In Torino One Needs Passion and Curiosity
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ITALIAN ART SOCIETY NEWSLETTER XXIX, 3, Fall 2018
ITALIAN ART SOCIETY NEWSLETTER XXIX, 3, Fall 2018 An Affiliated Society of: College Art Association Society of Architectural Historians International Congress on Medieval Studies Renaissance Society of America Sixteenth Century Society & Conference American Association of Italian Studies President’s Message from Sean Roberts Rosen and I, quite a few of our officers and committee members were able to attend and our gathering in Rome September 15, 2018 served too as an opportunity for the Membership, Outreach, and Development committee to meet and talk strategy. Dear Members of the Italian Art Society: We are, as always, deeply grateful to the Samuel H. Kress Foundation for their support this past decade of these With a new semester (and a new academic year) important events. This year’s lecture was the last under our upon us once again, I write to provide a few highlights of current grant agreement and much of my time at the moment IAS activities in the past months. As ever, I am deeply is dedicated to finalizing our application to continue the grateful to all of our members and especially to those lecture series forward into next year and beyond. As I work who continue to serve on committees, our board, and to present the case for the value of these trans-continental executive council. It takes the hard work of a great exchanges, I appeal to any of you who have had the chance number of you to make everything we do possible. As I to attend this year’s lecture or one of our previous lectures to approach the end of my term as President this winter, I write to me about that experience. -
The Art of Performance a Critical Anthology
THE ART OF PERFORMANCE A CRITICAL ANTHOLOGY edited by GREGORY BATTCOCK AND ROBERT NICKAS /ubu editions 2010 The Art of Performance A Critical Anthology 1984 Edited By: Gregory Battcock and Robert Nickas /ubueditions ubu.com/ubu This UbuWeb Edition edited by Lucia della Paolera 2010 2 The original edition was published by E.P. DUTTON, INC. NEW YORK For G. B. Copyright @ 1984 by the Estate of Gregory Battcock and Robert Nickas All rights reserved. Printed in the U.S.A. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system now known or to be invented, without permission in writing from the publisher, except by a reviewer who wishes to quote brief passages in connection with a review written for inclusion in a magazine, newspaper or broadcast. Published in the United States by E. P. Dutton, Inc., 2 Park Avenue, New York, N.Y. 10016 Library of Congress Catalog Card Number: 79-53323 ISBN: 0-525-48039-0 Published simultaneously in Canada by Fitzhenry & Whiteside Limited, Toronto 10 9 8 7 6 5 4 3 2 1 First Edition Vito Acconci: "Notebook: On Activity and Performance." Reprinted from Art and Artists 6, no. 2 (May l97l), pp. 68-69, by permission of Art and Artists and the author. Russell Baker: "Observer: Seated One Day At the Cello." Reprinted from The New York Times, May 14, 1967, p. lOE, by permission of The New York Times. Copyright @ 1967 by The New York Times Company. -
Carlo Gabriele Tribbioli
