Spenser, Donne, and the Trouble of Periodization Yulia Ryzhik
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
University of Florida Thesis Or Dissertation Formatting
SPEECH MADE UNABLE: INEXPRESSIBILITY, SUBLIMITY, AND NOTHINGNESS IN KING LEAR AND ITS RECEPTION By JAMES TRYGVE NEWLIN A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2013 1 © 2013 James Trygve Newlin 2 To Trygve Tonnessen, my grandfather 3 ACKNOWLEDGMENTS Appropriately enough for a study attentive to failure and problems of expression, this dissertation is the result of many false starts, detours, and drafts. I am grateful to the many colleagues, family members, and friends whose support and encouragement made completion possible. I owe an enormous debt to my dissertation committee. I thank my chair, Richard Burt, and my readers, R. Allen Shoaf, Terry Harpold, and Eric Kligerman. This project is the result of not only their suggestions, but also their inspiration. I am also grateful to the English department at the University of Florida for offering a supportive intellectual atmosphere, and for providing opportunities to complete and present my work. I was able to complete this project thanks to the funding awarded from the Graduate Student Award fellowship, and was able to present early drafts at conferences thanks to additional travel funds awarded by the department and College of Liberal Arts and Sciences. I am as grateful for these awards as I was fortunate to receive them. I owe thanks to my many teachers at UF: Sidney L. Dobrin, Robert B. Ray, James J. Paxson, Anastasia Ulanowicz, Phillip E. Wegner, and Roger Beebe. Thanks as well to Pamela K. Gilbert, Kenneth B. -
Proem Shakespeare S 'Plaies and Poems"
Proem Shakespeare s 'Plaies and Poems" In 1640, the publisher John Benson presents to his English reading public a Shakespeare who is now largely lost to us: the national author of poems and plays. By printing his modest octavo edition of the Poems: Written By Wil. Shake-speare. Gent., Benson curiously aims to complement the 1623 printing venture of Shakespeare's theatre colleagues, John Heminge and Henry Condell , who had presented Mr. William Shakespeares Comedies, Histories, & Tragedies in their monumental First Folio. Thus, in his own Dedicatory Epistle "To the Reader," Benson remarks that he presents "some excellent and sweetly composed Poems," which "had nor the fortune by reason of their lnfancie in his death, to have the due accommodation of proportionable glory, with the rest of his everliving Workes" (*2r). Indeed, as recent scholarship demonstrates, Benson boldly prints his octavo Poems on the model ofHeminge and Condell 's Folio Plays. ' Nor simply does Benson's volume share its primer, Thomas Cores, wirh rhe 1632 Folio, bur both editions begin with an identical format: an engraved portrait of the author; a dedicatory epistle "To the Reader"; and a set of commendatory verses, with Leonard Digges contributing an impor tant celebratory poem to both volumes. Benson's engraving by William Marshall even derives from the famous Martin Droeshout engraving in the First Folio, and six of the eight lines beneath Benson's engraving are borrowed from Ben Jonson's famed memorial poem to Shakespeare in char volume. Accordingly, Benson rakes his publishing goal from Heminge and Conde!!. They aim to "keepe the memory of such worthy a Friend, & Fellow alive" (Dedicatory Epistle to the earls ofPembroke and Montgomery, reprinted in Riverside, 94), while he aims "to be serviceable for the con tinuance of glory to the deserved Author" ("To the Reader," *2v). -
102-114 Gen Info & Index
102 General Information Presidents of Boston College 1. John Bapst, S.J. 1863 – 1869 14. Charles W. Lyons, S.J. 1914 – 1919 2. Robert W. Brady, S.J. 1869 – 1870 15. William Devlin, S.J. 1919 – 1925 Founder of 3. Robert Fulton, S.J. 1870 – 1880 16. James H. Dolan, S.J. 1925 – 1932 Boston College: 4. Jeremiah O’Connor, S.J. 1880 – 1884 17. Louis J. Gallagher, S.J. 1932 – 1937 Rev. John McElroy, S.J. 5. Edward V. Boursaud, S.J. 1884 – 1887 18. William J. McGarry, S.J. 1937 – 1939 6. Thomas H. Stack, S.J. 1887 19. William J. Murphy, S.J. 1939 – 1945 Pastor, Immaculate 7. Nicholas Russo, S.J. 1887 – 1888 20. William L. Keleher, S.J. 1945 – 1951 Conception Parish, Boston 8. Robert Fulton, S.J. 1888 – 1891 21. Joseph R. N. Maxwell, S.J. 1951 – 1958 1861-1863 9. Edward I. Devitt, S.J. 1891 – 1894 22. Michael P. Walsh, S.J. 1958 – 1968 10. Timothy Brosnahan, S.J. 1894 – 1898 23. W. Seavey Joyce, S.J. 1968 – 1972 11. W. G. Read Mullan, S.J. 1898 – 1903 24. J. Donald Monan, S.J. 1972 – 1996 12. William F. Gannon, S.J. 1903 – 1907 25. William P. Leahy, S.J. 1996 – 13. Thomas I. Gasson, S.J. 1907 – 1914 Honorary Degrees Awarded by Boston College 1955-2004 1955 1962 Raissa Maritain, LL.D. Fred J. Driscoll, LL.D. Harold Marston Morse, D.Sc. Detlev W. Bronk, D.Sc.* Christian A. Herter, LL.D. Rev. John B. Sheerin, C.S.P., LL.D. -
