Artist | Icon | Inspiration Women in Photography Presented with Peter Fetterman New York, 7 June 2019
NY_PHOTO_FETTERMAN_JUNE19_COVER.indd 4 07/05/19 12:07 1. Imogen Cunningham
NY_PHOTO_FETTERMAN_JUNE19_IFC+IBC.indd 2 07/05/19 12:06 NY_PHOTO_FETTERMAN_JUNE19_IFC+IBC.indd 1 07/05/19 09:09 26. Emmet Gowin
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 2 07/05/19 09:12 Artist | Icon | Inspiration Women in Photography Presented with Peter Fetterman New York, 7 June 2019
Auction & Photographs Viewing Location Department Contact 450 Park Avenue +1 212 940 1245 New York 10022 Deputy Chairwoman, Americas, Auction Worldwide Head of Photographs 7 June, 10am Vanessa Hallett [email protected] Viewing Head of Sale 2 – 6 June Rachel Peart Sunday 12pm – 6pm [email protected] Monday – Thursday 10am – 6pm
Sale Designation Head of Department, New York Sarah Krueger When sending in written bids [email protected] or making enquiries please refer to this sale as NY040219 or Senior International Specialist Women in Photography. Christopher Mahoney [email protected] Absentee and Telephone Bids Senior Specialist tel +1 212 940 1228 Caroline Deck fax +1 212 924 1749 [email protected] [email protected] Specialist, Regional Director, Chicago Carol Ehlers [email protected]
Cataloguer Clare Milliken [email protected]
Administrator Alexander Weinstock [email protected]
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 3 07/05/19 09:12 15. Carrie Mae Weems
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 4 07/05/19 09:12 Our Team. Photographs
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Vanessa Hallett Rachel Peart Sarah Krueger Christopher Mahoney Deputy Chairwoman, Head of Sale Head of Department, Americas, Worldwide New York Senior International [email protected] Head of Photographs Specialist +1 212 940 1246 [email protected] [email protected] +1 212 940 1225 [email protected] +1 212 940 1243 +1 212 940 1208
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NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 6 07/05/19 09:13 65. Dorothea Lange
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 7 07/05/19 09:12 Business Development.
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NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 8 07/05/19 09:13 International Specialists & Regional Directors.
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Cândida Sodré Carol Ehlers Lauren Peterson Melyora de Koning Blake Koh Valentina Garcia Regional Director, Regional Director, Regional Representative, Senior Specialist, Regional Director, Specialist, Miami Consultant, Brazil Specialist, Photographs, Chicago 20th Century & Los Angeles +1 917 583 4983 Chicago Contemporary Art, Denver +55 21 999 817 442 +1 310 922 2841 +1 323 383 3266 [email protected] [email protected] +1 773 230 9192 lauren.peterson +1 917 657 7193 [email protected] [email protected] @phillips.com [email protected]
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Laurence Calmels Clara Rivollet Maria Cifuentes Laurence Barret-Cavy Dr. Nathalie Dr. Alice Trier Regional Director, France International Specialist, Specialist, 20th Century & Specialist, 20th Century & Monbaron Specialist, 20th Century 20th Century & Contemporary Contemporary Art, France Contemporary Art, France Regional Director, Geneva & Contemporary Art, +33 686 408 515 Art, France Germany [email protected] +33 142 78 67 77 +33 633 12 32 04 +41 22 317 81 83 +33 6 42 09 97 39 [email protected] [email protected] [email protected] +49 173 25 111 69 [email protected] [email protected]
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NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 9 07/05/19 09:13 NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 10 07/05/19 09:13 Artist | Icon | Inspiration: Women in Photography explores the role of women as artists, subjects, and innovators in a collaborative efort between Peter Fetterman and Phillips.
Women have played a central role in photography throughout the history of the medium. They have shaped the trajectory and development of this art form through their participation as creators and sources of inspiration. This auction celebrates the varied roles they have played by ofering works of art created through the lenses of women like Dorothea Lange, Diane Arbus, Graciela Iturbide, Carrie Mae Weems, Shirin Neshat and Sally Mann alongside portraits of women who continue to inspire us today, such as Rosa Parks, Ruth Bader Ginsburg, and Jacqueline Kennedy. We look forward to providing collectors with the opportunity to acquire important and pivotal works that celebrate every aspect of women’s historic and continuing involvement in photography.
Peter Fetterman Gallerist and Collector
Vanessa Hallett Deputy Chairwoman, Americas, Worldwide Head of Photographs
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 11 07/05/19 09:13 For additional lot information and literature for this sale, please visit the online catalogue on phillips.com
1. Imogen Cunningham 1883-1976
The Unmade Bed, 1957 “ One must not have a too Gelatin silver print, printed later. pronounced notion of what 10 5/8 x 13 1/2 in. (27 x 34.3 cm) constitutes beauty in the Signed and dated in pencil on the mount; typed title and date on an Imogen Cunningham Trust external and above all, must not label with signature facsimile afxed to the worship it. To worship beauty reverse of the mount. for its own sake is narrow, and one surely cannot derive from Estimate it that aesthetic pleasure which $12,000-18,000 comes from fnding beauty in Provenance the commonest things.” Alinder Gallery, California Imogen Cunningham Literature Dater, Imogen Cunningham: A Portrait, pl. 60
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 12 07/05/19 09:13 2. Henri Cartier-Bresson 1908-2004
Martine Franck, Paris, 1967 Gelatin silver print, printed later. 9 3/8 x 14 in. (23.8 x 35.6 cm) Signed in ink and copyright credit blindstamp in the margin.
Estimate $8,000-12,000
Provenance Acquired directly from the artist
Literature Centre Pompidou, Henri Cartier-Bresson: L’exposition, p. 54 Chéroux, Henri Cartier-Bresson: Here and Now, pl. 383 Galassi, Henri Cartier-Bresson: The Modern Century, p. 216 Montier, Henri Cartier-Bresson and the Artless Art, pl. 225
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 13 07/05/19 09:13 3.
3. Ruth Bernhard 1905-2006 4. Ruth Bernhard 1905-2006
Perspective II, 1967 In the Box - Horizontal, 1962 Gelatin silver print, printed later. Gelatin silver print, printed later. 11 5/8 x 19 1/2 in. (29.5 x 49.5 cm) 10 1/2 x 19 in. (26.7 x 48.3 cm) Signed in pencil on the mount; signed, Signed in pencil on the mount; signed, titled, dated in pencil and copyright credit titled, dated in pencil and copyright credit stamp on the reverse of the mount. stamp on the reverse of the mount.
Estimate Estimate $7,000-9,000 $8,000-12,000
Provenance Provenance Acquired directly from the artist Acquired directly from the artist
Literature Literature Chronicle Books, Ruth Bernhard: Chronicle Books, Ruth Bernhard: The Eternal Body, cover, pl. 26 The Eternal Body, back cover, pl. 19 Mitchell, Ruth Bernhard: Between Mitchell, Ruth Bernhard: Between Art & Life, p. 89 Art & Life, pp. 13, 104
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 14 07/05/19 09:14 4.
5. Judy Dater b. 1941
Imogen and Twinka at Yosemite, 1974 Gelatin silver print, printed later. 13 x 9 3/4 in. (33 x 24.8 cm) Signed, titled, dated and copyright notation in pencil on the verso.
Estimate $3,000-5,000
Provenance Acquired directly from the artist
Exhibited Woman: A Celebration, Orange County Museum of Art, Santa Ana, 2 August 2003 - 4 January 2004
Literature Dater, Imogen Cunningham: A Portrait, cover, p. 126 Facio, Colección fotográfa del Museo Nacional de Bellas Artes, p. 95 5.
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 15 07/05/19 09:14 6.
6. Martine Franck 1938-2012
Tulku Khentrul Lodro Rabsel, age 12, Provenance with his tutor Lhagyel. Shechen Acquired directly from the artist Monastery in Bodnath, Nepal, 1996 Gelatin silver print, printed later. Literature 10 1/2 x 15 7/8 in. (26.7 x 40.3 cm) Baring, Martine Franck, cover, p. 50 Signed in ink and copyright credit Aperture, Martine Franck: One Day blindstamp in the margin. To The Next, p. 72 Fondation Henri Cartier-Bresson, Estimate Martine Franck, pp. 248-249 $4,000-6,000
7.
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 16 07/05/19 09:14 8.
