DOCSLIB.ORG

Theme Reflected from Metaphors in Avril Lavigne's Song “Sk8er Boi”

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Theme Reflected from Metaphors in Avril Lavigne's Song “Sk8er Boi” PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI THEME REFLECTED FROM METAPHORS IN AVRIL LAVIGNE’S SONG “SK8ER BOI” AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By IRENE PUTRI LARATSEMI 154214115 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2020 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI THEME REFLECTED FROM METAPHORS IN AVRIL LAVIGNE’S SONG “SK8ER BOI” AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By IRENE PUTRI LARATSEMI Student Number: 154214115 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2020 ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI Believe that God’s timing is perfect. vii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI For PAPA & MAMA And Depressed and unmotivated old Irene. Girl, you did it. viii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGEMENTS God has given me enough I shall praise His name in every aspect of my life. Life is not an easy journey, but my very first gratitude goes to Jesus Christ for always listening to my unintelligent complaints and madness I made by myself. He has guided and made me hold on to everything. Thanks God, I finally finished my undergraduate thesis. My gratitude is also addressed to Anna Fitriati S.Pd., M.Hum., as my advisor who patiently guided me and help me in writing this undergraduate thesis. Also to my co-advisor, Arina Isti’anah, S.Pd., M.Hum., I am thankful for the helpful advices. This undergraduate thesis is presented primarily for Papa and Mama who fully supported me through their prayers and fulfilled everything I need during my study. I am also blessed by having friends in English Letters Department who always encourage yet discourage each other in the way that I love. Thank you, guys. Irene Putri Laratsemi ix PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI TABLE OF CONTENTS TITLE PAGE ........................................................................................................ ii APPROVAL PAGE ............................................................................................. iii ACCEPTANCE PAGE ........................................................................................ iv STATEMENT OF ORIGINALITY ..................................................................... v LEMBAR PERNYATAAN PERSETUJUAN PUBLIKASI KARYA ILMIAH .. vi MOTTO PAGE ................................................................................................... vii DEDICATION PAGE ........................................................................................ viii ACKNOWLEDGEMENTS ................................................................................. ix TABLE OF CONTENTS ....................................................................................... x LIST OF TABLES .............................................................................................. xii ABSTRACT ........................................................................................................ xiii ABSTRAK ............................................................................................................ xiv CHAPTER I: INTRODUCTION ......................................................................... 1 A. Background of the Study .......................................................................... 1 B. Problem Formulation ................................................................................ 5 C. Objectives of the Study ............................................................................ 5 D. Definition of Terms .................................................................................. 6 CHAPTER II: REVIEW OF LITERATURE ..................................................... 8 A. Review of Related Studies ..................................................................... 8 B. Review of Related Theories ................................................................. 11 1. Semantics ....................................................................................... 11 2. Metaphor ........................................................................................ 13 a. Nominal Metaphor ................................................................... 17 b. Predicative Metaphor ............................................................... 18 c. Sentential Metaphor ................................................................. 19 3. Theory of Theme ............................................................................ 20 C. Theoretical Framework ........................................................................ 21 CHAPTER III: METHODOLOGY ................................................................... 23 A. Object of the Study............................................................................... 23 B. Approach of the Study ......................................................................... 24 x PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI C. Method of the Study ............................................................................. 24 1. Data Collection ............................................................................... 24 2. Data Analysis.................................................................................. 25 CHAPTER IV: ANALYSIS RESULTS AND DISCUSSIONS ........................ 25 A. Metaphorical Expressions in Avril Lavigne’s “Sk8er Boi” ................. 