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Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2014 Funny Pages: Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College Recommended Citation Hernandez, Dahnya Nicole, "Funny Pages: Comic Strips and the American Family, 1930-1960" (2014). Pitzer Senior Theses. Paper 60. http://scholarship.claremont.edu/pitzer_theses/60 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. FUNNY PAGES COMIC STRIPS AND THE AMERICAN FAMILY, 1930-1960 BY DAHNYA HERNANDEZ-ROACH SUBMITTED TO PITZER COLLEGE IN PARTIAL FULFILLMENT OF THE BACHELOR OF ARTS DEGREE FIRST READER: PROFESSOR BILL ANTHES SECOND READER: PROFESSOR MATTHEW DELMONT APRIL 25, 2014 0 Table of Contents Acknowledgements...........................................................................................................................................2 Introduction.........................................................................................................................................................3 Chapter One: Blondie.....................................................................................................................................18 Chapter Two: Little Orphan Annie............................................................................................................35 -
Dilbert": a Rhetorical Reflection of Contemporary Organizational Communication
UNLV Retrospective Theses & Dissertations 1-1-1998 "Dilbert": A rhetorical reflection of contemporary organizational communication Beverly Ann Jedlinski University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Jedlinski, Beverly Ann, ""Dilbert": A rhetorical reflection of contemporary organizational communication" (1998). UNLV Retrospective Theses & Dissertations. 957. http://dx.doi.org/10.25669/3557-5ql0 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS Uns manuscript has been reproduced from the microfilm master. UMI fifans the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter free, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afifrct reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these wiH be noted. -
Commies, H-Bombs and the National Security State: the Cold War in The
Western Kentucky University TopSCHOLAR® History Faculty Publications History 1997 Commies, H-Bombs and the National Security State: The oldC War in the Comics Anthony Harkins Western Kentucky University, [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/history_fac_pubs Part of the American Popular Culture Commons, Cultural History Commons, and the Political History Commons Recommended Citation Anthony Harkins, “Commies, H-Bombs and the National Security State: The oC ld War in the Comics” in Gail W. Pieper and Kenneth D. Nordin, eds., Understanding the Funnies: Critical Interpretations of Comic Strips (Lisle, IL: Procopian Press, 1997): 12-36. This Contribution to Book is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in History Faculty Publications by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. Harkins 13 , In the late 1940s and early 1950s, the U.S. government into the key components of what later historians would dub the "national securi ty state." The National Security Act of 1947 established a of Defense, the Central Intelligence Agency, and the National Security Council. The secret "NSC-68" document of 1950 advocated the development of hydrogen bomb, the rapid buildup of conventional forces, a worldwide sys tem of alliances with anti-Communist governments, and the unpn~ce'Clent€~CI mobilization of American society. That document became a blueprint for waging the cold war over the next twenty years. These years also saw the pas sage of the McCarran Internal Security Act (requiring all Communist organizations and their members to register with the government) and the n the era of Ronald Reagan and Newt Gingrich, some look back upon the rise of Senator Joseph McCarthy and his virulent but unsubstantiated charges 1950s as "a age of innocence and simplicity" (Miller and Nowak of Communists in the federal government. -
Allen Rostron, the Law and Order Theme in Political and Popular Culture
