Blind Faith at Hyde Park CENTRE PAGES ALSO IN THIS WEEK'S MM ... -~~ WHAT -~ KENNY . :TL;:: ,ii, ~~: ,~_. WHEELER f;, BEATLES' ';fl✓ MANFRED ? ~ IN .,.. BALLAD PAGE 9 ~1,;\. :~E S~ENE PAGE 7

THE first public appearance of the "new" Rolling Stones Mick Taylor replaces -with former John Mayall guitarist Mick Brian Jones after split T a y I o r replacing SURMAN Brian Jones-is plan­ Brian Jones was re­ Jan Poll wlnMr ned to take place at placed with Mick Tay­ the famous Rome lor at the weekend. The Colosseum on June 25 split was reported to and 26. be " amicable " and due Surman to difference of opinion o v e r musical policy. FILM Jones said: " The music plans Mick Jagger and Keith Mick Jagger told MM Richard h a v e been at presstime: " I have writing has progressed just made arrangements at a tangent as far as to quit for the new Stones to my own taste is con­ appear at the Colos· cerned." seum in Rome." He said he " doubted " if there Britain would be any charge to FROST SHDClt__ .,...... ,- ., 111o __ - see the group in action ..... ,. and the concerts would ,_....,._- Jones was a founder ..... be filmed for world­ member of the aroup. plautoqul&_Sara...,., __... wide distribution. He is negO'tiatlng w i th an The Stone• pr-. NIIIJ-"•--~ officer Leslie Perrin told a-...... -. Italian film man to at .. •111---.• direct the film. MM at preatlme that .._,.,Jell...... __•'a __ _ on Monday (18) the _.,. ,.,._ new S11ones would tape ...... SINGLE Their next single is building which dates a spat tor David Frost's ...... lllll..,_.la•....,•...., expected next month, from Roman tlmea. It American 1V show. The ...... __ A London concert Is too. It is recorded and was the IIC8ne ot spot would be taped In ""!:..... _ ...... planned for the first Mick wa5 mixing the Roman Games where London and theft WU week in July, said Mick, number this week. men fought other men no information whether ...... ,._,.. ... but the venue and date The Rome Colosseum ..... and wen! pi11ted aplnllt _ It would be shown on ...... was not yet finalised. ls the historic circular wild animal,. British 1V. d'-h~uWI I ---• =Mf' alill..... FIFTH COLUMN PLUS TWO

n1•,, -.;in~k ,~ to ht· .in ot ht:'1 L ~m11x.,s 1t a111 h) K1•nn) Yuun~. wlw DIZZl l omm\ R.Ot" S1.11e-,1c.fo "rolt' " Comr n ,1t l BALLA D OF jOHN AN D YOKO . Heu , le, Arple A nd S h,tkt• Me." OH HA PPY DAYS Ed-. .. ,n Ha'y\.k111s S1n~er~ Budd.:1h lh1 l1 l lt 1:,, "(; uudn1,-: l11 ' GET BAC K Be>tles Apple M 1dni,i, h 1." l't'h•,1,; t•d o n Jun" MAN OF THE WORLD Fled.....,ood M,1c lmmed,-.1 tr 27 Tht· R , 11h- 1s .1 Nils 1m TIME IS TI GHT Rool.. er T a nd tho MG, S1.1x ((lOlp t),l!l(lll, '' f ll~tlht•r •• MY WAY Fr J nk S1n.1t r,1. Rcpn ~e h:rnn) Yount,t has Jl1~l S,mon a nd Ga , hmkel. CBS complt l t-Motown Onfl(•r., (Jul)· ,1) will hr hnstcd hv 15 CAL VEST ON Glen Campbel\ Ember r><1min1r Ht'han 16 • 1 I D RATHER CO BLIND Ch,cl,,n Shack. Blue Homon VIC DAMONE FOR BBC2 17 1'1 DICK -A DUM DUM Des O'Connor Colwnb,a RICHIE RE-SIGNS lS 13 AQUARIUS .t LET THE SUN SHINE IN F, tth D,mens,on. L, be,h· Ar..HRI< .\'S VU. DAMON!' 19 t29 LIVING IN THE PAST . Jethro Tull. lslund Rte:. mt,.> Lt•ndun nn S1Hurd1v RIC"HI• HAVENS hi!-. rt­ t 14) to rt'C o rd a RR{ l T \ ,i,:nt-d a lont tt"rm contract 20 ::,, BIG SHIP Clrtf Rrchard, Columbia J.J)t'1;t ac-ular a t londl,n's Tiiilk with MGM Recntdi't and h is 21 ' GIMME GIMME GOOD LOVIN ' Craz\ Elephant. Ma1or M,no, Of Tht'! Tuwn !ht fnllm~1 11~ d1S(< y. ill bt" rtll•lli'tCd In the CRYSTAL LAUNCHED 22 COME BACK AND SHAKE ME . • Clodagh Rodger>, RCA Sll!llt'\ un h is nwn S tnrm For Th,... shl"l "- YI HI hi' Ullt•d Vil t'"I lahtl, linancl'd h\ MGM 23 GOODBYE . Ma" Hopk,n . Apple ."Damone At I hC' 1 alk ( )f l hr­ Rkh1t' and parlnrr Ma rk 24 PROUD MARY Creedence C le,;n\,ater Rt~vivc1I , L1bertv Town and ..., 1\l ~ pwduct'd Roth will also ht· 1n 1ro.duc 1na 25 SNAKE IN THE GRASS h)· Jnh nn', Sll'Wlrt nrw talrnt to tht' Jahel On Junr, 2 1, Damoni- JlUC'ltfl H•vrn,· currt'nl Ar fl 1c;: h !linl,!I<' ,,. "Lad, l\.fadnnna" DJv De . Do::.y Beak\. Mick and T,ch . Font.ma 1111 the Simon Oct- Sho\11 bt>fort! 26 ROAD RUNNER Jn, W , ke, a nd the All Stars. Tamla Motown ll)·lng hack hl thr State 27 BOOGALOO PARTY Fla m,ngos. Ph,lrps NEW FAMILY DISC 28 IM LIVING IN SHAME NEW ROWLES SINGLE Dian. Ross and the Supremes, Tomla Motown Peter Sarstedt United Art1~ts THf FAt,,.111). w11h nrw ba, 29 FROZEN ORANGE JUICE JOHN RUWLf'S hos a nt'W playt- r Johnnv Wrider rl.'pJac ­ BLUEBEAT 30 WET DREAM Max Romeo Unity lmi;le, tnle.d •· It Tak,., A Fool lna Ru-k Grech now with l 1ke Mf',' rdrll!lol'd nn Junt' 27 Blind Feith :an tu ri!'curd 11 It i_, a Gtrman .)llllK wllh fnR nt-\11 11ni;:ll'I m "l .,.,.,-,-k nnd ar~ 1 HOT 10 POP 30 PUBLISHERS l1~h l'!,"rli;- 10 rrc Md • nrw alhum Jn Ht ,1,ppcar~ 111 the Cn,·rnd1!1oh AuJ:u I duh, Sht'ffitld tnday (Thurs W•1d"'r h•, fotnl'd Fo1m11., Mo•,_ UNfT - da\•). to morrnw ( Fndny) and fro m l'rl (" Burdon' 4..mm11I~ , p1WHO YOU S.tl urd uy {14 ) and .i:uci,. 1, "l Ht' pl nys bn,.s. ~111 tar a nd v1• GONNA RUN tht" Aratlslll\'JI SClnJot f°t'!loltvll l Ji n Oatt'll St't fur the .ernup TO ( l ~-:? I) mc:Judc Wor1h1n.e (tun1t,:ht Iha T111th" "l.,., C1.Mll 1q Thund.Jy), B1rmln.eham (13). Ro mfo rd (16), M arqu~• ( 17) , ,,, DON'T PLAY POP PROMS STARS a nd L hill of HARTLEY CHANGES s 1•1 SINCE YOU'VE ! tl TOO ausv THINKING ABOUT MY IIABY tht' Pnp Proms •t London's /\~ , '• ,, (....,v Tumlo Fa,,1,11" Rn)·al Albtrt Hall from Junc- BEEN GONE I\'!, W l:'' tl: J.lll kid: wh I 9 Vl THlSE CTU G , ,, WI' ~· RCA Enc Soller CA.MH -20 on a LO\'I t•" Mol., 10 { I ON( re- l II N ,g h l D 29 to Juh 5 HENRY LOWTHER (tpt, vln} ilhnu\ Be8up'> Som, l•I \iCIU Tht.> :\11sundt>rslood Join thl.' and James Jewell (Intl arr • po1 CHILDREN yuunR•Un1 w1,n't rtml mh !.Crond hilU\t' Mnn·rl on Jul',· Jomini: 1hr Hartin Band from GET READY whi,t h.ipJ.H•nrd duranj!. !Ito\ • \l.hkh frature-<; Chuck Berry tht' end of thi:s month Gui The V•1101,,e, Cll:AI 1 hakvun days--but I cl - top twenty albums Chirk<"n Shnck and lht' Alan lllrlSI Spll l:BLUES DANCE retnrd nl the me>nlh IP lht'II 15 PJI GlN'TLI ON MY MINO Laurel A,1~ NIJ 11A.l·Ol7 ~--. Mo• 1,n Rf'P• • h,vt•ly MM papl'r II v1 u rt TOMMT VI. l I,, ' "' 16 THIS IS DlSMOND DlKKU • 1-1 FREEDOM ne-mher 1h,"' P"rwd r,I J., l(),T Of THt SUIUIRS '>erk o,, ,.,, , rl 0. I.k t" lrr horp. u you wish-*h• ti of At~~rll(J:r~~~-:111!