Conceptual Intention Vs Contextual Reality Team 10

Total Page:16

File Type:pdf, Size:1020Kb

Conceptual Intention Vs Contextual Reality Team 10 AB CIAM AND TEAM 10 CONCEPTUAL INTENTION VS CONTEXTUAL REALITY RIBS OF ISOLATION 11222 ARCHITECTURAL HISTORY AND THEORY: CRITIQUE HENRY LO, LEONARDO PATE, DANIEL SAGURIT, JENINA TOLENTINO, TRAN XUAN TRUONG C D AB INTEGRATING DISCIPLINES S ENT OLM ENR SOCIAL ORDER ENT TUD IN S DC SE REA ENVIRONMENT ++ = INC THE UNIVERSITY AS IT SEEMS TO BE: BUILDINGS CONTRIBUTE TO THE ISOLATION OF SPECIFIC DISCIPLINES CHANGES OF ATTITUDE AS A MASS HOUSING BUILDING FOR THE PUBLIC DESIGNED WITH HEAVY ‘MACHINE-LIKE’ MODERNIST INFLUENCES, IT BECAME DIFFICULT FOR IT TO BE ASSOCIATED WITH THE SMITHSONS’ ORIGINAL + = INTENT OF GIVING IT A SENSE OF PLACE, IDENTITY AND HOMECOMING. THE ‘STREETS’ WERE ALSO NARROWER THAN ORIGINAL CONCEPT IN GOLDEN LANE, MAKING IT DIFFICULT TO BE USED AS COMMUNAL SPACES. THE GRAND IDEA OF ‘STREETS IN THE SKY’ CIRCULATION SPACES WERE INSTEAD VANDALISED AND BECAME OUTRIGHT DANGEROUS. COMMUNAL SPACE 1963-73 BERLIN FREE UNIVERSITY RELATIONSHIP TO THE STREET CANDILIS, JOSIC, WOODS COMMUNITY ‘STREETS IN THE SKY’ + = ENVIRONMENTAL DETERMINISM - CAN PEOPLE REALLY BE CHANGED? + = ‘STEM’ & ‘WEB’ UNPREDICTABILITY OF THE FUTURE BUILT EXPECTED THE UNIVERSITY IS COMPOSED OF INDIVDUALS AND GROUPS, WORKING ALONE OR TOGETHER, IN DIFFERENT DISCIPLINES. WHEN INDIVUDALS WORK TOGETHER THEY TAKE ON NEW INDIVIDUALS GROUPS CHARACTERISTICS AND DEVELOP NEW NEEDS. ‘STEM’ AND WEB’ E THREE KEY AIMS OF THE PROJECT: MER -CREATION OF AN HARMONIOUS HUMAN ENVIRONMENT GIN -ESTABLISHMENT OF AN ORGANIS STRUCTURING PRINCIPLE PRINCIPLE FOR HUMAN HABITAT G IS SUE -POSSIBILITY OF FUTURE GROWTH AND CHANGE S W ITH SO CIA BUILT ACTUAL BERLIN FREE UNIVERSITY IN CONTEXT L H OU SIN SURROUNDING SUBURB OF DAHLEM G - CR UNHURRIED GRAND AVENUES IME GRAND EUROPEAN MANORS , L AC LOW DENSITY K O F M AI NT BFU EN HIGH DENSITY STREET, PASSAGEWAYS AND CORRIDORS AN CE HIGHLY INNOVATIVE / NOVEL ARCHITECTURAL IDEA WITHIN STOIC LANDSCAPE , M JUXTAPOSING MODERN ARCHITECTURE IS S US E E ON NEW BABYLON BABYLON BABYLON BABYLON BABYLON BABYLON BABYLON BABYLON BABYLON BABYLON NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW ON ON ON ON ON ON ON ON ON ON ON NEW BABYLON NEW ON WORKED WITH CONSTANT CONSTANT CONSTANT CONSTANT CONSTANT CONSTANT CONSTANT WITH WITH WITH WITH WITH WITH WITH WORKED WORKED WORKED WORKED WORKED WORKED WORKED R CONSTANT WITH WORKED O NOTION OF PLAY OF NOTION NOTION OF PLAY PLAY PLAY PLAY PLAY PLAY PLAY PLAY OF OF OF OF OF OF OF OF NOTION NOTION NOTION NOTION NOTION NOTION NOTION NOTION NOTION OF PLAY OF NOTION F VAN EYCK EYCK EYCK EYCK EYCK VAN VAN VAN VAN VAN U EYCK VAN P T R PURPOSE C O U JE UNI TO INTEGRATE PHYSICAL, SOCIAL AND TEMPORAL MILIEU INTO ONE R CT T I HABITAT S NT INTENDED TO DRAW IN RESIDENTS OF DAHLEM TO MAKE THEM RETHINK THEIR L EN A T VIEWS / SHED THEIR URBAN SUBURBAN IDENTITY, AND CONVERT TO A MORE N IO N IO S ‘HUMANISTIC WAY OF LIFE’ T U THE STEM IT CRITICISM / HOW IT WAS RECIEVED T