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Written and Directed by Madeleine Olnek
Written and Directed by Madeleine Olnek Starring Molly Shannon, Amy Seimetz, Susan Ziegler, Brett Gelman, Jackie Monahan, Kevin Seal, Dana Melanie, Sasha Frolova, Lisa Haas, Al Sutton World Premiere 2018 SXSW Film Festival (Narrative Spotlight) Acquisition Title / Cinetic 84 minutes / Color / English / USA PUBLICITY CONTACT SALES CONTACT Mary Ann Curto John Sloss / Cinetic Media [email protected] [email protected] [email protected] FOR MORE INFORMATION ABOUT THE FILM PRESS MATERIALS CONTACT and FILM CONTACT: Email: [email protected] DOWNLOAD FILM STILLS ON DROPBOX/GOOGLE DRIVE: For hi-res press stills, contact [email protected] and you will be added to the Dropbox/Google folder. Put “Wild Nights with Emily Still Request” in the subject line. The OFFICIAL WEBSITE: http://wildnightswithemily.com/ For news and updates, click 'LIKE' on our FACEBOOK page: https://www.facebook.com/wildnightswithemily/ "Hilarious...an undeniably compelling romance. " —INDIEWIRE "As entertaining and thought-provoking as Dickinson’s poetry.” —THE AUSTIN CHRONICLE SYNOPSIS THE STORY SHORT SUMMARY Molly Shannon plays Emily Dickinson in " Wild Nights With Emily," a dramatic comedy. The film explores her vivacious, irreverent side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman. LONG SUMMARY Molly Shannon plays Emily Dickinson in the dramatic comedy " Wild Nights with Emily." The poet’s persona, popularized since her death, became that of a reclusive spinster – a delicate wallflower, too sensitive for this world. This film explores her vivacious, irreverent side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman (Susan Ziegler). After Emily died, a rivalry emerged when her brother's mistress (Amy Seimetz) along with editor T.W. -
AGE Qualitative Summary
AGE Qualitative Summary Age Gender Race 16 Male White (not Hispanic) 16 Male Black or African American (not Hispanic) 17 Male Black or African American (not Hispanic) 18 Female Black or African American (not Hispanic) 18 Male White (not Hispanic) 18 Malel Blacklk or Africanf American (not Hispanic) 18 Female Black or African American (not Hispanic) 18 Female White (not Hispanic) 18 Female Asian, Asian Indian, or Pacific Islander 18 Male Asian, Asian Indian, or Pacific Islander 18 Female White (not Hispanic) 18 Female White (not Hispanic) 18 Female Black or African American (not Hispanic) 18 Male White (not Hispanic) 19 Male Hispanic (unspecified) 19 Female White (not Hispanic) 19 Female Asian, Asian Indian, or Pacific Islander 19 Male Asian, Asian Indian, or Pacific Islander 19 Male Asian, Asian Indian, or Pacific Islander 19 Female Native American or Alaskan Native 19 Female White (p(not Hispanic)) 19 Male Hispanic (unspecified) 19 Female Hispanic (unspecified) 19 Female White (not Hispanic) 19 Female White (not Hispanic) 19 Male Hispanic/Latino – White 19 Male Hispanic/Latino – White 19 Male Native American or Alaskan Native 19 Female Other 19 Male Hispanic/Latino – White 19 Male Asian, Asian Indian, or Pacific Islander 20 Female White (not Hispanic) 20 Female Other 20 Female Black or African American (not Hispanic) 20 Male Other 20 Male Native American or Alaskan Native 21 Female Don’t want to respond 21 Female White (not Hispanic) 21 Female White (not Hispanic) 21 Male Asian, Asian Indian, or Pacific Islander 21 Female White (not -
Wednesday Primetime B Grid
SUNDAY MORNING GRID 5/17/15 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Morning (N) Å Face the Nation (N) Paid Program PGA: Spotlight PGA Tour Golf 4 NBC News (N) Å Meet the Press (N) Å News Paid Cycling Tour of California, Stage 8. (N) Å Hockey 5 CW News (N) Å In Touch Hour Of Power Paid Program 7 ABC News (N) Å This Week News (N) IndyCar Racing Indianapolis 500, Qualifying Day 2. NBA Basketball 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX In Touch Joel Osteen Fox News Sunday Midday Paid Program Enough ›› (2002) 13 MyNet Paid Program Surf’s Up ››› (2007) 18 KSCI Breast Red Paid Church Faith Paid Program 22 KWHY Cosas Local Jesucristo Local Local Gebel Local Local Local Local RescueBot RescueBot 24 KVCR Painting Dowdle Joy of Paint Wyland’s Paint This Painting Kitchen Mexican Cooking Fresh Simply Ming Lidia 28 KCET Raggs Space Travel-Kids Biz Kid$ News Asia Insight Rick Steves’ Dynamic Europe: Amsterdam Orphans of the Genocide 30 ION Jeremiah Youssef In Touch Bucket-Dino Bucket-Dino Doki (TVY7) Doki (TVY7) Dive, Olly Dive, Olly The Client ››› (1994) 34 KMEX Paid Program Al Punto (N) Hotel Todo Incluido La Madrecita (1973, Comedia) María Elena Velasco. República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Liberate In Touch PowerPoint It Is Written Pathway Super Kelinda Jesse 46 KFTR Paid Program Charlotte’s Web ››› (2006) Julia Roberts. -