John Keats 1 John Keats
John Keats 1 John Keats John Keats Portrait of John Keats by William Hilton. National Portrait Gallery, London Born 31 October 1795 Moorgate, London, England Died 23 February 1821 (aged 25) Rome, Italy Occupation Poet Alma mater King's College London Literary movement Romanticism John Keats (/ˈkiːts/; 31 October 1795 – 23 February 1821) was an English Romantic poet. He was one of the main figures of the second generation of Romantic poets along with Lord Byron and Percy Bysshe Shelley, despite his work only having been in publication for four years before his death.[1] Although his poems were not generally well received by critics during his life, his reputation grew after his death, so that by the end of the 19th century he had become one of the most beloved of all English poets. He had a significant influence on a diverse range of poets and writers. Jorge Luis Borges stated that his first encounter with Keats was the most significant literary experience of his life.[2] The poetry of Keats is characterised by sensual imagery, most notably in the series of odes. Today his poems and letters are some of the most popular and most analysed in English literature. Biography Early life John Keats was born in Moorgate, London, on 31 October 1795, to Thomas and Frances Jennings Keats. There is no clear evidence of his exact birthplace.[3] Although Keats and his family seem to have marked his birthday on 29 October, baptism records give the date as the 31st.[4] He was the eldest of four surviving children; his younger siblings were George (1797–1841), Thomas (1799–1818), and Frances Mary "Fanny" (1803–1889) who eventually married Spanish author Valentín Llanos Gutiérrez.[5] Another son was lost in infancy. -
Ell Wish List 4-23-17
ELL WISH LIST 4-23-17 (Detailed instructions for use by Librarians of the maintenance file (Wish List.xlxs file) are in the Library Procedures Manual.) REMEMBER: ALL DONATED BOOKS MUST BE IN GOOD CONDITION. TO LOOK THROUGH A CATEGORY, use the scroll bar to move up or down through the file. There are 6 categories: Category # of Books Page# Fiction ~190 2-6 Historical Fiction ~ 50 7-8 Non-Fiction ~100 9-11 Biography & Autobiography ~ 50 12-13 History ~100 14-16 Children's ~100 17-19 Note: All categories are sorted by Title, except for Children's, which is organized by age groups and is not sorted into any particular order within the age groups. TO LOCATE A SPECIFIC BOOK, proceed as follows: 1. From the Taskbar, click the spyglass icon, 2. In the Find pop-up window , enter all or part of either the book title or an author’s name and click NEXT, 3. Continue clicking NEXT, until program reports no additional matches were found. About search criterion: When you enter search criterion into the FIND box, what you enter is what you get! For example, if you enter the words "The", "A", or "An" as part of a title, the system is going to find a lot of books, because these words are in many book titles. Same thing for authors' names, if the author has a common first name. So, omit common words, such as "The", "A" and "An" in title searches and avoid common first names, like "John", when searching with an author's name. -
The Epilogue of Tennyson's in Memoriam
THE EPILOGUE OF TENNYSON'S IN MEMORIAM: MARRIAGE AS A FORCE OF TRANSFORMATION By LIBBY STOTT YOUNG Bachelor of Arts Oklahoma State University Stillwater, Oklahoma 1980 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS May, 1984 Thes,;s ,q 8 l,1 '/1:')~ C.e:ir, ;i THE EPILOGUE OF TENNYSON'S MARRIAGE AS A FORCE OF TRANSFORi\fATION Thesis Approved ( 17dAh~ ~. J? eJ_J, Dean of the Graduate College PREFACE This study examines the imagery, scientific metaphor, and literary conventions that Alfred Tennyson uses in the Epilogue of In Memoriam, particularly those concern ing the power of marital love. The study discusses the aspects of disorder and order, death and life, and degen eracy and progress. It explores the connection of love with the force that transforms negative images into posi tive ones. The findings of the study are that Tennyson incor porates several literary conventions to convey that love can indeed transform disorder, death, and degeneracy into order, life, and progress. Tennyson draws upon pagan, Judea-Christian, and Renaissance literature. Scientific metaphor supports the power of love, and the images of the Epilogue incorporate and transform the images of the elegy. The members of my thesis committee have been splendid ly supportive and enlightening. I thank Dr. John Milstead, my advisor, for his example of intellectual vitality. I have been influenced by his example since my freshman year in college; during graduate school I have gained an increas ing appreciation of Dr. -