~1 ,1~,th~hl~p~~~~f •~~~l~ ITIAHOI WHll"llNG he dot''i.n'l nem l(l hawc put Diana Rt1\:S of !ht• Suprt>m~·-. Fn.:1:lht·rt The .....,1 11\d,o"' CAM'l 16 nt. rec·,,rd vrr~ murh hrfor • DIMENSION Hump1?td1nck and Jnhnn) M111h1i. ftllUTI TO DON o•uMMONOI NEWALBUMS t- ltodragret IUllH ll(J1 ha~;n~~l'[o ~l~r~ARf~~v: PAMA RECORDS pupil - yuu 11hould krt01W haa FROMRCA name by nr>v.--1t , STU'AN ~:~!s~t•~. {HdF. h1G:l'J:l:~ NOW is the DERAM explosion! PARK SHEIK " FONTANA !!TL 54115. This ntw rt<:urd tftfludlf. 1 1 ~ ;.Q~i~~ 1,cr: ·:"nr&-~~ ROY \\h1ch wa!I unt of hi 11ft "Instant Replay" ~~~;~, d,r•;tu·~~• [.~~: u: a Sl1uvenu c,f h1 h ur, t~• • RO /SF 8016 lh" l P for -..·ou What dad I tell ynu abOlll THEMONIEES !:,!cdc~~:E;~ V:~ ::/"~ ~~~~~10' I lh~r~ ~lh;,,!'d:! note rrom Und• - ht lr.coi9 Crystal :r:r· r~"~tif.1' ,'°"6 "Bless Its Pointed telephone lANA 9n MM) it I C) SML 11)'11 Ju11l on, LO ftnlAh wRll ... RD/ SF eo,a Little Head" c:i, OMI 10H ~~~'iu,.~~l 1: ~Hr IUDDY GUY," a tw• rordina in

RINGO b•ck from Montre•I tour here British • WILSON DUE OUT NEXT MONTH THE REVEREND Gary Davis, bltnd American sing­ THE BEATLES' new FAIRPORTS RETURN er and guitarist, has been tour in September album, scheduled for PROMOTIONAL FILM POSSIBLE signed by London Attrac­ release next month, will FAIRPORT CONVENTION tions to tour this country endl1h and Doke Vita clubt wlll •tart work again on their for two weeks next month probably be titled return from a holiday in in Blrmlna)lam. FLAMINGOS TO TOUR He will o pen at the Ritz " 'Get Back,' ' Don't 11 America. during the ftrtt week Ge~anJyul~or thr';: Ballroom, Boumemouth on Let Down' And 12 J:;! ~~ THE FLAMINGOS, who in Auaust Me TV. Friday. July 4 and work entered the Pop 30 this week They come back at the end through July 20. Other Titles." 2 1 of June and will spend July This is the present work· FREDDIE WILL RETURN ;~r~;~b::e ~o ~~'::r "B~ft'if: ~ rehearsing and nnding a ing title and an Apple replacement drummer_ for U.S. GUITARIST-aln&er Fred- Jute four-man American Martin Lambie, who died In INTO EUROPE spokesman told MM at the recent accident which presstime: "Thia will prob­ aoul aroup wlll be on tour for :~~tal~i':ith ~:e;rnrinatot{~f four weeks. Opening dates set befell the croup. FESTIVAL RECORDS Inter· ably remain the title." hat already been slaned to for the grou~ in<:lude: Mardi national, the European as.o­ The Beall~ are conalderinR return to this country In the Gru .and v,ctoriana, Liver• ciate co mpany of Festival whether to make a promo­ 1 pool (25), Civic Hall, Waiver· FESTIVAL VENUE Records Australia, is to enter ALAN FOR MONTREUX tional film for TV for the al­ :~~:~et:o:: ~~es~~o~~t~~~ 1 the European record market bum. Tonlaht (Thursday), King ~•;?.id orii,~·. pJ':f;:i(J~).m and sign local talent TENORIST ALAN Skldmore's John Lennon and RlnJi!:O appears at the Club Annabel, THE NINTH National Jazz Chairman of the company quinttt and baritone poll­ Starr arrived back In London Sunderland. The rest of hit and Pop Festival - held in will be Mr Rupert Murdoch. wanner John Surman leave for last weekend from Montreal, dates are: II Grotto. llford ALAN BOWN LP previous years at Rich­ chairman of News Ltd., and Switurland on Mon day (16) Canada and America and Paul (13), Durham University (I •i• mond. Windsor and Sun­ managing director of the to take part in the Montreux McCartney and Georji!;e Harri­ Boat Club, Nottmaham (IS , ALAN BOWN, whose new News ~, The World. '11ke Jau Festival (June 18 to 22). son are expected back at the Cedar Club, Birmingham (18, Deram single is "Still As bury-on-Thames - will be Stone," has completed a new Sloman, formerly with VICA The Skidmore Quintet - end of this week Cherry Tree, Welwyn Garden held at Stockley, near Records. Is to be managing completed by Kenny Wheeler Recording at the Savile Row LP ror the label. Uxbridge and West Dray­ fJti) ~l 7), ~?;zdon's director and Peter Gormley. studios is expected to recom­ B~11~~i!~ The group guests in the ton, on August 8, 9 and I 0. manaser of Cliff Richard ~nd U~1'i~rJ~::~Ja~~J ~~it· ~:r:; mence next week Bournemouth (20), Sheffield Tony Brandon Show on June The festival will once John Rowles, is to be vice­ (d_rs) - will be competing Apple releas~ a sinRle . by University (2 1), concert with 16 and records a Stuart Henry again have a camping site. chairman Amencan organ1st/sin1ter Billy Show on June 29. Otis Spann at City Hall, of Gormley and Sloman will ;;~~ !4 rnou~eEur~:;! , jafn Preston, who was featured on Newcastle (22) and dance with On July 4 they play the Details artists have not wh1ct it represents Britain "Get Back," on June 27. The Otis Spann at Town Hall, Royal Albert Hall with Chuck yet been announced by the also be setting up world-wide and the BBC title IS .. Thal's The Woy God Middlesbrough (23). Berry and the Chicken Shack organisers. licensing agreements John Surman. who won a Planned It." writlcn bv Pres­ maJor award there last year ton and produced by GeorRe a, the bt"St soloist in rhc Harrison. competition, will be featured Apple ,trOup White Trash news in brief are to spend the next two 1n :e('J!~;es~~:t' e;~~~:r month~ backinR Marsha Hunt N ICE, Fleetwood Mac, Lynch mes lO Holland on June University's JnsLitute of Jazzmen at the Warren Buike,. Roser Eames hu been invited on one ni,i:ht stands round the Pr-ocol Harum, Chicken I I to make a documentary in Science and Technology to• Jey Hotel. Stockport on Sun• to the Festrval as an adjudica­ countrv Amsterdam for screening morrow (Friday) more day (15) . David E.ssu ap­ tor of the contest. The Shack, Freedom , Dave Dee throughout Europe than 250 arrangements have pears on LWTV's Set 'Em Up 0 8 JEFFERSON and Co have all been set for Time Box Ruest in the been stolen from bandlcader Joe on July 5 . Nice. Roy J~:mo{~orf~hcip gea~rl:g ~~ BETTER a major Belgian Pop Festl• Jimmy Youn~ Show for the Jack Hawkins of the Locnrno, Harper and Idle Race appear ~;dio 1 on Wednesday, June val at Ourne, near Antwerp, weeks commenclnA June 16 Portsmouth at the Fairfield Hall. Croydon JEFFERSON WILL return to o n June 22 work next week after con• on June 21. and August 11 Matt The Wally Fawkes Quartet Acker Bllk's Band play a Monro and Julie Felix are two reaturinR John Chilton (tpt) Last London date for Jon valescence following his car Hi5eman's Colosseum before OPEN AIR CONCERT accident m which he suffered week's residency at London's of the stars lined up for the are p\ayinR a Wednesdav resi­ a dislocated shoulder, cuts JOO Cluh from September 7. Royal Gala Variety Perform­ dency at the Washin1uon, thev Ji!:O to America 1~ nt t he hut missing September 8 . ance to be attended bv the Hampstead Taste. who Marquee on Au,tust I C.4-!'li:'IIOS HILL Arts Club, and hru1ses. the Kool have theit" f\r!