PEDESTRIAN ‘STREETS IN THE SKY’ S BUILDING PROGRAM AND CIRCULATION WAS PROBLEMATIC FOR PEOPLE WHO N BOURGEOIS I CITY OF TOULOUSE HAD DIFFICULTIES UNDERSTANDING ITS CONCEPTUAL MEANING; HENCE WAS G VENTURI, SCOTT BROWN NOT UTILISED EFFECTIVELY IN LEARNING FROM LAS VEGAS L DMINISTRATION CULTURAL COMMERCIAL SOCIAL SOME STUDENTS REGARDED BFU AS A ‘FAILED EXPERIMENT’ AT THE LEAST D LICY/A AND PO IN CTS BECAUSE DIRECT CONSULTATIONS WITH THE STUDENT BODY WAS ABSENT HITE OJECT REACH LOWER CLASS W RC PR ES STAG STUDENTS: ‘IMPOSSIBLE TO MAKE A DEMOCRATIC PRODUCT BY MEANS OF AN N A NATION WORKERS D WEE AUTOCRATIC PROCESS’ BET VEHICULAR ALGERIAN IMMIGRANTS PROTEST, SCHOOL CLOSURE CLOSURE CLOSURE CLOSURE CLOSURE CLOSURE CLOSURE CLOSURE CLOSURE CLOSURE CLOSURE CLOSURE CLOSURE CLOSURE CLOSURE CLOSURE CLOSURE CLOSURE CLOSURE CLOSURE SCHOOL SCHOOL SCHOOL SCHOOL SCHOOL SCHOOL SCHOOL SCHOOL SCHOOL SCHOOL SCHOOL SCHOOL SCHOOL SCHOOL SCHOOL SCHOOL SCHOOL SCHOOL SCHOOL SCHOOL PROTEST, PROTEST, PROTEST, PROTEST, PROTEST, PROTEST, PROTEST, PROTEST, PROTEST, PROTEST, PROTEST, PROTEST, PROTEST, PROTEST, PROTEST, PROTEST, PROTEST, PROTEST, PROTEST, PROTEST, PROTEST, SCHOOL CLOSURE SCHOOL PROTEST, TS GEOGRAPHICAL, SOCIAL, CULTURAL, SEGREGATION PROFESSOR AT ECOLE DES BEAUX ARTS BEAUX DES ECOLE AT PROFESSOR PROFESSOR AT ECOLE DES BEAUX ARTS ARTS ARTS ARTS ARTS ARTS ARTS ARTS ARTS ARTS ARTS ARTS ARTS ARTS ARTS BEAUX BEAUX BEAUX BEAUX BEAUX BEAUX BEAUX BEAUX BEAUX BEAUX BEAUX BEAUX BEAUX BEAUX BEAUX DES DES DES DES DES DES DES DES DES DES DES DES DES DES DES ECOLE ECOLE ECOLE ECOLE ECOLE ECOLE ECOLE ECOLE ECOLE ECOLE ECOLE ECOLE ECOLE ECOLE ECOLE AT AT AT AT AT AT AT AT AT AT AT AT AT AT AT PROFESSOR PROFESSOR PROFESSOR PROFESSOR PROFESSOR PROFESSOR PROFESSOR PROFESSOR PROFESSOR PROFESSOR PROFESSOR PROFESSOR PROFESSOR PROFESSOR PROFESSOR PROFESSOR AT ECOLE DES BEAUX ARTS BEAUX DES ECOLE AT PROFESSOR EN CANDILIS CANDILIS CANDILIS CANDILIS CANDILIS EEM AGR DIS ORGANISATION OF TOULOUSE-LE-MIRAIL: CONTINUOUS, LINEAR, NON-HIERARCHAL, LIBERAL TEAM 10 PRIMER SMITHSON HIGH RENTS PROPERTY VALUED CE AN FR SOCIAL HOUSING 968 L Y 1 MINIMAL INVESTMENT SA MA PO O PR F O S S S N E O N N I L O T U I F U S T T S POSITIVE IMAGE A I E L T C CULTURAL CENTRE U S C N U P I S THE MAN IN THE STREET PLANNED EXPANSION O 1966-72 ROBIN HOOD GARDENS HOUSING ESTATE L E SHADRACH WOODS TOULOUSE-LE-MIRAIL P A SMITHSONS H N T SECONDARY CITY CENTRE G N 1970 NEGATIVE IMAGE N O I I O LOW INCOME T W N RUNDOWN A O O I CRIME C S R U E S G D G U Y E N C L IS N A N D D GEOGRAPHICAL, SOCIAL, CULTURAL, SEGREGATION IN TOULOUSE I A H O I C G P E S L N 1971 TOULOUSE A P S I A R O I E O R C R G FIRST PHASE OF TOULOUSE-LE-MIRAIL 1972 ITHACA N U RESIGNATION OF CANDILIS FROM THE PROJECT O G O MILAN TRIENNALE E S O CANDILIS- “PROBLEMS OF OUR POSITION , ‘THE GREATER NUMBER’ F R C CLIMATE OF MAY 1968 TOWARDS POLITICAL CHANGING CONDITIONS O I P IN THE CONTEXT WE WORK IN” M F 1973 BERLIN S 1968 MILAN DIALECTIC OF ARCHITECT FOR THE CLIENT OR PEOPLE A O O FIRST PHASE OF BERLIN FREE UNIVERISTY D N L WOODS