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Celebrate Kwanzaa Well, It's December 29Th. We've Run out Of
Celebrate Kwanzaa Well, it’s December 29th. We’ve run out of Advent Sundays but we aren’t quite to the new year. I wanted to continue the inter-faith kind of theme we’ve had for December so I was guided to Kwanzaa. Technically, Kwanzaa isn’t faith based but it is culture based. So what culture and why do we have Kwanzaa, what does it mean and why should anyone at Unity of Lehigh Valley care about it? You know how I keep talking about how the Universe contributes to my sermons? Well, when the Universe stops contributing, I’ll stop talking about it. I was randomly searching for something to watch on Netflix one night and for some reason clicked on a movie titled, “Holiday in the Wild.” Not filmed in Philadelphia, it was filmed in Zambia. A movie much more about elephant conservation than Christmas, it was really interesting to watch it and notice little things. Like that the film begins with modern cities in Zambia, a modern airport and luxury hotel. Local people were seen with ordinary clothes, although many had the African fabric and men and women often wore more loose fitting than Western styles. The roles of people who worked at the Elephant nursery were treated with respect and African people were seen as intelligent and hard-working and compassionate. Now I want you to reflect on the ways the dominant, white European culture in the United States typically describes what I will call, “original people”. How have you heard Native Americans described? How did whites describe the individuals brought to this country from Africa and forced into slavery? Mostly I think of the word, “savages”. -
Black Panther Party “We Want Freedom” - Mumia Abu-Jamal Black Church Model
Women Who Lead Black Panther Party “We Want Freedom” - Mumia Abu-Jamal Black Church model: ● “A predominantly female membership with a predominantly male clergy” (159) Competition: ● “Black Panther Party...gave the women of the BPP far more opportunities to lead...than any of its contemporaries” (161) “We Want Freedom” (pt. 2) Invisibility does not mean non existent: ● “Virtually invisible within the hierarchy of the organization” (159) Sexism does not exist in vacuum: ● “Gender politics, power dynamics, color consciousness, and sexual dominance” (167) “Remembering the Black Panther Party, This Time with Women” Tanya Hamilton, writer and director of NIght Catches Us “A lot of the women I think were kind of the backbone [of the movement],” she said in an interview with Michel Martin. Patti remains the backbone of her community by bailing young men out of jail and raising money for their defense. “Patricia had gone on to become a lawyer but that she was still bailing these guys out… she was still their advocate… showing up when they had their various arraignments.” (NPR) “Although Night Catches Us, like most “war” films, focuses a great deal on male characters, it doesn’t share the genre’s usual macho trappings–big explosions, fast pace, male bonding. Hamilton’s keen attention to minutia and everydayness provides a strong example of how women directors can produce feminist films out of presumably masculine subject matter.” “In stark contrast, Hamilton brings emotional depth and acuity to an era usually fetishized with depictions of overblown, tough-guy black masculinity.” In what ways is the Black Panther Party fetishized? What was the Black Panther Party for Self Defense? The Beginnings ● Founded in October 1966 in Oakland, Cali. -
The History of the Black Panther Party 1966-1972 : a Curriculum Tool for Afrikan American Studies
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1990 The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies. Kit Kim Holder University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Holder, Kit Kim, "The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies." (1990). Doctoral Dissertations 1896 - February 2014. 4663. https://scholarworks.umass.edu/dissertations_1/4663 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE HISTORY OF THE BLACK PANTHER PARTY 1966-1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES A Dissertation Presented By KIT KIM HOLDER Submitted to the Graduate School of the■ University of Massachusetts in partial fulfills of the requirements for the degree of doctor of education May 1990 School of Education Copyright by Kit Kim Holder, 1990 All Rights Reserved THE HISTORY OF THE BLACK PANTHER PARTY 1966 - 1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES Dissertation Presented by KIT KIM HOLDER Approved as to Style and Content by ABSTRACT THE HISTORY OF THE BLACK PANTHER PARTY 1966-1971 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES MAY 1990 KIT KIM HOLDER, B.A. HAMPSHIRE COLLEGE M.S. BANK STREET SCHOOL OF EDUCATION Ed.D., UNIVERSITY OF MASSACHUSETTS Directed by: Professor Meyer Weinberg The Black Panther Party existed for a very short period of time, but within this period it became a central force in the Afrikan American human rights/civil rights movements. -