Highly-Anticipated Fantasy Drama American Gods to Launch Exclusively on Amazon Prime Video in 2017
Highly-Anticipated Fantasy Drama American Gods to Launch Exclusively on Amazon Prime Video in 2017 August 24, 2016 Neil Gaiman’s tale of mythological gods, starring Ricky Whittle, Ian McShane, Emily Browning., Kristin Chenoweth and Gillian Anderson, will launch on Prime Video in Germany, Austria, UK and Japan next year Along with access to thousands of popular movies and TV episodes through Prime Video, Prime members across the UK benefit from unlimited One-Day delivery on millions of products, access to over one million songs on Prime Music, 30-minute early access to Lightning Deals, one free pre-released book a month with Kindle First and unlimited photo storage with Prime Photos — all available for a monthly membership of £7.99/month or £79/year London, Wednesday 24th August 2016 – Amazon today announced that fantasy drama American Gods will launch exclusively for Prime members in Germany, Austria, UK and Japan in 2017. The drama is based on the award-winning novel by Neil Gaiman (The Sandman, Good Omens, Coraline), which has been translated into over 30 languages. Starring Ricky Whittle (The 100, Austenland) as protagonist ex-con Shadow Moon, Ian McShane (Deadwood, Pirates of the Caribbean) as Mr. Wednesday who enlists Shadow Moon as part of his cross-country mission, and Emily Browning (Sucker Punch, Legend) as Shadow’s wife, Laura Moon, American Gods also features Gillian Anderson (The X-Files) as Media, the mouthpiece for the New Gods. Joining Whittle, McShane, Browning and Anderson are Pablo Schreiber (13 Hours, Orange Is the New Black) as Mad Sweeney, Yetide Badaki (Aquarius, Masters of Sex) as Bilquis and a strong supporting cast including, recently announced, Kristin Chenoweth, as Easter. -
Read More > Read More > Courtesy Read More > Read More >
Jump to Front Page Homepage Homeruns The Good Life EOY/SOY Courtesy Years of Service Way to Go Budget October 2012 volume 12, issue 10 Bringing Nebraska Department of Health and Human Services employees closer together DHHS Employees Celebrate Special Anniversaries with State Employees from the Norfolk This issue of Connections is dedicated to the employees of DHHS, the Regional Center got together for a people who have devoted their careers to serving Nebraskans and group photo to celebrate the many, making such a difference in the lives of so many people. many years of devoted service to the Department. That’s Division CEO Kerry Winterer and Division Directors attended ceremonies Director Scot Adams to the right. across the state recognizing employees for years of service. These are just Photo: Bonnie Engel a few examples. read more> read more > Here’s Kerry Winterer with On page 10 we’re introducing a new column Marian DeBuhr, Social called “Making Courtesy Common in the Services Supervisor, Beatrice, Workplace.” Check it out for some good with her 45th anniversary ideas. clock. Photo: Bonnie Engel Making Making Courtesy read more> Common read more > in the Workplace Courtesy Common Recognition for Years of Service 2012 Employees /Supervisors of the Year 2012at the Workplace Many employees have been with DHHS for a number of years and are Pages 4-8 list the 2012 Employee and Supervisors of the Year, complete with celebrating special years of service awards this year. See pages 11-14 for a photos and a short write-up from their nominators about why they received complete listing of employees and their years of service (starting with 10 their honor. -
Alan Sillitoe the LONELINESS of the LONG- DISTANCE RUNNER
Alan Sillitoe THE LONELINESS OF THE LONG- DISTANCE RUNNER Published in 1960 The Loneliness of the Long-Distance Runner Uncle Ernest Mr. Raynor the School-teacher The Fishing-boat Picture Noah's Ark On Saturday Afternoon The Match The Disgrace of Jim Scarfedale The Decline and Fall of Frankie Buller The Loneliness of the Long-Distance Runner AS soon as I got to Borstal they made me a long-distance cross-country runner. I suppose they thought I was just the build for it because I was long and skinny for my age (and still am) and in any case I didn't mind it much, to tell you the truth, because running had always been made much of in our family, especially running away from the police. I've always been a good runner, quick and with a big stride as well, the only trouble being that