Legally Blonde and Clueless
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Withering Heights
Withering Heights When one mentions the Presbyterian Church, the name that first comes to mind is that of the Scottish Calvinist clergyman John Knox. This dynamic religious leader of the Protestant Reformation founded the Presbyterian denomination and was at the beginning of his ministry in Edinburgh when he lost his beloved wife Marjorie Bowes. In 1564 he married again, but the marriage received a great deal of attention. This was because she was remotely connected with the royal family, and Knox was almost three times the age of this young lady of only seventeen years. She was Margaret Stewart, daughter of Andrew Stewart, 2nd Lord of Ochiltree. She bore Knox three daughters, of whom Elizabeth became the wife of John Welsh, the famous minister of Ayr. Their daughter Lucy married another clergyman, the Reverend James Alexander Witherspoon. Their descendant, John Knox Witherspoon (son of another Reverend James Alexander Witherspoon), signed the Declaration of Independence on behalf of New Jersey and (in keeping with family tradition) was also a minister, in fact the only minister to sign the historic document. John Knox Witherspoon (1723 – 1794), clergyman, Princeton’s sixth president and signer of the Declaration of Independence. Just like Declaration of Independence signatory John Witherspoon, actress Reese Witherspoon is also descended from Reverend James Alexander Witherspoon and his wife Lucy (and therefore John Knox). The future Academy Award winner, born Laura Jeanne Reese Witherspoon, was born in New Orleans, having made her début appearance at Southern Baptist Hospital on March 22, 1976. New Orleans born Academy Award winning actress, Reese Witherspoon Reese did not get to play Emily Brontë’s Cathy in “Wuthering Heights” but she did portray Becky Sharp in Thackeray’s “Vanity Fair”. -
Legally Blonde: Introduction
Being true to yourself never goes out of style! WINNER BEST NEW MUSICAL 2011 OLIVIER AWARD EDUCATION KIT AUSTRALIAN PREMIERE SEASON • SYDNEY LYRIC LegallyBlonde.com.au facebook.com/ legallyblondemusical @legallyblondeoz Legally Blonde: INTRODUCTION INTRODUCTION This teacher’s guide has been developed as a teaching tool to assist teachers who are bringing their students to see the show. This guide is based on Camp Broadway’s StageNOTES, conceived for the original Broadway musical adaptation of Amanda Brown’s 2001 novel and the film released that same year, and has been adapted for use within the UK and Australia. The Australian Education Pack is intended to offer some pathways into the production, and focuses on some of the topics covered in Legally Blonde which may interest students and teachers. It is not an exhaustive analysis of the musical or the production, but instead aims to offer a variety of stimuli for debate, discussion and practical exploration. It is anticipated that the Education Pack will be best utilised after a group of students have seen the production with their teacher, and can engage in an informed discussion based on a sound awareness of the musical. We hope that the information provided here will both enhance the live theatre experience and provide readers with information they may not otherwise have been able to access. Legally Blonde is an uplifting, energising, feel-good show and with that in mind we hope this pack will be enjoyed through equally energising and enjoyable practical work in the classroom and drama studio. 1 Legally Blonde: INTRODUCTION LEgally Blonde Education Pack CONTENTS PAGE INTODUCTION 1. -
Director's Notes
DIRECTOR’S NOTES Thoughts on LEGALLY BLONDE The musical Legally Blonde is based on a novel by Amanda Brown and the 2001 film of the same name directed by Robert Luketic. The film was nominated for a Golden Globe Award for Best Motion Picture: Musical or Comedy and ranks 29th on Bravo’s 2007 list of “100 Funniest Movies.” Premiering on January 23, 2007 in San Francisco, the Broadway musical version of Legally Blonde opened in NYC at the Palace Theatre on April 29, 2007. The show’s stars, Laura Bell Bundy, Christian Borle, and Orfeh were all nominated for Tony Awards. Later, the Broadway show was the focus of an MTV reality TV series called “Legally Blonde – The Musical: The Search for Elle Woods,” in which the winner would take over the role of Elle on Broadway. The Broadway show closed on October 19, 2008 after 595 performances. But even more successful than the Broadway run of Legally Blonde, was a highly lauded 3 year run at the Savoy Theatre in London’s West End, in which the show was nominated for five Laurence Olivier Awards. It won three, including Best New Musical. Since then, Legally Blonde has enjoyed international success in productions seen in South Korea, The Netherlands, France, The Philippines, Sweden, and Finland. Certainly, it is undeniable that both film and musical are pure escapist joy. But Legally Blonde does have a point beyond its camp wondrousness – and that is to challenge the way people make assumptions about appearance. For whether you are a beautiful bubbly blonde (like our heroine, Elle) or someone more “serious” in nature, we all have had to, at one time or another, battle prejudice against ourselves. -
Legally Blonde Cast List
Legally Blonde Cast List Elle Woods………………………………………………………………………………….Kaylie Tuttle/Greer King Emmett Forrester……………………………………...……………………………………………….Jordan Pogue Paulette Bonafonte’………………………………………………………………………..….…..…….Skyler Ward Warner Huntington III…………………..………………………………………………….….……Brittin Sullivan Brooke Wyndham………………………………………………………………………………….………Avery Bruce Professor Callahan…………………………..……………………………………………………….……Sam Gibson Vivienne Kensington……………………………………………………….………………………..Elizabeth Ring Margot………………………………………………………………….……….………….……….Brooklyn Jennings Serena…………………………………………….……………………………………….………………….Natalie Way Pilar…………….………………………………….…..……………………….………Sarah Mitchell/Kelsey Drees Kate…………………………………………………......…….………………………….…………………Nicole Vincent Gaelen…………………………………………..……………………………………………………….Bailey Weathers Tiffany………………………………………..…………………………………………………………………Rainey Ross Courtney…………………………………..……………………………………………………………..Mikee Olegario Sandi…………………………………………..………………………………………………………………..Payton King Angel…………………………………………….………………………….…………………….…………Lizzie Schaefer Enid……………………………………………...……………………………………………………………..Lauren Black Mr. Woods……………………………………..………………………………………………………….David Nichols Mrs. Woods………………………………….……………………..………………………………….Emily Freeman Chutney Wyndham…………………………...………………………………………………………Bethie Butera Kyle……………………………………....……………………………………………………………………Harris Sutton Winthrop………………………………………..………………………………………………………Lane Burchfield Judge……………………………………………………………………………………….……….Autumne Kendricks Grandmaster Chad…………………………………………………………………..……………………..DJ Boswell Dewey……………………………………………………..…….………………………..Easton -
Some Dumb Girl Syndrome: Challenging and Subverting Destructive Stereotypes of Female Attorneys
William & Mary Journal of Race, Gender, and Social Justice Volume 11 (2004-2005) Issue 2 William & Mary Journal of Women and the Law: Symposium: Attrition of Women from Article 6 the Legal Profession February 2005 Some Dumb Girl Syndrome: Challenging and Subverting Destructive Stereotypes of Female Attorneys Ann Bartow Follow this and additional works at: https://scholarship.law.wm.edu/wmjowl Part of the Law and Gender Commons, and the Legal Profession Commons Repository Citation Ann Bartow, Some Dumb Girl Syndrome: Challenging and Subverting Destructive Stereotypes of Female Attorneys, 11 Wm. & Mary J. Women & L. 221 (2005), https://scholarship.law.wm.edu/ wmjowl/vol11/iss2/6 Copyright c 2005 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/wmjowl SOME DUMB GIRL SYNDROME: CHALLENGING AND SUBVERTING DESTRUCTIVE STEREOTYPES OF FEMALE ATTORNEYS ANN BARTOW* I. INTRODUCTION Almost every woman has had the experience of being trivialized, regarded as if she is just 'some dumb girl,' of whom few productive accomplishments can be expected. When viewed simply as 'some dumb girls,' women are treated dismissively, as if their thoughts or contributions are unlikely to be of value and are unworthy of consideration. 'Some Dumb Girl Syndrome' can arise in deeply personal spheres. A friend once described an instance of this phenomenon: When a hurricane threatened her coastal community, her husband, a military pilot, was ordered to fly his airplane to a base in the Midwest, far from the destructive reach of the impending storm. This left her alone with their two small children. -
