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2021 Prime Time for Real-Time Report from ACI Worldwide And
March 2021 Prime Time For Real-Time Contents Welcome 3 Country Insights 8 Foreword by Jeremy Wilmot 3 North America 8 Introduction 3 Asia 12 Methodology 3 Europe 24 Middle East, Africa and South Asia 46 Global Real-Time Pacific 56 Payments Adoption 4 Latin America 60 Thematic Insights 5 Glossary 68 Request to Pay Couples Convenience with the Control that Consumers Demand 5 The Acquiring Outlook 5 The Impact of COVID-19 on Real-Time Payments 6 Payment Networks 6 Consumer Payments Modernization 7 2 Prime Time For Real-Time 2021 Welcome Foreword Spurred by a year of unprecedented disruption, 2020 saw real-time payments grow larger—in terms of both volumes and values—and faster than anyone could have anticipated. Changes to business models and consumer behavior, prompted by the COVID-19 pandemic, have compressed many years’ worth of transformation and digitization into the space of several months. More people and more businesses around the world have access to real-time payments in more forms than ever before. Real-time payments have been truly democratized, several years earlier than previously expected. Central infrastructures were already making swift For consumers, low-value real-time payments mean Regardless of whether real-time schemes are initially progress towards this goal before the pandemic immediate funds availability when sending and conceived to cater to consumer or business needs, intervened, having established and enhanced real- receiving money. For merchants or billers, it can mean the global picture is one in which heavily localized use time rails at record pace. But now, in response to instant confirmation, settlement finality and real-time cases are “the last mile” in the journey to successfully COVID’s unique challenges, the pace has increased information about the payment. -
Coronavirus Politics
Coronavirus The Comparative Politics Politics and Policy of COVID-19 EDITED BY Scott L. Greer, Elizabeth J. King, Elize Massard da Fonseca, and André Peralta-Santos Coronavirus PolitiCs Coronavirus PolitiCs The Comparative Politics and Policy of COVID-19 Scott L. Greer, Elizabeth J. King, Elize Massard da Fonseca, and André Peralta-Santos, Editors University of Michigan Press ann arbor Copyright © 2021 by Scott L. Greer, Elizabeth J. King, Elize Massard da Fonseca, and André Peralta- Santos Some rights reserved This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 Interna- tional License. Note to users: A Creative Commons license is only valid when it is applied by the person or entity that holds rights to the licensed work. Works may contain components (e.g., photo graphs, illustrations, or quotations) to which the rightsholder in the work cannot apply the license. It is ultimately your responsibility to inde penden tly evaluate the copyright status of any work or component part of a work you use, in light of your intended use. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ For questions or permissions, please contact um . press . perms@umich . edu Published in the United States of Amer i ca by the University of Michigan Press Manufactured in the United States of Amer i ca Printed on acid-f ree paper First published April 2021 A CIP cata log rec ord for this book is available from the British Library. Library of Congress Cataloging-i n-P ublication data has been applied for. -
ASEAN+3 and COVID-19: Panoply of Pandemic Policies Korea
Contents Brunei Darussalam ............................................................................................................................. 1 Cambodia ........................................................................................................................................... 7 China ................................................................................................................................................ 23 Hong Kong, China ............................................................................................................................ 26 Indonesia .......................................................................................................................................... 50 Japan ................................................................................................................................................ 61 ASEAN+3 and COVID-19: Panoply of Pandemic Policies Korea ................................................................................................................................................ 66 (Since February 1, 2020) Lao PDR ........................................................................................................................................... 76 Malaysia ........................................................................................................................................... 81 Myanmar .......................................................................................................................................... -
