Empathy, Perceived Similarity, and Online Aggression
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January 9, 2020 University of California, Santa Barbara 1928 1956 1956
DAILY NEXUS THURSDAY, JANUARY 9, 2020 www.dailynexus.com UNIVERSITY OF CALIFORNIA, SANTA BARBARA 1928 1956 1956 1967 1976 1980 1992 1995 2001 2006 2007 2015 SPORTS ON THE MENU OPINION A Men’s Basketball Wins Take a Healthy Initiative for 2020 Interview with Isla Vista Porn LOOK Against Cal Poly Star Couple INSIDE PAGE8 PAGE12 PAGE14 2 Thursday, January 9, 2020 News Daily Nexus Professor RELEASE DATE– Friday, April 5, 2013 Los Angeles Times Daily Crossword Puzzle Edited by Rich Norris and Joyce Nichols Lewis ACROSS 6 Like many a mil. 41 Barnum’s Fiji 54 Respond to a 1 Org. where officer mermaid, for one charge weight matters 7 Ain’t right? 42 Hosp. readout 55 Salon choices DAILY NEXUS 4 Ancient 8 Subject of the 47 Cross-country 57 Franco finale? www.dailynexus.com Ephraimite’s 2005 book need, perhaps 58 Designer’s home “Conspiracy of 48 Lithe concern Editor-in-Chief | Hannah Jackson Holloway 10 Pasture calls Fools” Managing Editor | Simren Verma Science Editor | Jacqueline Wen 50 Similar things 59 Schindler of 9 Snapped Production Coordinator | Aly Witmer Photo Editor | Siavash Ghadiri Level: 1 2 3 4 14 “Ben-__” 51 Act of love, or “Schindler’s List” 10 Driveway Asst. Production | Hannah Appel Sports Photo Editor | Leonard 15 Caterer’s supply hostility 61 Treads the boards Lead News Editor | Evelyn Spence Paulasa 16 Succotash bean improvement 52 Veil material 64 R&B artist Des’__ Deputy News Editor | Sanya Kamidi Nexustentialism Editor | Emma 17 Falk and Fonda 11 Flier’s request Asst. News Editors | Max Abrams, Demorest, Max Myszkowski 53 Epic with more 65 Designer after mud 12 Illicit affair Arturo Martinez Rivera, Katherine Art Director | Sam Rankin than 15,000 lines monogram Swartz Social Media Managers | Joshen wrestling? 13 Hotel amenities Data Editor | Hayley Tice Mantai, Calista Liu, Sanya Kamidi 19 Since 18 They’re all for it ANSWER TO PREVIOUS PUZZLE: Opinion Editor | Harper Lambert Chief Copy Editor | Laila Voss 20 Overhead views 22 Nail Asst. -
A Comparative Analysis of CGI Instagram Influencer, @Lilmiquela
A comparative analysis of CGI Instagram influencer, @lilmiquela, and human Instagram influencer, @_emmachamberlain The careful balance between being “insta-famous” and being relatable: discussions on media representation and media production of influencers on Instagram Course: Master’s Thesis in Media and Communication Studies Program: Master of Arts: Media and Communication Studies - Culture, Collaborative Media and Creative Industries Malmö University Examiner: Alessandro Nani Supervisor: Krista Lepik Student: Deya Aliaga Kuhnle: [email protected] Date: September 29th, 2019 Word count: 17,000 words 1 Abstract In an increasingly digital world, the relatively under-researched realm of the social media influencer industry is slowly becoming more pertinent and revealing for academic research areas for media production and representation. In this paper, a comparative visual analysis was undertaken to compare human influencer, Emma Chamberlain, and computer-generated influencer, Lil Miquela through the examination of a total of 16 Instagram posts across the two influencers. These images were further dissected through the use of pre-defined cultural scripts, such as calibrated amateurism, personal branding, being ‘cool’ and selfies. The analysis of the cultural scripts and visuals revealed the two juxtaposed categories of behavior — a traditional celebrity culture of fame, wealth and exclusivity versus a down-to-earth, ‘just like you’ and amateur type of influencer. Both subjects vary their content to suit both categories as if balancing the two opposing versions of their digital personas; this characteristic appears to be distinct to both influencers. Further research could be carried out to examine the generalizability of this finding and to further understand the influence that this might have on media audiences. -
Taking Stock with Teens Survey
HIGHLIGHTS FROM OUR 40TH SURVEY February 2021 Taking Stock With Teens® A Collaborative Gen Z Insights Project Piper Sandler does and seeks to do business with companies covered in its research reports. As a result, investors should be aware that the firm may have a conflict of interest that could affect the objectivity of this report. Investors should consider this report as only a single factor in making their investment decisions. This report should be read in conjunction with important disclosure information, including an attestation under Regulation Analyst Certification, found at the end of this report or at the following site: http://www.pipersandler.com/researchdisclosures. Disclosures for the universe of Erinn Murphy 1. I or a household member has a financial