Explorations Into Genocide and Other Forms of Mass Violence
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Transformations of Lamarckism Vienna Series in Theoretical Biology Gerd B
Transformations of Lamarckism Vienna Series in Theoretical Biology Gerd B. M ü ller, G ü nter P. Wagner, and Werner Callebaut, editors The Evolution of Cognition , edited by Cecilia Heyes and Ludwig Huber, 2000 Origination of Organismal Form: Beyond the Gene in Development and Evolutionary Biology , edited by Gerd B. M ü ller and Stuart A. Newman, 2003 Environment, Development, and Evolution: Toward a Synthesis , edited by Brian K. Hall, Roy D. Pearson, and Gerd B. M ü ller, 2004 Evolution of Communication Systems: A Comparative Approach , edited by D. Kimbrough Oller and Ulrike Griebel, 2004 Modularity: Understanding the Development and Evolution of Natural Complex Systems , edited by Werner Callebaut and Diego Rasskin-Gutman, 2005 Compositional Evolution: The Impact of Sex, Symbiosis, and Modularity on the Gradualist Framework of Evolution , by Richard A. Watson, 2006 Biological Emergences: Evolution by Natural Experiment , by Robert G. B. Reid, 2007 Modeling Biology: Structure, Behaviors, Evolution , edited by Manfred D. Laubichler and Gerd B. M ü ller, 2007 Evolution of Communicative Flexibility: Complexity, Creativity, and Adaptability in Human and Animal Communication , edited by Kimbrough D. Oller and Ulrike Griebel, 2008 Functions in Biological and Artifi cial Worlds: Comparative Philosophical Perspectives , edited by Ulrich Krohs and Peter Kroes, 2009 Cognitive Biology: Evolutionary and Developmental Perspectives on Mind, Brain, and Behavior , edited by Luca Tommasi, Mary A. Peterson, and Lynn Nadel, 2009 Innovation in Cultural Systems: Contributions from Evolutionary Anthropology , edited by Michael J. O ’ Brien and Stephen J. Shennan, 2010 The Major Transitions in Evolution Revisited , edited by Brett Calcott and Kim Sterelny, 2011 Transformations of Lamarckism: From Subtle Fluids to Molecular Biology , edited by Snait B. -
Subverting Value Chains Through Liberatory Cultural Production
Cultural De-commodification: Subverting Value Chains Through Liberatory Cultural Production Luam Kidane Department of Art History and Communication Studies McGill University, Montreal April, 2016 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Master of Arts © Luam Kidane, 2016 1 2 Abstract Freedom is a perpetual process, which can neither be defined nor predetermined. Any attempt at freedom is therefore an improvisation, an experimentation. Cultural production can act as a site for this improvisation to take root: a viaduct from which experimentations in colour, sound, form, movement and letters allows for dialogue and explorations of liberation practices. Liberatory cultural production is a process through which interventions, provocations, modifications, and proposals are made for the purposes of expressing, understanding, shaping, and interrogating political, cultural and social frameworks. This includes music, writing, movement, language, visual art, performance, as well as other forms of expression meant to inform and create how we relate to culture. These sites of cultural production which improvise freedom challenge the commodification of cultural production because they force a conceptualization of value outside of money, utility, exchange and labour. This thesis interrogates the relationship between value, liberation and cultural production through Marxist theory, Black Radical Thought, and a case study of Senegalese hip-hop from 1980-2012 in order to assert that cultural production which is a site for the improvisation of freedom has a liberatory value which subverts the law of value at the heart of the capitalist economy. 3 Résumé La liberté est un processus perpetuel qui ne peut ni être définie ou prédéterminée. -
The War to End War — the Great War
