Using an Element As a Theme

Total Page:16

File Type:pdf, Size:1020Kb

Using an Element As a Theme Class Design: Using the Chakras and the Elements as a Theme Between Earth and Sky Using the Elements as a Theme Class Design: Using the Chakras and the Elements as a Theme Pancha Mahabhuta Maha — great Bhuta — to be, become The Elements in the Body The ancient Samkhyan and later, the Tantric philosophers, endeavored to take an account of all that was known. They developed the Tattva System which categorized everything within their realm of experience and knowing. In this system each element found in nature exists within the realm of the body. Class Design: Using the Chakras and the Elements as a Theme Akasha Space/Ether —Where all things exist, present in everything seen and unseen. Vayu Air — Akasha in motion. Responsible for all movement. Tejas Fire — Responsible for all transformation, chemical and electrical activity (metabolism- conversion into energy, catabolism - breaking down to release energy) Jala Water — flow, cohesion, lubrication, and connection - physical, mental and emotional Prithvi Earth — form, mass Class Design: Using the Chakras and the Elements as a Theme Consider Each Element Earth Fire Space/ What qualities or words come into your mind? Ether Water Air Make a word list for each element. Class Design: Using the Chakras and the Elements as a Theme Personal Contemplation What is your strongest element? How does this relate to how you approach your personal yoga practice? What element do you want to expand more or enhance? How would this benefit you? How could you impact other people’s lives with this quality? Understanding your own predisposition will help you to develop a practice that suits you and will increase your ability to relate to other people. Class Design: Using the Chakras and the Elements as a Theme What poses can you think of that would relate well to and demonstrate your element? For example: What postures have an ‘earthy feel’, an ‘airy quality’, or relate to the characteristics of fire or water? What postures stimulate the area of the body where the element is related with? For example: Standing postures bring activity to the legs and hips, stimulate the large muscle groups and help to warm up the body. They are great for working with the steady, grounding quality of the earth energy and for enhancing agility and mobility qualities of the water element. Class Design: Using the Chakras and the Elements as a Theme Basic Class Template Sunsalutations Utthita Vrksasana (tree Virabhadrasana 1 pose) (warrior 1) Mukha Svanasana Parivrtta Downward-Facing Dog Parsvakonasana (one leg raised with and (revolved side angle without twisting) pose) Janusirsasana (head to Virabhadrasana 2 knee pose) (warrior 2) Upavistha Konasana Utthita Parsvakonasana (wide leg forward bend - (side angle stretch) sitting) Utthita Trikonasana Pascimottasana (forward (triangle) bend - sitting) Prasarita Padottanasana Ardha pavana (wide legged forward muktasana (½ wind bend) relieving posture) Parsvottanasana Intense Supra Padangusthasana Weave your postures that Side Stretch Pose (reclining big toe pose) relate to your theme into a (pyramid) Reclining Twists basic sequence. Class Design: Using the Chakras and the Elements as a Theme Connect the Mind to the Body with Linking Use linking words with words that convey the essence or quality of an element to move the body and involve the intellect so that the body and mind are working in relationship to effect more lasting shifts in awareness and personal development. Linking Words Examples bring convey express communicate encourage invite create establish generate activate give rise to A sense of a feeling of the essence of a sensation of a mood of / mood in order to so that as if to Class Design: Using the Chakras and the Elements as a Theme Connect the Mind to the Body with Linking Words Cueing Template 1. Create _______________________________________________________________________ (quality related to an element) By _______________________________________________________________________ ________________________________________________________________________ (action – for example: ‘root to rise’ or refer to the midlines of the body, a reference to the breath. 2. _________________________________ “to”___________________________________ Action/Command Result related to the qualities of an element. Examples “Push deep into your feet to create a steady connection as you stand up.” Action/command result “Cultivate a sense of calm and support the framework of your body with the rhythm of your breath.” Quality related to the element Action “Refresh your posture by letting the movement of your breath guide the form of your body.” “Close your eyes and turn your gaze backward and down as if you were looking into the interior landscape of your body.” Class Design: Using the Chakras and the Elements as a Theme Earth Create Transform Structure Generate Transformative Framework Produce Rooted Platform Nourish Root Source Nurture Grounded Plant Tend Embody Planted Cultivate Stable Magnetize Make Stabilize Magnetic Realize Stability Attractive Natural Connect Attraction Refresh Connection Gravity Sustain Grow Force Maintain Strengthen Charged Feed Sturdy Charge Rhythm Steady Open Cycle Steadiness Support Evolve Focus Supportive Revolve Focused Solid.
