Doc Severinsen and His Big Band Center for Performing Arts
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
T H E P Ro G
Friday, February 1, 2019 at 8:30 pm m a r Jose Llana g Kimberly Grigsby , Music Director and Piano o Aaron Heick , Reeds r Pete Donovan , Bass P Jon Epcar , Drums e Sean Driscoll , Guitar h Randy Andos , Trombone T Matt Owens , Trumpet Entcho Todorov and Hiroko Taguchi , Violin Chris Cardona , Viola Clarice Jensen , Cello Jaygee Macapugay , Jeigh Madjus , Billy Bustamante , Renée Albulario , Vocals John Clancy , Orchestrator Michael Starobin , Orchestrator Matt Stine, Music Track Editor This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Lead support provided by PGIM, the global investment management businesses of Prudential Financial, Inc. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Saturday, February 2 at 8:30 pm Rachael & Vilray Wednesday, February 13 at 8:30 pm Nancy And Beth Thursday, February 14 at 8:30 pm St. -
PIAZZOLLA CENTENNIAL CELEBRATION Saturday, March 13, 2021 at 7:30 Pm
PIAZZOLLA CENTENNIAL CELEBRATION Saturday, March 13, 2021 at 7:30 pm ALLEN-BRADLEY HALL MILWAUKEE SYMPHONY POPS Stas Venglevski, bayan Frank Almond, violin Roza Borisova, cello Jeannie Yu, piano Verano Porteño .................................................................Astor Piazzolla Tanguera .............................................................................Mariano Mores Mumuki ................................................................................Astor Piazzolla Quejas de Bandoneón .................................... Juan de Dios Filiberto La Violetera ...............................................................................José Padilla El Choclo................................................................................Ángel Villoldo Jalousie “Tango Tzigane” ................................................. Jacob Gade La Cumparsita ............................................Gerardo Matos Rodríguez Fuga y Misterio ................................................................Astor Piazzolla Allegro Tangabile .............................................................Astor Piazzolla Gitanerias ...................................................................... Ernesto Lecuona Por Una Cabeza .................................................................Carlos Gardel The MSO Steinway piano was made possible through a generous gift from Michael and Jeanne Schmitz. The Milwaukee Symphony Orchestra’s Reimagined Season is sponsored by the United Performing Arts Fund. 1 MILWAUKEE SYMPHONY ORCHESTRA -
Lucky Drummer from NYC Jazz to Johnny Carson
Lucky Drummer From NYC Jazz to Johnny Carson by Ed Shaughnessy with Robyn Flans © 2012 Ed Shaughnessy ISBN 978-1-888408-16-4 REBEATS PUBLICATIONS 219 Prospect, Alma, Michigan 48801 www.Rebeats.com Cover design, index, gear diagrams by Rob Cook Discography typing by Nancy Stringer Printed in the United States of America All rights for publication and distribution are reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retreival systems without publisher’s written consent. Where it’s at.... MY CHILDHOOD 1 Growing up in Jersey THE GOOD OL’ DAYS—THE STAGE-SHOW ERA 5 The Paramount, Strand, Capital, and Loew’s State theaters SUNDAY JAMS 7 Big name theater musicians jamming in small ballrooms THE TEEN YEARS 9 Timpani in the school orchestra, getting hooked up with frst teachers BILL WEST 11 More than a great teacher, a way to make the New York scene ANOTHER MENTOR 13 Mo Goldenberg and the mallets POST-HIGH SCHOOL 14 Getting a NYC room to establish residency DIDN’T MAKE THE CUT 14 Fired from my frst professional job– not for musical reasons BOBBY BYRNE AND THE BIG EASY 14 Working with the trombonist in New Orleans BACK HOME 15 Back to NYC with Jack Teagarden and George Shearing THE ’50s 16 Experimental music with Teddy Charles, Miles Davis WATCHING FROM THE BALCONY—WATCHA GONNA BRING? 16 Coming of age in New York City CHARLIE VENTURA 17 Introduction to touring by the bop saxmaster, zoot suit pants A STAR IS BORN 19 My frst endorsement deal THE TIME I DIDN’T 20 -
Doc Severinsen Returns June 2017 to Play with Kansas City Symphony