7. Mary Ellen Mark 1940-2015 8. Henri Cartier-Bresson 1908-2004
Mother Teresa Feeding a Man at the Srinagar, Kashmir, 1948 Home For the Dying, Calcutta, India, 1980 Gelatin silver print, printed later. Selenium-toned gelatin silver print. 11 1/2 x 17 1/2 in. (29.2 x 44.5 cm) 12 3/8 x 18 1/2 in. (31.4 x 47 cm) Signed in ink and copyright credit blindstamp Signed, titled, dated and numbered 13/25 in the margin. in pencil on the verso. Estimate Estimate $12,000-18,000 $1,500-2,500 Provenance Provenance Acquired directly from the artist Acquired directly from the artist Literature Exhibited Thames & Hudson, Henri Cartier-Bresson: Woman: A Celebration, Orange County In India, cover, pl. 17 Museum of Art, Santa Ana, 2 August Cartier-Bresson, The Decisive Moment, pl. 87 2003 - 4 January 2004 Cartier-Bresson, The World of Henri Cartier-Bresson, pl. 162 Literature Galassi, Henri Cartier-Bresson: The Modern Fulton, Mary Ellen Mark: 25 Years, p. 63 Century, p. 120 Thames & Hudson, Henri Cartier-Bresson: The Image and The World, pl. 407 Viking, Henri Cartier-Bresson: The Face of Asia, pp. 70-71
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 17 07/05/19 09:14 9. Henri Cartier-Bresson 1908-2004
Jerónimos Monastery, Lisbon, Portugal, 1955 Literature Gelatin silver print, printed later. Clair, Henri Cartier-Bresson: Europeans, p. 51 17 1/2 x 11 5/8 in. (44.5 x 29.5 cm) Galassi, Henri Cartier-Bresson: The Modern Signed in ink and copyright credit blindstamp Century, p. 143 in the margin. Montier, Henri Cartier-Bresson and the Artless Art, pl. 211 Estimate $8,000-12,000
Provenance Acquired directly from the artist
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 18 07/05/19 09:14 10. Manuel Álvarez Bravo 1902-2002 11. Manuel Álvarez Bravo 1902-2002
La hija de los danzantes (daughter of the Ensayo de Danza (dance rehearsal), dancers), Cholula, Puebla, 1933 Mexico, circa 1920s Platinum palladium print, printed later. Platinum palladium print, printed later. 9 3/8 x 6 5/8 in. (23.8 x 16.8 cm) 9 3/8 x 6 3/4 in. (23.8 x 17.1 cm) Signed and annotated ‘México’ in pencil Initialed in pencil on the verso. in the margin. Estimate Estimate $4,000-6,000 $4,000-6,000 Provenance Provenance ROSEGALLERY, Santa Monica Acquired directly from the artist Private Collection, California
Literature Kismaric, Manuel Álvarez Bravo, cover, p. 93 Aperture, Manuel Álvarez Bravo: Photographs and Memories, p. 63 The J. Paul Getty Museum, Manuel Álvarez Bravo, pl. 17 The Museum of Photographic Arts, Revelaciones: The Art of Manuel Álvarez Bravo, pl. 1 Turner Publicaciones, Manuel Álvarez Bravo: 100 Years, 100 Days, pl. 35
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 19 07/05/19 09:15 12.
12. Graciela Iturbide b. 1942
Mujer ángel, Desierto de Sonora, México (Angel Woman, Sonora Desert, Mexico), 1979 Photogravure. 16 1/2 x 24 in. (41.9 x 61 cm) Signed, titled ‘Mujer angel’ and numbered 1/30 in pencil in the margin.
Estimate $4,000-6,000
Provenance Graphicstudio, Tampa
Exhibited Woman: A Celebration, Orange County Museum of Art, Santa Ana, 2 August 2003 - 4 January 2004
Literature MFA Publications, Graciela Iturbide’s Mexico, p. 14 Phaidon, Graciela Iturbide, pp. 18-19
13.
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 20 07/05/19 09:19 14.
13. Flor Garduño b. 1957 14. Martine Franck 1938-2012
Melancolía, U.S.A., 2018 Les Petites Dalles, Normandy, 1973 Gelatin silver print. Gelatin silver print, printed later. 17 7/8 x 14 in. (45.4 x 35.6 cm) 19 1/2 x 29 3/8 in. (49.5 x 74.6 cm) Signed, titled, dated and annotated in Signed and numbered 3/10 in ink in the pencil on the verso. margin; signed, titled, dated and numbered 3/10 in pencil on the verso. Estimate $3,000-5,000 Estimate $6,000-8,000 Provenance Acquired directly from the artist Provenance Acquired directly from the artist
Literature Baring, Martine Franck, p. 7 Fondation Henri Cartier-Bresson, Martine Franck, pp. 110-111 Kyoto Museum of Contemporary Art, Martine Franck, p. 10
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 21 07/05/19 09:18 “ Long before I picked up a camera I was deeply concerned with the ways in which African- Americans were depicted, and, for the most part, I didn’t like what I saw. So one way of dealing with it was to step in and rethink how black women, more specifcally, need to be represented.”
Carrie Mae Weems
15. Carrie Mae Weems b. 1953
Untitled (man smoking) from Kitchen Table Carrie Mae Weems’ acclaimed Kitchen Table Series, 1990 Series depicts the life stages and relationships Gelatin silver print. of a female protagonist, played by Weems 26 7/8 x 26 7/8 in. (68.3 x 68.3 cm) Signed in ink, printed title, date and number herself. In these constructed tableaux ‘PP1/1’ on a gallery label afxed to the reverse vivants, Weems uses the table as the anchor of the frame. One from an edition of 5 plus 1 for her heroine’s life story; the site at which artist’s proof and 1 printer’s proof. she embraces her partner, engages with her daughter or sits alone in contemplation. In Estimate $25,000-35,000 the present lot, Weems’ character is seated alongside a male counterpart, the scene Provenance imbued with the weight and complexity of Acquired directly from the artist their relationship as they eye each other over their card game. By embracing the role of both Literature Weems, Carrie Mae Weems: Kitchen Table sitter and photographer, Weems powerfully Series, p. 24 embodies the nuanced representation of The National Museum of Women in the Arts, African-American women that she found Carrie Mae Weems, pl. 25 lacking in the public discourse. Yale, Carrie Mae Weems: Three Decades of Photography and Video, pl. 6.4
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 22 07/05/19 09:18 NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 23 07/05/19 09:19 16. Marc Riboud 1923-2016
Young girl holding a fower, Washington, 1967 Gelatin silver print, printed later. 11 1/2 x 17 3/8 in. (29.2 x 44.1 cm) Signed in ink in the margin; credit stamp on the verso.
Estimate $5,000-7,000
Provenance Acquired directly from the artist’s estate
17. Declan Haun 1937-1994
Justice, 1963 Gelatin silver print, printed later. 13 5/8 x 9 1/8 in. (34.6 x 23.2 cm) ‘Black Star’ agency credit stamp on the verso.
Estimate $3,000-5,000
Provenance Joseph Bellows Gallery, California
Literature Szarkowski, The Photographer’s Eye, p. 56
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 24 07/05/19 09:19 18. Bob Adelman 1931-2016
Rosa Parks, March on Washington, August, 1963 Gelatin silver print, printed 2007. 18 1/4 x 11 in. (46.4 x 27.9 cm) Signed, numbered 1/15 in pencil and copyright credit stamp on the verso. “ You must never be fearful about what you are doing when it is right.” Estimate Rosa Parks $4,000-6,000
Provenance Acquired directly from the artist’s estate
Literature Adelman, Mine Eyes Have Seen: Bearing Witness to the Struggle for Civil Rights, p. 147
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 25 07/05/19 09:19 19. Jacques Lowe 1930-2001 20. Michael O’Neill b. 1951
Jacqueline Kennedy, 1961 Ruth Bader Ginsburg, Supreme Court, Gelatin silver print. D.C., November 1, 1998 9 1/4 x 13 3/8 in. (23.5 x 34 cm) Gelatin silver print. Signed in ink in the margin; signed, 22 7/8 x 18 1/4 in. (58.1 x 46.4 cm) dated in ink, ‘830 Sixth Ave.’ copyright Signed, titled ‘RBG,’ dated and credit, ‘Vintage Print’ and ‘B504’ numbered 4/25 in pencil on the verso. stamps on the verso. Estimate Estimate $3,000-5,000 $4,000-6,000 Provenance Provenance Acquired directly from the artist Acquired directly from the artist
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 26 07/05/19 09:20 “ Fight for the things that you care about. But do it in a way that will lead others to join you.”
Ruth Bader Ginsburg
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 27 07/05/19 09:20 21. David Montgomery b. 1937
Queen Elizabeth with Corgis, 1967 Chromogenic print, printed later. 21 x 14 in. (53.3 x 35.6 cm) Signed and numbered 6/25 in pencil on the verso.
Estimate $2,000-3,000
Provenance Acquired directly from the artist
Literature London Observer, 12 November 1967, cover
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 28 07/05/19 09:21 22. Willy Ronis 1910-2009
Marchands de frites, rue Rambuteau, Paris, 1946 Gelatin silver print, printed 2008. 16 5/8 x 13 1/4 in. (42.2 x 33.7 cm) Signed in ink in the margin; initialed, dated in ink, titled, dated, annotated in pencil and copyright credit stamp on the verso.
Estimate $4,000-6,000
Provenance Acquired directly from the artist
Literature Taschen, Willy Ronis, cover, p. 38
23. Grace Robertson b. 1930
‘On the Caterpillar,’ London Women’s Pub Outing, 1956 Gelatin silver print, printed later. 17 3/4 x 12 1/2 in. (45.1 x 31.8 cm) Signed, titled and dated in pencil on the verso.
Estimate $1,500-2,500
Provenance Acquired directly from the artist
Exhibited Woman: A Celebration, Orange County Museum of Art, Santa Ana, 2 August 2003 - 4 January 2004
Literature University of Brighton, Grace Robertson: A Sympathetic Eye, p. 71 Virago Press, Grace Robertson: Photojournalist of the 50s, p. 92
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 29 07/05/19 09:22 24. August Sander 1876-1964 25. Édouard Boubat 1923-1999
Frau eines Malers (Painter’s Wife, Helene Abelen), Lella, Bretagne, France, 1947 circa 1926 Gelatin silver print, printed later. Gelatin silver print, printed 1994. 16 1/2 x 12 in. (41.9 x 30.5 cm) 10 x 7 1/4 in. (25.4 x 18.4 cm) Signed in ink in the margin; signed, titled and ‘Köln Lindenthal’ credit blindstamp on the recto; dated in pencil on the verso. signed, dated, numbered 3/12, annotated by Gerd Sander, the artist’s grandson, ‘Archiv’ copyright Estimate credit stamp and ‘Menschen Des Zwanzigsten $5,000-7,000 Jahrhunderts’ label on the verso and/or the reverse of the mount. Provenance Acquired directly from the artist Estimate $7,000-9,000 Exhibited Woman: A Celebration, Orange County Museum Provenance of Art, Santa Ana, 2 August 2003 - 4 January 2004 Acquired directly from the artist’s estate Literature Exhibited Thames & Hudson, Édouard Boubat, cover Woman: A Celebration, Orange County Museum of Abrams, Édouard Boubat: The Monograph, p. 24 Art, Santa Ana, 2 August 2003 - 4 January 2004
Literature Abrams, August Sander: People of the 20th Century, Volume III: The Woman, pl. III/16/12
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 30 07/05/19 09:21 26. Emmet Gowin b. 1941
Edith, Chincoteague, Virginia, 1967 Gelatin silver print, printed later. 6 1/4 x 6 1/4 in. (15.9 x 15.9 cm) Signed, titled, dated and annotated in pencil on the verso.
