The Army Lawyer Is Published Monthly by the Judge Quirements

Total Page:16

File Type:pdf, Size:1020Kb

The Army Lawyer Is Published Monthly by the Judge Quirements DA PAMPHLET 2750-33 HEADQUARTERS, DEPARTMENT OF THE ARMY, WASHINGTON, D.C. Value Engineering in Military Procurement:- The Old Suggestion Box? By: Captain Stephen R. Black, JAGC, USAR, Seattle, Washington Introduction. tractors to explore avenues of cost saving to the The concept of value engineering (VE) was government by providing that a portion of any articulated first in the early 1960’s as a method Cost Savings Will be shared between the COntraC- of providing incentive to contractors to submit tor and the government. the correct cost saving ideas. The basic clauses and regula- use of value engineering, the armed forces may tion fist appeared in the Armed Services Pro- obtain needed supplies and services at the low- curementRegulation [hereinafter ASPR] in D~-est cost and the contractor realize significant cember 1962, with subsequent revision in the rewards- November 15, 1963, and April 16, 1973 editions The basic purpose underlying value engineer- - of ASPR. Defense Procurement Circular 121 is- ing is described as: sued 10 May 1974 became the current Armed m-Services Procurement Regulation pertaining to “* * * the elimination or modification of value engineering on 1 September 1974.’ The anything that contributes to the cost of a language of the current clauses and regulation contract item or task that is not necessary I accomplishes a marked departure from the pre- for needed performance, quality, main- vious regulatory language. This article is in- tainability, reliability, or interchangeabili- tended to acquaint the reader with the meaning ty. Specifically, VE as contemplated by this and application of the present value engineering Part, constitutes a systematic and creative clauses and regulation, contrast the same to the effort, not required by any other provision predecessor, probe the most common areas of of the contract, directed towards utilizing legal dispute and suggest the present viability each contract item or task to insure that its bf previous Armed Services Board of Contract essential function is provided at the lowest Appeal decisions. overall cost. Overall cost may include but need not be limited to, the costs of acquir- Purpose. ing, operating, and logistically supporting “The value engineering clause is, in ef- an item or system.” fect, the functional equivalent of the old employee suggestion box, but with a pre- Value Engineering Described. scribed system of rewards for valuable suggestions which are adopted. And it is Not every proposal which if implemented by the government would result in cost savings is well-established that the value engineering value engineering. Reductions in overall cost at- clause is to be liberally construed to carry tributable solely to deliverable end item quan- out its purpose of encouraging contractors tities, or a change in research and development to develop and submit cost savings propos- end items or test quantities due solely to results als.” of previous testing under the contract, or solely Value engineering provisions serve the pur- on a change of the contract type are not com- lc-x. pose of providing incentives to government con- pensable as value engir~eering.~ Pam 27-50-33 -_ 2 Thus, reduction of a contract quantity from 10 items to five items is not value engineering. However, use of the word “solely” suggests that overall cost savings attributable to changes in quantity may be value engineering, if based in part on valid and defined value engineering criteria. ASPR contains three mechanisms for imple- menting the value engineering concept. (1) Use of the VE program requirement contract clause (VEPR).5 (2) Use of the VE incentive clause (VEI).e (3) Review of unsoIicited value en- gineering change proposal^.^ All three clauses further the same purpose; to-wit: reduction of overall contract costs with- out impairment of essential function.B The VEPR differs from the VEI clause in that it mandates a systematic value engineering effort as part of the contract, whereas the VEI clause The Judge Advocate General operates strictly as an indu~ement.