25 1. Nominal Metaphor ......................................................................... 26 2. Predicative Metaphor ..................................................................... 37 3. Sentential Metaphor ....................................................................... 46 B. The Theme of Avril Lavigne’s “Sk8er Boi” ........................................ 48 CHAPTER V: CONCLUSION ........................................................................... 53 REFERENCES ..................................................................................................... 55 APPENDICES ...................................................................................................... 57 Appendix 1: “Sk8er Boi” Lyrics ................................................................ 57 Appendix 2: The Classification of the Metaphorical Expressions ............. 58 Appendix 3: The Meaning of the Metaphors in Avril Lavigne’s Sk8er Boi Song ...................................................................... 59 xi PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI LIST OF TABLES No. Table Page 1. Table 1. Example of the Analysis of Metaphor 22 2. Table 2. Types of Metaphor in Avril Lavigne’s Song “Sk8er Boi” 24 3. Table 3. Nominal Metaphor 25 4. Table 4. Analysis of Metaphorical Expression “He Was A Punk” 27 5. Table 5. Analysis of Metaphorical Expression “She Did Ballet” 27 6. Table 6. Analysis of Metaphor “They Have A Problem with 28 His Baggy Clothes” 7. Table 7. Analysis of Metaphorical Expression “They Have A 29 Problem with His Baggy Clothes” 8. Table 8. Analysis of Metaphorical Expression “He Was A 30 Sk8er Boi” 9. Table 9. Analysis of Metaphorical Expression “She Has a Pretty 31 Face, But Her Head Was Up in Space” 10. Table 10. Analysis of Metaphorical Expression “Five Years from 32 Now, She Sits at Home” 11. Table 11. Analysis of Metaphorical Expression “And 33 They’ve All Got Tickets to See His Show” 12. Table 12. Predicative Metaphor 34 13. Table 13. Analysis of Metaphorical Expression “But All of 35 Her Friends Stuck Up Their Nose” 14. Table 14. Analysis of Metaphorical Expression “She Said 36 “See You Later, Boy”” 15. Table 15. Analysis of Metaphorical Expression “Come 37 Back Down to Earth” 16. Table 16. Analysis of Metaphoric Expression “Sk8er Boi 38 Rocking Up MTV” 17. Table 17. Analysis of Metaphorical Expression “She Tags 39 Along” 18. Table 18. Analysis of Metaphorical Expression “Looks up at 40 The Man That She Turned Down” 19. Table 19. Analysis of Metaphorical Expression “Now 41 He’s A Superstar, Slamming on His Guitar” 20. Table 20. Analysis of Metaphorical Expression “There Is 42 More Than Meets the Eye” 21. Table 21. Analysis of Metaphorical Expression “Haven't 43 You Heard How We Rock Each Other’s World?” 22. Table 22. Analysis of Metaphor “Feeding the Baby, She’s 44 All Alone” 23. Table 23. Analysis of Metaphorical Expression “She Has a Pretty 45 Face, But Her Head Was Up in Space” xii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRACT LARATSEMI, IRENE PUTRI. (2019). Theme Reflected from Metaphors in Avril Lavigne’s Song “Sk8er Boi”. Yogyakarta: Department of English Letters, Faculty of Letters, Sanata Dharma University. Music helps people express their experiences, feelings, and thoughts which are best described through song lyrics. Song lyrics are written in literal and non- literal meaning. Through song lyrics, the song carries a message that the songwriter tried to deliver. The message of the song represents the theme of the song. As mentioned before, some songwriters write their song uses literal language, and some songwriters use figurative language specifically metaphor in their songs. Avril Lavigne is known to have a straight-talking style, but as a singer and songwriter, she also uses metaphors in her songs. This research aims to discover the used of
Load more

Recommended publications
  • 2018 Iowa Association of Track Officials Manual
    IOWA ASSOCIATION of TRACK OFFICIALS MEMO FROM: Cornie Wassink, Alton TO: IHSAA & IGHSAU Member High Schools DATE: February, 2019 RE: IATO Recommended Procedure Manual The updated materials for your 2019 Iowa Association of Track Officials Recommended Procedures Manual follow in this PDF file. Each year we update the contents of the manual as needed. These updates are based primarily on rule changes and also suggestions from our membership, the Iowa Association of Track Coaches, the Iowa High School Athletic Association (IHSAA) and the Iowa Girls’ High School Athletic Union (IGHSAU). Please feel free to suggest improvements for either the content or the format of this manual. The manual contains important suggestions pertaining to the use of red and white flags by field event officials and the Iowa uniform undergarment exception to the National Federation rules. Also note the change in the height of the boy’s shuttle hurdle relay to 36”, the need for manual timing backup for meets with just a single FAT timing system, and the addition of the 800m race in wheelchair competition. The officials’ edition of this manual contains five (5) additional sections of information pertaining specifically to starters and IATO members. This edition is only available to current IATO members from the IATO. Do not discard any materials from your current manual unless you have replacement material for it in this packet. Visit the official websites of the IHSAA and the IGHSAU for the current order of events for all 2019 girl’s, boy’s, and coed track and field meets. The primary objective of our organization is to improve the officiating and administration of the track and field meets in the state of Iowa.
