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Born 1985 in London. Lives and Works in London

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Born 1985 in London. Lives and Works in London Born 1985 in London. Lives and works in London. EDUCATION 2015 - 2017 MA, Information Experience Design, Royal College of Art, London 2004 - 2007 BA, English Literature and Language, Oxford University, Oxford SOLO EXHIBITIONS 2020 ​Laws of Order and Form​, The Photographers’ Gallery, London, UK (31 January - 30 March) The Abstraction of Nature​, Aksioma, Ljubljana, Slovenia (19 February - 18 March) 2019 ​Cryptobloom​, A+T Espa​cio de Fundación Telefónica​, Mexico City, Mexico (5-8 September) Dreaming, Automated​, Robert L. Ringel Gallery Purdue University, Indiana, USA (19 August - 27 September) 2018 ​Traces of Things​, Blitz Gallery, Valletta, Malta (22-23 March) GROUP EXHIBITIONS 2021 ​AI: More than Human, ​Fernán Gómez Centro Cultural, Madrid, Spain (22 July - 9 Jan 2022) Werkleitz Festival​, Werkleitz Centre for Media Art, Halle, Germany (17 June - 4 July) Kinetismus– 100 Years of Art and Electricity, ​Kunsthalle Praha, Prague (15 May - 30 September) AI: More than Human,​ World Museum, Liverpool, UK (January - June) 2020 ​AI: More than Human​, Oct Art & Design Gallery, Shenzhen, China (December - May 2021) Datasets: Sorting Things Out,​ Camberwell Space, London, UK (27 November - 18 December) True / False, ​The Pavilion at KIKK Festival, Belgium (5 November - 31 January 2021) VisionarIAs​, Etopia Centre for Art and Technology, Zaragoza, Spain (24 September - 30 January 2021) Future Life,​ LABoral Centro de Arte y Creación Industrial, Gijón, Spain (3 September - 12 December) Art Souterrain 2020​, Montreal, Canada (29 February - 22 March) Mutations Créations: Neurones, intelligences simulées​, Centre Pompidou, Paris, France (26 February - 20 April) The Imagination of Time, ​Tokyo Photographic Art Museum, Tokyo, Japan (7 February - 23 February) GANland,​​ DAM Gallery, Berlin, Germany (1 February – 21 March) 2019 ​Peer to Peer,​ Shanghai Centre of Photography, Shanghai, China (8 December - 9 February 2020) AI: More than Human​, Groninger Forum, Groningen, Netherlands (6 December - 16 August 2020) Deux Ex Machina​, LABoral Centro de Arte y Creación Industrial, Gijón, Asturias (22 November - 16 May 2020) Network Effects and Online Imaginaries​, M-Cult, Helsinki (16 November - 15 January 2020) Mind the Deep: Artificial Intelligence and Artistic Creation, ​Ming Contemporary Art Museum, Shanghai, China (7 November - 9 February 2020) 40 Years of Humanizing Technology​, Design Society Shenzhen, Shenzhen, China (2 November - 6 September 2020) Peer to Peer​, OpenEye Gallery, Liverpool, UK (17 October - 21 December) Stadstriënnale Hasselt Genk 5​, Genk, Belgium (5 October - January 2020) Beazley Design of the Year​, Design Museum, London, UK (11 September - 9 February 2020) Imagining Our Digital Futures​, MUTEK, Montreal, Canada (20 - 25 August) Future of Today,​ Today Art Museum, Beijing, China (15 August - 30 September) City of Participatory Visions​, ZKM, Karlsruhe, Germany (8 August - 15 September) Lying Sophia and Mocking Alexa​, Hyundai Motorstudio Beijing, China (12 July - 8 October) Artificial Creators​, Eden Project, Cornwall, UK (15 June - 1 September) AI: More than Human​, Barbican Centre, London, UK (16 May - 26 August) Entangled Realities​, HEK Basel, Basel, Switzerland (9 May – 11 August) Artistic Intelligence​, Kunstverein Hannover, Hannover, Germany (27 April - 30 June) Forging the Gods​, Transfer Gallery, New York, USA (18 April - 11 May) New Technologies, New Visions​, Geffen Contemporary Museum of Contemporary Art, Los Angeles (April) Screen Shots: Desire and Automated Image​, Galleri Image, Aarhus, Denmark (8 March - 28 April) 2018 ​Error: The Art of Imperfection​, Ars Electronica Export, Berlin, Germany (17 November - 31 March 2019) AGENCY​, Nome Gallery, Berlin, Germany (October - December) Post Truth: Algorithmic Superstructures​, Impakt, Utrecht, Netherlands (October - November) The Line Up: The Power of Drawing​, Centraal Museum, Utrecht, Netherlands (22 September – 18 November) Error Fake Failure​, Ars Electronica, Linz, Austria (6-10 September) Artificially Intelligent Display​, V&A Museum, London, UK (7 September - 31 December) Gradient Descent​, Nature Morte, New Delhi, (17 August - 15 September) Measures of Life​, Humber Street Gallery, Hull, (21 July - 30 September) Trajectories​, Watermans Arts Centre, London, UK (24 January - 7 March) 2017 ​Between AI and Nature​, Ars Electronica, Linz, Austria (7-11 September) Machine Fictions​, Leverhulme Centre for the Future of Intelligence, Cambridge, UK (July) Alternate Realities​, Sheffield Documentary Festival, Sheffield, UK (6-11 June) SELECTED PERFORMANCES 2018 ​Into the Forest​, BBC Late Junction (July) Nature’s Nickelodeons​, Sheffield Doc Fest (June) Drawing with Sound,​ NRW Forum, Dusseldorf (May) 2017 ​Speaking in Tongues​, IRCAM, Centre Pompidou (March) SELECTED INVITED TALKS 2020 Machine Visions, at Machine Visions Art AI and Creativity Symposium, Camberwell College of Art, London, UK Machine Learning and Art, Goethe-Institut Couch Session, virtual The New Real: Machine Learning and Creativity, CogX, virtual Automated Dreaming: Using AI in a Creative Practise, Pre-histories and Futures of Machine Vision Symposium, V&A Museum, London, UK Booms and Bubbles: Tulips, Blockchain and manias, Aksioma, Ljubljana, Slovenia Image, Artificial Intelligence and Creativity, Foto Colectania Foundation Barcelona, Spain IA IA! Artist Imaginations and Artificial Intelligence, Experimenta Art Science Biennale, Grenoble, France Dreaming and Doing: AI and Filmmaking, London Short Film Festival, Science Museum, London, UK The Abstraction of Nature, University of Salford, Manchester, UK 2019 Machine Learning and Tulips, It’s Nice That, Oval Space, London, UK Automated Dreaming: Using AI in a Creative Practise, Hybrid landscape: natural and artificial practices symposium, C-mine Cultuurcentrum Genk, Genk, Belgium Classification and Its Consequences: Symposium on AI and Creativity, Goethe-Institut, Glasgow, Scotland Automated Dreaming: Using AI in a Creative Practise, Purdue University, Indiana, US Sorting Things Out: Datasets as an Artistic Practise as part of What Does The Dataset Want, The Photographers’ Gallery, London, UK Speaking in Tongues; Atmospheric Memory: The Air of Turbulence Symposium, Future Everything, London, UK Working with Machine Learning, Manchester International Festival, Manchester, UK Machine Learning in a Creative Practice, Hek Basel, Basel, Switzerland Stanley meet Alexa, AI and Filmmaking, BFI, London, UK AI and Creativity: what makes us human?, Barbican Centre, London, UK Machine Learning in a Creative Practice, International Symposium on Computational Media Art, Hong Kong, China 2018 The Artistic Potential of Data Sets, Post Binary Conference, Museum Angewandte Kunst, Frankfurt, Germany Using Technology Creatively, Science and Media Museum, Bradford, UK AI in Art, FACT Liverpool, UK Datasets and Decay, V&A Museum (Digital Design Weekend), London, UK Data and Training Sets in an Artistic Practice, European Conference of Computer Vision, Munich, Germany Art in an Age of Computational Creativity, Forecast Forum, Haus der Kulturen der Welt (HKW), Berlin, Germany The Artistic Potential of Computer Vision, ​ZKM Cen​ter for Art and Media Karlsruhe, Karlsruhe, Germany Deep Fakes or Rendering the Truth, Impakt Festival, Utrecht, Netherlands The Art of GANs, The Photographers’ Gallery, London, UK 2017 Repeating and Remembering: Fall of the House of Usher, Ars Electronica, Linz, Austria Join the Resistance, Sheffield Documentary Festival, Sheffield, UK New Forms, BFI, London, UK Art, Science and Quantum Computing, V&A Museum, London, UK Action Tells His Story: Language and Machine Learning, Language Games Conference, Chelsea College of Art, London, UK Fairy Tales and Machine Learning, Data Publics Conference, Lancaster University, UK AWARDS / FELLOWSHIPS 2019 Google AMI Fellowship Beazley Designs of the Year awards nominee Honorary Mention in Ars Electronica prix category ‘AI and Life Arts’ UAL Creative Computing Institute Fellowship 2018 EMAP Fellow DARE Prize for Radical Interdisciplinary Research, University of Leeds Adobe Award for Best Creative use of Technology at European Conference for Computer Vision RESIDENCIES 2020 Ars Electronica AI Lab (postponed) 2019 The Tetley, Leeds, UK Opera North, Leeds, UK, 2018 Impakt, Utrecht, Netherlands Blitz, Valletta, Malta ACCEPTED ACADEMIC PAPERS 2019 International Symposium on Computational Media Art (ISCMA) 2017 31st Conference on Neural Information Processing Systems (NIPS) ACADEMIC AFFILIATIONS 2020 The University of Edinburgh, Edinburgh Futures Institute 2019 University of the Arts London, Camberwell College of Arts 2018 University of Leeds, Visiting Scholar SELECTED PRESS Tulip mania and the stock market,​ vpro, April 22, 2020 Artificial Abstraction and the Poetics of Machine Learning: The Role of AI in the Art of Anna Ridler and Roman Lipski, ​Flash Art, March 18, 2020 Kunst un KI, ​3sat, February 7, 2020 Anna Ridler offers a bitesize lesson into what machine learning actually is, ​It’s Nice That, January 17, 2020 The Tools of Generative Art, From Flash to Neural Networks​, Art in America, January 8, 2020 From Wetware to Tilt Brush, How Artists Tested the Limits of Technology in 2010s​, Frieze, December 21, 2019 What Does The Dataset Want?​, Eikon Magazine, issue no 108, November 2019 De lo digital a lo real. Anna Ridler, ​Código, August 28, 2019 A British Artist Gathered 10,00 Tulips to Show AI is Beautiful,​ Bloomberg News, August 13, 2019 Anna Ridler uses AI to turn 10,000 tulips into a video controlled
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