Myth Busters” by Janet Pray 1
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Convertible Collar Construction
Convertible Collar Construction Directory Click any image to go to that section Yoke/Facing Options: Intro and Gallery By far the most common set-up for a The purpose of this introductory section is to convertible-collar shirt is that it has front facings feature and compare the range of other options and a yoke, and that these two details don’t touch, also, if less commonly, in use beyond this classic as in the example at right. one, before I proceed to work step-by-step through a handful of useful variants . Many other possible That is, the facings don’t extend far enough combinations, and of course, variations on the towards the shoulders at the neckline that they’ll ones here, are conceiveable and may suit your meet with or join to the fronts of the yoke layers. As project better, so feel free to experiment. a result, the yoke construction steps aren’t integrated into the collar steps and are completed, in front at least, before the collar is begun, so the options for using the yoke as a back facing are eliminated. The steps for this classic arrangement are described below in Variation #5, in the Front Facing Only category. Collar Insertion Options Step-By-Step No Yoke or Facings Required Front facings Only Front and Back Facings, or Yoke Used as Facing Variation 1: Collar Applied as Band Variation 3: Collar’s Back Neckline Edge-Stitched Variation 6: Back Facings 1 3 and Facings Secured at Shoulder Seams 6 Options: Options: 1. Edge-stitched neckline 2. -
TREND SETTER 205464 ADORNED 215482 FEMME 1 $425 5 $325 FUCHSIA-CAMPARI RED-DEEP FUCHSIA Stretch Crepe Sheath RED Bi-Colored Twill Embellished with Sheer Lace Trim
1 TREND SETTER 205464 ADORNED 215482 FEMME 1 $425 5 $325 FUCHSIA-CAMPARI RED-DEEP FUCHSIA stretch crepe sheath RED bi-colored twill embellished with sheer lace trim. Fitted. military jacket with sequined Shaped with bust darts, ribbon trim. Regular fit. Shaped princess seams, waist seams, with front and back princess side seams and center back seams. Stand collar with Red seam. Jewel neckline, short velvet facing, hook-and-eye raglan sleeves, pencil skirt, closures, long sleeves with hidden back zipper, hook-and- deep satin-faced vented three eye closure. Sheer lace, dyed snap cuffs. Banded hem patch to match lining at shoulders pockets at chest. Sequined and side panels from hip-to- ribbon trim at collar, placket, hem, sleeves unlined. 2” hem. pockets, cuffs and satin-piped Back vent. Fully lined. Length: hem. Shoulder pads. Fully lined. 23”. Sizes 00-16. Length: 20 1/2 ”. Sizes 00-16. 67% polyester, 29% viscose, 42% acrylic, 26% polyester, 4% elastane 17% wool, 15% viscose 2 | 8 | 10 | 2 | 8 | 10 | 4 | 6 8 | 2/14 | 8 | 6 | 10 | 4 | 12/0 | 10 203318 ARTISTRY 205475 RADIANT 210475 ROMANTIC 2 $225 6 $495 9 $195 FUCHSIA-CAMPARI RED– CAMPARI RED-FUCHSIA- FUCHSIA rayon-blend jersey SAPPHIRE BLUE-AUBURN- BLACK-DEEP RED-AUBURN sweater with point d’esprit lace BLACK Paisley print on silk large Paisley printed stretch mesh trim. Regular fit. Jewel georgette cami with scarf cotton velveteen tie-belted neckline with small knit bow neckline. Regular fit. Shaped trench jacket. Regular fit. Shaped and lace mesh insert at yoke, with bust darts, gathers at with front and back princess long sleeves. -
My Bernette Sewing Machine Mastery Workbook – B37
MASTERY BOOK SERIES SEWING MACHINES BERNETTE SEWING MACHINE WORKBOOK For bernette models b37 and b38 ©2017. Permission granted to copy and distribute in original form only. Content may not be altered or used in any other form or under any other branding. TABLE OF CONTENTS Introduction ........................................... 3 Sewing Machine Needles ...................... 4 Thread .................................................... 6 bernette Presser Feet ............................ 7 Stitch Selection ...................................... 8 Securing Stitches ................................... 9 Turning Corners ..................................... 