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Focus Winter 2002/Web Edition
OKLAHOMA CITY UNIVERSITY • WINTER/SPRING 2002 Focus on The School of American Dance and Arts Management A National Reputation Built on Tough Academics, World-Class Training, and Attention to the Business of Entertainment Light the Campus In December 2001, Oklahoma’s United Methodist university began an annual tradition with the first Light the Campus celebration. Editor Robert K. Erwin Designer David Johnson Writers Christine Berney Robert K. Erwin Diane Murphree Sally Ray Focus Magazine Tony Sellars Photography OKLAHOMA CITY UNIVERSITY • WINTER/SPRING 2002 Christine Berney Ashley Griffith Joseph Mills Dan Morgan Ann Sherman Vice President for Features Institutional Advancement 10 Cover Story: Focus on the School John C. Barner of American Dance and Arts Management Director of University Relations Robert K. Erwin A reputation for producing professional, employable graduates comes from over twenty years of commitment to academic and Director of Alumni and Parent Relations program excellence. Diane Murphree Director of Athletics Development 27 Gear Up and Sports Information Tony Sellars Oklahoma City University is the only private institution in Oklahoma to partner with public schools in this President of Alumni Board Drew Williamson ’90 national program. President of Law School Alumni Board Allen Harris ’70 Departments Parents’ Council President 2 From the President Ken Harmon Academic and program excellence means Focus Magazine more opportunities for our graduates. 2501 N. Blackwelder Oklahoma City, OK 73106-1493 4 University Update Editor e-mail: [email protected] The buzz on events and people campus-wide. Through the Years Alumni and Parent Relations 24 Sports Update e-mail: [email protected] Your Stars in action. -
Short Takes Jazz News Festival Reviews Jazz Stories Interviews Columns
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC SHORT TAKES JAZZ NEWS FESTIVAL REVIEWS JAZZAMANCA 2020 JAZZ STORIES PATTY WATERS INTERVIEWS PETER BRÖTZMANN BILL CROW CHAD LEFOWITZ-BROWN COLUMNS NEW ISSUES - REISSUES PAPATAMUS - CD REVIEWS OBITURARIES Volume 46 Number 2 April May June Edition 2020 Ed Schuller (bassist, composer) on GM Recordings My name is Eddy I play the bass A kind of music For the human race And with beauty and grace Let's stay on the case As we look ahead To an uncertain space Peace, Music Love and Life" More info, please visit: www.gmrecordings.com Email: [email protected] GM Recordings, Inc. P.O. Box 894 Wingdale, NY 12594 3 | CADENCE MAGAZINE | APRIL MAY JUNE 2016 L with Wolfgang Köhler In the Land of Irene Kral & Alan Broadbent Live at A-Trane Berlin “The result is so close, so real, so beautiful – we are hooked!” (Barbara) “I came across this unique jazz singer in Berlin. His live record transforms the deeply moving old pieces into the present.” (Album tip in Guido) “As a custodian of tradition, Leuthäuser surprises above all with his flawless intonation – and that even in a live recording!” (Frankfurter Allgemeine Zeitung) “Leuthäuser captivates the audience with his adorable, youthful velvet voice.” (JazzThing) distributed by www.monsrecords.de presents Kądziela/Dąbrowski/Kasper Tom Release date: 20th March 2020 For more information please visit our shop: sklep.audiocave.pl or contact us at [email protected] The latest piano trio jazz from Quadrangle Music Jeff Fuller & Friends Round & Round Jeff Fuller, bass • Darren Litzie, piano • Ben Bilello, drums On their 4th CD since 2014, Jeff Fuller & Friends provide engaging original jazz compositions in an intimate trio setting. -
Protecting the Crown: a Century of Resource Management in Glacier National Park