~ Major General Wilton B. Persons, Jr. The Assistant Judge Advocate General A contractor operating under a VEPR clause Major General Lawrence H. Williams apparently is paid twice, once as an item of work Commandant, Judge Advocate General‘s School in the contract for undertaking a continuous Colonel William S. Fulton, Jr. value engineering program and again when a Editorial Board Value Engineering Change Proposal (VEPR) Colonel Darrell L. Peck Lieutenant Colonel Jack H. Williams resulting from the value engineering program, Editor is accepted. The policy of the Department of De- Captain Paul F. Hill fense to insure critical reappraisals of contract Administrative Assistant requirements with a view toward cost savings Mrs. Helena Daidone justifies providing contractors with substantial financial incentives to undertake value en- gineering. Early Department of Defense policy in this regard was stated as follows: “It is Department of Defense policy to continuously review systems against ‘de- sign to’ requirements for cost acquisition and ownership. To exercise such cost re- straint, management mechanisms and tools are necessary to challenge unnecessary re- The Army Lawyer is published monthly by The Judge quirements. Value engineering is one of the Advocate General’s School. By-lined articles represent management tools available for this pur- the opinions of the authors and do not necessarily reflect pose.” lo the views of The Judge Advocate General or the Depart- ment of the Army. Manuscripts on topics of interest to Consistent with this directive, the current military lawyers are invited to: Editor, The Army Lawyer, The Judge Advocate General’s School, Char- regulation states the objective for inclusion of a lottesville, Virginia 22901. Manuscripts will be returned VEPR in a contract as being: only upon specific request. No compensation can be paid to authors for articles published. Funds for printing this “* * * to reduce development, produc- publication were approved by Headquarters, Depart- tion, or use costs by requiring the contrac- ment of the Amy, 26 May 1971. tor to establish a VE program in accordance Pam 27-50-33 3 with MIL-V-38352 or as otherwise specified $100,000.00 is optional.16 If a VEI clause is pre- in the contract. The clause should be used sent in the prime contract, its use is mandatory when a sustained VE effort at a predeter- in subcontracts of over $100,000.00 and optional mined level is desired. The VE program re- in subcontracts of under that amount.17 quirement shall be shown as a separately priced line item in the contract and may The VEI clause may be excluded if in conflict apply to all or to selected phases of contract with other contract requirements and objectives performance. This clause is designed in contracts for advanced development or en- primarily for contracts covering conceptual, gineering development or cost plus incentive fee validation and full scale development or cost plus award fee type contracts.18 phases of a program.’’ (Emphasis The incentive clause must be excluded from: supplied.) l1 contracts for research or exploratory develop- ment; contracts for engineering services from Thus, the government is willing to pay the nonprofit organizations; cost reimbursement contractor for undertaking the value engineer- type contracts other than cost plus incentive fee ing program to insure it will receive the early or cost plus award fee type contracts; contracts and full benefit of the cost savings which the for architect engineer services; contracts con- contractor may be able to effect. taining a VEPR clause except as provided in “It is DOD policy: (a) to provide contrac- ASPR 1-1702.3(b); contracts providing for tors with a substantive financial incentive product or component improvement unless re- to undertake VE on the premise that both stricted to areas not covered by provisions for DOD and the contractor will benefit. Ac- product or component improvement, contracts cordingly, the contractor should be assured for commercial items being procured without (1) a fair proportion of the savings, (2) that invoking special military requirements and his proportion will apply to a substantial specifications; and contracts for personal serv- base, and (3) objective and expeditious ice~.