IN SERIOUS HEALTH DECLINE N O O ORGANISED BY UNGERS E C B MATRIX/GRID AS ORGANISATIONAL PRINCIPLE G E M VIETNAM WAR, COLD WAR , A Y ‘MODERN MOVEMENT’MART STAM ENVIRONMENTAL POLLUTION L 1974 ROTTERDAM L S M.E HAEFELI A 1967 PARIS LE CORBUSIER BAKEMA- ‘ARCHITECTURBANISM’ A RUDOLF STEIGER I C A I WORK PROGRAM HANS SCHMIDT C T S DEATH OF SHADRACH WOODS I PAUL ARATARIA O T REISSUE OF A L FREDERICH GUBLER REFLECTION OF WOODS’ IDEAS AND BUILT PROJECTS S C RICHARD DUPIERREUX O ‘STATEMENT OF CONVICTION’ E INSTITUT COOPERATION-INTELLECTUELLE D P J INCREASING POLITICISATION PIERRE CHAREAU N D O OF VIEWS REACTING TO THE VICTOR BOURGEOIS I A R ERNST MAY P WIDER SOCIAL CONFLICT L P HYGIENE GABRIEL GUEVREKIAN THE FUNCTIONAL CITY A WORLD IN CRISIS A URBANISM HUGO HARING R G C JUAN DE ZAVALA I - N I 1966 URBINO LUCIENNE FLORENTIN T LE CORBUSIER I G S MADAME DE MANDROT L ROCHAT N U STANDARDIZATION O I ANDRE LURCAT O GOVERNMENTS AND P R H.R VON DER MUHLL H ORGANISED BY DE CARLO U GINO MAGGIONI G T E DISCUSSION ON “TO MOVE” OR “TO STAY” HUIBRECHT HOSTE N SIEGFRIED GIEDION DWELLING WORK CIRCULATION RECREATION I C S INTERNAL CONFLICT ABOUT THE CHARACTER OF I WERNER M MOSER U G TEAM 10 AS A “CLUB”, SIMILAR TO CIAM EDUCATION SCHOOL PRIMARY R JOSEF FRANK R N WHO SHOULD ATTEND THESE MEETINGS? PIERRE JEANNERET T H A GERRIT RIETVELD S G H I ALBERTO SARTORIS E 1965 BERLIN ARCHITECTURE DEBATE THE MODERN FERNANDO GARCIA MERCADAL C H R MODERN ARCHITECTURAL EXPRESSION MS WEBER 1976 SPOLETO TADEVOSSIAN R A W Y OPEN MEETING DISCUSSING BUILDING AND PLANNING PROBLEMS CIAM GRID 1977-83 CENTRAL LIBRARY, ROTTERDAM T T GRADUA ORGANISED BY DE CARLO BAKEMA I CANDILIS-JOSIC-WOODS BERLIN OFFICE - FREE UNIVERISTY BERLIN L SOCIA S L AN DECLINING HEALTH OF BAKEMA C PRESSION D EC O HOLLEIN- CANDLE SHOP IN VIENNA DE O GREAT NOM MEMBERSHIP OF TEAM 10 P O BAKEMA- PAMPUSPLAN AMSTERDAM THE IC S T TA REFLECTIONS ON THE PAST ‘WEB’ DE CARLO- COLLEGIO DEL COLLE URBINO BIL N IS FREE SPONTANEOUS DISCUSSION I A VAN EYCK- WHEELS OF HEAVEN CHURCH TI ON SHADRACH WOODS N SMITHSONS- VILLAGE IN SOMMERSET O UNGERS AND WEWERKA- HOUSING COMPLEXES BERLIN I 1977 BONNIEUX ‘WEB’ NON-CENTRIC - POLYCENTRIC THROUGH USE T A OPEN - FLEXIBLE - INFINITE - LIFE PROCESS IN R 1930 C R G E I A S ‘STEM’ M IN ORGANISED BY CANDILIS IN HIS G M S HOLIDAY HOME - FAMILIAL AMBIENCE I N T A SHADRACH WOODS L T REDRAFTING OF TEAM 10 AIMS FOR THE FUTURE 1962-71 TOULOUSE LE MIRAIL N I A O RECOGNITION OF A TENATIVE PRESENT CANDILIS, JOSIC, WOODS A 1930 CIAM III N R T A STILL TESTING OUT IDEAS I L U BRUSSELS B S 1928 CIAM I A HAVE NOT FOUND A SOLUTION FOR A COMPLEX CITY R G N A D N 1929 CIAM II D / I E H L LA SARRAZ R T S L N 1933 CIAM IV E E I C FRANKFURT AU MAIN G ‘ARCHITECTURBANISM’ E 1924 VILLE RADIEUSE I E W I 0 LE CORBUSIER O R D ATHENS N 0 N E D A 0 HIERARCHAL ORGANIZATION - ZONING - STATIC O .MINIMAL SUBSISTENCE DWELLING’ L L N L ‘TOTAL SPACE’ 0 L ISSUE OF URBAN INFRASTRUCTURE A ASSEMBLY-LINE METHODS P 0 O O A RESOLUTION OF STRUCTURE AND ORGANISATION E LE CORBUSIER, GIDEON PROBLEM OF HIGH RENTS TO LE