\l ~in~\t> 81rmmah.am. are presenr in,: After 1he accidenc, £360 in the New Iberia Stampers play Duke of Edinburgh at the tour America in Julv, are to ll Rondo ballroom, LefcestC'r Bradford Alhambra on Junt> 26 record an album at New "1..ovm' ·· reh:as.ed June 21 "n Ol)-t'n-air roncerl of jazz, ca.sh ,,nd £300 worth of York's Flllmore Easl Spinner-. appear on Rnund. Muf'.'<, p<>p •nd pn-t!-tr)· at 1he chequt's wt-re slolt'n from hii: on Mondav (16) Little in nid of the York Minster '\rPna lheatre. (.innnn HIJI wn•c-kt•d car Free Rock, formerly Purple Fund. Marmalade have been hooked about Afloat, a radio hov. Park. this Saturda, (l 4) He .st:irts work acaln on Haze, have been sli:i; ned to Glasgow's NSU are to make for a week at Batley Variety from the Empr~.ss of Canad Groups hooked so far in­ June 22, doublin g Tito•,, Tra nsatlantic Records the their disc debut with an al­ Club from June 29. but miss an the Rn,·~ Mersey n M n• clude the Third Eu Band, Tea Stockton. and the Dok e Vit a. Barron Knlahts open a three­ bum, from which their first appearin1 on July l when they day (18) With Qj11tow ...,.., And Symphony. Gabnel Oak. Newcastle, for a week He week season at Tito's club, sin,tle "Love Talk ·• wlll be appear at the Pop Prom, m Sam TII• Sltam r• due to ap S ff r n and Frr,st, ,,o"" then. frnm J une 29, has a Ma jorca on June 15 taken . . folk trio Maan• London Georae MeJJy pear •t AnnabeJ'a Sunderland ,.Hln, ' 1~ n IS l rt"e wee"k douhltng the Ney, Ca..-. Ember Rttord, singer Lee Carta appear at Manchester RUests wlth the Red River on June 19 Pickett, Ben E. King Jnr. Walker tours A spokesman ,;aid that ~he group we re ao 1ng 10 Am e n<'a WILSON PICKf-TT Junior 1n Septemher for three wt'e ks Walker and Ben f King WILSON IN SEPTEMBER and would hi! doina their old art' am,m~ Aml•rican artists act. breaking up TV sets on stl,! nl'J for British tours b y U.S arll"ill, ,s at Newcastle"s slagt' " Germany wH a re­ APB International, a new play five weeks of cabaret City Hall nn Sunday (22). The ht'arsa\ for this." said Ulr c-ompany set ur, b; Oannv m the 3ulumn dance, with lht Slffll' bill, spokesman O'Dom.1,an which will act takes place ntXI d:ay al I.he a s !he r uropean offic" or LED ZEPPELIN SHOW Town llall. M1tldlesborough. FOUNDATIONS DEAL thr Ame-rican Pros: ramme Ot11 Spann heRins his tour LEO 7EPPEI IN are luturtd 11 tht II Rondo. 1.ekester on THE FOUNDATIONS. who are Bureau JuM :!O and continues at to tour Brltam with Chuck r1< kt:11 will start a lwo­ ~~~~=~~l:rw~n h~~~-:1~n~n~•~~ Berry in the autumn, are tn Jun, 27 m lwnt Qr a specially ~~:~tlinlt, Un~r::tlt.,)CO(~~); record indl'pendt·ntly allhousi:h wrtk tour of Europe on they will remain under ('On• N,1ncy W ilson h;11 opened for the whole of Jun~ •t the ;;::l~~:rdJew~;· including lnv111•d audience .11 the Play­ (25), t.ara)·ette Club, Wolver• .S eptemhn 12, hou,;e Thutre, U•ndnn II the hampton (26), Ril7, tracl with Pye ba followed by Ella Fit:r.gc,ald ,1 nd th• Tommy F ,1n ,1 J,1n four double concerts in ,;how is sin:ce~dul. ll may bl' 2 F o 11 ,, w In a negotiations Britain - in London, Man­ t'.\ tt'nded inro 1 !iieries !~;::;'·t:~~':10~ i~9)an: c:U~~! betwe-en thr ,i:roup anti Pye e h1•!,1cr. ~ dmhur~h and Bir­ Thr 1,!.n>Ufl an hHrd on lhc ol dates rl'mam lo l'tt- filled last we~k. Tht F'ounda11nn.1 m,ni.,:ham David S} mf)fld~ ,how (R.,dm will nm~ havl' complelt' choice of mate:riol and will rhuosc Jurwir Walkt>r a nd the ~:•Ju~~ -',~,"" II, and Tnc Gm JOHN LEE ON TOUR their own prndul·tr All Stars and B('n F Kmg Th .. 11 5i; 1n Rrilaln toda_\ (Thuri.day) to Oc roh~r 3. W alk t'r w il l play s-chedult'd tor mid-Jul} start a 16-da} tour Tht' Foundatlnns" on July 27. thrl't: W(•r-ks of ballroom ll is hopl'd that American \VI BR UBf- Cf\ 1-. due In London today f l hur'tda~, for the pe rformance of hh cla!'i,1ca1 hiast< Datt•~ !It'! lor the American ca.rla 1 hnma"', who 10ur~ 1 rd .wd d!!h J:t l~, as well as l.t'd 7.eripclm phi\. 111 Pan, blut•!lman mdudt" RH1 D' oratorio, " Th~ Llg hl In The Wlldern65,'' a l the Royal Alhe~t lla l~~~'"~: 1~ ~{ ~:) wl : 1 \' and r.idJO hcwkm~~ on Juh I~ nod havt' bet'n Bournr-mnuth and Flamingo, ~;rtal~a~~m ~'W lcm~~~ 1,1.;.~; the Symphony Jan Quinte t, baritone Rotn:- rl Hale a nd th e· '11a mi 1 )' Ps>t' 1 1nv1tf'd In pl•~ at Expo 711 m London (U). Dreamland, Vfer- 1 1 K mf:!: will pla} four \\eek" Fr,untlations and Chuck Bnr}" Cho rus The oratorio 1... availa ble on an MCA douhh:. a lburn. ,f b.1\Jroc,m!'. duh~ and T\ ' J.,r••n 1n Aua;iust nexl ,,e11r t:,~c1 .. n (ll~) Br~!~,:~ (I 1rr~i~h ~n th (1 ll four dav of the • Star-studded line-up for the l9fi9 restival at Moldf!, Norw:.y, frc,m July 21, to Au1u,1 Otf-ie-r artists St·l fn fmn OTIS PLUS FREDDIE W1rnmh• (IHI, Facrn,,. 8,c tour 3 tncludec; the B obby Hutche r son- Ha ro ld l.a nd Quinter. TE'd Cur..-.on's gro1..1p, "'1th ltnckC'_r nclu it' Jo~h White J nr whc, mmgham (IQ), German} (20 LIFE OF B. B. KING Lrvin, Johnny G rlffln- Art Taylor Quarld, Joe Newm.an, the AJbert NicholaS> \utng Aooc1 will M in Britain ror fou r WHEN RLL'ES pianist Olis and .!I), Stn('l,.holm (22 and a lion and Gus tav Brom Big Band. Sr,11nn v1s ,1s Bntun lalt>r this 2.J). Copt"nhagt'n 124), Toi· ~ r-1,;s in the- autumn, RST \o\orlh. Sutrt', (2':i}. !-ahi.but)' THE. Fl of three alhum., • The Sponta neous Music .Lim s ond A11hb} Purify reatunna the caref'r (>f t,luN ;~;~~!!I~ .. (26). Ros~-On- Wye (.!7). !!,It' of rn-.~ mble v.er e filmt.-d for ;;~J~t J:~~·'°~it~ rs v.ho r,turn fr 1hr 1..""t "eeks Muu conct'n .tnd a dance Wight {2~l ,1m C ry t I Palace star B 8 KinJl relt-d'Wd a Danlc. h 1V shov.