effect while trying to create laughter. Educators have also found success incorporating comedy into the classroom with humorous activities. While research regarding comedy as a tool to spread information or educate audiences has focused primarily on literature, broadcast media, and film, the area of informative comedy implemented through music remains relatively unexplored. In this paper, the researcher defines ‘informative comedy’ and takes a critical literacy approach analysing song samples of comedy musician “Weird Al” Yankovic—one of the notable comedic music artists in the 20th and 21st centuries—and discusses how his music could be used in a classroom setting. While comedy such as Yankovic’s is not designed to be an educational tool, the researcher suggests that his songs could be used as supplementary materials in the classroom to reinforce concepts specifically regarding cultural issues through commentary as well as lessons in science and grammar. A central aspect of this exploratory paper involves Yankovic’s mix of comedy and informative content focused on culture in the United States, using the popular music genre to convey ideas in ways that may be more palatable for wider audiences and that could be used to assist classroom instruction. -
Open Cho YS Thesis.Pdf
The Pennsylvania State University The Graduate School College of Communications COMPETITION AND PROGRAM TYPE DIVERSITY IN THE OVER-THE-AIR TELEVISION INDUSTRY, 1943-2005 A Thesis in Mass Communications by Young Shin Cho © 2007 Young Shin Cho Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2007 The thesis of Young-Shin Cho was reviewed and approved* by the following: Richard Taylor Palmer Chair of Telecommunications Studies and Law Thesis Advisor Chair of Committee Matt Jackson Associate Professor of Communications Krishna Jayakar Associate Professor of Communications Lynette Kvasny Assistant Professor of Information Sciences and Technology John S. Nichols Professor of Communications Associate Dean for Graduates Studies and Research *Signatures are on file in the Graduate School ABSTRACT Competition and diversity are touchstones in media policy, but the relationship between them is not clear despite a great number of studies because even studies dealing with their relationship, did not measure the intensity of competition. This paper investigates the relationship between market competition and program type diversity in the over-the-air television industry. Specifically, market competition is divided into intra-network competition and intra-media competition, i.e. terrestrial television vs. cable TV. Also this paper uses a comprehensive model of program types, with 281 program type categories, which have never been used in previous studies. The results show that program type diversity keeps decreasing over time and intra-network competition has a negative effect on program type diversity. Also, intra- network competition is a more important factor on program type diversity than inter- media competition. -
Reduction in Low HAPPY^ MEAP Scores Applauded
' i 350 f.\' •f'1' (•n "PrtlUCPOR ^Servinx The Lowell Area for over KK) Years ^ ~ , II D(\i/( /m Q-'c^ ^ t'ka cA/"';, i f r\ ' ?' I :;r-~ nnr, f M1 * ^v/'/S "rtv V r / I lf " rtfi ... ' ' -"' OH f YI UlCH. 4 x •> H The Lowell Ledger Volume 21, Issue 7 Serving Lowell Area Readers Since 1893 Wednesday, December 27,1995 Reduction in low HAPPY^ MEAP scores applauded by NEW school district Lowell superintendent Bert Bleke says Ci he's pleased with progress shown at the middle YEAR! school and Alto and Cherry Creek elementaries. By Thad Kraus Everyone At The Lowell Ledger Lowell Ledger Editor Wishes You A Healthy & Mark Weber. Lowell Middle School assistant principal, asked the building's teachers if the MEAP tests what they think Prosperous 1996! students should be learning. The answer thai came back was an overwhelming "yes." Weber along with staff and curriculum director Jim White then began formulating strategies that would give students skills which are essential to performing well on the MEAP. "It is no longer enough to teach students facts." Weber Nauta misses old stomping ground; returns to serve says. "The MEAP asked that students be able to do something with the facts." on Vergennes Township Planning Commission Weber, who undertook the task of improving student performance on the MEAP at the middle school level, says the B> Marc Popiolek approach of providing students with strategies to learn and ' 'ontrihulinx Writer not going to try. 1 just missed sure Carol will do an excel- it will impact our future." understand concepts they will see on the MEAP is the right being a part of my local gov- lent job." Because the Lowell High approach.