OCULREV Fall 2012 Rostron 323-395 (Do Not Delete) 12/17/2012 10:59 AM OKLAHOMA CITY UNIVERSITY LAW REVIEW VOLUME 37 FALL 2012 NUMBER 3 ARTICLES THE LAW AND ORDER THEME IN POLITICAL AND POPULAR CULTURE Allen Rostron I. INTRODUCTION “Law and order” became a potent theme in American politics in the 1960s. With that simple phrase, politicians evoked a litany of troubles plaguing the country, from street crime to racial unrest, urban riots, and unruly student protests. Calling for law and order became a shorthand way of expressing contempt for everything that was wrong with the modern permissive society and calling for a return to the discipline and values of the past. The law and order rallying cry also signified intense opposition to the Supreme Court’s expansion of the constitutional rights of accused criminals. In the eyes of law and order conservatives, judges needed to stop coddling criminals and letting them go free on legal technicalities. In 1968, Richard Nixon made himself the law and order candidate and won the White House, and his administration continued to trumpet the law and order theme and blame weak-kneed liberals, The William R. Jacques Constitutional Law Scholar and Professor of Law, University of Missouri–Kansas City School of Law. B.A. 1991, University of Virginia; J.D. 1994, Yale Law School. The UMKC Law Foundation generously supported the research and writing of this Article. 323 OCULREV Fall 2012 Rostron 323-395 (Do Not Delete) 12/17/2012 10:59 AM 324 Oklahoma City University Law Review [Vol. 37 particularly judges, for society’s ills. -
2013 Syndicate Directory
2013 Syndicate Directory NEW FEATURES CUSTOM SERVICES EDITORIAL COMICS POLITICAL CARTOONS What’s New in 2013 by Norman Feuti Meet Gil. He’s a bit of an underdog. He’s a little on the chubby side. He doesn’t have the newest toys or live in a fancy house. His parents are split up – his single mother supports them with her factory job income and his father isn’t around as often as a father ought to be. Gil is a realistic and funny look at life through the eyes of a young boy growing up under circumstances that are familiar to millions of American families. And cartoonist Norm Feuti expertly crafts Gil’s world in a way that gives us all a good chuckle. D&S From the masterminds behind Mobilewalla, the search, discovery and analytics engine for mobile apps, comes a syndicated weekly column offering readers both ratings and descriptions of highly ranked, similarly themed apps. Each week, news subscribers receive a column titled “Fastest Moving Apps of the Week,” which is the weekly hot list of the apps experiencing the most dramatic increases in popularity. Two additional “Weekly Category” features, pegged to relevant news, events, holidays and calendars, are also available. 3TW Drs. Oz and Roizen give readers quick access to practical advice on how to prevent and combat conditions that affect overall wellness and quality of life. Their robust editorial pack- age, which includes Daily Tips, a Weekly Feature and a Q & A column, covers a wide variety of topics, such as diet, exercise, weight loss, sleep and much more. -
Conversation with Lee Falk
CONVERSATION WITH LEE FALK While still an undergraduate in the Midwest, Lee Falk invented Mandrake the Magician, the first black and white crime-fighting team. He created The Phantom, the first superhero in tights, within two years of graduation. F alk's other consuming passion was theater, which he indulged by owning and operating several playhouses, where he often filled the roles of producer and /or director. Raymond Elman: You've written sev- a rather ungracious young man, who talked became my partner, was a Harvard graduate, eral plays, owned a number of theaters, like he had mashed potatoes in his mouth and he knew about a theater in Cambridge- and produced many significant theater - very Eastern Establishment. He said, the Brattle Theater. A little group called pieces. Was your theater life a whole "These little midwest kind of stories are The Straw Hat Theater played there, run separate existence from your comic strip very boring. I don't think you should try to by Catherine Huntington, who dropped world? write." About five years later I was sail- the Straw Hat group to run the Provincetown Lee Falk: My ambition when I was a ing backfromEuropeon the Isle de France. Theater Company. Oddly enough, these young man was to be a playwright. I wrote By that time I had two strips going, I had two Huntingtons weren't related. His real plays and acted while I was in college, started a theater, I had a beautiful young name was Duryea Huntington Jones. He though I was never comfortable on the wife, and for a young man I was very changed his name because the boys at stage. -
Republican Appointees and Judicial Discretion: Cases Studies from the Federal Sentencing Guidelines Era
Republican Appointees and Judicial Discretion: Cases Studies From the Federal Sentencing Guidelines Era Professor David M. Zlotnicka Senior Justice Fellow – Open Society Institute Nothing sits more uncomfortably with judges than the sense that they have all the responsibility for sentencing but little of the power to administer it justly.1 Outline of the Report This Report explores Republican-appointed district court judge dissatisfaction with the sentencing regime in place during the Sentencing Guideline era.2 The body of the Report discusses my findings. Appendix A presents forty case studies which are the product of my research.3 Each case study profiles a Republican appointee and one or two sentencings by that judge that illustrates the concerns