interest in the securities of the following companies: none 2. I or a household member is an officer, director, or advisory board member of the following companies: none 3. I have received compensation within the past 12 months from the following companies: none 4. Piper Sandler beneficially owns 1% or more of a class of the following companies: none 5. Piper Sandler has had a client relationship or has received compensation for investment banking services from the following companies within the past 12 months: none 6. Piper Sandler expects to receive or intends to seek compensation for investment banking services from the following companies in the next 3 months: none 7. Piper Sandler was a managing underwriter of a public offering of, or a dealer manager of a tender offer for, the securities of the following companies within the past 12 months: none 8. -
Surfacing the Relationship Between Social Media Influencers and Emotional Capital
Vassar College Digital Window @ Vassar Senior Capstone Projects 2021 Verified: Surfacing the Relationship Between Social Media Influencers and Emotional Capital Hattie Goodwin Vassar College Follow this and additional works at: https://digitalwindow.vassar.edu/senior_capstone Recommended Citation Goodwin, Hattie, "Verified: Surfacing the Relationship Between Social Media Influencers and Emotional Capital" (2021). Senior Capstone Projects. 1101. https://digitalwindow.vassar.edu/senior_capstone/1101 This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. Vassar College VERIFIED: SURFACING THE RELATIONSHIP BETWEEN SOCIAL MEDIA INFLUENCERS AND EMOTIONAL CAPITAL A Thesis submitted in partial satisfaction of the requirements for the degree Bachelor of Arts in Sociology by Hattie Goodwin Thesis Advisor: Abigail Coplin, Assistant Professor of Sociology and Science, Technology and Society May 2021 VERIFIED: SURFACING THE RELATIONSHIP BETWEEN SOCIAL MEDIA INFLUENCERS AND EMOTIONAL CAPITAL Hattie Goodwin Department of Sociology Vassar College May 2021 Abstract Motivated by my own complicated and confusing relationship with social media, this thesis seeks to track and surface the dynamics of social media fame through case studies of certain “influencers”. Drawing on scholarship about capital and social performance, this work intends to deconstruct the narrative of social media as a democractic marketplace to share and consume content. Using data from six main case study subjects along with research regarding the structural mechanisms for celebrity production in the context of social media, I construct an understanding of social media celebrity as being intimately connected to the flow of capital, especially “emotional capital” (Cottingham, 2016). -
Complete Guide: How to Start a Youtube Channel
Complete Guide: How to Start a YouTube Channel NeoReach | Summer 2020 Why YouTube? Content creators on YouTube have changed the vision of an ideal career path for this new generation. On YouTube, anyone and everyone can express themselves creatively and support themselves financially, all with just a camera and an idea. Starting a YouTube channel can seem like an overwhelming experience at first, however, in just a few easy steps, you can start your path to becoming an influencer today! Here is the complete guide on how to start a YouTube channel: How to Create a Channel Go to YouTube Log in to your Google account Add profile photo Create channel name Upload channel art (header) Upload video Creating a channel on YouTube is the easiest step when becoming a YouTuber. Creating a channel header allows for you to show off your personality through displaying your name, other social platforms, and/or a brief description of your genre of content. Finding Your Niche Beauty Travel Gaming Fitness Comedy Lifestyle Finding your niche on YouTube is key when starting a channel. When you know what you want to create and you make your message clear to your audience, they will know what to expect from your channel and be more inclined to subscribe for more. Although some of the categories of content may seem constricting, what makes creators thrive is their ability to make videos unique by showcasing their individualism. Who Do You Want to Reach? Common Things to Tag in Videos: Type of content Things featured in the video City/Location General Topics What the video is about Type Example Tip Make titles intriguing for all audiences to increase EXTREME Quarantine Glow Up Makeover Title clicks. -
Youtube Decal Skip to Main Content
