Burial Customs of Clazomenae in the Iron Age (1100 – 500 Bc)

Total Page:16

File Type:pdf, Size:1020Kb

Burial Customs of Clazomenae in the Iron Age (1100 – 500 Bc) BURIAL CUSTOMS OF CLAZOMENAE IN THE IRON AGE (1100 – 500 BC) A Master’s Thesis by POLAT ULUSOY Department of Archaeology and History of Art Bilkent University Ankara January 2010 To my family BURIAL CUSTOMS OF CLAZOMENAE IN THE IRON AGE (1100 – 500 BC) The Institute of Economics and Social Sciences of Bilkent University by POLAT ULUSOY In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in THE DEPARTMENT OF ARCHAEOLOGY AND HISTORY OF ART BILKENT UNIVERSITY ANKARA January 2010 I certify that I have read this thesis and that it is fully adequate, in scope and quality, as a thesis for the degree of Master of Arts in Archaeology and History of Art. ............................. Dr. Charles Gates Supervisor I certify that I have read this thesis and that it is fully adequate, in scope and quality, as a thesis for the degree of Master of Arts in Archaeology and History of Art. ............................. Dr. Jacques Morin Examining Committee Member I certify that I have read this thesis and that it is fully adequate, in scope and quality, as a thesis for the degree of Master of Arts in Archaeology and History of Art. ............................. Dr. Yaşar E. Ersoy Examining Committee Member Approval of the Institute of Economics and Social Sciences ............................. Prof.Dr. Erdal Erel Director ABSTRACT THE BURIAL CUSTOMS OF CLAZOMENAE IN THE IRON AGE (1100 – 500 BC) Ulusoy, Polat M.A, Department of Archaeology and History of Art Supervisor: Dr. Charles Gates January 2010 The present work is a study on the burial customs of Clazomenae in the Iron Age and Archaic period. Special attention is given to Clazomenae, since it yielded significant information from the Protogeometric to the end of the Archaic period. The major aim here is to collect the specific grave and necropolis information and try to interpret them for reaching more holistic conclusions about the burial customs of Clazomenae. This work introduces the burials, burial grounds, and cemeteries of Clazomenae from the Protogeometric to the end of the Archaic period with respect to grave types, grave goods, burial practices, gender, and age. One crucial aim of this work is to understand settlement and necropolis relationship in different periods by the means of the location of the burial grounds; the significance of the extension, development, and changing burial customs of specific cemeteries and their importance with regards to the settlement pattern; and the importance of the continuity, discontinuity, and change of burial grounds through the periods. Keywords: Clazomenae, burial customs, necropolis, Protogeometric, Geometric, Archaic. iii ÖZET CLAZOMENAE'DE DEMĠR ÇAĞI ÖLÜM GÖMME GELENEKLERĠ (1100 – 500 BC) Ulusoy, Polat Yüksek Lisans, Arkeoloji ve Sanat Tarihi Bölümü Tez Yöneticisi: Dr. Charles Gates Ocak 2010 Bu çalışma Clazomenae kentinin Demir Çağları ve Arkaik dönemdeki ölü gömme geleneklerini incelemektedir. Tez kapsamında Clazomenae kentine öncelik verilmesinin nedeni kentin Protogeometric dönemden Arkaik dönemin sonuna kadar yoğun bir bilgiye sahip olmasıdır. Burada temel amaç, mezar ve mezarlıklardan bilgileri toplayıp ve derleyip, Clazomenae ölü gömme gelenekleri için daha genel ve kapsayıcı bir sonuca ulaşmaktır. Çalışma, Clazomenae’de Protogeometrik dönemden Arkaik dönem sonuna kadar açığa çıkarılmış mezar, mezarlık alanları ve nekropolleri mezar tipleri, pratikleri, hediyeleri, yaş ve cins açısından tanıtacaktır. Çalışmanın en önemli amacı farklı dönemlerdeki kent ve mezarlık ilişkisini; mezarlıkların konumu; belirli mezarlıkların yayılımı, gelişimi ve gömme geleneklerinin değişimi; bunun yerleşim yapısındaki etkileri; mezarlıkların devamlılığı, devamsızlılığı ve değişiminden yola çıkarak anlamaya çalışmaktır. Anahtar Kelimeler: Clazomenae, gömme gelenekleri, mezarlık, Protogeometrik, Geometrik, Arkaik. iv ACKNOWLEDGEMENTS The burial customs of Clazomenae have been studied by many colleagues and scholars in many aspects and in detail. This study should be seen as the holistic interpretation and discussion of these studies. Moreover, recently discovered intramural and extramural burial grounds dated to the Protogeometric, Geometric, and Archaic periods have been added to this study. The subject of this MA thesis was suggested to me by Assoc. Prof. Dr. Yaşar E. Ersoy, director of the Clazomenae excavations. I am endlessly grateful to my advisor and professor Dr. Ersoy for recommending to me such an interesting subject for discussing and interpreting. I am also grateful to Dr. Ersoy who let me benefit from his experience and for the patience, unlimited support, and advice that he has given me as my advisor and teacher. The photographs and finds from Clazomenae