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RNCM-Brochure-Summer-19-Web.Pdf
FS original What makes something original? Does originality actually exist or do we ԥ O UܼGݤܼQޖܥԥ O UܼGݤܼQޖԥ all simply build from what we have seen adjective and heard? adjective: original 1. What enables us to dare to be different not dependent on other people's ideas; inventive or novel. from others or independent of the context "a subtle and original thinker" in which we are working? What does the future of music look like? www.rncm.ac.uk/soundsoriginal 2 3 Wed 24 Apr // 7.30pm // RNCM Concert Hall TRINITY CHURCH OF ENGLAND HIGH SCHOOL ANNIVERSARY CONCERT 2019 TWO FOR TUBULAR BELLS Tickets £5 Promoted by Trinity Church of England High School Sun 28 Apr // 7pm // RNCM Concert Hall OLDHAM CHORAL SOCIETY VERDI REQUIEM East Lancs Sinfonia Linda Richardson soprano Kathleen Wilkinson mezzo-soprano David Butt Philip tenor Thomas D Hopkinson bass Thu 02 – Sat 04 May // 7.30pm Nigel P Wilkinson conductor Sat 04 May // 2pm // RNCM Theatre Tickets £15 Promoted by Oldham Choral Society RNCM YOUNG COMPANY SWEET CHARITY Photo credit: Warren Kirby Mon 29 Apr // 7.30pm Book by Neil Simon // Carole Nash Recital Room Music by Cy Coleman Mon 29 Apr // 7.30pm // RNCM Concert Hall Lyrics by Dorothy Fields ROSAMOND PRIZE Based on an original screenplay by Federico Fellini, Tullio Pinelli and Ennio Flaino TUBULAR BELLS FOR Produced for the Broadway stage by Fryer, Carr and Harris Conceived, Staged and Choreographed by Bob Fosse RNCM student composers collaborate with TWO Joseph Houston director Creative Writing students from Manchester Madeleine Healey associate director Metropolitan University to create new George Strickland musical director works in this annual prize. -
Black Lives and Whitened Stories: from the Lowcountry to the Mountains?
National Park Service <Running Headers> <E> U.S. Department of the Interior Historic Resource Study of Black History at Rock Hill/Connemara Carl Sandburg Home NHS BLACK LIVES AND WHITENED STORIES: From the Lowcountry to the Mountains David E. Whisnant and Anne Mitchell Whisnant CULTURAL RESOURCES SOUTHEAST REGION BLACK LIVES AND WHITENED STORIES: From the Lowcountry to the Mountains By David E. Whisnant, Ph.D. Anne Mitchell Whisnant, Ph.D. Primary Source History Services A HISTORIC RESOURCE STUDY OF BLACK HISTORY AT ROCK HILL/CONNEMARA Presented to Carl Sandburg Home National Historic Site In Partnership with the Organization of American Historians/National Park Service Southeast Region History Program NATIONAL PARK SERVICE U.S. DEPARTMENT OF THE INTERIOR NOVEMBER 2020 Cultural Resources Division Southeast Regional Office National Park Service 100 Alabama Street, SW Atlanta, Georgia 30303 (404) 507-5847 Black Lives and Whitened Stories: From the Lowcountry to the Mountains By David E. Whisnant and Anne Mitchell Whisnant http://www.nps.gov Cover Photos: Smyth Servants: Black female servant rolling children in stroller. Photograph, Carl Sandburg National Historic Site archives, (1910; Sadie “Boots” & Rosana [?]). Smyth Servants: Swedish House HSR, p. 22; (Collection of William McKay, great-grandson of the Smyths). Also Barn Complex HSR Fig. 11, p. 7: Figure 11. The Smyths’ servants in front of the kitchen building, ca. 1910. (Collection of Smyth great-grandson William McKay). Sylvene: From HSR, Main House, pp. 10, 37: Collection of Juliane Heggoy. Man and 3: Swedish House HSR, p. 22; (Collection of William McKay, great-grandson of the Smyths). Also Barn Complex HSR Fig. -
BOBBY CHARLES LYRICS Compiled by Robin Dunn & Chrissie Van Varik