~~ processing of proposals submitted, and ASPR now provides a specific procedure for “(b) To encourage subcontractor partici- consideration of unsolicited VE proposals. The pation through extension by prime contrac- prior ASPR provision merely authorized ac- tors of VE incentives to appropriate sub- ceptance of such proposals, but did not define contractors. specific requirements for acceptance or pay- “VE incentive payments do not constitute ment. profit or fee subject to the limitation im- An unsolicited value engineering proposal posed by 10 USC 2306(d).” may be submitted on any contract. There is no By contrast the VEI clause does not require requirement that the person submitting the any specified value engineering effort on the VECP have any connection with the contract. contractor’s part as an item of work, but merely The proposal must reduce costs without affect- holds forth the prospect for reward if the con- ing essential functions and must contain certain tractor develops and submits meritorious cost minimal information.20 If the procurement ac- tivity accepts an unsolicited VECP, a separate saving proposals. l3 purchase agreement will be negotiated.21 How- The contracting officer decides, within certain ever, the contract price for an unsolicited VECP prescribed confines, whether a contract is suit- is limited to the larger of 20 percent of the net able for value engineering.14 A VEI clause is savings on current contracts, or 20 percent of mandatory for supply and service contracts in the estimated average savings to the depart- excess of $100,000.00 and all fixed price con- ment as determined by the purchasing office.22 struction ~0ntracts.l~However, the head of the procurement agency may determine a minimal potential exists for cost reduction and excuse Methods of Cost Sharing.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Dave Lombardo: Feeling Suicidal
    FEELING SUICIDAL Dave LombardoBY DAVID JARNSTROM don’t keep track of Slayer,” Lombardo—54 years young in days—which suits his spontaneous Dave Lombardo says over the February—is headed in the opposite disposition perfectly. “It’s invigorating “Iphone matter-of-factly. “I have too direction, cracking the throttle on his going from one project to another,” much to deal with over here.” Currently storied career. he says. “I finished a six-week enjoying some well-earned downtime at Splitting time between crossover Dead Cross European tour this his Southern California home, the ever- pioneers Suicidal Tendencies, horror- summer, hopped a plane in Amsterdam genial drummer couldn’t care less that punk icons The Misfits, and hardcore the next day and started a Suicidal the legendary thrash metal band he supergroup Dead Cross (featuring tour in New York the day after that. co-founded as a teen is in the midst of a co-conspirator Mike Patton of Faith No No rehearsal, just straight to the stage. two-year farewell tour. While Slayer More and Mr. Bungle on vocals), I’d done my homework and was on point. slowly rides off into the sunset, Lombardo barely has time to think these Music is music, you know?” 24 DRUM! Spring 2019 DRUMmagazine.com MILOSZ BAUZA PHOTO Lombardo claims it was a “no-brainer” drums. There’s so much that contributes Lombardo is also looking forward to when Suicidal Tendencies frontman Mike to playing with real feeling. It’s something writing new Dead Cross material this Muir asked him to join the band, which— that can’t really be taught—some people winter.
    [Show full text]
  • Collection "Hard, Punk, Hardcore Etc..80'S 90'S 2K Et +" De Boosty
    Collection "Hard, Punk, Hardcore etc..80's 90's 2K et +" de boosty Artiste Titre Format Ref Pays de pressage (hed) Pe Broke 2LP RR12-88146 Japon Ac/dc Powerage LP ATL 50 483 France Ac/dc Let There Be Rock LP ATL 50 366 Portugal Ac/dc If You Want Blood You've Got I...LP 50 532 France Ac/dc Highway To Hell LP ATL 50628 Allemagne Ac/dc High Voltage LP ATL 50 257 Allemagne Ac/dc For Those About To Rock (we Sa...LP ATL K 50 851 France Ac/dc Dirty Deeds Done Dirt Cheap LP ATL 50 323 Allemagne Ac/dc Back In Black LP ATL 50 735 Allemagne Agnostic Front Another Voice LP DMR 0021-1 Etats Unis Amerique Alice Cooper Trash LP 465130 1 Pays-Bas Alice Cooper Raise Your Fist And Yell LP 255 074-1 Allemagne Alice Cooper Constrictor LP 254 253-1 Allemagne Almighty (the) Powertrippin' LP 519 104-1 Royaume-Uni Almighty (the) Crank LP 7243 8 30820 1 8 Royaume-Uni Angry Samoans Back From