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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Bad Rhetoric: Towards a Punk Rock Pedagogy Michael Utley Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 8-2012 Bad Rhetoric: Towards A Punk Rock Pedagogy Michael Utley Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Rhetoric and Composition Commons Recommended Citation Utley, Michael, "Bad Rhetoric: Towards A Punk Rock Pedagogy" (2012). All Theses. 1465. https://tigerprints.clemson.edu/all_theses/1465 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. BAD RHETORIC: TOWARDS A PUNK ROCK PEDAGOGY A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Professional Communication by Michael M. Utley August 2012 Accepted by: Dr. Jan Rune Holmevik, Committee Chair Dr. Cynthia Haynes Dr. Scot Barnett TABLE OF CONTENTS Page Introduction ..........................................................................................................................4 Theory ................................................................................................................................32 The Bad Brains: Rhetoric, Rage & Rastafarianism in Early 1980s Hardcore Punk ..........67 Rise Above: Black Flag and the Foundation of Punk Rock’s DIY Ethos .........................93 Conclusion .......................................................................................................................109 -
Politics Isn't Everything
Vol. 9 march 2017 — issue 3 iNSIDE: TOWNHALL TO NO ONE - POLITICS ISN’T EVERYTHING - COLD - why aren’t millennials eating pho - still drinking - BEST PUNK ALBUM EVER?? - ASK CREEPY HORSE - LOST BOYS OF THE RIGHT - misjumped - record reviews - concert calendar Town hall to no one Recently I was invited to attend a town hall meeting for our local representative to Congress, Rep. Bill Flores. In this day and age, you definitely want to have access to the person your district voted to send to 979Represent is a local magazine Washington and represent the interests of your home for the discerning dirtbag. area. 100 or so people turned out, submitted questions, gave passionate testimonials, aired grievances, ex- pressed outrage, even gave praise to Flores for a certain Editorial bored stance (though that was brief). Gay, straight, trans, white, other, Christian, Jew, Muslim, atheist, profession- Kelly Minnis - Kevin Still al, student, retired...a cross-section of the district’s diverse populace attended. Local police kept everything low key, local media showed to document the process. Art Splendidness Ivory is white, coal is black, water is wet...who cares, Katie Killer - Wonko The Sane right? This sort of thing happens all the time all over the country so what was so special about this event? Folks That Did the Other Shit For Us It was a townhall meeting with our congress- man...without the actual congressman in attendance. HENRY CLAYMORE - CREEPY HORSE - TIMOTHY MEATBALL He decided not to participate and instead flew to Mar-A- DANGER - MIKE L. DOWNEY - Jorge goyco - TODD HANSEN Lago to pull on Daddy Trump’s shirttail to beg of some EZEKIAL HENRY - Rented mule - HENRY ROWE - STARKNESS of the Orange Julius’s attention. -
Dave Lombardo: Feeling Suicidal
FEELING SUICIDAL Dave LombardoBY DAVID JARNSTROM don’t keep track of Slayer,” Lombardo—54 years young in days—which suits his spontaneous Dave Lombardo says over the February—is headed in the opposite disposition perfectly. “It’s invigorating “Iphone matter-of-factly. “I have too direction, cracking the throttle on his going from one project to another,” much to deal with over here.” Currently storied career. he says. “I finished a six-week enjoying some well-earned downtime at Splitting time between crossover Dead Cross European tour this his Southern California home, the ever- pioneers Suicidal Tendencies, horror- summer, hopped a plane in Amsterdam genial drummer couldn’t care less that punk icons The Misfits, and hardcore the next day and started a Suicidal the legendary thrash metal band he supergroup Dead Cross (featuring tour in New York the day after that. co-founded as a teen is in the midst of a co-conspirator Mike Patton of Faith No No rehearsal, just straight to the stage. two-year farewell tour. While Slayer More and Mr. Bungle on vocals), I’d done my homework and was on point. slowly rides off into the sunset, Lombardo barely has time to think these Music is music, you know?” 24 DRUM! Spring 2019 DRUMmagazine.com MILOSZ BAUZA PHOTO Lombardo claims it was a “no-brainer” drums. There’s so much that contributes Lombardo is also looking forward to when Suicidal Tendencies frontman Mike to playing with real feeling. It’s something writing new Dead Cross material this Muir asked him to join the band, which— that can’t really be taught—some people winter. -