CARLO GABRIELE TRIBBIOLI Press Review Emanuela Zanon, “Tha’s IT! Sull’ultima generazione di artisti in Italia e aun metro e ottanta dal confine”, Juliet, July 2018 That’s IT! Sull’ultima generazione di artisti in Italia e a un metro e ottanta dal confine julietartmagazine.com/it/thats-it-sullultima-generazione-di-artisti-italia-metro-ottanta-dal-confine/ July 2, 2018 A quasi un anno dal suo insediamento alla direzione del MAMbo, Lorenzo Balbi presenta nella Sala delle Ciminiere la sua prima grande mostra istituzionale, un progetto ambizioso in cui convergono l’intenzione di ridefinire (anche architettonicamente) il museo come finestra privilegiata sui linguaggi artistici della contemporaneità recepiti nel momento stesso del loro farsi e la volontà di potenziare il suo ruolo di centro propulsivo della produzione artistica. Per accentuare l’osmosi tra la città e il museo è stata aperta una vetrata ad arco, prima oscurata, che permette di vedere dall’esterno le attività espositive, ponendo il museo come ideale continuazione dei portici che lo connettono al tessuto urbano, mentre due nuove aperture all’interno marcano il collegamento tra la collezione permanente e l’area dedicata alle mostre temporanee. That’s IT! Sull’ultima generazione di artisti in Italia e a un metro e ottanta dal confine (il titolo richiama i versi di Arte e Confini in cui Bruno Munari nel 1971 anticipava la fluidità intellettuale della contemporaneità) è una mostra che riunisce i lavori di 56 artisti e collettivi nati a partire dal 1980 e accomunati da un’italianità variamente intesa come cittadinanza, provenienza, formazione o affinità culturale. -
From One to Many
lÒ l L I ìlc ito -_ f U L]U] L- 6 tl u l5l H".= iui § 161 o loE!L I -l o tolrl lÈ1or rtir!l tl L] I CAN REACH YOU (FROM ONE TO MANY) Bianco-Valente, Claudia Losi, Valerio Rocco Orlando Daria Filardo, Pietro Gaglianò, Angel ,dtJjLfl I CAN REACH YOU (FROM ONE TO MANY) Bianco-Valente, Claudia Losi, Valerio Rocco Orlando Daria Fitardo, Pietro Gagtiano, Anget fvrnvXt:Lfl -il reach Vau (fram one to many) del "paesaggio culturale" come Dove i/passo di Claudia Losi :sce come una meditaz one unica formula atlend bile sono r oncent a n ,^'opera - ct ve- re - eti va sviluppata fra gli state indagate iraiettorie ind v dua la plura ila delle esper enze - )li e c- alor. a part re da e co lett ve, sia come segno de 'arlrsta nel corso del suo ',getti presentati in occas one di appartenenza e decodifica viagg:o a piedi, da P acenza al o = ìnaugurazione, con amp iamenli del mondo, s a come tensione Scompìgì o. I camminare e stato -: hanno preso corpo tn un vasto all' organtzzazione della conoscenza nterpretato corne atto conoscitivo '-rgramma di appuntamenti: lo in atlantr multidirezlonalt. rn cu determinati uoghi di senso ,::zio della mostra sr è dilatato Lautobiografra, ossla I dato d llandmark), sono statl assunti per :cgraficamente, aprendosi oltre I eope'en13 pPrsolale ne lra(.lare proprie carattensliche f siche o per :rfrnl della lbnuta De lo Scompigl o confin possrbilr, è stato ll punto di eventi, anche remolr, di cui recano . -
Lead, 2016 Thread, Lead, Pencil and Watercolours; Installation View, Different Size
L L L Lead, 2016 Thread, lead, pencil and watercolours; installation view, different size. The skyline of some islands are covered by a net of lead drops: how do our eyes elaborate the vision, the perception of the observed landscape? Photo: Andrea Rossetti Courtesy: the artist and Monica De Cardenas Gallery, Milano_Zuoz_Lugano Claudia Losi by Giorgia Mauri L L L Claudia Losi (Italy, 1971) After my degree in painting at the Academy of Fine Arts, Bologna, and in French Literature at the University of Foreign Languages and Literature, Bologna, she started taking part in exhibitions in Italy and abroad. She spent some years living abroad. In 1998 I had my