D:\Documents\Shauna's Documents\100 Best Nonfiction
Have You Read the 100 Best Nonfiction Books of the 20th Century? 1. The Education of Henry Adams, Henry Adams* 2. The Varieties of Religious Experience, William James* 3. Up from Slavery, Booker T. Washington* 4. A Room of One’s Own, Virginia Woolf 5. Silent Spring, Rachel Damon 6. Selected Essays, 1917–1932, T. S. Eliot 7. The Double Helix, James D. Watson 8. Speak, Memory, Vladimir Nabokov 9. The American Language, H. L. Mencken 10. The General Theory of Employment, Interest and Money, John Maynard Keynes 11. The Lives of a Cell, Lewis Thomas 12. The Frontier in American History, Frederick Jackson Turner 13. Black Boy, Richard Wright 14. Aspects of the Novel, E. M. Forster 15. The Civil War, Shelby Foote* 16. The Guns of August, Barbara Tuchman 17. The Proper Study of Mankind, Isaiah Berlin 16. The Nature and Destiny of Man, Reinhold Niebuhr 19. Notes of a Native Son, James Baldwin 20. The Autobiography of Alice B. Toklas, Gertrude Stein* 21. The Elements of Style, William Strunk and E. B. White 22. An American Dilemma, Gunnar Myrdal 23. Principia Mathematica, Alfred North Whitehead and Bertrand Russell 24. The Mismeasure of Man, Stephen Jay Gould 25. The Mirror and the Lamp, Meyer Howard Abrams 26. The Art of the Soluble, Peter B. Medawar 27. The Ants, Bert Hoelldobler and Edward O. Wilson 26. A Theory of Justice, John Rawls 29. Art and Illusion, Ernest H. Gombrich 30. The Making of the English Working Class, E. P. Thompson 31. The Souls of Black Folk, W.E.B. -
Tennyson's Poems
Tennyson’s Poems New Textual Parallels R. H. WINNICK To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/944 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. TENNYSON’S POEMS: NEW TEXTUAL PARALLELS Tennyson’s Poems: New Textual Parallels R. H. Winnick https://www.openbookpublishers.com Copyright © 2019 by R. H. Winnick This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work provided that attribution is made to the author (but not in any way which suggests that the author endorses you or your use of the work). Attribution should include the following information: R. H. Winnick, Tennyson’s Poems: New Textual Parallels. Cambridge, UK: Open Book Publishers, 2019. https://doi.org/10.11647/OBP.0161 In order to access detailed and updated information on the license, please visit https://www.openbookpublishers.com/product/944#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ Digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/944#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. -
UNIT 1 – History of English Literature – SHS1105
SCHOOL OF SCIENCE & HUMANITIES DEPARTMENT OF ENGLISH UNIT 1 – History of English Literature – SHS1105 1 ELIZABETHAN PERIOD & SHAKESPEARE PERIOD Edmund Spenser: Edmund Spenser (ca. 1552-1599) ranks as the fore most English poet of the 16th century. Famous as the author of the unfinished epic poem The Faerie Queene, he is the poet of an ordered yet passionate Elizabethan world. He was deeply affected by Irish faerie mythology, which he knew from his home at Kilcolman and possibly from his Irish wife Elizabeth Boyle. His genocidal tracts against Gaelic culture were war propaganda. His house (ruins remain) was burned to the ground during the war, causing him to flee Ireland. Edmund Spenser was born in East Smithfield, London, around the year 1552, though there is some ambiguity as to the exact date of his birth. As a young boy, he was educated in London at the Merchant Taylors' School and matriculated as a sizar at Pembroke College, Cambridge. Spenser‘s main poetical works are: The Shepher d‘s Calendar (1579) Amoretti (1595), a collection of eighty eight Petrarchan sonnets Epithalamion (1959), a magnificent ode written on the occasion of his marriage with Elizabeth Boyle Prothalamion (1596), an ode on marriage Astrophel (1596), an elegy on the death of Sir Philip Sidney Four Hymns (1576) written to glorify love and homour The Faerie Queen (1589 –90). Spenser matriculated at the University of Cambridge on May 20, 1569. Ten years later he published his first publicly-released poetic work, The Sheapheards' Calendar, to positive reviews. He then began work on his magnum opus, The Faerie Queene, publishing the first three of the projected twelve books in 1590. -