GO TO MASTER INDEX OF WARFARE GIVING WAR A CHANCE, THE NEXT PHASE: THE WAR TO END WAR — THE GREAT WAR “They fight and fight and fight; they are fighting now, they fought before, and they’ll fight in the future.... So you see, you can say anything about world history.... Except one thing, that is. It cannot be said that world history is reasonable.” — Fyodor Mikhaylovich Dostoevski NOTES FROM UNDERGROUND “Fiddle-dee-dee, war, war, war, I get so bored I could scream!” —Scarlet O’Hara “Killing to end war, that’s like fucking to restore virginity.” — Vietnam-era protest poster HDT WHAT? INDEX THE WAR TO END WAR THE GREAT WAR GO TO MASTER INDEX OF WARFARE 1851 October 2, Thursday: Ferdinand Foch, believed to be the leader responsible for the Allies winning World War I, was born. October 2, Thursday: PM. Some of the white Pines on Fair Haven Hill have just reached the acme of their fall;–others have almost entirely shed their leaves, and they are scattered over the ground and the walls. The same is the state of the Pitch pines. At the Cliffs I find the wasps prolonging their short lives on the sunny rocks just as they endeavored to do at my house in the woods. It is a little hazy as I look into the west today. The shrub oaks on the terraced plain are now almost uniformly of a deep red. HDT WHAT? INDEX THE WAR TO END WAR THE GREAT WAR GO TO MASTER INDEX OF WARFARE 1914 World War I broke out in the Balkans, pitting Britain, France, Italy, Russia, Serbia, the USA, and Japan against Austria, Germany, and Turkey, because Serbians had killed the heir to the Austrian throne in Bosnia. -
A Luta Continua: Children and Youth in Mozambique’S Struggles
Chapter Two A Luta Continua: Children and Youth in Mozambique’s Struggles Ana Leão The focus of this chapter is a historical glimpse of youth involvement in Mozambican political change, where child soldiers seem to fall into a well- established pattern of youth involvement and youth mobilisation. The need for a historical perspective arises from the reality that children and youth comprise the largest demographic group in Africa and yet are the ones we know the least about. Research on young people has tended to focus on specific human security issues, such as child soldiers and HIV/AIDS, but there have been few attempts to profile youth socially, politically and economically. Having said this, youth is not a homogenous group; young people belong to different social economic strata and have different economic roles and political agendas. Concepts such as childhood, adolescence and adulthood vary according to different social, cultural and economic settings. In many African societies, age was and still may be defined not by the year of birth but rather by the ability of the individual to perform certain tasks and carry particular respon- sibilities. African children and youth have established their social identity and position through their contributions to the household and community. Fetching wood or water, cultivating, tending livestock, hunting and fishing are some of the tasks through which rural youngsters, for example, establish themselves as productive members of their community. But, although Africa’s young people are not immune to historical changes, little is known about how concepts of childhood and youth have adapted to the changing conditions of African societies.1 Over the course of our research, former child soldiers, none of whom had undergone any rituals of initiation in the traditional sense, were asked how age was defined in their community and none could really answer. -
Sole Luna Doc Film Festival 16. Edition 05 — 11 . 07 . 2021 Palermo a / to Giuseppe
Sole Luna Doc Film Festival 16. edition 05 — 11 . 07 . 2021 Palermo a / to Giuseppe «Un uomo si propone il compito di disegnare il mondo. Trascorrendo gli anni, popola uno spazio con immagini di province, di regni, di montagne, di baie, di navi, d’isole, di pesci, di dimore, di strumenti, di astri, di cavalli e di persone. Poco prima di morire, scopre che quel paziente labirinto di linee traccia l’immagine del suo volto». / «A man sets out to draw the world. As the years go by, he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and individuals. A short time before he dies, he discovers that the patient labyrinth of lines traces the lineaments of his own face». Jorge Luis Borges Sole Luna Doc Film Festival Sole Luna 16. edizione / edition Doc Film Festival un progetto di / a project by Associazione Sole Luna – Un ponte tra le culture © 2021 sedicesima edizione / sixteenth edition [email protected] www.solelunadoc.org Palermo 5 — 11 luglio / July 2021 twitter @festivalsole Complesso monumentale dello Steri facebook Sole Luna Festival instagram solelunadoc #SoleLunaFestival #Crearelegami / #Establishties Sole Luna Doc Film Festival 2021 presidente / president ufficio stampa / press traduzioni ufficio stampa — Serena Giglio, trailer Sole Luna Doc Film Lucia Gotti Venturato Gioia Sgarlata / press translations studenti / students: Linda Montalti, Festival 2021 Gaia Tilotta Karin Allegra, Marina Pappalardo, / 2021 Sole Luna Doc Film direzione scientifica comunicazione -
