Finding Aid to the Historymakers ® Video Oral History with Fay Ray
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Focus Winter 2002/Web Edition
OKLAHOMA CITY UNIVERSITY • WINTER/SPRING 2002 Focus on The School of American Dance and Arts Management A National Reputation Built on Tough Academics, World-Class Training, and Attention to the Business of Entertainment Light the Campus In December 2001, Oklahoma’s United Methodist university began an annual tradition with the first Light the Campus celebration. Editor Robert K. Erwin Designer David Johnson Writers Christine Berney Robert K. Erwin Diane Murphree Sally Ray Focus Magazine Tony Sellars Photography OKLAHOMA CITY UNIVERSITY • WINTER/SPRING 2002 Christine Berney Ashley Griffith Joseph Mills Dan Morgan Ann Sherman Vice President for Features Institutional Advancement 10 Cover Story: Focus on the School John C. Barner of American Dance and Arts Management Director of University Relations Robert K. Erwin A reputation for producing professional, employable graduates comes from over twenty years of commitment to academic and Director of Alumni and Parent Relations program excellence. Diane Murphree Director of Athletics Development 27 Gear Up and Sports Information Tony Sellars Oklahoma City University is the only private institution in Oklahoma to partner with public schools in this President of Alumni Board Drew Williamson ’90 national program. President of Law School Alumni Board Allen Harris ’70 Departments Parents’ Council President 2 From the President Ken Harmon Academic and program excellence means Focus Magazine more opportunities for our graduates. 2501 N. Blackwelder Oklahoma City, OK 73106-1493 4 University Update Editor e-mail: [email protected] The buzz on events and people campus-wide. Through the Years Alumni and Parent Relations 24 Sports Update e-mail: [email protected] Your Stars in action. -
Dorrance Dance Program
Corporate Season Sponsor: Dorrance Dance Michelle Dorrance, Artistic Director Wed, Mar 8 / 8 PM / Granada Theatre Dance Series Sponsors: Annette & Dr. Richard Caleel Margo Cohen-Feinberg & Robert Feinberg and the Cohen Family Fund Irma & Morrie Jurkowitz Barbara Stupay Corporate Sponsor: The Lynda and Bruce Thematic Learning Initiative: Creative Culture ACT I Excerpts from SOUNDspace (2013)* I have had the honor of studying with and spending time with a great number of our tap masters before they passed Direction and Choreography: Michelle Dorrance, with solo away: Maceo Anderson, Dr. Cholly Atkins, Clayton “Peg- improvisation by the dancers Leg” Bates, Dr. James “Buster” Brown, Ernest “Brownie” Brown, Harriet “Quicksand” Browne, Dr. Harold Cromer, Dancers: Ephrat “Bounce” Asherie, Elizabeth Burke, Gregory Hines, Dr. Jeni Legon, Dr. Henry LeTang, LeRoy Warren Craft, Michelle Dorrance, Carson Murphy, Myers, Dr. Fayard and Harold Nicholas, Donald O’Connor, Dr. Leonard Reed, Jimmy Slyde and Dr. Prince Spencer. Leonardo Sandoval, Byron Tittle, Nicholas Van Young I would also like to honor our living masters whom I am constantly influenced by: Arthur Duncan, Dr. Bunny Briggs, *Originally a site-specific work that explored the unique acoustics of New Brenda Bufalino, Skip Cunningham, Miss Mable Lee and Dianne Walker. York City’s St. Mark’s Church through the myriad sounds and textures of the feet, “SOUNDspace” has been adapted and continues to explore what is most While we are exploring new ideas in this show, we are also beautiful and exceptional about tap dancing – movement as music. constantly mindful of our rich history. Dr. Jimmy Slyde was The creation of “SOUNDspace” was made possible, in part, by the Danspace the inspiration for my initial exploration of slide work in Project 2012-2013 Commissioning Initiative, with support from the New York socks (in the original work) and his influence continues to State Council on the Arts. -
Advanced Beginner Tap Tap Dance Trivia Name
Advanced Beginner Tap Tap Dance Trivia Name: __________________________________________ Period:___________ 1. Which tap dancer is famous for his “Stair Dance?” a. Jimmy Slyde b. Bill “Bojangles” Robinson c. Fred Astaire d. King Rastus Brown 2. In the 1930s, the Nicholas Brothers dance at what famous New York City club? a. The Jazz Club b. The Jazz House c. The Cotton Club d. The Vine 3. Which tap dancer is famous for appearing in movies with Shirley Temple? a. Bill “Bojangles” Robinson b. Willie Coven c. LaVaughn Robinson d. Eddie Brown 4. Which female tap dancers was known for her “machine gun” fast tapping in the 1930s and 1940s? a. Jeni LeGon b. Elenor Powell c. Ginger Rogers d. Ann Miller 5. Which tap dancer appeared with Gene Kelly and Debbie Reynolds in MGM’s “Singing in the Rain?” a. Fred Astaire b. Donald O’Connor c. Fred Kelly d. Buddy Ebsen 6. Some historians think that tap dancing is a mix of which dance forms? a. Irish Step Dance b. African Dance c. English Clog Dance d. All of the above 7. This small room in a New York club served as the “Harlem Headquarters” for tap dancers in the 1930s: a. The Hoofers Club b. The Hoofers Lounge c. The Tappers Club d. The Hoofers Corner 8. Leonard Reed is known for this tap dance routine: a. The Charleston b. The Tack Annie c. The Shim Sham Shimmy d. The Cakewalk 9. The Famous tap dancers who starred in the film “Tap” was: a. Gene Kelly b. Gregory Hines c. -
Literature and Rare Books a Miscellany
Literature And Rare Books A Miscellany. 1502 - 2000 Catalogue 298 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.reeseco.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and Fax machines for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request. -
Biographical Description for the Historymakers® Video Oral History with Fay Ray
Biographical Description for The HistoryMakers® Video Oral History with Fay Ray PERSON Ray, Fay Alternative Names: Fay Ray; Life Dates: October 11, 1919-September 14, 2013 Place of Birth: Natchitoches, Louisiana, USA Residence: New York, NY Occupations: Dancer Biographical Note Fay Ray was born in 1919 in Louisiana. Life for Ray was not easy. At the age of eleven, Ray decided to leave a hard life of picking cotton. Dressed as a boy, she rode the train to Shreveport. There, she joined a Vaudeville circuit and traveled the nation. On the circuit, Ray learned to tap dance from some of the best dances of her day. At the age of sixteen, Ray left the vaudeville circuit to sing and dance solo. In 1943, Ray moved to New York where she found steady work as a chorus line dancer. Ray performed at Café Zanzibar, Club Ebony, 845, the Cotton Club and the Apollo Theater. Ray’s chorus line performed with premiere bands like Duke Ellington, Cab Calloway, Louis Armstrong and Jimmy Lunceford who wrote Just for Dancers for Ray’s chorus line. During World War II, Ray stopped dancing for a time, moved to Providence, Rhode Island and became a certified welder at Walch Kaiser, welding ship seams for the navy. Ray danced in the first black USO show and traveled to Europe, the Middle East and the Far East. When she turned fifty years old, Ray retired from dancing, spent two years welding on the Alaskan Pipe Line and drove a New York taxi-cab. In 1985, Ray joined a senior dance group with other former Harlem chorus girls, the Silver Belles. -
In Johnson Gh
MIAMI TIMES, MIAMI. FLORIDA Southern Division PAGE SIXTEEN SATURDAY, JULY 25, 1953 To Have Outstanding Personal Mention Backs In ‘All-Star’ J Game The backs for the Southern Satterwhite of Jack- NW 6th Di- James K. ave. vision of the Florida Interscho- sonville, special representative for lastic Coaches’ first annual Sen- cigarettes, Gray-Bryant Camels and Cavalier Mrs. Bathsheba ior “All-Star” football game to K#>- * was a very interesting visitor at left on Wednesday for Seattle, K ic - be played August 7 at Centennial tv.-^|&j the Times’ office Tuesday morn- Washington, on her vacation. Field in Tallahassee, with the v Fla. ing. Mr. was also a will be the house |JBra #' ife Satterwhite While there she M University as < tJNML n|| A and host were guest on the popular “Man on the guest of her sister, Mrs. Sybilene announced today by James P. 881% Sb!! Stret” program, conducted by Rodriguez. SrkSK*- as V > •: Small, president of the :£.V JB lb '*3i«* associa- Charles C. North on the same day. tion. This team will be coached He attracted a large audience, was Cpl. G. L. McDonald arrived' by James Everett of Booker T. THE BEAUCEA SOLOMONS severe rain and thunderstorm very timely in his comments and home last week after spending 15 Washington high of Miami. (Francis Avery) 'have final Wednesday evening kept many their passed out a number of samples months in France with the Army The players are: Albert Adder- . Ernest residents lights papers Ditto the Stir- northwest without of Camels and Cavalier cigarettes of Occupation. He is-on furlough ley and Raymond Brown, Ft. -
Imperial Zions: Mormons, Polygamy, and the Politics of Domesticity in the Nineteenth Century
Imperial Zions: Mormons, Polygamy, and the Politics of Domesticity in the Nineteenth Century By Amanda Lee Hendrix-Komoto A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in the University of Michigan 2015 Doctoral Committee: Professor Susan M. Juster, Co-Chair Associate Professor Damon I. Salesa, Co-Chair Professor Terryl L. Givens Associate Professor Kali A.K. Israel Professor Mary C. Kelley ii To my grandmother Naomi, my mother Linda, my sisters Laura and Jessica, and my daughter Eleanor iii Acknowledgements This is a dissertation about family and the relationships that people form with each other in order to support themselves during difficult times. It seems right, then, to begin by acknowledging the kinship network that has made this dissertation possible. Susan Juster was an extraordinary advisor. She read multiple drafts of the dissertation, provided advice on how to balance motherhood and academia, and, through it all, demonstrated how to be an excellent role model to future scholars. I will always be grateful for her support and mentorship. Likewise, Damon Salesa has been a wonderful co-chair. His comments on a seminar paper led me to my dissertation topic. Because of him, I think more critically about race. In my first years of graduate school, Kali Israel guided me through the politics of being a working-class woman at an elite academic institution. Even though my work took me far afield from her scholarship, she constantly sent me small snippets of information. Through her grace and generosity, Mary Kelley served as a model of what it means to be a female scholar. -
JACKSON, DELILAH. Delilah Jackson Papers, 1852-2013
JACKSON, DELILAH. Delilah Jackson papers, 1852-2013 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Jackson, Delilah. Title: Delilah Jackson papers, 1852-2013 Call Number: Manuscript Collection No. 923 Extent: 47 linear feet (89 boxes), 8 oversized papers boxes and 5 oversized papers folders (OP), 1 extra-oversized paper (XOP), and AV Masters: 20.5 linear feet (21 boxes, LP1, and CLP5) Abstract: Papers collected or created by Delilah Jackson in her research on African American entertainers, including photographs, correspondence, subject files, oral history interviews, and films. Language: Materials primarily in English with some items in French. Administrative Information Restrictions on Access Special restrictions apply:Use copies have not been made for all audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Terms Governing Use and Reproduction Special restrictions apply: The collection contains some copies of original materials held by other institutions; these copies may not be reproduced without the permission of the owner of the originals. Commercial films located in the audiovisual series may not be reproduced. Printed or manuscript music in this collection that is still under copyright protection and is not in the Public Domain may not be photocopied or photographed. Researchers must provide written authorization from the copyright holder to request copies of these materials. Separated Material The Johnny Hudgins papers were originally part of the Delilah Jackson papers. -
Trinity College Without Charge
EDITORIAL ADVISORY BOARD Frank M . Child ill Dirk Kuyk Professor of Biology Pr()[esso r of E11glish Gerald]. Hansen, Jr. ' 51 Theodore T. Tansi ' 54 Director of Almmzi & College Relatio11 s Susan E. Weisselberg '76 Vol. 21, No. 3 (ISSN 01643983) Summer 1991 ]. Ronald Spen cer '64 Editor: William L. Churchill Associate Academic Dean Associate Editor: RobertaJenckes M'87 Sports Editor: Christopher Brown '90 NATIO NAL ALUMNI ASSOCIATION Stqff Writers: Martha A. Davidson, Executive Committee Elizabeth A. Natale President R obert E. Kehoe '69 Publications Assistant: Kathleen H . Davidson Chicago, Ill . Photographer: Jon Lester Vice Presidents Alumni Fund Charl es H . McGill '63 A RTICLES N ew York , N .Y. Admissions Jane W . Melvin Manoon '84 REUNION SETS RECORDS Chicago, Ill . FOR ATTENDANCE & GIVING 4 Members Francesca L. Borges '82 David A. R aymond '63 COMMENCEMENT 1991 14 Hamden, Conn. South Windsor, Conn. By Eliz abeth Natale Thomas D. Casey '80 Scott W . R eynolds '63 Bethesda, Md. Upper Montclair, N.J. "TO KNOW THE PLACE Ernest M. Haddad '60 E. Macey Russell '80 FOR THE FIRST TIME": Boston, Mass. Boston, Mass . VIETNAM JOURNEY 1990 20 Karen Jeffers '76 Jeffrey H . Seibert '79 By Alan Farrell '66 and W estport, Conn . Baltimore, Md. Theo dore M . Lievennan '71 Dorothy McAdoo MacColl '74 Pamela W . Von Seldeneck '85 Haverford, Pa. Philadelphia, Pa. THE FRESHMAN WHO Mi chael B. Mas ius '63 Alden R . Gordon '69 HATED SOCRATES: Hanford , Conn . Faculty R epresentati ve FREEDOM AND CONSTRAINT Rhea Jo Pincus '82 IN THE LffiERAL ARTS 25 Los Angeles , Cali( By Tom Gerety Athletic Advisory Committee Donald J. -
Reed Working File of Mary Lou Cook, Updated 23 Sept 2015 Home Page
Descendants of Patrick Reed Working file of Mary Lou Cook, updated 23 Sept 2015 Home Page: http://collectornuts.com This is a work in progress and there are probably errors of fact or deduction, despite my attempt to be as accurate as possible. Please do your own research and do not copy my biographies into your own files. The writing and research in this file represents many hours of work, but I’m sharing it to help other genealogists just as many people have helped me. If you find mistakes, please let me know and provide a source for your correction. I do not knowingly include living persons in my working file. E-mail: collectornuts at aol.com Generation No. 1 1. PATRICK1 REED was born Abt. 1740 in prob. Scotland, and died Aft. 1804 in VA or OH. He married MARGARET UNKNOWN Abt. 1759 in prob. Scotland or Ireland. She was born Abt. 1742 in Prob. Scotland, and died Aft. 1788. Notes for PATRICK REED: Patrick and his wife Margaret were married, probably in Scotland or Ireland, about 1759. Nothing is known about his ancestors, except that they were probably Scottish. After being forced to leave Scotland, they sought asylum in County Down, Northern Ireland. Patrick and Margaret went to Virginia well after the heavy migration of Scotch-Irish immigrants from Pennsylvania that began with Bordon's Grant in 1737 into Augusta County, which officially became a county in 1738. The area was originally part of Orange Co, VA, and Rockbridge Co was formed from Augusta Co. in 1778. -
Been Rich PK
Been Rich All My Life A Documentary Film by Heather Lyn MacDonald 81 minutes, color & b/w, 2005, USA First Run Features 630 Ninth Avenue, Suite 1213 New York, NY 10036 (212) 243-0600/Fax (212) 989-7649 email: [email protected] www.tootscrackin.com www.firstrunfeatures.com Been Rich All My Life a documentary by Heather Lyn MacDonald USA 2005, 81 minutes A Toots Crackin Production Featuring the Silver Belles, sassy as they ever were. Synopsis Five former 1930s showgirls, now aged 84-96, form an unlikely tap troupe, and perform to standing ovations from the Apollo Theatre to Carnegie Hall. They may get pacemakers and break their bones, but they heal and keep on dancing. "I'm going to dance, dance, dance 'til I can't dance no more, and I'm going to live, live, live 'til I die!" (Bertye Lou Wood, age 96) Major Credits Director/Producer: Heather Lyn MacDonald Editors: BB Jorissen; Heather Lyn MacDonald Cinematography: Heather Lyn MacDonald; Jon Miller; Sound & Add’l Camera Orlando Richards Music: Pete Whitman First Run Features Film Center Building 690 Ninth Ave., Ste. 1213 New York, NY 10036 Contact: Paul Marchant, 212-243-0600, x22; [email protected] Been Rich All My Life official website: www.tootscrackin.com/braml.htm First Run Features Film Center Building, 690 Ninth Ave., Ste. 1213, New York, NY 10036 212-243-0600 x 22; [email protected] The Story Directed by Sundance Audience Award winning filmmaker Heather Lyn MacDonald, Been Rich All My Life follows the unlikliest troupe of tap dancers. They are the "Silver Belles," five former showgirls now aged 84-96, performing to standing ovations, as sassy as they ever were. -
Black Laughter / Black Protest: Civil Rights, Respectability, and The
©2008 Justin T. Lorts ALL RIGHTS RESERVED !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Black Laughter / Black Protest: Civil Rights, Respectability, and the Cultural Politics of African American Comedy, 1934-1968 by Justin T. Lorts A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in History written under the direction of Ann Fabian and approved by ________________________ ________________________ ________________________ ________________________ New Brunswick, New Jersey October 2008 ABSTRACT OF THE DISSERTATION ! Black Laughter / Black Protest: Civil Rights, Respectability, and the Cultural Politics of African American Comedy, 1934-1968 !by Justin T. Lorts !Dissertation Director: ! Ann Fabian ! Black Laughter / Black Protest explores the relationship between comedy and the modern civil rights movement. In the early years of the