Estimate $6,000-8,000
Provenance Private Collection, New York
Literature Knopf, Emmet Gowin: Photographs, p. 21
27. René Groebli b. 1927
Eye of Love #516, 1952 Platinum palladium print, printed later. 20 3/8 x 13 1/2 in. (51.8 x 34.3 cm) Signed in pencil in the margin; signed, dated, numbered 2/7 in pencil, copyright credit and ‘31 Studio’ stamps on the verso.
Estimate $4,000-6,000
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 31 07/05/19 09:22 28.
28. Willy Ronis 1910-2009 29. Martine Franck 1938-2012
Nuit au châlet, 1935 Provenance Snow in Jardin des Tuileries, 1978 Gelatin silver print, printed 2004. Acquired directly from the artist Gelatin silver print, printed later. 12 3/8 x 17 5/8 in. (31.4 x 44.8 cm) 14 1/8 x 21 1/4 in. (35.9 x 54 cm) Signed in ink in the margin; Literature Signed in ink and copyright credit initialed, dated in ink, titled, dated, Hamilton, Willy Ronis: blindstamp in the margin. annotated in pencil and copyright Photographs 1926-1995, pl. 38 credit stamp on the verso. Taschen, Willy Ronis, p. 31 Estimate $4,000-6,000 Estimate $4,000-6,000 Provenance Acquired directly from the artist
29.
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 32 07/05/19 09:22 30.
30. Sabine Weiss b. 1924 31. Sergio Larraín 1931-2012
New York, 1955 Tottenham Court Road, underground Gelatin silver print, printed later. station, London, England, 1959 12 3/4 x 17 3/4 in. (32.4 x 45.1 cm) Gelatin silver print. Signed, titled and dated in pencil 7 1/2 x 11 1/2 in. (19.1 x 29.2 cm) on the verso. Magnum credit, copyright, reproduction stamps and typed Magnum caption Estimate label on the verso. $3,000-4,000 Estimate Provenance $4,000-6,000 Acquired directly from the artist Provenance Private Collection, New York
31.
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 33 07/05/19 09:23 32. Henri Cartier-Bresson 1908-2004
Easter Sunday in Harlem, 1947 Literature Gelatin silver print, printed later. Cartier-Bresson, The Decisive Moment, pl. 42 17 1/2 x 11 5/8 in. (44.5 x 29.5 cm) Galassi, Henri Cartier-Bresson: The Modern Signed in ink and copyright credit Century, p. 217 blindstamp in the margin. Thames & Hudson, Henri Cartier-Bresson: The Image and The World, pl. 291 Estimate $8,000-12,000
Provenance Acquired directly from the artist
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 34 07/05/19 09:23 33. Herman Leonard 1923-2010
Billie Holiday, NYC, 1949 Gelatin silver print, printed later. 11 7/8 x 9 1/2 in. (30.2 x 24.1 cm) Signed, titled, dated and copyright notation in ink in the margin.
Estimate $2,000-3,000
Provenance Acquired directly from the artist
34. Herman Leonard 1923-2010
Ella Fitzgerald, Duke Ellington and Benny Goodman, NYC, 1948 Gelatin silver print, printed later. 9 x 12 3/8 in. (22.9 x 31.4 cm) Signed, titled, dated and copyright notation in ink in the margin.
Estimate $2,500-3,500
Provenance Acquired directly from the artist
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 35 07/05/19 09:23 35. Berenice Abbott 1898-1991
New York at Night, 1932 Gelatin silver print, printed later. 13 1/2 x 10 1/2 in. (34.3 x 26.7 cm) Signed in pencil on the mount; credit stamp on the reverse of the mount.
Estimate $6,000-8,000
36. Berenice Abbott 1898-1991
Pike and Henry Streets, Manhattan, March 6, 1936 Gelatin silver print. 5 1/4 x 7 1/8 in. (13.3 x 18.1 cm) Signed, titled, dated in pencil and Federal Art Project ‘Changing New York’ credit stamp on the verso.
Estimate $5,000-7,000
Provenance Witkin Gallery, New York, 1978 Collection of photographer Paul Joyce Sotheby’s, London, 15 November 2005, lot 59
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 36 07/05/19 09:23 Vera Lutter is one of the most innovative 37. Vera Lutter b. 1960 photographers currently documenting the constructed 745 Fifh Avenue, New York City: environment. Working with a massive room-sized September 29, 1995 pinhole camera, Lutter captures her subjects through Unique gelatin silver print, mounted exposures that can sometimes last days. Lutter herself on canvas. remains inside the camera for much of this time, 78 1/2 x 55 7/8 in. (199.4 x 141.9 cm) moderating and guiding the incoming light projected Signed in ink, printed title and date on a gallery label afxed to the reverse. onto a single sheet of photographic paper, burning and dodging areas that need more or less exposure. The Estimate resulting images, each unique, monumental in scale, $20,000-30,000 and reversed in tonal values, show us familiar urban terrain in a wholly new way. In the photograph ofered Provenance here, taken from 745 Fifh Avenue, New York City, the Fraenkel Gallery, San Francisco subject matter is divided equally between the city’s architectural structures and the passage of time.
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 37 07/05/19 09:23 38. Helen Levitt 1913-2009 39. Helen Levitt 1913-2009
N.Y. (masked children on stoop), circa 1940 N.Y.C. (children dancing on the sidewalk), 1940 Gelatin silver print, printed later. Gelatin silver print, printed later. 8 x 11 5/8 in. (20.3 x 29.5 cm) 7 3/8 x 10 1/4 in. (18.7 x 26 cm) Signed, titled and dated in pencil on the verso. Signed, titled and dated in pencil on the verso.
Estimate Estimate $4,000-6,000 $4,000-6,000
Provenance Provenance Laurence Miller Gallery, New York Directly from the artist
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 38 07/05/19 09:23 40. Berenice Abbott 1898-1991
Automat, 977 Eighth Avenue, 1936 Provenance Gelatin silver print, printed later. Howard Greenberg Gallery, New York, 1993 14 1/2 x 18 1/2 in. (36.8 x 47 cm) Signed in pencil on the mount; copyright Literature credit Commerce Graphics and ‘Changing Finley, Berenice Abbott, n.p. New York’ Museum of the City of New York O’Neal, Berenice Abbott: American stamps on the reverse of the mount. Photographer, p. 141 Yochelson, Berenice Abbott: Changing Estimate New York, Middle West Side, pl. 34 $6,000-8,000
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 39 07/05/19 09:23 41. Helen Levitt 1913-2009
N.Y. (children with laundry), 1972 Dye transfer print, printed later. 9 5/8 x 14 1/4 in. (24.4 x 36.2 cm) Signed, titled and dated in pencil on the verso.
Estimate $5,000-7,000
Provenance Laurence Miller Gallery, New York
Exhibited New York: Capital of Photography, The Jewish Museum, New York, 28 April - 2 September 2002
42. Lisette Model 1901-1983
Coney Island bather, New York, 1939-1941 Gelatin silver print from Twelve Photographs, printed 1976. 19 1/2 x 15 5/8 in. (49.5 x 39.7 cm) Signed and numbered ‘VIII - 60/75’ in pencil on the verso.
Estimate $3,000-5,000
Provenance Lunn Ltd., Washington, D.C.
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 40 07/05/19 09:24 43. Bruce Davidson b. 1933 44. Bruce Davidson b. 1933
Brooklyn Gang, Coney Island, New York, 1959 Chicago (couple in front of jukebox), 1962 Gelatin silver print, printed later. Gelatin silver print, printed later. 12 3/8 x 18 1/2 in. (31.4 x 47 cm) 12 3/8 x 18 1/2 in. (31.4 x 47 cm) Signed in pencil on the verso. Signed in pencil on the verso.
Estimate Estimate $4,000-6,000 $3,000-5,000
Provenance Provenance Acquired directly from the artist Acquired directly from the artist Private Collection, Santa Monica Private Collection, Santa Monica
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 41 07/05/19 09:24 45. Diane Arbus 1923-1971
Puerto Rican Woman with a Beauty Mark, NYC, 1965 Gelatin silver print, printed later by Neil Selkirk. 14 1/4 x 14 1/4 in. (36.2 x 36.2 cm) Stamped ‘A Diane Arbus photograph,’ signed, titled, dated, numbered 59/75 by Doon Arbus, Executor, in ink, estate copyright credit and reproduction limitation stamps on the verso.
Estimate $10,000-15,000
Literature Arbus, Sussman, Phillips, Selkirk and Rosenheim, Diane Arbus: Revelations, p. 84 Aperture, Diane Arbus, n.p.