CORBUSIER- FUNCTIONAL CITY 1 L C R W INFRASTRUCTURE INTO EXISTING CONTEXT LOW WAGE EARNERS IT - U A FORMAL ORGANSIATION IN THE A METHOD FOR DEFINING, STRUCTURING, LE CARRE BLEU I N H T C I POSSIBILITIES OF ARCHITECT CONTROL ADVANCEMENT OF THE CAUSE CONTROLLING THE CITY WOODS N C A L C RISK OF AUTONOMOUS DEVELOPMENT U OF NEW ARCHITECTURE IN EUROPE L O R N N I R C E O SHADRACH WOODS - ‘STEM’ CATERED TO THE GENERAL WELFARE I E T T GROPIUS- ‘LOW, MID, HIGH-RISE BUILDING?’ O B T ‘STEM’ - LINEAR CENTRIC - LIBERAL - CONTINUITY - INFINITE A S OF INDUSTRIAL SOCIETIES EVERYWHERE N R A L A R F A BUILDING WITH THE IDEA OF “OPEN, INVITING, CENTRALLY LOCATED F OSKAR HANSEN E R L U 1962 ROYAUMONT I B AND ACCESSIBLE TO EVERYONE” THAT WOULD ASSIMILATE THE CITY, F I C M P L JOHN VOELCKER N T THROUGH THE LOCATION OF THE BUILDING NEXT TO THE MARKET, THE I O O C GIANCARLO DE CARLO I YONA FRIEDMAN - EXTENSIVE USE OF GLASS AND THE POSITIONING OF THE READING T R P T S UNIVERSALISM ROOM, WHICH JUTS OUT FROM THE REST OF THE BUILDING.
Recommended publications
  • ZARCH 9.Indb
    Episodes toward a Fluxarchitecture. The work of George Maciunas, Shadrach Woods and Joachim Pfeufer Episodios hacia una Fluxarchitecture. El trabajo de George Maciunas, Shadrach Woods y Joachim Pfeufer FEDERICA DOGLIO Federica Doglio, “Episodes toward a Fluxarchitecture. The work of George Maciunas, Shadrach Woods and Joachim Pfeufer”, ZARCH 9 (Diciembre 2017): 208-217. ISSN: 2341-0531. http://dx.doi.org/10.26754/ojs_zarch/zarch.201792278 Received: 20-12-2016 / Accepted: 18-4-2017 Abstract Fluxus, an artistic movement that emerged in 1960, crossed borders within the arts. Soon it expanded to include sculpture, poetry, perfor- mance, photography, and cinema, taking on a multi-disciplinary character that regularly crossed or erased borders within the arts. Its rela- tionship to architecture, however, is more complex. In the 1960s, a few architects sought to resolve contradictions between the principles of Fluxus and the presumptions of their own field, and explored the possibilities of change —flux— in architectural practice. This article will investigate possible connections between Fluxus and the architectural practices. It considers three figures who were both theorists and architects: Georges Maciunas, Shadrach Woods and Joachim Pfeufer. Their practices, considered together, form what in this article I coin “fluxarchitecture”. Keywords Fluxus, Architecture, Urbanism, Woods, Pfeufer, Maciunas. Resumen Fluxus, un movimiento artístico que surgió en 1960, atravesó fronteras dentro de las artes. Pronto se expandió e incluyó escultura, poesía, performance, fotografía y cine, adquiriendo un carácter multidisciplinario que regularmente cruzaba o borraba las fronteras dentro de las artes. Sin embargo, su relación con la arquitectura es más compleja. En la década de 1960, algunos arquitectos buscaron resolver las contradicciones entre los principios de Fluxus y las presunciones de su propio campo, y exploraron las posibilidades de cambio —flux— en la práctica arquitectónica.