Youtube decal Skip to main content. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest - opens in a new window or tab. Add to Watchlist. People who viewed this item also viewed. Showing Slide 1 of 1 - Carousel. Tool Box Sticker, Indoor Outdoor.. Picture Information. Mouse over to Zoom - Click to enlarge. Get the item you ordered or get your money back. Learn more - eBay Money Back Guarantee - opens in new window or tab. Seller information hd01fxdp Contact seller. See other items More See all. Item Information Condition:. Sign in to check out Check out as guest. Add to Watchlist Remove from watch list. Watch list is full. Longtime Member. Fast and safe Shipping. This amount is subject to change until you make payment. For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab. Item location:. Ships to:. United States and many other countries See details. For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab This amount includes applicable customs duties, taxes, brokerage and other fees. Estimated between Wed. Delivery times may vary, especially during peak periods. Any international shipping and import charges are paid in part to Pitney Bowes Inc. Learn More - opens in a new window or tab International shipping and import charges paid to Pitney Bowes Inc. Learn More - opens in a new window or tab Any international shipping and import charges are paid in part to Pitney Bowes Inc. -
The Evolution of the Influencer
THE EVOLUTION OF THE INFLUENCER An exploration of influencer marketing and the role of the influencer Figure 1: Pinterest, 2020 by Liberty Vaughan Figure 2: Influencers attend NYFW, Emma Leger, Pinterest, 2019 CONTENTS EXECUTIVE SUMMARY ........................................................ 01 INTRODUCTION ................................................................... 03 METHODOLGY ..................................................................... 04 CHAPTER 1: THE EMERGENCE OF THE INFLUENCER .......... 05 1.1: INFLUENCER MARKETING 101 .............................................................................. 06 1.2: THE RISE OF THE ‘INSTAGRAM MODEL’ .......................................................... 11 CHAPTER 2: THE AWAKENING OF AUTHENTICITY .............. 17 2.1: AUTHENTICTY VS. AESTHETICS ......................................................................... 18 2.2: SOCIAL MEDIA FOR A CAUSE ............................................................................. 23 CHAPTER 3: COVID-19 AND BEYOND ...................................... 29 3.1: ARE INFLUENCERS AT RISK? ................................................................................. 30 3.2: A SHIFT IN CONTENT CREATION .................................................................... 35 3.3: THE FUTURE OF INFLUENCER MARKETING ................................................. 42 CONCLUSION & RECOMMENDATIONS .................................... 48 REFERENCE LIST ................................................................. 49 BIBLIOGRAPHY -
The Influencer Experience: Identity Performance, Commodification, and Agency in Outy Ube Influencers
The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library Winter 12-1-2020 The Influencer Experience: Identity Performance, Commodification, and Agency in ouTY ube Influencers Aysha M. Vear University of Maine, [email protected] Follow this and additional works at: https://digitalcommons.library.umaine.edu/etd Part of the Communication Technology and New Media Commons, Mass Communication Commons, and the Social Media Commons Recommended Citation Vear, Aysha M., "The Influencer Experience: Identity erP formance, Commodification, and Agency in YouTube Influencers" (2020). Electronic Theses and Dissertations. 3294. https://digitalcommons.library.umaine.edu/etd/3294 This Open-Access Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. THE INFLUENCER EXPERIENCE: IDENTITY PERFORMANCE, COMMODIFICATION, AND AGENCY IN YOUTUBE INFLUENCERS By Aysha M. Vear B.A. University of Maine, 2017 A THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Communication) The Graduate School The University of Maine December 2020 Advisory Committee: Judith E. Rosenbaum, Department Chair and Associate Professor, Advisor Paul Grosswiler, Professor Michael Socolow, Associate Professor ©2020 Aysha M. Vear All Rights Reserved ii THE INFLUENCER SPECTRUM: AGENCY IN FLUX IN ONLINE ENVIRONMENTS By Aysha Vear Thesis Advisor: Dr. Judith E. Rosenbaum An Abstract of the Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Communication) December 2020 In recent years, the social media usage of young adults has seen exponential growth. -
Anywhere, Everywhere
