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The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’S Opera and Concert Arias Joshua M
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 10-3-2014 The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’s Opera and Concert Arias Joshua M. May University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation May, Joshua M., "The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’s Opera and Concert Arias" (2014). Doctoral Dissertations. 580. https://opencommons.uconn.edu/dissertations/580 ABSTRACT The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’s Opera and Concert Arias Joshua Michael May University of Connecticut, 2014 W. A. Mozart’s opera and concert arias for tenor are among the first music written specifically for this voice type as it is understood today, and they form an essential pillar of the pedagogy and repertoire for the modern tenor voice. Yet while the opera arias have received a great deal of attention from scholars of the vocal literature, the concert arias have been comparatively overlooked; they are neglected also in relation to their counterparts for soprano, about which a great deal has been written. There has been some pedagogical discussion of the tenor concert arias in relation to the correction of vocal faults, but otherwise they have received little scrutiny. This is surprising, not least because in most cases Mozart’s concert arias were composed for singers with whom he also worked in the opera house, and Mozart always paid close attention to the particular capabilities of the musicians for whom he wrote: these arias offer us unusually intimate insights into how a first-rank composer explored and shaped the potential of the newly-emerging voice type of the modern tenor voice. -
Historic-Cultural Monument (HCM) List City Declared Monuments
Historic-Cultural Monument (HCM) List City Declared Monuments No. Name Address CHC No. CF No. Adopted Community Plan Area CD Notes 1 Leonis Adobe 23537 Calabasas Road 08/06/1962 Canoga Park - Winnetka - 3 Woodland Hills - West Hills 2 Bolton Hall 10116 Commerce Avenue & 7157 08/06/1962 Sunland - Tujunga - Lake View 7 Valmont Street Terrace - Shadow Hills - East La Tuna Canyon 3 Plaza Church 535 North Main Street and 100-110 08/06/1962 Central City 14 La Iglesia de Nuestra Cesar Chavez Avenue Señora la Reina de Los Angeles (The Church of Our Lady the Queen of Angels) 4 Angel's Flight 4th Street & Hill Street 08/06/1962 Central City 14 Dismantled May 1969; Moved to Hill Street between 3rd Street and 4th Street, February 1996 5 The Salt Box 339 South Bunker Hill Avenue (Now 08/06/1962 Central City 14 Moved from 339 Hope Street) South Bunker Hill Avenue (now Hope Street) to Heritage Square; destroyed by fire 1969 6 Bradbury Building 300-310 South Broadway and 216- 09/21/1962 Central City 14 224 West 3rd Street 7 Romulo Pico Adobe (Rancho 10940 North Sepulveda Boulevard 09/21/1962 Mission Hills - Panorama City - 7 Romulo) North Hills 8 Foy House 1335-1341 1/2 Carroll Avenue 09/21/1962 Silver Lake - Echo Park - 1 Elysian Valley 9 Shadow Ranch House 22633 Vanowen Street 11/02/1962 Canoga Park - Winnetka - 12 Woodland Hills - West Hills 10 Eagle Rock Eagle Rock View Drive, North 11/16/1962 Northeast Los Angeles 14 Figueroa (Terminus), 72-77 Patrician Way, and 7650-7694 Scholl Canyon Road 11 The Rochester (West Temple 1012 West Temple Street 01/04/1963 Westlake 1 Demolished February Apartments) 14, 1979 12 Hollyhock House 4800 Hollywood Boulevard 01/04/1963 Hollywood 13 13 Rocha House 2400 Shenandoah Street 01/28/1963 West Adams - Baldwin Hills - 10 Leimert City of Los Angeles May 5, 2021 Page 1 of 60 Department of City Planning No. -
134TH COMMENCEMENT James E
134 th Commencement MAY 2021 Welcome Dear Temple graduates, Congratulations! Today is a day of celebration for you and all those who have supported you in your Temple journey. I couldn’t be more proud of the diverse and driven students who are graduating this spring. Congratulations to all of you, to your families and to our dedicated faculty and academic advisors who had the pleasure of educating and championing you. If Temple’s founder Russell Conwell were alive to see your collective achievements today, he’d be thrilled and amazed. In 1884, he planted the seeds that have grown and matured into one of this nation’s great urban research universities. Now it’s your turn to put your own ideas and dreams in motion. Even if you experience hardships or disappointments, remember the motto Conwell left us: Perseverantia Vincit, Perseverance Conquers. We have faith that you will succeed. Thank you so much for calling Temple your academic home. While I trust you’ll go far, remember that you will always be part of the Cherry and White. Plan to come back home often. Sincerely, Richard M. Englert President UPDATED: 05/07/2021 Contents The Officers and the Board of Trustees ............................................2 Candidates for Degrees James E. Beasley School of Law ....................................................3 Esther Boyer College of Music and Dance .....................................7 College of Education and Human Development ...........................11 College of Engineering ............................................................... -
