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Wearing Our Identity – the First People's Collection
Wearing our Identity – The First People’s Collection Texts of the exhibition Table of content Introduction 2. Fashioning identity 2. 1 – Wearing who I am 3. 1.1 – Wearing where I come from 3. 1.2 – Wearing life’s passages 3. 1.3 – Wearing my family 6. 1.4 – Wearing my rank 7. 2 – Wearing our culture 10. 2.1 – Wearing our traditions 10. 2.2 – Wearing our legends 15. 2.3 – Wearing our present 16. 3 – Wearing our history 17. 3.1 – Wearing our honour 18. 3.2 – Wearing our struggles 20. 3.3 – Wearing our resilience 21. 4 – Wearing our beliefs 23. 4.1 – Wearing our universe 23. 4.2 – Wearing animal power 24. 4.3 – Wearing spiritual respect 25. 2 Wearing our Identity – The First People’s Collection © McCord Museum, 2013 0 – Introduction Wearing Our Identity The First Peoples Collection Questions of identity lie at the heart of many debates in today’s rapidly changing world. Languages and traditions are threatened with extinction. When this happens, unique knowledge, beliefs and histories are wiped out. First Peoples understand well the challenges and tensions that can erode a sense of self and belonging. Yet, they have shown remarkable resilience in both preserving ancient identities and forging new ones. Whether building on the rich textures of the past or fearlessly transforming contemporary fashion, First Nations, Inuit and Métis use clothing to communicate the strength and meaning of their lives. An exploration of First Peoples dress is a compelling and emotional experience – one that must follow interwoven threads of community and spirituality, resistance and accommodation, history and innovation. -
Cora Ginsburg Catalogue 2015
CORA GINSBURG LLC TITI HALLE OWNER A Catalogue of exquisite & rare works of art including 17th to 20th century costume textiles & needlework 2015 by appointment 19 East 74th Street tel 212-744-1352 New York, NY 10021 fax 212-879-1601 www.coraginsburg.com [email protected] NEEDLEWORK SWEET BAG OR SACHET English, third quarter of the 17th century For residents of seventeenth-century England, life was pungent. In order to combat the unpleasant odors emanating from open sewers, insufficiently bathed neighbors, and, from time to time, the bodies of plague victims, a variety of perfumed goods such as fans, handkerchiefs, gloves, and “sweet bags” were available for purchase. The tradition of offering embroidered sweet bags containing gifts of small scented objects, herbs, or money began in the mid-sixteenth century. Typically, they are about five inches square with a drawstring closure at the top and two to three covered drops at the bottom. Economical housewives could even create their own perfumed mixtures to put inside. A 1621 recipe “to make sweete bags with little cost” reads: Take the buttons of Roses dryed and watered with Rosewater three or foure times put them Muske powder of cloves Sinamon and a little mace mingle the roses and them together and putt them in little bags of Linnen with Powder. The present object has recently been identified as a rare surviving example of a large-format sweet bag, sometimes referred to as a “sachet.” Lined with blue silk taffeta, the verso of the central canvas section contains two flat slit pockets, opening on the long side, into which sprigs of herbs or sachets filled with perfumed powders could be slipped to scent a wardrobe or chest. -
Our First Two Big-Time Classes