excavations included in this thesis are used with his kind approval. I am endlessly grateful to Assoc. Prof. Dr. Charles Gates who accepted to be the supervisor of my thesis, who showed me how to look and write an appropriate thesis and who commented on my idiomatic English mistakes. I am thankful to Dr. Jacques Morin, the second examining committee member, who has helped me look for different aspects for this study. I am endlessly thankful to Prof. Dr. Güven Bakır, former director of the Clazomenae excavations, for letting me participate in the Clazomenae excavations v from 2002 onwards, for giving me such an important undergraduate thesis subject, and for supporting all my efforts. I am also thankful to Assistant Prof. Dr. Fikret Özbay and Dr. Hüseyin Cevizoğlu. I would also like to thank Dr. Ümit Güngör, who studied the Yıldıztepe necropolis and to Assistant Prof. Dr. Bilge Hürmüzlü, who studied the Akpınar necropolis in their dissertations. Both scholars shared very beneficial information and interpretations from the Yıldıztepe and Akpınar burial grounds. I am also thankful for her limitless support to Assistant and Ph.D. student Elif Koparal, who is studying the chora and settlement pattern of Clazomenae as a Ph.D. project and who is discovering much crucial information about the settlement patterns. I also would like to thank my friends and colleagues who supported me all the time: Müge Durusu, F. Volkan Güngördü, and Mert Çatalbaş. Special thanks go to my family. My mother, Özlem Ulusoy, and my brother, Tolga Ulusoy, supported and comforted me all the time. This study is dedicated to them. vi TABLE OF CONTENTS ABSTRACT ............................................................................................................... iii ÖZET .......................................................................................................................... iv ACKNOWLEDGEMENTS ....................................................................................... v TABLE OF CONTENTS ......................................................................................... vii ABBREVIATIONS .................................................................................................... x LIST OF TABLES .................................................................................................... xi LIST OF MAPS ........................................................................................................ xii LIST OF PLATES .................................................................................................. xiii CHAPTER 1: INTRODUCTION ............................................................................. 1 CHAPTER 2: BURIALS AND CEMETERIES AT CLAZOMENAE 11th - early 5th c. BC ....................................................................................................................... 8 2.1 A historical overview of pre-classical settlement of Clazomenae ................ 8 2.2 The Burials ...................................................................................................... 10 2.2.1 Protogeometric Period ........................................................................ 10 2.2.2. Geometric Period ............................................................................... 21 2.2.3. Archaic Period .................................................................................... 25 CHAPTER 3: IRON AGE AND ARCHAIC PERIOD BURIALS AND CEMETERIES IN IONIA ....................................................................................... 54 3.1. Protogeometric Period ............................................................................... 54 3.1.1. Chios ........................................................................................................ 55 3.1.2. Teos .......................................................................................................... 55 3.2. Geometric Period ........................................................................................ 55 vii 3.2.1. Chios ........................................................................................................ 56 3.2.2. Smyrna ..................................................................................................... 56 3.2.3. Ephesos .................................................................................................... 56 3.2.4. Samos ....................................................................................................... 57 3.2.5. Miletos ..................................................................................................... 57 3.2.6. Colophon .................................................................................................. 57 3.3. Archaic Period ...........................................................................................