- in Lon­ this week on the Blue JAZZ of d ub and ballroom dak~ T he concert fealurintt the (29) don la!l week. The group Horizon label Tnlc 1!1 " Chap• from Au):w;: .~. and the }{111' ni F!cmr antl Steve :-.11\ler vl\lt~ the Ne" l\-1uir.lc Club D• er, River 81 1vs who \, ill Dt-li vt'ry II', W0:" 11 .1 1, lht' \Y. <> ter One ' An rn In Ila Bena FREE RADIO Mi !iSl"l 51Pfll'" and include~ his TEDDY at the Wheatshear, Kenton NEWS m1\l,c,n <= elle r " 3 O't1or k A PURI IL Mf F1 ING on frei: Street, London, WCI, thf\ radio 1n Brit• in ,,. planned for Blues ' Sunda)' (15) and l.ondon's thaplf'r Twn ~ 111 L•t' re- rrpJaremMI h,H hNn ,tt. l.nndon·, Tralalsar Squar1> on Bedford Coll•&• (J&An• 21,. \e>Ued next month lll I d WILSON The NJld play Moncleyo, 1 " Rt':tlr ~lrt-l"t Ulu,•~,. ,nu.I w tll Au-,.;:;' irian1f>en nrc lhe Wad->' - ~• Nat1on:.I (Qmmerc1al Rndio ~t:!:t..:r:'° ~jb~':,_":~'l .,,,.E.arlor- r;~·~rul'~ ~·v;;~ ·'lwc,-'t L~~~: Henry towrher, Dick REAC\\ BO'IS \1 ,vemenl. the free Radw .\nttt'l · Chapr t Thn TOUR '" London's ("11mps1gn and Br1-;,tol Free I fc cknaJI · mlth, Chri.-, C'brflll "Twt'nly Yt>arS Kinf: will Road. Radio ·v1n11ement who are AMERICAN PIANO s la t Speddln& and Jon Hise­ he o ut in 1hr autumn anti will • O v~r 800 l an e;, au ~nd~ 1nnt1nl! MP!! and Radio Onr include unavailRhh- mt1.1i.-rial Tedd, Wlls•Jn will tour lh1s man. lyrlcak country m Oc to~r a nd have heen written by Pete the Mayn a rd f crRu .. nn \:HM, MoM or 1hi s matcr1al "-"11\ hi.. Band conct:rt put on bf lrnm Kine's hrsl ~eu1r1n!, fnr Novemhl'r 11, 1th the Dav,- Brown. -TWO DATES DIANA'S DOGS DIE Modern Records Shephf'rd Quinlt-l Torbay Modern Muc.lc Club Blue Hor11.on'j :'v11kt" Vernon Thf' lour is set for tht' • Saxist Barbara Thomp­ last week. On Wednc .. da) DIANA ROSS, lt-ild singer t L'1 son fronts Howard Rile}' l HF Bt .._, H hOYS - w!lh1wl Paul Revere :ind The Ra1dl'rt.­ n,e._ to Amem:a on Jun~ 22 period Octoht'r 25 Nnvem­ 18, at the Blue AnJiCel Club, wi th The Supn-me3, v.: a lktd !Or a month or rrcordinR with bcr 9. and during hi1 Vl!lil (pno), Ron Rubin (bass) a r• 10 pin} 1v., , i.lra Lc nd"n conct-rts du,• to lht- sunn y Fu Londnn m Jan Fxpu '69. with guest -.tar Art The· Th • v, Ill tJ , th C'O n C" trts al (hi'. Asto ria. F1nsb1Jr) Park un pet dogs died of rnt po1 1on au,on, Otl!( Spann. Ga tt" mouth Quartet. Huna reds o t tan!> lurnt'd up men at the 100 Club on Jun~ 22 Srnwn, Curle)' Hayt:i , Clar• • Pat llalco:\ (tpt) and for the Saturday night s ho"' enre • Frogman Ht'nry and PINK FLOYD ALBUM Monday ( I 1i). Sharing the Th- 81 h 81 ,\· 11 I ond,,n todA\.· !Thur~da \- ~ hy cherterf'd at a ,; upper club m Cherry Dann)· Mo-.~ (tnr) 1uew 3ircrar1 for Fra nkfur1 ftlt thl' po,;sibly the Bm ,kl}-n Go"ipel PINK I LOVD"S nf'w album bill Is jauman-busker Loi HIii no t kno v,,1ng that Miss Coxhill. with the fourteen f·ool -;,18rl c, I theu tour Their Hin~• R OS!i had packt'd and left after Sinaers ''More" consist mg nf sound­ 1 track mu,;ic they wrote fnr Band at the Fox And ~~- 1h e death of lht: dOf[~ a Howard Riley Is thl! first Hounds, Hayv.ard-. HHlh. ANOTHER CONVENTION n~t ~~~!:°u<~5. ~~~ p~:; The Supreme,; WMl' Ii have AGENCY MOVE tht- film, i!'. due far release on a nd Bratislava (17), <1$trava, jauman to be inviU."d by Susst-A, on Sundoy (151 ennt1nued al lhe dub until Co~~b~ro~opmo;,~t ~~~~daJ~ C7.tth,1slo vakia (I 9), Helsinki June 15 DANNY O'DONOVAN. for• 1 31 the Society For Promotion (20) Pnd the, ma)' record an merly of the Sellers· con«rt of tht!1r currr.-nt tour Of Nev,, :\-tu'iic to take parf e :vtlke Pyne -.tar, In nexC 0 MATT AT TALK u·oonovan Organ1sntlon, ha at London's Royal Albert Hall In a Composers' Weekend week's BBC Jan \Vurk ­ ~~rdei~~~~~~-~t1:r f~? ~~t:~ signed a tleol with a~ on June 26. They lour Holland to be held In London, June shop programme- (18), rol• from Jul} 10 111 13 and on Wt't"krnd iV SINGER MATT MONRO ca1•· American sgency, tht' Amer_•· 28. Howard's trio play lowed b)· l\lan Skldmort celled cluh dates in the North can Programme Bu rea, and 1s ~~~1va1 "'~!~Y J ;~clb~i!.t'~,r;~ London's ICA \\'ith guita r­ (25), Mike Westbrook (July or England to open at launch,ng its 13rll1~h t:oun• 2), Ian Carr a nd Don Rtn• TREMELOES LP London's Talk nf The Town terpan APB lnlcrnol10nl'll ::ind Eirl' Apparent ist luy Russell on June 27 on Monday (J une 16) APB handle~. amona others. dell (9), Tony Oxl•t ( 16), He will appear at the Wt"st such artists as Andy Warhol. NOEL'S NEW SINGLE • Drumme r Tony Kinsey, Derek Balh'?\ and Pell fnd nightspot for a month Josh While Jnr, Manon bassist John HaWk'iWOrth Lecmcr (23) and Ray Ru• McPartland, Vinet Gunraltli, NOEL HARRISON fnllow!I up and vlbl,;:t Bill Le Sage sell (30). MOVE FOR U.S. Elmer Bernstein, Rudy Valle!", h,s "Windmills Of Yt)ur Dick Gregory and Mort Sahl Vllnd" hi! with a nt"W ,,nglt" ~~~pi~;~e~h~een~~- . t~~~ e Amba .. -.ador Bowllq They abo promott' lecture · Sparm\Ot " rclcasetl on R~ Frank RicoUI Quartet Ltd are pre'.ienlin& re1ullr lOu rs and ()'Donovan 1s ('U r • r,ri~e romorrow (Friday) plays London's School Of Jan !li hO" s a t their 8owl· rently workmg rm British Harr1!lon. currtnlly filming Ing Centre-, Marlne P• radl, v1s1b b)· Gre~cny, ~ah! and in Britain firs t ht'ard the new Slavonic Sh.dies tomorro"" W3rhQI !tangle wht:n n wu played tn (Friday) Worthing. Tonltthl (Tlnt,t. He will also prnmolc pop him b)' Beatie Paul day) lht·)- frature tht tour" and ha~ .. 