diploma atin Visual Arts at Fondazione Ratti, Comi, with Hamish Fulton. Artist in residence at Studio Orta-Les Moulins, Paris, France, at JCVA, Israel and at Art Omi International, New York, US. Recent exhibitions include: Asking Shelter, Monica De Cardenas Gallery, Milan; (2017) How do I Imagine Being There?, Collezione Maramotti, Reggio Emilia; About Proximity, performance, in the occasionWeaving & We, Second Hangzhou Triennial of Fiber Art, Hangzhou, China; What My Shape Says, performance, commisioned by Marina Rinaldi,Teatro Arsenale, Milan; (2016). Concha de Amor, performance, in occasion of Livorno in Contemporanea, Livorno; I can reach you (from one to many): Bianco Valente, Claudia Losi e Valerio Rocco Orlando, at Associazione Culturale dello Scompiglio, Lucca; Fashion as social Energy, at Palazzo Morando, Milan; (2015). Claudia Losi Menagerie, or Artwork Not About Love, Elaine L. Jacob Gallery, at Wayne State University, Detroit, USA; The Les Funérailles de la Baleine, video show, Cinema Milky Way, for Pianoterra onlus, Galleria Lia Rumma, Massimo, Turin; Les Funérailles de la Baleine, Naples; èdra, Connecting Landscapes, Reale Istituto performance with Vinicio Capossela and installation, Neerlandese, Rome; (2014). -
Claudia Losi
CLAUDIA LOSI Nata nel 1971 a Piacenza, dove vive e lavora Born in 1971, Piacenza (Italy), where she lives and works Studi e workshop / Studies and Workshops 1994 Laurea all’Accademia di Belle Arti, Bologna / She graduated from the Academy of Fine Arts, Bologna 1998 Laurea in Lingue e Letteratura Straniere all’Università di Bologna / University of Bologna with a degree in Foreign Languages and Literature 1998 Selezionata per il Corso Avanzato in Arti Visive alla Fondazione Antonio Ratti, Como (visiting professor: Hamish Fulton) Selected for the Advanced Course in Visual Arts of the Antonio Ratti Foundation, in Como, Italy (visiting professor: Hamish Fulton) 2000 Finalista italiana per / She is in the Italian shortlist for the International Studio Program P.S.1- New York 2003-2004 Progetto Europeo / European Project RADAR, Creative Human Lab in European Cities, Culture 2000 Framework Program, Venezia 2012-2013 Artista in residenza presso / Artist in residence at Studio Orta-Les Moulins, Jorge&Lucy Orta, Paris 2013 Artista in residenza presso / Artist in residence at JCVA, The Jerusalem Center for the Visual Arts, Israel 2014 Artista in residenza presso / Artist in residence at ArtOMI, Ghent (NY, United States) Mostre personali / Solo Exhibitions 2015 Concha de Amor, performance, in occasione di / in occasion of Livorno Arte Contemporanea, Livorno I can reach you (from one to many): Bianco-Valente, Claudia Losi e Valerio Rocco Orlando, Associazione Culturale dello Scompiglio, Lucca Fashion as social Energy, Palazzo Morando, Milano 2014 La promessa, performance, Sponzfest2, Alta Irpinia, Calitri (Avellino, Italy) 2013 Les Funérailles de la Baleine, proiezione video / video projection, Museo di Scienze Naturali, Livorno Women for life. -
I Progetti Vincitori the Winner Projects Winning Projects
