Passion Planet Production the SERENGETI RULES
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Jahresbericht 2019
Jahresbericht 2019 Inhaltsverzeichnis Inhaltsverzeichnis 1 Vorwort 3 Der Verein Creative Europe – MEDIA Desk Suisse 4 Der Verein 4 Die Geschäftsstelle 5 Das Jahr 2019 5 Kommunikation 6 Informationsveranstaltungen 6 Printpublikationen 6 Website 6 Newsletter 6 Social Media 7 Presse 7 Branchenaustausch und internationales Netzwerk 8 Überblick über alle Förderlinien 11 MEDIA-Ersatzmassnahmen 2019 11 Gesamtbilanz 2019 12 Projektentwicklung 14 Verleihförderung für europäische Filme 23 Automatische Verleihförderung 25 Selektive Verleihförderung 26 Promotionsförderung 34 Förderung von Weiterbildungsprogrammen 38 Get Trained – Stay Connected! 41 Nutzung des Creative Europe MEDIA-Netzwerks 41 BAK Weiterbildungszuschüsse 41 Finanzen 2019 45 Bericht der Revisionsstelle 45 Bilanz 46 Erfolgsrechnung 47 Inhaltsverzeichnis 1 MEDIA Desk Suisse Neugasse 10 8005 Zürich Schweiz +41 (0)43 960 39 29 www.mediadesk.ch [email protected] @MEDIASuisse #mdssupported #trainingmds MEDIA Desk Suisse wird vom Bundesamt für Kultur unterstützt. Redaktionelle Leitung: Corinna Marschall Texte: Corinna Marschall, Sophie Danner Diagramme & Statistik: Markus König Fotos: von den Produktionsfirmen und Organisatoren zur Verfügung gestellt Gestaltung: Florian Pfingsttag Titelseite: Le Milieu de l’Horizon von Delphine Lehericey, produziert von Box Productions (CH) und Entre Chien et Loup (BE). 2 Vorwort Mitten in der Corona-Krise nimmt sich der Rückblick lung wie Deutschland und Frankreich Sonderge- auf das Jahr 2019 seltsam aus. Schliesslich zerbre- nehmigungen. Besonders Filme mit hohem Potenti- chen wir uns gerade den Kopf, wie die nahe und al werden auf einen erneuten Kinostart nach der fernere Zukunft aussehen könnte und sehen alles Krise warten. Für Nischenfilme wird der Start als andere als klar. Mir scheint, dass wir uns an einem VoD eventuell die einzige Möglichkeit sein, ein Pub- wichtigen Angelpunkt befinden. -
Jemma Purdey
EPILOGUE Jemma Purdey This past December, I led a group of Australian students on a study tour to Indonesia, including a week of language and cultural immersion at a university in Bandung. The coordinators of the unit took the initiative to include a guest lecture in the program for our students and other for- eign visitors, as well as their own graduate students in Citizenship stud- ies. The topic of the lecture was Indonesian history and the Pancasila. As mine is a breadth subject open to enrolments from across faculties, in general my students had only a tacit knowledge of Indonesian his- tory. The lecturer delivered his rather dry account as a chronology of Indonesian “pre-colonial”, “colonial” and “post-colonial” history with a concluding discussion on Pancasila as national ideology. My students found this latter aspect of his lecture to be the more stimulating (the idea of a “national ideology”, particularly with religion as its starting point, as it seems a provocative one for young Australians). Personally, despite his comprehensive chronological listing of historical events com- plete with detail of lives lost in the colonial wars against the Dutch, what struck me was that there was no mention at all of “1965” beyond the 30 September Movement and Suharto’s triumphant suppression of it. Not of the mass killings and purges of Communists. Not even as a footnote. “1965” represents a period in Indonesian history roughly from 1965 to 1966 when an estimated half a million people were murdered (though some authors in this volume put this fgure higher, see in this volume © The Editor(s) (if applicable) and The Author(s) 2018 357 K. -
Geological Timeline