1a,ned two Mrl.ir tne} Tht' !i:Clni,: wa~ • Drummer Keith Minter Tuhb} Ha)'e'!II Quartet with ArU1!ih groups, lht Symbol, writtl!n h~ two Apple writers. Is leaving the Gothic Ja.n­ with the 1 trry l l1hdoot and New Yt1rk Public Ltt>rary G11llaithl'r and Lynn band, their first personnel Jaumen appearln1 on change for five year'i. No June 19. Fuzz ... RDCHfflATE· COME fly with us - names in ja%1: - Duke hotels, go sightseeii,g in the MM that is - Ellington, Stan Kenton, both West and East THE AfflAZIDG to the 1969 Berlin Jan Lionel Hampton, Miles Berlin. All for only 27 Festival from November Davis and Sarah Vaug~ guineas. RHVTHffl ROBOT 7 to 9. han included - ,pend You can leave London Listen to the two nishts in good-class by coach at 9.30 am on Friday, November 7. Fly from Luton direct to Here's a mod mod two­ Berlin. We will hne some by Shaftesbury to turn on you back in London at anybody (soundwise, that is). ------PLEASE SEND FULL DETAILS DF THE MM'S BERLIN ', 5 am on November 1 O 1. Squall Pedal gives you that Wah-Wah sound plus IAZ? FESTIVAL TRIP alter a weekend you Surf, Wind and Siren effects. Also operates as volume I will always remember, foot control N,1mc The normal air fare 2. Duo Fun Pedal neatly, compactly, gives you Boss I lo Berlin and INck l1 and Treble Fuzz effect plus "Ex pander". I ov!r £58. For Dnly 27 2017 Squall Pedal {1llu11ra1ed) £17 19.8 I 1u1nu1 you 1et all 2016 Duo Fuu Pedal £14.5.6 lran•port, lle,I allll (11~cnmmended retail prices) I brukfa•t Htl tlclim .. all the fali,ulo,i1 - I cert•• &iMWWM POST TO : ,.,.~:.;~:~ ~~~=. ·L~!:: Lt4, 121. 2.11 I Roae. Morris & Co ltd .. Don't ..... 32 34 Gordon House Road. London N.W.5 I I ,•• c..,.. .. Wt ------· TODAY MflODY MAKE.R June 14. 1069-Pai;:e- 5 Remember back in

l()HN t.4ORGAN Co"""d' 11 1mport,1nf • A SPIRIT IN 1963 when T omm1 SEARCH OF FRIENDSHIP

0: E ol th~ currtnt tlrhts I\Ol to be nussed m London'• club­ topped the bill land ll a youn1 CWl.1"--l ~med Fapn .. n1ln1 hi.a "Yorkshire 8l1Jts • 1t tht ~arquee., ra,.m works with the 11,. ~~~:s J:tj~h~"~f~ato1n~~~ prtce-dei hil foeature with a fflort har11.n1uC" about bluH• mt>n 11nc1nc about cMtC•n flcld , holl w10&1 and ch&Jn PJll:f.. Why. he- uks, don't thty Im& about what they le-now about? Ho the-n launches into the hilar1ou5 •· York.sh1re­ Blues." or, for variation - Blue-ii For Bre kfast · John ~YI 1he- croup's rn,,ak 1• both JIU and blues-based but preff'rs to think t,f 11 n~ TOMMY ROE has been waging a friendly battle with the Beatles Just ,~rally nntfnrt music: since be first came to Britain to star on a tour whlcb had the Beatles with. ht> 1nsats. tht em­ ph.as1s on entierta1nm.,,t as a supporting act. "In tact comedy and htihly That was way back In 1963 when Tommy and fellow American Chrl ~nous rnuaic art Dql.lallv 1m• Montez were packfn,: the crowds In on a nationwide four and Tommy bad • porllnt b«aust • Joi of bf1 hit with "The Folk Sin.er." 11 1 1 tru:s. fis:.' h~•:; )' ~:n '~! The ~ • UH wen tt• Uj b•alnnlna to aunct the screamtl's In those days so toi • II> ttn () us t> n s1 .1,11t1 Ul.11 Tomm.t· and ChrU had to ~·ork l1ard fo Jin11fy their rop.of-Che•blll placinp. tht>y h•vC" M"t"",m .,,. drt•c-h N fr,,.,, ti~ ~ l'd t MGUITAR that's C'lnly bccauu the boys .:au aOOd looking 2nd these k1d.s Wl'I) s;hould like- tn look ~t thtilr photo­ J ,, h n. rnmplet~ ar•pl,s REASON with univ r11ty de. choose tht vee "- - ' ' ' ' trrait,c hf• • f a POUNDING PAUL REVERE . nu1l,:ian" hard, drivi"I rock ' ' ' V- e do NOT rear our music • IL'.s Ytrt d1ffi.. lowards 1he !ten• On that Btcause we never had the time cult tn &JYe • sce:1r, you could rattl-; Im uns up till now rHton r r lh• nlll!d 41nd 1f lhe kids dug ii, they'd •• For some lime, we have 10 e1'prCSS yOutwlf b\ly the record We uy to make been involvf!d In two networkt'd 1n a part1cul•r our mua,c hard, poundin&, 1V sh?W• of our ow n and never •• I o' • way he •ays dr1v1na •up• music., with the had time to come to Europe But 1n mu1tc- drums pn:dominat1n.i Bui now we v1deotap" two thut 11 .a k nd uf Jh•l'• uur bac show, a t once .ind that eive, ela on You t'ln " . r lf'I• flnC,IJon1 fht' f-taldtn hue had CO\lnt• f~r a u~tt~~ l~~~;!Y ~~ f~l :ra! a h d pr,;t,t mt IHs hll rltQ:,rt1& ,n t!tr States, time·• Wtucb hi,114 "P ht' but nClt • • nrl~ record ha'.'1 f\·er The, aroup - completed b}I . . .. e,u ll 1s llO d1tn made lh Pc:ip 31J htre - a lead ru1taris1 Freddy Weller, t\llt to ""1 aa11• t•iu.u, n which tht' Ra,d.-n bus 1u1tan st Ke-hh Alllton and ''' 11 t tr m c,n.l (and parl1culariy ! .1dt"r P1u) ilDd drumme-r Jot! Carrero Jr_ • re ul h.Umn bc- lud • ncer rk l.mlisavJ wer~ looking on this flnt VltH u " ' 1'""'1\ h u m a n 1t1.tlt'ly •war~ purely a prnmol11'>flal trip ' ' ' ~,.,, tieuu1• M• t.l of the probft'm wu 1 •• Wr l\,:\lrPd 11 would ~ bnt . ' . . . . . 1 r MJ dilTn h~u,J ~ nevtr 1,.11m• hnl" tnt l.lJ 10 Prl)m"tc our r,<.,Jrdt Why? IQ c.~ m with an •tabhshed srnup tor our ftnt vtall • nd ' ' RICHIE SCORES POP PATRIOTISM AT ALBERT HALL Pop shov. ·• ub cent: ·• Rut " LAND OF HOPE AND ont chick WC' kno~ com A TRIUMPH 1 GLORY" and ' Rule Sri· p I a Int" d tht")' Wllr,. ,ucHII HAVliHS Hor•d • tannia" WILL b(' played at "&eJtll!ss." ttuHnph •I h11 r,nt • ,,u,h the Prom'- al London·, con,orl •t th• A•Y•I Albir,t H•II Alan Prict- and Scaffold l,ul Thur1d•y night for CAUGHT IN THE ACT Royal Albert Hall this year. formed a super group In n1111ut•• •fl•• hi' had 1..t't 01eo Nol by a symphony orches- Speakeasy restaurant and 11•11• tl,r 1u1htn<.• 1u1mp1d and y•ll•d lor mort H• ~•mt amu1,,.1 •"d mu11call)' p,o. pl..:n, dHc:rlb•d by the sa nJt " Green Door " • ~ ii.t •" • ponon•I h•pp1n1tn ft• t Ion• I DAYIO Hoth,,.. leader and ••lr·•P· ~~~• ~~ ~:d ~ucf':e~;;; Yes's first single "Sweet• lrtlll • •twotn numb,n he ch•l· WAKEF=IELO pointed pop antl•hf!ro, Frenk They will be playing the ness •· to he recorded on t•d c:,uu11ll1 wuh u,. aud•tnco Zappa. as " bell•t music." Pop Proms fTom June 29 to ond 91UlbhShtd ln•UU'll rapport ThHe lergtly l•atur111d lhe trio tho opening cao,nta pe11agu, album by Barney Kessel. • ocll:od by t:ound 9uluir and WHEEL INN of Bunk Gardncir •"d t• n but the tolel effect for me was July 5. Led Zeppelin wlU con1• clrum,, H•v•n1 tan g h l1 Und•rwood' 1 reeds end Buu: rather cold and • 1had, ac:a• play F.lgar's mn rch at the Thieves who stole LPa, w•1 through on oll too s h ort H l ONE OF lht brlthlHI Jen spoh In Scotland 11 tho now dub al Gardner's trumpet end wert • demlc:; beautlrut In ll.s way but end of the first. concert. and tapes and white fur coat lhal lncludtd Dy lan·, .. JuJt not rt1elly moYl"g from Jonathan King's Bays. L6'• /4 Woman " ·· Thut't: A lht Whttl Inn, Scone, noar hl1h•p•~~f~:0~~!1:::nl~~-llf!t ,e. the Who and Chuck Berry ,erth wht:r• ravl"I seulora This It seems lo ml' 11 lht Holt. Mona," • n,wt,, wr1lltn qu•nu rel1ed belly laugh, only kind of rHult that the blendlng water flat on Saturday, H•"""I orlgln•I. an ln t, ,11,,, ca,,1 be h•ard on Saturday lunchtimes "Hide,., group con• through the 0¥,rt hor111play of or the two Idiom• ue1n1 to have :;m J:~ay ~:l~~e ~~~ n n~~ opened tms and spread his .. ulful •· F reedom " a n d tht group and Don Pruton', on ell the Ju:1 player, end Str••b•r')' F1,ld , •· Ha v an1 sl1t1 of Clue Dunun (t,.r, cit), patriotism was dead! carpet with chicken chow Oev1 Flml1ttr (tpt), Graham •t\empt to ncrtale the mar• 1uperb es kenny Whul., Joe ,. .. , • ltlnd 01 mum or1c effect vellous " Lo uie Loul, " bil on Harriott a nd Chris Taylor are mem, chicken curry and ond th• aud1tnt.1 I•"• tu m ropt Ryl•nu (tmb), Tommy Ounun Jimmy MUler, Stones' (pno), Tom a,rry ( bus gtr), other Chine-se delicacies. OllHIIIO" l hrout hout " • 1, a n !!'