The Tonight Show Band with Doc Severinsen

Total Page:16

File Type:pdf, Size:1020Kb

The Tonight Show Band with Doc Severinsen The Tonight Show Band The Tonight Show Band • Vol. II mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Tonight Show Band • Vol. II Country: Canada Released: 1987 Style: Big Band, Swing MP3 version RAR size: 1612 mb FLAC version RAR size: 1568 mb WMA version RAR size: 1266 mb Rating: 4.9 Votes: 120 Other Formats: AC3 XM MP3 WMA DXD DMF MP2 Tracklist Hide Credits In The Mood Arranged By – Jeff TyzikDrums [Solo] – Ed ShaughnessyTenor Saxophone [Solo] – Ernie A1 3:34 Watts, Pete ChristliebTrumpet [Solo] – Doc Severinsen, Snooky Young*Written-By – J. Garland* The Jersey Bounce Arranged By – John BambridgePiano [Solo] – Ross TompkinsTenor Saxophone [Solo] – Pete A2 4:09 ChristliebTrumpet [Solo] – Doc SeverinsenWritten-By – B. Platter*, E. Johnson*, M. Bradshaw* Georgia On My Mind A3 Arranged By – Tommy NewsomTrumpet [Solo] – Doc SeverinsenWritten-By – H. 3:57 Carmichael*, S. Gorrell* The World Is Waiting For Sunrise A4 Arranged By – Bill HolmanDrums [Solo] – Ed ShaughnessyTenor Saxophone [Solo] – Pete 2:56 ChristliebTrumpet [Solo] – Doc SeverinsenWritten-By – E. Seitz*, E. Lockhart* Airmail Special A5 Arranged By – John BambridgeTrumpet [Solo] – Conte CandoliWritten-By – B. Goodman*, 2:36 C. Christian*, J. Mundy* April In Paris A6 Arranged By – John BambridgeTenor Saxophone [Solo] – Pete ChristliebTrumpet [Solo] – 3:30 Doc SeverinsenWritten-By – E.Y. Harburg, V. Duke* Stardust B1 Arranged By – Tommy NewsomTrumpet [Solo] – Doc SeverinsenWritten-By – H. 5:19 Carmichael*, M. Parish* Take The "A" Train B2 3:07 Arranged By – Bill HolmanTrumpet [Solo] – Doc SeverinsenWritten-By – B. Strayhorn* Do Nothing 'Till You Hear From Me B3 Arranged By, Alto Saxophone [Solo] – Tommy NewsomWritten-By – B. Russell*, D. 2:45 Ellington* Serenade In Blue B4 Arranged By – Bill HolmanTrumpet [Solo] – Doc SeverinsenWritten-By – H. Warren*, M. 2:38 Gordon* Hamp's Boogie Woogie B5 Arranged By – John BambridgeTrombone [Solo] – Bruce PaulsonTrumpet [Solo] – Doc 3:38 Severinsen, Snooky Young*Written-By – L. Hampton*, M. Buckner* Jumpin' At The Woodside B6 Arranged By – Tommy NewsomPiano [Solo] – Ross TompkinsTenor Saxophone [Solo] – 3:41 Ernie WattsTrumpet [Solo] – Doc SeverinsenWritten-By – C. Basie* Companies, etc. Recorded At – Conway Studios Mixed At – Conway Studios Copyright (c) – Amherst Records, Inc. Phonographic Copyright (p) – Amherst Records, Inc. Manufactured By – Amherst Records Marketed By – Amherst Records Credits Alto Saxophone [Lead], Flute, Clarinet – Tommy Newsom Alto Saxophone, Flute, Clarinet – Bill Perkins, John Bambridge Art Direction, Photography By, Design – Brian D. McLaughlin Baritone Saxophone, Soprano Saxophone, Flute, Clarinet – Don Ashworth Bass – Joel DiBartolo Bass Trombone – Ernie Tack Design – Sheree Haley Drums – Ed Shaughnessy Engineer [Assistant] – Daren Klein, Richard McKernan Guitar – Bob Bain, Peter Woodford Management [Orchestra] – Al Lapin Mastered By – Bernie Grundman Other [Librarian] – Shelly Cohen Piano – Ross Tompkins Producer – Jeff Tyzik Recorded By, Mixed By – Daren Klein (tracks: A1, A6, B1), Mick Guzauski (tracks: A2 to A5, B2 