46. Diane Arbus 1923-1971
Patriotic Young Man with a Flag, N.Y.C., 1967 Gelatin silver print, printed later by Neil Selkirk. 15 x 14 1/2 in. (38.1 x 36.8 cm) Stamped ‘A Diane Arbus photograph,’ signed, titled, dated and numbered 29/75 by Doon Arbus, Executor, in ink, estate copyright credit and reproduction limitation stamps on the verso.
Estimate $7,000-9,000
Provenance Fraenkel Gallery, San Francisco
Literature Aperture, Diane Arbus, n.p. Arbus, Sussman, Phillips, Selkirk and Rosenheim, Diane Arbus: Revelations, p. 38
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 42 07/05/19 09:24 47. Diane Arbus 1923-1971
Lady in a rooming house parlor, Provenance Albion, NY, 1963 Fraenkel Gallery, San Francisco Gelatin silver print, printed later Alan Koppel Gallery, Chicago by Neil Selkirk. 14 7/8 x 14 5/8 in. (37.8 x 37.1 cm) Literature Stamped ‘A Diane Arbus photograph,’ Arbus, Sussman, Phillips, Selkirk signed, titled, dated, numbered 21/75 and Rosenheim, Diane Arbus: by Doon Arbus, Executor, in ink, estate Revelations, p. 106 copyright credit and reproduction limitation stamps on the verso.
Estimate $7,000-9,000
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 43 07/05/19 09:24 48.
48. Fan Ho 1937-2016
Lonely Stroll, 1958 Estimate Gelatin silver print. $10,000-15,000 13 1/8 x 18 3/8 in. (33.3 x 46.7 cm) Signed, titled thrice, dated, annotated Provenance ‘“Diploma of Excellence,” Norway Modernbook Gallery, San Francisco International Salon, Norway, 1959’ in ink and credit stamp on the verso.
49.
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 44 07/05/19 09:24 50.
49. Édouard Boubat 1923-1999 50. Ruth Orkin 1921-1985
New York, 1982 American Girl in Italy, 1951 Gelatin silver print, printed later. Gelatin silver print, printed later. 9 1/2 x 14 in. (24.1 x 35.6 cm) 12 7/8 x 19 5/8 in. (32.7 x 49.8 cm) Signed in ink in the margin; signed, titled Signed, titled, dated and copyright notation and dated in pencil on the verso. in pencil on the verso.
Estimate Estimate $2,500-3,500 $10,000-15,000
Provenance Provenance Acquired directly from the artist Directly from the artist’s estate
Literature Literature Contrejour, Édouard Boubat: Pauses, p. 48 Howard Greenberg Gallery/Ruth Orkin Photo Archive, Ruth Orkin: American Girl in Italy – The Making of a Classic, cover, pl. 10 Viking Studio Books, A Photo Journal: Ruth Orkin, cover Rosenblum, A History of Women Photographers, pl. 227
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 45 07/05/19 09:24 ∆ 51. Robert Mapplethorpe 1946-1989
Selected Images of Lisa Lyon, 1982 Three gelatin silver prints, each fush-mounted. Varying dimensions from 15 1/8 x 15 1/8 in. (38.4 x 38.4 cm) to 15 1/8 x 19 1/8 in. (38.4 x 48.6 cm) Each print signed, variously dated and/or numbered in ink; two prints with a copyright credit reproduction limitation stamp on the reverse of the fush-mount. Each print is number AP 1 from an edition of 10 plus 2 artist’s proofs.
Estimate $6,000-8,000
Provenance Acquired directly from the artist Collection of Lisa Lyon
Literature St. Martin’s Press, Lady Lisa Lyon, pp. 32-33, 110, 111
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 46 07/05/19 09:24 52. Yousuf Karsh 1908-2002
Georgia O’Keefe, 1956 Provenance Gelatin silver print, printed later. Acquired directly from the artist’s estate 19 1/8 x 15 1/4 in. (48.6 x 38.7 cm) Signed in ink on the mount; copyright credit Literature stamp on the reverse of the mount. Karsh, Yousuf Karsh: Heroes of Light and Shadow, p. 41 Estimate Godine, Karsh: Beyond the Camera, p. 103 $4,000-6,000 University of Toronto Press, Karsh Portraits, p. 151
“ I’ve been absolutely terrifed every moment of my life—and I’ve never let it keep me from doing a single thing I wanted to do.”
Georgia O’Keefe
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 47 07/05/19 09:25 53. Steve McCurry b. 1950 54. Sebastião Salgado b. 1944
Dust Storm, Rajasthan, India, 1983 Asháninka, State of Acre, Brazil, 2016 Fujicolor Crystal Archive print, printed later. Gelatin silver print. 21 1/8 x 14 in. (53.7 x 35.6 cm) 20 x 14 1/2 in. (50.8 x 36.8 cm) Signed, dated, numbered 86/90 and Signed, dated and annotated ‘Brasil’ in pencil annotated ‘India’ in ink on the verso. on the verso; credit blindstamp in the margin.
Estimate Estimate $10,000-15,000 $5,000-7,000
Provenance Provenance Acquired directly from the artist Acquired directly from the artist
Literature Phaidon, Steve McCurry: India, cover
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 48 07/05/19 09:25 55. Steve McCurry b. 1950
Sharbat Gula, Afghan Girl, Pakistan, 1984 Provenance Fujicolor Crystal Archive print, printed 2014. Acquired directly from the artist 21 x 14 1/4 in. (53.3 x 36.2 cm) Signed in ink, printed title and date on a Literature label afxed to the verso. National Geographic, June 1985, cover Phaidon, Portraits, cover, n.p. Estimate Phaidon, Looking East: Portraits by $10,000-15,000 Steve McCurry, p. 28 Phaidon, South Southeast, p. 137
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 49 07/05/19 09:25 56. Lalla Essaydi b. 1956
Bullet Revisited #3, 2012 Chromogenic print triptych. Each 20 1/4 x 16 in. (51.4 x 40.6 cm) Overall 23 1/4 x 57 3/8 in. (59.1 x 145.7 cm) Signed in ink, printed title, date and number 15/15 on a label afxed to the reverse of the lef panel’s fush-mount.
Estimate $15,000-25,000
Literature Harper’s Bazaar Art, September - October 2015, cover, right panel
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 50 07/05/19 09:25 “ In my art, I wish to present myself through multiple lenses —as artist, as Moroccan, as traditionalist, as Liberal, as Muslim. In short, I invite viewers to resist stereotypes.”
Lalla Essaydi
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 51 07/05/19 09:25 57. Chester Higins b. 1946
Muslim Woman, New York City, 1990 Platinum palladium print, printed 2008. 27 1/4 x 21 5/8 in. (69.2 x 54.9 cm) Signed, dated, numbered 20/25 in pencil and copyright credit stamp on the verso.
Estimate $10,000-15,000
Provenance Acquired directly from the artist
Literature Higgins, Feeling the Spirit: Searching the World for the People of Africa, p. 179
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 52 07/05/19 09:25 58. Lalla Essaydi b. 1956
Converging Territories #11, 2003 Chromogenic print, fush-mounted. 30 x 37 in. (76.2 x 94 cm) Signed, dated and numbered 2/15 in ink in the margin.
Estimate $10,000-15,000
Provenance Schneider Gallery, Chicago
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 53 07/05/19 09:26 59. Shirin Neshat b. 1957 60. Francesca Woodman 1958-1981
Untitled from Soliloquy, 1999 Portico with Caryatids of Delphi, March 12, 1980 Gelatin silver print. Diazotype. 17 x 22 1/4 in. (43.2 x 56.5 cm) 19 1/4 x 17 1/2 in. (48.9 x 44.5 cm) Signed, titled, dated and numbered 5/10 in Overall 24 x 18 in. (61 x 45.7 cm) pencil on the verso. Signature, annotations and drawings in the positive template. Estimate $20,000-30,000 Estimate $15,000-20,000 Provenance Barbara Gladstone Gallery, New York Provenance From the photographer to Daniel Wolf, New York Literature Gary Edwards Gallery, Washington, D.C. Charta, Shirin Neshat, p. 65, variant Charta, Shirin Neshat, Museo d’Arte Literature Contemporanea, pp. 126-127, variant Woodman, Francesca Woodman: Photographic Works, p. 96, variant
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 54 07/05/19 09:26 Portico with Caryatids of Delphi combines adapted this industrial process to her own artistic photographic images with drawing and handwritten purposes. Drawing and writing on transparent text and relates directly to Francesca Woodman’s paper, on which she also placed photographic Temple Project. This project consisted of a series of transparencies, she created a template which large-scale studies of draped models, referencing was contact-printed onto diazotype paper and caryatid fgures in classical architecture, and was developed with ammonia vapor. The diazotype frst exhibited in 1980 at The Alternative Museum gave Woodman a great deal of latitude in the size in New York City. While Woodman’s images in that of her prints, and she used it to create composite exhibition were monumental in scale, the smaller, images such as the one ofered here, as well as the more intimate work ofered here presents insight life-sized images she made for the exhibition. into her creative process. The print ofered was sent by Woodman to This work was made with the diazotype technique, Daniel Wolf, the frst gallerist to show her work a positive-to-positive imaging process used in New York City. primarily by engineers and architects. Woodman
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 55 07/05/19 09:26 61. Zanele Muholi b. 1972 ZaVa, Amsterdam, 2014 “ This is why the self-portraits are so Gelatin silver print, fush-mounted. 14 7/8 x 19 1/8 in. (37.8 x 48.6 cm) major to me. . . We get caught up in Signed in ink, printed title, date other people’s worlds, and you never and number 6/8 on a gallery label ask yourself how you became.” accompanying the work. Zanele Muholi Estimate $5,000-7,000
Provenance Yancey Richardson Gallery, New York
Literature Thomas, The Extended Moment: Fify Years of Collecting Photographs at the National Gallery of Canada, pl. 168
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 56 07/05/19 09:26 62. Alma Lavenson 1897-1989
Self Portrait, 1932 Exhibited Gelatin silver print, printed later. Woman: A Celebration, Orange County 9 x 11 3/4 in. (22.9 x 29.8 cm) Museum of Art, Santa Ana, 2 August Signed in pencil in the margin. 2003 - 4 January 2004
Estimate Literature $8,000-12,000 Ehrens, Alma Lavenson: Photographs, cover, p. 87 Provenance Fuller, Alma Lavenson, p. 1 Susan Ehrens Ltd., Berkeley
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 57 07/05/19 09:26 63. Dorothea Lange 1895-1965
A Sign of the Times–Mended Stockings, Provenance Stenographer, San Francisco, 1934 Family of the artist, California Gelatin silver print, probably printed in Edwynn Houk Gallery, Chicago the 1950s or 1960s. Private Collection, Chicago 9 1/2 x 7 3/8 in. (24.1 x 18.7 cm) Alan Klotz Gallery, New York Printing notations in an unidentifed hand in pencil on the verso.