UNIVERSITY of CALIFORNIA Santa Barbara Bordering Faith: Spiritual
UNIVERSITY OF CALIFORNIA Santa Barbara Bordering Faith: spiritual transformation, cultural change, and Chicana/o youth at the border A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Chicana and Chicano Studies by Francisco Javier Fuentes Jr. Committee in charge: Professor Ralph Armbruster-Sandoval, Chair Professor Dolores Inés Casillas Professor Rudy Busto December 2016 The dissertation of Francisco Javier Fuentes Jr. is approved. _____________________________________________ Dolores Inés Casillas _____________________________________________ Rudy Busto _____________________________________________ Ralph Armbruster-Sandoval, Committee Chair December 2016 Bordering Faith: spiritual transformation, cultural change, and Chicana/o youth at the border Copyright © 2016 by Francisco Javier Fuentes Jr. iii ACKNOWLEDGEMENTS A work like this is no small feat and there are many people I would like to thank for walking with me on this journey. I owe my first thanks to my Dissertation Committee and all the faculty associated with the Department of Chicana and Chicano Studies, Sociology, and Religious Studies. I cannot express enough thanks to Dr. Ralph Armbruster-Sandoval who served as the chairman of my committee and was the first to provide me unyielding support in a cutting-edge program. I am also truly grateful for Dr. Inés Casillas and Dr. Rudy Busto who continued to make themselves available for feedback, conversations, and encouragement throughout the years. I could not have finished had it not been for their guidance and keen observations. I am also appreciative of Dr. Mario T. Garcia, Dr. Gerardo Aldana, and Dr. Peter J. Garcia who first taught me the power of scholarship as a Chicano. I have the work and instruction of Dr. -
Carlton Barrett
! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures. -
Collection "Hard, Punk, Hardcore Etc..80'S 90'S 2K Et +" De Boosty
Collection "Hard, Punk, Hardcore etc..80's 90's 2K et +" de boosty Artiste Titre Format Ref Pays de pressage (hed) Pe Broke 2LP RR12-88146 Japon Ac/dc Powerage LP ATL 50 483 France Ac/dc Let There Be Rock LP ATL 50 366 Portugal Ac/dc If You Want Blood You've Got I...LP 50 532 France Ac/dc Highway To Hell LP ATL 50628 Allemagne Ac/dc High Voltage LP ATL 50 257 Allemagne Ac/dc For Those About To Rock (we Sa...LP ATL K 50 851 France Ac/dc Dirty Deeds Done Dirt Cheap LP ATL 50 323 Allemagne Ac/dc Back In Black LP ATL 50 735 Allemagne Agnostic Front Another Voice LP DMR 0021-1 Etats Unis Amerique Alice Cooper Trash LP 465130 1 Pays-Bas Alice Cooper Raise Your Fist And Yell LP 255 074-1 Allemagne Alice Cooper Constrictor LP 254 253-1 Allemagne Almighty (the) Powertrippin' LP 519 104-1 Royaume-Uni Almighty (the) Crank LP 7243 8 30820 1 8 Royaume-Uni Angry Samoans Back From Samoa LP AG 0014 Allemagne Annihilator Ballistic, Sadistic LP SLM066P46 EU Bad Brains I Against I LP INLP 4.00231 J Allemagne Bad Brains Bad Brains LP RUSLP8223 Etats Unis Amerique Badlands Voodoo Highway LP 7567-82251-1 Allemagne Badlands Badlands LP 781 966-1 Allemagne Balance In For The Count LP 85787 Pays-Bas Biohazard Urban Discipline 2LP RRCAR 8290-1 Allemagne Biohazard State Of The World Address LP 9362-45595-1 Allemagne Biohazard New World Disorder LP MOVLP539 EU Biohazard Biohazard LP ML 1067 Etats Unis Amerique Black Country Communion Black Country Communion 2LP M 7319 1 Pays-Bas Black Country Communion Bcciv 2LP M75321 EU Black Country Communion Afterglow LP M 7398 -
An Examination of Essential Popular Music Compact Disc Holdings at the Cleveland Public Library