Contact: Beth Buchanan (816) 218-2621 [email protected] Doc Severinsen Returns June 2017 to Play with Kansas City Symphony for His 90th Birthday Celebration Concert available as add-on to season subscriptions now; single tickets on sale in July KANSAS CITY, Mo. | Feb. 29, 2016 — Legendary trumpet player and former bandleader of “The Tonight Show Starring Johnny Carson” Doc Severinsen returns for his second appearance in back-to-back seasons with the Kansas City Symphony. In celebration of his 90th birthday, he will perform with the Symphony at 7 p.m. on June 8, 2017, in Helzberg Hall at the Kauffman Center for the Performing Arts. In the coming “Here’s Doc!” concert, Severinsen will present his take on hits from the American Songbook and Big Band eras while sharing stories from his incredible 70-year career. The lineup includes favorites such as “Summertime,” “September Song,” “Smoke Gets in Your Eyes,” “I’ll Be Seeing You” and “I Got it Bad (And That Ain’t Good),” plus several special surprises. Severinsen previously appeared with the Symphony for a sold-out, holiday-themed concert called “Jingle Bell Doc” in December 2015. Currently, season subscribers can add on the Doc Severinsen concert to season packages. Concert tickets range $49-99. In July, single tickets will go on sale to the public. For more information or to add-on tickets to a season subscription, please visit kcsymphony.org or call the Kansas City Symphony Box Office at (816) 471-0400. For interviews or other media requests, please contact Communications Manager Beth Buchanan at [email protected] or (816) 218-2621. -
Doc" Severinsen Highlights UD Arts Series
University of Dayton eCommons News Releases Marketing and Communications 11-20-1978 "Doc" Severinsen Highlights UD Arts Series Follow this and additional works at: https://ecommons.udayton.edu/news_rls Recommended Citation ""Doc" Severinsen Highlights UD Arts Series" (1978). News Releases. 6673. https://ecommons.udayton.edu/news_rls/6673 This News Article is brought to you for free and open access by the Marketing and Communications at eCommons. It has been accepted for inclusion in News Releases by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. "DOC" SEVERINSEN HIGHLIGHTS UD ARTS SERIES DAYTON, Ohio, NoveIl'ber 20, 1978 --- The University of Dayton Arts Series will bring master jazz trumpeter "Doc" Severinsen to the Convention Center on Fifth and Main streets Saturday, December 2 to perform a mixed program of classics and popular favorites with the Dayton Philharmonic Orchestra. The cabaret- style concert -- sponsored jointly by the University and the Philharmonic Association -- will start at 8:30 p.m. Single tickets may still be purchased after November 20 by calling the Philharmonic Office 224-3521, or UD's Arts Series Office 229-2347 . lvlaestro Charles tvendelken-t11ilson \'li11 open the concert with several familiar classics. The "Doc's" special talents will then be featured when he and the Philharmonic perform ~'Jerle' s Concerto No. 1 for Trumpet and Orchestra, and the concluding piece, l'lalaguena by Ernesto Lecuona. Severinsen is probably best known for his nightly appearances on the Johnny Carson "Tonight Show;" if not for his trumpet virtuosity, then at least for the flamboyant costumes he wears on the show. -
Allen Vizzutti's Biography
Allen Vizzutti Equally at home in a multitude of musical idioms, Allen Vizzutti has visited 40 countries and every state in the union to perform with a rainbow of artists and ensembles including Chick Corea, 'Doc' Severinsen, the NBC Tonight Show Band, the Airmen Of Note, the Army Blues and Army Symphony Orchestra, Chuck Mangione, Woody Herman, Japan’s NHK Orchestra and the New Tokyo Philharmonic, the Budapest Radio Orchestra, , the Saint Paul Chamber Orchestra, the Leipzig Wind Symphony and the Kosie Wind Orchestra. Performing as a classical and a jazz artist, often in the same evening, he has appeared as guest soloist with symphony orchestras in Tokyo, Germany, St. Louis, Seattle, Rochester N.Y., Syracuse, Milwaukee, Buffalo, Phoenix, Croatia, Slovenia, Edmonton, Vancouver and Winnipeg to name a few. Music lovers in Germany, Poland, England, Sweden, Brazil, Canada, Japan, Australia and the United States have heard his brilliant sound over the airwaves of national television. Allen's status as an artist has led to solo performances at the Hollywood Bowl, Carnegie Hall, Newport Jazz Festival, Banff Center for the Performing Arts, Montreaux Jazz Festival, the Teton, Vail, Aspen and Brechenridge Music Festivals, the Charles Ives Center and Lincoln Center in New York City. From his home in Seattle Washington, Allen’s current career activities embody an impressive schedule of recitals, concerts, recording and composing. His continued commitment to music education and the value of music in everyday life results in an extensive schedule of guest appearances at universities throughout North America, Europe, Japan and Australia. “Beautiful…lyrical…stunning…stupifying.” “Trumpet player supreme.” -Syracuse Post Standard Allen's solo jazz recordings include CDs such as, "Ritzville", (Village Place Music), and “Trumpet Summit” and “Skyrocket” from Summit Records. -