Samoa LP AG 0014 Allemagne Annihilator Ballistic, Sadistic LP SLM066P46 EU Bad Brains I Against I LP INLP 4.00231 J Allemagne Bad Brains Bad Brains LP RUSLP8223 Etats Unis Amerique Badlands Voodoo Highway LP 7567-82251-1 Allemagne Badlands Badlands LP 781 966-1 Allemagne Balance In For The Count LP 85787 Pays-Bas Biohazard Urban Discipline 2LP RRCAR 8290-1 Allemagne Biohazard State Of The World Address LP 9362-45595-1 Allemagne Biohazard New World Disorder LP MOVLP539 EU Biohazard Biohazard LP ML 1067 Etats Unis Amerique Black Country Communion Black Country Communion 2LP M 7319 1 Pays-Bas Black Country Communion Bcciv 2LP M75321 EU Black Country Communion Afterglow LP M 7398
    [Show full text]
  • Thrash Metal Klassiker & NWOTM
    #heavymetalgrundschule Thrash Metal Klassiker & NWOTM Teilnehmer: 126 TOP 23 Klassiker-Alben alle Alben mit mindestens 3 Nennungen 1. EXODUS BONDED BY BLOOD (47) 2. SLAYER REIGN IN BLOOD (45) 3. SODOM AGENT ORANGE (41) 4. KREATOR PLEASURE TO KILL (30) 5. METALLICA RIDE THE LIGHTNING (28) 6. SEPULTURA BENEATH THE REMAINS (24) 7. TESTAMENT THE LEGACY (23) 8. ANTHRAX AMONG THE LIVING (22) MEGADETH RUST IN PEACE 9. SODOM PERSECUTION MANIA (21) 10. METALLICA KILL 'EM ALL (20) 11. DARK ANGEL DARKNESS DESCENDS (19) 12. METALLICA MASTER OF PUPPETS (18) SEPULTURA ARISE 13. SLAYER SEASONS IN THE ABYSS (15) SLAYER SOUTH OF HEAVEN 14. DEATH ANGEL THE ULTRA VIOLENCE (13) EXHORDER SLAUGHTER IN THE VATICAN KREATOR EXTREME AGGRESSION MEGADETH PEACE SELLS...BUT WHO' BUYING 15. DEMOLITION HAMMER EPIDEMIC OF VIOLENCE (11) EXUMER POSSESSED BY FIRE OVERKILL THE YEARS OF DECAY 16. ANNIHILATOR ALICE IN HELL (10) DESTRUCTION INFERNAL OVERKILL KREATOR COMA OF SOULS SLAYER SHOW NO MERCY VIO-LENCE ETERNAL NIGHTMARE 17. ANTHRAX SPREADING THE DISEASE (9) EXODUS FABULOUS DISASTER OVERKILL FEEL THE FIRE S.O.D. SPEAK ENGLISCH OR DIE 18. FLOTSAM & JETSAM DOOMSDAY FOR THE DECEIVER (8) FORBIDDEN FORBIDDEN EVIL HOLY MOSES FINISHED WITH THE DOGS KREATOR ENDLESS PAIN METALLICA ...AND JUSTICE FOR ALL OVERKILL TAKING OVER 19. NUCLEAR ASSAULT GAME OVER (7) ONSLAUGHT THE FORCE SACRED REICH THE AMERICAN WAY SEPULTURA CHAOS A.D. SEPULTURA SCHIZOPHRENIA www.krachmuckertv.de SLAYER HELL AWAITS 20. ARTILLERY BY INHERITANCE (6) NUCLEAR ASSAULT HANDLE WITH CARE SACRED REICH IGNORANCE SADUS SWALLOWED IN BLACK TESTAMENT THE NEW ORDER 21. DEATH ANGEL ACT III (5) DESTRUCTION ETERNAL DEVASTATION DESTRUCTION RELEASE FROM AGONY EVIL DEAD ANNIHILATION OF CIVILIZATION FORBIDDEN TWISTED INTO FORM HOLY TERROR MIND WARS MORBID SAINT SPECTRUM OF DEATH WHIPLASH POWER AND PAIN 22.
    [Show full text]
  • Cultural Daily Independent Voices, New Perspectives
    1 Cultural Daily Independent Voices, New Perspectives Thundercat: Blurred Lines Redefine Musical Genres Tod Hardin · Tuesday, October 22nd, 2013 Stephen Bruner – AKA Thundercat – is truly one of the best new music finds I’ve come across in a very long time. For the past several years he’s been known in the industry as one of the most creative and innovative bass players in the world, and his virtuosity on the instrument has been a highly sought after commodity by a rather interesting mix of artists. As a teenager he replaced the legendary Robert Trujillo (now with Metallica) in the punk/metal band Suicidal Tendencies, and he would go on to record with Erykah Badu, as well as with the critically acclaimed experimental artist known as Flying Lotus. It gets even more interesting on the performance side, with stages having been shared the likes of Snoop Dog, Stanley Clarke and the Red Hot Chili Peppers. Odd mix, but tasty. Equally impressive is his pedigree. His grandparents and mother were musicians, his father played drums for Diana Ross, The Temptations and Gladys Knight, and his brother, Ron, is a Grammy Award-winning drummer, composer and producer. Fun Fact: His Thundercat moniker is inspired by his obsession for the animated series Thundercats. What draws me to Thundercat, other than his obvious level of talent, is the inability to define him as any particular kind of recording artist. Funk, soul, prog rock, jazz fusion, thrash metal, punk, hip hop, experimental…They’ve all been a part of his journey thus far, and I have a feeling that he might just be responsible for inventing one or two new genres himself, before it’s all said and done.