PROGETTO ITALIAN COUNCIL AVVISO PUBBLICO PER IL FINANZIAMENTO DI PROGETTI CULTURALI FINALIZZATI ALLA PROMOZIONE, PRODUZIONE, CONOSCENZA, DIFFUSIONE DELLA CREAZIONE CONTEMPORANEA ITALIANA IN ITALIA E ALL’ESTERO NEL CAMPO DELLE ARTI VISIVE NONA EDIZIONE 2020 I PROGETTI VINCITORI WINNING PROJECTS Italian Council è il programma di sostegno, promozione e valorizzazione dell’arte contemporanea italiana nel mondo della Direzione Generale Creatività̀ Contemporanea del Ministero per i Beni e le Attività̀ Culturali e per il Turismo/ Italian Council is the programme by the Directorate-General for Contemporary Creativity of the Italian Ministry of Cultural Heritage and Activities and Tourism for the support, promotion, and enhancement of contemporary Italian art in the world. Info ITA: http://www.aap.beniculturali.it/italiancouncil_r.html ENG: http://www.aap.beniculturali.it/eng/italiancouncil_r.html Segreteria Italian Council: [email protected] AMBITO 1 | INCREMENTO DI PUBBLICHE COLLEZIONI ACTION 1 | INCREASING ITALY’S PUBLIC COLLECTIONS AMBITO 1 NUOVE PRODUZIONI ACTION 1 NEW PRODUCTIONS Ambito 1 – Incremento di pubbliche collezioni/ Nuove Produzioni ALESSANDRO SCIARRONI - Flu水o Proponente: ARTHUB ASIA, Hong Kong Partner di progetto: Associazione Ramdom, Gagliano del Capo Associazione DANSE 34, PRODUCTIONS, Marsiglia (Francia) Ming Contemporary Art Museum – McaM, Shanghai (Cina) Museo di destinazione: MAN - Museo d’Arte della Provincia di Nuoro Partner culturali: Gasworks & Triangle Network (Londra, UK) Fondazione Pirelli HangarBicocca (Milano, IT) Il progetto Flu水o di Alessandro Sciarroni nasce dalla necessità di rimettere in prospettiva un momento specifico e significativo della storia dell’arte – il periodo pre-Fluxus in Giappone – con le storie dei nostri giorni. Flu水o ha come soggetto principale l’acqua nella sua piena potenza poetica. -
Pietro Gagliano'
PIETRO GAGLIANO’ SACI instructor since 2014 Installation and Performance Art MFA Graduate Seminar in Studio Art: Professional Practicum I and II (Second Year) RECENT EXHIBITIONS AND PROJECTS ● “Shelters and Libraries,” concept and curatorship of the group show with Adalberto Abbate, Gaetano Cunsolo and Davide D’Elia, with a performance by Justin Thompson, ABC Arte gallery, Genoa, June 2017. ● “Paesaggio Dentro,” curatorship of the group show, Susanna Orlando Arte Contemporanea, Pietrasanta (Lucca), July 2017. ● “Scripta Festiva,l” concept and curatorship of the book festival focused on contemporary theory, Brac Bookshop and other venues, Florence, May 2017. ● “Pietro Fortuna – SILOS,” curatorship of the solo show, MACRO (Museum of Contemporary Art in Rome), Rome, April 2017. ● “Matteo Negri - 17 sculture a colori,” curatorship of the solo show, Lorenzelli Arte, Milan, March 2017. ● “Isabella Pers – The Next Flow,” curatorship of the solo show, aA29 Project Space, Milan, March 2017. ● “The Safety of the Objects,” concept and curatorship of the group show involving 9 artists (Bruno Baltzer and Leonora Bisagno, Emanuele Becheri, Luca Capuano, Daniele D’Acquisto, Davide D’Elia, Serena Fineschi, Laura Pugno, Alessandro Valeri), Former Atelier Corradi, Bologna, January 2017. ● “Giuseppe Stampone – Artists for Sale,” curatorship of the solo show, Bologna, January 2017. ● “The Missing Part,” Action and Talk, Gnam (National Gallery), Rome, January 2017. ● “La Torre di Babele,” concept and curatorship of the group show involving 20 galleries of Contemporary Art, official event for the opening of Centro Pecci in Prato, Former Factory Lucchesi, Prato, October 2016. ● “WAITING FOR RAVE. Anticipations of a Posthuman Time,” curatorship of the exhibition, Villa Manin, Codroipo Udine, July 2016. -
Stefano Cagol (Trento, 1969) Curriculum Vitae