    [Show full text]
  • Black Boi, Boss Bitch
    Black Boi, Boss Bitch Lauryn Hill 18 Jan 1995 - 26 Sep 1998 BLACK QUEER LOOKS Y todo comenzo bailando.... 27 Oct 1998 “Y todo comenzo bailando”...The earliest memories I can recall of my existence are festive. 20 Pound Pots of pernil & pigfeet. Pasteles, Gandulez, Guinea, Pollo Guisado. Habichuelas. 5 different types of beans & 5 different dishes on one plate. Even if only 4 niggas pulled up to the crib, abuela was always cooking for 40. The image of her red lipstick stain on hefty glasses of Budweiser that once contained Goya olives is forever etched in my mind. This was that poor boricua family that stored rice & beans in “I Can’t Believe it’s Not Butter” containers.The kind of family that blasted Jerry Rivera’s & Frankie Ruiz voices over dollar-store speakers. The kind that prized Marc Anthony, Hector LaVoe, El Gran Combo, La India, Tito Rojas. Victor Manuelle. Salsa Legends that put abuela's feet to work. My cousin Nina & her wife Iris who sparked their Ls in the bathroom, waving around floor length box braids, and bomb ass butch-queen aesthetics. “Pero nino, you hoppin on the cyph?. Uncle Negro or “Black”as we called him for his rich dark-skin, stay trying to wife my mom’s friends. 7:11 pm. 7 pounds 8 oz. October 27th. Maybe it was the lucky 7. Maybe it was fated for them to welcome another, intensely-loving Scorpio into their home. Or maybe it was just another blissful evening in the barrio. Where Bottles of Henny would be popped, and cousins & aunts & uncles you didn’t even know you had would reappear.
    [Show full text]
  • Modern Dance Choreography: Beyond the Movement an Analysis Between Lyrics and Movement
    ARECLS, VOL. 16, 2019, P.65-107 Modern Dance Choreography: Beyond the Movement an Analysis between Lyrics and Movement Can identities be developed through modern dance choreography? Hayley Elizabeth Powell NEWCASTLE UNIVERSITY Abstract The following study aims to discover how narrative identities are created through modern dance choreography. In order to properly analyse this notion several methodologies are used as a means to do so. Inclusion of discourse and multimodal discourse analysis are supplemented by Laban movement analysis. Data includes a collection of modern dance videos accompanied by the song lyrics personally chosen by the researcher. The dance collection is limited to modern dance as modern dance allows for an opportunity to gain a creative insight into the abstract movements found within. In order to identify just how narratives are created sub-questions addressing audience perception of the lyrics and dance as well as the contributing factors found within costuming, location and scenery are addressed. Once all data was analysed a comparison was done to note where and when themes were seen in contributing to a narrative identity. Keywords: Modern Dance, Laban Movement Analysis, Narrative Identity, Discourse, Choreography INTRODUCTION Recognized as a universal form of communication, dance brings to life more than the spoken “word.” Within dance, most prominently, nonverbal communication serves as the element for conversing with the audience and fellow dancers. Igniting countless emotions through movement, the opportunity for narrative construction through observation and action occur. “Dance is culturally sequence patterns of human movement created and expressed for an aesthetic and/or instrumental purpose” (Pines and Giles, 2017, pg 1).
    [Show full text]
  • The Oxford Democrat : Vol. 70. No.52
    The Oxford Democrat. 1903. NUMBER 52. VOLUME 70. SOUTH PARIS, MAINE, TUESDAY, DECEMBER 29, KH tiMh'.l lo; ili l 'y. oners, but Beverley soon suspected tl tt rutiler item, who was coining out 01 never fails. But he'll tell Clark to eta.v JUNKS, Fruit Marketing and Storage. *«W>4^3*4HfcHêHîMlHWHfr^ Furii «worth was on his guard in a C. THE a "tralllc In hah," ae the terrible bu-tl- u cabin nut far away, beard and knew where he is, and Vigo can do no more." ^ AMONG FARMERS. Some of the most and twin!;iing. lie set his jaw and uttered preening impor- ness had been named, was going on. the voice. What effect Helm's hold and appar- & Machinist, in- a< I!· htnh.· Smith tant relating to the fri\it f nil ugly oath: then qiii-k MA1NK. questions miH"î Savages came In from far away with Ho. lio. little cried artless talk h:id upon Hamilton's SOUTH PARIS, are those that out of the y4"i«P my lady!" ently at the with "SFLKD THIS PLOW." dustry grow he struck siucwlse pistol of general machinery, steam en in horticulture to scalps yet scarcely dry dangling at Adrien ne's captor in a breezy, jocund mind Is not recorded, hut the meager Manufacturer anil tools., .present tendency pro- his blade. It was a move which might mill work, spool machinery their belis. It made the Vir- "You wouldn't run over u facts at command show that ,'lties, drille made and duce each fruit in that section where it #| young tone.