    [Show full text]
  • Hellfest 2017 – Saturday
    Hellfest 2017 – Saturday After a dozen of fresh croissants with a addition of a cup of coffee, I started to plan my second day in hell, and I realized few things. Firstly, yesterday I decided I crossed the healthy limit of “seen” bands. Secondly, If I try to beat yesterday’s record, then the third day I can easily spend in emergency department. Thirdly, getting the overwhelming heat coming from above, I surely should cover my head. I promised myself that today won’t be only a battle for entry on the most viewed concerts, but also an escape from daily life. For good starters I planned to verify the good reputation of The Dead Daisies. Their members are a mix of musicians from bands like Motley Crue, Thin Lizzy, Whitesnake and even Billy Idol and Dio. Well, my a bit fatigued colleagues managed to get ready shortly before Phill Campbell and The Bastard Sons performance. Scene veteran Phill, with a company of youngsters played a sentimental but good, strong rock-and-roll concert. Campbell was a guitarist in Motorhead since 1984, until the death of Lemmy’s, so “using” his repertoire is a serious commercial move. The heritage of Motorhead will surely catch the attention of their long die-hard fans, but nonetheless it was an honest and true concert. Besides Campbell, his three sons are playing – Todd, Dane and Tyla. The vocalist of the band, Neil Starr, who was clearly under the jitters, still managed to convincingly play hits like “Killed By Death” and “Ace Of Spades”. There were also few surprises.
    [Show full text]
  • Roy Wilkins Auditorium Concert Timeline February 17, 1973 – March 3, 2018
    Roy Wilkins Auditorium Concert Timeline February 17, 1973 – March 3, 2018 Concert Name Date G-Eazy with Trippie Redd, Phora and Anthony Russo 3/8/2018 AARP Presents Lake Street Dive and Bruce Hornsby (solo) 11/10/2017 LCD Soundsystem with Traxx 11/9/2017 alt-J with Bishop Briggs 10/20/2017 Queens of the Stone Age with Royal Blood 10/14/2017 Gorillaz with Vince Staples and Danny Brown 9/20/2017 Logic with Joey Bada$$ and Big Lenbo 8/16/2017 WWE Presents: NXT Live 7/29/2017 Bethel Music Worship Night 6/19/2017 The 1975 5/17/2017 NEEDTOBREATHE with Mat Kearney, Parachute and Welshly Arms 10/27/2016 Brand New with The Front Bottoms and Modern Baseball 10/23/2016 Megadeth with Amon Amarth, Suicidal Tendencies, Metal Church and 10/4/2016 Butcher Babies WWE Presents: NXT Live 9/18/2016 WEEN 9/15/2016 Shawn Mendes with James TW 8/2/2016 The 1975 with Wolf Alice and The Japanese House 5/25/2016 Zedd with A-Trak and Alex Metric 10/31/2015 Disclosure with Claude VonStroke and Pomo 10/13/2015 Of Monsters and Men with Highasakite 10/1/2015 alt-J with San Fermin 9/17/2015 Hozier with Caroline Smith 9/10/2015 Sam Smith with George Ezra 1/24/2015 Bastille with Grizfolk 10/19/2014 Queens of the Stone Age with Chelsea Wolfe 5/6/2014 Paramore with Hellogoodbye and Metric 11/23/2013 My Bloody Valentine with Variety Lights 11/1/2013 A Day to Remember with All Time Low, Pierce The Veil and The Wonder 10/1/2013 Years Imagine Dragons with The Neighbourhood 9/30/2013 The National with Daughter 8/6/2013 The Postal Service with Mates of State 8/2/2013 The Killers with The Virgins 8/1/2013 Alice In Chains with Chevelle and Monster Truck 7/9/2013 Sigur Ros with Oneohtrix Point Never 4/3/2013 fun.