PAJ77/No.03 Chin-C
AIN’T NO SUNSHINE The Cinema in 2003 Larry Qualls and Daryl Chin s 2003 came to a close, the usual plethora of critics’ awards found themselves usurped by the decision of the Motion Picture Producers Association of A America to disallow the distribution of screeners to its members, and to any organization which adheres to MPAA guidelines (which includes the Motion Picture Academy of Arts and Sciences). This became the rallying cry of the Independent Feature Project, as those producers who had created some of the most notable “independent” films of the year tried to find a way to guarantee visibility during award season. This issue soon swamped all discussions of year-end appraisals, as everyone, from critics to filmmakers to studio executives, seemed to weigh in with an opinion on the matter of screeners. Yet, despite this media tempest, the actual situation of film continues to be precarious. As an example, in the summer of 2003 the distribution of films proved even more restrictive, as theatres throughout the United States were block-booked with the endless cycle of sequels that came from the studios (Legally Blonde 2, Charlie’s Angels: Full Throttle, Terminator 3, The Matrix Revolutions, X-2: X-Men United, etc.). A number of smaller films, such as the nature documentary Winged Migration and the New Zealand coming-of-age saga Whale Rider, managed to infiltrate the summer doldrums, but the continued conglomeration of distribution and exhibition has brought the motion picture industry to a stultifying crisis. And the issue of the screeners was the rallying cry for those working on the fringes of the industry, the “independent” producers and directors and small distributors. -
In “Legally Blonde”
® A FIELD GUIDE FOR TEACHERS TM StageNOTES A tool for using the theater across the curriculum to meet LEGALLY BLONDE National Standards for Education n Production Overview n Lesson Guides n Student Activities n At-Home Projects n Reproducibles Copyright 2007, Camp Broadway, LLC All rights reserved. This publication is based on Legally Blonde, The Musical with book by Heather Hach and music & lyrics by Laurence O’Keefe and Nell Benjamin. The content of the Legally Blonde, The Musical edition of StageNOTES: A Field Guide for Teachers is fully protected under the copyright laws of the United States of America and all other countries with which the United States has reciprocal copyright relations. All rights regarding publishing, reprint permissions, public readings, and mechanical or electronic reproduction, including but not limited to, CD-ROM, information storage and retrieval systems and photocopying, and the rights of translation into foreign languages are strictly reserved. Legally Blonde, The Musical is a trademark of Metro-Goldwyn-Mayer Studios Inc. All Rights Reserved. Printed in the United States of America. First Printing and Digital Edition: April 2007 For more information on StageNOTES and other theatre arts related programs, contact: Camp Broadway, LLC 336 West 37th Street, Suite 460 New York, New York 10018 Telephone: (212) 575-2929 Facsimile: (212) 575-3125 Email: [email protected] www.campbroadway.com CAMP BROADWAY LLC ® N e w Yo r k StageNOTESA FIELD GUIDE FOR TEACHERS Table of Contents Using the Field Guide......................................................................................................................3 -
The Woman Lawyer and Her Quest for Power in Popular Culture
Louisiana State University Law Center LSU Law Digital Commons Journal Articles Faculty Scholarship 2003 "We Don't WANT Advantages": The Woman Lawyer and Her Quest for Power in Popular Culture Christine Corcos Louisiana State University Law Center, [email protected] Follow this and additional works at: https://digitalcommons.law.lsu.edu/faculty_scholarship Part of the Law Commons Repository Citation Corcos, Christine, ""We Don't WANT Advantages": The Woman Lawyer and Her Quest for Power in Popular Culture" (2003). Journal Articles. 