    [Show full text]
  • INTRODUCTION: BLUE NOTES TOWARD a NEW JAZZ DISCOURSE I. Authority and Authenticity in Jazz Historiography Most Books and Article
    INTRODUCTION: BLUE NOTES TOWARD A NEW JAZZ DISCOURSE MARK OSTEEN, LOYOLA COLLEGE I. Authority and Authenticity in Jazz Historiography Most books and articles with "jazz" in the title are not simply about music. Instead, their authors generally use jazz music to investigate or promulgate ideas about politics or race (e.g., that jazz exemplifies democratic or American values,* or that jazz epitomizes the history of twentieth-century African Americans); to illustrate a philosophy of art (either a Modernist one or a Romantic one); or to celebrate the music as an expression of broader human traits such as conversa- tion, flexibility, and hybridity (here "improvisation" is generally the touchstone). These explorations of the broader cultural meanings of jazz constitute what is being touted as the New Jazz Studies. This proliferation of the meanings of "jazz" is not a bad thing, and in any case it is probably inevitable, for jazz has been employed as an emblem of every- thing but mere music almost since its inception. As Lawrence Levine demon- strates, in its formative years jazz—with its vitality, its sexual charge, its use of new technologies of reproduction, its sheer noisiness—was for many Americans a symbol of modernity itself (433). It was scandalous, lowdown, classless, obscene, but it was also joyous, irrepressible, and unpretentious. The music was a battlefield on which the forces seeking to preserve European high culture met the upstarts of popular culture who celebrated innovation, speed, and novelty. It 'Crouch writes: "the demands on and respect for the individual in the jazz band put democracy into aesthetic action" (161).
    [Show full text]
  • Sammy Strain Story, Part 4: Little Anthony & the Imperials
    The Sammy Strain Story Part 4 Little Anthony & the Imperials by Charlie Horner with contributions from Pamela Horner Sammy Strain’s remarkable lifework in music spanned almost 49 years. What started out as street corner singing with some friends in Brooklyn turned into a lifelong career as a professional entertainer. Now retired, Sammy recently reflected on his life accomplishments. “I’ve been inducted into the Rock & Roll Hall of Fame twice (2005 with the O’Jays and 2009 with Little (Photo from the Classic Urban Harmony Archives) Anthony & the Imperials), the Vocal Group Hall of Fame (with both groups), the Pioneer R&B Hall of Fame (with Little An- today. The next day we went back to Ernie Martinelli and said thony & the Imperials) and the NAACP Hall of Fame (with the we were back together. Our first gig was to be a week-long O’Jays). Not a day goes by when I don’t hear one of the songs engagement at the Town Hill Supper Club, a place that I had I recorded on the radio. I’ve been very, very, very blessed.” once played with the Fantastics. We had two weeks before we Over the past year, we’ve documented Sammy opened. From the time we did that show at Town Hill, the Strain’s career with a series of articles on the Chips (Echoes of group never stopped working. “ the Past #101), the Fantastics (Echoes of the Past #102) and The Town Hall Supper Club was a well known venue the Imperials without Little Anthony (Echoes of the Past at Bedford Avenue and the Eastern Parkway in the Crown #103).