    [Show full text]
  • Team X (Team Ten), Fue Un Grupo De Arquitectos Y Otros Participantes Invitados a Una Serie De Reuniones Que Se Iniciaron En Julio De 1953 En El Congreso C.I.A.M
    team HISTORIA CONTEMPORANEA ORIGENES El Team 10 o Team X (team ten), fue un grupo de arquitectos y otros participantes invitados a una serie de reuniones que se iniciaron en julio de 1953 en el congreso C.I.A.M. IX (Aix en provence, Francia), desde donde introdujeron sus doctrinas al urbanismo. Se dieron a conocer con el Manifiesto de Doorn, en el que reflejaban sus ideas de arquitectura y urbanismo. Los integrantes del Team X exponían, discutían -a veces efusivamente, llegando a la afrenta- y analizaban problemas arquitectónicos, de manera que sus escritos no constituían dogmas, sino ideas y opiniones. La formación oficial del Team 10 se produce realmente el 30 de junio de 1954 en las oficinas centrales de la UNESCO en París, posterior por tanto al congreso de Aix (1953) y cinco meses después de la reunión del grupo en el “Encuentro de Doorn” (29 - 31 enero de 1954). PRECURSORES Alison y Peter Smithson (Inglaterra). Georges Candilis (Grecia). Shadrach Woods (E.U.A). Aldo Van Eyck (Holanda) Jaap Bakema (Holanda) Alison y Peter Smithson Peter Smithson (Stockton-on-Tees 1923-2003) y Alison Smithson (Alison Gill) (Sheffield 1928- 1993) fueron dos arquitectos y urbanistas ingleses que trabajaron activamente en los aspectos teóricos de la arquitectura de las décadas de los 50 y 60. Están considerados cofundadores del brutalismo, y formaron parte del Team 10, un grupo de arquitectos que desde su primera reunión en 1954 ejerció, mediante sus publicaciones, una gran influencia en el urbanismo de la segunda mitad del siglo XX. En otras disciplinas artísticas, también formaron parte del Independent Group en 1956.
    [Show full text]
  • La Défense: from Axial Hierarchy to Open System
    LA DÉFENSE 111 La Défense: From Axial Hierarchy to Open System NICHOLAS ROBERTS Woodbury University Utopian Predecessors: Le Corbusier and the the Seine to the CNIT (Centre des Nouvelles Indus- Rosenthal Competition tries et Technologies), branching out across the pe- ripheral roadway to connect the outlying towers.2 The beginnings of development at La Défense are rooted in the utopian modernism of the 1920’s. The The final plan, approved March 7, 1963, and im- developer Leonard Rosenthal included Le Corbusier plemented in 1964, shows the office buildings as in a 1929 competition he organized for the land high-rise towers, and the residential blocks as re- near the Porte Maillot surrounding the Place de la ticulated slabs, similar to Le Corbusier’s design for Demi-Lune, which would later become La Défense. the Leonard Rosenthal competition, and for his City In Le Corbusier’s sketches and notes for the com- for 3 Million of 1922. Residents all have access to petition we see him incorporating the ideas that he large expanses of landscaped open area, or tapis had developed in his Ville Contemporaine of 1922 vert, and urban space sweeps freely and uncon- and published in his book Urbanisme, of 1925: Two tained round the isolated slabs and towers. high-rise office towers frame the view of the Arc de Triomphe down the Le Nôtre axis; raised pedestri- The 1964 plan proposed a tabula rasa approach to an plazas continue over the street; reticulated mid- urban development, EPAD would purchase 760 ha rise slabs, that Le Corbusier called lotissements in the communities of Courbevoie, Puteaux, and à redents, frame the base of the towers, housing Nanterre; the existing fabric of small factories, art- residential apartments or immeubles villas.1 ists’ studios, restaurants and bars would be com- pletely demolished.