Curriculum Vitae 8-97
CURRICULUM VITAE JOHN L. MAHONEY THOMAS F. RATTIGAN PROFESSOR OF ENGLISH EMERITUS BOSTON COLLEGE AREAS OF SPECIALIZATION British Enlightenment and Romantic Literature Tragedy and the Drama Religion and Literature EDUCATION D.H.L. (Hon.) Boston College, 2003 Ph.D., Harvard University, 1957 A.M., Boston College, 1952 A.B., Boston College, 1950 ACADEMIC APPOINTMENTS Thomas F. Rattigan Professor of English, Emeritus, Boston College, 2002 - present Thomas F. Rattigan Professor of English, Boston College, 1994 - 2002 Visiting Professor of English, Harvard University, Summer Session, 1963, 1965, 1967, 1971, 1980, 1983, 1986 Professor of English, Boston College, 1965 - 2002 Associate Professor of English, Boston College, 1962 - 1965 Assistant Professor of English, Boston College, 1959 - 1962 Instructor of English, Boston College, 1955 – 1959 ADMINISTRATIVE APPOINTMENTS AND PROFESSIONAL ACTIVITIES Advisory Board, Resources: Boston College Church in the 21st Century Initiative, 2002 – 2006 Member, Search Committee for Director of the Jesuit Institute of Boston College, 2001 Member, Committee on Religious Art on the Boston College Campus, 2000 – 2 Editor, Fordham University Press Religion and Literature Series, 1995 - 2005 Member, Ad Hoc Committee on Teaching, Modern Language Association of America, 1998 – 2000 Member, University Arts Council, Boston College, 1997 - Member, Faculty Selection, Advisory Committees for Gasson Chair (Jesuit Community, Boston College), Brennan Chair (School of Education, Boston College), Adelman Chair (Philosophy Department, -
Read Ebook {PDF EPUB} Art and Life in America by Oliver W. Larkin Harvard Art Museums / Fogg Museum | Bush-Reisinger Museum | Arthur M
Read Ebook {PDF EPUB} Art and Life in America by Oliver W. Larkin Harvard Art Museums / Fogg Museum | Bush-Reisinger Museum | Arthur M. Sackler Museum. In this allegorical portrait, America is personified as a white marble goddess. Dressed in classical attire and crowned with thirteen stars representing the original thirteen colonies, the figure gives form to associations Americans drew between their democracy and the ancient Greek and Roman republics. Like most nineteenth-century American marble sculptures, America is the product of many hands. Powers, who worked in Florence, modeled the bust in plaster and then commissioned a team of Italian carvers to transform his model into a full-scale work. Nathaniel Hawthorne, who visited Powers’s studio in 1858, captured this division of labor with some irony in his novel The Marble Faun: “The sculptor has but to present these men with a plaster cast . and, in due time, without the necessity of his touching the work, he will see before him the statue that is to make him renowned.” Identification and Creation Object Number 1958.180 People Hiram Powers, American (Woodstock, NY 1805 - 1873 Florence, Italy) Title America Other Titles Former Title: Liberty Classification Sculpture Work Type sculpture Date 1854 Places Creation Place: North America, United States Culture American Persistent Link https://hvrd.art/o/228516 Location Level 2, Room 2100, European and American Art, 17th–19th century, Centuries of Tradition, Changing Times: Art for an Uncertain Age. Signed: on back: H. Powers Sculp. Henry T. Tuckerman, Book of the Artists: American Artist Life, Comprising Biographical and Critical Sketches of American Artists, Preceded by an Historical Account of the Rise and Progress of Art in America , Putnam (New York, NY, 1867), p. -
Neoteric Poetics in the Shorter Poems of Edmund Spenser
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2015 "O Carefull Verse": Neoteric Poetics in the Shorter Poems of Edmund Spenser Melissa Joy Rack University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Rack, Melissa Joy, ""O Carefull Verse": Neoteric Poetics in the Shorter Poems of Edmund Spenser. " PhD diss., University of Tennessee, 2015. https://trace.tennessee.edu/utk_graddiss/3554 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Melissa Joy Rack entitled ""O Carefull Verse": Neoteric Poetics in the Shorter Poems of Edmund Spenser." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. Robert E. Stillman, Major Professor We have read this dissertation and recommend its acceptance: Heather Hirschfeld, Anthony Welch, Robert Sklenar Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) “O Carefull Verse”: Neoteric Poetics in the Shorter Poems of Edmund Spenser A Dissertation Presented for the Doctor of Philosophy Degree The University of Tennessee, Knoxville Melissa Joy Rack December 2015 © Copyright 2015 by Melissa Joy Rack All rights reserved.