    [Show full text]
  • A Music Video Information Retrieval Approach to Artist Identification
    A Music Video Information Retrieval Approach to Artist Identification Alexander Schindler1;2 and Andreas Rauber1 1 Department of Software Technology and Interactive Systems Vienna University of Technology fschindler,[email protected] 2 Intelligent Vision Systems, AIT Austrian Institute of Technology, Vienna, Austria Abstract. We propose a cross-modal approach based on separate au- dio and image data-sets to identify the artist of a given music video. The identification process is based on an ensemble of two separate clas- sifiers. Audio content classification is based on audio features derived from the Million Song Dataset (MSD). Face recognition is based on Lo- cal Binary Patterns (LBP) using a training-set of artist portrait images. The two modalities are combined using bootstrap aggregation (Bagging). Different versions of classifiers for each modality are generated from sub- samples of their according training-data-sets. Predictions upon the final artist labels are based on weighted majority voting. We show that the visual information provided by music videos improves the precision of music artist identification tasks. 1 Introduction To demonstrate the opportunities of a Music Video Information Retrieval ap- proach, we address the problem of music artist identification - the task of iden- tifying the performing musician of a given track. Music Video Information Re- trieval (MVIR) constitutes a cross-modal approach to Music Information Re- trieval (MIR) problems. Music videos like their underlying audio recordings are pieces of art and are used to accompany or augment the musical track. The visual part adds a second semantic layer to the song which may correlate with the other layers or contradict.
    [Show full text]
  • Dolemite Is My Name
    DOLEMITE IS MY NAME Written by Scott Alexander and Larry Karaszewski FINAL IN THE BLACK We hear Marvin Gaye's "What's Goin' On" playing softly. VOICE I ain't lying. People love me. INT. DOLPHIN'S - DAY CU of a beat-up record from the 1950s. On the paper cover is a VERY YOUNG Rudy, in a tuxedo. It says "Rudy Moore - BUGGY RIDE" RUDY You play this, folks gonna start hoppin' and squirmin', just like back in the day. A hand lifts the record up to the face of RUDY RAY MOORE, late '40s, black, sweet, determined. RUDY When I sang this on stage, I swear to God, people fainted! Ambulance man was picking them off the floor! When I had a gig, the promoter would warn the hospital: "Rudy's on tonight -- you're gonna be carrying bodies out of the motherfucking club!" We see that we are in a RADIO BOOTH. A sign blinks "On The Air." The DJ, ROJ, frowns at the record. ROJ "Buggy Ride"? RUDY Wasn't no small-time shit. ROJ GodDAMN, Rudy! That record's 1000 years old! I've got Marvin Gaye singin' "Let's Get It On"! I can't be playin' no "Buggy Ride." (beat) Look, I have 60 seconds. I have to cue the next tune. Hm! Rudy bites his lip and walks away. Roj tries to go back to his job. He reaches for a Sly Stone single -- when Rudy suddenly bounds back up. RUDY How about "Step It Up and Go"? That's a real catchy rhythm-and-blues number.
    [Show full text]
  • Avril Lavigne Sk8er Boi Mp3, Flac, Wma
    Avril Lavigne Sk8er Boi mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Sk8er Boi Country: UK Released: 2002 Style: Pop Rock MP3 version RAR size: 1192 mb FLAC version RAR size: 1957 mb WMA version RAR size: 1941 mb Rating: 4.9 Votes: 644 Other Formats: VOC VOX DMF AA TTA MIDI AC3 Tracklist Hide Credits Sk8er Boi Drums – Victor Indruizzo*Guitar – Corky JamesMixed By – Tom Lord-AlgeMixed By 1 [Assistant] – Fernio Hernandez*Producer, Arranged By, Recorded By – The Matrix 3:23 Recorded By [Drums] – Mark HowardVocals [Additional] – The Matrix Written-By – Avril Lavigne, The Matrix Get Over It Cello – Suzi Katayama*Guitar – Corky JamesMixed By – Tom Lord-AlgeMixed By 2 3:27 [Assistant] – Fernio Hernandez*Producer, Arranged By, Recorded By – The Matrix Vocals [Additional] – The Matrix Written-By – Avril Lavigne, The Matrix Nobody's Fool 3 Producer, Arranged By – Peter ZizzoRecorded By – Mark LecarreWritten-By – Avril 3:58 Lavigne, Peter Zizzo Sk8er Boi Video Film Director – Francis LawrenceFilm Producer – Cindy Becker Companies, etc. Phonographic Copyright (p) – Arista Records, Inc. Copyright (c) – Arista Records, Inc. Pressed By – Sonopress – 50587502 Notes Made in the EU Barcode and Other Identifiers Barcode: 743219797827 Mastering SID Code (Variant 1, 2): IFPI LB 46 Mould SID Code (Variant 1): IFPI RV02 Mould SID Code (Variant 2): IFPI RV01 Matrix / Runout (Variant 1, 2): Sonopress [logo] 50587502/74321979782 01 Rights Society: BIEM/GEMA Label Code: LC 03484 Other versions Category Artist Title (Format) Label Category Country
    [Show full text]
  • Idioms-And-Expressions.Pdf
    Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context.