Conduit Map 277Sw
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Exhibits 5 Through 8 to Declaration of Katherine A. Moerke
10-PR-16-4610'PR'16'46 Filed in First Judicial District Court 12/5/201612/5/2016 6:27:08 PM Carver County, MN EXHIBITEXHIBIT 5 10-PR-16-46 Filed in First Judicial District Court 12/5/2016 6:27:08 PM Carver County, MN Reed Smith LLP 599 Lexington Avenue New York, NY 10022-7650 Jordan W. Siev Tel +1 212 521 5400 Direct Phone: +1 212 205 6085 Fax +1 212 521 5450 Email: [email protected] reedsmith.com October 17, 2016 By Email ([email protected]) Laura Halferty Stinson Leonard Street 150 South Fifth Street Suite 2300 Minneapolis, MN 55402 Re: Roc Nation LLC as Exclusive Rights Holder to Assets of the Estate of Prince Rogers Nelson Dear Ms. Halferty: Roc Nation Musical Assets Artist Bremer May 27 Letter Nation, and its licensors, licensees and assigns, controls and administers certain specific rights in connection with various Artist Musical Assets. Roc Nation does so pursuant to agreements between the relevant parties including, but not limited to, that certain exclusive distribution agreement between Roc MPMusic SA., on the one hand, and NPG Records, Inc. NR NPG Distribution Agreement recordings and other intellectual property rights. The Distribution Agreement provides that the term of the Distribution Agreement is the longer of three years or full recoupment of monies advanced under the Distribution Agreement. As neither of these milestones has yet occurred, the Distribution Agreement remains in full force and effect. By way of background, and as highlighted in the May 27 Letter, Roc Nation and NPG have enjoyed a successful working relationship that has included, among other things, the Distribution involvement of Roc Nation in various aspects o -owned music streaming service. -
The Italian Girl in Algiers
Opera Box Teacher’s Guide table of contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .8 Reference/Tracking Guide . .9 Lesson Plans . .11 Synopsis and Musical Excerpts . .32 Flow Charts . .38 Gioachino Rossini – a biography .............................45 Catalogue of Rossini’s Operas . .47 2 0 0 7 – 2 0 0 8 S E A S O N Background Notes . .50 World Events in 1813 ....................................55 History of Opera ........................................56 History of Minnesota Opera, Repertoire . .67 GIUSEPPE VERDI SEPTEMBER 22 – 30, 2007 The Standard Repertory ...................................71 Elements of Opera .......................................72 Glossary of Opera Terms ..................................76 GIOACHINO ROSSINI Glossary of Musical Terms .................................82 NOVEMBER 10 – 18, 2007 Bibliography, Discography, Videography . .85 Word Search, Crossword Puzzle . .88 Evaluation . .91 Acknowledgements . .92 CHARLES GOUNOD JANUARY 26 –FEBRUARY 2, 2008 REINHARD KEISER MARCH 1 – 9, 2008 mnopera.org ANTONÍN DVOˇRÁK APRIL 12 – 20, 2008 FOR SEASON TICKETS, CALL 612.333.6669 The Italian Girl in Algiers Opera Box Lesson Plan Title Page with Related Academic Standards lesson title minnesota academic national standards standards: arts k–12 for music education 1 – Rossini – “I was born for opera buffa.” Music 9.1.1.3.1 8, 9 Music 9.1.1.3.2 Theater 9.1.1.4.2 Music 9.4.1.3.1 Music 9.4.1.3.2 Theater 9.4.1.4.1 Theater 9.4.1.4.2 2 – Rossini Opera Terms Music -
Handel Rinaldo Tuesday 13 March 2018 6.30Pm, Hall
Handel Rinaldo Tuesday 13 March 2018 6.30pm, Hall The English Concert Harry Bicket conductor/harpsichord Iestyn Davies Rinaldo Jane Archibald Armida Sasha Cooke Goffredo Joélle Harvey Almirena/Siren Luca Pisaroni Argante Jakub Józef Orli ´nski Eustazio Owen Willetts Araldo/Donna/Mago Richard Haughton Richard There will be two intervals of 20 minutes following Act 1 and Act 2 Part of Barbican Presents 2017–18 We appreciate that it’s not always possible to prevent coughing during a performance. But, for the sake of other audience members and the artists, if you feel the need to cough or sneeze, please stifle it with a handkerchief. Programme produced by Harriet Smith; printed by Trade Winds Colour Printers