to B6) Tenor Saxophone, Flute, Clarinet – Ernie Watts, Pete Christlieb Trombone – Bruce Paulson Trombone [Lead] – Gil Falco Trumpet [Lead], Flugelhorn – John Audino Trumpet, Flugelhorn – Allen Vizzutti, Conte Candoli, Snooky Young*, Maurey Harris Trumpet, Flugelhorn, Conductor – Doc Severinsen Notes Recorded "LIVE" in the studio on October 6-8 and December 3, 1986. Recorded and mixed at Conway Recording Studios, Hollywood, CA. Tracked on a Mitsubishi X-850 32 channel Digital, multi-track recorder. Mixed on a Mitsubishi X-80 2 track Digital recorder. Doc Severinsen plays a Bel Canto Trumpet manufactured by the Severinsen/Akright Co., Oakland, Ca. ©&℗ 1987 Amherst Records, Inc. Manufactured and marketed by Amherst Records. Printed in the U.S.A. Barcode and Other Identifiers Barcode: 0 5161-73312-4 Other versions Category Artist Title (Format) Label Category Country Year The Tonight Show The Tonight Band With Doc Show Band Amherst AMH 3312 Severinsen - The AMH 3312 US 1987 With Doc Records Tonight Show Band • Severinsen Vol. II (LP, Album) The Tonight Show The Tonight Band With Doc Show Band Amherst AMH 93312 Severinsen - The AMH 93312 US Unknown With Doc Records Tonight Show Band • Severinsen Vol. II (CD, Album) The Tonight Show The Tonight Band With Doc PECT 90761, Show Band Severinsen - The PECT 90761, Epic, Epic Canada 1987 PECT-90761 With Doc Tonight Show Band • PECT-90761 Severinsen Vol. II (Cass, Album, Chr) The Tonight Show The Tonight Band With Doc Show Band Amherst AMH 93312 Severinsen - The AMH 93312 US 1987 With Doc Records Tonight Show Band • Severinsen Vol. II (CD, Album) The Tonight Show The Tonight Band With Doc Show Band PEC 90761 Severinsen - The Epic PEC 90761 Canada 1987 With Doc Tonight Show Band • Severinsen Vol. II (LP) Related Music albums to The Tonight Show Band • Vol. II by The Tonight Show Band Robb Johnson - Gentle Men: A Solo Performance By Robb Johnson Herbie Feat. Solo - Hate Me Now Pupo - Lo Devo Solo A Te Solo - Come On! Fruttetiriarsi - Solo Con Una Parola Live Show Jon Solo - Paul Stanley - Solo Tour - New Haven (12-03-89) Annibale - E' solo un impressione di...... Solo Joint, The - the solo joint 2 Monk - Solo Monk Christian - Siamo solo uomini Charlie Christian with the Benny Goodman Sextet with the Benny Goodman Septet with the Benny Goodman Orchestra - Solo Flight.
Recommended publications
  • T H E P Ro G
    Friday, February 1, 2019 at 8:30 pm m a r Jose Llana g Kimberly Grigsby , Music Director and Piano o Aaron Heick , Reeds r Pete Donovan , Bass P Jon Epcar , Drums e Sean Driscoll , Guitar h Randy Andos , Trombone T Matt Owens , Trumpet Entcho Todorov and Hiroko Taguchi , Violin Chris Cardona , Viola Clarice Jensen , Cello Jaygee Macapugay , Jeigh Madjus , Billy Bustamante , Renée Albulario , Vocals John Clancy , Orchestrator Michael Starobin , Orchestrator Matt Stine, Music Track Editor This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Lead support provided by PGIM, the global investment management businesses of Prudential Financial, Inc. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Saturday, February 2 at 8:30 pm Rachael & Vilray Wednesday, February 13 at 8:30 pm Nancy And Beth Thursday, February 14 at 8:30 pm St.