Geological Timeline In this pack you will find information and activities to help your class grasp the concept of geological time, just how old our planet is, and just how young we, as a species, are. Planet Earth is 4,600 million years old. We all know this is very old indeed, but big numbers like this are always difficult to get your head around. The activities in this pack will help your class to make visual representations of the age of the Earth to help them get to grips with the timescales involved. Important EvEnts In thE Earth’s hIstory 4600 mya (million years ago) – Planet Earth formed. Dust left over from the birth of the sun clumped together to form planet Earth. The other planets in our solar system were also formed in this way at about the same time. 4500 mya – Earth’s core and crust formed. Dense metals sank to the centre of the Earth and formed the core, while the outside layer cooled and solidified to form the Earth’s crust. 4400 mya – The Earth’s first oceans formed. Water vapour was released into the Earth’s atmosphere by volcanism. It then cooled, fell back down as rain, and formed the Earth’s first oceans. Some water may also have been brought to Earth by comets and asteroids. 3850 mya – The first life appeared on Earth. It was very simple single-celled organisms. Exactly how life first arose is a mystery. 1500 mya – Oxygen began to accumulate in the Earth’s atmosphere. Oxygen is made by cyanobacteria (blue-green algae) as a product of photosynthesis. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
Report of the Inter-Agency Task Force on Financing for Development
Report of the Inter-agency Task Force on Financing for Development FINANCING FOR SUSTAINABLE DEVELOPMENT REPORT 2019 asdf United Nations New York, 2019 This report is a joint product of the members of the Inter-agency Task Force on Financing for Devel- opment (a full list of members can be found on page x). The Financing for Sustainable Development Office of then U ited Nations Department of Economic and Social Affairs serves as the coordinator and substantive editor of the Financing for Sustainable Development report. The online annex of the Task Force (http://developmentfinance.un.org) comprehensively monitors progress in implementation of the Financing for Development outcomes, including the Addis Ababa Action Agenda and relevant means of implementation targets of the Sustainable Development Goals. It provides the complete evidence base for the Task Force’s annual report on progress in the seven action areas of the Addis Agenda (chapters III.A–III.G). The report is by necessity more concise and selective and should thus be read in conjunction with the online annex. The online annex also covers several key cross-cutting initiatives that build on the synergies of the Sustainable Development Goals: Delivering social protection and essential public services Ending hunger and malnutrition Closing the infrastructure gap Promoting inclusive and sustainable industrialization Generating full and productive employment for all Protecting ecosystems Promoting peaceful and inclusive societies Gender equality Investing in children and youth Addressing the diverse needs and challenges faced by countries in special situations Global partnership Inquiries about the Task Force or its report and online annex can be sent to: Financing for Sustainable Development Office Department of Economic and Social Affairs 2 United Nations Plaza (DC2- 2170) New York, N.Y. -
Beyond Planet Earth: the Future of Planet Earth: Beyond 20 22 18 14 12 6 8 4 ; and the of 35Th the Anniversary 3
Member Magazine Fall 2011 Vol. 36 No. 4 Searching For Life on Mars How to Opening Build November 19 a Lunar BEYOND Elevator PLANET EARTH: THE FUTURE OF SPACE EXPLORATION Astrophysics at the Museum 2 News at the Museum 3 From the Even for those of us long past our school years, fall of you participated. Based on that work, the Museum More Stars Shine Brighter With Museum To Offer always feels like “back to school”—a time for new has restructured and enhanced its program to bring President ventures and new adventures. The most exciting it more fully in line with Members’ lives. Hayden Planetarium Upgrade Science Teaching Degree new venture at the Museum is our Master of Arts Membership categories will now more closely Ellen V. Futter in Teaching (MAT) program, which marks the first reflect the kinds of households that you are part This fall, the Museum is launching a Master time that an institution other than a university of, with new Family and Adult tracks that will of Arts in Teaching (MAT) program, marking or college will offer a master’s program for science allow us to tailor programs, services, and benefits. the first time that an institution other than teachers. Please read more about this pioneering And, moving forward, there will be an increased a university or college will offer such a program initiative on page 3. emphasis on communication, including keeping for science teachers. Fall 2011 brings a full slate of exciting offerings in closer touch with Members through electronic The pioneering 15-month program is for the public, including our thrilling new means, including a new digital membership. -
