Stefano Cagol (Trento, 1969) Curriculum Vitae
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Platform of “Be-Diversity” Starts at MUSE
The Platform of “Be-diversity” starts at MUSE The temporary exhibition of contemporary art "Be-diversity. A mental attitude on differences, beyond biodiversity" at MUSE Science Museum of Trento until September 30 curated by Stefano Cagol presents a series of meetings open to the public with important guests: the first guest on Wednesday August 19 at 18.00 is Aboulkheir Breigheche, Imam of Trentino South Tyrol. The opportunity to face the issues of Expo at Muse through the unexpected visionary point of view of the artworks of the project "Be-diversity" will be amplified starting from 19 August by a series of informal dialogues with local and international guests that are not limited within the boundaries of art and science, but range and take the cue from an idea of synergy between the different knowledge, from the belief that "The paths of knowledge that lead to awareness and then action, are not isolated trails", as the director of MUSE, Michele Lanzinger, says. First guest is Aboulkheir Breigheche, Imam of the Islamic Community of Trentino South Tyrol and President of the Council of Trustees of the Association of Italian Islamic Imams, on Wednesday, August 19 in the parlor inside the exhibition "Be-diversity" on the second floor of MUSE. Natural starting point for his reflection will be in particular one of the seven works exhibited, realized by the Lebanese-born artist Khaled Ramadan. It speaks, through images and words, about the Muslim Cham minority in Cambodia, that has lived since last three generations on boats along the Mekong River due to the persecution by the Khmer Rouge. -
Curating Political Change
Agency and affect: curating political change Simon Maidment orcid.org/0000-0003-3984-5222 This thesis is submitted for the degree: 475AA Doctor of Philosophy – Victorian College of the Arts, University of Melbourne. Submitted 31 December 2017. The research was carried out in the Centre for Ideas, Victorian College of the Arts, University of Melbourne. This thesis is being submitted in partial fulfilment of the degree. 190103 Art Theory Studies in Creative Arts and Writing not elsewhere classified 199999 (Curatorial Practice) 190101 Art Criticism 229391 Aesthetics 1 Abstract Agency and affect: curating political change is a practice-led research project that considers the relationship of art to political change, and the critical possibilities for agency in this relationship. To establish this, I develop and elucidate a theoretical framework for understanding art's operation in the social and political sphere, and relationship to the individual audience member. By foregrounding first an understanding of how an artwork operates within a relational sphere of individual subjectivity, I elaborate a new position arguing that the artwork and its affective potential can generate individual insight into the limits that bound behaviour and thought and, through this, enable a sense of agency in contributing to change through challenges to those limitations. I develop this framework through the process of conceiving, developing and staging a series of curatorial projects, employing the practice of critically-engaged curating as a research methodology, using a mode of curating situated within the discipline's contemporary discourse. The ideas of social agency, and engagement of a political nature, are intrinsic in the content, form and presentation context of each curatorial project. -
Paul Robeson Galleries