Recommended publications
  • Cultural Dynamics in Ionia at the End of the Second Millennium BCE
    Cultural Dynamics in Ionia at the End of the Second Millennium BCE: New Archaeological Perspectives and Prospects Edited e-Thesis The results, discussions and conclusions presented herein are identical to those in the printed version. This electronic version of the thesis has been edited solely to ensure conformance with copyright legislation and all excisions are noted in the text. The final, awarded and examined version is available for consultation via the University Library. Rik Vaessen PhD The University of Sheffield Department of Archaeology May 2014 Table of Contents List of Figures iii List of Tables vi Acknowledgments vii Abstract ix Chapter 1. Introduction 1 1.1. Setting the stage 1 1.2. Introducing the Ionians 4 1.3. Finding Late Bronze and Early Iron Age Ionia 12 Phokaia 14 Panaztepe-Menemen 16 Smyrna-Bayraklı 17 Limantepe/Klazomenai 19 Erythrai 23 Chios: Emporio and Kato Phana 24 Teos 26 Kolophon 26 Klaros 28 Metropolis-Bademgedi ǧi Tepe 29 Ephesos (Apaša) 31 Ku şadası-Kadıkalesi 33 Samos: Heraion and Pythagorio 33 Miletos 35 The Miletos-area: Assesos and Teichiussa 38 Cine-Tepecik 38 1.4. Outline of the study 39 Chapter 2. Tracing the Ionians in modern scholarship 43 2.1. Introduction 43 2.2. Dorians and Ionians: 1750-1870 43 2.3. The Ionians between 1870 and 1939 54 2.4. The Ionians and their migration become visible … or not? (1945-present) 60 2.5. The current debate in perspective 69 2.6. Final remarks 78 Chapter 3. Theoretical and methodological considerations 79 3.1. Introduction 79 3.2. Theory: some critical remarks 79 3.3.
    [Show full text]
  • Seven Churches of Revelation Turkey
    TRAVEL GUIDE SEVEN CHURCHES OF REVELATION TURKEY TURKEY Pergamum Lesbos Thyatira Sardis Izmir Chios Smyrna Philadelphia Samos Ephesus Laodicea Aegean Sea Patmos ASIA Kos 1 Rhodes ARCHEOLOGICAL MAP OF WESTERN TURKEY BULGARIA Sinanköy Manya Mt. NORTH EDİRNE KIRKLARELİ Selimiye Fatih Iron Foundry Mosque UNESCO B L A C K S E A MACEDONIA Yeni Saray Kırklareli Höyük İSTANBUL Herakleia Skotoussa (Byzantium) Krenides Linos (Constantinople) Sirra Philippi Beikos Palatianon Berge Karaevlialtı Menekşe Çatağı Prusias Tauriana Filippoi THRACE Bathonea Küçükyalı Ad hypium Morylos Dikaia Heraion teikhos Achaeology Edessa Neapolis park KOCAELİ Tragilos Antisara Abdera Perinthos Basilica UNESCO Maroneia TEKİRDAĞ (İZMİT) DÜZCE Europos Kavala Doriskos Nicomedia Pella Amphipolis Stryme Işıklar Mt. ALBANIA Allante Lete Bormiskos Thessalonica Argilos THE SEA OF MARMARA SAKARYA MACEDONIANaoussa Apollonia Thassos Ainos (ADAPAZARI) UNESCO Thermes Aegae YALOVA Ceramic Furnaces Selectum Chalastra Strepsa Berea Iznik Lake Nicea Methone Cyzicus Vergina Petralona Samothrace Parion Roman theater Acanthos Zeytinli Ada Apamela Aisa Ouranopolis Hisardere Dasaki Elimia Pydna Barçın Höyük BTHYNIA Galepsos Yenibademli Höyük BURSA UNESCO Antigonia Thyssus Apollonia (Prusa) ÇANAKKALE Manyas Zeytinlik Höyük Arisbe Lake Ulubat Phylace Dion Akrothooi Lake Sane Parthenopolis GÖKCEADA Aktopraklık O.Gazi Külliyesi BİLECİK Asprokampos Kremaste Daskyleion UNESCO Höyük Pythion Neopolis Astyra Sundiken Mts. Herakleum Paşalar Sarhöyük Mount Athos Achmilleion Troy Pessinus Potamia Mt.Olympos
    [Show full text]
  • Hadrian and the Greek East
    HADRIAN AND THE GREEK EAST: IMPERIAL POLICY AND COMMUNICATION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Demetrios Kritsotakis, B.A, M.A. * * * * * The Ohio State University 2008 Dissertation Committee: Approved by Professor Fritz Graf, Adviser Professor Tom Hawkins ____________________________ Professor Anthony Kaldellis Adviser Greek and Latin Graduate Program Copyright by Demetrios Kritsotakis 2008 ABSTRACT The Roman Emperor Hadrian pursued a policy of unification of the vast Empire. After his accession, he abandoned the expansionist policy of his predecessor Trajan and focused on securing the frontiers of the empire and on maintaining its stability. Of the utmost importance was the further integration and participation in his program of the peoples of the Greek East, especially of the Greek mainland and Asia Minor. Hadrian now invited them to become active members of the empire. By his lengthy travels and benefactions to the people of the region and by the creation of the Panhellenion, Hadrian attempted to create a second center of the Empire. Rome, in the West, was the first center; now a second one, in the East, would draw together the Greek people on both sides of the Aegean Sea. Thus he could accelerate the unification of the empire by focusing on its two most important elements, Romans and Greeks. Hadrian channeled his intentions in a number of ways, including the use of specific iconographical types on the coinage of his reign and religious language and themes in his interactions with the Greeks. In both cases it becomes evident that the Greeks not only understood his messages, but they also reacted in a positive way.