no matter how fast I run, and I did a very fair lick even though I do say so myself, it didn't stop me getting caught by the cops after that bakery job. You might think it a bit rare, having long-distance crosscountry runners in Borstal, thinking that the first thing a long-distance cross-country runner would do when they set him loose at them fields and woods would be to run as far away from the place as he could get on a bellyful of Borstal slumgullion--but you're wrong, and I'll tell you why. The first thing is that them bastards over us aren't as daft as they most of the time look, and for another thing I'm not so daft as I would look if I tried to make a break for it on my longdistance running, because to abscond and then get caught is nothing but a mug's game, and I'm not falling for it. -
Rebooting Roseanne: Feminist Voice Across Decades
Home > Vol 21, No 5 (2018) > Ford Rebooting Roseanne: Feminist Voice across Decades Jessica Ford In recent years, the US television landscape has been flooded with reboots, remakes, and revivals of “classic” nineties television series, such as Full/er House (1987-1995, 2016- present), Will & Grace (1998-2006, 2017-present), Roseanne (1988-1977, 2018), and Charmed (1998-2006, 2018-present). The term “reboot” is often used as a catchall for different kinds of revivals and remakes. “Remakes” are derivations or reimaginings of known properties with new characters, cast, and stories (Loock; Lavigne). “Revivals” bring back an existing property in the form of a continuation with the same cast and/or setting. “Revivals” and “remakes” both seek to capitalise on nostalgia for a specific notion of the past and access the (presumed) existing audience of the earlier series (Mittell; Rebecca Williams; Johnson). Reboots operate around two key pleasures. First, there is the pleasure of revisiting and/or reimagining characters that are “known” to audiences. Whether continuations or remakes, reboots are invested in the audience’s desire to see familiar characters. Second, there is the desire to “fix” and/or recuperate an earlier series. Some reboots, such as the Charmed remake attempt to recuperate the whiteness of the original series, whereas others such as Gilmore Girls: A Life in the Year (2017) set out to fix the ending of the original series by giving audiences a new “official” conclusion. The Roseanne reboot is invested in both these pleasures. It reunites the original cast for a short-lived, but impactful nine-episode tenth season. -
COMET Release FINAL
SINCLAIR BROADCAST GROUP AND METRO-GOLDWYN-MAYER ANNOUNCE COMET , FIRST-EVER SCIENCE FICTION MULTI-CHANNEL NETWORK, TO PREMIERE ON OCTOBER 31 st Largest Multicast Network Launch with over 60% of the Country Reaching over 65M Homes (BALTIMORE & LOS ANGELES) October 19, 2015 – Sinclair Television Group, a wholly-owned subsidiary of Sinclair Broadcast Group, Inc. (Nasdaq: SBGI) (“Sinclair”), and Metro-Goldwyn-Mayer (“MGM ”), announced that COMET, the first-ever 24 hour/7 day per week science fiction multi-channel network, which will feature more than 1,500 hours of premium MGM content, will premiere in over 60% of the country and over 65 million homes on October 31 st of this year. The announcement was made today by David Amy, Chief Operating Officer of Sinclair Broadcast Group, Inc. and John Bryan, President, Domestic Television Distribution, MGM. The network will debut in all top markets including New York, NY; Los Angeles, CA; Chicago, IL; Philadelphia, PA; Seattle, WA; Denver, CO; St. Louis, MO; San Francisco-Oakland-San Jose, CA; Washington D.C.; Boston, MA; Pittsburgh, PA and Houston, TX. In addition to the Sinclair owned television stations, COMET will also launch on a number of Tribune and Titan stations. The network will feature a mix of science fiction, fantasy and adventure fan-favorites from MGM including television series such as “Outer Limits” and “Dead Like Me,” with the blockbusters “Stargate SG-1,” “Stargate Atlantis,” and “Stargate Universe” anchoring the primetime lineup. MGM films will play a crucial role in programming as well, with Moonraker and The Terminator featured during the premiere; Species and Leviathan will also be highlighted throughout the month . -
POPULAR DVD TITLES – As of JULY 2014