Recommended publications
  • Eeben Roth Nchtanted Mbodiment
    NCHTANTED MBODIMENT "I don’t believe people are looking for the meaning of life, as much as they are looking for the experience of being alive" EEBEN ROTH — Joseph Campbell BEN ROTH ENCHANTED EMBODIMENT 35 To me, this is the baseline reality that I can Being Present is often relate to at all times when the frantic mind takes over. It is the antidote to a disembodied described as being Here consciousness that passes as normal in the and Now. But where is world at large today. Our world is composed of narratives. It is all too easy to get lost in this this place? How do we get groundless territory of identity, language, social roles, ideology, religion, philosophy, there? And where do we economics, and politics. These are all purely mental constructs, existing only in the mind. arrive when following this When we realize this to be true, our identifica- lead? To me, this journey tion with this mental construct crumbles and makes room for the felt presence of direct starts with the most experience. tangible—inside my body. We step into a new realm of spaciousness and unfolding potentiality—the actuality of life as a This is the most obvious continuous process, as felt by our somatic per- ception. Then we experience sensory impres- place from which to sions: The visual and auditory field, the feeling begin any investigation of our feet touching the ground, sensations of pressure, weight and tension, the air going in into being present as a and out of our respiratory system, the beating of the heart and the pulsing of blood.
    [Show full text]
  • Introduction to Yin Yoga
    Yoga Teacher Training Teaching and Practicing Yin Yoga Yoga Education Institute by Nancy Wile © Yoga Education Institute, 2015 All rights reserved. Any unauthorized use, sharing, reproduction or distribution of these materials by any means is strictly prohibited. Table of Contents Introduction…………………………………………………………………………………….. 2 History of Yin Yoga…………………………………………………………………………… 2 Benefits of Yin Yoga………………………………………………………………………….. 4 Yin and Yang Compared…………………………………………………………………… 5 How to Practice Yin Yoga………………………………………………………………….. 6 Yin Yoga Postures……………………………………………………………………………. 9 Dangling (Easy forward fold)…………………………………………………. 10 Squat (Malasana)………………………………………………………………….. 12 Toe Squat…………………………………………………………………………….. 14 Camel (Uttanasana)……………………………………………………………… 16 Child’s Pose (Balasana)………………………………………………………… 18 Ankle Stretch……………………………………………………………………….. 20 Dragon (Low Lunge - Anjaneyasana)…………………………………….. 22 Melting Heart (Anahatasana)………………………………………………… 25 Frog……………………………………………………………………………………… 27 Seal and Sphinx……………………………………………………………………. 29 Saddle (Reclined Hero – Supta Virasana)………………………………. 32 Thread the Needle………………………………………………………………… 34 Swan and Sleeping Swan (Pigeon and Lying Pigeon)………………. 36 Shoelace (Knee to knee)………………………………………………………… 38 Dragonfly (Seated Straddle)…………………………………………………… 40 Square (Double Pigeon)…………………………………………………………. 42 Caterpillar (Seated forward fold – Paschimottanasana)…………… 44 Butterfly (Cobbler’s pose)……………………………………………………… 46 Half Butterfly (One leg seated forward fold – Janusirsasana)…… 48 Deer………………………………………………………………………………………
    [Show full text]
  • Janu Sirsasana Kopf an Knie Haltung Janu Sirsasana Spiraldynamik, Eva Wilhelm