Protecting the Crown A Century of Resource Management in Glacier National Park Rocky Mountains Cooperative Ecosystem Studies Unit (RM-CESU) RM-CESU Cooperative Agreement H2380040001 (WASO) RM-CESU Task Agreement J1434080053 Theodore Catton, Principal Investigator University of Montana Department of History Missoula, Montana 59812 Diane Krahe, Researcher University of Montana Department of History Missoula, Montana 59812 Deirdre K. Shaw NPS Key Official and Curator Glacier National Park West Glacier, Montana 59936 June 2011 Table of Contents List of Maps and Photographs v Introduction: Protecting the Crown 1 Chapter 1: A Homeland and a Frontier 5 Chapter 2: A Reservoir of Nature 23 Chapter 3: A Complete Sanctuary 57 Chapter 4: A Vignette of Primitive America 103 Chapter 5: A Sustainable Ecosystem 179 Conclusion: Preserving Different Natures 245 Bibliography 249 Index 261 List of Maps and Photographs MAPS Glacier National Park 22 Threats to Glacier National Park 168 PHOTOGRAPHS Cover - hikers going to Grinnell Glacier, 1930s, HPC 001581 Introduction – Three buses on Going-to-the-Sun Road, 1937, GNPA 11829 1 1.1 Two Cultural Legacies – McDonald family, GNPA 64 5 1.2 Indian Use and Occupancy – unidentified couple by lake, GNPA 24 7 1.3 Scientific Exploration – George B. Grinnell, Web 12 1.4 New Forms of Resource Use – group with stringer of fish, GNPA 551 14 2.1 A Foundation in Law – ranger at check station, GNPA 2874 23 2.2 An Emphasis on Law Enforcement – two park employees on hotel porch, 1915 HPC 001037 25 2.3 Stocking the Park – men with dead mountain lions, GNPA 9199 31 2.4 Balancing Preservation and Use – road-building contractors, 1924, GNPA 304 40 2.5 Forest Protection – Half Moon Fire, 1929, GNPA 11818 45 2.6 Properties on Lake McDonald – cabin in Apgar, Web 54 3.1 A Background of Construction – gas shovel, GTSR, 1937, GNPA 11647 57 3.2 Wildlife Studies in the 1930s – George M. -
The Black Power Movement
A Guide to the Microfilm Edition of BLACK STUDIES RESEARCH SOURCES Microfilms from Major Archival and Manuscript Collections General Editors: John H. Bracey, Jr. and Sharon Harley The Black Power Movement Part 1: Amiri Baraka from Black Arts to Black Radicalism Editorial Adviser Komozi Woodard Project Coordinator Randolph H. Boehm Guide compiled by Daniel Lewis A microfilm project of UNIVERSITY PUBLICATIONS OF AMERICA An Imprint of CIS 4520 East-West Highway • Bethesda, MD 20814-3389 Library of Congress Cataloging-in-Publication Data The Black power movement. Part 1, Amiri Baraka from Black arts to Black radicalism [microform] / editorial adviser, Komozi Woodard; project coordinator, Randolph H. Boehm. p. cm.—(Black studies research sources) Accompanied by a printed guide, compiled by Daniel Lewis, entitled: A guide to the microfilm edition of the Black power movement. ISBN 1-55655-834-1 1. Afro-Americans—Civil rights—History—20th century—Sources. 2. Black power—United States—History—Sources. 3. Black nationalism—United States— History—20th century—Sources. 4. Baraka, Imamu Amiri, 1934– —Archives. I. Woodard, Komozi. II. Boehm, Randolph. III. Lewis, Daniel, 1972– . Guide to the microfilm edition of the Black power movement. IV. Title: Amiri Baraka from black arts to Black radicalism. V. Series. E185.615 323.1'196073'09045—dc21 00-068556 CIP Copyright © 2001 by University Publications of America. All rights reserved. ISBN 1-55655-834-1. ii TABLE OF CONTENTS Introduction ............................................................................................................................ -