Ltd; advertising by Cabbell (tel 020 3603 7930) Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. If anything limits your enjoyment please let us know The City of London during your visit. Additional feedback can be given Corporation is the founder and online, as well as via feedback forms or the pods principal funder of located around the foyers. the Barbican Centre Welcome Tonight we welcome back Harry Bicket as delighted by the extravagant magical and The English Concert for Rinaldo, the effects as by Handel’s endlessly inventive latest instalment in their Handel opera music. And no wonder – for Rinaldo brings series. Last season we were treated to a together love, vengeance, forgiveness, spine-tingling performance of Ariodante, battle scenes and a splendid sorceress with a stellar cast led by Alice Coote. -
“500 Days in Downtown L.A.” Walking Tour
“500 DAYS IN DOWNTOWN L.A.” WALKING TOUR Selected historic locations from the 2009 Fox Searchlight film “(500) Days of Summer” For much more information about the rich history of this area, including these and other landmarks, take the Los Angeles Conservancy’s walking tour, Downtown Renaissance: Spring & Main. For details, visit laconservancy.org/tours [Suggested route] Start at: SAN FERNANDO BUILDING 400 South Main Street (at Fourth Street) Original Building: John F. Blee, 1907 Addition (top two stories): R. B. Young, 1911 Los Angeles Historic-Cultural Monument #728 Listed in the National Register of Historic Places In the film, Old Bank DVD serves as the video & record store. • Designed in the Renaissance Revival style • Commissioned by James B. Lankershim, one of the largest landholders in California (his father Isaac helped develop the San Fernando Valley for farming) • Originally had a café, billiard room, and Turkish bath in the basement for tenants • Achieved local attention in 1910, when a series of police raids occurred on the sixth floor due to illegal gambling in the rooms • Redeveloped by Gilmore Associates; reopened in 2000 as seventy loft- style apartments—one of the early projects that sparked downtown’s current renaissance Look diagonally across Main Street (northwest corner of Fourth & Main): “500 Days in Downtown L.A.” Walking Tour Page 1 of 6 VAN NUYS HOTEL (Barclay Hotel) 103 West Fourth Street Morgan and Walls, 1896 Los Angeles Historic-Cultural Monument #288 In the film, the Barclay lobby serves as the hangout for -
Las Vegas Daily Optic, 01-29-1907 the Las Vegas Publishing Co
University of New Mexico UNM Digital Repository Las Vegas Daily Optic, 1896-1907 New Mexico Historical Newspapers 1-29-1907 Las Vegas Daily Optic, 01-29-1907 The Las Vegas Publishing Co. & The eopleP 's Paper Follow this and additional works at: https://digitalrepository.unm.edu/lvdo_news Recommended Citation The Las Vegas Publishing Co. & The eP ople's Paper. "Las Vegas Daily Optic, 01-29-1907." (1907). https://digitalrepository.unm.edu/ lvdo_news/1724 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Las Vegas Daily Optic, 1896-1907 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. A, VEGA DAILY OPTIC tui:ntv-w;ut- h vi:ak LAS VEGAS YEW 51 EX I CO, TIF-AOA- J AN I'Alt V SO, IUU7 - or u. The Mil. whirs a refer- j itra chairs lo swat the throng. OAMBLING WILL red t tk jadiriary cuasai'tLre. will 17. C. NONES ON PIANO RECITAL OBSERVE UN-LE-T'S piubabS? be reported tomorrow and j The vtolia recital bjr Virginia Bean it Uh-- b offlif up for ! w(w4 at the Presbytenaa cfaarch la Santa readies Fe last evtag a mttskal treat. BE PROHIBITED A UNITED G1IY GREAT SUCCESS Pnvraius were nulled to all araitabi BIRTHDAY New Bill Introduce address, but all wer is riled ' bourne were ralfcd to order O. Pianist. 8URSUM SAYS THAT BILL at urlurk this morning Al! -- Vottagest CARNATIONS WORN AT INTERVIEW WITH REELECTEO MASTER THEODORE SKINNER Mia Uracks CAPITA!. -
Accepted Faculty of Graduate Studies
ACCEPTED FACULTY OF GRADUATE STUDIES JOSEPH HAYDN AND THE DRAMMA GIOCOSO by Patricia Anne Debly Mus.Bac., University of Western Ontario, 1978 M.Mus., Catholic University of America, 1980 M.A., University of Victoria, 1985 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in the School of Music We accept this dissertation as conforming to the required standard I^an G. Lazarevich, Supervisor (Faculty of Graduate Studies) Dr. E. Schwandt, Departmental Member (School of Music] Dr. A. Q^fghes, Outside Member (Theatre Department) Dr. J. ..ujiey-r-Outside (History Department) Dr. M. Tér^-Smith, External Examiner (Music Department, Western Washington University) © PATRICIA ANNE DEBLY, 1993 University of Victoria All rights reserved. Dissertation may not be reproduced in whole or in part, by photocopying or other means, without the permission of the author. 