The Look of Silence and Last Day of Freedom Take Top Honors at the 2015 IDA Documentary Association Awards
Amy Grey / Ashley Mariner Phone: 818-508-1000 Dish Communications [email protected] / [email protected] The Look of Silence and Last Day of Freedom Take Top Honors at the 2015 IDA Documentary Association Awards Best of Enemies, Listen to Me Marlon & HBO’s The Jinx Also Pick Up Awards LOS ANGELES, December 5, 2015 – Winners in the International Documentary Association’s 2015 IDA Documentary Awards were announced during tonight’s program at the Paramount Theatre, giving Joshua Oppenheimer’s THE LOOK OF SILENCE top honors with the Best Feature Award. This critically acclaimed, powerful companion piece to the Oscar®-nominated The Act of Killing, follows a family of survivors of the Indonesian genocide who discover how their son was murdered and the identities of the killers. Also announced in the ceremony was the Best Short Award, which honored LAST DAY OF FREEDOM, directed by Dee Hibbert-Jones and Nomi Talisman. The film is an animated account of Bill Babbitt’s decision to support and help his brother in the face of war, crime and capital execution. Grammy-nominated comedian Tig Notaro hosted the ceremony, which gathered the documentary community to honor the best nonfiction films and programming of 2015. IDA’s Career Achievement Award was presented to Gordon Quinn, Founder and Artistic Director of Kartemquin Films. He has produced, directed and/or been cinematographer on over 55 films across five decades. A longtime activist for public and community media, Quinn was integral to the creation of ITVS, public access television in Chicago; in developing the Documentary Filmmakers Statement of Best Practice in Fair Use; and in forming the Indie Caucus to support diverse independent voices on Public Television. -
Genocide Documentary As Intervention
This is a repository copy of Genocide documentary as intervention. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/83470/ Version: Accepted Version Article: Tyson, AD orcid.org/0000-0002-4458-6870 (2015) Genocide documentary as intervention. Journal of Genocide Research, 17 (2). pp. 177-199. ISSN 1462-3528 https://doi.org/10.1080/14623528.2015.1027077 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Genocide documentary as intervention ADAM TYSON Abstract Gifted filmmakers such as Joshua Oppenheimer, director of The act of killing, are attempting to use the power of documentary to provoke social and political change in post-conflict settings. What roles do interventionist filmmakers play in processes of national reconciliation and transitional justice? Can The act of killing really be a catalyst for change in Indonesia? This article contends that the genocide documentary is a form of antagonistic intervention that warrants systematic and critical re-evaluation. -
Stuart Richardson Post Producer / Field Director / Writer +64 27 395 0952 | [email protected]
Stuart Richardson Post Producer / Field Director / Writer +64 27 395 0952 | [email protected] Australian Ninja Warrior, Series 5, Channel 9 Post Producer March 2021 - Current Endemol Shine Australia, Sydney, Australia (Remote contract from Tauranga NZ) Ref: Dave Forrester, Post EP, Endemol Shine Australia [email protected] Ultimate Tag, Series 1, Channel 7 Post Producer November 2020 - Current Endemol Shine Australia, Sydney, Australia (Remote contract from Tauranga NZ) Ref: Dave Forrester, Post EP, Endemol Shine Australia [email protected] Title TBC! – A Netflix Original Documentary Series Post Producer March – October 2020 IFA Media, Singapore (Remote contract from Tauranga NZ) Ref: Joe Evans, Series Producer, IFA Media Singapore [email protected] Outback Truckers, Series 7 & 8, Discovery Channel Post Producer Prospero Productions, Fremantle, Australia (Remote contract from Tauranga NZ) January - June 2019, December 2019 – March 2020 Ref: Alan Hall, Series Producer, Prospero, Fremantle, WA [email protected] Outback Opal Hunters, Series 3, Discovery Channel Post Producer September - December 2019 Prospero Productions, Fremantle, Australia (Remote contract from Tauranga NZ) Ref: David Holroyd, Series Producer, Prospero, Fremantle, WA [email protected] The Making of Crossroads Maldives, History Channel Post Producer June 2019 - September 2019 IFA Media, Singapore (Remote contract from Dunedin, NZ) Ref: Joe Evans, Executive Producer, IFA Media [email protected] My Lottery Dream -