    [Show full text]
  • Herakles Iconography on Tyrrhenian Amphorae
    HERAKLES ICONOGRAPHY ON TYRRHENIAN AMPHORAE _____________________________________________ A Thesis presented to the Faculty of the Graduate School University of Missouri-Columbia _____________________________________________ In Partial Fulfillment Of the Requirements for the Degree Master of Arts ______________________________________________ by MEGAN LYNNE THOMSEN Dr. Susan Langdon, Thesis Supervisor DECEMBER 2005 ACKNOWLEDGEMENTS I would like to thank my thesis advisor, Dr. Susan Langdon, and the other members of my committee, Dr. Marcus Rautman and Dr. David Schenker, for their help during this process. Also, thanks must be given to my family and friends who were a constant support and listening ear this past year. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS………………………………………………………………ii LIST OF ILLUSTRATIONS……………………………………………………………..v Chapter 1. TYRRHENIAN AMPHORAE—A BRIEF STUDY…..……………………....1 Early Studies Characteristics of Decoration on Tyrrhenian Amphorae Attribution Studies: Identifying Painters and Workshops Market Considerations Recent Scholarship The Present Study 2. HERAKLES ON TYRRHENIAN AMPHORAE………………………….…30 Herakles in Vase-Painting Herakles and the Amazons Herakles, Nessos and Deianeira Other Myths of Herakles Etruscan Imitators and Contemporary Vase-Painting 3. HERAKLES AND THE FUNERARY CONTEXT………………………..…48 Herakles in Etruria Etruscan Concepts of Death and the Underworld Etruscan Funerary Banquets and Games 4. CONCLUSION………………………………………………………………..67 iii APPENDIX: Herakles Myths on Tyrrhenian Amphorae……………………………...…72 BIBLIOGRAPHY………………………………………………………………………..77 ILLUSTRATIONS………………………………………………………………………82 iv LIST OF ILLUSTRATIONS Figure Page 1. Tyrrhenian Amphora by Guglielmi Painter. Bloomington, IUAM 73.6. Herakles fights Nessos (Side A), Four youths on horseback (Side B). Photos taken by Megan Thomsen 82 2. Tyrrhenian Amphora (Beazley #310039) by Fallow Deer Painter. Munich, Antikensammlungen 1428. Photo CVA, MUNICH, MUSEUM ANTIKER KLEINKUNST 7, PL. 322.3 83 3. Tyrrhenian Amphora (Beazley #310045) by Timiades Painter (name vase).