11 Supervisor; Dean Gordana Lazarevich ABSTRACT Haydn's thirteen extant Esterhdzy operas, composed from 1762-85, represent a microcosm of the various trends in Italian opera during the eighteenth century'. His early operas illustrate his understanding and mastery of the opera seria, the intermezzo and the opera buffa traditions which he would utilize in his later draimi giocosi. In addition to his role as Kapellmeister Haydn adcpted and conducted over eighty-one operas by the leading Italian composers of his day, resulting in over 1,026 operatic performances for the period between 1780-90 alone and furthering his knowledge of the latest styles in Italian opera. This dissertation examines the five draimi giocosi which Haydn wrote, beginning with Le pescatrici {1769) through to La fedelta preiniata (1780), within the context of the draima giocoso tradition. -
Imagine Pershing Square: Experiments in Cinematic Urban Design
Imagine Pershing Square: Experiments in Cinematic Urban Design By John Moody Bachelor of Arts in Film and Video Pacific University Forest Grove, Oregon (2007) Submitted to the Department of Urban Studies and Planning in partial fulfillment of the requirements for the degree of Master in City Planning at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY June 2016 © 2016 John Moody. All Rights Reserved. The author hereby grants to MIT the permission to reproduce and to distribute publicly paper and electronic copies of the thesis document in whole or in part in any medium now known or hereafter created. Author_________________________________________________________________ Department of Urban Studies and Planning (May 19, 2016) Certified by _____________________________________________________________ Anne Whiston Spirn, Professor of Landscape Architecture and Planning Department of Urban Studies and Planning Thesis Supervisor Accepted by______________________________________________________________ Associate Professor P. Christopher Zegras Chair, MCP Committee Department of Urban Studies and Planning 1 2 Imagine Pershing Square: Experiments in Cinematic Urban Design By John Moody Submitted to the Department of Urban Studies and Planning on May 19, 2016 in Partial Fulfillment ofThesis the Requirements Supervisor: Anne for the Whiston Degree Spirn of Master in City Planning Title: Professor of Landscape Architecture and Planning ABSTRACT Each person experiences urban space through the shifting narratives of his or her own cultural, economic and environmental perceptions. Yet within dominant urban design paradigms, many of these per- ceptions never make it into the public meeting, nor onto the abstract maps and renderings that planners and - designers frequently employ. This thesis seeks to show that cinematic practice, or the production of subjec tive, immersive film narratives, can incorporate highly differentiated perceptions into the design process. -
ARMIDA Dramma Per Musica in Tre Atti
Gioacchino Rossini ARMIDA Dramma per musica in tre atti Libretto di Giovanni Schmidt PERSONAGGI Goffredo duce dei Crociati tenore Rinaldo condottiero dei Crociati tenore Idraote mago re di Damasco basso Armida maga, nipote di Idraote soprano Gernando condottiero dei Crociati, norvegio tenore Eustazio fratello minore di Goffredo tenore Ubaldo Crociato tenore Carlo Crociato tedesco tenore Astarotte diavolo basso Coro di paladini, guerrieri, demoni, larve, soldati franchi, damasceni seguaci di Armida Prima rappresentazione: Napoli, Teatro San Carlo 11 novembre 1817 1 Rossini: Armida - atto primo ATTO PRIMO (Campo di battaglia. In distanza la città di Gerusalemme) Scena I° (Le trombe annunziano la presenza del supremo duce, ed i Franchi, uscendo dalle rispettive tende, si schierano, facendogli i militari onori. Comparisce Goffredo dalla sua tenda, accompagnato da un numero di paladini primari) CORO DI PALADINI Donna real, piangente, Lieto, ridente oltre l’usato, Or di venirti al piede In oriente si mostra il dì. Aita ad implorar. PARTE DEL CORO GOFFREDO Forse la gloria, di pace allato, Venga. La tua vittoria previen così. (Eustazio parte) CORO Maggior conforto La tua vittoria previen così. Che in sollevare un core Assorto nel dolore, GOFFREDO Alma non può trovar. Ah! no: sia questo Di tregua il giorno; CORO DI PALADINI Dover funesto Suol di virtude in porto Si compirà. L’esempio tuo, signore, Arditi, all’ire Ogni anima guidar. Farem ritorno. Per or l’ardire Scena III° Ceda a pietà. (Preceduta e seguita da molti guerrieri, fra’ quali Eustazio, comparisce Armida sopra un cocchio, CORO DI PALADINI accompagnata da Idraote sotto spoglie di Arditi, all’ire privato, e da picciol seguito di Damasceni a Farem ritorno.