    [Show full text]
  • Lucky Drummer from NYC Jazz to Johnny Carson
    Lucky Drummer From NYC Jazz to Johnny Carson by Ed Shaughnessy with Robyn Flans © 2012 Ed Shaughnessy ISBN 978-1-888408-16-4 REBEATS PUBLICATIONS 219 Prospect, Alma, Michigan 48801 www.Rebeats.com Cover design, index, gear diagrams by Rob Cook Discography typing by Nancy Stringer Printed in the United States of America All rights for publication and distribution are reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retreival systems without publisher’s written consent. Where it’s at.... MY CHILDHOOD 1 Growing up in Jersey THE GOOD OL’ DAYS—THE STAGE-SHOW ERA 5 The Paramount, Strand, Capital, and Loew’s State theaters SUNDAY JAMS 7 Big name theater musicians jamming in small ballrooms THE TEEN YEARS 9 Timpani in the school orchestra, getting hooked up with frst teachers BILL WEST 11 More than a great teacher, a way to make the New York scene ANOTHER MENTOR 13 Mo Goldenberg and the mallets POST-HIGH SCHOOL 14 Getting a NYC room to establish residency DIDN’T MAKE THE CUT 14 Fired from my frst professional job– not for musical reasons BOBBY BYRNE AND THE BIG EASY 14 Working with the trombonist in New Orleans BACK HOME 15 Back to NYC with Jack Teagarden and George Shearing THE ’50s 16 Experimental music with Teddy Charles, Miles Davis WATCHING FROM THE BALCONY—WATCHA GONNA BRING? 16 Coming of age in New York City CHARLIE VENTURA 17 Introduction to touring by the bop saxmaster, zoot suit pants A STAR IS BORN 19 My frst endorsement deal THE TIME I DIDN’T 20
    [Show full text]
  • Jazzletter PO Box 240, Ojai CA 93024-0240
    Gene Lees Jazzletter PO Box 240, Ojai CA 93024-0240 November 1999 Vol. 18 N0. 11 Other Voices imposing licensing and record-keepingrequirements on gun dealers and prohibiting firearms purchasers from providing false state- I finished reading Slaughterhouse '99 and a depressed day trader ments, and even an Illinois ban on possession of most handgims. goes on a spree in Atlanta. Then a man who wants to give a . In these cases, the courts have held that the Second Amend- “wake-up call to America to kill the Jews” opens fire in Los ment guarantees a ‘collective right’, not an individual one.” Angeles on little children. “Pith schools starting this week all over The cowardice is found not necessarily in the courts but rather America, should we ask Tom Selleck where the next rampage will in the state legislatures and the Congress, greedily trousering NRA occur? . dollars and doing their bidding. As your favorite songwriter said, You may want to ask the impressive liberal Ted Turner, now “Money doesn’t talk, it swears." Of course, with the present a part of the Time-Life-Warner cartel. If he is a liberal, he has a composition of the “Renchburg” court, as Nixon once called him, lovely way of showing it. there is no guarantee this modicum will continue. This Court seems Thanks for the altemative to crap you provide. determined to return the nation to the ante-bellum days of Henry - — Thomas Priesmeyer; Nashville, Tennessee Clay and John C. Calhoun arguing over states’ rights. I can ahnost hear Jesse Helms and Strom Thurmond calling for a reconsidera- Since your thoughtful and compelling article Slaughterhouse tion of the “unsettled slavery” issue.