Growth, Poverty Reduction, and Inequality
32691 At the Frontlines of Public Disclosure Authorized Development Reflections from the World Bank Public Disclosure Authorized Public Disclosure Authorized EDITED BY INDERMIT S. GILL & TODD PUGATCH Public Disclosure Authorized THE WORLD BANK At the Frontlines of Development Reflections from the World Bank At the Frontlines of Development Reflections from the World Bank Edited by Indermit S. Gill and Todd Pugatch Washington, D.C. © 2005 The International Bank for Reconstruction and Development / The World Bank 1818 H Street, NW Washington,DC 20433 Telephone 202-473-1000 Internet www.worldbank.org E-mail [email protected] All rights reserved. 123408070605 The findings, interpretations, and conclusions expressed herein are those of the author(s) and do not necessarily reflect the views of the Board of Exec- utive Directors of the World Bank or the governments they represent. The World Bank does not guarantee the accuracy of the data included in this work.The boundaries, colors, denominations, and other informa- tion shown on any map in this work do not imply any judgment on the part of the World Bank concerning the legal status of any territory or the endorsement or acceptance of such boundaries. Rights and Permissions: The material in this work is copyrighted. Copying and/or transmitting portions or all of this work without permission may be a violation of applicable law.The World Bank encourages dissemination of its work and will normally grant permission promptly. For permission to photocopy or reprint any part of this work, please send a request with complete information to the Copyright Clearance Center, Inc., 222 Rosewood Drive, Danvers, MA 01923, USA, telephone 978-750-8400, fax 978-750-4470, www.copyright.com. -
CHINA DAILY for Chinese and Global Markets
OLD MOBILES CHANCE RELATIONS LOTUS FROM SPACE Outlining the high stakes Flower seeds made Showroom opening to attract > p13 in future China-US ties a tour beyond Earth buyers of hand-assembled cars > ACROSS AMERICA, PAGE 2 > CHINA, PAGE 7 WEDNESDAY, June 19, 2013 chinadailyusa.com $1 The ‘Long March’ to Tinseltown By LIU WEI in shanghai “It is a long way to go,” he [email protected] says, “but I believe as the Chi- nese = lm market keeps growing The next Kung Fu Panda so fast, it is totally possible that will be the brainchild of both Chinese capital will hold shares American and Chinese film- in the major six Hollywood stu- makers and production will dios. It is just a matter of time.” start in August, says Peter Li, China’s Wanda Cultural managing director of China Group is one of the pioneers Media Capital, co-investor of in this process. In 2012 Wanda Oriental DreamWorks, a joint acquired AMC, the second venture with DreamWorks largest theater chain in North Animation. America, for $2.6 billion. CMC co-founded Oriental What Ye Ning, the group’s DreamWorks in 2012 with vice-president, has learned DreamWorks, Shanghai Media from the following integration Group and Shanghai Alliance is, = rst of all, trust and respect. Investment, with the aim of “The managing team of CHARACTER BUILDING producing and distributing ani- AMC was worried that we mated and live-action content would send a group of yellow PHOTO BY SUN CHENBEI / CHINA DAILY for Chinese and global markets. faces to replace them,” Ye says, From le : Li Xiaolin, president -
To the Pandemic Cases of China, Iran, Russia, Belarus and Hungary
AUTHORITARIAN RESPONSE TO THE PANDEMIC CASES OF CHINA, IRAN, RUSSIA, BELARUS AND HUNGARY Edited by Vladislav Inozemtsev AUTHORITARIAN RESPONSE TO THE PANDEMIC CASES OF CHINA, IRAN, RUSSIA, BELARUS AND HUNGARY FREE RUSSIA FOUNDATION JUNE, 2020 Free Russia Foundation Editor Vladislav Inozemtsev Authors Elizabeth Chen Clément Therme Vladislav Inozemtsev Arseny Sivitsky Bálint Madlovics Proofreading Courtney Dobson, Blue Bear Editing Layout Free Russia Designs CONTENTS Introduction 5 Elizabeth Chen. China 7 Clément Therme. Iran 27 Vladislav Inozemtsev. Russia 38 Arseny Sivitsky. Belarus 58 Bálint Madlovics. Hungary 77 Conclusion 94 economic disruptions; China’s GDP contracted by 6.8% INTRODUCTION in the first quarter;6 all major airlines cut up to 90% of their regular flights by April 1;7 the American economy virtually stalled with 38.6 million jobless by the end of 8 The global pandemic caused by a coronavirus, May. In June 2020, the IMF predicted that the American widely known as COVID-19, officially broke out in the economy would contract by 5.9% in 2020 and the EU 9 city of Wuhan in China in late 2019, but most probably it projection stood at 6.7%. While it is difficult to calculate originated from the Chinese Academy of Sciences’ Wu- the overall economic effect of the crisis, even the most conservative estimates begin at $6 trillion with an addi- han-based Institute of Virology1 aauthorized to conduct the most sophisticated experiments with different viruses. tional $15 trillion in assets expected to evaporate due to It is also widely believed that the outbreak started three the declining prices of stocks, real estate, and produc- to four months before it was confirmed by the Chinese of- tion facilities. -