    [Show full text]
  • The Satrap of Western Anatolia and the Greeks
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 The aS trap Of Western Anatolia And The Greeks Eyal Meyer University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Ancient History, Greek and Roman through Late Antiquity Commons Recommended Citation Meyer, Eyal, "The aS trap Of Western Anatolia And The Greeks" (2017). Publicly Accessible Penn Dissertations. 2473. https://repository.upenn.edu/edissertations/2473 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2473 For more information, please contact [email protected]. The aS trap Of Western Anatolia And The Greeks Abstract This dissertation explores the extent to which Persian policies in the western satrapies originated from the provincial capitals in the Anatolian periphery rather than from the royal centers in the Persian heartland in the fifth ec ntury BC. I begin by establishing that the Persian administrative apparatus was a product of a grand reform initiated by Darius I, which was aimed at producing a more uniform and centralized administrative infrastructure. In the following chapter I show that the provincial administration was embedded with chancellors, scribes, secretaries and military personnel of royal status and that the satrapies were periodically inspected by the Persian King or his loyal agents, which allowed to central authorities to monitory the provinces. In chapter three I delineate the extent of satrapal authority, responsibility and resources, and conclude that the satraps were supplied with considerable resources which enabled to fulfill the duties of their office. After the power dynamic between the Great Persian King and his provincial governors and the nature of the office of satrap has been analyzed, I begin a diachronic scrutiny of Greco-Persian interactions in the fifth century BC.
    [Show full text]
  • Crossroads 360 Virtual Tour Script Edited
    Crossroads of Civilization Virtual Tour Script Note: Highlighted text signifies content that is only accessible on the 360 Tour. Welcome to Crossroads of Civilization. We divided this exhibit not by time or culture, but rather by traits that are shared by all civilizations. Watch this video to learn more about the making of Crossroads and its themes. Entrance Crossroads of Civilization: Ancient Worlds of the Near East and Mediterranean Crossroads of Civilization looks at the world's earliest major societies. Beginning more than 5,000 years ago in Egypt and the Near East, the exhibit traces their developments, offshoots, and spread over nearly four millennia. Interactive timelines and a large-scale digital map highlight the ebb and flow of ancient cultures, from Egypt and the earliest Mesopotamian kingdoms of the Akkadians, Babylonians, and Assyrians, to the vast Persian, Hellenistic, and finally Roman empires, the latter eventually encompassing the entire Mediterranean region. Against this backdrop of momentous historical change, items from the Museum's collections are showcased within broad themes. Popular elements from classic exhibits of former years, such as our Greek hoplite warrior and Egyptian temple model, stand alongside newly created life-size figures, including a recreation of King Tut in his chariot. The latest research on our two Egyptian mummies features forensic reconstructions of the individuals in life. This truly was a "crossroads" of cultural interaction, where Asian, African, and European peoples came together in a massive blending of ideas and technologies. Special thanks to the following for their expertise: ● Dr. Jonathan Elias - Historical and maps research, CT interpretation ● Dr.
    [Show full text]
  • Amazons, Thracians, and Scythians , Greek, Roman and Byzantine Studies, 24:2 (1983:Summer) P.105
    SHAPIRO, H. A., Amazons, Thracians, and Scythians , Greek, Roman and Byzantine Studies, 24:2 (1983:Summer) p.105 Amazons, Thracians, and Scythians H A. Shapiro HE AMAZONS offer a remarkable example of the lacunose and T fragmented state of ancient evidence for many Greek myths. For while we hear virtually nothing about them in extant litera­ ture before the mid-fifth century, they are depicted in art starting in the late eighth! and are extremely popular, especially in Attica, from the first half of the sixth. Thus all we know about the Greeks' con­ ception of the Amazons in the archaic period comes from visual rep­ resentations, not from written sources, and it would be hazardous to assume that various 'facts' and details supplied by later writers were familiar to the sixth-century Greek. The problem of locating the Amazons is a good case in point. Most scholars assume that Herakles' battle with the Amazons, so popular on Attic vases, took place at the Amazon city Themiskyra in Asia Minor, on the river Thermodon near the Black Sea, where most ancient writers place it.2 But the earliest of these is Apollodoros (2.5.9), and, as I shall argue, alternate traditions locating the Ama­ zons elsewhere may have been known to the archaic vase-painter and viewer. An encounter with Amazons figures among the exploits of three important Greek heroes, and each story entered the Attic vase­ painters' repertoire at a different time in the course of the sixth century. First came Herakles' battle to obtain the girdle of Hippolyte (although the prize itself is never shown), his ninth labor.