~lchRo::~ ... ;.ltb~~t ~ :~,.o'J' o":n ~-.,~~e;o;!:~!t recording manager, has a nd Dn·e McKay (drs). A 0 !~,'1~•.. P!:!'~ T h e • • h a v e•n o t s •· 1nl•rt'lllng mu-.1,al tap orlC'riCt on their last c:oncu't at the aud•mlc In t his c:o,.te•t. I been si:lJned to record Blind T h ••• • rilllh frO"' PJ com~ venue, was little 1hort of wonder how en l,.dlan fuls rebel? Manfred Mike oh-ted '"' bill ••• , a nd tho ~:Ce,."~, '~!:~~ ~t~~d P~:; ,r:e~: Faith. Jimmy ls managed by DIWleland with trum pet man dl1HHr. - TONY WILSON about th• erfect of th• J.au Huag uanned from dnvint 01H M an a.nd c•mt' ov•r wtll uctlon on his 1lde of th• music Chris Blackwell co· • •ul •ch,,v,d •n ••<•llent be l Flml,ter an outltand lt'lg sololst for a year and • nrong l,ad, Duncan a There·• ple nt)' h•re for a manager of the group. •net' 1n thh. d 1rf1cull v11n u•. A me ty m1111colo11lcal tr••U•• b ut trt'•llr Improved Ed cctlon, who ,tomplng t• nor end llty la,.ce a ALAN BRANSCOMBE • ltnslll¥e trombonist MM car• now tHve "1ore dlm 41: n11on llfl th AROUND £100 WH ralHd for :c;;Ju~:!•l~u~~;,.~~• t~;:~•t:;! th• eddlllon ol J ot , e lmer's toonl1t Jimmy T homson, sitting THRASHED In o n clar lnot, played wi th • lot Al a n • ranscomb,, now happily e nough people arou"d who Arts Lodge of the Jewish p1u•o. n.,t• a nd vl b 111, lm ­ o ut ol hospllel end back at conti nue to e njoy the 111111• pro1Hd with 1omC! s trong Yoc• l 'I : u~~•ll,~g :.,n,d, v:::111~,::11~•~: work, e t e •enent Ni g ht e t perlmenl to almost ftll the hall, Charity organ isation B'nat from Trc¥or L11c • 1 a nd Dorrl'I London's 100 Club last T hurs• CHRISTOPHEJt B III D B'rilh, to receivt the Huma• Pent.angle thrashed M'\1 Hrnd,"an. while Car'e¥en com• pro¥ed an lndlwld u all1t In hb de)' A slightly dlHppolntlng Jody Grind playing in plttr ... 1th sound t lhct1, playod own right. Scot.t. Ja:u tans turn•O ul, perha ps, ror a 1\ar• "The Law Circu!i" a play nitarian award of by S.2 in the Capricorn .,. e b,orblnJ ltl lhel lnclud t'd lhO\lld m.aike for the Wheel Inn for a n 1arh1I or exciting J.a u at the Urban Space Theatre, 1969 . . . Burt Bacharach Darts League. I~• rel•••d ·• Ma g ic Ma n " e nd ~~.... ~ 1:dnve b~l~ u rs w:,t~hn• f:1~v~ LONDON JAZZ FOUR .~ hu• But For Cerevan Wo 11 ld both from lht r11ld1nt band London . . Jon Hlseman and Ha l David will receive Did we detect a note of the Eddie Harv.,. • lg • e nd, MUS ICIAN S WHO cl.aim tha t 1 e nd from the sklll ed sitter, In Humphrey Lytte llon • .a nd, hurt his thumb with an the Creative Achievement disappointment from some J o h n l" tel compe r• d In hll - JACK HUTTON Jan • udlenc:u do " ot IIJten to T ubby Ha)'H Big • a nd, Ci ci o the music a n y mo re were g ive n l"lec.tric saw . . Sam Cutler Award for the h it Broadway u 1ual ee sy·gO'"I manner - Laine • "d Ch t J ohnny Da ,.. Sunday pa pen that there TONY WILSON kwo rth Qu•rtet. The n e;w Hayes the llo 0" Sunday when well to be congra tu lated as a musical ·• P romises, Pro• was no bother al Hyde IRISH ROVERS over 100 cash-pa y ing punt.en • lg a.nd WH s upe rb with ftnc M C a l Hyde Park mises." P• rk? . . . The Who have A DISAl"l"OJNTINC.L y sma ll OU • bra nd new a rrengem e" ts and 11 11,ned In compa ratlva s llence concert . . And bravo ENGELBERT dlt nce greet• d the lrl1h 11011,rs to tht br llllanlly ln¥entlve made radio s Ut)O n history soloists of thlt c:allbre of T11bby, mu1lc or the London J ou Four BlackhlU Enlerprlses and IT WAS a muttr-lJ' . If 1llghll)' for tht lr fin t 8rltl1 h conu rt at Ron,.le Scott, Ke nny Whe;eler. perhap1 the Anest ne w J.a,~ in America - deejays have t.ind looklrig Engelbert Hum lhe •oundhouu, Chalk Farm Pe te; r Kl"g and Harr)' Kl ein. group to merg ll! Into the Home the Robert Stlgwood Orga~ on Sund•)' nlJhl. ' Th• mos t exciting outllt tha t been pla ying their double ptrdtnck who 1c: e red a Ire• Countl•s sce ne s lnc:e the Don nlsatlon . . . The Bonzo Dog album from beg innm& to mtndous hit wtth tho nrlt night Tht)' perform • mhllure of Tubby hH yet lro,.ted - B08 Rendell-Ian Carr quintet. Band make their debut at e11dlenc• al Gr1tet Yarmouth"s "am,, Irish fotksongt and con­ DAW • ARN Qirls Barber sat in with end non-stop. " Tommy" tamporal'} songs end, beslde..s !"laying at Flnchle y's Torrlna• the Hollywood Palladium A. • .C. Theatre ton1 tht' Quartet faaturH the lhe Spirit of John Morgan has already clocked up Ht had errl¥1td only 211 hourt the u1u.al banjo e"d glllt.ar fragile, boautlrul yet eadtlng with the Who next week btlort 1how with • tiring backlnt, UH tltClr\c bass. ac• INDO-JAZZ at the Marquee _ .. Peggy I 00,000 sales. Rlch.ard Shir• lt•• cordlot1 and harpsichord, g,.,lng ampllnad nute of Jim Philip flleh\ rrom Coned• bthlnd him ON SUNOAY al London's Qu-.:en ,howcaH.d against the n,xlblt, Thomas Angnew's. th~ Mount , Frazer Hines, Long man Jenied being M1ck Y•l It wa1 a brl\Uent perform• their 1on91 mo,, depth and Elizabeth Hall, Tubby Hayu Bond Street art de.alers, e111;e punnuattd with u'° d1nul'l1lon. A pnileulonal , en• 11cirlormed lhe qualnt1y tilled !;'M~~.h~cNka':!~h~hf:=::i. s~!!,•y7 8 \•r\alnlng ad. th• lr\sh ttoveu •:O ureen,1 ol hll de.... , ... folio• · Tci,.or Rhapsody," 1peclally Jtunsworth - the but " u n­ Jh::C,.~hr!:r ::.i... ::.-.~i.,I>of.~! :~'1 h~d :i~eaJ!~1;.P~~t du111nr11 w1dH "c:n-g,.IUon In ~:v:. 0 g;i~~: writtrn for him by J ohn Mayer kn01lll't1" buslrt In arltaln, and BIUJe 0.11.ls at Hung• • rlUln TONY WILSON • acllel •l' tht iuu,ur Green• India" clHeader al•ng with Joe po11e11or of an Incredible tec:tl• Bratby, ARA. as t~ centr~ arian Fmbaoy for Saroffa show- at die at,_llo,-1 Albert -siede orche1lr.a end the Herriott or the Double Quintet. nlque both with plucked strl,.91 piece of an art exhibition reception. Hall a ~• but __. 