Stefano Cagol (Trento, 1969) 1 Curriculum Vitae Education 1998 — Postdoctoral Fellowship, Toronto, Ryerson University 1993 — MFA, Milano, Accademia di Belle Arti di Brera 1989 — BFA, Trento, Istituto d’Arte Alessandro Vittoria 1984 — Lausanne, Liceo Pareto 1983 — Bern, Primary Education Fellowships 2001 — Fellowship, New York, ICP-International Center of Photography 1998 — Fellowship, Salzburg, Internationale Sommerakademie für Bildende Kunst 1997 — Government of Canada Award for Graduate Studies, Toronto, Ryerson University Awards 2019 — Italian Council, awarded, Roma, Italian Ministry of Culture 2018 — Step Travel Grants, awarded, European Cultural Foundation 2014 — VISIT # 10, recipient, Essen, Innogy Stiftung 2010 — Premio TERNA 03 per l’Arte Contemporanea, shortlisted, Roma, Terna 2009 — Premio TERNA 02 per l’Arte Contemporanea. Categoria Megawatt, first prize, Roma, Terna 2009 — Premio Agenore Fabbri, shortlisted, Frankfurt, Vaf Stiftung 2008 — Murri Public Art, recipient, Bologna, Murri 2008 — Targetti Light Art, second prize, Prato, Targetti 2008 — Art & Ecology International Artists Residency, shortlisted, London, RSA – Royal Society for Arts 2005 — Pagine Bianche d’autore. Trentino Alto Adige Südtirol, first prize, Torino, SEAT Pagine Bianche 2005 — MapXXL mobility program, shortlisted, Paris, Pépinières Européennes pour Jeunes Artistes 2004 — Premio Cairo, shortlisted, Milano, Cairo Communication Biennales 2019 — 14th Curitiba Biennial of Contemporary Art, Curitiba, Museum Oscar Niemeyer, 21.09.2019-01.03.2020 2018 — Off Biennale -
Il Corpo Figurato
Matthew Antezzo Matthew Antezzo (Connecticut, USA, 1962) vive a lavora a Berlino. Il lavoro di Matthew Antezzo consiste principalmente nel recupero e nella rielaborazione pittorica di immagini della tradizione occidentale; “icone” cercate e trovate in differenti fonti: spesso sono illustrazioni pubblicate su quotidiani o riviste, libri di storia dell’arte o di cinema, fotografie e più recentemente anche su internet. Presentate come degli originali, queste “copie” di documento riprendono le riproduzioni accompagnate dalla loro leggenda per scivolare da un piano ad un altro. Le immagini scelte sono spesso quelle di personalità celebri (come quelle di artisti concettuali immortalati in occasione di importanti mostre o ritratti di noti protagonisti del mondo della ricerca scientifica e culturale) nonché fotogrammi di film molto conosciuti. Antezzo ri-dipingendo queste immagini, rimanda alla sua memoria culturale, nonché visiva, e crea il suo cosmo personale tra pittura e riflessione concettuale, mettendo in gioco il suo stesso ruolo d’artista tra legittimazione e autonomia. Questo processo che estende il campo della pittura al mondo della tecnologia e dei mass media, allude al potere di suggestione della comunicazione contemporanea. Nell'opera Out (1997), Antezzo impiega un'immagine di Pier Paolo Pasolini: è la trasposizione pittorica di una fotografia apparsa sulla rivista che dà il titolo all'opera e che ritrae il regista durante le riprese del suo ultimo film, Salò o le 120 giornate di Sodoma (1975). La scelta di un documento storico mira ad esaltare l’interiorità del regista che viene colto vicino alla macchina da presa in un momento di raccoglimento. Antezzo concerta in quest’opera una dialettica su più dimensioni, giustapponendo icone visive e verbali. -
Contemporary Art and Architecture on the Web