    [Show full text]
  • Jerry Cantrell Jerry Cantrell
    Jerry Cantrell Jerry Cantrell - vocals / guitar Robert Trujillo - bass Mike Bordin - drums From the lyrically and sonically mournful “Psychotic Break” to when the mental and musical exorcism of Jerry Cantrell's nearly 73-minute aural Degradation Trip concludes with the lovely, somnolent, bluesy strains of “Gone,” the singer/guitarist's Roadrunner debut is a sundry and sometimes scary journey to the center of a psyche. It may not always be a pretty trip, but it's a close-to-the-bone excursion that haunts both its creator and its listeners. As the multi-faceted artist relates, “In '98, I locked myself in my house, went out of my mind and wrote 25 songs,” says the then-fully-bearded Cantrell. “I rarely bathed during that period of writing; I sent out for food, I didn't really venture out of my house in three or four months. It was a hell of an experience. The album is an overview of birth to now. That's all,” he grins, though the visceral and haunting songs, by turns soaring and raw, do reflect that often-naked and sometimes-grim truth. “Boggy Depot [his 1998 solo bow] is like Kindergarten compared to this,” he furthers. “The massive sonic growth from Boggy Depot to Degradation Trip is comparable to the difference between our work in the Alice In Chains albums Facelift to Dirt, which was also a tremendous leap.” And all of Cantrell's 25 prolifically penned songs will see the light of day by 2003. Degradation Trip, which will be released June 18, is comprised of 14 songs from the personal, transcendent writing marathon that inspired such self-searching cuts as “Bargain Basement Howard Hughes,” “Hellbound,” and “Profalse Idol.” The second batch of songs—“as sad and brutal as Degradation Trip” —Cantrell promises, are due out on Roadrunner 2003.
    [Show full text]
  • Coming out on April 14, 2015
    COMING OUT ON APRIL 14, 2015 new releases from THE SUNSETS • PSYCHO-SURGEONS TRANSATLANTIC BUNNIES • CIRCLE JERKS REDD KROSS • SUICIDAL TENDENCIES IN OTHER CLIMES • ROUGH FRANCIS • TWISTED Exclusively Distributed by THE SUNSETS Animal/Uptight, Out Of Sight, 7˝ STREET DATE: April 14, 2015 INFORMATION: Artist Hometown: Newcastle, NSW, Australia Key Markets: The world For Fans of: THE EASYBEATS, THE MISSING LINKS, SMALL FACES, THE MOVE, COUNT FIVE You think you’ve heard all the Australian 60’s punk 45’s? It’s all been issued, reissued and reissued again? You’d be wrong. Happily wrong I suspect. Whilst excavating through the Festival tape archive sourcing the tapes to bring you the Black Diamonds box sets our intrepid miners happily stumbled across this: Two completely unreleased, undiscovered, undocumented SUNSETS sides for scrapped single release. May 1967 THE SUNSETS single “The Hot Generation” b/w “This Is What It’s All About” ARTIST: THE SUNSETS (Festival FK-1818) was issued to coincide with the release of Australian surf film of the same name. Both TITLE: Animal/Uptight, Out Of Sight songs being featured in the movie soundtrack. LABEL: Blank Recording Company CAT#: BRC007-7 The film was screened and scheduled for release was another single from THE SUNSETS, two more FORMAT: 7” songs from the movie. THE SUNSETS “Animal” / “Uptight, Out Of Sight” (Festival FK-1895) was scheduled GENRE: 1960’s Garage, Beat, Freakbeat, Psych and prepared to be released in August 1967. August 1967 came and went. No single. Nada, zilch, zippo! BOX LOT: 150 Since then the sides have sat untouched in Festival tape vaults.
    [Show full text]
  • The Encyclopaedia Metallica by Malcolm Dome and Jerry Ewing
    metallica.indb 1 03/10/2007 10:33:40 The Encyclopaedia Metallica by Malcolm Dome and Jerry Ewing A CHROME DREAMS PUBLICATION First Edition 2007 Published by Chrome Dreams PO BOX 230, New Malden, Surrey, KT3 6YY, UK [email protected] WWW.CHROMEDREAMS.CO.UK ISBN 9781842404034 Copyright © 2007 by Chrome Dreams Edited by Cathy Johnstone Cover Design Sylwia Grzeszczuk Layout Design Marek Niedziewicz All rights reserved. No part of this book may be reproduced without the written permission of the publishers. A catalogue record for this book is available from the British Library. Printed and bound in Great Britain by William Clowes Ltd, Beccles, Suffolk metallica.indb 2 03/10/2007 10:33:40 metallica.indb 3 03/10/2007 10:33:41 Encyclopaedia Metallica THE AUTHORS WOULD SOURCES FROM WHICH LIKE TO THANK ... QUOTES HAVE BEEN TAKEN ...the following people for their Kerrang! magazine support and assistance: Metal Hammer magazine All at Chrome Dreams. RAW magazine Adair & Roxy. Playboy magazine Q magazine All at TotalRock: Tony Wilson, Thekkles, Tabitha, Guitar World magazine Emma ‘SF’ Bellamy, The Bat, Ickle Buh, So What! official Metallica fanzine The PMQ, Katie P. www.encyclopedia-metallica. com Everyone at the Crobar/ www.metallicaworld.co.uk Evensong: Sir Barrence, The Rector, The Crazy Bitch, www.blabbermouth.net The Lonely Doctor, Steve, Rick, Johanna, Bagel, Benjy, www.metalhamer.co.uk Maisie, Laura, Stuart, Steve www.kerrang.com Hammonds, John Richards, Dave Everley, Bob Slayer, en.wikipedia.org David Kenny, The Unique One, Harjaholic, Al King, Jonty, Orange Chuffin’ Goblin (Baby), Lady E., Smelly Jacques, Anna Maria, Speccy Rachel.