BOBBY CHARLES LYRICS Compiled by Robin Dunn & Chrissie van Varik. Bobby Charles was born Robert Charles Guidry on 21st February 1938 in Abbeville, Louisiana. A native Cajun himself, he recalled that his life “changed for ever” when he re-tuned his parents’ radio set from a local Cajun station to one playing records by Fats Domino. Most successful as a songwriter, he is regarded as one of the founding fathers of swamp pop. His own vocal style was laidback and drawling. His biggest successes were songs other artists covered, such as ‘See You Later Alligator’ by Bill Haley & His Comets; ‘Walking To New Orleans’ by Fats Domino - with whom he recorded a duet of the same song in the 1990s - and ‘(I Don’t Know Why) But I Do’ by Clarence “Frogman” Henry. It allowed him to live off the song-writing royalties for the rest of his life! No albums were by him released in this period. Two other well-known compositions are ‘The Jealous Kind’, recorded by Joe Cocker, and ‘Tennessee Blues’ by Kris. Disenchanted with the music business, Bobby disappeared from the music scene in the mid-1960s but returned in 1972 with a self-titled album on the Bearsville label on which he was accompanied by Rick Danko and several other members of the Band and Dr John. Bobby later made a rare live appearance as a guest singer on stage at The Last Waltz, the 1976 farewell concert of the Band, although his contribution was cut from Martin Scorsese’s film of the event. Bobby Charles returned to the studio in later years, recording a European-only album called Clean Water in 1987. -
Leufsta Bruk III Elin Rombo Soprano Rebaroque
The Musical Treasures of Leufsta Bruk III Elin Rombo soprano Rebaroque Cahmanorgeln i Leufsta bruks kyrka, byggd 1728 (Foto: Gabriel Hildebrand) Bilden hämtad från Johan Niclas Cahman och orgeln i Leufsta bruk av Axel Unnerbäck och Karl Johan Eklund m fl Utgiven 2016 av Föreningen Leufsta & Cahmanorgelns Vänner, www.leufstacahman.com BIS-2354 Ur Den svenska psalmboken (1695) 10'19 1 På dig jag hoppas, Herre kär 2'19 (soprano, violin 1 & 2, cello, bass) arr. Jonas Dominique 2 Jesu du är vår salighet 1'01 (soprano, violin 1 & 2, cello, bass) arr. Jonas Dominique 3 Ande ifrån ovan 2'11 (soprano, violin 1 & 2, cello, bass) arr. Jonas Dominique 4 O Gud, det är en hjärtans tröst (soprano, organ) 2'28 5 Så skön och ljuvlig (solo soprano) 2'16 De BOECK, F. I. (? — ?) Sonata V in G minor 10'47 from Six Suittes pour le Clavi-Cembalo ou l’Orgue… Opera Seconda 6 I. Adagio 1'29 7 II. Allegro 4'04 8 III. Aria cantabile 2'36 9 IV. Vivace 2'23 HURLEBUSCH, Conrad Friedrich (1691—1765) Cantata I 11'40 from Due Cantate a Voce Solo e Basso Continuo… Opera Terza (soprano, cello, organ) 10 Recitativo: Tu parti idolo mio… 0'50 11 Aria: Vanne ingrata 4'35 12 Recitativo and Aria: Ma folle e non m’accorgo… Deh! Muovetevi a pietà 6'04 2 JOHNSEN, Hinrich Philip (1717—1779) Kyrko-Musique på Påsk-Dagen 1757 17'34 (Church Music for Easter Day 1757) (soprano, violin 1 & 2, cello, bass, organ) 13 Grave 1'17 14 Allegro 1'47 15 För predikan 5'04 16 Efter predikan 7'42 17 Till utgång 1'25 MONSIGNY, Pierre-Alexandre (1729—1817) 18 Ariette: Jusque dans la moindre chose 3'00 from On ne s’avise jamais de tout (soprano, violin 1 & 2, cello, bass) Anonymous 19 Aria: Wackra sol 3'50 (soprano, violin, cello, bass, organ) arr. -
Utmärkelsetecken På Militära Uniformer Decorations on Swedish Military Uniforms Christian Braunsteinm MBE
Utmärkelsetecken på militära uniformer Decorations on Swedish military uniforms Christian Braunsteinm MBE Överstelöjtnanten vid Livgardets dragoner (K1) Christian Braunstein, arbetar sedan 1997 som 1.försvarsantikvarie vid Statens försvarshisto- riska museer i Stockholm. Under åren 2008- 2011 var han däravdelningschef och chef för kansliet för det 2008 bildade militära museinät- verket Sveriges militärhistoriska arv. 1991-1996 var han Försvarsmaktens traditionsofficer och 19972006 sekreterare i Försvarets traditions- nämnd. Braunstein har tidigare skrivit ett tiotal böcker om Försvarsmaktens förband, traditio- ner och ceremonier. Lieutenant-Colonel Christian Braunstein MBE, (rtd) Royal Lifeguard Dragoons, is since 1997 employed as 1.war antiquarian by the Swe- dish National Museums of Military History in Stockholm. 2008-2011 he was supervising the new network of military museums, Swedish Military Heritage which started in 2008. 