    [Show full text]
  • DOC SEVERINSEN Bio Conductor/Trumpeter
    DOC SEVERINSEN BIO Conductor/Trumpeter Heeeeere’s Johnny!” That lead-in, followed by a big band trumpet blast, was the landmark of late night television for three de- cades. The ‘Johnny’ was Johnny Carson, the announcer was Ed McMahon and the bandleader was Doc Severinsen. Beginning in October 1962, The Tonight Show with Johnny Carson ruled the night air for thirty years. On May 22, 1992, it came to an end… Within a week of the final telecast, Doc Severinsen and His Big Band were on the road, and to this day, audiences across America love and respect Doc and his big band, not just because he shared their living room with them for so many years, but because of Doc’s love of the Big Band repertoire. His musicianship keeps this iconic American music fresh to this day. Their repertoire includes Ellington and Basie standards, pop, jazz, ballads, big band classics and, of course, The Tonight Show theme. Severinsen can still blow hard with his horn, and hit the high notes, a result of his continued commitment to the practice studio and the refinement of his craft. But as a band leader, Doc continues to surround himself with the best in the business, and he’s only too happy to give them a turn in the spotlight. A Grammy award winner, Doc has made more than 30 albums–from big band to jazz-fusion to classical. Two critically acclaimed Telarc CDs with the Cincinnati Pops Orchestra showcase his multifaceted talents from Bach to ballads. The Very Best of Doc Severinsen reprises fifteen of Doc’s signature pieces.
    [Show full text]
  • JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
    JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds.
    [Show full text]
  • University of Mary Jazz Festival Guest Artists
    University of Mary Jazz Festival Guest Artists 2020 Kim Nazarian, vocal Jeremy Allen, bass Nestor Torres flute Jennifer Scovell Parker, vocal Mike Waldrop, drums Jorge Luis Sosa piano Shon Parker, vocal Kirby Shaw, vocal jazz Edwin Bonilla drums Stephen Futrell, vocal jazz Rey Monroig drums 2015 Rueben Caban trombone Donny McCaslin, sax 2011 Agustin Conti bass Kirk Marcy, vocal Jeff Coffin, saxophone Amie Nolte vocal jazz Jay Ware, percussion Vijay Singh, vocalist Justin Binek vocal jazz * Jeremy Fox, vocal Michele Weir, vocalist Rachel Eckroth, vocal/piano Tom Giampietro, drums 2019 Joey Tartell, trumpet Vladan Milenkovic, piano Terell Stafford, trumpet Zach Lapidus, piano 2010 Ulysses Owens, Jr. drums Jon Faddis, trumpet Christine Jensen, saxophone 2014 Darmon Meader, saxophone, Luke Malewicz, trombone Conrad Herwig, trombone vocalist Stephen Futrell, vocal jazz Shawn Edmonds, trumpet Steve Zegree, vocalist Jennifer Scovell Parker, vocal Mark Gross, sax jazz Champian Fulton, 2009 Shon Parker, vocal jazz vocal/piano Everette DeVan, organ Steven Zegree, vocal/piano Tim Whitmer, piano 2018 Dion Parson, percussion Rod Fleeman, guitar Helen Sung, piano Millie Edwards, vocalist Steve Davis, trombone 2013 Duck Warner, vocalist Corey Christiansen, guitar (40th Anniversary) Jim Mair, sax (’88)* Josh Johnson, saxophone Dave Lisik, True North, vocal jazz composer/trumpet * 2008 John Pittman, trumpet * Mario DeCiutiis, percussion 2017 Terry Peffer, saxophone * Paul van Wageningen, New York Voices Justin Binek, vocal/piano * percussion Jay Ashby, trombone Kerry Marsh, vocal Jim Mair, sax (’88)* Dave Douglas, trumpet Michael Land, piano Marc van Wageningen, bass Jonathan Maron, electric Jim McMahon, trumpet * David K Mathews, keyboards bassist Jon Baumann, trombone * John Worley, Jr.