    [Show full text]
  • Pop/Rock/ New W Liveil Counted Anyway
    eeP--larsanrPsaas·-, LJB Iqe·al_ aa -sll: TUESDAY, MARCH 6, 1984 The Tech PAGE11 M 1983: year on record IY- _ LaC-Qkl -L ered anyway as most have received radio The readers I airplay of demo tapes. The Proletariat were most popular, partly because they Readers' played on campus last fall. The second- speak out e * 0 iiol"( place Boston band named, Mission of At long last, here it is - The Tech's rea- Burma, broke up last March but were ders' poll of the best records of 1983. Be- pop/rock/ new w liveIL counted anyway. Punk dominated the local cause not everyone is on campus during choices, but bands playing various forms Independent Activities Period, it is difficult 1. Talking Heads - Speaking in Tongues 100.0 of pop were also listed by many. to solicit and compile everyone's choices 2. Police - Synchronicity 88.9 Overall, there were not many surprises. until after classes start in February. Oh, The most popular bands and records tend- 3. X - More Fun in the New World 78.5 ed to be the ones that sold well and be- well, better !ate than never. 4. Michael Jackson Over a hundred different bands or per- - Thriller 68.8 came mainstays of radio playlists, which is formers were mentioned by those who sent 5. U2- War/Under a Blood Red Sky 61.3 generally the case in any such survey - in their choices. Some of the records peo- 6. Prince - 1999 50.8 after all, consumer acceptance breeds pop- ularity which breeds more popularity, and ple listed were released late in 1982, but- 7.
    [Show full text]
  • T-Shirt Vintage – Metal – Hard-Rock – Rock
    T-shirt Vintage – Metal – Hard-Rock – Rock Vente online Drouot Digital Clôture des enchères le 2 novembre 2020 à partir de 3h00 (clôture premier lot) Frais de vente : 25 % TTC Contact Expert pour la vente : Arnaud Debon Mail : [email protected] Téléphone : +33 (0) 6 22 78 94 99 Pour toute demande d’informations ou de photos supplémentaires sur l’un de nos lots, merci de contacter l’expert 1 1996 - AC/DC T-SHIRT « BALLBREAKER WORLD TOUR » Imprimé en 1996 pour leur tournée mondiale et leur 13ème album « Ballbreaker », sous licence de Brockum Étiquette effacée Torse d’aisselle à aisselle 53,5 cm Longueur depuis le haut du col 76 cm Taille comme un XL moderne Joli délavage, deux trous à l’avant, un autour du cou ainsi qu’un autre sur le dernier «c» Bon état Printed in 1996 for their world tour and to promote their 13th album « Ballbreaker », under license to Brockum Erased tag Chest pit to pit 21"0 Length from the top of the collar 29’9 Fits like a modern XL Beautiful fade, two holes around the collar and one in the last «c». Very good condition Estimation : 60/80 € 2 1990’s - MORRISSEY T-SHIRT « SILHOUETTE » Imprimé autour de 2004/2006, au vue de l’étiquette Étiquette Alstyle Torse d’aisselle à aisselle 59 cm Longueur depuis le haut du col 74 cm Taille comme un XL moderne Très bon état Printed around 2004/2005/2006, due to the tag Alstyle tag Chest pit to pit 23"2 Length from the top of the collar 29"1 Fits like a modern XL Mint condition Estimation : 40/60 € 3 2000 - IRON MAIDEN T-SHIRT « OUT OF THE SILENT PLANET » Imprimé en 2000
    [Show full text]