10 Zigzag Stitch .......................................... 11 Blind Hem .............................................. 12 Triple Straight Stitch ............................. 13 Overlock Stitch ...................................... 14 Stretch Stitch ......................................... 15 Buttonholes .......................................... 16 Attaching Buttons ................................. 17 Stitching Zippers .................................... 18 Decorative Stitching .............................. 19 Satin Stitching ....................................... 20 Stitch Combinations/Memory ............... 21 Alphabets ............................................... 22 The information in this workbook applies to bernette models: b37 and b38. Double Needle Stitching ....................... 23 Note: Some exercises apply only to certain models Supplies ................................................. -
Tailoring Series TECHNIQUES for TAILORING UNDERLINING a TAILORED GARMENT—Underlining Is a Second Layer of Fabric. It Is Cut By
tailoring series TECHNIQUES FOR TAILORING UNDERLINING A TAILORED GARMENT—Underlining is a second layer of fabric. It is cut by the garment pattern pieces and staystitched to the wrong side of the corresponding outer sections before any seams are joined. The two layers are then handled as one. As a general guide, most suit jackets and coats look more pro- fessional when underlined. Underlining is especially recommended for lightweight wool materials, loosely woven materials and light- colored materials. For additional information on selecting fabrics for underlining and applying the underlining, see Lining a Shirt 01' Dress HE 72, N. C. Agricultural Extension Service. STAYSTITCHING—Staystitch all outer garment pieces before construction begins. If garment is underlined, stays-titching is done when the two layers of fabric are sewn together. Staystitch 1/3 in. outside seamline (on the seam allowance). Stay- stitch “ with matching cotton thread on all curved *areas that may stretch during construction such as necklines, side seams, shoulder seams, armholes, and side seams of skirt. Use directional stitching always to prevent stretching of fabric and to prevent one layer of fabric from riding. The direction to stitch is indicated by small arrows on the pattern on the seamlines. INTERFACINGS—Select a high quality hair canvas for the front and collar of coats and jackets. The percentage of wool indicates the quality—the higher the wool content of the canvas the better the quality. Since a high percentage of wool makes the hair canvas fairly dark in color, it cannot be used successfully under light-colored fabrics. In these cases use an interfacing lighter in color and lower in wool content. -
That Was a T-Shirt!!! We Need Tops! While Cotton Tops Are Easy to Make, Knit Tops Are the Most Versatile Due to the Forgiving Stretch
That was a t-shirt!!! We need tops! While cotton tops are easy to make, knit tops are the most versatile due to the forgiving stretch. Because of the challenges in working with knit fabric, updating a t-shirt is the perfect compromise. Our goal is to have someone look at our top and say “that was a t-shirt?!” All hemlines need to be removed and restyled and the neckline needs to be either ruffled (size small and some medium) or trimmed. Here are some guidelines that we are looking for. Simply sewing a decorative stitch or zigzag over the existing hemline (sleeves and bottom hem) does not make visual changes to the t-shirt. Please cut off the existing hemline and if you like, you can make it shorter. If you have a serger, you can finish the edge prior to hemming but because the knit does not ravel it is not necessary. You also do not need to turn over the edge prior to hemming. Sleeves Match the sleeves and cut off both hems at the same time. You can cut straight or at an angle and make it a cap sleeve Use a decorative stitch for the hemming, variegated thread looks great! Use either white or black thread in the bottom as variegated thread is expensive. Remember to sew on the right side with your finger on the bottom feeling for the fabric edge. Watch for those sales and coupons!! Sulky blendables, 30 weight, 100% cotton is very nice to use. If you hem with a straight stitch, make it a little longer perhaps 3.0 and add some elastic to make it gathered at the hem edge. -