    [Show full text]
  • Opus 54. Eiermann, Wash, D
    Edition Axel Menges GmbH Esslinger Straße 24 D-70736 Stuttgart-Fellbach tel. +49-711-574759 fax +49-711-574784 www.AxelMenges.de Structuralism Reloaded. Rule-Based Design in Archi- tecture and Urbanism Edited by Tomásˇ Valena with Tom Avermaete and Georg Vrach- liotis. 392 pp. with 480 ills., 233 x 284,5 mm, hard-cover, English ISBN 978-3-936681-47-5 Euro 86.00, sfr 129.00, £ 78.00, US $ 119.00, $A 129.00 Originally developed in linguistics, the structuralist approach has been introduced as a scientific method in anthropology and other human sciences since the 1950s. In the 1960s and 1970s the dou- ble category of primary and secondary structure (langue and pa- role), essential to structuralism, in which the primary structure’s system of rules determines how the secondary elements are Distributors placed in relation to one another, also advanced to a leading ideol- ogy in the field of architecture and urban planning. From its devel- Brockhaus Commission opment in the Netherlands and within the Team 10 circle of archi- Kreidlerstraße 9 tects, structuralism in architecture quickly spread worldwide. D-70806 Kornwestheim Since the 1990s we have been witnessing a revival of structural- Germany ist tendencies in architecture. Whereas the structuralism of the tel. +49-7154-1327-33 1970s encountered limits in complexity that were insurmountable fax +49-7154-1327-13 at the time, today there is much to suggest that the return to [email protected] structural thinking is causally connected to information technology, which has opened up new possibilities for dealing with complexity. Buchzentrum AG In the field of digital architecture there is talk of neo-Structuralism.
    [Show full text]
  • Catherine Blain
    Team 10, the French Context Catherine Blain 61 Team 10 and its Context Introduction To date, there has been little investigation of the history of French post-war architecture and urban planning1. That field is now being developed by several scolars interested by specific themes and productions. In France, however, there is still a lack of serious research on the history of Team 10 or even the post-war International Congress of Modern Architecture (CIAM, Congrès International d’Architecture Moderne)2. As an approach to such a study, it is useful to note that, in France, history of CIAM and Team 10 is often reduced to a single simplistic idea: the utter failure of the principles set forth within an emblematic document, the Charter of Athens written by Le Corbusier as a conclusion of the 4th CIAM congress (1933)3. Indeed, since the mid 1970, modernist archi- tects, especially the ones close to the CIAMs and Le Corbusier or defending the principles of the Charter of Athens, have been blamed for all the ills of post-war architecture. As a result, their history was rapidly relegated to oblivion even before it had been more closely studied – as if the traumatic memory could be repressed or blotted out. The special issue of L’Architecture d’Aujourd’hui of 1975 (‘Team 10 + 20’) was actually an elegant way of encouraging this attitude. But now, as the period is emerging from obscurity, this interpre- tation turns out to have been too simplistic. Exploring this history more thoroughly, one might find it interesting to note two essential myths which are connected with the post-war CIAMs – and are also related, to some degree, to the earlier interpretation of the Charter of Athens.
    [Show full text]
  • On the Conservation of Modernist Architectural Heritage
    1 On the Conservation of Modernist Architectural Heritage Maria J. Żychowska Towards the end of the twentieth century, the modernism returned. The last decades of the twentieth modern movement again started to attract interest. The century were the times of the reassessment of this type of main objective became registration of modernist buildings architecture and changes in the ways it is perceived. There worldwide and restoration of their original appearance. appeared first examples of successful conservation called It also proved necessary to conserve the most important “modern conservation” such as the Bauhaus building in works. At present, more and more modern movement Dessau in 1975, Giuseppe Terragni’s kindergarten in Como buildings undergo thorough renovation during which in the 1980s and the remains of the Weissenhof housing old materials are being replaced extensively with their estate. In 1988, DOCOMOMO was established. It was an modern and more durable equivalents. At the same time association whose statutory aim was documentation and research continues and some new facts from the history conservation of modernist architectural and urban planning of the movement are uncovered, which somewhat changes heritage. The idea was to create an interdisciplinary the knowledge of this unique period in the history of forum with a view to exchanging opinions and knowledge architecture. It was unique in that it originated from of various manifestations of the movement. Initially, the opposition to tradition and rejection of the past with its attention focused on European issues. The first conference ideological and aesthetic values. Pure, flagship modernism took place in 1990 and was attended by representatives emerged in several places as a trend parallel to other of twenty countries.
    [Show full text]
  • Casablanca Chandigarh: Modern Planning Exhibition at The
    NEWS this context provided new, transnational Casablanca Chandigarh: opportunities to exercise their professions, Modern Planning and forums for the exchange of ideas. This double transnational and disciplinary Exhibition at the Canadian perspective structures both the book and the exhibition, albeit in different ways, as Centre for Architecture, Montreal the limitations and opportunities of each medium afford. The core of the publication consists of the in-depth study of these urban projects, alternating between the two, and In the editorial of docomomo Journal 28, names in architecture are given sole credit framed by an international perspective, both published in March 2003 and inaugurat- for their constructions, ignoring the fact that geopolitical and professional. In its pages, the ing her tenure — as editor-in-chief of the architecture is a collaborative endeavor. planning process is examined in detail, along- magazine, Maristella Casciato undertook Here, both Casciato and Avermaete empha- side governance and the design of housing to consider “modernism outside the West” sized the teams Écochard and Le Corbus- and service facilities for each of the cities as and to encourage “new cultures and new ier surrounded themselves with, not only well as their deployment. The organization of histories”, whilst simultaneously enriching colleagues operating in metropolitan centers, the book’s content into fragmented segments the docomomo International network. She but also local architects, engineers, and urban makes it possible to read discontinuously. brought this intellectual endeavor with her to planners. Moreover, the exhibition’s curators The exhibition began with a presentation of the position as Associate Director, Research highlighted the appreciation these designers the new world order in the museum’s central at the Canadian Centre for Architecture showed for local and traditional builders.
    [Show full text]
  • Delft, July 2016
    The 17th International Planning History Society Conference - Delft, July 2016 Title: “The passéist, modernist and futurist features of some social housing ensembles built during the transitional period of 1960-1970: the case of the Maurelette in Marseille” Nune Chilingaryan Associate Professor at the Lyon National High School of Architecture Doctor of Architecture, LAURE Laboratory, [email protected] Abstract The history of architecture and urbanism is classically represented as a sequence of major doctrines. However, the well-known architectural “-isms” are bound together with productions of the so-called “transitional” periods, the legacy of which deserves special scientific interest. A significant number of these kinds of “in-between product” in the field of social housing was built during the 1960s and 1970s, between the periods of modernism and postmodernism. At the end of the 1980s in many European countries, particularly in France, massive renovation processes were started, which continue to this day. Due to political, social and aesthetic changes, a great deal of post-war residential heritage has been radically reconstructed or demolished. This process touches not only ordinary residential groups (so-called grands ensembles), but also harms some of the more interesting ensembles. Many of them are undervalued and have not been rehabilitated since their creation, with some often doomed to disappear. The current paper is an attempt to analyse the historical, urban and morphological aspects of the Maurelette residential complex, built in the northern suburbs of Marseille during 1963-1965. The design particularities of the Maurelette complex demonstrate the ambition to create a “non-ordinary” ensemble using ordinary and inexpensive construction means and materials.
    [Show full text]
  • Tom Avermaete
    Stem and Web: A Different Way of Analysing, Understanding and Conceiving the City in the Work of Candilis-Josic-Woods Tom Avermaete 237 Sociology, Production and the City There are today a few who are across the brink of another sensibility – a sensibility about cities, a sensibility about human patterns and collective built forms. Looking back to the fifties it was then that brink was crossed, it was then that architec- tural theory convulsed, then that the social sciences suddenly seemed im0portant. A change of sensibility is what I now think Team X was all about. (Peter Smithson)1 La structure des villes réside dans les activités humaines; elle est définie par les rapports entre ces activités.2 1 : Urban Modernization and Vanishing Architectural Dimensions If until the Second World War the discussions about the city and housing in France were largely held in architectural circles, in the post-war period these issues were recaptured by a centralized, technical planning ministry. After 1944 France entered a second and decisive stage of its révolution urbaine. Substantial shortages in the realm of social housing urged the government to take large urban planning initiatives.3 Urban planning became completely embedded in the project for the modernization of the country, represented by the subse- quent Plans de Modernisation et d’Equipement. The centralized and technocratic character of these modernization plans was practically literally translated in the urban planning ap- proaches used. The large housing complexes that arose in the peripheries of all of the French cities, the so-called Immeubles Sans Affection (ISA), demonstrate this.4 Com- pletely detached from their local or regional context, independent of the existing urban morphology, these complexes were the first exponents of an understanding of the urban as a mere facility, a presumption that gained importance in the 1950s and 1960s Grand En- sembles.5 In these projects urban form was no longer considered as a spatial phenomenon embedded in a context, but rather as an accountable and independent unit.
    [Show full text]
  • Paris Nord: Shadrach Woods's Imaginary Global City Author(S): María González and Patricio Del Real Source: Positions, No
    Paris Nord: Shadrach Woods's Imaginary Global City Author(s): María González and Patricio del Real Source: Positions, No. 1, Grand Plans (Spring 2010), pp. 64-92 Published by: University of Minnesota Press Stable URL: http://www.jstor.org/stable/25835102 Accessed: 01-11-2016 22:38 UTC REFERENCES Linked references are available on JSTOR for this article: http://www.jstor.org/stable/25835102?seq=1&cid=pdf-reference#references_tab_contents You may need to log in to JSTOR to access the linked references. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms University of Minnesota Press is collaborating with JSTOR to digitize, preserve and extend access to Positions This content downloaded from 128.59.130.47 on Tue, 01 Nov 2016 22:38:42 UTC All use subject to http://about.jstor.org/terms Fig.l Joachim Pfeufer and Shadrach Woods, "Politique d'occupation du sol etendu a la region Parisienne," Paris Nord, 1964. Source: Shadrach Woods Archive (SWA), drawing 16. P ,4' < 64 This content downloaded from 128.59.130.47 on Tue, 01 Nov 2016 22:38:42 UTC : ^ ^ All use^ subject to http://about.jstor.org/terms^^^^^^^ Maria Gonzalez & Patricio del Real Paris Nord: Shadrach Woods's Imaginary Global City 65 The liberation of humanity from the shackles of the past cannot be realized without the suppression of the opposition between the city and the countryside.
    [Show full text]
  • Curriculum Vitae Updated April 2018 JOAN
    Curriculum vitae updated April 2018 JOAN OCKMAN address 218 Church Road Elkins Park, PA 19027 phone (215) 635–3364 e-mail [email protected] EMPLOYMENT Academic Distinguished Senior Lecturer, School of Design, University of Pennsylvania, 2016–; Distinguished Senior Fellow 2012–16; Visiting Lecturer and Ph.D. adviser, 2010–12, 1996–2000, 1991–93 Visiting Professor, Irwin S. Chanin School of Architecture, Cooper Union, 2013– Visiting Professor, College of Architecture, Art, and Planning, Cornell University, 2010–, 2008 Visiting Lecturer, Graduate School of Design, Harvard University, 2012 Visiting Professor of Art History, Graduate Center, City University of New York, 2012; Visiting Associate Professor, 1997 Adjunct Associate Professor and Ph.D. Faculty, Columbia University Graduate School of Architecture, Planning and Preservation (GSAPP), 1990–2008; Adjunct Assistant Professor, 1988–90, 1985 Will and Nan Clarkson Visiting Chair in Architecture, State University of New York, Buffalo, 2007 Master, Berlage Institute, Rotterdam, 2007 Guest Faculty, Metrópolis, Centre de Cultura Contemporànea de Barcelona, 1999 Critic in Architectural Design, Yale School of Architecture, 1988 Administrative and curatorial Acting Executive Director, Van Alen Institute, New York, 2009. Responsible for planning, programming, and curating events for nonprofit institution dedicated to public architecture Director, Temple Hoyne Buell Center for the Study of American Architecture, Columbia University Graduate School of Architecture, Planning and Preservation, 1994–2008. Responsible for conceptualization and oversight of multifaceted program of public and scholarly activities with $750,000 budget, including lecture series, publications, conferences, seminars, exhibitions, awards programs, and website 1 Editorial Founding Editor, Buell Books of Architecture, Columbia University, 2000–8. Responsible for all aspects of in-house publications program from conceptualization through production selected titles: Jules Romains, Donogoo-Tonka or The Miracles of Science.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title The Groundscraper: Candilis-Josic-Woods' Free University Building, Berlin 1963-1973 Permalink https://escholarship.org/uc/item/44m7w4kj Author Krunic, Dina Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles The Groundscraper: Candilis-Josic-Woods’ Free University Building, Berlin 1963-1973 A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Architecture by Dina Krunic 2012 © Copyright by Dina Krunic 2012 ABSTRACT OF THE THESIS The Groundscraper: Candilis-Josic-Woods’ Free University Building, Berlin 1963-1973 by Dina Krunic Master of Arts in Architecture University of California, Los Angeles 2011 Professor Sylvia Lavin, Chair The long design phase of Candilis-Josic-Woods’ proposal for the Free University Building holds answers to questions regarding the social model the group proposed in their most published building. In this article, I discuss the development of Candilis-Josic-Woods’ conceptual ideas of stem and web. I further elaborate how those concepts are unified, but also expanded and elaborated in the concept of groundscraper. The concept of groundscraper combines stem and web into a coherent architectural proposal. It also includes urban and environmental issues to this proposal which reveal the architects’ intentions to instigate social-political change through their design. I elaborate on how Candilis, Josic and Woods work with these concepts as drivers of design, from the initial diagrammatic proposal, through the development of site strategy, to the building execution. ii From inception to completion, the Free University project encouraged interdisciplinarity and exchange.
    [Show full text]