Annual Report 2020 Central Bank of the Republic of China (Taiwan)
Annual Report 2020 Central Bank of the Republic of China (Taiwan) Taipei, Taiwan Republic of China Foreword Chin-Long Yang, Governor Looking back on 2020, it started with an outbreak of the coronavirus COVID-19 that quickly spread out and wreaked havoc on the global economy and world trade. Hampered by the resulting demand weakness both at home and abroad, Taiwan's economic growth slowed to 0.35% in the second quarter, the lowest since the second quarter of 2016. However, the pace picked up further and further in the latter half of the year amid economic reopening overseas and the introduction of consumption stimulus policies domestically. The annual growth rate of GDP reached 5.09% in the fourth quarter, the highest since the second quarter of 2011. For the year as a whole, the economy expanded by 3.11%, also higher than the past two years. Similarly, domestic inflation was affected by the pandemic as softer international demand for raw materials dragged down energy prices and hospitality services (such as travel and hotels) launched promotional price cuts. The annual growth rate of CPI dropped to -0.23%, the lowest since 2016, while that of the core CPI (excluding fruit, vegetables, and energy) fell to 0.35%, a record low unseen for more than a decade. Faced with the unusual challenges posed by pandemic-induced impacts on the economy and the labor market, the Bank reduced the policy rates by 25 basis points and rolled out a special accommodation facility worth NT$200 billion to help SMEs obtain funding in March, followed by an expansion of the facility to NT$300 billion in September. -
2021Q1 English Financial Report
POYA INTERNATIONAL CO., LTD. FINANCIAL STATEMENTS AND INDEPENDENT AUDITORS’ REVIEW REPORT MARCH 31, 2021 AND 2020 ------------------------------------------------------------------------------------------------------------------------------------ For the convenience of readers and for information purpose only, the auditors’ report and the accompanying financial statements have been translated into English from the original Chinese version prepared and used in the Republic of China. In the event of any discrepancy between the English version and the original Chinese version or any differences in the interpretation of the two versions, the Chinese-language auditors’ report and financial statements shall prevail. ~1~ INDEPENDENT AUDITORS’ REVIEW REPORT TRANSLATED FROM CHINESE To the Board of Directors and Shareholders of POYA International Co., Ltd. Introduction We have reviewed the accompanying balance sheets of POYA International Co., Ltd. as at March 31, 2021 and 2020, and the related statements of comprehensive income, of changes in equity and of cash flows for the three-month periods then ended, and notes to the financial statements, including a summary of significant accounting policies. Management is responsible for the preparation and fair presentation of these financial statements in accordance with the Regulations Governing the Preparation of Financial Reports by Securities Issuers and International Accounting Standard 34, “Interim Financial Reporting” as endorsed by the Financial Supervisory Commission. Our responsibility is to express a conclusion on these financial statements based on our reviews. Scope of Review We conducted our reviews in accordance with the Statement of Auditing Standards No. 65, “Review of Financial Information Performed by the Independent Auditor of the Entity” in the Republic of China. A review of financial statements consists of making inquiries, primarily of persons responsible for financial and accounting matters, and applying analytical and other review procedures. -
Engagement Paper for Hybrid Format Film Meat
Engagement Paper for Hybrid Format Film Meat A Thesis Submitted to the Faculty of Graduate Studies and Research In Partial Fulfillment of the Requirements For the Degree of Master of Fine Arts in Media Production University of Regina By Xin Shen Regina, Saskatchewan March, 2017 Copyright 2016: X. Shen i UNIVERSITY OF REGINA FACULTY OF GRADUATE STUDIES AND RESEARCH SUPERVISORY AND EXAMINING COMMITTEE Xin Shen, candidate for the degree of Master of Fine Arts in Media Production, has presented a thesis titled, Engagement Paper for Hybrid Format Film Meat, in an oral examination held on December 15, 2016. The following committee members have found the thesis acceptable in form and content, and that the candidate demonstrated satisfactory knowledge of the subject material. External Examiner: *Dr. Shannon Walsh, University of British Columbia Co-Supervisor: Prof. Gerald Saul, Department of Film Co-Supervisor: Prof. Mark Wihak, Department of Film Committee Member: Dr. Christine Ramsay, Department of Film Committee Member: **Dr. Christina Stojanova, Department of Film Chair of Defense: Dr. Troni Grande, Department of English *Via videoconference **Not present at defense Abstract After having suffered the pressure of being a single woman at the age of twenty-five when I was in China, I have made a hybrid format short film Meat to remember my personal experience as being a sheng nu (left-over woman). This engagement paper puts Meat into a theoretical, historical, and personal context. Through the personal-experience-based story, a sheng nu’s relationship with the society and her family will be explored, in an attempt to analyze the social, historical and political problems, faced by single Chinese women during this decade. -
Portlanders Push Back Cops, Fascists Pellerin, a Black Man, Was on Foot
La oficina de correos 12 Workers and oppressed peoples of the world unite! workers.org Vol. 62 No. 35 Aug. 27, 2020 $1 RESIST KILLER COPS! editorial Abolish the police The recent Republican convention—led by the white-supremacist-in-chief, current U.S. president and enemy of the people— rallied its troops with racist scare tactics about “civil unrest” by Black Lives Matter protest- ers and left-wing activists. The Democratic convention offered an alternative, but not a solution. This party nominated for U.S. presi- dent one of the main authors of a 1994 tough-on-crime bill that wound up sentencing a hugely disproportion- ate number of Black and Brown people to jail. For vice president, the Democrats nominated a former California attorney general who self-describes as “top cop.” Meanwhile, in the few days between the two conven- tions, the cops of racist “law enforcement”— the struc- Portland, Ore., Aug. 18. PHOTO: MATTHIEU LEWIS-ROLLAND ture of policing that protects the interests of the U.S. billionaire ruling class—continued to gun people down. On Aug. 22, cops shot Trayford Pellerin dead in the streets of Lafayette, La., right in his own neighborhood. Portlanders push back cops, fascists Pellerin, a Black man, was on foot. His family pointed out the contrast between their loved one’s fate and that By Joshua Hanks time. Originally concentrated downtown across from a of a white man arrested recently by Lafayette cops with- Portland, Ore. federal courthouse and the headquarters of PPB – which out injury, despite his being armed with a gun and driv- also houses the county jail – protests have since fanned ing a stolen car. -
Negotiating Transnational Collaborations with the Chinese Film Industry
University of Wollongong Research Online University of Wollongong Thesis Collection 2017+ University of Wollongong Thesis Collections 2019 Negotiating Transnational Collaborations with the Chinese Film Industry Kai Ruo Soh University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses1 University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Soh, Kai Ruo, Negotiating Transnational Collaborations with the Chinese Film Industry, Doctor of Philosophy thesis, School of the Arts, English and Media, University of Wollongong, 2019. -
DOSSIER DE PRESSE 2Ème EDITION FESTIVAL DU CINEMA CHINOIS EN FRANCE 第二届法国中国电影节
DOSSIER DE PRESSE 2ème EDITION FESTIVAL DU CINEMA CHINOIS EN FRANCE 第二届法国中国电影节 FCCF : L’EVENEMENT INCONTOURNABLE DU CINEMA CHINOIS EN FRANCE Organisé par l’Administration d’Etat de la Radiodiffusion, du Cinéma et de la Télévision de Chine ( SARFT ) et son Bureau du Film, le Ministère de la Culture de Chine , l’Ambassade de Chine en France et le Centre Culturel de Chine à Paris, ainsi qu’avec le précieux soutien du Groupe Pathé et de son co-Président Jérôme Seydoux , le Festival du Cinéma Chinois en France (FCCF) a pour objectifs de : Faire découvrir toute la diversité du cinéma chinois au public français Le FCCF a pour but de faire connaître en France le formidable essor du cinéma chinois d’aujourd’hui (fin 2010 à 2012) et à travers lui, la richesse et la complexité de cette Chine en pleine mutation. Le public pourra découvrir une programmation riche et diversifiée : blockbusters, films d’auteur, comédies romantiques, mélodrames, films d’action et d’animation. Elle comprendra 10 films de fiction inédits en France , dont des œuvres réalisés par John Woo , Jackie Chan , Zhang Yimou ou Gu Changwei ; interprétés aussi bien par des acteurs inconnus en France que par les stars internationales telles Gong Li, Zhang Ziyi, Tony Leung, Michelle Yeoh ou Jackie Chan. La sélection sera également composée de 4 films d’animation produits par les Studios de Shanghai , notamment la version en 3D du « Roi Singe », adaptée à partir de la version originale de 1965 de Wan Laiming , chef d’œuvre de l’animation mondiale . Promouvoir les échanges cinématographiques et les projets franco-chinois Créé suite à la signature de l’accord de coproduction cinématographique franco-chinois en avril 2010 (à l’occasion du voyage officiel du Président de la République française en Chine), le FCCF a pour vocation de renforcer les partenariats et les collaborations dans les domaines du cinéma et de l’audiovisuel.