Estimate “ You know there are moments such as $18,000-22,000 these when time stands still. . .”
Dorothea Lange
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 58 07/05/19 09:26 64. Dorothea Lange 1895-1965
Argument in a Trailer Court, Richmond, Exhibited California, 1944 Diogenes with a Camera II, Museum of Gelatin silver print, on an exhibition Modern Art, New York, 1952 fush-mount, printed no later than 1952. 10 x 12 3/8 in. (25.4 x 31.4 cm) Literature San Francisco Museum of Modern Art/ Estimate Chronicle Books, Dorothea Lange: $25,000-35,000 American Photographs, back cover, pl. 98 Aperture, Dorothea Lange: Photographs Provenance of a Lifetime, p. 129 From the Collection of John Dixon, the Borhan, Dorothea Lange: The Heart and artist’s son Mind of a Photographer, p. 179 Edwynn Houk Gallery, New York Davis, The Photographs of Dorothea Phillips, New York, 2 October 2012, lot 152 Lange, p. 87
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 59 07/05/19 09:27 65. Dorothea Lange 1895-1965
Migrant Mother, Nipomo, California, 1936 Dorothea Lange’s Migrant Mother, Nipomo, Gelatin silver print, printed circa 1955. California, has become an enduring icon 13 1/4 x 10 3/8 in. (33.7 x 26.4 cm) since its making in 1936. Taken while Signed in pencil on the mount; dated and Lange was working for the Farm Security annotated ‘Nipomo’ in pencil on the reverse of the mount. Accompanied by a manuscript Administration documenting the hardships letter and postcard by Lange, postmarked of the Great Depression, Migrant Mother 1953 and 1955, respectively. combines the photographer’s characteristic respect and empathy for her subjects with Estimate her compositional rigor. The photograph was $120,000-180,000 reproduced widely in the press in the 1930s Provenance and in the decades to come. Through this From the artist to photographer William Heick, exposure Migrant Mother transcended its circa 1955 original documentary purpose to become By descent to the present owner a universal symbol of motherhood and Literature perseverance under adversity. Meister, Dorothea Lange: Migrant Mother, cover, pp. 3, 13 In her recent book, Dorothea Lange: Migrant Meltzer, Dorothea Lange: A Photographer’s Life, Mother, Sarah Hermanson Meister ofers a cover, p. 213 comprehensive study of the image, its history, Aperture, Dorothea Lange: Photographs of a Lifetime, p. 77 and legacy. The photograph’s central fgure Borhan, Dorothea Lange: The Heart and Mind is Florence Owens Thompson, a migrant of a Photographer, p. 133 worker camped with her four daughters Davis, The Photographs of Dorothea Lange, p. 45 and other migrants alongside a farm whose Keller, In Focus: Dorothea Lange, Photographs crops had frozen, eliminating the possibility from The J. Paul Getty Museum, pl. 13 NBC éditions, Dorothea Lange: The Human of paid work. Meister notes that Thompson Face, p. 99 was Cherokee, a fact unknown at the time of Partridge, Dorothea Lange: A Visual Life, pl. 6.16 the photograph’s initial publication, adding Partridge, Restless Spirit: The Life and Work of an even greater degree of resonance to the Dorothea Lange, p. 4 image. In her assessment of the continuing San Francisco Museum of Modern Art, Dorothea Lange: American Photographs, pl. 43 relevance of Migrant Mother, Meister writes, “The superlatives that have been heaped upon it have done nothing to dilute its impact, nor have the passing decades diminished our inclination to empathize with the subjects’ plight” (pp. 15 and 18).
(continued)
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 60 07/05/19 09:27 NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 61 07/05/19 09:27 This print of Migrant Mother was acquired from Lange by photographer and flmmaker William Heick. Correspondence from Lange to Heick accompanying this lot documents a warm and respectful friendship between them. In Lange’s 1955 postcard she asks, “Sometime will you swap with me? A print of [Heick’s photograph] Indian Clam Digger for anything of mine you like.” It is believed that the exchange – of Clam Digger for Migrant Mother – was made shortly thereafer.
Afer serving in the Navy during World War II, William Heick (1916-2012) studied photography at the California School of Fine Arts under Ansel Adams and Minor White, and maintained close friendships with Imogen Cunningham and Lange. Heick was known for his accomplished ethnographic photographs, specifcally his images of Native Americans, and produced numerous flms. His work has been shown at the San William Heick, Clam Digger, 1950 (not in sale) Francisco Museum of Modern Art, the Seattle Museum of Art, and many other institutions.
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 62 07/05/19 09:27 recto
verso
Postcard from Dorothea Lange to William Heick, 1955 (accompanying the lot)
NY_PHOTO_FETTERMAN_JUNE19_2-63_BL.indd 63 07/05/19 09:27 Actual size
66. Tina Modotti 1896-1942 Tina Modotti’s still life study of a native Mexican sculpture showcases the photographer’s embrace Untitled (bird sculpture), 1926 of Mexican culture and her skill at creating a Gelatin silver print. compelling photographic composition from a 2 7/8 x 3 3/4 in. (7.3 x 9.5 cm) minimum of elements. In this image, Modotti Initialed and dated in pencil on the made the inspired choice of using tinfoil as a mount; annotated ‘Propriedad de Lola backdrop; placed just outside of the feld of focus, Cueto’ likely by Lola Cueto in ink on the reverse of the mount. the foil creates a mysterious and visually arresting background for the lively bird fgure. As evidenced Estimate by the notation on the reverse of its mount, this $7,000-9,000 photograph comes originally from the collection of Mexican artist Lola Cueto (1897-1978). Modotti Provenance and Cueto were friends, and both were involved Collection of Lola Cueto, Mexico City Collection of Frances Toor, Mexico City in Mexico City’s dynamic 1920s art scene. Cueto’s Throckmorton Fine Art, Inc., New York work combined elements of Cubism and other aspects of Modernism with Mexican folk art. This photograph was subsequently owned by another friend of Modotti’s, Frances Toor (1890-1956), the anthropologist and publisher of the infuential magazine, Mexican Folkways.
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 64 07/05/19 09:17 67. Barbara Morgan 1900-1992
Martha Graham - Letter to the World, 1940 Literature Gelatin silver print, probably printed in the Aperture, Masters of Photography: 1950s or 1960s. Barbara Morgan, cover 14 5/8 x 19 1/2 in. (37.1 x 49.5 cm) High Museum of Art, Chorus of Signed, titled and dated in pencil on the Light: Photographs from the Sir mount; signed, initialed, titled, dated, Elton John Collection, p. 181 annotated in ink and copyright credit Newhall, The History of reproduction limitation stamp on the Photography, p. 232 reverse of the mount.
Estimate $12,000-18,000
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 65 07/05/19 09:18 68. Gertrude Käsebier 1852-1934
Mother and Child, 1903 Platinum print, mounted. 6 3/4 x 7 in. (17.1 x 17.8 cm) Signed and dated in pencil on the recto.
Estimate $7,000-9,000
Provenance Lunn Ltd., Washington, D.C.
Exhibited Woman: A Celebration, Orange County Museum of Art, Santa Ana, 2 August 2003 - 4 January 2004
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 66 07/05/19 09:19 Heinrich Kuehn is best known for his perceptive 69. Heinrich Kuehn 1886-1944 studies of his domestic life and family, including Tonwertstudie III (Study in Tonal Values Mary Warner, a young Englishwoman who came to III), Mary Warner, 1908 work for the Kuehn family as a nanny shortly afer Photogravure. the birth of their youngest child. Afer the death 11 1/2 x 9 1/8 in. (29.2 x 23.2 cm) of Kuehn’s wife, Warner took on the care of the Estimate family’s four children and ran the household. She $10,000-20,000 also served as a frequent collaborator with Kuehn on a series of photographs, of which the image Provenance ofered here is a prime example. Kuehn was a Lunn Ltd., Washington, D.C. skilled photographic crafsman, and experimented with an array of techniques, including the Literature photogravure. Kuehn perfected the process to Neue Galerie, Heinrich Kuehn and His his own high standards, and the print ofered American Circle: Alfred Stieglitz and Edward Steichen, p. 83, variant here demonstrates the wide range of expressive tonality Kuehn could achieve with it.