ED311503.Pdf
DOCUMENT RESUME ED 311 503 CS 506 828 AUTHOR Eshlemln, Jog', G.; Neuendorf, Kimberly A. TITLE Perspectives on Humor and Their Application to Mass Media Comedy. PUB DATE Aug 89 NOTE 26p.; Paper presented at the Annual Meeting of the Association for Education in Journalism and Mass Communication (72nd, Washington, DC, August 10-13, 1989). PUB TYPE Speeches/Conference Papers (150) -- Information Analyses (070) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Classification; *Comedy; Communication Research; Human Relations; *Humor; Interpersonal Relationship; *Mass Media; Social Behavior IDENTIFIERS Jokes ABSTRACT After an extensive review of the literature on tne theoretical underpinnings of humor in human interaction, a six-category typology of humor was developed and exemplified by examples from mass media comedy. Humor can first be divided into two major types: individual level humor or social level humor. These levels are then further divided int.: the following categories: (1) bisociation and cognition;(2) arousal and physiological response; (3) managing social relationships;(4) social control; (5) reference group affiliation; and (6) disparagement. However, a single comedic event may possess characteristics that cuts across categories. (Forty-five references are appended.) (AS) * heproductions supplied by EDRS are the best that can be made * * from the original document. * Perspectives on Humor and their Application to Mass Media Comedy Joe G. Eshleman Fimberly A. Neuendorf Department of Communication Cleveland State University Cleveland, OH 44115 Paper presented to the Mass Communication and SocietyDivision of the Association for Education in Journalismand Mass Communication, Washington, DC, 1989. Joe G. Eshleman is an M.A. candidate in Communicationat Cleveland State University, where Kimberly A. -
University Wind Symphony 12Th Season Chapman University Wind Symphony
Chapman University Chapman University Digital Commons Printed Performance Programs (PDF Format) Music Performances 11-11-2006 University Wind Symphony 12th Season Chapman University Wind Symphony Follow this and additional works at: http://digitalcommons.chapman.edu/music_programs Recommended Citation Chapman University Wind Symphony, "University Wind Symphony 12th Season" (2006). Printed Performance Programs (PDF Format). Paper 1248. http://digitalcommons.chapman.edu/music_programs/1248 This Other Concert or Performance is brought to you for free and open access by the Music Performances at Chapman University Digital Commons. It has been accepted for inclusion in Printed Performance Programs (PDF Format) by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. CHAPMAN UNIVERSITY WIND SYMPHONY The Wind Symphony at Chapman University has earned a reputation for its breadth of musicality and consistently high level of performance. Since its formation in 199 5, the ensemble has presented featured performances for the state conference of the California Music Educators CHAPMAN UNIVERSITY Association (1997, 1999, 2001, 2003), the Invitational Band Festival at the Orange County Performing Arts Center, and the Orange County Millennium. The Wind Symphony will return School of Music ;,0 the 2007 CMEA C.onference to present a featured performance and a clinic session entitled Histo~y of the American Band". The Wind Symphony tours bi-annually on the West C~ast of the Uruted States, and recently returned from a triumphant performance tour of Australia that mcluded a featured performance in the world-renowned Sydney Opera House. presents the ROBERT FRELLY Robert Frelly serves as Music Director and Conductor of the University Wind Symphony and Chamber Winds, as well as the Director of Music Education within the School of Music. -
Jazzletter PO Box 240, Ojai CA 93024-0240