Paul Robeson Galleries Exhibitions 1979 Green Magic April 9 – June 29, 1979 An exhibition consisting of two parts: Green Magic I and Green Magic II. Green Magic I displayed useful plants of northern New Jersey, including history, properties, and myths. Green Magic II displayed plant forms in art of the ‘70’s. Includes the work of Carolyn Brady, Brad Davis, Jim Dine, Tina Girouard, George Green, Hanna Kay, Bob Kushner, Ree Morton, Joseph Raffael, Ned Smyth, Pat Steir, George Sugarman, Fumio Yoshimura, and Barbara Zucker. Senior Thesis Exhibition May 7 – June 1, 1979 An annual exhibition of work by graduating Fine Arts seniors from Rutgers – Newark. Includes the work of Hugo Bastidas, Connie Bower, K. Stacey Clarke, Joseph Clarke, Stephen Delceg, Rose Mary Gonnella, Jean Hom, John Johnstone, Mathilda Munier, Susan Rothauser, Michael Rizzo, Ulana Salewycz, Carol Somers Kathryn M. Walsh. Jazz Images June 19 – September 14, 1979 An exhibition displaying the work of black photographers photographing jazz. The show focused on the Institute of Jazz Studies of Rutgers University and contemporary black photographers who use jazz musicians and their environment as subject matter. The aim of the exhibition was to emphasize the importance of jazz as a serious art form and to familiarize the general public with the Jazz Institute. The black photographers whose work was exhibited were chosen because their compositions specifically reflect personal interpretations of the jazz idiom. Includes the work of Anthony Barboza, Rahman Batin, Leroy Henderson, Milt Hinton, and Chuck Stewart. Paul Robeson Campus Center Rutgers – The State University of New Jersey 350 Dr. Martin Luther King, Jr. -
September 22Nd–27Th
PARALLELVIENNA.COM 22.–27. SEPTEMBER 2020 SEPTEMBER 22ND–27 TH RUDOLF-SALLINGER-PLATZ 1 1030 WIEN PARALLEL VIENNA 2020 PARALLEL VIENNA 2020 PARALLEL VIENNA 2020 FAIR DATES | FAIR OPENING TIMES WEDNESDAY 23TH SEPTEMBER 2020 – SUNDAY 27TH SEPTEMBER 2020 12:00 AM – 19:00 PM | FAIR PREVIEW TUESDAY 22TH SEPTEMBER 2020 12:00 AM – 17:00 PM | FAIR VERNISSAGE TUESDAY 22TH SEPTEMBER 2020 17:00 PM – 22:00 PM | PARALLEL VIENNA ROOF TOP BAR & CAFÉ TUESDAY 22TH SEPTEMBER 2020 – SUNDAY 27TH SEPTEMBER 2020 from 12:00 PM PARALLEL VIENNA PRESENTS ARTIST STATEMENTS 2020 ROOM 0.12 PARALLEL SKULPTURENINSEL ROOM 0.17 PARALLEL STAGE ROOM 0.19 PARALLEL BOOKSTORE ROOM 5.01 – 2 – – 3 – PARALLEL VIENNA 2020 PARALLEL VIENNA 2020 DIE NEUE PARALLEL GROUND FLOOR 24 VIENNA APP FLOOR 1 26 FLOOR 2 28 FLOOR 3 30 FLOOR 4 32 FLOOR 5 34 FLOOR 6 36 FLOOR 7 38 Mit der Smartphonekamera ROOFTOP 40 scannen und gratis herunterladen. – 4 – – 5 – PARALLEL VIENNA 2020 PARALLEL VIENNA 2020 GALLERY STATEMENTS AA COLLECTIONS ARTDEPOT GALLERY Marko Lulic GALERIE ELISABETH & GALERIE GALERIE 4.11 6.20 Barbara Mungenast KLAUS THOMAN HEIMO BACHLECHNER LISI HÄMMERLE Michael Riedel INNSBRUCK/VIENNA 4.15 4.10 Porzel Aaron Ganz Matta Wagnest Alexander Ruthner 3.03 + 3.04 Melo Nie Max Schaffer Josef Wurm Albert Mayr Riesengasse 8 Carlos Perez Hank Schmidt in der Herbert Brandl 6020 Innsbruck, Austria Anton-Schneider-Str. 4a Beek Julia Bornefeld Bürgergasse 5 8010 Graz, Austria 6900 Bregenz, Austria Reindorfgasse 9 www.artdepot.co.at 1150 Vienna, Austria Elfie Semotan Julia Haugeneder Marina Sula Michael Kienzer www.galeriebachlechner. -
Thale Fastvold Skjelderupsgt
Thale Fastvold Skjelderupsgt. 13b, 0559 Oslo | [email protected] | thalefastvold.com | 92496605 | b. 24.10.78, Oslo Bio: Thale Fastvold (b. 1978) is a visual artist based in Oslo, Norway. She has a BA in photography from Istituto Europeo di Design in Rome, a Cand.mag (MA) in Art History and Literature from the University of Oslo, and is educated a curator from Telemark University. Trained an analog photographer, her focus is on the dialog between classical photography and non-figurative abstraction. Fastvold exhibits internationally in USA, Italy, Russia, Colombia and Greece as well as in Norway and was in 2018 elected Chairwoman of the Norwegian organization of Art Photographers (FFF). With LOCUS (Est. 2006, a collaboration between Thale Fastvold & Tanja Thorjussen) she has published the books Kurator? (2009), ARTic (2015) and Arctic Hysteria – Collected stories and research through contemporary art (2016), which was launched at NY Art Book Fair, MoMA PS1, and her artist book “Ghost of M” was launched at 57. La Biennale di Venezia in 2017. Exhibitions: 2021 Museum of Nonconformist Art, St Petersburg, Russia, group show 2020 LOCUS Coral Sanctuary, underwater sculpture/public art project commissioned by Coral Projects (USA) and Oracabessa Bay Fish Sanctuary, Jamaica, with Don Lawrence architect 2019 Everglades Nature Reservatory, Miami, USA, Coral Projects Research Lab, performance 2019 Untitled,Art fair Miami, dec. 3-8, with Benrubi gallery 2019 Cosmoscow art fair, Moscow, Russia, Moscow, group show, with LOCUS 2019 Galleri 2, Stamsund, -