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 67 07/05/19 09:20 70. George Henry Seeley 1880-1955
The Mourning Veil, 1904 Provenance Platinum print. Swann Galleries, New York, 8 October 9 1/2 x 7 3/8 in. (24.1 x 18.7 cm) 1991, lot 416 Signed, titled and annotated ‘Stockbridge Massachusetts U.S.A’ in ink on the verso; Exhibited signed, titled, annotated ‘Stockbridge Salon International d’Art Massachusetts U.S.A’ in ink and ‘Société Photographique, Société de Photographie de Photographie de Marseille, III Salon de Marseille, 1905 International d’Art Photographique, 1905’ Woman: A Celebration, Orange County exhibition label on the reverse of the mount; Museum of Art, Santa Ana, 2 August numerical exhibition label on the mount. 2003 - 4 January 2004
Estimate Literature $7,000-9,000 The Berkshire Museum, Intimations & Imaginings: The Photographs of George H. Seeley, p. 26
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 68 07/05/19 09:20 71. Julia Margaret Cameron 1815-1879
My Ewen’s Bride (Annie Chinery Cameron), 1869 Few photographers of the 19th century created Albumen print, mounted to board. as rich an oeuvre as Julia Margaret Cameron, or 12 x 10 in. (30.5 x 25.4 cm) had as lasting an impact on the photography to Inscribed ‘for her dear Charlotte’ by the photographer in ink; credited and annotated come. Cameron pushed past the conventions ‘Freshwater’ and ‘From Life Registered of portraiture to create images referencing Photograph Copyright’ in ink and annotations in literature, history, and art. While aligned with unidentifed hands in pencil on the mount. Pre-Raphaelite painting, Cameron’s work is
Estimate emphatically photographic, flled with detail and $5,000-7,000 defnition. The photograph ofered here is of Annie Chinery, a favorite model of Cameron’s, Provenance who married her son Ewen in 1869, the year this Private Collection, London portrait was made. Cameron’s inscription “for her
Literature dear Charlotte” likely refers to Charlotte Norman, Cox and Ford, Julia Margaret Cameron: another young woman within Cameron’s large The Complete Photographs, no. 192, p. 499 circle of friends and family.
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 69 07/05/19 09:20 72. Gertrude Käsebier 1852-1934
Blessed Art Thou Among Women, 1899 Literature Photogravure on tissue, printed 1903. Camera Work, No. 1, pl. 3 9 1/4 x 5 1/2 in. (23.5 x 14 cm) Michaels, Gertrude Käsebier: The Photographer On the original Camera Work leaf. and Her Photographs, p. 50 Margolis, Alfred Stieglitz, Camera Work: Estimate A Pictorial Guide, p. 1 $4,000-6,000 Peterson, Alfred Stieglitz’s Camera Notes, pl. 53
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 70 07/05/19 09:22 73. Lewis Wickes Hine 1874-1940
Italian Mother and Child, Ellis Island, 1905 Gelatin silver print, probably printed afer 1917. 6 5/8 x 4 3/4 in. (16.8 x 12.1 cm) The photographer’s ‘Interpretive Photography’ stamp; magazine and publication stamps; and titled, credited, and annotated in unidentifed hands in pencil and crayon, all on the verso.
Estimate $5,000-7,000
74. Elliott Erwitt b. 1928
New York City, 1953 Gelatin silver print, printed later. 11 3/8 x 17 1/2 in. (28.9 x 44.5 cm) Signed in ink in the margin; signed, titled and dated in pencil on the verso.
Estimate $3,000-4,000
Provenance Acquired directly from the artist
Literature Erwitt, Elliott Erwitt: Snaps, p. 67
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 71 07/05/19 09:22 75. Sally Mann b. 1951
Sunday Funnies, 1991 Gelatin silver print. 18 3/4 x 23 1/8 in. (47.6 x 58.7 cm) Signed, titled, dated, numbered 17/25, copyright notation and edition information in pencil on the reverse of the mount.
Estimate $12,000-18,000
Provenance Houk Friedman Gallery, New York
Literature Mann, Immediate Family, n.p.
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 72 07/05/19 09:23 76. Sally Mann b. 1951
“ I fnd the very nature of motherhood Jessie Bites, 1985 Gelatin silver print. fraught with conficts and fears, as 18 1/2 x 22 1/2 in. (47 x 57.2 cm) well as with humor and tenderness. . . Signed, titled, dated, numbered Photographing my children in those 18/25, copyright notation and edition quirky, often emotionally charged information in pencil on the verso. moments has helped me acknowledge Estimate and resolve some of the inherent $20,000-30,000 contradictions between the idea or image of motherhood and its reality. Provenance And it has opened up to me a world of Houk Friedman Gallery, New York exquisite beauty in a form and place Literature where I would have least expected it.” Mann, Immediate Family, n.p.
Abrams, Sally Mann: A Thousand Sally Mann Crossings, pl. 13
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 73 07/05/19 09:23 77. Sally Mann b. 1951
Fallen Child, 1989 Gelatin silver print. 19 3/4 x 23 3/4 in. (50.2 x 60.3 cm) Signed, titled, dated, numbered 10/25, copyright notation and edition information in pencil on the verso.
Estimate $12,000-18,000
Literature Mann, Immediate Family, n.p.
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 74 07/05/19 09:23 78. Sally Mann b. 1951
Jessie at 6, 1988 Gelatin silver print. 19 1/2 x 23 3/8 in. (49.5 x 59.4 cm) Signed, titled, dated, numbered 3/25 and copyright notation in pencil on the verso.
Estimate $15,000-20,000
Provenance Private Collection, New York
Literature Mann, Immediate Family, n.p. Abrams, Sally Mann: A Thousand Crossings, pl. 9
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 75 07/05/19 09:23 79.
79. Sandy Skoglund b. 1946 80. Sandy Skoglund b. 1946
Atomic Love, 1992 Raining Popcorn, 2001 Dye destruction print. Dye destruction print. 47 3/8 x 63 in. (120.3 x 160 cm) 39 x 49 5/8 in. (99.1 x 126 cm) Signed, titled, dated, numbered 1/30 and Signed, titled, dated and numbered copyright notation in ink on the recto. 7/30 in ink on the recto.
Estimate Estimate $7,000-9,000 $7,000-9,000
Provenance Provenance Janet Borden, Inc., New York Janet Borden, Inc., New York
Exhibited Literature Sandy Skoglund: Reality Under Siege, Smith PaciArte Contemporanea, Sandy College Museum of Art, Northampton, Skoglund: Magic Time, p. 53 12 March 1998 - 24 May 1998, traveling to Cincinnati Art Museum, The Columbia Museum of Art, Toledo Museum of Art and The Jacksonville Museum of Contemporary Art through 7 November 1999
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 76 07/05/19 09:23 80.
81. Loretta Lux b. 1969
The Fish, 2003 Provenance Dye destruction print. Yossi Milo Gallery, New York 9 x 12 1/2 in. (22.9 x 31.8 cm) Signed, titled, dated and numbered Literature 20/20 in pencil on the verso. Aperture, Loretta Lux, p. 69
Estimate $4,000-6,000
81.
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 77 07/05/19 09:24 NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 78 07/05/19 09:24 82. Anne Collier b. 1970
Relevance, Supposition, Connection, Viewpoint, Evidence from Questions, 2011 Five chromogenic prints. Each 46 1/4 x 35 in. (117.5 x 88.9 cm) Each overall 51 1/2 x 40 in. (130.8 x 101.6 cm) Each signed in ink, printed title, date and number 4/5 on an artist’s label afxed to the reverse of the frame.
Estimate $50,000-60,000
Provenance Anton Kern Gallery, New York Private Collection, New York
Exhibited Paper, Le Musée d’Art Modern et d’Art Contemporaine (MAMAC), Nice, France, 30 June – 30 September 2012
Literature MAMAC, Paper, pp. 36-37
Using found materials as her subject matter, American artist Anne Collier documents our visual culture with the same approach as a classic still life photographer. Her intelligent and slyly playful imagery reframes appropriation for the 21st century. Collier’s Questions series documents a sequence of printed educational materials, each outlining a schematic approach to analyzing an academic problem. Removed from the context of the classroom, and presented as individual works, these questions and discussion prompts are transformed into a gentle but direct interrogation of the experience of looking at art.
The suite of Questions ofered here was shown in the Paper exhibition at Le Musée d’Art Modern et d’Art Contemporaine in Nice, France, in 2012. Questions was also included in the major 2014- 2015 retrospective of Collier’s work at the Museum of Contemporary Art, Chicago, which toured to Bard College and The Art Gallery of Ontario, Toronto, and in her solo 2018 exhibition at FRAC Normandie Rouen, France. A suite is also in the collection of the Museum of Fine Arts, Boston.
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 79 07/05/19 09:25 83. Angela Strassheim b. 1969 84. Alex Prager b. 1979
Untitled (Alicia in the Pool) from Pause, 2006 Ellen from Polyester, 2007 Chromogenic print. Chromogenic print. 37 1/2 x 47 1/2 in. (95.3 x 120.7 cm) 47 x 43 in. (119.4 x 109.2 cm) Signed in ink, printed title, date and number Signed, titled, dated and numbered 3/7 in 4/8 on a gallery label afxed to the reverse of ink on the reverse of the fush-mount. the fush-mount. Estimate Estimate $30,000-40,000 $10,000-15,000 Provenance Provenance Robert Berman Gallery, Santa Monica Marvelli Gallery, New York Private Collection, California
Literature Literature Harper’s Magazine, December 2014, cover Prager, Silver Lake Drive, p. 19
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 80 07/05/19 09:26 NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 81 07/05/19 09:27 85. Alex Prager b. 1979
Crystal from Polyester, 2007 Chromogenic print. 47 1/2 x 63 in. (120.7 x 160 cm) Signed, titled, dated and numbered 2/5 in ink on the reverse of the fush-mount.