MDS Games Schedule V2.Indd
NZGDA CONFERENCE PROGRAMME 10AM SATURDAY 19 MAY 2012 LEVEL 16, MEDIA DESIGN SCHOOL 92 ALBERT STREET, AUCKLAND This programme may change and was last updated on 2 May LEVEL 16 LEVEL 14 LEVEL 17 9.00am REGISTRATION - Media Design School Foyer 10.00am Welcome – Mario Wynands Living The Dream and Enduring 10.20am The Nightmare (It’s Tough Being Indie) – Alex Amstel 11.00am Making More Awesomeness 15 years/9 lessons – Ninja Kiwi Panel Autodesk Character Animation – Mario Wynands Made Easy 11.30am Interactive Narrative – Edwin Mcrae 12.00pm Touch Happy HTML5 Games <3 Getting your First Investor Making Games with Gamefroot Windows 8 – Nigel Parker – Mitch Olson – Dan Milward 12.30pm LUNCH BREAK - Lunch not supplied Servers for Indie Game Devs Making a BAFTA winning iPad 2.00pm Staying Agile – Gustav Seymore – Thomas Middeldorp game – Druhin Mukherjee 2.30pm Designing for High Impact Build a Business Not an App Sometimes it’s Fun to Hit Things – Jonathan Rogers – Tuyen Nguyen & Victoria Mackinlay With a Stick – Eric Oloffson 3.00pm Metrics That Keep You Up At Night Inside Sparx – Serious Games Decision Structures in Tech/Skill – Nick Willis – Maru Nihoniho Trees – Carl De Visser 3.30pm Better Living Through Games Artists and Programmers: The Building Believable Characters – Tim Nixon Missing Link – Antonio Lattanzio – Mike Porter 4.00pm Powering Games with Amazon Advergaming and Licensing WebGL for Fun and Profi t Web Services – Adrian White – Ben Dellaca – Danu Abeysuriya 4.30pm Amazon Startup Pitch Session AFTERNOON TEA 5.00pm How to Make Your Robot Unicorn Attack – Jeff Olsen 5.30pm NZGDA – Stephen Knightly 5.45pm Prizes and Announcements – Frances Valintine 6.00pm DRINKS & NETWORKING - The Corporate Box, Ground Floor Proudly sponsored by: SPEAKERS ALEX AMSEL JEFF OLSON – KEYNOTE SPEAKER – KEYNOTE SPEAKER Tuna Adult Swim Games Alex Amsel is an award nominated video games Jeff Olsen is the Vice President of Adult Swim Digital developer, digital and social media consultant, and and spearheaded the creation of Adult Swim Games. -
The Human Planet
INTRODUCTION: THE HUMAN PLANET our and a half billion years ago, out of the dirty halo of cosmic dust left over from the creation of our sun, a spinning clump of minerals F coalesced. Earth was born, the third rock from the sun. Soon after, a big rock crashed into our planet, shaving a huge chunk off, forming the moon and knocking our world on to a tilted axis. The tilt gave us seasons and currents and the moon brought ocean tides. These helped provide the conditions for life, which first emerged some 4 billion years ago. Over the next 3.5 billion years, the planet swung in and out of extreme glaciations. When the last of these ended, there was an explosion of complex multicellular life forms. The rest is history, tattooed into the planet’s skin in three-dimensional fossil portraits of fantastical creatures, such as long-necked dinosaurs and lizard birds, huge insects and alien fish. The emergence of life on Earth fundamentally changed the physics of the planet.1 Plants sped up the slow 1 429HH_tx.indd 1 17/09/2014 08:22 ADVENTURES IN THE ANTHROPOCENE breakdown of rocks with their roots, helping erode channels down which rainfall coursed, creating rivers. Photosynthesis transformed the chemistry of the atmosphere and oceans, imbued the Earth system with chemical energy, and altered the global climate. Animals ate the plants, modifying again the Earth’s chemistry. In return, the physical planet dictated the biology of Earth. Life evolves in response to geological, physical and chemical conditions. In the past 500 million years, there have been five mass extinctions triggered by supervolcanic erup- tions, asteroid impacts and other enormous planetary events that dramatically altered the climate.2 After each of these, the survivors regrouped, proliferated and evolved.