Carlo Gabriele Tribbioli
CARLO GABRIELE TRIBBIOLI Press Review Emanuela Zanon, “Tha’s IT! Sull’ultima generazione di artisti in Italia e aun metro e ottanta dal confine”, Juliet, July 2018 That’s IT! Sull’ultima generazione di artisti in Italia e a un metro e ottanta dal confine julietartmagazine.com/it/thats-it-sullultima-generazione-di-artisti-italia-metro-ottanta-dal-confine/ July 2, 2018 A quasi un anno dal suo insediamento alla direzione del MAMbo, Lorenzo Balbi presenta nella Sala delle Ciminiere la sua prima grande mostra istituzionale, un progetto ambizioso in cui convergono l’intenzione di ridefinire (anche architettonicamente) il museo come finestra privilegiata sui linguaggi artistici della contemporaneità recepiti nel momento stesso del loro farsi e la volontà di potenziare il suo ruolo di centro propulsivo della produzione artistica. Per accentuare l’osmosi tra la città e il museo è stata aperta una vetrata ad arco, prima oscurata, che permette di vedere dall’esterno le attività espositive, ponendo il museo come ideale continuazione dei portici che lo connettono al tessuto urbano, mentre due nuove aperture all’interno marcano il collegamento tra la collezione permanente e l’area dedicata alle mostre temporanee. That’s IT! Sull’ultima generazione di artisti in Italia e a un metro e ottanta dal confine (il titolo richiama i versi di Arte e Confini in cui Bruno Munari nel 1971 anticipava la fluidità intellettuale della contemporaneità) è una mostra che riunisce i lavori di 56 artisti e collettivi nati a partire dal 1980 e accomunati da un’italianità variamente intesa come cittadinanza, provenienza, formazione o affinità culturale. -
From One to Many
lÒ l L I ìlc ito -_ f U L]U] L- 6 tl u l5l H".= iui § 161 o loE!L I -l o tolrl lÈ1or rtir!l tl L] I CAN REACH YOU (FROM ONE TO MANY) Bianco-Valente, Claudia Losi, Valerio Rocco Orlando Daria Filardo, Pietro Gaglianò, Angel ,dtJjLfl I CAN REACH YOU (FROM ONE TO MANY) Bianco-Valente, Claudia Losi, Valerio Rocco Orlando Daria Fitardo, Pietro Gagtiano, Anget fvrnvXt:Lfl -il reach Vau (fram one to many) del "paesaggio culturale" come Dove i/passo di Claudia Losi :sce come una meditaz one unica formula atlend bile sono r oncent a n ,^'opera - ct ve- re - eti va sviluppata fra gli state indagate iraiettorie ind v dua la plura ila delle esper enze - )li e c- alor. a part re da e co lett ve, sia come segno de 'arlrsta nel corso del suo ',getti presentati in occas one di appartenenza e decodifica viagg:o a piedi, da P acenza al o = ìnaugurazione, con amp iamenli del mondo, s a come tensione Scompìgì o. I camminare e stato -: hanno preso corpo tn un vasto all' organtzzazione della conoscenza nterpretato corne atto conoscitivo '-rgramma di appuntamenti: lo in atlantr multidirezlonalt. rn cu determinati uoghi di senso ,::zio della mostra sr è dilatato Lautobiografra, ossla I dato d llandmark), sono statl assunti per :cgraficamente, aprendosi oltre I eope'en13 pPrsolale ne lra(.lare proprie carattensliche f siche o per :rfrnl della lbnuta De lo Scompigl o confin possrbilr, è stato ll punto di eventi, anche remolr, di cui recano . -
Press Release
Press release CONCILIO Stefano Cagol Collateral Event of the 54th International Art Exhibition – la Biennale di Venezia Chiesa di San Gallo (San Gallo Church) San Marco 1103, Campo San Gallo, Venice May 31 – November 27, 2011 Opening: May 31, 6 pm Curated by: Gregor Jansen Scientific Direction: Gabriella Belli, Andrea Viliani Mart – Museum of Modern and Contemporary Art of Trento and Rovereto and Fondazione Galleria Civica-Center of Research on Contemporaneity of Trento as promoting institutions are proud to announce Stefano Cagol’s participation at 54th International Art Exhibition – la Biennale di Venezia with the solo show CONCILIO at San Gallo Church. “Between the pyramids as symbol for eternity and power and borders as a symbol for inclusion/exclusion and power, the interior of the Church of San Gallo in Venice becomes a perfect context for religious background and intellectual power. In