Estimate $25,000-35,000
Provenance Robert Berman Gallery, Santa Monica Private Collection, California
Literature Prager, Silver Lake Drive, p. 23
“ A street photographer goes into the world looking for moments, I set the stage for moments to happen, but once we are both there, I think a similar thing occurs.”
Alex Prager
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 82 07/05/19 09:28 NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 83 07/05/19 09:29 86. Cindy Sherman b. 1954
Untitled (Lucille Ball), 1975 Provenance Fujicolor Crystal Archive print, printed 2001. Metro Pictures, New York 10 x 7 3/4 in. (25.4 x 19.7 cm) Signed and dated in ink on the verso. Literature The Museum of Modern Art, Cindy Sherman: Estimate The Complete Untitled Film Stills, fg. 1, there $8,000-12,000 titled The Lucy Photo-Booth Shoot Schor, Cindy Sherman: The Early Works 1975-1977, pp. 37, 123
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 84 07/05/19 09:29 87. William Klein b. 1928
Smoke + Veil, Paris (Vogue), 1958 Gelatin silver print, printed later. 17 3/4 x 12 5/8 in. (45.1 x 32.1 cm) Signed, titled and dated in pencil on the verso.
Estimate $4,000-6,000
Provenance Private Collection, Europe
Literature Random House, William Klein: In & Out of Fashion, cover, there titled Evelyn Tripp, Paris Centre Georges-Pompidou, William Klein, p. 83 High Museum of Art, Chorus of Light: Photographs from the Sir Elton John Collection, p. 54
88. Jean-Philippe Charbonnier
b. 1921
Bettina, la plus belle, Paris. Vitrine de Van Cleef et Arpels, Place Vendôme, 1953 Gelatin silver print, printed 2001. 15 x 13 1/4 in. (38.1 x 33.7 cm) Signed, titled, dated, numbered 32/50 and annotated in pencil on the verso.
Estimate $4,000-6,000
Exhibited Woman: A Celebration, Orange County Museum of Art, Santa Ana, 2 August 2003 - 4 January 2004
Literature Rizzoli, Paris Deluxe: Place Vendôme, cover, detail Paris Audiovisuel, Jean-Philippe Charbonnier: Photographs, pl. 77
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 85 07/05/19 09:29 89.
89. Lillian Bassman 1917-2012 90. Martine Franck 1938-2012
Blowing Kiss, Barbara Mullen, New York, Rehearsal, Ballet Moiseyev, Moscow, Russia, 2000 circa 1958 Gelatin silver print, printed later. Gelatin silver print, printed later. 12 1/8 x 18 1/8 in. (30.8 x 46 cm) 31 x 29 3/4 in. (78.7 x 75.6 cm) Signed in ink and copyright credit blindstamp Signed in ink and numbered 11/25 in pencil in the margin. on an artist’s label afxed to the verso. Estimate Estimate $4,000-6,000 $20,000-30,000 Provenance Provenance Acquired directly from the artist Acquired directly from the artist Literature Literature Kyoto Museum of Contemporary Art, Martine Solomon, Lillian Bassman: Women, Franck, p. 53 p. 127, variant Steidl, Martine Franck: Women/Femmes, p. 20
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 86 07/05/19 09:30 90.
“ What I most like about photography is the moment that you can’t anticipate: you have to be ready to greet the unexpected.”
Martine Franck
91. Olivia Parker b. 1941
Miss Appleton’s Shoes, 1976 Toned gelatin silver print. 6 5/8 x 4 7/8 in. (16.8 x 12.4 cm) Signed, titled, dated, numbered ‘19’ and copyright notation in ink in the margin.
Estimate $3,000-5,000
Provenance Private Collection, California
91.
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 87 07/05/19 09:30 92. Norman Parkinson 1913-1990
Audrey Hepburn with Flowers II, Rome, 1955 Archival pigment print, printed 2017. 20 x 15 5/8 in. (50.8 x 39.7 cm) Signed, titled, dated, numbered 18/21 by Elizabeth Smith, Archive co-manager, in ink and Estate copyright credit stamp on the verso.
Estimate $6,000-8,000
Provenance Acquired directly from the artist’s estate
93. Julius Shulman 1910-2009
Case Study House #22, Los Angeles, CA, Pierre Koenig Architect, 1960 Gelatin silver print, printed later. 20 x 15 7/8 in. (50.8 x 40.3 cm) Signed, titled and dated in ink on the recto.
Estimate $7,000-9,000
Provenance Acquired directly from the artist
Literature Rizzoli, A Constructed View: The Architectural Photography of Julius Shulman, cover Alexander, Julius Shulman’s Los Angeles, pl. 52 Taschen, Julius Shulman: Architecture and its Photography, p. 3
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 88 07/05/19 09:31 94. Henri Cartier-Bresson 1908-2004
Queen Charlotte’s Ball, London, 1959 Provenance Gelatin silver print, printed later. Acquired directly from the artist 17 1/2 x 12 in. (44.5 x 30.5 cm) Signed in ink and copyright credit Literature blindstamp in the margin. Clair, Henri Cartier-Bresson: Europeans, p. 217 Estimate $25,000-35,000
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 89 07/05/19 09:31 95. Allan Grant 1919-2008
Audrey Hepburn and Grace Kelly backstage at the 28th Annual Academy Awards, Hollywood, CA, 1956 Gelatin silver print, printed 1968. 17 3/4 x 13 5/8 in. (45.1 x 34.6 cm) Signed, dated, annotated in pencil, credit and ‘Life Photo’ credit stamps on the verso; typed copyright credit label afxed to the verso.
Estimate $10,000-15,000
Provenance Acquired directly from the artist
96. Eve Arnold 1912-2012
Marilyn on the set of ‘The Misfts,’ Nevada, 1960 Gelatin silver print, printed later. 12 3/8 x 18 7/8 in. (31.4 x 47.9 cm) Signed in pencil on the verso.
Estimate $3,000-5,000
Provenance Acquired directly from the artist
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 90 07/05/19 09:32 97. Yousuf Karsh 1908-2002
Audrey Hepburn, 1956 Provenance Gelatin silver print, printed later. Acquired directly from the artist’s estate 9 1/4 x 7 1/2 in. (23.5 x 19.1 cm) Signed in ink on the mount. Literature Travis, Yousuf Karsh: Regarding Heroes, Estimate back cover, p. 97 $12,000-18,000 Deutschen Historischen Museums, Yousuf Karsh: Helden aus Licht und Schatten, pl. 55 Little, Brown and Company, Karsh: A Sixty-Year Retrospective, p. 180
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 91 07/05/19 09:32 98. Barry Lategan b. 1935
Twiggy, 1966 Platinum palladium print, printed 2012. 23 1/4 x 19 1/2 in. (59.1 x 49.5 cm) Signed, titled, dated, numbered 26/35 in pencil and ‘31 Studio’ blindstamp in the margin.
Estimate $8,000-12,000
Provenance Acquired directly from the artist
Literature National Portrait Gallery, London, Twiggy: A Life in Photographs, cover, detail, p. 29
99. David Montgomery b. 1937
Grace Coddington, Vidal Sassoon fve-point cut, 1966 Gelatin silver print, printed later. 16 5/8 x 16 7/8 in. (42.2 x 42.9 cm) Signed and numbered 5/10 in ink in the margin.
Estimate $2,000-3,000
Provenance Acquired directly from the artist
Literature Phaidon, Grace: Thirty Years of Fashion at Vogue, pp. 22-23
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 92 07/05/19 09:33 100. Jerry Schatzberg b. 1927
Faye Dunaway, 1968 Platinum palladium print, printed later. 19 7/8 x 19 7/8 in. (50.5 x 50.5 cm) Signed and numbered 1/20 in pencil on the verso.
Estimate $10,000-15,000
Provenance Acquired directly from the artist
101. Arthur Elgort b. 1940
Kate Moss, Café Lipp, Paris, Vogue Italia, 1993 Gelatin silver print, printed later. 15 x 22 3/4 in. (38.1 x 57.8 cm) Signed in pencil on the verso. Number 11 from an edition of 30.
Estimate $6,000-8,000
Provenance Acquired directly from the artist Private Collection, New York
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 93 07/05/19 09:33 102. Horst P. Horst 1906-1999
V.O.G.U.E. (Lisa Fonssagrives), NY, 1940 Provenance Gelatin silver print, printed later. Acquired directly from the artist 17 7/8 x 13 5/8 in. (45.4 x 34.6 cm) Signed, titled, dated in pencil and credit Literature stamp on the verso; signature blindstamp Vogue, 1 June 1940, cover in the margin. Kazmaier, Horst: Sixty Years of Photography, p. 17 Estimate National Portrait Gallery, Horst Portraits: $5,000-7,000 60 years of style, pl. 64 Vendome Press, Lisa Fonssagrives: Three Decades of Classic Fashion Photography, pp. 14, 56
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 94 07/05/19 09:35 103. Horst P. Horst 1906-1999
Coco Chanel, II, Paris, 1937 Platinum palladium print, printed later. 14 1/2 x 11 5/8 in. (36.8 x 29.5 cm) Signed, titled, dated, numbered ‘AP,’ and annotated in pencil on the verso; signature blindstamp in the margin. One from an edition of 6 plus artist’s proofs.
Estimate $5,000-7,000
Provenance Acquired directly from the artist’s estate
104. Norman Parkinson 1913-1990
Travel Clothes, Vogue, May, 1953 Gelatin silver print. 7 5/8 x 7 5/8 in. (19.4 x 19.4 cm) ‘Vogue Studio’ credit, Condé Nast reproduction limitation, ‘Brogue May 1953,’ Norman Parkinson Trust copyright stamps and annotated in ink on the verso.
Estimate $4,000-6,000
Provenance Acquired directly from the artist’s estate
Literature British Vogue, May 1953, p. 85
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 95 07/05/19 09:36 105. Sabine Weiss b. 1924
La 2CV sous la pluie, Paris, 1957 Gelatin silver print, printed later. 16 3/4 x 13 in. (42.5 x 33 cm) Signed, titled, dated and annotated in pencil on the verso.
Estimate $3,000-4,000
Provenance Acquired directly from the artist
Literature Contrejour, Sabine Weiss: Intimes Convictions, p. 102 Éditions de La Martinière, Sabine Weiss, p. 64 Weiss, Sabine Weiss: L’oeil Intime, p. 86
106. Eve Arnold 1912-2012
Gala Opening, Metropolitan Opera, New York, 1950 Gelatin silver print, printed later. 13 7/8 x 13 1/2 in. (35.2 x 34.3 cm) Signed in pencil on the verso.
Estimate $2,500-3,500
Provenance Acquired directly from the artist
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 96 07/05/19 09:36 107. Ormond Gigli b. 1925
Girls in the Windows, New York City, 1960 Provenance Chromogenic print, printed later. Acquired directly from the artist 49 1/2 x 49 1/2 in. (125.7 x 125.7 cm) Signed, titled, dated and numbered 31/75 Literature in ink on the reverse of the mount. powerHouse Books, Ormond Gigli: Girls in the Windows and Other Stories, cover, p. 23 Estimate Little, Brown & Company, Refections in a $25,000-35,000 Glass Eye: Works from the ICP, pl. 63
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 97 07/05/19 09:37 Sale Information
Auction & Viewing Location Auction License Photographs Department 450 Park Avenue New York 10022 2013224 +1 212 940 1245
Auction Auctioneers Deputy Chairwoman, Americas, 7 June, 10am Hugues Joffre - 2028495 Worldwide Head of Photographs Sarah Krueger - 1460468 Vanessa Hallett Viewing Henry Highley - 2008889 [email protected] 2 – 6 June Adam Clay - 2039323 Jonathan Crockett - 2056239 Head of Sale Sunday 12pm – 6pm Samuel Mansour - 2059023 Rachel Peart Monday – Thursday 10am – 6pm Rebecca Tooby-Desmond - 2058901 [email protected] Susan Abeles - 2074459 Sale Designation Aurel Bacs – 2047217 Head of Department, New York When sending in written bids Blake Koh – 2066237 Sarah Krueger or making enquiries please refer Susannah Brockman – 2058779 [email protected] to this sale as NY040219 or Rebekah Bowling - 2078967 Women in Photography. Senior International Specialist Catalogues Christopher Mahoney Absentee and Telephone Bids [email protected] [email protected] tel +1 212 940 1228 New York +1 212 940 1240 fax +1 212 924 1749 London +44 20 7318 4024 Senior Specialist [email protected] Hong Kong +852 2318 2000 Caroline Deck $35/€25/£22 at the gallery [email protected]
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Photography Jean Bourbon Kent Pell Matt Kroenig Mark Babushkin
Front cover Alma Lavenson, Self Portrait, 1932, lot 62 Back cover Vera Lutter, 745 Fifh Avenue, New York City: September 29, 1995, lot 37 (detail)
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NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 99 07/05/19 09:38 NY Guide for Prospective Buyers
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NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 101 07/05/19 09:38 Index
Abbott, B. 35, 36, 40 Haun, D. 17 Neshat, S. 59 Adelman, B. 18 Higgins, C. 57 Arbus, D. 45–47 Hine, L. W. 73 O’Neill, M. 20 Arnold, E. 96, 106 Ho, F. 48 Orkin, R. 50 Horst, H. P. 102, 103 Bassman, L. 89 Parker, O. 91 Bernhard, R. 3, 4 Iturbide, G. 12 Parkinson, N. 92, 104 Boubat, É 25, 49 Prager, A. 84, 85 Bravo, M. Á. 10, 11 Karsh, Y. 52, 97 Käsebier, G. 68, 72 Riboud, M. 16 Cameron, J. M. 71 Klein, W. 87 Robertson, G. 23 Cartier-Bresson, H. 2, 8, Kuehn, H. 69 Ronis, W. 22, 28 9, 32, 94
Charbonnier, J-P. 88 Lange, D. 63–65 Salgado, S. 54 Collier, A. 82 Larraín, S. 31 Sander, A. 24 Cunningham, I. 1 Lategan, B. 98 Schatzberg, J. 100 Lavenson, A. 62 Seeley, G. H. 70 Dater, J. 5 Leonard, H. 33, 34 Sherman, C. 86 Davidson, B. 43, 44 Levitt, H. 38, 39, 41 Shulman, J. 93 Lowe, J. 19 Skoglund, S. 79, 80 Elgort, A. 101 Lutter, V. 37 Strassheim, A. 83 Erwitt, E. 74 Lux, L. 81 Essaydi, L. 56, 58 Weems, C. M. 15 Mann, S. 75–78 Weiss, S. 30, 105 Franck, M. 6, 14, 29, 90 Mapplethorpe, R. 51 Woodman, F. 60 Mark, M. E. 7 Garduño, F. 13 McCurry, S. 53, 55 Gigli, O. 107 Model, L. 42 Gowin, E. 26 Modotti, T. 66 Grant, A. 95 Montgomery, D. 21, 99 Groebli, R. 27 Morgan, B. 67 Muholi, Z. 61
NY_PHOTO_FETTERMAN_JUNE19_64-103_BL.indd 102 07/05/19 09:39 450 Park Avenue New York 10022 phillips.com +1 212 940 1200 [email protected]
Please return this form by email to [email protected] at least 24 hours before the sale. • Private purchases: Proof of identity in the form of government-issued identification will be required. Please read carefully the information in the right column and note that it is important that you indicate whether you are applying as an individual or on behalf of a company. • Company purchases: If you are buying under a business entity we require a copy of government-issued identification (such as a resale certificate, corporate bank information or Please select the type of bid you wish to make with this form (please select one): the certificate of incorporation) to verify the status of the In-person Paddle Number company. Absentee Bidding • Conditions of Sale: All bids are placed and executed, and all Telephone Bidding lots are sold and purchased, subject to the Conditions of Sale printed in the catalogue. Please read them carefully before placing a bid. Your attention is drawn to Paragraph 4 of the Please indicate in what capacity you will be bidding (please select one): Conditions of Sale. As a private individual • If you cannot attend the sale, we can execute bids On behalf of a company confidentially on your behalf. • Phillips charges the successful bidder a commission, or buyer’s premium, on the hammer price of each lot sold. The Sale Title Sale Number Sale Date buyer’s premium is payable by the buyer as part of the total purchase price at the following rates: 25% of the hammer price Title First Name Surname up to and including $400,000, 20% of the portion of the hammer price above $400,000 up to and including Company (if applicable) Account Number $4,000,000 and 13.5% of the portion of the hammer price above $4,000,000 on each lot sold. Address • “Buy” or unlimited bids will not be accepted. Alternative bids can be placed by using the word “OR” between lot numbers. • For absentee bids, indicate your maximum limit for each lot, City State/Country excluding the buyer’s premium and any applicable sales or use tax. Your bid will be executed at the lowest price taking into Zip Code account the reserve and other bidders. On no reserve lots, in the absence of other bids, your bid will be executed at Phone Mobile approximately 50% of the low pre-sale estimate or at the Email Fax amount specified, if less than 50% of the low estimate. • Your bid must be submitted in the currency of the sale and will Phone (for Phone Bidding only) be rounded down to the nearest amount consistent with the auctioneer’s bidding increments. Phone number to call at the time of sale (for Phone Bidding only) • If we receive identical bids, the first bid received will take 1. 2. precedence. • Arranging absentee and telephone bids is a free service provided by us to prospective buyers. While we will exercise reasonable care in undertaking such activity, we cannot Please complete the following section for telephone and absentee bids only accept liability for errors relating to execution of your bids Lot Number Brief Description US $ Limit* except in cases of willful misconduct. Agreement to bid by In Consecutive Order Absentee Bids Only telephone must be confirmed by you promptly in writing or by fax. Telephone bid lines may be recorded. • Please submit your bids to the Bid Department by email to [email protected] or by fax at +1 212 924 1749 at least 24 hours before the sale. You will receive confirmation by email within one business day. To reach the Bid Department by phone please call +1 212 940 1228. • Absent prior payment arrangements, please provide a bank reference. Payment can be made by cash (up to $2,000), credit card (up to $50,000), money order, wire transfer, bank check or personal check with identification. • Lots cannot be collected until payment has cleared and all charges have been paid. • By signing this Bid Form, you acknowledge and understand that we may process your personal data (including potentially special category data) in accordance with Phillips’s Privacy Policy as published at www.phillips.com or available by emailing [email protected]. • Phillips’s premises may be subject to video surveillance and recording. Telephone calls (e.g., telephone bidding) may also be recorded. We may process that information in accordance * Excluding Buyer’s Premium and sales or use taxes with our Privacy Policy.
Signature Date Please check this box to receive emails about upcoming sales, By checking this box, you conf rm your registration/bid(s) as above and accept the Conditions of Sale of exhibitions, and special events of ered by members of the Phillips Phillips as stated in our catalogues and on our website. group, as referenced in our Privacy Policy available on our website at www.phillips.com, where you may also update your email preferences or unsubscribe at any time.
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