    [Show full text]
  • Jazzletter PO Box 240, Ojai CA 93024-0240
    GeneLees Ad Libitum 6- Jazzletter PO Box 240, Ojai CA 93024-0240 Val. 23 Na 2 February 2005 humor, and Al had a new joke — no, three or four of them! Bright Nights at the Half Note: —— every afiemoon, when he’d come in from one studio gig Legends of Zoot and Al r or another. We all used to wonder where he got them. Al was an adept of unpremeditated wisecracks. Two of The year 1962-63 was a dark one for me. I had dumped my the most famous: job in Chicago as editor of Down Beat and moved to New A derelict approached him on the street, saying, “Sir, I’m York, pretty much flat broke, and that year was a crazy quilt an alcoholic, and I need a drink.” Impressed, presumably, of contradictions, of deep depressions and unexpected by such candor, Al — a pretty stalwart drinker himself , as soaring of the spirit, of successes and discoveries and new we all were in those days —- peeled offa little loot and said, friendships, some of which I treasure to this day, whether as he handed the man the cash, “Wait a minute, how do I that friend is alive, like Phil Woods and Dave Frishberg and know you won’t spend this on food?” Bill Crow and Roger Kellaway, or gone, like Zoot Sims and Al played a gig in Copenhagen, where they have a brand Al Cohn and Art Farmer and Gerry Mulligan and Bill Evans ofbeer called Elephant. He was asked when he checked in and Jack Whittemore and Jimmy Koulouvaris.
    [Show full text]
  • Rebel Issue Savages the Go Go's
    a magazine about female drummers TOM TOM MAGAZINE summer 2014 #18: the rebel issue rebel issue sa va ges Fay Milton Kris Ramos of STOMP Didi Negron of the Cirque du Soleil Go go’s Gina Schock Alicia Warrington ISSUE 18 | USD $6 DISPLAY SUMMER 2014 kate nash CONTRIBUTORS INSIDE issUE 18 FOUNDER/pUblishER/EDiTOR-iN-ChiEF Mindy Abovitz ([email protected]) BACKSTAGE WITH STOMP maNagiNg EDitor Melody Allegra Berger 18 REViEWs EDitor Rebecca DeRosa ([email protected]) DEsigNERs Candice Ralph, Marisa Kurk & My Nguyen CIRQUE DU SOLEIL CODERs Capisco Marketing 20 WEb maNagER Andrea Davis NORThWEsT CORREspONDENT Lisa Schonberg PLANNINGTOROCK NORThWEsT CREW Katherine Paul, Leif J. Lee, Fiona CONTRibUTiNg WRiTER Kate Ryan 24 Campbell, Kristin Sidorak la CORREspONDENTs Liv Marsico, Candace Hensen OUR FRIENDS HABIBI miami CORREspONDENT Emile Milgrim 26 bOston CORREspONDENT Kiran Gandhi baRCElONa CORREspONDENT Cati Bestard NyC DisTRO Segrid Barr ALICIA WARRINGTON/KATE NASH EUROpEaN DisTRO Max Markowsky 29 COpy EDiTOR Anika Sabin WRiTERs Chloe Saavedra, Rachel Miller, Shaina FAY FROM SAVAGES Machlus, Sarah Strauss, Emi Kariya, Jenifer Marchain, Cassandra Baim, Candace Hensen, Mar Gimeno 32 Lumbiarres, Kate Ryan, Melody Berger, Lauren Flax, JD Samson, Max Markowsky illUsTRator Maia De Saavedra TEChNiqUE WRiTERs Morgan Doctor, Fernanda Terra gina from the go-go’s Vanessa Domonique 36 phOTOgRaphERs Bex Wade, Ikue Yoshida, Chloe Aftel, Stefano Galli, Cortney Armitage, Jessica GZ, John Carlow, Annie Frame SKIP THE NEEDLE illUsTRaTORs Maia De Saavedra
    [Show full text]
  • Platonic Ideal (2011) Work Sample No. 2 Bassist Bob Hurst Was Only 15 When He Started Playing Gigs Around Detr