of this cohort of judges. The body of the Report is broken down as follows: Part I addresses four foundational issues that explain the purposes and relevance of the project. Parts II and III summarizes the broad arc of judicial reaction to aThe author is currently the Distinguished Service Professor of Law, Roger Williams University School of Law, J.D., Harvard Law School. During 2002-2004, I was a Soros Senior Justice Fellow and spent a year as a Visiting Scholar at the George Washington University Law Center and then as a Visiting Professor at the Washington College of Law. I wish to thank OSI and these law schools for the support and freedom to research and write. Much appreciation is also due to Dan Freed, Ian Weinstein, Paul Hofer, Colleen Murphy, Jared Goldstein, Emily Sack, and Michael Yelnosky for their helpful c omments on earlier drafts of this Report and the profiles. -
The Unlovable Founder of Dogpatch
DOW JONES, A NEWS CORP COMPANY Nikkei 23275.27 0.11% ▲ Hang Seng 25160.96 0.28% ▼ U.S. 10 Yr 1/32 Yield 0.710% ▲ Crude Oil 42.23 0.02% ▼ Yen 106.94 0.01% ▲ DJIA 27896.72 0.29% ▼ The Wall Street Journal John Kosner English Edition Print Edition Video Podcasts Latest Headlines Home World U.S. Politics Economy Business Tech Markets Opinion Life & Arts Real Estate WSJ. Magazine Search SHARE The Unlovable Founder of Dogpatch FACEBOOK Al Capp's "Li'l Abner" comic strip gave the world dopey Abner and voluptuous Daisy Mae, as well as expressions like "going bananas" and the TWITTER"double-whammy." EMAIL By Edward Kosner Feb. 22, 2013 3:22 pm ET PERMALINK SAVE PRINT TEXT When I was a kid, my randy pals and I were fascinated by the accepted wisdom that Al Capp's "Li'l Abner" comic strip was a trove of pornographic images if you only knew where to look. The idea was that if you clipped the image of a recumbent Daisy Mae from one frame and superimposed on it a sketch of Abner from another, you'd have—well, you get the picture. We never scored, but not for lack of squinting. It turns out that, back in the 1950s, congressional committees actually pored over photostats of Capp strips surreptitiously provided by a resentful rival cartoonist looking for crypto-smut, but they failed to find damning examples. This is but one of the indelicate tales told in Michael Schumacher and Denis Kitchen's "Al Capp: A Life to the Contrary," the first biography of a man who was a pop-cultural comet for four decades but has faded today into a Wikipedia entry. -
From Berlin to Fort Smith: a Cut Above Nicol Wintory’S Journey—Part I Solid Steels Scissors Co
Noncarbonated Tru-Ade Orange or Grape From Berlin To Fort Smith: A Cut Above Nicol Wintory’s Journey—Part I Solid Steels Scissors Co. Vol. 36, No. 2, September 2012 MISSION: The mission of the Fort Smith Historical Society, Inc., founded in 1977, is to publish The Journal of the Fort Smith Historical Society and through The Journal and other activities to locate, identify and collect historical data; to publish source materials and historical articles, all pertaining to the City of Fort Smith and the immediate surrounding area. Preservation of Fort Smith history is our primary mission and to this end, we always welcome the loan of Fort Smith historical material and will return it promptly. MEMBERSHIP & ORDERS: Journal back issues are QUESTIONS pertaining to the Fort Smith Historical available. Cost for the current issue is $7.50 plus a $2 Society or The Journal should be addressed via e-mail to: mailing charge per copy. Cost for past issues is $4 plus Jerry Akins [email protected] the $2 mailing charge. A composite index for Volumes I Joe Wasson [email protected] through IX is available for $10 plus a $4 mailing charge. Billy Higgins [email protected] Cost for the complete set of Journals, Volumes 1 through 36, is $225. Volumes I and II will be reproduced copies, as these copies are no longer available in original form. VISIT OUR WEBSITE! http://www.fortsmithhistory.org Our website is updated regularly and contains information Membership in the Fort Smith Historical Society on the Organization, Membership, Back issues: How to includes a subscription to The Journal of the Fort Smith order, Tables of Contents of Back Issues, Contacts & Historical Society, which is published semi-annually. -
One Fine Sunday in the Funny Pages” Exhibit