Shower Curtain Gown Pattern " " 46 43.5
SHOWER CURTAIN GOWN PATTERN " " 46 43.5 FRONT BACK Opens in Back FRHS.ORG GOWN INSTRUCTIONS ITEMS NEEDED: A. 1 - 72" x 70" polyester, water resistant shower curtain. B. Thread, pins, scissors etc. C. Pattern and instructions 1. Beware that this pattern and instructions are designed to be simple and fast. The gown is for function and protection not style; this means that there are some short cuts that you may not normally use in your sewing. 2. The sleeve is designed with a “thumb hole”; the staff will place their thumb into the hole as they don the gown. This holds the sleeve down over their hand as they put on their gloves so that they are better protected. The “thumb hole” is formed by using the seam allowance of the bottom 3" of the seam to bind the edges and leave that 3" open. 3. You will leave all of the hems in place and use them as the edges of the gown EXCEPT for the top of the curtain with the holes for the shower curtain hooks. That you may remove and discard. 4. The pattern is in two pieces; you will cut one piece of the main body (placed on the fold of material) and 2 sleeves. 5. Lay the curtain out on a flat surface. Fold over 29" along the side of the curtain (see cutting diagram). 6. Place the main body of the pattern as marked with the center front on the fold an pin in place. One edge of the back is formed by the hemmed side of the gown. -
Instructions
Lekala 4932 Dress With Straps Dress With Straps - Sewing Pattern #4932 Recommendations on fabric: natural/mixed fabric suitable for dresses. You will also need: fusible interfacing; 11 buttons. Seam allowances: Seam allowance for hem of garment – 2 cm; other seams – 1 cm. Note on seam allowances: - If the pattern has double contour the seam allowances are included. They are 1 cm unless specified otherwise. - If the pattern has single contour, the seam allowances are NOT included and need to be added when laying out the pattern. Note on length of fabric: Attention! The amount of fabric needed for your pattern is not included. It will depend on the selected pattern size, the width, and design of the fabric you plan to use. First, print all the paper patterns and lay them out at the width of fabric you plan to use (usually from 90 to 150 cm). Measure how much fabric you will need. Don't forget to account for pieces that need to be cut multiple times and pieces that are cut on the fold. CUTTING: Note on cutting: On the pattern pieces, “beam” means straight of grain. Lay out your pieces accordingly. Some pieces will be cut on the fold. This is noted on the pattern piece. Mark all notches and other design features such as pleats etc. from the pattern onto your fabric. When sewing the garment, pay attention to notches, they must match up. Main fabric: 1. Upper center back - cut 2 2. Upper side back - cut 2 3. Lower back – cut 1 on fold 4. -
Fabrication and Analysis of Dielectric-Elastomer Minimum-Energy Structures for Highly-Deformable Soft Robotic Systems
Fabrication and analysis of dielectric-elastomer minimum-energy structures for highly-deformable soft robotic systems Michael T. Petralia and Robert J. Wood Abstract— Dielectric-elastomer minimum-energy structures (DEMES) form an emerging class of soft robotic system. The ap- propriate materials and method for rapidly fabricating DEMES prototypes are described. A DEMES component suitable for use in highly-deformable soft robots is presented and analyzed. Combinations of this component into snake-like robots are also presented. A calculation for determining a DEMES’s maximum mechanical work, electromechanical efficiency, and energy density is described. The scope of the DEMES design- space and future research