The Black Arts Enterprise and the Production of African American Poetry
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett. -
Oral History Bill Brent Bill Brent Was a Captain in the Black Panther Party
Student Handout Oakland Museum of California What’s Going On? California and the Vietnam Era Lesson Plan #2 1968: Year of Social Change and Turning Point in Vietnam and the U.S. Oral History Bill Brent Bill Brent was a Captain in the Black Panther Party. My name is Brent, Bill Brent and I a Captain of the Black Panther Party associated with the Central Headquarters of the Black Panther Party, located in Oakland California. Oakland, population 400,000—32% black. In Merritt College two students, Huey Newton and Bobby Seale. Later they began to organize their brothers against their closest enemy, the police whom they call the PIGS. In 1966, taking advantage of a law, which authorized the carrying of visible arms patrols of the Black Panther Party for Self- Defense, cruised in the ghetto following police cars. As soon as a black is arrested they check the procedure making sure the law is observed and their brother knows his rights. As a result, the police hate them and the black community admires them. But the law has changed; they no longer carry arms even if they speak of them often, quoting Mao dreaming of obtaining power through guns and justice through power. The Black Panther Party are not anarchists we believe in government for the People. In the Black community we want government to serve the people, we gonna first start with [inaudible]…They killed brother Bobby Hutton, shot Brother Eldridge Cleaver, shot Brother Warren Wells, arrested Brother David Hilliard our National Captain of the Black Panther Party, they are making it their business through the process of arresting me and my wife, through the process of arresting numerous Panthers on the block… the Oakland. -
Elaine Brown Papers, 1977-2010 [Bulk 1989-2010]
BROWN, ELAINE, 1943- Elaine Brown papers, 1977-2010 [bulk 1989-2010] Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Brown, Elaine, 1943- Title: Elaine Brown papers, 1977-2010 [bulk 1989-2010] Call Number: Manuscript Collection No. 912 Extent: 68.25 linear feet (71 boxes), 2 oversized papers folders (OP), AV Masters: 1 linear foot (1 box), and 66 MB (332 files) born digital material and .5 linear feet (1 box) Abstract: Papers of civil rights activist Elaine Brown, including correspondence, personal papers, writings by Brown, records of organizations founded by Brown, records of her campaigns for President of the United States and Mayor of Brunswick, Georgia, and subject files. Language: Materials primarily in English with some materials in French. Administrative Information Restrictions on Access Special restrictions apply: Collection stored off-site. Researchers must contact Rose Library in advance for access to this collection. Subseries 2.1: Michael Lewis' medical records are restricted until his death. Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Emory Libraries provides copies of its finding aids for use only in research and private study. -
Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement
Journal of Undergraduate Research at Minnesota State University, Mankato Volume 9 Article 15 2009 Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement Melissa Seifert Minnesota State University, Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/jur Part of the American Art and Architecture Commons, and the Modern Art and Architecture Commons Recommended Citation Seifert, Melissa (2009) "Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement," Journal of Undergraduate Research at Minnesota State University, Mankato: Vol. 9 , Article 15. Available at: https://cornerstone.lib.mnsu.edu/jur/vol9/iss1/15 This Article is brought to you for free and open access by the Undergraduate Research Center at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Journal of Undergraduate Research