DOCUMENT RESUME ED 435 403 IR 057 553 AUTHOR Halliday, Blane TITLE An Examination of Essential Popular Music Compact Disc Holdings at the Cleveland Public Library. PUB DATE 1999-05-00 NOTE 94p.; Master's Research Paper, Kent State University. Information Science. Appendices may not reproduce adequately. PUB TYPE Dissertations/Theses (040) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS *Audiodisks; Discographies; *Library Collection Development; *Library Collections; *Optical Disks; *Popular Music; *Public Libraries; Research Libraries; Tables (Data) IDENTIFIERS *Cleveland Public Library OH ABSTRACT In the 1970s and early 1980s, a few library researchers and scholars made a case for the importance of public libraries' acquisition of popular music, particularly rock music sound recordings. Their arguments were based on the anticipated historical and cultural importance of obtaining and maintaining a collection of these materials. Little new research in this direction has been performed since then. The question arose as to what, if anything, has changed since this time. This question was answered by examining the compact disc holdings of the Cleveland Public Library, a major research-oriented facility. This examination was accomplished using three discographies of essential rock music titles, as well as recent "Billboard" Top 200 Album charts. The results indicated a strong orientation toward the acquisition of recent releases, with the "Billboard" charts showing the largest percentages of holdings for the system. Meanwhile, the holdings vis-a-vis the essential discographies ran directly opposite the "Billboard" holdings. This implies a program of short-term patron satisfaction by providing current "hits," while disregarding the long-term benefits of a collection based on demonstrated artistic relevance. -
The Army Lawyer Is Published Monthly by the Judge Quirements
DA PAMPHLET 2750-33 HEADQUARTERS, DEPARTMENT OF THE ARMY, WASHINGTON, D.C. Value Engineering in Military Procurement:- The Old Suggestion Box? By: Captain Stephen R. Black, JAGC, USAR, Seattle, Washington Introduction. tractors to explore avenues of cost saving to the The concept of value engineering (VE) was government by providing that a portion of any articulated first in the early 1960’s as a method Cost Savings Will be shared between the COntraC- of providing incentive to contractors to submit tor and the government. the correct cost saving ideas. The basic clauses and regula- use of value engineering, the armed forces may tion fist appeared in the Armed Services Pro- obtain needed supplies and services at the low- curementRegulation [hereinafter ASPR] in D~-est cost and the contractor realize significant cember 1962, with subsequent revision in the rewards- November 15, 1963, and April 16, 1973 editions The basic purpose underlying value engineer- - of ASPR. Defense Procurement Circular 121 is- ing is described as: sued 10 May 1974 became the current Armed m-Services Procurement Regulation pertaining to “* * * the elimination or modification of value engineering on 1 September 1974.’ The anything that contributes to the cost of a language of the current clauses and regulation contract item or task that is not necessary I accomplishes a marked departure from the pre- for needed performance, quality, main- vious regulatory language. This article is in- tainability, reliability, or interchangeabili- tended to acquaint the reader with the meaning ty. Specifically, VE as contemplated by this and application of the present value engineering Part, constitutes a systematic and creative clauses and regulation, contrast the same to the effort, not required by any other provision predecessor, probe the most common areas of of the contract, directed towards utilizing legal dispute and suggest the present viability each contract item or task to insure that its bf previous Armed Services Board of Contract essential function is provided at the lowest Appeal decisions. -
Thrash Metal Klassiker & NWOTM
#heavymetalgrundschule Thrash Metal Klassiker & NWOTM Teilnehmer: 126 TOP 23 Klassiker-Alben alle Alben mit mindestens 3 Nennungen 1. EXODUS BONDED BY BLOOD (47) 2. SLAYER REIGN IN BLOOD (45) 3. SODOM AGENT ORANGE (41) 4. KREATOR PLEASURE TO KILL (30) 5. METALLICA RIDE THE LIGHTNING (28) 6. SEPULTURA BENEATH THE REMAINS (24) 7. TESTAMENT THE LEGACY (23) 8. ANTHRAX AMONG THE LIVING (22) MEGADETH RUST IN PEACE 9. SODOM PERSECUTION MANIA (21) 10. METALLICA KILL 'EM ALL (20) 11. DARK ANGEL DARKNESS DESCENDS (19) 12. METALLICA MASTER OF PUPPETS (18) SEPULTURA ARISE 13. SLAYER SEASONS IN THE ABYSS (15) SLAYER SOUTH OF HEAVEN 14. DEATH ANGEL THE ULTRA VIOLENCE (13) EXHORDER SLAUGHTER IN THE VATICAN KREATOR EXTREME