1991- 1996 he had the position as responsible for the traditions of the Armed Forces and 1997-2006 as permanent secretary of the Board of Military Traditions. Braunstein has earlier written seve- ral books of military units, traditions and cere- monies. Utmärkelsetecken på militära uniformer Decorations on Swedish military uniforms Christian Braunsteinm MBE Statens Försvarshistoria Museer National Museums of Military History Skrift nr 12 Omslag: Kapten Jonas Bessing, Livgardets dragoner, erhåller Försvarsmaktens belöningsmedalj för internationella insatser av överbefälhavaren, general Owe Wiktorin. - Captain Jonas Bessing, Royal Lifeguards dragoons, is awarded the Swedish Armed Forces´ international medal of merit for distinguished service in Somalia by the Supreme Commander, general Owe Wiktorin. Foto/photo Sven-Åke Haglund © Statens försvarshistoriska museer och författaren/ The National Museums of Military History and the author. ISBN 978-91-976220-2-8 Ansvarig utgivare: Christina von Arbin. -
Women and Children Gather on a Front Porch in Memphis, Tennessee, 1968
16 Giving Voice (Above) Gestures accentuate the power of words. PhotC! by Michelle J. Chin (Right) Women and children gather on a front porch in Memphis, Tennessee, 1968. Photo by Diana Davies Bernice Johnson Reagan's II Don't tell me words don't matter! eloquence and verbal artistry "I Have a Dream"- just words? have shaped her career as a civil rights activist, singer, "We hold these truths to be self-evident, that song leader, and scholar. all men are created equal"- just words? Photo by Diana Davies "We have nothing to fear, but fear itself"- just words? -Sen. Barack Obama, February 16, 2008 he 2009 Smithsonian Folklife Festival. program Giving Voice: ~he Power ~Words ~n African T American Culture) presented by the Nat10nal Museum of Afncan Amencan H1story and Culture, showcases the many oral traditions and verbal arts that hold a special place in African American folk culture. Giving Voice focuses on the word power and word play that shape, define, and transform human experience. These cultural expressions represent a living legacy for Black Americans and ultimately for all Americans. Through the deep, rich strains of African American oral traditions, this Festival program explores and displays the vital connections between the power of words in African American folklife and the attributes of American culture itself. 18 Giving Voice II The complex signifying, verbal devices, oratorical talents and rhetorical mastery [are] taken for granted in the Black church.-Michaei Eric Dyson The subjugation of African Americans over three African Americans have often felt invisible-save for centuries created a conspicuously separate Black world their oral culture. -
The Royal Court Annual Report
THE ROYAL COU rt THE ROYAL COUrt A NNUAL REPO ANNUAL REPOrt THE ROYAL COUrt rt The Royal Palace of Stockholm 2008 2008 111 30 Stockholm Tel: 08-402 60 00 www.kungahuset.se CONTENTS THE YEAR IN BRIEF ...................................................................4 CARL XVI GUSTAF – SWEDEN’S HEAD OF STATE .................5 REPORT FROM THE MARSHAL OF THE REALM ........................ 6 ROYAL COURT For Sweden – With the Times ........................................................................7 Financial reporting ........................................................................................ 7 The Court Administration’s use of funds ...................................................... 8 Staff ...............................................................................................................9 THE COURT ADMINISTRATION Offi ce of the Marshal of the Realm ..............................................................10 Offi ce of the Marshal of the Court with Offi ce of Ceremonies ...................12 H.M. The Queen’s Household .....................................................................16 H.R.H. The Crown Princess’s Household ................................................... 19 H.R.H. The Duchess of Halland’s Household ..............................................21 The Royal Mews ......................................................................................... 22 THE PALACE ADMINISTRATION The Royal Collections with the Bernadotte Library .................................... 24 The Offi -