paths are discussed. I. INTRODUCTION It is well-known that a dielectric elastomer film with stretchable surface electrodes—a dielectric elastomer actu- ator (DEA)—experiences an electrostatic pressure on its surfaces when an appropriate voltage (typically on the order of kV’s) is applied across the film’s thickness [1]. This pressure causes the film to contract in the thickness di- rection and expand its area. When stretched across a rigid frame, simple dielectric elastomer actuators (DEAs) have demonstrated areal strains greater than 380% [2], energy densities as high as 3.4 MJ/m3 [3], and maximum efficiencies up to 90% [4]. DEAs are of particular interest as elec- tromechanical transducers because the transduction element is extremely pliant and highly extensible when compared to most other transducer technologies [5], [6]. As a result, DEAs are able to operate in systems that are entirely soft; moreover, DEAs have the ability to function as actively and Fig. 1: Various inextensible, pliant planar frames adhered to 500% passively deformable systems capable of large-scale changes isotropically stretched elastomer films. -
To Complete the Pattern Join Bodice #1 to #2 at Circle Front Bodice #1
To complete the pattern join bodice #1 to #2 at circle Chapter 2 Chapter 4 Chapter 6 Chapter 19 Front Bodice #1 1/2” FACING N CUT 1 FABRIC ON FOLD CUT 2 WITH FACING CUT 2 EXTENSIO INTERFACING USE FOR: GRAINLINE LAYOUT CUTTING FABRIC PATTERN MARKINGS DARTS SEAMS COLLARS CLOSURES CENTER FRONT FOLD To completeTo the pattern join bodice #1 to #2 at circle TO COMPLETE THE PATTERN JOIN BODICE #1 TO #2 AT CIRCLE STITCH TO MATCHPOINTS FOR DART TUCK FRONT BODICE #2 Front Bodice #2 Chapter 2 Chapter 4 Chapter 6 Chapter 19 STITCH TO MATCHPOINTS FOR DART TUCKS To complete the pattern join bodice #3 to #4 at circle Chapter 2 Chapter 4 Chapter 6 Back Bodice #3 CUT 2 FABRIC USE FOR: CK SEAM GRAINLINE LAYOUT CUTTING FABRIC CK FOLD PATTERN MARKINGS DARTS SEAMS COLLARS CENTER BA CUT HERE FOR CENTER BA To completeTo the pattern join bodice #3 to #4 at circle STITCH TO MATCHPOINTS FOR DART TUCKS Back Bodice #4 Chapter 2 Chapter 4 Chapter 6 Chapter 4 Chapter 11 Chapter 14 Chapter 17 MATCHPOINT Front Skirt #5 CUT 1 FABRIC USE FOR: V SHAPED SEAM WAISTBAND WAIST FACING BIAS WAIST FINISH CURVED/ALINE HEM BIAS FALSE HEM CENTER FRONT FOLD Chapter 4 Chapter 11 Chapter 14 Front Yoke #6 CUT 1 FABRIC CUT 1 INTERFACING USE FOR: V SHAPE SEAM WAISTBAND WAIST FACING BIAS WAIST FINISH C. F. FOLD C. F. MATCHPOINT Chapter 4 Chapter 6 Chapter 10 Chapter 11 Chapter 14 Chapter 17 MARK DART POINT HERE Back Skirt #7 CUT 2 FABRIC USE FOR: SEAMS ZIPPERS WAISTBAND WAIST FACING BIAS WAIST FINISH CURVED ALINE HEM BIAS FALSE HEM Chapter 4 CUT ON FOLD Chapter 12 Chapter 17 H TC NO WHEN -
Surprise Humbug Tutorial You Will Need: 1 Rectangle of Stitched Linen Some 5Mm Ribbon Some Interfacing Some Matching Beads (Optional) Some Felt
Surprise Humbug Tutorial You will need: 1 rectangle of stitched linen some 5mm ribbon some interfacing some matching beads (optional) some felt Step 1 : getting ready. Iron your stitched linen (on the back of the work). Allow an extra 1cm around all the sides of the stitched design to allow for the seams. Cut a rectangle of interfacing to the same dimensions as the design, and iron it onto the back of it. Then fold back the hems and iron them down into position. Step 2 : putting it together. Place the felt rectangle over the back of the design, and stitch it in place, so that you hide the back of the design as well as the hems. Stitch the ribbons in place (on the felt side), on both sides of the rectangle, making sure that they are aligned with the design. Page 1/3 Copyright © 2012 Faby Reilly (www.fabyreilly.com) All rights reserved Surprise Humbug Tutorial Roll up your rectangle so that the “ribbon” sides are touching. Start stitching them together, taking care to leave a large enough opening (roughly 2/3 up from the bottom of the design). Whip-stitch** your way up towards the top, around the corner and down until you can stitch no more. You can (if you so wish) add beads to your seam as you go. Then work on the opposite side, shaping it so that you get a humbug. Step 3 : adding the finishing touches. The ribbons should be facing each other, ready to be tied into a pretty bow. Your surprise humbug is now to be filled with a “surprise” of your choice. -