AGGRESSION MEGADETH PEACE SELLS...BUT WHO' BUYING 15. DEMOLITION HAMMER EPIDEMIC OF VIOLENCE (11) EXUMER POSSESSED BY FIRE OVERKILL THE YEARS OF DECAY 16. ANNIHILATOR ALICE IN HELL (10) DESTRUCTION INFERNAL OVERKILL KREATOR COMA OF SOULS SLAYER SHOW NO MERCY VIO-LENCE ETERNAL NIGHTMARE 17. ANTHRAX SPREADING THE DISEASE (9) EXODUS FABULOUS DISASTER OVERKILL FEEL THE FIRE S.O.D. SPEAK ENGLISCH OR DIE 18. FLOTSAM & JETSAM DOOMSDAY FOR THE DECEIVER (8) FORBIDDEN FORBIDDEN EVIL HOLY MOSES FINISHED WITH THE DOGS KREATOR ENDLESS PAIN METALLICA ...AND JUSTICE FOR ALL OVERKILL TAKING OVER 19. NUCLEAR ASSAULT GAME OVER (7) ONSLAUGHT THE FORCE SACRED REICH THE AMERICAN WAY SEPULTURA CHAOS A.D. SEPULTURA SCHIZOPHRENIA www.krachmuckertv.de SLAYER HELL AWAITS 20. ARTILLERY BY INHERITANCE (6) NUCLEAR ASSAULT HANDLE WITH CARE SACRED REICH IGNORANCE SADUS SWALLOWED IN BLACK TESTAMENT THE NEW ORDER 21. DEATH ANGEL ACT III (5) DESTRUCTION ETERNAL DEVASTATION DESTRUCTION RELEASE FROM AGONY EVIL DEAD ANNIHILATION OF CIVILIZATION FORBIDDEN TWISTED INTO FORM HOLY TERROR MIND WARS MORBID SAINT SPECTRUM OF DEATH WHIPLASH POWER AND PAIN 22. -
Cultural Daily Independent Voices, New Perspectives
1 Cultural Daily Independent Voices, New Perspectives Thundercat: Blurred Lines Redefine Musical Genres Tod Hardin · Tuesday, October 22nd, 2013 Stephen Bruner – AKA Thundercat – is truly one of the best new music finds I’ve come across in a very long time. For the past several years he’s been known in the industry as one of the most creative and innovative bass players in the world, and his virtuosity on the instrument has been a highly sought after commodity by a rather interesting mix of artists. As a teenager he replaced the legendary Robert Trujillo (now with Metallica) in the punk/metal band Suicidal Tendencies, and he would go on to record with Erykah Badu, as well as with the critically acclaimed experimental artist known as Flying Lotus. It gets even more interesting on the performance side, with stages having been shared the likes of Snoop Dog, Stanley Clarke and the Red Hot Chili Peppers. Odd mix, but tasty. Equally impressive is his pedigree. His grandparents and mother were musicians, his father played drums for Diana Ross, The Temptations and Gladys Knight, and his brother, Ron, is a Grammy Award-winning drummer, composer and producer. Fun Fact: His Thundercat moniker is inspired by his obsession for the animated series Thundercats. What draws me to Thundercat, other than his obvious level of talent, is the inability to define him as any particular kind of recording artist. Funk, soul, prog rock, jazz fusion, thrash metal, punk, hip hop, experimental…They’ve all been a part of his journey thus far, and I have a feeling that he might just be responsible for inventing one or two new genres himself, before it’s all said and done. -
Hellfest 2017 – Saturday
Hellfest 2017 – Saturday After a dozen of fresh croissants with a addition of a cup of coffee, I started to plan my second day in hell, and I realized few things. Firstly, yesterday I decided I crossed the healthy limit of “seen” bands. Secondly, If I try to beat yesterday’s record, then the third day I can easily spend in emergency department. Thirdly, getting the overwhelming heat coming from above, I surely should cover my head. I promised myself that today won’t be only a battle for entry on the most viewed concerts, but also an escape from daily life. For good starters I planned to verify the good reputation of The Dead Daisies. Their members are a mix of musicians from bands like Motley Crue, Thin Lizzy, Whitesnake and even Billy Idol and Dio. Well, my a bit fatigued colleagues managed to get ready shortly before Phill Campbell and The Bastard Sons performance. Scene veteran Phill, with a company of youngsters played a sentimental but good, strong rock-and-roll concert. Campbell was a guitarist in Motorhead since 1984, until the death of Lemmy’s, so “using” his repertoire is a serious commercial move. The heritage of Motorhead will surely catch the attention of their long die-hard fans, but nonetheless it was an honest and true concert. Besides Campbell, his three sons are playing – Todd, Dane and Tyla. The vocalist of the band, Neil Starr, who was clearly under the jitters, still managed to convincingly play hits like “Killed By Death” and “Ace Of Spades”. There were also few surprises.