Translate Latest news from Rittenhouse Needlepoint View this email in your browser May 2018 Newsletter In this Issue: 1. Our First Two Big Time Classes 2. News roundup 3. Thread of the Month: Stef Francis 12 Ply Silk 4. Stitch of the Month: Little Wavy 5. Notes on Needlepoint Our First Two Big-Time Classes Why do I say, "Our first two big-time classes?" Well, because this is the first time in the nearly ten years that we have been open that we will be bringing in professional teachers to our store to teach. And boy are we excited! First up is "78 Stitches, 78 Threads" with Ruth Dilts. This wonderful class is a crash-course in all things Rainbow Gallery. You know Rainbow Gallery threads. You've been using them forever. They are those threads that come on cards https://us2.campaign-archive.com/?e=[UNIQID]&u=9b9b7549e5c8f818070e0508c&id=d352853db8[6/26/2018 4:17:38 PM] and are on the ubiquitous spin racks found pretty much wherever needlepoint supplies are sold. True confession here -- I've been in the business for a while now and even I have trouble keeping all the names of their products straight in my mind so I can only imagine what a jumble it must be for people who don't handle them every day. Well, now is your chance to start untangling that confusing web. And best of all with this class you will end up with a permanent reference volume to take home with you so that in the future you need never be confused by the plethora of Rainbow Gallery options ever again. -
August 2021.Indd
Search Press Ltd August 2021 The Complete Book of patchwork, Quilting & Appliqué by Linda Seward www.searchpress.com/trade SEARCH PRESS LIMITED The world’s finest art and craft books ADVANCE INFORMATION Drawing - A Complete Guide: Nature Giovanni Civardi Publication 31st August 2021 Price £12.99 ISBN 9781782218807 Format Paperback 218 x 152 mm Extent 400 pages Illustrations 960 Black & white illustrations Publisher Search Press Classification Drawing & sketching BIC CODE/S AFF, WFA SALES REGIONS WORLD Key Selling Points Giovanni Civardi is a best-selling author and artist who has sold over 600,000 books worldwide No-nonsense advice on the key skills for drawing nature – from understanding perspective to capturing light and shade Subjects include favourites such as country scenes, flowers, fruit, animals and more Perfect book for both beginner and experienced artists looking for an inspirational yet informative introduction to drawing natural subjects This guide is bind-up of seven books from Search Press’s successful Art of Drawing series: Drawing Techniques; Understanding Perspective; Drawing Scenery; Drawing Light & Shade; Flowers, Fruit & Vegetables; Drawing Pets; and Wild Animals. Description Learn to draw the natural world with this inspiring and accessible guide by master-artist Giovanni Civardi. Beginning with the key drawing methods and essential materials you’ll need to start your artistic journey, along with advice on drawing perspective as well as light and shade, learn to sketch country scenes, fruit, vegetables, animals and more. Throughout you’ll find hundreds of helpful and practical illustrations, along with stunning examples of Civardi’s work that exemplify his favourite techniques for capturing the natural world. -
FURHTURE, TAPESTRY and EMBROIDERY of YESTERDAY AID TODAY MARLBOROUGH HOUSE Wednesday April 25™
ROYAL SCHOOL OF NEEDLEWORK Patron : H.M. QUEEN ELIZABETH THE QUEEN MOTHER LOAN EXHIBITION FURHTURE, TAPESTRY AND EMBROIDERY OF YESTERDAY AID TODAY MARLBOROUGH HOUSE Wednesday April 25™ TO Wednesday May 30™ PRICE 6 ° Ma r II)o ± ough ho use by Sir Owen Morshead. Whitehall Palace having been destroyed by fire in 1698, it was in St. James' Palace that Queen Anne set up her residence in 1702; and the Court of St. James' is still the term in official use to-day. Within a year she had created her Lord Privy Seal (John Sheffield) Duke of Buckingham, and he proceeded to erect for himself the big house looking down the length of the Mall which, rebuilt since, is known to us as Buckingham Palace. Shortly afterwards she allowed her Mistress of the Robes and close confidante, Sarah Duchess of Marlborough, to build the house in which the present exhibition is being held. From his campaign in the Low Countries the Duke had written to his wife: "You,know I never lik'd to build it at all. 