5owere,gn Slngerl, Enael H was a brlllle"t dlsplay, with •"d with the bow - and wh11ked through a mt.ture or MOTHERS Tubby re• IIJ' hevlng to think, drummer Mike Travis, anolht r th~Y. are o q;~anising for Hard Meat cutting fifty audience claimed loudly chart hill, belled1 end swingers MUSICALLY THE Mothers or producing two considerable ell• playar whoo brllllant ttchnlque British week in Tokyo in tracks fo r album and they w ere " hori:.d.'' MM that brought shouts ror more ln¥t'nlfo,. art" •xcellcint, as they maxes along with John Mars ha ll enables him to serve the September. single .. Some 125 people slatl rega\ed W\lh John \\oti, · Lo,.nle Donega,.. making h11 proved once <1gaf,. at tht Roy.al (dmt) , during Its lS•mlnute, 01 0 kins• video tape re ord\.ng •••I>• eppearanct at Yarmouth, Alb•rl Hall IHC wuk. lnc:h,ded langth as. well as some start• ~~ :1~n: th:h~fhu;ttm".'~· ..~ .... James Brown cited by com plained that Group hH .,. .a ct that •• 1p.arkllng, In new material were stYUAI tingly dramatic: lnt•r¥als during WALSH the Music And Performing Therapy's BBC 2 Colour Me of Blmd Faith's concert. Lack of communication, could that be the trouble?

ROCK AND roll is alive You cannot doubt Lennon's js misguided and is c1assed tolerance m the record a nd well and li vi ng in sincerity or bnivery at be­ as one by most people (a.nd I hope they gee 1t), ing prepared lO subJect who rend of his actions they have no right to ex• London's Savile Row. himself to mtemaHonal in the daily press. Toe pect it unleS! they come The Beatles have brought r-idicule, even ,r you feel danger in his case is that half way to meet thP a fresh breath af Chuck as r do that his methods if you ou~ward.Jy &)?pear people who cr1ticisl' them Berry back lo the Pop 30, are crude, unsubtle and to be a bit of a we1rd1l', and let their acuons he with a dash of Bob Dylan for the most part unaffec­ and a re dubbed one- by at least compre-hensible and just a tra ce of coun­ tive. slanted press repor-ts. the It's no u$e, protesting 1f the try guitar, as " The Bal­ Handing nuts to wOTld mass of people will as• traffic is a ll one wa) la d Of John And Yoko" leaclers won't solve any sume yoo are one. cha ses jts predecessor On the disc, Jnho pf'04e5t 'I: problems, whereas a good that they're gonna "cru­ "Get Back " into the meal for a few thousand Top Ten. crfy him " J( I remf'Tllb- r starving Biafran babies Actions rightly fron1 . my Su~ might convince people of school cktys, 1t was a J:lc"k Lennon's altruism. Protest This ,eneral attitude aut~ of communication th.It This, 1 feel. is the crux of cau.s-ed thP first famou Lennon's apparent in· matically negate.t the ability to communicate majority of the good that eruct.fix ion. If the puhlic A coupl e of long po-p years may come out of the and the- Fstabhshm ?tit do ago, the ballad would to ordinary people. Most treat John Ll1tnon the thinking people in the original actions have been called a pro­ feel that, despite John same way, 1L could br. for test sCJ11g. For John is western world desire the same reason. peace, if only for selfish and Paul's pleas for ~;i-~esti~rtit:a:ins:ow~':a'; reasons of self-preserva• him, his Japanese-born t1on. To them, a week in wife and their bizarre, un­ bed in a plush hotel is conventional, yet no not only r idiculous, it is VOTE FOR POP 1 ~i u~e1l ~~~fe ~~~~~!; Ev!':;' t:l!~f~ has had in a spiriL or peace and its cranks. John Lennon love. - is NOT a cntnk; but he

MORE THAN JUST UNHERALDED and virtual­ ly unknown this side or the Atlantic, Booker T and the MG's look like repeating HIT-MAKERS the success they had with "Green Onions" with u Time Is Tlgh t " another instrumentaJ. But Booker T and his group are more than just the occasional ins1rumental hit-makers. For the past ten years they've helped to make the Stax / Volt compan:Y one of Uie most successful recordjng organi­ sations in the States. On every record by Eddie Floyd, Carla Thomas, the late Otis Redding, William Bell, Judy Clay, Johnny Taylor and Sam and Dav~ you'll find Booker T and .his group. They toured Europe with Otis and the­ other Stax stars just two years ago. Booker T and the MG's really started in 1959 when they were still a teenage group fresh from high school who hung around Jim Stewart's small record• ing studios In Memphis. Jim listened to them and weeded out rhythm guit.ar­ ist Steve Cropper and BY ROYSTON ELDRIDGE bassist Donald "Duck" Dunn who with Booker T on organ and Al Jackson to give the whole group track in Paris at Dassin's on dn1ms fonned the Stax a rather bigger sound. request. records rhythm section. As Booker T and the Booker T served as At that time the group MG's, the group have musical director and wrote were known as Booker T scored in America with lhe theme music for the Jones and the Memphis "Soul Limbo", followed by American colour TV special Group but this proved "Hang Em High " &nd their Getting It All Together unwieldy so they shortened r..urrent American top ten which starred Booker T, it to just Booker T and the hit "Time 15 Tjght.'' It was Carla Thomas and Sam and MG's. in 1962 that lhey released Dave. The show attracted Since then their dis "Green Onions" which more than a million viewers t1ncUve sound has been became B million seller and in New York and is to be hearc' on millions of discs made known the.ir name shown on Americit's West They have played on every here. Coast next month. Stax record to thts day as In 4-merica Stax made The group make rare live welJ as making their own major breakthroughs in the appearances because of all They h-ave also been movies and television with their re-cording work in the known as thf! Mark~y!-. but th~ir first 1oundtr.1ck and studios But 1t "Time Is 1hi~ 11 only when the Rroup their first TV special. Tight" makes it much ii Joined by three bras!i Booker T scored Jules highe-r in the churl perhaps playtrs, Wayne .Jackson. Da:ssin's Uptight and well oe .ecing them jn Ch~rles Axton .. nd non f',11x thry tt•corded thr .sound" Brilatn ligain '\.t"ry shortly. ... \U II\ M-\KE 14 Ir.