225. https://digitalcommons.law.lsu.edu/faculty_scholarship/225 This Article is brought to you for free and open access by the Faculty Scholarship at LSU Law Digital Commons. It has been accepted for inclusion in Journal Articles by an authorized administrator of LSU Law Digital Commons. For more information, please contact [email protected]. "WE DON'T WANT ADVANTAGES" THE WOMAN LAWYER HERO AND HER QUEST FOR POWER IN POPULAR CULTURE Christine Alice Corcos t CONTENTS INTRODUCTION .............. .... ....... ......................................................... 1225 I. THE UNRULY FEMALE LAWYER ................................................... 1239 II. A RATIONALE FOR THE USE OF COURTROOM DRAMAS TO CRITIQUE WOMEN'S PROFESSIONAL ROLES ................................ 1244 III. CASE STUDIES: ADAM'S RIB, THE ACCUSED, LEGALLY BLONDE .... 1248 A. Adam's Rib .................. ......... .... ............... .... ........ ..... .... .. .... 1253 B. The Accused .. ............. ................... ....................................... -
Suisse Romande
UNIVERSAL PICTURES INTERNATIONAL SWITZERLAND LISTE DES SORTIES SUISSE ROMANDE ÉTAT: .. Plus d’informations: www.universalpictures.ch RELEASES SORTIE TITRE GENRE RÉALISATION ACTEURS .. ▼ PROMISING YOUNG WOMAN Thriller, Drama Emerald Fennell Carey Mulligan, Laverne PROMISING YOUNG WOMAN Cox, Bo Burnham minutes .. NOBODY Action Ilya Naishuller Bob Odenkirk, Connie NOBODY Nielsen, Christopher Lloyd minutes .. LES CROODS : UNE NOUVELLE ÈRE Animation, Joel Crawford Nicolas Cage, Emma Stone, THE CROODS: A NEW AGE Comedy, Family, Ryan Reynolds, Clarke minutes Adventure Duke .. ▼ FAST & FURIOUS Action Justin Lin Vin Diesel, Charlize Theron, FAST & FURIOUS Helen Mirren, John Cena, minutes Michelle Rodriguez .. OLD Thriller M. Night Eliza Scanlan, Alex Wolff OLD Shyamalan TBA minutes .. SPIRIT : L'INDOMPTABLE Animation, Family, Elaine Bogan, TBA SPIRIT UNTAMED Adventure Ennio Torresan TBA minutes .. THE FOREVER PURGE Thriller Everardo Gout Ana de la Reguera, Leven THE FOREVER PURGE Rambin, Tenoch Huerta TBA minutes .. RESPECT Drama, Musical, Liesl Tommy Jennifer Hudson RESPECT Music TBA minutes .. BIOS Drama Miguel Sapochnik Tom Hanks BIOS minutes .. CANDYMAN TBA Nia DaCosta Yahya Abdul-Mateen II, CANDYMAN Teyonah Parris minutes .. MOURIR PEUT ATTENDRE Action Cary Joji Fukunaga Daniel Craig, Rami Malek, NO TIME TO DIE Léa Seydoux minutes .. BABY BOSS : UNE AFFAIRE DE FAMILLE Animation, Tom McGrath Alec Baldwin, James THE BOSS BABY: FAMILY BUSINESS Comedy McGrath TBA minutes .. HALLOWEEN KILLS Horror David Gordon Jamie Lee Curtis, Judy HALLOWEEN KILLS Green Greer minutes ▲ Sortie en salle avancée ▼ Sortie en salle différée N Nouvelle sortie en salle Universal Pictures International Switzerland GmbH | Mühlebachstrasse | Zürich | T | UNIVERSAL PICTURES INTERNATIONAL SWITZERLAND LISTE DES SORTIES SUISSE ROMANDE ÉTAT: .. .. THE ADDAMS FAMILY Animation Conrad Vernon Charlize Theron, Chloë THE ADDAMS FAMILY Grace Moretz, Nick Kroll TBA minutes . -
Title Actors Genre Rating Other Imdb Link Step Brothers Will Ferrell, John Comedy Unrated Wide - Includes Special Features: C
Title Actors Genre Rating Other IMDb Link Step Brothers Will Ferrell, John Comedy Unrated wide - Includes special features: http://www.imdb.com/title/tt08382 C. Reilly screen edition commentary, extended version, 83/ alternate scenes, gag reel Tommy Boy Chris Farley, Comedy PG -13 Includes special features: http://www.imdb.com/title/tt01146 David Spade Widescreen version, dolby digital, 94/ English subtitles, interactive menus, scene selection, theatrical trailer Love and Basketball Sanaa Lathan, Drama PG -13 Commentary, 5.1 isolated score, http://www.imdb.com/title/tt01997 Omar Epps Romance deleted scenes, blooper real, audition 25/ tapes, music video, trailer Isolated Incident -Dane Dane Cook Comedy Not rated Bonus features: isolated interview http://www.imdb.com/title/tt14 022 Cook with Dane, 30 premeditated acts 07/ Anchorman: The Will Ferrell Comedy Not Rated Bonus features: Unforgettable http://www.imdb.com/title/tt03574 legend of Ron Romance interviews at the mtv movie awards, 13/ Burgundy (2-copies) ron burgundy’s espn audition, making of anchorman Hoodwinked Glen Close, Anne Animation PG Special features: deleted scenes, http://www.imdb.com/title/tt04435 Hathaway, Xzibit Comedy commentary with the filmmakers, 36/ Crime theatrical trailer Miss Congeniality (2 - Sandra Bullock . Action PG -13 Deluxe edition; special