    SPIRALDYNAMIK, JANU SIRSASANA, EVA WILHELM JANU SIRSASANA KOPF AN KNIE HALTUNG JANU SIRSASANA SPIRALDYNAMIK, EVA WILHELM Bildnachweis: www.yogajournal.com/pose/head-to-knee-forward-bend 1.) GRUNDSÄTZLICHES ZUM ASANA Janu Sirsasana zählt zu den asymetrischen Vorwärtsbeugen im Sitzen und wird mit Kopf an/zu Knie Haltung ins Deutsche übersetzt - wobei Janu = Knie und Sirsa = Kopf bedeutet. In der Vorbeuge ist ein Bein gestreckt und ein Bein zur Seite angewinkelt. Das angewinkelte Bein ist in der Hüfte gebeugt und außenrotiert, das Knie stark gebeugt, die Fußsohle ruht am Oberschenkel des gestrecken Beines. Der Rumpf wird über das gestreckte Bein gebeugt. In der Endhaltung umfassen die Hände die Fußsohle und der Kopf wird am Schienbein abgelegt. Janu Sirsana bewirkt eine intensive asymetrische Dehnung der geraden Rückenmuskulatur und der Muskeln der Beinrückseite des gestreckten Beines (ischiocrurale Muskulatur und Wadenmuskulatur). Die Asymetrie dieser Haltung läßt einseistige Haltungsmuster und Spannungsunterschiede der Rü- ckenmuskulatur sowie des Beckens und va. der Iliosacralgelenke (das mobilere ISG befindet sich auf der Seite des gebeugten Beines) erkennen und ausgleichen. Janus Sirsasana beruhigt das Nervensystem und wird gegen Ende einer Yogapraxis in einer Reihe von Vorbeugen eingesetzt. ASANA: JANU SIRSASANA Seite 2 JANU SIRSASANA SPIRALDYNAMIK, EVA WILHELM 2.) AUS SICHT VERSCHIEDENER YOGASTILE In den meisten Yogastilen wird der Fuß des angewinkelten Beines so nahe wie möglich beim Scham- bein und in Supinationsstellung abgelegt. Der Winkel zwischen beiden Beinen beträgt in etwa 90°. Daraus resultiert ein sehr enger Kniewinkel und ein starker Druck auf den Innenminiskus. Die Sitzbein- höcker sind nicht parallel nach vorne ausgerichtet. Im Ashtanga Yoga - Janu Sirsasana A - wird die Blickrichtung (Dṛṣṭi) Richtung Fußspitze definiert, damit wird das Gesicht angehoben und der Nacken verkürzt.
    [Show full text]
  • Comparative Immediate Effect of Different Yoga Asana on Cardiac Autonomic Rhythm in Healthy Young Volunteers
    Indian Journal of Clinical Anatomy and Physiology 2021;8(1):15–19 Content available at: https://www.ipinnovative.com/open-access-journals Indian Journal of Clinical Anatomy and Physiology Journal homepage: https://www.ijcap.org/ Original Research Article Comparative immediate effect of different yoga asana on cardiac autonomic rhythm in healthy young volunteers Mrithunjay Rathore1, Ekta Khandelwal2,*, Bhagwant Singh3 1Dept. of Anatomy, All India Institute of Medical Sciences, Raipur, Chhattisgarh, India 2Dept. of Physiology, All India Institute of Medical Sciences, Raipur, Chhattisgarh, India 3Dept. of Yoga Science, Pt. Ravishankar Shukla University, Raipur, Chhattisgarh, India ARTICLEINFO ABSTRACT Article history: Modulation of cardiac autonomic tone is a topic of current interest in research because of its association Received 03-02-2021 with several cardiovascular autonomic diseases of public health importance. Yoga has proven benefit in Accepted 16-02-2021 balancing the cardiac autonomic tone. This study aimed to explore the intricate mind body mechanisms Available online 12-04-2021 with special reference to the immediate effect of Padahastasana (PD) and Ardha Chakrasana (AD) on cardiac autonomic nervous system and to quantify the cardiovascular ANS response to different yogic asana. Keywords: Materials and Methods: This was a Cross Sectional Study, conducted in autonomic function lab, of Yoga asana department of physiology, AII India Institute of Medical science, Raipur, India. Heart rate variability (HRV) HRV was analyzed on 30 experienced yoga practitioners (EYP) with the average age of 32.99.71 year. All participants were healthy. Padahastasana and Ardhachakrasana were used as an intervention to evaluate heart rate variability. Results: The time domain parameters show significantly increased parasympathetic component (SDNN, RMSSD, and SD2) after Padahastasana and Ardha chakrasana though increase is more after Ardha chakrasana.