Outlaws: a Tale of Two Histories William Carlton Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2016 Outlaws: A tale of two histories William Carlton Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the United States History Commons Recommended Citation Carlton, William, "Outlaws: A tale of two histories" (2016). Graduate Theses and Dissertations. 16557. https://lib.dr.iastate.edu/etd/16557 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Outlaws: A tale of two histories by William Carlton A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: History Program of Study Committee: Kathleen Hilliard, Major Professor Julie Courtwright Margaret LaWare Iowa State University Ames, Iowa 2016 1 Four horsemen—four lone horsemen. With Stetsons pushed low and bandanas pulled high, they sauntered around the wide bend in the dusty trail and surveyed the sleepy town. The sun, directly overhead, blazed down, and in the distant west, dark storm clouds skated ominously across the sky. The coming downpour would quickly wash away all tracks; pursuit would be impossible. The baleful eyes of the lead rider narrowed as he scanned the peaceful scene spread before him. The remote town lolled in the afternoon warmth. On a battered barrel sheltered by an overhanging awning, a seasoned cowhand dozed fitfully. -
George P. Johnson Negro Film Collection LSC.1042
http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections. -
Read Genealogies, of the Brothers and Sisters and Families And
NYPL RESEARCH LIBRARIES 3 3433 08071712 :\ i„i.v j W «! i iSJwHM ffi£$ffl 14tM»BW ni'-W l •;<>:' i- ifffitju i :.! • (>il#!i ilrtr i.'ltii A READ GENEALOGIES Of the Brothers and Sisters AND Families and Descendants OF ISRAEL READ ABNER READ JOHN READ POLLY READ (Hetherington) WILLIAM READ WOLCOTT READ LEWIS READ NATHANIEL READ Compiled by Rev. Henry Martyn Dodd, A. B., A. M. Clinton, New York - . " " I I -> L » t .. "»• Your fatheis where are they? — Zech. i : J EDITION FIRST Copyright 1912 Henry Martyn Dodd Clinton, N. Y. PREFACE N compiling this Read Genealogy, I have been in actuated part by. my . enjoyment of such work, and in part by a desire to -do something of value for the Read family to which my mother belonged, I realize, however, that it is a very incomplete book, for much that whs important has passed beyond recovery with the passing away of the older generations and their neglect of family records. If I had had larger means I might, perhaps, by expensive researches have discovered more facts and made a more perfect record. I have found the written records few and scattered, and not always correct. It has been necessary to depend much on Tradition ; but knowing the uncertainty of such evidence, I have been careful about accepting it unless well verified. I feel sure that the statements of this book can be depended on with reasonable confidence. Some of the kin- dred have helped cordially, for which I return most hearty thanks. Others have seemed indifferent and unresponsive, and if any such do not find much about their own families, they certainly will not blame me. -
Spring 2018 Journal
INSIDE: MEXICO & BELIZE SHARE BONEFISH • HURRICANE IRMA IMPACTS • BONEFISH RESTORATION UPDATE A publication of BONEFISH & TARPON JournalSTEWARDSHIP THROUGH SCIENCE • SPRING 2018 Are Permit Creatures Of Habit? B O N E F I S H & T A R P O N J O U R N A L S P R I N G 2 0 1 8 W W W. B T T. O R G 1 Editorial Board A publication of BONEFISH & TARPON Dr. Aaron Adams, Harold Brewer, Bill Horn, Jim McDuffie Publication Team Publishers: Harold Brewer, Jim McDuffie JournalSTEWARDSHIP THROUGH SCIENCE • SPRING 2018 EditorialEditor: Nick Board Roberts A publication of BONEFISH & TARPON EditorialDr. Aaron Assistant: Adams, AlexHarold Anne Brewer, Matthews Features: Updates/Reports: AdvertisingBill Horn, Coordinator: Jim McDuffie Henry Buck Bonefish Restoration Research Project Update ..........14 Setting the Hook ...........................................4 Layout and Design: Scott Morrison, Perspectives: Fix Our Water Update ...........6 Publication Team Hurricane Impacts ..........................................................18 Morrison Creative Company Welcome Aboard ..........................................8 Publishers: Harold Brewer, Jim McDuffie Science Symposium Summaries .................................. 