features: http://www.imdb.com/title/tt02123 copies) Michael Caine Comedy sneak peek at miss congeniality 2, 46/ Crime additional scenes, commentaries, documentaries, theatrical trailer Miss Congeniality 2: Sandra Bullock Action PG -13 Includes: additional scenes, theatrical http://www.imdb.com/title/tt03853 Armed and Fabulous Comedy trailer 07/ Crime Shrek 2 Mike Myers, Eddie Animation PG Bonus features: meet puss and boots, http://www.imdb.com/title/tt02981 Murphy, Cameron Adventure commentary, tech of shrek 2, games 48/ Diaz Comedy and activities The Transporter Jason Statham, Action PG - 13 Special features: commentary, http://www. -
Playside Studios Limited & Metro Goldwyn Mayer
PlaySide Studios Limited ASX ANNOUNCEMENT - 10TH MARCH 2021 PLAYSIDE STUDIOS LIMITED & METRO GOLDWYN MAYER STUDIOS INC (“MGM”) SIGN LICENSE AGREEMENT FOR LEGALLY BLONDE FEATURE FILMS Summary PlaySide Studios (“PlaySide”) is pleased to announce that it has signed a mobile platform games license agreement with MGM to develop and publish a first-of-its-kind video game based on the studio’s feature films, Legally Blonde and Legally Blonde 2: Red White & Blonde. The game will be free-to-play on iOS and Android mobile devices, and will combine puzzle and choice-based narrative mechanics with the empowering themes and positive messaging of the Legally Blonde brand. Background Legally Blonde is an American comedy film starring actress Reese Witherspoon that was first released in theaters on July 13, 2001. The film’s sequel, Legally Blonde 2: Red, White & Blonde was released two years later in July 2003. There is currently a third theatrical release in development and set for release in 2022. The instalments follow the comical adventures of Elle Woods, a blonde California sorority president who enrols in Harvard Law School. Legally Blonde continues to resonate with new generations of audiences today. In celebration of the first film turning 20 in 2021, MGM is building out a licensing line around the movie’s key tenets. Agreement Structure The multi-year agreement will provide PlaySide with a license to incorporate the movie themes and branding from Legally Blonde and Legally Blonde 2 into a mobile title that PlaySide will be developing throughout the remainder of 2021. Under the multi-year agreement, PlaySide is responsible for development of the title that will incorporate the Legally Blonde intellectual property and is responsible for publishing the title globally on both iOS and Android mobile platforms. -
Mirror, Mirror
Section 4: Developing Identity Like most young girls, I grew up watching Disney Princesses… Jessie M. Lara Instructor: Elizabeth Jurgensen Mirror, Mirror How many times have you watched a movie and noticed that all the women are thin or are showing a lot of skin? These women are seen as “beauti- ful” in our eyes, thanks to our media-driven society. Women grow up seeing this constant ideal, and as a result, become pressured to look a certain way in order to be considered beautiful. We are influenced to fit into this mold of “flawless” so that not only our looks have to change, but our behavior as well. Women have been influenced to emulate this idea of beauty with plastic sur- gery, airbrushing, or even simply makeup; women are no longer accepted in their natural state of beauty. Like most young girls, I grew up watching Disney Princesses and it definitely shaped my view of beauty. There are about nine Disney Princesses, including Cinderella, Snow White, Belle, Aurora, Ariel, Jasmine, Pocahontas, Mulan, and Tiana, who was added in 2009. There are only three princesses of color: Jasmine, Pocahontas, and Tiana, who aren’t among the most well- known or popular princesses. If you see advertisements for Disney Princess items, they are normally for Cinderella, Snow White, Belle, or Aurora. Each of these princesses has the same characteristics: thin, light skin, and light- colored eyes. Aside from Snow White, they have medium to long hair as well. What do you think a child learns from such images? The book Our Bodies, Ourselves, A New Edition for a New Era, by the Boston Women’s Health Book Collective states, “Researchers have found that ongoing exposure to certain ideas can shape and distort our images of reality” (10).