at Minnesota State University, Mankato by an authorized editor of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Seifert: Political Art of the Black Panther Party: Cultural Contrasts in t Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement By: Melissa Seifert The origins of the Black Power Movement can be traced back to the civil rights movement’s sit-ins and freedom rides of the late nineteen fifties which conveyed a new racial consciousness within the black community. The initial forms of popular protest led by Martin Luther King Jr. were generally non-violent. However, by the mid-1960s many blacks were becoming increasingly frustrated with the slow pace and limited extent of progressive change. -
Page 1 of 4 Popmatters | Columns | Mark Reynolds | Negritude 2.0 | Re
PopMatters | Columns | Mark Reynolds | Negritude 2.0 | Re-Seizing the Time Page 1 of 4 Features | Columns | Blogs | News | Music | Film | TV | DVDs | Books | Comics | Multimedia | Events | PopComix | Front about contributors submissions book imprint advertising contests PopShop Media Center CALL FOR COLUMNISTS: PopMatters Seeks Intelligent Misfits. Deadline: Mid-to-late January 2007. TO FEATURES | recent :. Readers’ Delig :. Slipped Discs COLUMNS | recent NEGRITUDE 2.0: Re GLOBAL BEAT FUSIO BLOGS | recent SHORT ENDS AND L This - Yvonne D POPCOMIX ANNEX: premiere] CONDENSED VERSI PERIPATETIC POST MUSIC | recent | s :. Deerhoof: Frie :. David Kilgour :. Voice: Gumbo :. Akon: Konvict :. Steve Turner: :. The Frank He :. Johannes Lins EVENTS | recent :. Art with a Vie TELEVISION | recen NEGRITUDE 2.0: Re-Seizing the Time :. Gay, Straight [15 January 2007] :. Lincoln Heigh by Mark Reynolds For all the gains we’ve made in electoral DVDS | recent | S Email Print Comments (0) politics and community leadership, there :. Return to the :. Archie Shepp has yet to be a successor to the Black William Lee Brent isn’t one of those names quickly Panther Party as a nationally organized, BOOKS | recent associated with the furious tenor of ‘60s counter- politically oriented body speaking out and :. 31 Days: The culture. His face isn’t fodder for dorm-room posters working on the vanguard in the name of We Have Today like Che Guevara’s, his rhetoric isn’t burned into the black progress, directly confronting and MULTIMEDIA | rece history books like Stokely Carmichael’s. Many people :. Spider Man: B probably didn’t realize that Brent enjoyed any challenging the powers-that-be. -
Black Panthers Hold Forth at Camoius Pally , Identifies BARBARA AUTHIOR
Eldridge Cleaver FBI File #100-HQ-447251 Section 29 4* -:i-, Assoc. Dir. Dep. AD Adm. LAW OFFICES Dep. AD Iny. WALD, HARKRADER & ROSS Asst. Dir.: Adm. Serv. Ext. Affairs ROBERT L.WALD CARLETON A.HARKRADER WM.WARFIELD ROSS 910 SEVENTEEN THOMAS H. TRUITT ROBERT M. LICHTMAN STEPHEN B.IVESJR. Fin.& Pers. WASHINGTON, DONALD H. GREEN NEAL P. RUTLEDGE GEORGE A. AVERY THOMAS C. MATTHEWS, JR. THOMAS J.SCHWAB JOEL E. HOFFMAN Gen. Inv. (202) 87, TERRY F. LENZNER DANIEL F;O KEEFE,JR, DONALD T. BUCKLIN Ident. JERRY D.ANKER CHARLES C.ABELES ROBERT E. NAGLE CABLE ADORE ALEXANDER W.SIERCK TERRENCE ROCHE MURPHY WILLIAM R.WEISSMAN TELEX: 2 I ntell. STEPHEN M.TRUITT, TONI K.GOLDEN KEITH S.WATSON JAMES DOUGLAS WELCH ROBERT A. SKITOL STEVEN K.YABLONSKI SELMA M. LEVI] THOMAS W. BRUNNER C.COLEMAN BIRD GREER S. GOLDMAN Plan. & In GERALD B. WETLAUFER LEWIS M. POPPER MARK SCHATTNER OF COU Rec. RICHARD A. BROWN AVRUM M. GOLDBERG DENNIS D. CLARK Mgt. PHILIP I DAVID R. BERZ CAROL KINSBOURNE LESLIE S. BRETZ S.& T. Serve. ROBERT B. CORNELL DAVID B. WEINBERG ANTHONY L.YOUNG CHARLES F, ROBERT M.COHAN STEVEN M. GOTTLIEB STEVEN E. SILVERMAN Spec. Inv. NANCY H. HENDRY SHEILA JACKSON LEE + JAMES R. MYERS Training . GLORIA PHARES STEWART RANGELEY WALLACE * ON LEAVE Telephone Rm. Director's Sec'y February 14, 191 DELIVERED BY HAND FBI/DOJ OUTSIDE .,OLE ALL INFOTOTAT: CONTAIN Mr. Clarence M. Kelley HERMIN IS TN b Director DAT 09-11-2( U/P/EL b7C Federal Bureau of Investigation United States Department of Justice Washington, D.C. -
Living for the City Donna Jean Murch