Facts About Fitting Agricultural Extension Service
South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange SDSU Extension Circulars SDSU Extension 1960 Facts about Fitting Agricultural Extension Service Follow this and additional works at: http://openprairie.sdstate.edu/extension_circ Part of the Agriculture Commons Recommended Citation Service, Agricultural Extension, "Facts about Fitting" (1960). SDSU Extension Circulars. 618. http://openprairie.sdstate.edu/extension_circ/618 This Circular is brought to you for free and open access by the SDSU Extension at Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in SDSU Extension Circulars by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. • Extension Circular 593 FITTING \ ' ' ' ' ' ' ' ' .,,_-, ' , ...... ' ' I ' \ \ ' ' I • ' ' ' ' ..... -- -- ' - COOPERATIVE EXTENSION SERVICE SOUTH DAKOTA STATE UNIVERSITY, BROOKINGS U. S. DEPARTMENT OF AGRICULTURE FACTS ABOUT • • • F I T T I N G A garment that fits well looks as if it "belongs" to are square shoulders, wide shoulders, narrow sloping . he wearer. Such a garment adapts itself to the stand- shoulders, rounded shoulders in the back, prominent ing, sitting, and moving positions of the person wear- back hips or side hips, sway back ( exaggerated hollow ing it. It is neither too loose nor too tight and it feel s at the waistline), large upper arm, very thin arms, and looks comfortable. It brings out the good points in short or long arms, short or long waist. the individual's figure and skillfully hides poor ones. Insuring a good fit may depend on fitting after the Begin With the Pattern basic fitting dress is cut and basted or after the ready- it is important then, if you are going to make a gar- made dress is bought. -
Soft Electronic Platforms Combining Elastomeric Stretchability and Biodegradability
RESEARCH ARTICLE www.advsustainsys.com Soft Electronic Platforms Combining Elastomeric Stretchability and Biodegradability Martin Held, Alexander Pichler, Joshua Chabeda, Natalie Lam, Philip Hindenberg, Carlos Romero-Nieto, and Gerardo Hernandez-Sosa* of these devices would, on the one hand, Soft and stretchable electronic devices are expected to offer technological help to reduce the high amount of global advances in the field of robotics, human–machine interfacing, and healthcare. electronic and plastic waste.[8] On the other Employing biodegradable elastomers, hydrogels, and nontoxic conductors hand, it would enable implantable tempo- would add significant value to and minimize the ecological impact of such rary sensors or prosthetics, which would not have to be removed after the therapy, disposable and transient electronic applications. Here, the biodegradable and making a second surgery redundant.[9,10] photo-crosslinkable elastomer poly(glycerol sebacic) acrylate (PGSA) is charac- An increasing number of biodegradable terized for its use in soft and stretchable electronics. Its mechanical proper- electronic elements,[11–13] such as transis- ties are investigated in terms of their chemical composition and compared to tors,[14] capacitors,[15] or light-emitting elec- [16–18] commonly used gelatin hydrogels. Furthermore, these materials are combined trochemical cells (LECs) have been reported in recent years. However, they with interconnects made of liquid Galinstan in order to create functional sub- have been commonly fabricated on rigid or strates with certified biodegradability under ISO standards. The combination foil substrates,[19] which lack stretchability. of these materials produces elastic circuit boards that act as soft platforms for Materials exhibiting evident biodegrada- body-mounted sensors or biodegradable stretchable light-emitting devices.