'Tis not a proper Place for a great House. And I am sure," he added knowingly, "when you have built a little one you will not like it." The one which Sir Christopher Wren designed for her in 1709 is the present house minus the two top floors and certain additional rooms in the side wings. Built on so confined a site it has had to expand upwards, to the detriment of its appearance. The mettlesome Duchess was vexed by the inadequacy of its entrance from the street, and she resented too its domination by the houses in Pall Mall. -
The Connoisseur (Sir Gerald Ryan
1 TheConnoisseur An Illustrated Magazine For Collectors Edited by C. Reginald Grundy Vol. LIX. (JANUARY—APRIL. 1921) LONDON Published by the Proprietor, W. CLAUDE JOHNSON, at tiii., Editorial and Advertisement Okkices of The Connoisskuu, AT I, Duke Street, St. James's, S.W. i 192 1 MROSE AND SONS 1 DERIIY AND I.ONDO 8(i 1)656 NDEX ARTICLES AND NOTES A Beautiful Jacobean Hanging (Note) .Authors and Contributors—coiilinucd. "A Citv Banquet," by Fred Roc, K.I., R.B.C. Richardson, Mrs. Herbert. The Fashion Plates '(Note) of Horace Vernet (Art.) ... ... ... yy Adam and other Furniture (Note) ... Roberts, C. Clifton. Salopian China (Art.) ... 2.( Aitken, John E., Drawings by (Note) Roe. F. Gordon. The Life and Work of F. W. An Outpost of London, by Criticus (Note) Hayes, A.R.C.A., F.R.G.S. (Art.) 103 Angelica Kautfmann and Her .Art. by Lady Victoria Rusconi, Art. Jahn. The Tapestries of Mantua Manners (.\rt.) by Raphael (Art.) 77 Another New Gallery (Note) Williamson, Dr. G. C. Some Notes on the Portraits of Sir Pliilip Sidney (Art) ... Antique Business Extension (Note) 217 Antiques at Waring's (Note) Books Reviewed. Aquatints. Old (Note) A Bookseller's igo Authors and Contributor.s. Catalogue " A Catalogue of Etchings by Augustus John, Andrews, Cyril Bruyn. The Valencia Altar-piece 1901-1914." by Campbell Dodgson ... 5S (Art.) " A Dweller in Mcsnpntamia," by Donald Maxwell 1S7 Brochner, Georg. Old Danish Furniture (.Art.)... " A Hamll.".i. ..I Imlini Art," by E. B. Havell ... 188 Brockwell. Maurice W. Frans Hals Pictures at " Haarlem (Note) A Histiii\ <\ I \ri\,l,iy Things in England," by M. -
LIBRARY BOOKS.Xlsx
Cat No. Title Author Type 476 2,286 traditional stencil designs Roessing, H APPLIQUE 13 Afternoon Tea with May Morris Hill, Michele APPLIQUE 1094 Applique 12 Borders & Medallions Sienkiewicz, Elly APPLIQUE 1444 Applique 12 Easy Ways Sienkiewicz, Elly APPLIQUE Rodale's Successful Quilting 455 Applique made easy Library APPLIQUE 4 Applique Mastery Naylor, Philippa APPLIQUE 382 Applique outside the lines with Piece O' Cake Designs Goldsmith, Becky & Jenkins, Linda APPLIQUE 774 Applique, Applique, Applique Sinema, Laurene APPLIQUE 657 Artful applique II Townswick, Jane APPLIQUE 656 Artful applique the easy way Townswick, Jane APPLIQUE 251 At Play with Applique Fronks, Dilys A APPLIQUE Back to Front & New Approach to Machine Applique 1369 (2nd copy) Scouler, Larraine APPLIQUE 585 Baltimore Beauties & Beyond Vol 2 Sienkiewicz, Ely APPLIQUE 702 Baltimore blocks for beginners; a step-by-step guide Dietrich, Mimi APPLIQUE 404 Barbara Brackman's encyclopedia of applique Brackman, Barbara APPLIQUE Beautiful botanicals: 45 applique flowers & 14 quilt 520 projects Kemball, Deborah APPLIQUE 1751 Best of BaLtimore Beauties Sienkiewicz, Elly APPLIQUE 1783 Best of Jacobean Applique Campbell, Patricia B & Ayars, Mimi APPLIQUE Best-ever applique sampler from Piece O' Cake 684 Designs Goldsmith, Becky & Jenkins, Linda APPLIQUE 1842 Blossoms in Winter Eaton, Patti & Mostek, Pamela APPLIQUE 1795 Bouquet of Quilts Rounds & Rymer APPLIQUE 1594 Celtic Style Floral Applique Rose, Scarlett APPLIQUE 1998 Classic Four-Block Applique Quilts Marston, Gwen APPLIQUE 235 -
At High Country Quilts?