    [Show full text]
  • Integrating Complementary/Alternative Medicine Into Primary Care: Evaluating the Evidence and Appropriate Implementation
    International Journal of General Medicine Dovepress open access to scientific and medical research Open Access Full Text Article REVIEW Integrating complementary/alternative medicine into primary care: evaluating the evidence and appropriate implementation Stanley F Wainapel1 Abstract: The frequency with which patients utilize treatments encompassed by the term Stephanie Rand1 complementary/alternative medicine (CAM) is well documented. A number of these therapies Loren M Fishman2 are beginning to be integrated into contemporary medical practice. This article examines three Jennifer Halstead-Kenny1 of them: osteopathic manipulation, yoga, and acupuncture, with a focus on their physiologi- cal effects, efficacy in treating medical conditions commonly encountered by practitioners, 1The Arthur S Abramson Department of Physical Medicine and precautions or contraindications, and ways in which they can be incorporated into clinical Rehabilitation, Montefiore Medical practice. Physicians should routinely obtain information about use of CAM as part of their Center, Albert Einstein College of patient history and should consider their role based on physiological effects and clinical Medicine, Bronx, 2Department of Rehabilitation and Regenerative research results. Medicine, College of Physicians Keywords: integrative medicine, osteopathic manipulation, yoga, acupuncture therapy and Surgeons, Columbia University, New York, NY, USA Introduction Although alternative methods for treating disease have existed for hundreds, and even thousands of years, it is only within the past few decades that they have begun to be evaluated by clinical research and to be integrated into medical management. Dr Andrew Weil’s concept of “Integrative Medicine”1 is based on the incorporation of so-called “complementary/alternative medicine (CAM)” into the allopathic medical paradigm. Eisenberg et al2 have documented that CAM therapies are utilized by more than one- third of the population and that their use is often not communicated to the patient’s primary physician.
    [Show full text]
  • Classical Vinyasa Krama Sequence Manual Level 1
    CLASSICAL VINYASA KRAMA SEQUENCE MANUAL LEVEL 1 – 200 HOUR YOGA TEACHER TRAINING INTENSIVE www.yogasurfingretreats.com [email protected] functional classification: samasthiti samasthiti dandasana vajrasana savasana virabhadrasana II sukhasana virasnsa caturanga dandasana siddhasana gomukhasana brahmasana padmasana baddha konasana 2 asana/posture: samasthiti (at attention) functional classification: samasthiti classical vinyasa karma (sequence) Stand with feet together, back straight, arms alongside the body, chin down, buttock relaxed and eyes open. Breathe naturally additional notes & modifications 3 asana/posture: virabhadrasana II (warrior II) functional classification: samasthiti classical vinyasa krama (sequence) Stand in smasthiti Take a stride sideways, feet parallel Turn the left foot out. Maintain hips facing front While inhaling, raise the arms from the sides to shoulder level, palms facing down While exhaling, bend the left knee, keeping the knee in line with the ankle, turn the head to look toward left hand, maintain straight back, tilt pelvis under, breathe naturally While inhaling, straighten left leg, turn head back to center While exhaling, lower arms from the sides Turn the left foot back to parallel position Bring the feet together, back to samasthiti note: repeat on the other side additional notes & modifications 4 asana/posture: caturanga dandasana (four limbs sick/rod) functional classification: samasthiti classical vinyasa krama (sequence) Stand in samasthiti While inhaling, raise straight arms from the front to come in line with the ears, palms facing front While exhaling, bend forward and place palms by the sides of the feet, fingers facing forward. Legs straight, chin drawn in Holding the breath out weight onto hands, lift legs (jump) back landing on toes, feet together body in a horizontal position on the floor Elbows bent close to the torso, looking down to the floor.
    [Show full text]
  • 1 Date/Day Subject Topic 13-7-20 Monday हिन्दी Ueam
    PRESIDIUM INDIRAPURAM WEEKLY SCHEDULE GRADE – 1 DATE/DAY SUBJECT TOPIC हिꅍदी UEAM Yoga Om chanting Yoga specific warm up Yoga Asana - Katichakrasana, Ardhachakrasana, Padahastasana, Trikonasana, Janusirsasana, Padmasana, Ustrasana, Bhujangasana, Vipreet naukasana, Chakrasana, Setu bandhasana. Pranayam - Anulom-Vilom, Bhramari. Shanti mantra. 13-7-20 Gymnastics Warming up, Flexibility and stretching body form exercises and Cardio workout. MONDAY About chess pieces -Name of chess pieces, Value of the chess pieces, Symbol of Chess the chess pieces, Chess board square name, Notations, How to move the chess pieces, Details of castle, Difference between check and check mate, Attack the pieces and Defence the pieces. Let's Write - Question/ Answers of Curriculum Book page 30. English HW- Curriculum Book page 31. Introduction of Increasing Order, Curriculum Book page 57 and Let's Do It on Math page 58. कविता ' धम - धम करती अIई िथिनी ' का पठन, कक्षा कार् य पष्ृ ठ 51,52 हिꅍदी गिृ कार्:य पष्ृ ठ 50,53 14-7-20 Music Pit -Pit Patter - Rainy Season Song. TUESDAY Math Notebook work - 5 increasing order sums. Poem – Snowflake, singing and circling the "fl" words, Curriculum Book page 32 English and 33. Skating Off skate exercise -Warm up exercise, Basic position hold, Skater up down, Bend with Hand movements, Knee Bend, One leg hold, Loop, One leg jump and Cool down. 15-7-20 Taekwondo Warm up and Stretching Exercises, Fighting stance, Punches with fighting stance, Front snap kick (Apcha Busigi), Turning kick (Tolloyo chagi), Combination WEDNESDAY kicks and measuring technique( balancing). ICT Types of mouse clicks.