24 Managing Editor: Alex Lovett-Woodsum Tippets ......................................................... 10 STEWARDSHIP THROUGH SCIENCE • SPRING 2017 Consulting Editors:Photography Bob Baal, Nick Roberts Project Permit UpdateJournal ................................................... 32 Conservation Captain Q & A ......................30 -
Finding Aid to the Historymakers ® Video Oral History with Fay Ray
Finding Aid to The HistoryMakers ® Video Oral History with Fay Ray Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Ray, Fay Title: The HistoryMakers® Video Oral History Interview with Fay Ray, Dates: October 18, 2007 Bulk Dates: 2007 Physical 5 Betacame SP videocasettes (2:04:43). Description: Abstract: Dancer Fay Ray (1919 - 2013 ) was a member of the Silver Belles, a senior dance group of former Harlem chorus girls. Ray performed as a chorus girl at several New York City theaters, including the Apollo Theatre and performed with the bands of Duke Ellington and Louis Armstrong. She also danced in the first black USO show. Ray was interviewed by The HistoryMakers® on October 18, 2007, in New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2007_297 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Fay Ray was born in 1919 in Louisiana. Life for Ray was not easy. At the age of eleven, Ray decided to leave a hard life of picking cotton. Dressed as a boy, she rode the train to Shreveport. There, she joined a Vaudeville circuit and traveled the nation. On the circuit, Ray learned to tap dance from some of the best dances of her day. At the age of sixteen, Ray left the vaudeville circuit to sing and dance solo. In 1943, Ray moved to New York where she found steady work as a chorus line dancer. Ray performed at Café Zanzibar, Club Ebony, 845, the Cotton Club and the Apollo Theater. -
Dorrance Dance Program
Corporate Season Sponsor: Dorrance Dance Michelle Dorrance, Artistic Director Wed, Mar 8 / 8 PM / Granada Theatre Dance Series Sponsors: Annette & Dr. Richard Caleel Margo Cohen-Feinberg & Robert Feinberg and the Cohen Family Fund Irma & Morrie Jurkowitz Barbara Stupay Corporate Sponsor: The Lynda and Bruce Thematic Learning Initiative: Creative Culture ACT I Excerpts from SOUNDspace (2013)* I have had the honor of studying with and spending time with a great number of our tap masters before they passed Direction and Choreography: Michelle Dorrance, with solo away: Maceo Anderson, Dr. Cholly Atkins, Clayton “Peg- improvisation by the dancers Leg” Bates, Dr. James “Buster” Brown, Ernest “Brownie” Brown, Harriet “Quicksand” Browne, Dr. Harold Cromer, Dancers: Ephrat “Bounce” Asherie, Elizabeth Burke, Gregory Hines, Dr. Jeni Legon, Dr. Henry LeTang, LeRoy Warren Craft, Michelle Dorrance, Carson Murphy, Myers, Dr. Fayard and Harold Nicholas, Donald O’Connor, Dr. Leonard Reed, Jimmy Slyde and Dr. Prince Spencer. Leonardo Sandoval, Byron Tittle, Nicholas Van Young I would also like to honor our living masters whom I am constantly influenced by: Arthur Duncan, Dr. Bunny Briggs, *Originally a site-specific work that explored the unique acoustics of New Brenda Bufalino, Skip Cunningham, Miss Mable Lee and Dianne Walker. York City’s St. Mark’s Church through the myriad sounds and textures of the feet, “SOUNDspace” has been adapted and continues to explore what is most While we are exploring new ideas in this show, we are also beautiful and exceptional about tap dancing – movement as music. constantly mindful of our rich history. Dr. Jimmy Slyde was The creation of “SOUNDspace” was made possible, in part, by the Danspace the inspiration for my initial exploration of slide work in Project 2012-2013 Commissioning Initiative, with support from the New York socks (in the original work) and his influence continues to State Council on the Arts. -
20 Winter 1993 Number 2
NORTHERN KENTUCKY LAW REVIEW Volume 20 Winter 1993 Number 2 Twentieth Anniversary Issue Special Feature: Antitrust Exceptions Foreword: Taking Exception to the Antitrust Laws .................... Charles J. Kubicki, Jr., and John H. Watson 241 The Perils of Judicial Legislation: The Establishment and Evolution of the Parker v. Brown Exemption to the Sherman Antitrust Act .............................. M. Shawn McMurray 249 The Sherman Act and the Arbitrary Power Section of the Kentucky Constitution as Applied to Kentucky Fair Trade Laws .......... Donald K. Kazee 297 Antitrust Law and Baseball Franchises: Leaving Your Heart (and the Giants) in San Francisco ......... Myron L. Dale and John Hunt 337 Health Care: Current Antitrust Issues .................................. M urray S. M onroe 365 ARTICLES Hybud Equipment Corp. v. Sphere Drake Insurance Co.: The Meaning of the Pollution Exclusion Established in Ohio .................... Joseph C. Gruber 391 State v. Solomon: The New Bases for Expert Testimony ....................... Lawrence A. Glassmann 407 Jurors Asking Questions: Revolutionary or Evolutionary? .... ... ...... ....... Judge Anthony Valen 423 Mandatory Arbitration Under ERISA: Pay Now, Dispute Later ................ Robert S. Marsel 441 Alternative Dispute Resolution: An Alternative for Resolving Employment Litigation and Disputes ........................ Michael W. Hawkins 493 SPECIAL COMMENT Selling Justice: Will Electronic Monitoring Last? ................J. Robert Lilly and Richard A. Ball 505 STUDENT ARTICLES State v. Wyant: The Demise of Ohio's Ethnic Intimidation Statute ................... Marla J. Merdinger 531 Cremeans v. Willmar Henderson Mfg. Co.: Must Manufacturers Become Involuntary Insurers of Their Products in Ohio's Employment Settings? ....................................... Terese M . Wells 551 Ohio Blows the Lid Off the Medical Malpractice Damage Cap: Morris v. Savoy ............. Lisa T. Meeks 571 DEDICATION FOR THE TWENTIETH ANNIVERSARY OF LAW REVIEW by David A. -
Advanced Beginner Tap Tap Dance Trivia Name
Advanced Beginner Tap Tap Dance Trivia Name: __________________________________________ Period:___________ 1. Which tap dancer is famous for his “Stair Dance?” a. Jimmy Slyde b. Bill “Bojangles” Robinson c. Fred Astaire d. King Rastus Brown 2. In the 1930s, the Nicholas Brothers dance at what famous New York City club? a. The Jazz Club b. The Jazz House c. The Cotton Club d. The Vine 3. Which tap dancer is famous for appearing in movies with Shirley Temple? a. Bill “Bojangles” Robinson b. Willie Coven c. LaVaughn Robinson d. Eddie Brown 4. Which female tap dancers was known for her “machine gun” fast tapping in the 1930s and 1940s? a. Jeni LeGon b. Elenor Powell c. Ginger Rogers d. Ann Miller 5. Which tap dancer appeared with Gene Kelly and Debbie Reynolds in MGM’s “Singing in the Rain?” a. Fred Astaire b. Donald O’Connor c. Fred Kelly d. Buddy Ebsen 6. Some historians think that tap dancing is a mix of which dance forms? a. Irish Step Dance b. African Dance c. English Clog Dance d. All of the above 7. This small room in a New York club served as the “Harlem Headquarters” for tap dancers in the 1930s: a. The Hoofers Club b. The Hoofers Lounge c. The Tappers Club d. The Hoofers Corner 8. Leonard Reed is known for this tap dance routine: a. The Charleston b. The Tack Annie c. The Shim Sham Shimmy d. The Cakewalk 9. The Famous tap dancers who starred in the film “Tap” was: a. Gene Kelly b. Gregory Hines c.