MAXXI AND TELECOM PRESENT: contemporary art and architecture on the web Saturday 17 September at 21.00: encounter with Massimiliano Fuksas followed by Luigi Ontani | Enzo Cucchi | Michelangelo Pistoletto | Giulio Cappellini | Olivo Barbieri | Francesco Vezzoli | Fernando and Humberto Campana | Moreno Cedroni All the encounters will be streamed live free to view on www.telecomitalia.com Rome, 14 September 2011- The MAXXIinWeb project realised by MAXXI and Telecom Italia launches on Saturday 17 September at 21.00: nine encounters with nine major players in contemporary creativity that Telecom Italia will be making available free to the web public in live streaming on www.telecomitalia.com. Architects, artists, photographers and creative figures of international standing will be discussing their ideas and works, their working methods and their personal relationships with creativity and new technologies (MAXXI Auditorium, free admittance, Via Guido Reni 4/A). Massimiliano Fuksas (17 September), Luigi Ontani (22 September), Enzo Cucchi (13 October), Michelangelo Pistoletto (27 October), Giulio Cappellini (10 November), Olivo Barbieri (17 November), Francesco Vezzoli (24 November), Fernando and Humberto Campana (1 December), Moreno Cedroni (15 December) will be accompanying the public on this exploration of the diverse forms of creativity by way of exclusive materials and unusual forms of interaction that will make the web the privileged channel of contact with contemporaneity. The objective of the project is that of bringing the general public closer to the universe of the contemporary, proposing an informal and dynamic interpretative key to understanding in a straightforward, surprising and never banal way the trends in art and architecture, taking advantage of the most advanced technologies provided by Telecom Italia. -
Bibliography Francesco Clemente
Bibliography Francesco Clemente BIBLIOGRAPHY—Solo Exhibition Catalogues (chronological) (Gratis 1978) Gratis. Exhibition catalogue and artist’s book. Geneva: Centre d’Art Contemporain, 1978. (P.M.F.C. 1978) Francesco Clemente P.M.F.C. Exhibition catalogue. Cologne: Galerie Paul Maenz, 1978. (Undae Clemente flamina pulsae 1978) Undae Clemente flamina pulsae. Exhibition catalogue and artist’s book. Amsterdam: Art & Project, 1978. (Lisson 1979) Exhibition catalogue. London: Lisson Gallery, 1979. (Non Scopa 1979) Francesco Clemente: Non Scopa. Exhibition catalogue and artist’s book. Turin: Gian Enzo Sperone, 1979. (Milan 1980) Padiglione d’Arte Contemporanea, Milan, “Francesco Clemente,” dates unknown, 1980. Catalogue with text by Germano Celant. (Sperone Westwater Fischer 1980) Exhibition catalogue. New York: Sperone Westwater Fischer, 1980. (Maenz 1980) Francesco Clemente. Exhibition catalogue. Cologne: Galerie Paul Maenz, 1980. (Art & Project 1980–81) New Works. Exhibition catalogue. Amsterdam: Art & Project, 1980–81. (Matrix 1981) Francesco Clemente/Matrix 46. Exhibition brochure. Berkeley: University Art Museum, University of California, 1981. (Pinxit 1981) Francesco Clemente Pinxit. Exhibition catalogue and artist’s book. London: Anthony d’Offay Gallery, 1981. (Bischofberger 1981) Francesco Clemente: New Works. Exhibition catalogue. Zurich: Galerie Bruno Bischofberger, 1981. (Viaggatore Napoletano 1982) Francesco Clemente: Il viaggiatore napoletano. Exhibition catalogue and artist’s book. Cologne: Galerie Paul Maenz, 1982. (Bischofberger 1982–83) Francesco Clemente: Watercolours. Exhibition catalogue and artist’s book. Zurich: Galerie Bruno Bischofberger, 1982–83. (Fourteen Stations 1983) Francesco Clemente: The Fourteen Stations. Exhibition catalogue. London: Whitechapel Art Gallery, 1983. (Sperone Westwater/Boone 1983) Francesco Clemente. Exhibition catalogue. New York: Sperone Westwater; New York: Mary Boone Gallery, 1983. (White Shroud 1984) Allen Ginsberg/Francesco Clemente: White Shroud.