    [Show full text]
  • Greece: Interactive Exploration
    Greece: Interactive Exploration Who were the Ancient Greeks? Explore more about the Ancient Greeks and what they valued as a society. Grade Level: Grades 3-5, Grades 6-8, Grades 9-12 Collection: Ancient Art Culture/Region: Greece Subject Area: Creative Thinking, Critical Thinking, Fine Arts, History and Social Science, Visual Arts Activity Type: Art in Depth LOOKING, THINKING, AND LEARNING This resource will consist of two different types of looking, thinking and learning activities. These activities call on your observation and thinking skills as you closely examine selected objects from Ancient Greece. The activities will explore the themes of mythology, religion, sport and trade. LOOK AT THIS! Look at This activities provide close-up views with guiding questions and background information. What will you learn about what the ancient Greeks valued? SURPRISE ME! Surprise Me investigations offer pop-up hot spots on selected objects to reveal intriguing information about Greek religion, gods, goddesses, trade, sport and mythology. How do these objects relate to the Greek religion and human need for protection from harm and healing from disease and injury? WHO WERE THE GREEKS? Ancient Greece was not a unified country, but a collection of city-states. A city-state was a city and the surrounding towns that all followed the same law. The most famous city-state from Ancient Greece was Athens. Although there were many city-states with different laws, they shared certain cultural aspects that allow us to speak of a Greek Civilization. They had a common language and in general worshipped the same gods and goddesses.
    [Show full text]
  • Current Catalog
    Arte Primitivo Howard S. Rose Gallery, Inc. Fine Pre-Columbian Art, Tribal Art & Classical Antiquities 1. Olmec Miniature Seated Figure 2. Xochipala Tall Standing Figure Mexico. Ca. 1100-700 B.C. 2”H. Olmec culture, Mexico. Ca. 1000 B.C. 11”H. x 3-1/2”W. Private La Jolla collection, acquired from Fine Arts of Ancient Lands, NY. Private FL. collection. Ex. Barry Kernerman, Toronto, ex. Samuel Est. $1,500-$2,000 Closing: Thursday, August 26, 10:00 A.M. Dubiner collection, Tel Aviv, Israel, acquired 1960s. Est. $1,800-$2,500 Closing: Thursday, August 26, 10:01 A.M. 3. Mezcala Large Stone Temple 4. Mezcala Stone Temple Guerrero, Mexico. Ca. 400 B.C. 8-7/8”H. x 6-1/4”W. Guerrero, Mexico. Ca. 400 B.C. 5”H. x 3-3/4”W. Private FL. collection. Ex. Barry Kernerman, Toronto, ex. Samuel Private FL. collection. Ex. Barry Kernerman, Toronto, ex. Samuel Dubiner collection, Tel Aviv, Israel, acquired 1960s. Dubiner collection, Tel Aviv, Israel, acquired 1960s. Est. $800-$1,200 Closing: Thursday, August 26, 10:02 A.M. Est. $900-$1,200 Closing: Thursday, August 26, 10:03 A.M. 5. Tlatilco Figure with Hair Tuft Tlatilco, Mexico. Ca. 1150-550 BC. 5-7/8”H. x 3”W. NYC collection; Ex. Merrin Gallery, 1970s. Est. $600-$900 Closing: Thursday, August 26, 10:04 A.M. 6. Olla with Star Design Chupicuaro, Mexico. Ca. 400-100 B.C. 6-1/2”H. Est. $700-$1,000 Closing: Thursday, August 26, 10:05 A.M. 8. Two Mezcala Pendants 7.