2010 Music Accessories Equipment
Product Catalog / Winter 2009 - 2010 Music Accessories Equipment ELUSIVE DISC To order Toll Free call: Fax: 765-608-5341 4020 Frontage Rd. Anderson, IN 46013 Info: 765-608-5340 SHOP ON-LINE AT: 1-800-782-3472 e-mail: [email protected] www.elusivedisc.com ContentsSACD SACD SACD 1-35 Accessories 74-80 04. Analogue Productions 75. Gingko Audio 10. Chesky 78. Mobile Fidelitiy 15. Fidelio Audio 78. Record Research Labs 15. Groove Note 79. Audioquest 21. Mercury Living Presence 80. Audience 21. Mobile Fidelity 80. VPI 24. Pentatone 80. Michael Fremer 25. Polydor 80. Shakti 27. RCA 28. Sony 31. Stockfisch Equipment 81-96 31. Telarc 35. Virgin 81. Amps / Tuners / Players 83. Cartridges 86. Headphones XRCD 36-39 89. Loudspeakers 90. Phono Stages 36. FIM 92. Record Cleaners 36. JVC 93. Tonearms 94. Turntables Vinyl 40-73 41. Analogue Productions 43. Cisco 43. Classic Records 48. EMI 52. Get Back 53. Groove Note Records 54. King Super Analogue 55. Mobile Fidelity 57. Pure Pleasure Records 59. Scorpio 59. Simply Vinyl 60. Sony 60. Speaker’s Corner 63. Stockfisch 63. Sundazed 66. Universal 68. Vinyl Lovers 69. Virgin 69. WEA 4020 Frontage Rd. Info: 765-608-5340 72. Warner Brothers / Rhino Anderson, IN 46013 Orders: 800-782-3472 www.elusivedisc.com SACD SACD The Band / Music From Big Pink Pink Floyd / The Dark Side Of The Moon Tracked in a time of envelope-pushing Arguably the greatest rock album ever studio experimentations and pop released now available for the first psychedelia, Music From Big Pink is a time in Super Audio CD! This marks watershed album in the history of rock. -
African American Radio, WVON, and the Struggle for Civil Rights in Chicago
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2012 The Voice of the Negro: African American Radio, WVON, and the Struggle for Civil Rights in Chicago Jennifer Searcy Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the African American Studies Commons Recommended Citation Searcy, Jennifer, "The Voice of the Negro: African American Radio, WVON, and the Struggle for Civil Rights in Chicago" (2012). Dissertations. 688. https://ecommons.luc.edu/luc_diss/688 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Jennifer Searcy LOYOLA UNIVERSITY CHICAGO THE VOICE OF THE NEGRO: AFRICAN AMERICAN RADIO, WVON, AND THE STRUGGLE FOR CIVIL RIGHTS IN CHICAGO A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN AMERICAN HISTORY/PUBLIC HISTORY BY JENNIFER SEARCY CHICAGO, ILLINOIS AUGUST 2013 Copyright by Jennifer Searcy, 2013 All rights reserved. ACKNOWLEDGEMENTS First and foremost, I would like to thank my dissertation committee for their feedback throughout the research and writing of this dissertation. As the chair, Dr. Christopher Manning provided critical insights and commentary which I hope has not only made me a better historian, but a better writer as well. As readers, Dr. Lewis Erenberg and Dr. -
A New Theory on the Experience and Ethics of Humor
Marquette University e-Publications@Marquette Dissertations, Theses, and Professional Dissertations (1934 -) Projects Humor, Power and Culture: A New Theory on the Experience and Ethics of Humor Jennifer Marra Marquette University Follow this and additional works at: https://epublications.marquette.edu/dissertations_mu Part of the Philosophy Commons Recommended Citation Marra, Jennifer, "Humor, Power and Culture: A New Theory on the Experience and Ethics of Humor" (2019). Dissertations (1934 -). 