    Robert Hurst: Platonic Ideal (2011) Work Sample No. 2 Bassist Bob Hurst was only 15 when he started playing gigs around Detroit with his mentor, trumpeter Marcus Belgrave. The teen got schooled by his elders nightly, and not just those on the bandstand. It takes a village to raise a jazz musician, and one reason why Detroit has produced so many front-rank players is that the villagers are as hip as they come. The cognoscenti always reminded Hurst that he was already a part of a Detroit jazz bass tradition that included such heroes as Paul Chambers, Ron Carter, Doug Watkins and a gaggle of others. “Everyone let me know this was a bass town,” Hurst remembers. “They’d say to me over and over, ‘Paul Chambers, Ron Carter and Doug Watkins.’" He repeats the names, slapping his right hand into his left on the beat. "‘Paul Chambers. Ron Carter. Doug Watkins.’ That’s all I heard growing up. It was this Mt. Rushmore of people you needed to know.” More than 30 years later, Hurst has earned his own spot in the starry constellation of the most important bassists produced by Detroit. A leading figure of his generation at 46, Hurst approaches the Platonic ideal of a contemporary mainstream bassist. He marries a fearsomely swinging pulse, espresso-rich tone, enviable technique and a sweeping authority in matters of rhythm, harmony, melody and form. “The bass is hard to play with total clarity because of the nature of the instrument, but Bob is one of the very best,” says star bassist Christian McBride, who counts Hurst among his key influences.
    [Show full text]
  • October 6, 1999 Cal Poly Report
    CAL POLY REPORT, OCTOBER 6, 1999 ••• Honored Alumni North County commuters California Polytechnic State University Continued from page 1 • College of Science and Mathematics: eligible for new program San Luis Obispo, CA 93407 Vol. 54, No. 5 • October 6, 1999 doctorate from UC's Hastings College of William R. Livesay, a 1967 physics Employees and students who live in ort Published the Communications Office • www.calpoly.edu/-communic/CPR/report.htm Law, Fischbach joined Baker, Manock & graduate. Livesay, a successful inventor, the North County can earn "lucky bucks" by Jensen, a firm specializing in professional founded two semiconductor equipment for gifts, simply by ride sharing during malpractice defense and personal injury companies and was an early pioneer in the three-year Cuesta Grade construc­ litigation. He served the State Bar of Cali­ electron-beam lithography. As founder tion project. fornia in a variety of capacities, including and president of Electron Vision Corp., he Those who sign up for the new incen­ Colleges, UCTE pick developed and patented the first large-area president from 1994 to 1995. He was tive pr,ogram are asked to keep track of DATELIIIE '99 Honored Alumni president of the Fresno County Bar Asso­ electron source for use by the semicon­ the transportation they use to get to and ($)-Admission charged The six colleges and the University ciation in 1985; vice president, 1984; and ductor industry. He sold the company to from campus. Points earned can be re­ Exhibits Center for Teacher Education have director in 1975, 1978 to 1981, and 1983 Allied Signal Inc./Electron Vision, where deemed for movie tickets, car washes, ASI Fine Arts Club 221 (formerly UU selected their 1999 Honored Alumni, to 1986.