the world—between the terrestrial, the political and the religious— spiritual power is not enough.” Gregor Jansen In Stefano Cagol’s solo show curated by Gregor Jansen, new oxymorons are triggered – through video and installation – by signaling and dialoging actions that hit political borders, natural borders, mental borders. Developed through the joining of opposites, the splitting of like entities, through “parallel convergences” that generate a liminal landscape and a territory on borders, the solo show CONCILIO ideally starts from Stefano Cagol’s place of birth, “a territory marking the passage between South and North, Rome and Wittenberg, between Italy and Germany:” Trento in Trentino South Tyrol. The very first reference to his city of origin is to be found in the title which draws back immediately to the Concilio di Trento, the Council of Trient. -
Lead, 2016 Thread, Lead, Pencil and Watercolours; Installation View, Different Size
L L L Lead, 2016 Thread, lead, pencil and watercolours; installation view, different size. The skyline of some islands are covered by a net of lead drops: how do our eyes elaborate the vision, the perception of the observed landscape? Photo: Andrea Rossetti Courtesy: the artist and Monica De Cardenas Gallery, Milano_Zuoz_Lugano Claudia Losi by Giorgia Mauri L L L Claudia Losi (Italy, 1971) After my degree in painting at the Academy of Fine Arts, Bologna, and in French Literature at the University of Foreign Languages and Literature, Bologna, she started taking part in exhibitions in Italy and abroad. She spent some years living abroad. In 1998 I had my diploma atin Visual Arts at Fondazione Ratti, Comi, with Hamish Fulton. Artist in residence at Studio Orta-Les Moulins, Paris, France, at JCVA, Israel and at Art Omi International, New York, US. Recent exhibitions include: Asking Shelter, Monica De Cardenas Gallery, Milan; (2017) How do I Imagine Being There?, Collezione Maramotti, Reggio Emilia; About Proximity, performance, in the occasionWeaving & We, Second Hangzhou Triennial of Fiber Art, Hangzhou, China; What My Shape Says, performance, commisioned by Marina Rinaldi,Teatro Arsenale, Milan; (2016). Concha de Amor, performance, in occasion of Livorno in Contemporanea, Livorno; I can reach you (from one to many): Bianco Valente, Claudia Losi e Valerio Rocco Orlando, at Associazione Culturale dello Scompiglio, Lucca; Fashion as social Energy, at Palazzo Morando, Milan; (2015). Claudia Losi Menagerie, or Artwork Not About Love, Elaine L. Jacob Gallery, at Wayne State University, Detroit, USA; The Les Funérailles de la Baleine, video show, Cinema Milky Way, for Pianoterra onlus, Galleria Lia Rumma, Massimo, Turin; Les Funérailles de la Baleine, Naples; èdra, Connecting Landscapes, Reale Istituto performance with Vinicio Capossela and installation, Neerlandese, Rome; (2014). -
Claudia Losi
CLAUDIA LOSI Nata nel 1971 a Piacenza, dove vive e lavora Born in 1971, Piacenza (Italy), where she lives and works Studi e workshop / Studies and Workshops 1994 Laurea all’Accademia di Belle Arti, Bologna / She graduated from the Academy of Fine Arts, Bologna 1998 Laurea in Lingue e Letteratura Straniere all’Università di Bologna / University of Bologna with a degree in Foreign Languages and Literature 1998 Selezionata per il Corso Avanzato in Arti Visive alla Fondazione Antonio Ratti, Como (visiting professor: Hamish Fulton) Selected for the Advanced Course in Visual Arts of the Antonio Ratti Foundation, in Como, Italy (visiting professor: Hamish Fulton) 2000 Finalista italiana per / She is in the Italian shortlist for the International Studio Program P.S.1- New York 2003-2004 Progetto Europeo / European Project RADAR, Creative Human Lab in European Cities, Culture 2000 Framework Program, Venezia 2012-2013 Artista in residenza presso / Artist in residence at Studio Orta-Les Moulins, Jorge&Lucy Orta, Paris 2013 Artista in residenza presso / Artist in residence at JCVA, The Jerusalem Center for the Visual Arts, Israel 2014 Artista in residenza presso / Artist in residence at ArtOMI, Ghent (NY, United States) Mostre personali / Solo Exhibitions 2015 Concha de Amor, performance, in occasione di / in occasion of Livorno Arte Contemporanea, Livorno I can reach you (from one to many): Bianco-Valente, Claudia Losi e Valerio Rocco Orlando, Associazione Culturale dello Scompiglio, Lucca Fashion as social Energy, Palazzo Morando, Milano 2014 La promessa, performance, Sponzfest2, Alta Irpinia, Calitri (Avellino, Italy) 2013 Les Funérailles de la Baleine, proiezione video / video projection, Museo di Scienze Naturali, Livorno Women for life. -
I Progetti Vincitori the Winner Projects Winning Projects
PROGETTO ITALIAN COUNCIL AVVISO PUBBLICO PER IL FINANZIAMENTO DI PROGETTI CULTURALI FINALIZZATI ALLA PROMOZIONE, PRODUZIONE, CONOSCENZA, DIFFUSIONE DELLA CREAZIONE CONTEMPORANEA ITALIANA IN ITALIA E ALL’ESTERO NEL CAMPO DELLE ARTI VISIVE NONA EDIZIONE 2020 I PROGETTI VINCITORI WINNING PROJECTS Italian Council è il programma di sostegno, promozione e valorizzazione dell’arte contemporanea italiana nel mondo della Direzione Generale Creatività̀ Contemporanea del Ministero per i Beni e le Attività̀ Culturali e per il Turismo/ Italian Council is the programme by the Directorate-General for Contemporary Creativity of the Italian Ministry of Cultural Heritage and Activities and Tourism for the support, promotion, and enhancement of contemporary Italian art in the world. Info ITA: http://www.aap.beniculturali.it/italiancouncil_r.html ENG: http://www.aap.beniculturali.it/eng/italiancouncil_r.html Segreteria Italian Council: [email protected] AMBITO 1 | INCREMENTO DI PUBBLICHE COLLEZIONI ACTION 1 | INCREASING ITALY’S PUBLIC COLLECTIONS AMBITO 1 NUOVE PRODUZIONI ACTION 1 NEW PRODUCTIONS Ambito 1 – Incremento di pubbliche collezioni/ Nuove Produzioni ALESSANDRO SCIARRONI - Flu水o Proponente: ARTHUB ASIA, Hong Kong Partner di progetto: Associazione Ramdom, Gagliano del Capo Associazione DANSE 34, PRODUCTIONS, Marsiglia (Francia) Ming Contemporary Art Museum – McaM, Shanghai (Cina) Museo di destinazione: MAN - Museo d’Arte della Provincia di Nuoro Partner culturali: Gasworks & Triangle Network (Londra, UK) Fondazione Pirelli HangarBicocca (Milano, IT) Il progetto Flu水o di Alessandro Sciarroni nasce dalla necessità di rimettere in prospettiva un momento specifico e significativo della storia dell’arte – il periodo pre-Fluxus in Giappone – con le storie dei nostri giorni. Flu水o ha come soggetto principale l’acqua nella sua piena potenza poetica. -
Pietro Gagliano'
PIETRO GAGLIANO’ SACI instructor since 2014 Installation and Performance Art MFA Graduate Seminar in Studio Art: Professional Practicum I and II (Second Year) RECENT EXHIBITIONS AND PROJECTS ● “Shelters and Libraries,” concept and curatorship of the group show with Adalberto Abbate, Gaetano Cunsolo and Davide D’Elia, with a performance by Justin Thompson, ABC Arte gallery, Genoa, June 2017. ● “Paesaggio Dentro,” curatorship of the group show, Susanna Orlando Arte Contemporanea, Pietrasanta (Lucca), July 2017. ● “Scripta Festiva,l” concept and curatorship of the book festival focused on contemporary theory, Brac Bookshop and other venues, Florence, May 2017. ● “Pietro Fortuna – SILOS,” curatorship of the solo show, MACRO (Museum of Contemporary Art in Rome), Rome, April 2017. ● “Matteo Negri - 17 sculture a colori,” curatorship of the solo show, Lorenzelli Arte, Milan, March 2017. ● “Isabella Pers – The Next Flow,” curatorship of the solo show, aA29 Project Space, Milan, March 2017. ● “The Safety of the Objects,” concept and curatorship of the group show involving 9 artists (Bruno Baltzer and Leonora Bisagno, Emanuele Becheri, Luca Capuano, Daniele D’Acquisto, Davide D’Elia, Serena Fineschi, Laura Pugno, Alessandro Valeri), Former Atelier Corradi, Bologna, January 2017. ● “Giuseppe Stampone – Artists for Sale,” curatorship of the solo show, Bologna, January 2017. ● “The Missing Part,” Action and Talk, Gnam (National Gallery), Rome, January 2017. ● “La Torre di Babele,” concept and curatorship of the group show involving 20 galleries of Contemporary Art, official event for the opening of Centro Pecci in Prato, Former Factory Lucchesi, Prato, October 2016. ● “WAITING FOR RAVE. Anticipations of a Posthuman Time,” curatorship of the exhibition, Villa Manin, Codroipo Udine, July 2016.