1015. https://epublications.marquette.edu/dissertations_mu/1015 HUMOR, POWER, AND CULTURE: A NEW THEORY ON THE EXPERIENCE AND ETHICS OF HUMOR by Jennifer Marra A Dissertation submitted to the Faculty of the Graduate School, Marquette University, in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Milwaukee, Wisconsin May 2019 ABSTRACT HUMOR, POWER, AND CULTURE: A NEW THEORY ON THE EXPERIENCE AND ETHICS OF CULTURE Jennifer Marra Marquette University, 2019 The aim of this dissertation is to offer a new theory of humor that takes seriously both the universality and power of humor in culture. In the first chapter, I summarize historical and contemporary theories, and show how each either 1) fails to give any definition of humor, 2) fails as a theory of humor, and/or 3) underappreciates, dismisses, or does not consider the power of humor in experience. The second chapter explains the failures of prior theories by understanding the problem in terms of Ernst Cassirer’s philosophy of symbolic forms. These forms of culture are perspectives through which we express and understand our world, and each presents its own unique perspectives through which we can understand ourselves and the world. -
Men of Mark in Connecticut, Vol. Ii, 1906
MenofmarkinConnecticut Osborn Galpin Norris MENF O MARK IN CONNECTICUT Menf o Mark in Connecticut IDEALSF O AMERICAN LIFE TOLD IN BIOG RAPHIES AND AUTOBIOGRAPHIES OF EMINENT LIVING AMERICANS EDITEDT B COLONEL N . G. OSBORN EDITOR " NEW HAVEN JOURNAL AND COURIER" VOLUME I I WILLIAM R . GOODSPEED HARTFORD, C ONNECTICUT 1906 235804B Copyright 1 904 by B. F. Johhuon Ttu I 'aaa, Laok«oud A Braluanl Company, Hartford, Conn. a MENF O MARK IN CONNECTICUT Col.. N G. Osbobn, Editor-in-Chief ADVISORY B OARD HON. W ILLIAM S. CASE . Habttord JUDGEF O SUPERIOR COURT HON. G EORGE S. GODARD Hartford STATE L IBRARIAN HON. F REDERICK J. KINGSBURY, LL.D. Waterburt MEMBER C ORPORATION TALE UNIVERSITY CAPTAIN E DWARD W. MARSH . Bridgeport TREASURER P EOPLE'S SAVINGS BANK .COL. N G. OSBORN New H avbk EDITOREW N HAVEN REGISTER HON. H ENRY ROBERTS .... Habttord EX-GO V EBNOB. ..*> HON. J ONATHAN TRUMBULL Norwich LIBRARIAN P UBLIC LIBRARY (V - Dr.. Ik WILLIAM K NEELAND TOWNSEND TOWNSEND, J UDGE WILLIAM KNEELAND, of the United States Circuit Court, comes of a family that long has held a prominent place in the university town of New Haven, where he was born June 12th, 1848. Hes i the son of James Mulford and Maria Theresa Townsend. He was fond of his books and of the companionship of good friends as well, and youthful characteristics have remained constant. Gradu ated from Yale in 1871, in a class that gave not a few eminent men to the professions, he continued his studies in the Yale Law School, along the line which nature seemed to have marked out for him. -
Lester Young and the Birth of Cool (1998) Joel Dinerstein
Lester Young and the Birth of Cool (1998) joel dinerstein ....... American studies scholar Joel Dinerstein designed and teaches a course at the University of Texas at Austin on the history of being cool in America. In this essay from The Cool Mask (forthcoming) he shows how the African American concept of cool synthesizes African and Anglo-European ideas, describing African American cool as both an expressive style and a kind of public composure. For African Americans, cool resolves the conflict between com- peting needs to mask and to express the self, a paradox exacerbated by historical exigencies of life in the United States. For Dinerstein, the jazz musician Lester Young modeled a strategy of self-presentation that became the dominant emotional style of African Ameri- can jazz musicians and several generations of African American men. Miles Davis’s 1957 collection The Birth of the Cool tends to serve as a lightning rod for discussions of ‘‘cool’’ in jazz and African American culture.∞ A spate of jazz recordings, however, testify to the importance of being ‘‘cool’’—of main- taining emotional self-control—during World War II as a strategy for dealing with dashed hopes of social equality. The messages of Erskine Hawkins’s hit, ‘‘Keep Cool, Fool’’ (1941) and Count Basie’s ‘‘Stay Cool’’ (1946) and the cerebral quality of Charlie Parker’s ‘‘Cool Blues’’ (1946) testify to a new valuation of public composure and disparagement of the outward emotional display long associated with stereotypes of blacks, from Uncle Tom to the happy-go-lucky ‘‘southern