John Read is the creator and curator of the “One Fine Sunday in the Funny Pages” exhibit. A freelance cartoonist, John also teaches cartooning to children and is the publisher and editor of Stay Tooned! Magazine, considered the trade journal of the craft. The Comic Mode The comic strip provides a colorful and humorous respite from the serious and often tragic news that precedes it. There are many reasons for reading the “funny pages”; from the basic need to be entertained, to the desire to escape for a moment into what seems a playful combination of a joke and a sequence of images that illustrate the nonsense and play that generates it. Yet, what really constitutes the “comic” in a comic strip? Are they simply funny, as in Blondie, Garfield or Hagar the Horrible? Or do we sense underlying tones of irony, satire, political and social commentary as evidenced in Doonesbury, Non Sequitur, and Between Friends? How are we to understand the double entendre, the sting of wit or the twist of the absurd that infuses so many contemporary comic strips? It would seem that as in dreams, there are many levels to the comic mode. On the first take, the superficial or manifest appeal generates a smile or laughter. But as with many dreams and good jokes, there is the second take, a latent need to establish or defy meaning as embedded within the structure of the images themselves. The paradox or playfulness of the comic strip partially lies in discovering the truth in the nonsensical aspects of day-to-day living. -
Typical Girls: the Rhetoric of Womanhood in Comic Strips Susan E
Typical girls The Rhetoric of Womanhood in Comic Strips Susan E. Kirtley TYPICAL GIRLS STUDIES IN COMICS AND CARTOONS Jared Gardner and Charles Hatfield, Series Editors TYPICAL GIRLS The Rhetoric of Womanhood in Comic Strips SUSAN E. KIRTLEY THE OHIO STATE UNIVERSITY PRESS COLUMBUS COPYRIGHT © 2021 BY THE OHIO STATE UNIVERSITY. THIS EDITION LICENSED UNDER A CREATIVE COMMONS ATTRIBUTION- NONCOMMERCIAL-NODERIVS LICENSE. THE VARIOUS CHARACTERS, LOGOS, AND OTHER TRADEMARKS APPEARING IN THIS BOOK ARE THE PROPERTY OF THEIR RESPECTIVE OWNERS AND ARE PRESENTED HERE STRICTLY FOR SCHOLARLY ANALYSIS. NO INFRINGEMENT IS INTENDED OR SHOULD BE IMPLIED. Library of Congress Cataloging-in-Publication Data Names: Kirtley, Susan E., 1972– author. Title: Typical girls : the rhetoric of womanhood in comic strips / Susan E. Kirtley. Other titles: Studies in comics and cartoons. Description: Columbus : The Ohio State University Press, [2021] | Series: Studies in comics and cartoons | Includes bibliographical references and index. | Summary: “Drawing from the work of Lynn Johnston (For Better or For Worse), Cathy Guisewite (Cathy), Nicole Hollander (Sylvia), Lynda Barry (Ernie Pook’s Comeek), Barbara Brandon-Croft (Where I’m Coming From), Alison Bechdel (Dykes to Watch Out For), and Jan Eliot (Stone Soup), Typical Girls examines the development of womanhood and women’s rights in popular comic strips”—Provided by publisher. Identifiers: LCCN 2020052823 | ISBN 9780814214572 (cloth) | ISBN 0814214576 (cloth) | ISBN 9780814281222 (ebook) | ISBN 0814281222 (ebook) Subjects: LCSH: Comic strip characters—Women. | Women in literature. | Women’s rights in literature. | Comic books, strips, etc.—History and criticism. Classification: LCC PN6714 .K47 2021 | DDC 741.5/3522—dc23 LC record available at https://lccn.loc.gov/2020052823 COVER DESIGN BY ANGELA MOODY TEXT DESIGN BY JULIET WILLIAMS TYPE SET IN PALATINO For my favorite superhero team—Evelyn, Leone, and Tamasone Castigat ridendo mores. -
Happy 140Th, ASPCA! Celebrating 140 Years of Enlightening America for Animals
Action Spring 2006 Happy 140th, ASPCA! Celebrating 140 Years of Enlightening America for Animals Spring 2006 1 >> PRESIDENT’S NOTE 140 Years of Compassion Board of Directors As a member of the ASPCA, you are part of a unique group of Officers of the Board individuals who have chosen to act Hoyle C. Jones, Chairman, Linda Lloyd Lambert, Vice Chairman, William Secord, Secretary, on their convictions—to help James W. Gerard, Treasurer defenseless animals find peace, comfort, and healing. I am truly Members of the Board grateful for your activism and compassion—highly Penelope Ayers, Alexandra G. Bishop, J. Elizabeth commendable qualities that are truly inspiring. Bradham, Reenie Brown, Wendy H. Carhart, Patricia Qualities not unlike those of Henry Bergh, the ASPCA J. Crawford, Jonathan D. Farkas, Franklin Maisano, William Morrison Matthews, Sean McCarthy, Founder. Gurdon H. Metz, Michael F.X. Murdoch, James L. As we make our way into 2006, I look back with Nederlander, Marsha Reines Perelman, George great pride on our 140-year history as America’s first Stuart Perry, Helen S.C. Pilkington, Gail Sanger, animal welfare organization. 2005 alone was a year Richard Silverman, Sally Spooner, Richard C. filled with planned and unplanned challenges on our Thompson, Cathy Wallach time and resources. Yet, through the unrelenting Directors Emeriti commitment and support of ASPCA staff, volunteers, Steven M. Elkman, George Gowen, Alastair B. and members we were able to make great strides this Martin, Thomas N. McCarter 3rd, Marvin Schiller, past year in improving the lives of animals across the James F. Stebbins, Esq. country. We have created and are implementing some very ambitious initiatives in conjunction with local The ASPCA 424 East 92nd Street animal shelters and rescue groups all across America.