• Newsletter• Newsletter & Class & Class Schedule Schedule for High for High Country Country Quilts Quilts • Winter • Fall 2009 2007 • $1.25• at High Country Quilts? The weather is still frosty and January is here. We have some great offerings for you to start the New Year! HIGH COUNTRY QUILTS Sue McMillin will give you some wise advice 4771 North Academy Boulevard regarding organizing your space so you can spend more Colorado Springs, CO 80918 of your free time sewing! Sue is a professional, whose 719/598-1312 business, With Time to Spare, has helped pull us from http://www.hcquilts.com/ Conveniently Located… the mire of clutter we had built up around the shop. Behind Denny’s at the southeast corner of We’re not finished yet, but, boy, do we have the tools to SHOP HOURS Academy and Flintridge get the rest of the job done! Thanks, Sue! Monday through Saturday 9:30 a.m.–6:00 p.m. There are several Block of the Month patterns for Closed Sundays you to choose from and some new clubs too. We can’t seem to restrain our excitement when we see some of the projects we think you’ll enjoy. Each one has its own Wildflower Quilt charm and appeal. We’re offering our “traditional” Instructor: Staff block of the month (at least we think of it as a tradition) Level: Advanced in two different flavors this year. It is a very cool pattern Beginner from the book Kansas Spirit by Jeanne Poore, which Registration: $50 we are stitching up in a neat set of taupes, blacks, and (setting and pattern lights. -
Attic Sampler Newsletter 09302019
Just 15 minutes fromWhere the Airport Samplers at the Rule SE CORNER OF DOBSON & GUADALUPE 1837 W. Guadalupe Rd, Suite 109 Mesa, AZ 85202 TELEPHONE (480)898-1838 1.888.94-ATTIC THE ATTIC 2019 September 30 Issue No. 19-12 www.atticneedlework.com September Sampler of the Month Continues ~ Until October’s Announcement Next Issue “May Health and Peace Attend your Days” from Milady’s Needle Ever since Gloria first showed us this sampler, I have loved it … such a tender verse, so many wonderful motifs, like the castle, and the key to the castle, the stag, the peacocks, the fireflies … or bees … or whatever you wish them to be! Love the colorful border as well! September is a month of many focuses, one of which is S.A.M.P.L.E.R.S! Of course, if you love samplers as much as I do, they’re always in your focus. For those of you on InstaGram, it’s #SeptemberSamplerSoiree and so our September SOM, this sweet, smallish sampler, is perfect in a month where our focus may be frequently diverted. The stitch count, 251 x 232, gives a finished size as follows: * on 40ct, 12.6 x 11.6 * on 46ct, 11.4 x 10.6 As Sampler of the Month, purchase a minimum of 2 “parts” of the kit and receive a 15% * on 56ct, 9.3 x 8.6 Sampler of the Month discount: I still need to do a Tudor/Soie * Chart $20 Surfine conversion. *AVAS Silks: Soie d’Alger $72.00 ~ Soie 100/3 $52.80 *Linen ~ The chart model is stitched on 40ct Weeks Parchment, beautiful color now available in Zweigart from Weeks in varying counts up through 56ct, and there are lots of other choicesThe as well, Attic, depending Mesa, onAZ your Toll-Free: preferred 1.888.94-ATTICcount. -
Crochet Patterns Uk Terms
Crochet Patterns Uk Terms AbnerAphoristic always Gordon undrossy sometimes and ungainful pipetted when any monovalency sicks some asepsis reassign very prolately. indelibly Desmond and feignedly? explore fishily. Is In uk patterns are logged in place to help you have claimed the same in 400 Best Free crochet patterns UK format ideas Pinterest. Note that these intersect in US terms as are all found my patterns and that UK terms are slightly different that example in UK terms too are enemy to. Teach you make patterns terms, uk pattern in summary, your square a problem authenticating your yarn are shown in the term yarn is bigger or just realised there! The pattern scene to follow the round with ws, although one hook back of abbreviations! Hope you are universal terms are no content and site we have turkish terms so i live, food styling and look. UKUS Crochet Terms expect a conversion chart assume you. When upon any crochet patterns not just amigurumi patterns you need to determine whether your stitch abbreviations are US or UKAustralian Why. Crochet Glossary Learn the Lingo YARNutopia by Nadia Fuad. Exploring Our Differences UK and US Terminology I Like. Hope to make several sizes, as an elegant boho bag! How a read crochet patterns parentheses and brackets The Difference between US and UK Crochet Terms but Few Words on Multiples or rise to. Treble crochet UKDouble crochet US Silverpebble. How is Read Crochet Symbol Charts Yarnspirations. Free Rainbow Crochet Pattern in UK crochet terms Abbreviations slst Slip stitch st sts Stitch Stitches ch Chain ch sp Chain space. -
European and American Needlework Samplers June 7
MAKE MUCH OF PRECIOUS TIME WHILE IN YOUR POWER: EUROPEAN AND AMERICAN NEEDLEWORK SAMPLERS JUNE 7- SEPTEMBER 1, 2019 A CATALOGUE OF THE EXHIBIT LYCOMING COUNTY HISTORICAL SOCIETY 858 WEST FOURTH STREET WILLIAMSPORT, PENNSYLVANIA CURATED BY GARY W. PARKS EXECUTIVE DIRECTOR #1: BAND NEEDLEWORK SAMPLER- Sarah RELPH, in her 10th year, [England, or possibly Rhode Island], October 30, 1745 Linen ground with silk thread Known as a band sampler, this was a primary learning tool for a young woman of the 17th through the 19th centuries. Through a basic marking sampler, the young lady would learn to sew and use darning stitches, necessary for her future roles as wife, mother, and housekeeper. As samplers continued to be made, religious verses and maxims were added to guide her toward a purposeful life. Decorative bands of geometrical motifs were copied across the width of the sampler and served as a reference when the young woman wished to embellish an article of clothing or household linen. Inscription: “Make Much of Precious Time While in Your Power/ Be Careful Well to Husband Evry Hour/ for Time Will Come When You Shall Sore Lament/ The Unhappy Minutes That You Have Mispent Collection of Gary W. Parks #2: NEEDLEWORK SAMPLER- Ellen Elizabeth JACKSON, [Norfolk, England], 18[0]6 Linen gauze with reinforced woolen backing ground, applied silk thread Stitches: Cross stitch, crewelwork- satin and stem Description: Ellen Jackson’s sampler belongs to a large body of needlework produced in Norfolk, England. The diamond-shaped inner border is one of the elements tying them together, as well as the bouquets of flowers in each corner. -
Attic Sampler Newsletter 07012014
Where Samplers Rule Just 15 minutes from the Airport at the SE CORNER OF DOBSON & GUADALUPE 1837 W. Guadalupe Rd, Suite 109 Mesa, AZ 85202 TELEPHONE THE ATTIC (480)898-1838 2014 July 1 Issue No. 14-14 www.atticneedlework.com TOLL-FREE: 1.888.94.ATTIC July Sampler of the Month “Jesus Wept” from The Scarlet Letter I am thrilled to be able to offer this rare, two-sided miniature sampler as our July Sampler of the Month. Unavailable for a long time, nearly a decade, I believe, Marsha Parker of The Scarlet Letter reluctantly decided to reprint this reproduction. I’ve had it in my personal collection for many years and have always wanted to stitch it, and the best way for that to happen is to make it a Sampler of the Month ... so here it is! Here’s what Marsha writes about this sampler: Circa 1820, originally worked on fine tammy (wool) cloth with silk flosses, these two separate samplers were bound together, back to back, with pink grosgrain ribbon edging. They are quite compact yet comprehensive in scope, with wonderfully varied and detailed motifs including a cat on a cushion, a house, peacocks, butterflies, birds, dogs, and many flowering plants. The Scarlet Letter model was stitched over 1 on 35c similar to the original. However, you should stitch it on whatever is most pleasurable for you. Debra of our Attic staff let the 35-over-one get in the way of adding this sampler to her collection over 10 years ago, and she regretted it ever since.