    [Show full text]
  • Genes Recording Pals
    GENE BERTONCINI’S RECORDING PALS Chet Baker, Bette Midler, Ethel Ennis, Walt Levinsky, Ronny Whyte, Mark Murphy, Peter Bernstein, Chuck Rainey, Derek Smith, Willie Dennis, Monty Alexander, Stanley Turrentine, George Benson, Doc Cheatham, Hugh McCracken, John Harmon, Sara Partridge, Hubert Laws, Bill Charlap, Dick Hyman, Lew Tabackin, Some Davises (Richard, Mel, Eddie “Lockjaw”), Jiggs Whigham, Eric Gale, Milt Hinton, Yank Lawson, Eddie Safranski, Joe Wilder, Ralph Casale, Jane Harvey, Sean Smith, Paul Willihnganz (gee!) Idris Muhammed, Paul and Merv Griffin, Carl and Kenny Pool(e), Barbara Brussell, George Mraz, Ike Sturm, Hank Jones, Al Klink, Lalo Schiffrin. Frank Foster, Tom Jobim, Kenny Burrell, Johnny Smith, a couple of Desmonds (Trudy and Paul), Major Holly, Dana Leong, Dolly Dawn, Wynton Marsalis, Ted Rosenthal, The Pizzarellis, Bucky and John. Billy Taylor, Dave Bailey, Duke Pearson, Joe Puma, Joe Soldo, Joe Vito, Joe Locke, Clay Jenkins, Bob Haggart, Charles McPherson, Joe Byrd, Joe Ferrante, Herbie Hancock. Gary Burton, Jack Wilkins, Dick Lieb, Paul Winter, Wayne Shorter, Glenn Zotola Jerome Richardson, Rufus Reid, Richard Stolzman, Frank Vignola Ed Shaughnessy, Ed Laub, Danny Pucillo, Will Bradley, Jaki Byard, Al Caiola, Astrude Gilberto from Rio. Steve Gad, Phil Woods, Tony Mattola. Airto, Cecil McBee, Al Cohn, Carmen McRae, Rufus Jones, Jon Faddis, Bernie Glow, Bobby Hucherson, Warren Vache, Clare Fischer, Grady Tate, Mundell Lowe, Bob McCoy, Napua Devoy, The Flying Pisanos (John and Jeanne), Johnny “Hammond” Smith, Jackie and Roy. Gerry Mulligan, Urbie and Steve Green(e), Bobbi Rogers, Ray Armando, Mel Lewis, David Finck, Johnny Frigo, Jimmy Maxwell, Sonny Costanzo, Bill Watrous, Frank Wess, Harumi Kaneko, Eddie Gomez, Carol Hall, Michael Urbaniak, Ernie Royal, Ahmad Jamal, Nicole Pasternak, Burt Bacharach.
    [Show full text]
  • Doc Severinsen and His Big Band Center for Performing Arts
    Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 4-11-1997 Doc Severinsen and His Big Band Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "Doc Severinsen and His Big Band" (1997). Center for Performing Arts Memorabilia. Book 94. http://opus.govst.edu/cpa_memorabilia/94 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. oAiE CENTER FOR PERFORMING ARTS AT GOVERNORS STATE UNIVERSITY ICM Artists Presents DOC SEVERINSEN AND HIS BIG BAND The Center for Performing Arts Doc Severinsen, trumpet/conductor at Governors State University Barbara Morrison, Vocalist Jeffrey Ortmann, Acting Executive Director TRUMPETS presents Tom DeLibero Snooky Young Conte Candoli Dennis Tribuzzi Doc Severinsen TROMBONES Mike Daigeau Steve Wiest and His Big Band Orchestra Ernie Tack SAXOPHONES April 11, 1997 John Bambridge Karolyn Kafer Ernie Watts Doug Webb Sponsored by Coldwell Banker 1st American Chad Makela RHYTHM SECTION Ed Shaughnessy - drums Joel DiBartolo - bass Ross Tompkins - piano PRODUCTION Bernadette E. Hilario, Road Manager Mark Ockenfels, Production Manager/FOH Mixer THE GOVERNORS STATE UNIVERSITY FOUNDATION Brandon Senter "Ursula Sklan (Dr. Basil Sklan Scholarship in Mental Health) AND ALUMNI ASSOCIATION "Peg Smith (Dr. Keith W. Smith Scholarship for Careers in Higher Education) RECOGNIZE AND HONOR THEIR MAJOR DONORS AND Robert I.
    [Show full text]