    [Show full text]
  • House of OM YTT Course Manual
    1 2 3 4 Contents JOURNALING .............................................................................................. 13 WELCOME TO HOUSE OF OM ..................................................................... 16 HOUSE OF OM - Yoga School ...................................................................... 17 HOUSE OF OM - Founder Wissam Barakeh.................................................. 18 DEFINITION OF OM ..................................................................................... 20 DEFINITION OF YOGA .................................................................................. 22 HINDUISM (SANATHAN DHARMA) .............................................................. 24 HISTORICAL ORIGINS OF YOGA ................................................................... 25 Vedic and Pre-Classical Period ........................................................ 25 Classical Period .............................................................................. 26 Post-Classical Period ...................................................................... 27 Modern Period ............................................................................... 28 THE 4 TYPES OF YOGA ................................................................................. 30 Bhakti Yoga – Yoga of Devotion ...................................................... 30 Karma Yoga – Yoga of Selfless Service ............................................ 30 Jnana Yoga – Study of Philosophical works and the pursuit of knowledge ....................................................................................
    [Show full text]
  • AAHPER TEST Introduction
    AAHPER TEST Introduction:- AAPHER Physical Fitness Test: This test was designed to help the teachers of physical education and other recreation leaders in the field to find out the performance levels of their students, compare them with national norms and inspire them towards the higher levels of achievements. Test Contents: The test consists of the following six items: (a) Pull ups: In case of girls, the pull-ups are to be started from a flexed arm hang. This test item judges the arm and shoulder girdle strength. (b) Flexed Leg Sit-ups: This test is meant to judge the efficiency of abdominal and hip flexor muscles. (c) Shuttle Run: This test item is meant for judging the speed and change of direction. (d) Standing Long Jump: For judging the explosive power of leg muscles. (e) 50 Yard Dash or Sprint: For judging speed. (f) 600 Yard Run: For judging endurance. Administration of Tests: These tests can be conducted in a gymnasium or out-doors. The only apparatus required in these tests is a horizontal bar having a diameter of approximately 1 ~ inches for pull-ups and flexed arm hang for girls. However, arrangement should be made for the timing and recording of all scores with the help of timers and recorders. Item No. 1—Pull up: This item should be done from a hanging position on the bar by using the overhead grasp (with palms facing outwards). The arms and legs of a subject should be fully extended. From hanging position, the subject should raise his body with his arms until his chin is placed over the bar.
    [Show full text]
  • Brochure 2021
    SYLLABUS: Theory: Meaning, Definitions, History and Importance MIRANDA HOUSE of Yoga UNIVERSITY OF DELHI Department of Physical Education Practical: organizing 1. Yogic Prayer 2. Shatkarm: Kapalbhati CERTIFICATE COURSE 3. Sukshm Vyayam IN 4. Sthool Vyayam 5. Asanas FOUNDATION OF YOG S t a n d i n g P o s t u r e : Ta d a s a n a , Duration of Course : Four Weeks Padahastasana, Veerabhadrasana, Garudasana, Credit Hours : 24 Hours Vrikshaasana, Trikonasana, Ardha-Katichakrasana, Classes : Monday to Saturday Natrajasana, Parvratasana, Ardha-Chakrasana Time : 7:00 am to 8:00 am Course begins : 31/08/2021 Sitting Posture: Padmasana, Vajrasana, Gomukhasana, Ustrasana, Paschimottanasana, Date of Registration : 16/08/2021 onwards Vakrasana, Bhadrasana, Baddha-konasana, Matsyendrasana, Janusirsasana S u p i n e P o s t u re : S h a v a s a n a , Sarvangasana, Halasana, Setubandhasana, Chakrasana, Markatasana, Uttanpadasana, Miranda House Pawanmuktasana, Nawasana, Matsyasana University of Delhi P ro n e P o s t u re : M a k a r a s a n a , Delhi 110 007, India Bhujangasana, Shalabhasana, Dhanurasana, Naukasana, Sarpasana Department of Physical Education Phone: +91-11-27662193 6. Nadishodhan E-mail: [email protected] 7. Pranayama Bhastrika, Bhramari and Website: www.mirandahouse.ac.in Udgeeth Pranayam 8. Meditation Others: For registration and more information kindly contact Suryanamskar, Deep Relaxation Technique Dr. Amita Rana (Teacher Incharge) - 9811803652 Dr. Neeru Yadav (Assistant Professor) - 7011930862 Nandini (Sports Union President) - 9680147321 Health Status: The applicant must be in good INTRODUCTION Name of the Course: “Certificate Course in mental and physical health and have to submit.