    [Show full text]
  • AT 11.1 Basket: 21 Description of Basket: Roman Mortared Stone Wall at the Foundation from the Column of NE Anta Wall
    Basket Information Trench: AT 11.1 Basket: 21 Description of Basket: Roman mortared stone wall at the foundation from the column of NE anta wall. Summary of Material: Total weight in kg: Latest Datable Material: Tentative Period: Notes: Basket coord.: W111.1-W111.9/S1225.4-S1228.4; elev.: *99.96-*99.84 Read By: LDR Date: July 17 2012 END 1 2 Undatable AT 11.1 Bas. 21 Ware-Shape-Decoration Wt Rim Base Hdl Body Other Notes Certainty Mends Utility Ware, Red ### 1 Undiagnostic, flat base for closed vessel. [shape] [shape] Utility Ware, Gray [shape] Cooking Ware Storage/Transport Amphora ### 1 Undiagnostic body sherd Fine Ware Other END Use this form in mixed baskets, where there are diagnostic sherds of different periods, and the dates of the coarseware cannot be estimated. 3 NUM/CAT NUM NUM 4 Lydian AT 11.1 Bas. 21 Ware-Shape-Decoration Wt Rim Base Hdl Body Other Notes Certainty Mends Cooking Ware Globular cooking pot Gold-dust ware Cooking stand Lid Breadtray Other Utility Ware, Red “Yogurt Bowl” Pithos Other coarse Table Ware Hydria/Amphora Waveline Hydria/Amphora Myrina Amphora Other Oinochoe SG, pendant petals Dipped Pendant Hooks/Semicircles Other Other Closed Shapes Misc Column krater Streaky, thick-walled Other Skyphos krater Lebes (dinos) Skyphos Streaky Glaze, no white bands SG, White Bands Other Stemmed Dish/Dish/Plate Black-on-Red Bichrome Plate Other Pitcher Omphalos phiale Pyxis 5 Lid Large Painted (early types) Jar Unguent Vessels Lydion Lekythos Vertical marbled Other Ring askos Miscellaneous Decorations ### Various Shapes (specify) Marbled Pendant Hooks Bichrome Earlier B/R “Phrygianizing” Streaky Glaze 1 Waveline Micaceous Wash Other Grayware ### 1 Hydria/Amphora Jar Plate/Dish/Stemmed Dish Mug Black-Polished Other Lamps Lydian lamp Other lamp Corinthian [shape] Attic [shape] East Greek misc.
    [Show full text]
  • ANCIENT TERRACOTTAS from SOUTH ITALY and SICILY in the J
    ANCIENT TERRACOTTAS FROM SOUTH ITALY AND SICILY in the j. paul getty museum The free, online edition of this catalogue, available at http://www.getty.edu/publications/terracottas, includes zoomable high-resolution photography and a select number of 360° rotations; the ability to filter the catalogue by location, typology, and date; and an interactive map drawn from the Ancient World Mapping Center and linked to the Getty’s Thesaurus of Geographic Names and Pleiades. Also available are free PDF, EPUB, and MOBI downloads of the book; CSV and JSON downloads of the object data from the catalogue and the accompanying Guide to the Collection; and JPG and PPT downloads of the main catalogue images. © 2016 J. Paul Getty Trust This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042. First edition, 2016 Last updated, December 19, 2017 https://www.github.com/gettypubs/terracottas Published by the J. Paul Getty Museum, Los Angeles Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049-1682 www.getty.edu/publications Ruth Evans Lane, Benedicte Gilman, and Marina Belozerskaya, Project Editors Robin H. Ray and Mary Christian, Copy Editors Antony Shugaar, Translator Elizabeth Chapin Kahn, Production Stephanie Grimes, Digital Researcher Eric Gardner, Designer & Developer Greg Albers, Project Manager Distributed in the United States and Canada by the University of Chicago Press Distributed outside the United States and Canada by Yale University Press, London Printed in the United States of America Library of Congress Cataloging-in-Publication Data Names: J.
    [Show full text]
  • Pottery from Roman Malta
    Cover Much of what is known about Malta’s ancient material culture has come to light as a result of antiquarian research or early archaeological work – a time where little attention Anastasi MALTA ARCHAEOLOGICAL REVIEW SUPPLEMENT 1 was paid to stratigraphic context. This situation has in part contributed to the problem of reliably sourcing and dating Maltese Roman-period pottery, particularly locally produced forms common on nearly all ancient Maltese sites. Pottery from Roman Malta presents a comprehensive study of Maltese pottery forms from key stratified deposits spanning the first century BC to mid-fourth century AD. Ceramic material from three Maltese sites was analysed and quantified in a bid to understand Maltese pottery production during the Roman period, and trace the type and volume of ceramic-borne goods that were circulating the central Mediterranean during the period. A short review of the islands’ recent literature on Roman pottery is discussed, followed by a detailed Pottery from Roman Malta contextual summary of the archaeological contexts presented in this study. The work is supplemented by a detailed illustrated catalogue of all the forms identified within the assemblages, presenting the wide range of locally produced and imported pottery types typical of the Maltese Roman period. Maxine Anastasi is a Lecturer at the Department of Classics and Archaeology, University of Malta. She was awarded a DPhil in Archaeology from the University of Oxford for her dissertation on small-island economies in the Central Mediterranean. Her research primarily focuses on Roman pottery in the central Mediterranean, with a particular Malta from Roman Pottery emphasis on Maltese assemblages.
    [Show full text]