Gene Lees Jazzletter PO Box 240, Ojai CA 93024-0240 November 1999 Vol. 18 N0. 11 Other Voices imposing licensing and record-keepingrequirements on gun dealers and prohibiting firearms purchasers from providing false state- I finished reading Slaughterhouse '99 and a depressed day trader ments, and even an Illinois ban on possession of most handgims. goes on a spree in Atlanta. Then a man who wants to give a . In these cases, the courts have held that the Second Amend- “wake-up call to America to kill the Jews” opens fire in Los ment guarantees a ‘collective right’, not an individual one.” Angeles on little children. “Pith schools starting this week all over The cowardice is found not necessarily in the courts but rather America, should we ask Tom Selleck where the next rampage will in the state legislatures and the Congress, greedily trousering NRA occur? . dollars and doing their bidding. As your favorite songwriter said, You may want to ask the impressive liberal Ted Turner, now “Money doesn’t talk, it swears." Of course, with the present a part of the Time-Life-Warner cartel. If he is a liberal, he has a composition of the “Renchburg” court, as Nixon once called him, lovely way of showing it. there is no guarantee this modicum will continue. This Court seems Thanks for the altemative to crap you provide. determined to return the nation to the ante-bellum days of Henry - — Thomas Priesmeyer; Nashville, Tennessee Clay and John C. Calhoun arguing over states’ rights. I can ahnost hear Jesse Helms and Strom Thurmond calling for a reconsidera- Since your thoughtful and compelling article Slaughterhouse tion of the “unsettled slavery” issue. -
'Doc' Severinsen by Unknown This Photograph Shows Twelve-Year-Old Carl Severinsen After Winning a Regional Musical Contest in 1939
Carl 'Doc' Severinsen By Unknown This photograph shows twelve-year-old Carl Severinsen after winning a regional musical contest in 1939. “Doc” Severinsen went on to become an award-winning musician best known for his work as music director of television’s Tonight Show. Born on July 7, 1927, Carl Severinsen grew up in the northeastern Oregon community of Arlington. His father was the town dentist as well as an accomplished musician who played violin in the town band. Severinsen remembers his father often practicing the violin in the house, and said in a 1996 interview that “music was a natural part of my life.” Severinsen began playing the trumpet at age seven. His father wanted him to learn the violin, but Severinsen wanted to learn how to play the trombone. Since the trombone was too big for him, he started playing the trumpet, given to him by a neighbor as Arlington did not have a music store. He later said that he “took to the trumpet naturally.” Just a week after getting his first trumpet Severinsen gave his first public performance at the local Methodist church. He soon became known as “Little Doc” in honor of his father’s profession. Although he won the Music Educator’s National Contest at age twelve, Severinsen did not begin playing seriously until he was in the Army. He organized a band at Ft. Lewis, Washington, where he was stationed, playing in officers clubs and on radio shows. He went on tour when he was discharged from the service, playing with the Charlie Barnet, Benny Goodman, and Tommy Dorsey bands. -
DOC SEVERINSEN Bio Conductor/Trumpeter
DOC SEVERINSEN BIO Conductor/Trumpeter Heeeeere’s Johnny!” That lead-in, followed by a big band trumpet blast, was the landmark of late night television for three de- cades. The ‘Johnny’ was Johnny Carson, the announcer was Ed McMahon and the bandleader was Doc Severinsen. Beginning in October 1962, The Tonight Show with Johnny Carson ruled the night air for thirty years. On May 22, 1992, it came to an end… Within a week of the final telecast, Doc Severinsen and His Big Band were on the road, and to this day, audiences across America love and respect Doc and his big band, not just because he shared their living room with them for so many years, but because of Doc’s love of the Big Band repertoire. His musicianship keeps this iconic American music fresh to this day. Their repertoire includes Ellington and Basie standards, pop, jazz, ballads, big band classics and, of course, The Tonight Show theme. Severinsen can still blow hard with his horn, and hit the high notes, a result of his continued commitment to the practice studio and the refinement of his craft. But as a band leader, Doc continues to surround himself with the best in the business, and he’s only too happy to give them a turn in the spotlight. A Grammy award winner, Doc has made more than 30 albums–from big band to jazz-fusion to classical. Two critically acclaimed Telarc CDs with the Cincinnati Pops Orchestra showcase his multifaceted talents from Bach to ballads. The Very Best of Doc Severinsen reprises fifteen of Doc’s signature pieces. -
JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds.