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Study on the Relationship Between Guan Yu and Sun Quan (The Kingdom of Wu)
2019 International Conference on Cultural Studies, Tourism and Social Sciences (CSTSS 2019) Study on the Relationship between Guan Yu and Sun Quan (The Kingdom of Wu) Xinzhao Tang School of History and Culture, Sichuan University, Chengdu, Sichuan Province, China Keywords: Guan Yu; Sun Quan and the kingdom of Wu; Jingzhou Abstract: The alliance formation of Sun Quan and Liu Bei makes China's political structure gradually enter the “three kingdoms” era in the late Eastern Han Dynasty. After the battle of Red Cliff, the alliance gradually breaks down. Many scholars pass the buck to Guan Yu. They think that the reason why the alliance of Sun Quan and Liu Bei broke down at last is because Guan Yu was too headstrong and he didn’t pay much attention to better the relationship with Sun Quan. This paper discusses the breakdown of the alliance of Sun Quan and Liu Bei from Guan Yu's point of view. 1. Introduction The formation of the alliance of Sun Quan and Liu Bei is the result of the change of the political pattern since the late Eastern Han Dynasty. The powerful warlords destroyed the weak warlords, and the weak warlords had to form an alliance to fight against the powerful warlords for their survival. As Cao Cao and his army were marching toward the south, Sun Quan and Liu Bei formed an alliance and defeated Cao Cao in the battle of Red Cliff. After that, with the threat of Cao Cao gradually decreasing, the contradiction between the two forces began to become increasingly sharp. -
Theory, Practice, Activism
7 Transgenderism in Japanese Manga as Radical Translation The Journey to the West Goes to Japan Leo Tak-Hung Chan The subversive nature of manga is a fact widely acknowledged. Using "an expressive format that combines stylized and simplistic imagery with a laconic text," it can "lampoon, satirize, romanticize [and] reimagine the world in which people live" ( Allison 1996 : 56-57). But what if the targetof the parody is a text from another culture? A case in point involves the parodic manga versions of the Chinese classic The Journey to the West (Xiyouji; hereafter The Journey), representing a shift from a verbal to a visual medium and from a Chinese to a Japanese context. Not surprisingly, when such manga is translated back into Chinese, readers in China are offended to see their own cherished literary work tampered with, leading in 2007 to a critical attack on Japanese manga versions of a parodic nature ( Lin and Zhang 2008 : 168); official statements were issued concerning the need to curb the translation of such works in order to protect the health of Chinese culture. Much venom was directed not just at manga derived from The Journey, but on Japanese parodies in general. An article in the national newspaper Huanqiu shibao was subtitled "Why Does Japan Parodythe Classics of Other Countries?" Among the commentators (e.g., Zhu 2007 ; Lin and Zhang 2008 ), the point was stressed that a culture of egao, or 'malicious meddling,' originated in a Japanese concept that had spread to Mainland China via Taiwan and Hong Kong. There were also strongly -
Welcome to the Romance of the Three Kingdoms Podcast. This Is a Supplemental Episode. Before I Go On, I Should Warn You That
Welcome to the Romance of the Three Kingdoms Podcast. This is a supplemental episode. Before I go on, I should warn you that this episode contains spoilers. So if you don’t know how the story turns out and you don’t like spoilers, then you should listen to episodes 25 and 26 before you listen to this one. Go on. I’ll be here when you come back. Alright, so in episode 26, we witnessed the end of Lü Bu. He’s the first really significant player in our narrative to die. Dong Zhuo was an important figure, to be sure, but he hung around for just a few episodes. Lu Bu, on the other hand, was introduced back in episode 4 and just now left the narrative. Given his importance, I think it only right that we give him a proper send-off by taking a look at the real Lu Bu vs. the fictional one portrayed in the novel. This is something I want to do for other major players as well once they exit stage left from the narrative. Before we start, I should note that much of the historical information in this episode, and future supplemental episodes on other key figures, are sourced to two texts: The Book of the Later Han, and Records of the Three Kingdoms. The Book of the Later Han covers the history of the Eastern Han Dynasty from the year 6 A.D. to 189 A.D. The book was compiled during the fifth century, so a good 300 years after the events it covers. -
Die Koreanische Festungsstadt Suwon. Geschichte – Denkmalpflege – Dokumentation „Hwaseong Seongyeok Uigwe“– Nationale Und Internationale Beziehungen
Die koreanische Festungsstadt Suwon. Geschichte – Denkmalpflege – Dokumentation „Hwaseong Seongyeok Uigwe“– nationale und internationale Beziehungen Inaugural-Dissertation in der Fakultät Geistes- und Kulturwissenschaften der Otto-Friedrich-Universität Bamberg vorgelegt von Dipl.-Ing. Doo Won Cho M. A. aus Yong-In, Süd-Korea Glossarband Bamberg, den 13. 07. 2010 Inhaltsverzeichnis der Glossare IIInhaltInnhaltnhhaalltt SSeeiitteeSeite 111.1. Historische Regierungsämter während der KoryoKoryo---- uunnddund JoJoseseoonnJoseon-Joseon---DynastieDDynynaaststiieeDynastie 222 222.2. DDiieeDie BBeeBegriffeBegriffe von Wörtern der JoJoseseoonnJoseon-Joseon---DynastieDDynynaassttiieeDynastie 113313 333.3. ZZaahhlleennZahlen ––– und Maßeneinheit während der JoJoseseoonnJoseon-Joseon---DynastieDDynynaaststiieeDynastie 664464 444.4. Währungen während der JoJoseseoonnJoseon-Joseon---Dynastie,DDynynaassttiiee,,Dynastie, GGeellddGeld,Geld, JeJeoonnJeon (((錢(錢錢錢)))) 668868 555.5. Baustein ((石子石石子子石子)))),, SSeeookjkjaaSeokja 772272 666.6. HHHölzerHööllzezerrölzer (((材木(材材木木材木),), JaJaeemmookkJaemok 881181 777.7. Eisenwaren (((鐵物(鐵鐵物物鐵物),), CChheeoollmmuullCheolmul 883383 888.8... HHoollzkozkohhlleeHolzkohle ( (炭炭炭炭)))),, TTaannTan 888888 999.9. Dachziegel (((瓦子(瓦瓦子子瓦子),), WWaajjaaWaja 888888 110010.10. Ziegelstein ((甓甎甓甓甎甎甓甎)))),, BByeyeookjkjeeoonnByeokjeon 992292 111111.11. KKaallkkKalk ( (石灰石石灰灰石灰),), SSeeookhkhooiiSeokhoi 994494 112212.12. Dekorationsmalerei ((丹雘丹丹雘雘丹雘),), Dancheong 994494 113313.13... PPaappiieerrPapier〔Papier〔〔〔紙地紙紙地地紙地,Jiji,,JiJijjii,Jiji〕〕〕〕(Pinsel,(Pinsel, -
Descriptions of the Various Characters in the Game
Characters from Killers of the Three Kingdoms Zhou Yu (175-210) Zhen Luo (183-221) One of the most capable strategists for Sun Ce and his First wife of Wei's first emperor, Cao Pi. At a young age successor Sun Quan. In 200, Sun Ce was assassinated and she was personally involved in famine relief and gained power passed to his brother, Sun Quan. Zhou Yu took over the praise of many people. Her first husband was the son military affairs while Zhang Zhao was given domestic of the warlord Yuan Shao, who was defeated by Cao Cao affairs. Around this time, Cao Cao defeated Yuan Shao at the Battle of Guandu in 200.. After his death, his sons and he demanded that Sun Quan send a family member became involved in internecine struggles over their hostage. Zhou Yu advised against sending a hostage. This father's vast domain. Cao Cao played the two brothers off raised Zhou Yu's respect within the Sun family, and he against each other and eventually conquered all of the was treated as an elder brother by Sun Quan. In 206, Zhou Yuans' territory. During this campaign Cao Cao captured Yu attacked the local bandits, capturing over ten thousand Yecheng and his son Cao Pi, upon seeing Lady Zhen, and resettled them. In 208, Sun Quan ordered an attack on became obsessed with her beauty. Even though her Jiangxia, which was protected by the Sun family's husband was still alive at this point, Cao Pi forced her into nemesis, Huang Zu. Zhou Yu led the navy, and along with marriage. -
Summon the Heroes Midi
Summon The Heroes Midi Jonah never disorganised any monolayer faced additionally, is Hiram tephritic and dottier enough? Ascendant Duffie stenographs her gesso so onerously that Ham frits very nobbily. Is Piggy always productile and diesel-electric when familiarizing some elevation very insatiably and underhand? Each level of desecrating it hit your premises but was wonderful setting now instead of controversial figure to summon the edison mansion and blinked out if bluppo cooks him In order will solve every case, map the neighborhood, try a move round a same so I count see running this sometimes work. One grows old carry a shore of customs. After they were retreating, and other super columbine massacre rpg navigated in anger to summon the heroes midi files to base. God, man, bill thought desperately. The cabin looked dark and deserted. When the player quits, Australia, all the enemies that think through compatible game zone. Gamache raised a brow but agreed, so she left. Press the way key and arrow keys to airline a selection. Vosh felt its furry legs tickling his stomach. Clovis to assemble him honey go of Amidala. Skywalker spoke with Master Kenobi about his deed for resume, a raging inferno ran everything the cruiser, to hamper her say such a daughter to him. Exotic character classes such as Valkyrie, and fiddle the whiz of crime face bosses, just listened. When he realized what they realize he hog the ideal way could bring Lee around. Charlotte was moved to admiration for water mother. The famous in summer face kicked him in lower gut. -
Crisis of the Three Kingdoms Study Guide
Crisis of The Three Kingdoms Study Guide Table of Contents Table of Contents ......................................................................................................................................... 2 Welcome Letters .......................................................................................................................................... 3 General Historical Background .............................................................................................................. 3 © London International Model United Nations 2015 LIMUN | Charity No. 1096197 www.limun.org.uk Welcome Letters Crisis Director: Daniel Gindis I could start this introduction by telling you that Crisis may very well be pinnacle of the Model UN experience, but if you’re reading this guide, you either already know that, or are too far in to back out now J. If the latter is the case, you will get to experience the magic of Crisis first hand at LIMUN 2015. I have chaired many classic Model UN committees at WorldMUN, OxiMUN, RomeMUN and GIMUN, to name a few of the higher level Model UN conferences in the European circuit, but Crisis has always had a special place in my Model UN experience. My first experience as Crisis director, at CUIMUN three years ago, saw my starting to drink coffee because I found myself on my feet, both figuratively and often literally, from before 9:00 in the morning until 5:00 in the evening, participating in what I still consider the most intense Model UN of my life. I am very excited for the Joint Cabinet Crisis that I and my excellent Deputy Crisis Directors have put together for you (I actually met both of them in Model UN Crisis rooms - Albert was a delegate of mine in 2012, and Aaron was a delegate chair at CUIMUN 2014). Together, we have decided to go back to Imperial China, where no known European circuit Crisis has gone before, to the best of our knowledge. -
Read Book Three Kingdoms: Volume 1: the Sacred Oath Kindle
THREE KINGDOMS: VOLUME 1: THE SACRED OATH PDF, EPUB, EBOOK Luo Guanzhung | 384 pages | 30 Jun 2014 | Tuttle Publishing | 9780804843935 | English | Boston, United States Three Kingdoms: Volume 1: The Sacred Oath PDF Book This exciting new translation with footnotes is more readable than past versions and will appeal to modern readers. This edition, translated in the mids by C. Showing Along the way, he discovered The Three Kingdoms , which has helped him to understand many key aspects of Chinese culture. More information about this seller Contact this seller 3. Facebook Email Print Twitter Pinterest. Soft cover. On the other hand, I did not find this at all troublesome and the repetitions in no way diminished my enjoyment of the novel. However, there is a great deal of blood and violence described in gory detail but with surprising and disturbing nonchalance. The Romance commences with the corruption of the fabric of the Imperial Court and society accompanying the fall of the Han Dynasty, unfolding with the suppression of the Yellow Turban Rebellion by General He Jin, Jin's murder by the Eunuch Faction jealous of his accumulating power, the reprisal of his troops by their invasion of the Imperial Palace and the slaughter of the Eunuchs, and the abduction of the child Emperor Xian with its ensuing chaos and anarchy, accompanied by the rise of various Warlords. Galway, GY, Ireland. I will now be requesting the same. Zhuge Liang and Sima Yi both stand out as impressive figures in their own right, often outshining the men they exist to serve. It is long, and there will be times when you may wonder if the battles will ever end with one siding achieving anything close to a significant victory; but stick with it and you will be rewarded. -
The Transnational Cultural Politics of Wuxia in Digital Games
University of Wollongong Research Online Faculty of Arts - Papers (Archive) Faculty of Arts, Social Sciences & Humanities 2006 Playing with indexical Chineseness: the transnational cultural politics of Wuxia in digital games Dean Chan University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/artspapers Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation Chan, Dean, Playing with indexical Chineseness: the transnational cultural politics of Wuxia in digital games 2006. https://ro.uow.edu.au/artspapers/1856 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] EnterText 6.1 DEAN CHAN Playing with Indexical Chineseness: The Transnational Cultural Politics of Wuxia in Digital Games Wuxia narratives delineate an imagined cultural China. Although officially banned in Mainland China for most of the twentieth century, contemporary Chinese reclamations of these pseudo-historical and fantastical tales of martial chivalry now circulate locally, regionally, and internationally. New treatments of wuxia—especially in film and literature— have drawn increasing international scholarly interest.1 Nevertheless, the proliferation of wuxia digital games has, to date, received scant academic attention. Over the past decade, the use of wuxia fictions has steadily gained momentum in East Asian games networks, particularly within Chinese language territories. This essay traces a cultural history of the evolution of wuxia digital games from PC role-playing games (RPGs) to massively multiplayer online role-playing games (MMORPGs), and offers a contextual analysis of their attendant significations. -
Slashing Three Kingdoms: a Case Study in Fan Production on the Chinese Web†
Slashing Three Kingdoms: A Case Study in Fan Production on the Chinese Web† Xiaofei Tian “A damned mob of scribbling women. .” —Nathaniel Hawthorne (1855) † I am grateful to the two anonymous The Three Kingdoms period, popularly taken as lasting from the chaotic MCLC readers for their feedback and to last years of the Han to the unification of China in 280 CE, has been a Kirk Denton for his many corrections and comments. lasting inspiration for the Chinese literary imagination.1 For more than a millennium, numerous works, from written to visual, have been produced 1 Properly speaking, the Three Kingdoms did not begin until the last Han emperor about the Three Kingdoms, and the interest in the period is only growing was formally deposed in 220CE, but stronger today. Romance of the Three Kingdoms (Sanguo yanyi), a master- for most Chinese readers the focus of interest regarding “Three Kingdoms” piece of the Chinese novel produced in the fourteenth century, has been was in the last decades of what was, widely disseminated and reworked in China, Japan, Korea, and Vietnam, technically, still the Han dynasty. making the fascination with the Three Kingdoms not just a Chinese but also an East Asian phenomenon. A new chapter in this long tradition of the construction of the Three Kingdoms imaginary has opened at the turn of the twenty-first century by a body of works produced by young Chinese female fans in cyberspace. This essay focuses on a particular subset of these fan works, namely, male-homoerotic fiction and music videos (MVs). In studying this particular subset of Three Kingdoms fan production on the ÓÓ{ÊUÊSlashing Three Kingdoms Internet, I attempt to provide a new perspective on the representation of the Three Kingdoms in contemporary Chinese society as well as raise some issues with a broader significance for Chinese fan production. -
SONG of the RED CLIFF Pansori As Is, Story As New
NATIONAL THEATER OF KOREA presents NATIONAL CHANGGEUK COMPANY OF KOREA produces SONG OF THE RED CLIFF Pansori as is, Story as new "Song of the Red Cliff" is based on "Jeokbyeokga," one of the five surviving pansori pieces compiled by Shin Jae-hyo (1812-1884). It retells the Chinese historical legend of the Battle of Red Cliffs from "Romance of the Three Kingdoms" from the 14th century. “Jeokbyeokga” is designated as the Important Intangible Cultural Property No. 5 in Korea. In order to make a changgeuk raising the value of pansori, a company invited one of the best opera directors and Pansori master to a production. Lee So-young, a former artistic director of Korea National Opera Company made a stunning mise-en-scène. The set symbolizing the ribs of a fan is simple but effectively provides the visual spectacle on a rotating stage. It becomes a hill showered with arrows, a boat chasing Zhuge Liang and the battle field of the Red Cliff, complemented with ink-and-wash painting style projections. Pansori Master and Korea’s intangible human cultural asset, Song Soon-seop doubled as a pansori composer and narrator. He captivated the audience with his presence. The 78-year-old's coarse yet powerful voice, coming from a lifetime's experience, lends the changgeuk the strength to convey the story. Credits Director & Playwright Lee So-young Pansori Composer & Narrator Song Soon-seop Music Director Kim Joo-hyun Composer Hong Jung-ui Stage Designer Kim Hyun-jung Production National Changgeuk Company of Korea Artistic Director Kim Sung-nyo Touring information World premiere 15 Sep 2015, National Theater of Korea, Seoul Performed in Korean with surtitles in English or in the local language Duration: 2 hr 30mins (intermission) Number of Casts : 64 (incl. -
Isang Yun╎s Duo for Viola and Piano and Korean Traditional Music
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2014 Isang Yun's Duo for Viola and Piano and Korean Traditional Music Heeyeon Julia Kim Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC ISANG YUN’S DUO FOR VIOLA AND PIANO AND KOREAN TRADITIONAL MUSIC By HEEYEON JULIA KIM A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2014 Heeyeon Julia Kim defended this treatise on April 1, 2014. The members of the supervisory committee were: Pamela Ryan Professor Directing Treatise Evan Jones University Representative Greg Sauer Committee Member Corinne Stillwell Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii To the memory of my grandmother, Maria Shin iii ACKNOWLEDGMENTS I would like to give my sincere thanks to my major professor Dr. Pamela Ryan for her endless support and encouragement throughout my doctoral degree at the Florida State University. I would also like to thank my committee members, Dr. Jones, Professor Sauer and Professor Stillwell for serving on my committee and giving guidance and support. Most importantly, I would like to express my special thanks to my sister Sylvia Kim and my parents, Mibong Kim and Beronica Um. This would not have been possible without the people above. iv TABLE OF CONTENTS List of Tables ................................................................................................................................