POPULAR DVD TITLES – as of JULY 2014 POPULAR TITLES PG-13 A.I. artificial intelligence (2v) (CC) PG-13 Abandon (CC) PG-13 Abduction (CC) PG Abe & Bruno PG Abel’s field (SDH) PG-13 About a boy (CC) R About last night (SDH) R About Schmidt (CC) R About time (SDH) R Abraham Lincoln: Vampire hunter (CC) (SDH) R Absolute deception (SDH) PG-13 Accepted (SDH) PG-13 The accidental husband (CC) PG-13 According to Greta (SDH) NRA Ace in the hole (2v) (SDH) PG Ace of hearts (CC) NRA Across the line PG-13 Across the universe (2v) (CC) R Act of valor (CC) (SDH) NRA Action classics: 50 movie pack DVD collection, Discs 1-4 (4v) NRA Action classics: 50 movie pack DVD collection, Discs 5-8 (4v) NRA Action classics: 50 movie pack DVD collection, Discs 9-12 (4v) PG-13 Adam (CC) PG-13 Adam Sandler’s eight crazy nights (CC) R Adaptation (CC) PG-13 The adjustment bureau (SDH) PG-13 Admission (SDH) PG Admissions (CC) R Adoration (CC) R Adore (CC) R Adrift in Manhattan R Adventureland (SDH) PG The adventures of Greyfriars Bobby NRA Adventures of Huckleberry Finn PG-13 The adventures of Robinson Crusoe PG The adventures of Rocky and Bullwinkle (CC) PG The adventures of Sharkboy and Lavagirl in 3-D (SDH) PG The adventures of TinTin (CC) NRA An affair to remember (CC) NRA The African Queen NRA Against the current (SDH) PG-13 After Earth (SDH) NRA After the deluge R After the rain (CC) R After the storm (CC) PG-13 After the sunset (CC) PG-13 Against the ropes (CC) NRA Agatha Christie’s Poirot: The definitive collection (12v) PG The age of innocence (CC) PG Agent -
Optimedia U.S. Launches Content Power Ratings Report
FINAL DRAFT OPTIMEDIA U.S. LAUNCHES CONTENT POWER RATINGS REPORT Media Industry’s First Multi-Media Ratings Report Measures Total Value of Television Shows Across All Platforms, Reveals Surprise Winners NEW YORK (March 4, 2008) - Optimedia International US Inc. (http://www.optimedia-us.com) a Publicis Groupe-owned communications planning and buying agency, has released its inaugural 2007 Content Power Ratings Report, a comprehensive quarterly ratings index that ranks the relative reach and power of the top 100 television programs, based on the number and quality of viewers across important digital and traditional media. Using data culled from the agency’s own primary research, as well as from Nielsen Media Research's NTI database, comScore's Media Metrix, E-Poll's FastTrack™, Keller Fay Group's TalkTrack, and Factiva, this comprehensive report ranks network and cable programs using four criteria: • Audience size across TV, Web and mobile properties • Audience Appeal – including awareness, core values, and quality • Interest —including PR mentions and word-of-mouth ‘buzz’ • Streaming – the extent to which the program is watched online The Content Power Ratings Report provides agencies, networks and advertisers with an independent assessment of a television program’s true commercial value and footprint. Optimedia plans to release the report quarterly. Antony Young, president of Optimedia US, said, “A television program today is far more than just ratings – Web presence, ability to drive word-of-mouth and engagement value are all factors -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
Here Walking Fossil Robert A
The Anticipation Hugo Committee is pleased to provide a detailed list of nominees for the 2009 Science Fiction and Fantasy Achievement Awards (the Hugos), and the John W. Campbell Award for Best New Writer (Sponsored by Dell Magazines). Each category is delineated to five nominees, per the WSFS Constitution. Also provided are the number of ballots with nominations, the total number of nominations and the number of unique nominations in each category. Novel The Last Centurion John Ringo 8 Once Upon a Time Philip Pullman 10 Ballots 639; Nominations: 1990; Unique: 335 The Mirrored Heavens David Williams 8 in the North Slow Train to Arcturus Dave Freer 7 To Hie from Far Cilenia Karl Schroeder 9 Little Brother Cory Doctorow 129 Hunter’s Run Martin Dozois Abraham 7 Pinocchio Walter Jon Williams 9 Anathem Neal Stephenson 93 Inside Straight George R. R. Martin 7 Utere Nihill Non Extra John Scalzi 9 The Graveyard Book Neil Gaiman 82 The Ashes of Worlds Kevin J Anderson 7 Quiritationem Suis Saturn’s Children Charles Stross 74 Gentleman Takes Sarah A Hoyt 7 Harvest James Van Pelt 9 Zoe’s Tale John Scalzi 54 a Chance The Inferior Peadar O’Guilin 7 Cenotaxis Sean Williams 9 Matter Iain M. Banks 49 Staked J.F. Lewis 7 In the Forests of Jay Lake 8 Nation Terry Pratchett 46 Graceling Kristin Cashore 6 the Night An Autumn War Daniel Abraham 46 Small Favor Jim Butcher 6 Black Petals Michael Moorcock 8 Implied Spaces Walter Jon Williams 45 Emissaries From Adam-Troy Castro 6 Political Science by Walton (Bud) Simons 7 Pirate Sun Karl Schroeder 41 the Dead & Ian Tregillis Half a Crown Jo Walton 38 A World Too Near Kay Kenyon 6 Mystery Hill Alex Irvine 7 Valley of Day-Glo Nick Dichario 35 Slanted Jack Mark L.