    [Show full text]
  • Exploring Krishnamacharya's Ashtanga
    Exploring Krishnamacharya’s Ashtanga based on the works of the Mysore years Yoga Makaranda (1934) Yogasanagalu (1941) and the 1938 documentary New blog mission statement. ............................................................................................ 4 Yogasanagalu's (1941) 'Original' Ashtanga Primary Group/ Series in Yoga Makaranda (1934) .............................................................................................................................. 6 How to practice Krishnamacharya's 'Original' Ashtanga Yoga ......................................... 11 Uddiyana kriya and asana in Krishnamacharya's 'Original' Ashtanga ............................. 17 Krishnamacharya's Yoga Makaranda extended stays. ..................................................... 20 Examples of usage of Kumbhaka (Breath retention) in asana in Krishnamacharya's Yoga Makaranda ..................................................................................................................... 24 Why did Krishnamacharya introduce kumbhaka (breath retention) into the practice of asana in Ashtanga? ........................................................................................................ 31 Why did Krishnamacharya introduced kumbhaka into asana? ........................................ 35 APPENDIX: Kumbhaka in Krishnamacharya's descriptions of asana ............................. 39 Krishnamacharya's asana description in Yogasanagalu (1941) ....................................... 45 Krishnamacharya's Yogasanagalu - the extra asana
    [Show full text]
  • Utthistha Sthiti- Ardha Navasana -Udara Akunchana S
    Half Boat Pose Ardha Navasana -Utthistha Sthiti- Standing Pose Category Ardha Matsyendrasana Abdominal Pose Category Downward Facing Dog Pose Upavista Konasana Adho Mukha Svanasana Seated Wide Angle Pose Seated Wide Angle Pose Akunchana Sthiti- -Udara -Upavista Sthiti- -Parivrtta Sthiti- Seated Pose Category Lateral Extension Category Cobra Pose Bhujangasana Bharadvajasana 1 -Purva Pratana Sthiti- Ardha Chandrasana Baddha Konasana Backward Extension Category Half Moon Pose Bound Angle Pose Dedicated to Sage Bharadvaja -Utthistha Sthiti- -Upavista Sthiti- -Parivrtta Sthiti- Standing Pose Category Seated Pose Category Lateral Extension Category Four Footed Pose Four Point Staff Pose Chatushpadasana -Purva Pratana Sthiti- -Purva Pratana Sthiti- Chaturanga Dandasana Dandasana Backward Extension Category Backward Extension Category Dhanurasana Staff Pose Bow Pose -Upavista Sthiti- -Purva Pratana Sthiti- Seated Pose Category Backward Extension Category Plow Pose Halasana Inversion Category -Viparita Sthiti- -Viparita Eka Pada Sarvangasana Garudasana Gomukhasana One Footed Shoulder Balance Eagle Pose Cow Face Pose -Viparita Sthiti- -Utthistha Sthiti- -Upavista Sthiti- Inversion Category Standing Pose Category Seated Pose Category Makarasana Crockadile Pose Janusirsasana Head to Knee Pose Marichyasana 3 -Parivrtta Sthiti- -Purva Pratana Sthiti- Forward Extension Category Karnapidasana Lateral Extension Category Backward Extension Category Dedicated to Sage Marichya -Paschima Pratana Sthiti- Ear Pressing Pose -Viparita Sthiti- Inversion Category
    [Show full text]