A Discussion Guide
a discussion guide for the film The Africa Information Service (A.I.S.) is an organiza tion of Africans, African-Caribbeans and African Americans who share a commitment to Third World anti-imperialist struggles. We prepare, catalog, and distribute information on African liberation movements and on the struggles to achieve economic independence by the people in those parts ofAfrica recognized as independent political states. We also provide the people ofAfrica with information on various struggles being waged by Third World peoples in the Western Hemisphere. Africa is ou r focal point, but we recognize that the African struggles do not exist in isolation. They are themselves part of a larger movement by Third World peoples. a discussion guide forthefilm UA CONTENTS 2. Film Data 2. Credits 2. Distributors 3. Basic Statistics 3. Map of Africa 4. The Struggle in Mozambique 7. Suggested Questions For Discussion 8. Suggested Action in Support of FRELIMO, MPLA, AND PAIGC 9. Partial List of Organizations Working on Issues Related to Southern and Colonized Africa 11. Suggested Bibliography Books Periodicals LU C TINU (the struggle continues) FILM DATA Color 16 mm Optical Sound - English Narration Running Time: 32 minutes Footage: 1286 Filmed in the liberated areas of Mozambique (Niassa Province, September & October, 1971) CREDITS Producer/Director Robert F. Van Lierop Ci nematographer/Director Bob Fletcher Film Editor Richard Skinner Sound Editor George Copeland Sound Robert F. Van Lierop Animator Richard Skinner Map Cheryl Brown Voice Effects (Proclama tion of War & Eduardo Mondlane Filipe Nhancle Written and Narrated by Robert F. Van Lierop DISTRIBUTORS Tricontin.ental Film Center 244 West 27th Street New York, New York 10001 Africa Information Service 112 West 120 Street New York, New York 10027 2 BASIC STATISTICS (The Three Colonie) Angola area 485,000 sq. -
Physical Anthropology of the Pacific – Michael Pietrusewsky
PHYSICAL (BIOLOGICAL) ANTHROPOLOGY – Physical Anthropology of the Pacific – Michael Pietrusewsky PHYSICAL ANTHROPOLOGY OF THE PACIFIC Michael Pietrusewsky Department of Anthropology, University of Hawaii at Mānoa, Honolulu, 96822 U.S.A. Keywords: Physical anthropology, skeletal biology, bioarchaeology, paleopathology, craniology, biological distance, multivariate statistics, dental studies, genetic studies, Polynesian origins, Lapita skeletons Contents 1. Introduction 2. Pacific Islands: Geology, Prehistory and Linguistics 3. First Impressions/Early Paradigms (Table 1) 4. Pacific Relationships and Polynesian Origins (Table 2) 5. Health, Disease, and Lifestyle of Early Pacific Islanders (Table 3) 6. Regional Studies in Skeletal Biology 7. Conclusions and Future Prospects Acknowledgements Glossary Bibliography Biographical Sketch Summary A brief summary of studies in physical anthropology and skeletal biology of the Pacific and Polynesia is presented. Commencing with early studies in physical anthropology in the mid-nineteenth century, which included studies of living as well as prehistoric inhabitants of the Pacific, this survey focuses mainly on two topics: What studies of skeletons from the region have revealed about 1) the initial peopling of the Pacific and the origins of the Polynesians and 2) the health and lifestyle of past Pacific Islanders and Polynesians. Despite the limited number of studies in the physical anthropology of the Pacific and issues surrounding repatriation, a significant amount of information about the past inhabitants of this region continues to emerge from work involving human skeletons. 1. Introduction This chapter summarizes previous work in physical anthropology and skeletal biology of the Pacific. Although evidence from other areas in physical anthropology (e.g., genetic and dental studies) is included, the major focus will be what studies of human skeletons and teeth reveal about the origins, health, and lifestyle of the indigenous inhabitants of the Pacific, particularly Polynesians. -