Living for the City Donna Jean Murch Published by The University of North Carolina Press Murch, Donna Jean. Living for the City: Migration, Education, and the Rise of the Black Panther Party in Oakland, California. The University of North Carolina Press, 2010. Project MUSE. muse.jhu.edu/book/43989. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/43989 [ Access provided at 22 Mar 2021 17:39 GMT from University of Washington @ Seattle ] 5. MEN WITH GUNS In the aftermath of the Watts rebellions, the failure of community pro- grams to remedy chronic unemployment and police brutality prompted a core group of black activists to leave campuses and engage in direct action in the streets.1 The spontaneous uprisings in Watts called attention to the problems faced by California’s migrant communities and created a sense of urgency about police violence and the suffocating conditions of West Coast cities. Increasingly, the tactics of nonviolent passive resistance seemed ir- relevant, and the radicalization of the southern civil rights movement pro- vided a new language and conception for black struggle across the country.2 Stokely Carmichael’s ascendance to the chairmanship of the Student Non- violent Coordinating Committee SNCC( ) in June 1966, combined with the events of the Meredith March, demonstrated the growing appeal of “Black Power.” His speech on the U.C. Berkeley campus in late October encapsu- lated these developments and brought them directly to the East Bay.3 Local activists soon met his call for independent black organizing and institution building in ways that he could not have predicted. -
DOC510 Prisons the Freedom Archives [email protected]
DOC510 Prisons Organizational Body Subjects ABC Anarchist Black Cross; Anarchist Prisoners' Legal Aid Network; Critical Resistance; Green Anarchy; Barricada Collective; Attica Committee to Free Black Liberationl Civil Rights; Dacajeweiah; Attica Defense Committee; National Lawyers Guild; Women of Youth Against War & Fascism; National Coalition of Concerned Legal Drugs; Human Rights; Professionals; Black Cat Collective, Nightcrawler ABC; Paterson anarchist Collective; Arm the Spirit; Bulldozer; Buffalo Chip; California Prison focus; Break Indiginous Struggle; Native The Chains Collective; Human Rights Research Fund; National Task Force for COINTELPRO Litigation & Research; Youth Law News; American Friends Service American; Political Prisoners; Committee; Prisoners Rights Union; Brothers for Awareness; Committee to Close MCU; Amnesty International; Health Committee of the Campaign to Prison; Women; Anti- Abolish Lexington Control Unit; Spear & Shield; International concerned Family and Friends of Mumia Abu Jamal; Pacifica Campaign; Free the Five Imperialism; Anti-Racism; Committee; Miami Coalition Against the US Embarcargo of Cuba; Free the Five Committee; New Orleans Time Pcayuue; Organizatio in Solidarity with the COINTELPRO; Resistance; Peoples of Africa, Asia and Latin America; Western Region United Front to Free All Political Prisoners; Tear down the Walls; The Jericho Movement; Unions; Torture California Coalition for Women Prisoners; Legal Services for Prisoners with Children; Families Against Mandatory Minimums, Lindesmith Center-Drug -
In Light of the Career and Work of Marcus Garvey, the Leadership
REACHING OuT TO A RAcE: MARCUS GARVEY AND MAss COMMUNICATION THROUGH THE LENSES OF SERVANT LEADERSHIP -SCOTT FINNIE EASTERN WASHINGTON UNIVERSITY INTRODUCTION In light of the career and work of Marcus Garvey, the leadership skills he employed help to amplify Robert Greenleaf' s description of the true and genuine servant-leader. In his classic book published in 1977, Servant Leadership: A Journey into the Nature ofLegitimate Power and Greatness, Greenleaf identifies a series of attributes and virtues necessary to fulfill the role of "the great leader" who is "seen as a servant first" (p. 7). In his eyes, the concept and dynamics of leadership need an urgent re-definition and conceptual realignment if collective entities are to reach the noble goals to which they aspire: A fresh critical look is being taken at the issues of power and authority, and people are beginning to learn, however haltingly, to relate to one another in less coercive and more creatively supporting ways. A new moral principle is emerging which holds that the only authority deserving one's allegiance is that which is freely and knowingly granted by the led to the leader in response to, and in proportion to, the clearly evident ser vant stature of the leader. (pp. 9-10) The following pages will be an exploration into the leadership methodology of Marcus Garvey against the backdrop of Greenleaf's servant-leadership themes. The first part will be a historical examination of Garvey followed by a context analysis of servant-leadership. 267 The International Journal ofServant-Leadership, 2007, vol. 3, issue 1, 267-279 GARVEY'S BACKGROUND Marcus Garvey was born in Jamaica in the late 1800s.