    [Show full text]
  • Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha E Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G
    Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha_E_Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. Runnin' (Trying To Live) 2Pac Feat. Dr. Dre California Love 3 Doors Down Kryptonite 3Oh!3 Feat. Katy Perry Starstrukk 3T Anything 4 Non Blondes What's Up 5 Seconds of Summer Youngblood 5 Seconds of Summer She's Kinda Hot 5 Seconds of Summer She Looks So Perfect 5 Seconds of Summer Hey Everybody 5 Seconds of Summer Good Girls 5 Seconds of Summer Girls Talk Boys 5 Seconds of Summer Don't Stop 5 Seconds of Summer Amnesia 5 Seconds of Summer (Feat. Julia Michaels) Lie to Me 5ive When The Lights Go Out 5ive We Will Rock You 5ive Let's Dance 5ive Keep On Movin' 5ive If Ya Getting Down 5ive Got The Feelin' 5ive Everybody Get Up 6LACK Feat. J Cole Pretty Little Fears 7Б Молодые ветра 10cc The Things We Do For Love 10cc Rubber Bullets 10cc I'm Not In Love 10cc I'm Mandy Fly Me 10cc Dreadlock Holiday 10cc Donna 30 Seconds To Mars The Kill 30 Seconds To Mars Rescue Me 30 Seconds To Mars Kings And Queens 30 Seconds To Mars From Yesterday 50 Cent Just A Lil Bit 50 Cent In Da Club 50 Cent Candy Shop 50 Cent Feat. Eminem & Adam Levine My Life 50 Cent Feat. Snoop Dogg and Young Jeezy Major Distribution 101 Dalmatians (Disney) Cruella De Vil 883 Nord Sud Ovest Est 911 A Little Bit More 1910 Fruitgum Company Simon Says 1927 If I Could "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Ebay "Weird Al" Yankovic Canadian Idiot A Bugs Life The Time Of Your Life A Chorus Line (Musical) What I Did For Love A Chorus Line (Musical) One A Chorus Line (Musical) Nothing A Goofy Movie After Today A Great Big World Feat.
    [Show full text]
  • October 15, 2013 5% DISCOUNT on New Release Items Through Oct 22
    OCTOBER NEW RELEASE GUIDE STREET DATE: October 15, 2013 5% DISCOUNT on New Release Items through Oct 22 Burnside Distribution Corp, 6635 N. Baltimore Ave, Suite 285, Portland, OR, 97203 phone (503) 231-0876 / fax (503) 231-0420 / www.bdcdistribution.com BDC New Releases Oct 2013 (503) 231-0876 / www.bdcdistribution.com 2 Oct 2013 Welcome!!BDC Welcome!! New Releases Augie Meyers - often imitated; never duplicated. A legend whose 50+ year career has resulted in Sean Chambers has not been in a hurry - he knows that patience is a virtue, good things come to those who wait, you can’t hurry love and a half-dozen other aphorisms. He spent five years with Grammys, chart hits and 17 solo albums. Here is the latest; a Texas-centric Country album with Hubert Sumlin before going solo and has only now released his fifth album in a decade and a nods toward Harlan Howard and Lefty Frizell. He is one of a kind. half; a patient man who records music he wishes to instead of dropping some kind of a new Recess Monkey is from Seattle but known nationally with great press, exposure on SiriusXM Kids album every other year just to tour behind. The Rock House Sessions is more than worth the wait. Place Live due to member Jack Forman’s daily program and their tenth(!) release. And check out In the last couple of years, Burnside has reached an affinity with Minneapolis bands; be it The these new ones by Quiet Life (on tour with The Head and The Heart), Modern Kin, Vikesh Kapoor, Shouting Matches, Polica, Solid Gold, The Ocean Blue or Davina and the Vagabonds, we’ve been Field Study, Patrick Park and Son of Stan.
    [Show full text]