Herbert Shore Collection in Honor of Eduardo C
HERBERT SHORE COLLECTION IN HONOR OF EDUARDO C. MONDLANE INVENTORY Subgroup I. Historical Files relating to Herbert Shore’s interests in the Arts and Culture Series 1. Council on the Arts, Culture, and Technology (TACT), 1962-63, 1971-84, 1991, n.d. (1 architectural drawing) Box 1 TACT General Information Aboriginal Culture, Aboriginal Art from Papunya, Central Australia, Dec. 12, 1977 Ad-hoc panel in view of the preparation of the Second World Conference on Cultural Policies, Dec. 15–19, 1980 Annual Report to U.S. NATCOM, Sept. 30, 1980 Art and Education, Mar. 5, 1971 Art and the Future, 1978-80 Art in a Technological Society, Report by Herbert Shore, 1980 Art in a Technological Society, Workshops, Jan 24-25, 1980 (4f) The Arts and the Technological Challenge, 1982 Desmond E. Berghofer, The Development of Educational Policy in the Context of Lifelong Learning: A Discussion Paper, Mar. 2, 1983 The Black Art Revolution in the United States and Its Possible Relevance to Africa, Report to the Ford Foundation by Ulli Beier, n.d. The Communications Explosion, (1972?) Correspondence, 1978-80 Cultural Development and Policies, 1975-82, n.d. Cultural Policy and Unesco, 1979-1981, n.d., (3f) Cultural Transformations and the Human Scale of Time and Space, Ludwik Bielawski, n.d. Cultural Values, n.d. Culture & Technology, 1978, 1982, n.d. (4f) Development of a New Instrument of Percussion –The Two-Manual Vibraphone, Ronald M. George, n.d. Economic Order, Moving Towards Change, 1976 Education, Department of, 1976-1983 (5f) Educational Film Center, Storytellers, 1977-1979 Educational Research. Mozambique, 1980, n.d. -
Theorising Race and Evolution – German Anthropologie's Utilisation of Australian Aboriginal Skeletal Remains During the Long Nineteenth Century
Theorising Race and Evolution – German Anthropologie's utilisation of Australian Aboriginal skeletal remains during the Long Nineteenth Century Antje Kühnast A thesis in fulfilment of the requirements for the degree of Doctorate of Philosophy University of New South Wales School of Humanities and Languages Faculty of Arts and Social Sciences September 2017 1 THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Kühnast First name: Antje Other name/s: Abbreviation for degree as given in the University calendar: PhD School: Humanities and Languages Faculty: Faculty of Arts and Social Sciences Title: Theorising race and evolution – German Anthropologie's utilisation of Australian Aboriginal skeletal remains during the Long Nineteenth Century Abstract 350 words maximum: (PLEASE TYPE) This thesis investigates the German physical anthropological discourse on Australian Aborigines during the long nineteenth century. It particularly explores, on the basis of contemporaneous German-language scientific publications, the way in which German physical anthropologists utilised Australian Aboriginal skeletal remains for their theorising on human diversity and evolution. One focus lies on the discussion of the Neuholländer or Australier in its various manifestations: ranging from the speculative theorising of the late Enlightenment period to the natural scientific, physical anthropological investigations of the mid-nineteenth to early twentieth centuries. It is shown that German physical anthropologists first relied on, and -
17. Sole-Luna-Doc-Pa-21-Catalogo
Sole Luna Doc Film Festival 16. edition 05 — 11 . 07 . 2021 Palermo a / to Giuseppe «Un uomo si propone il compito di disegnare il mondo. Trascorrendo gli anni, popola uno spazio con immagini di province, di regni, di montagne, di baie, di navi, d’isole, di pesci, di dimore, di strumenti, di astri, di cavalli e di persone. Poco prima di morire, scopre che quel paziente labirinto di linee traccia l’immagine del suo volto». / «A man sets out to draw the world. As the years go by, he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and individuals. A short time before he dies, he discovers that the patient labyrinth of lines traces the lineaments of his own face». Jorge Luis Borges Sole Luna Doc Film Festival