capture viewers, anywhere, everywhere An entertainment marketer’s guide to activating the right insights within an avalanche of new content. who is this for, and what is it about? We wrote this for entertainment analysts, consumer insights researchers, and marketers. Of course, everyone is encouraged to read it, but we wrote it specifically for the entertainment industry since that is our focus. We specialize in understanding and targeting fan passions. You could say that passions are our passion. The attention economy........................................................3 The COVID effect................................................................... 4 The vertical vacuum.............................................................5 Shortcomings in reporting................................................. 6 The social media paradox..................................................8 Affinity Intersect.....................................................................9 Capture viewers, anywhere, everywhere | 2 the attention economy The biggest problem entertainment marketers and producers face is getting the audience to pay attention. With so many options, it’s difficult to make sure the right eyes are on you. This isn’t a particularly new problem; this has always been the task of entertainment marketing. However, the recent surge in content has certainly made it more complex, and in most cases, more difficult than ever. TV and streaming services are creating more diverse and robust content with distribution ebbing and flowing between ad-supported and paywalled. Video gaming has become an ad-supported sport, now appearing regularly on ESPN. Radio shows have evolved into podcasts which are now simulcast as video on cable, social media, and YouTube. Social media is creating short, scheduled, serialized content above and beyond the barrage of celebrity and influencer “look-at-me” trappings drizzled like breadcrumbs for everyone with a pulse to find. -
Piper Jaffray 38Th Semi-Annual Taking Stock with Teens® Survey, Fall 2019
Piper Jaffray 38th Semi-Annual Taking Stock With Teens® Survey, Fall 2019 CLOTHING, FOOTWEAR & BEAUTY Key Takeaways • Overall teen “self-reported” spending in Fall 2019 decreased by 4% Y/Y & 10% sequentially to $2,400—the lowest level since Fall 2011 Top Clothing Brands Top Footwear Brands • 32% of teens believe the economy is getting worse vs. 25% in Fall 2018 • Food continues to be teen’s No. 1 wallet priority at 23% share; Chick-fil-A is Nike 23% Nike 42% 1 1 No. 1 restaurant • Video games are 9% of wallet share vs. 8% last year—female uptick driving gains 2 American Eagle 10% 2 Vans 20% • Cosmetics spending for females hits 19-survey low with spending down >20% Y/Y 3 adidas 6% 3 adidas 13% • Amazon is the No. 1 preferred shopping website at 52% of vote vs. 50% in Spring • 37% of teens prefer YouTube for video consumption vs. Netflix at 35% 4 Hollister 4% 4 Converse 4% • Crocs gains notable share to the No. 7 preferred footwear brand, behind Birkenstock Foot Locker 3% • lululemon hits new survey peak as No. 7 apparel brand; Nike regains share as the 5 PacSun 4% 5 No. 1 apparel & footwear brand • Ulta furthers its lead as No. 1 beauty destination against Sephora; Amazon firmly in Top Handbag Brands Top Shopping Websites the top five as a preferred beauty destination • Handbag spending hits survey-low; European luxury brands gaining share with 1 Michael Kors 27% 1 Amazon 52% Louis Vuitton taking No. 2 spot • 86% of teens expect an iPhone to be their next phone; all-time survey highs 2 Louis Vuitton 14% 2 Nike 4% • Instagram remains the -
Taking Stock with Teens Survey
HIGHLIGHTS FROM OUR 39TH SURVEY August 2020 Taking Stock With Teens® A Collaborative Gen Z Insights Project Erinn Murphy SR. RESEARCH ANALYST Piper Sandler does and seeks to do business with companies covered in its research reports. As a result, investors should be aware that the firm may have a conflict of interest that could affect the objectivity of this report. Investors should consider this report as only a single factor in making their investment decisions. This report should be read in conjunction with important disclosure information, including an attestation under Regulation Analyst Certification, found at the end of this report or at the following site: http://www.pipersandler.com/researchdisclosures. Disclosures for the universe of Erinn Murphy 1. I or a household member has a financial interest in the securities of the following companies: none 2. I or a household member is an officer, director, or advisory board member of the following companies: none 3. I have received compensation within the past 12 months from the following companies: none 4. Piper Sandler beneficially owns 1% or more of a class of the following companies: none 5. Piper Sandler has had a client relationship or has received compensation for investment banking services from the following companies within the past 12 months: none 6. Piper Sandler expects to receive or intends to seek compensation for investment banking services from the following companies in the next 3 months: none 7. Piper Sandler was a managing underwriter of a public offering of, or a dealer manager of a tender offer for, the securities of the following companies within the past 12 months: none 8. -
Monetizing a Lifestyle: How Social Media Influencers Transform Their
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