Sole Luna 16. edizione / edition Doc Film Festival un progetto di / a project by Associazione Sole Luna – Un ponte tra le culture © 2021 sedicesima edizione / sixteenth edition [email protected] www.solelunadoc.org Palermo 5 — 11 luglio / July 2021 twitter @festivalsole Complesso monumentale dello Steri facebook Sole Luna Festival instagram solelunadoc #SoleLunaFestival #Crearelegami / #Establishties Sole Luna Doc Film Festival 2021 presidente / president ufficio stampa / press traduzioni ufficio stampa — Serena Giglio, trailer Sole Luna Doc Film Lucia Gotti Venturato Gioia Sgarlata / press translations studenti / students: Linda Montalti, Festival 2021 Gaia Tilotta Karin Allegra, Marina Pappalardo, / 2021 Sole Luna Doc Film direzione scientifica comunicazione -
A Journal of African Studies
UCLA Ufahamu: A Journal of African Studies Title Front Matter Permalink https://escholarship.org/uc/item/7rw7c61p Journal Ufahamu: A Journal of African Studies, 12(1) ISSN 0041-5715 Author n/a, n/a Publication Date 1982 DOI 10.5070/F7121017181 eScholarship.org Powered by the California Digital Library University of California U F A H A M U AFRICAN ACTIVIST ASSOCIATION AFRICAN S~JDIES CENTER UNIVERSITY OF CALIFORNIA LOS ANGELES, CALIFORNIA 90024 Editor-in-Chief: Kyalo Mativo Editorial Board: Kofi Afriyie, C. Orlando X. Bonner, Marc Arthur Chery, Pierre Hermann L. m!sir, Fassil Demissie, Steve Harmon, Dovi Kuevi, Jacqueline Magro, Olusegun Oyekunle. Production Editor: Anita Pfouts Editorial Advisory Board: J. Ndukaku Amankulor, !.N.C. Aniebo, Louis D. Armmand, Kandioura Drame, Teshome H. Gabriel, Niko M. Ngwenyama, Edward C. Okus, Renee Poussiant, Kipkorir Aly Rana, Nancy Rutledge. Technical Advisor: Alice McGaughey CONTRIBUTIONS UFAHAMU will accept contributions from anyone interested in Africa and related subject areas. Contributions may include scholarly articles, political-economic analyses, commentaries, film and book reviews and freelance prose and poetry. Manuscripts may be of any length, but those of 15-25 pages are preferred. (All manuscripts must be clearly typed, double spaced originals with footnotes gathered at the end. Contributors should endeavor to keep duplicate copies of all their manuscripts.) The Editorial Board reserves the right to abbreviate any manuscript in order to fit page requirements. All correspondence--manuscripts, subscriptions, books for review, inquiries, etc.,--should be addressed to the Editor-in Chief at the above address. SUBSCRIPTIONS Individuals in U.S . and Canada $8.00/volume(3 issues);~ $3.50/issue. -
COFA 01 Thom 2020 Annotation
COFA 1 : DR J THOM Description: Two creative outputs commissioned by Iwalewahaus, The Centre for African Studies at the University of Bayreuth, Germany and published in: ‘Art of Wagnis: Christoph Schlingensief's crossing of Wagner and Africa’, pp128-131, edited by Lehmann, F., Vierke, U. & Siegert, N. 2017. 1. Title: Aluta Continua (Victory etc.) Medium: Site-specific intervention in mixed media commissioned by Iwalewahaus, The Centre for African Studies at the University of Bayreuth, Germany Date: 2017 Dimensions: Variable Annotation: Full annotation provided in accompanying pdf. This artistic intervention is based upon a creative re-reading of the political slogan ‘A luta continua, vitória é certa’ (The struggle continues, victory is certain). Historically this political slogan is associated with Mozambique’s armed struggle for independence from Portugal from the early 1960s until 1975. To be specific, the slogan is considered the political rallying cry of Samora Machel, the erstwhile leader of the Frente de Libertação de Moçambique or Frelimo. During the recent student protests against the rising costs of tertiary education in South Africa this slogan was often appropriated by students and their various supporters, appearing in social media on handmade posters in shorthand form simply as “A luta continua”. In this particular form, the slogan does not make explicit the possibility of victory, leaving instead the rather dispiriting possibility of a never-ending struggle. However, I think it may well be argued that the obverse is also true – that contemporary South African students are deeply aware of just how naive any hope for singular and total victory appears today.