lilt' ~!Or )' r,f f>un Q1J1,tr.tt \\ !:. LL, I don't like hJ1 fi n.1 11 hf'f!n 1 :s1J ~• " John v. 1n1"1 mr- lo Jo .1 to havl• too much ll ll l' fo r h1m. 10 f ,1 kt-d written about me." this l1hra n.rn l11d fnr <1 lisl of li tera ry le lf'1"5. and J • ot a great start to rhose (),,n Q1rncnt~ •• an intrrview. vou The little From Whdl I havt, ti rd ma) , ay, but Kenny of 11 , ,t re-ma ms somt of the, mo!il o rtgm:11 h1 ,I( h:rnd Wheeler's modesty is wrllm" ha rm11 n1 c1 11 .,, a nd no secret. In fact, it's f'V t r) otht r W,1y , l \r t\' n hea rd rh e cause of much Mt:mwh1lt you cou t 1 h,·ad - shaking among known side of hPar n('w vf>rs. ton of t Vl n of !ht; Qu1xo1 r themes ,n a n.: r llow-musicians. mnrka blr " Jau Workshl"lp " for rnstJnrc. VYhen de ..· oted to his music on Rndm On· nt 9 15 vestf'r the recrnt Tubby Hayes d.1>- (Wednc:r.cl i, y) . "Thi Big Band broadcast broa d cast 1! rt-all) th~ fir t ttmed to require a cut thmg 1·ve done under my in one of the numbErs, KennyWheele own name," s.1 yJ Ktn, and Ktn volunteered .. I've he used thr~t d1fft-rent ~ln•Jdy !lot one solo, piani.!lts a nd e,~ht ofhen. ,, . ' Needless to trumpeters are busy with ing band, several members solo. includin~ John ~urmen. studio work!" worked with William "But naturally I prefer a Ronnir Scolt, and the 'JV. h·s offer was not Even Ken was ha lf- Russo's London Jazz Or- small group. I enjoy work­ posslhl; surprising chOKt­ ,ccepted, for he is proh­ J0king. but he is deadl)" chestra, including Ken. All ing with John Stevens, a nd ol Duncan Lamoni bl~ tht soloist most seriou~ when he sa~s "I'm the same, because of his with Alan Skidmore - the .tdmired b} colleagues alwaxs unhappy with my very shy character, "I Just group that's going to the playing. You have your didn't get asked to go out Montreux Festival We on the British Jazz own opinion of how good and have a blow. It wasn't have some tunes with Older sn.•nl you are." Obviously his till nbout 1966 that I got changes, and some things " I wish some of 1hr where we just play a theme beautifully consistent and in volved with people like oldt.~r mus1c1ans "ho can consistently beautiful work Chris Pyne and John a nd take it from there. suppose I'm lucky to really piny i u got more Busy today IS the result of this Stevens." " I cha nces people like Doncan be a trumpeter, because be ,ind even Danny Mos Th.it - ;~~uS:~a:~ satisfied over In any context from there's not much com­ wa!J one of lht ~reat things ~h~pl;s!r~~orm~~~~J: When he came to Britain ~~es~~~•leSpot~tan:ousti~h~f~~ petition in the jau. field, a nd not many new people ahour rhf' Old Plflce.. for rnt- recorded y,. 1th from Canada m the mid- scored big band, Wheeler's Sand) Brown, 50s, " 1 was even more very individual style always coming up. There's Harry :"/~~, uO~v:!0!1,a,/ro~ ~~r •::~,/ Beckett and Henry Low• colliu, Joe- H,ir• unconfident than I am seems to fit, without any ther, they play great ht.·m,: h~1trd no14 nh eh , 1 utl) ('Aley, M ih now." But joming the need or altempt to com- l!Ood (or CV n hod J ne Runnie- ScolC, Al:m Dankworth band in 1959, promise. "H's not what you •• Thel'e st'~ms to hl'" m r kN.lml•rt'. John Stevens, ju_,;;t m time to play the play, I think, so much as work on lh ont m,..nl 1. Jolin .Surman and Mike Newpart Festival, helped to the musicians you play Sales t h1• momenl \ d\Q u. thnw Yti: !brook _ forgive me if bring out Ken's musical with. Jn a big band, fo r Ha mbur~ rJ"- io with l"n• mm,00 Jnyhod),. Hi s personality. sometimes you get a good "And there's a young John Surman reu-ntl)', o,\ n rxplJnat,on or this Then, as John Dankworth feeling just sitting there, trumpeter, J don't know his which 1s much better ~td ~uu 110n was ''All rhe best gradually gave up his tour- even if you haven't got a na me, with the Keith Tip- than radio work here Or course, t do sumt studuJ ------, ~!t ~=~~." ~0~rc i~:a~~1e~ work, but it's Hr) d1fficull esting that he plays cornet, to relax I'd prefer to be while Ken usually solos on wntmi than s11 t lnR 1n ll nugelhom, which is ideally studio all the time." suited to his busy but II you listened to Rae.ho intensely lyrical lines. One ye<1tcrc.lay, you'll " Actually, 1 only practice WHEELER :' I'd prefer to be writing ' agree that Ken's beautiful the trumpet, but you need a writmg deserve~ lo be room with good acoustics explored further. But hop OUT TODAY to get a good sound on sound has led Ken to a Ith o ugh "occasionally p1ly he remain, d~•pl) trumpet. And the people I develop into a very sensi­ someone wlll ask me to involved with his horns "ll like all have a great sound, tive writer, beginning with write something for a would be nice to gc.•l "'rlh a people like Art Farmer and Dankworth in the early broadcast." 1 Miles. Booker Little I like a Sixties a nd Bill Russo, "a And it's a great pleasure f~f~ t~;~~~er~~~~nNndl!~c lot, and Rollins and Col­ very difficult band to write to learn that the LP he if I can really play o r notl" trane, of course." for."' It's a shame this side wrote in 1968 for the ne'A· I This preoccupation with or Ken isn't better known, Dankworth band, based on BRIAN PRIESTLEY An injection of musical hormones

WHEN YOU'VE had your fill of will comt But I wa" w· 1 II baritone saxophones (the equiva­ Ina In th, dark • lent listening experience to looking •· We went nn lalkln& lnr the gteat at colour pictures out of register), while, then amund q JO 1 of organ-tenor soul groups playing hedrd a hun I rom nul 1dt> I threadbare clichcs against two lnnkt'd out ond to 1nv ~~-.·. amaz.enuml, thr plau:• -.-.u chords, of avant garde groups that packt-d Thf"y wtrl" rour dtt-p NEW ~occet weekly! .Tlake John and Yoko sound like ~ on th1· ,sta in and "'htn ,.,,. ~ hu Webste, Booth and Anne Ziegler. at 10 o't IIJ("k tt \IIU aim • 1-f c~ f It, v, - 1y Pa,· l bandHand ' ilimulalmg music of a roaring bit: ~ "" For Th11d. lh~ bar,d rrr 1t Colour pictures of English ..• ~_;-- rcsPnl., tht be~l thing thl! tll~ band ~ •· Stors Big hands have never really been happened ln him ,n hls 3:1 .,,, "· - ,\ ;~4. - _,, •; year~ in lhe- h1111n s It'~ Bobby Charlton's diary cabled away - thanks to Ellinglon, Basie ~ * l'lr>d Herman, and •t present they are . t . (j really !ht- h1ghllght f rn, from South America enjoyinJ? a new vogue which could ' ,.. uree:r and Me-1 and I t11l ahout II all Che- time Full coverage of Eng 1and"s pul new hear• into the makers nf * rr.usic ~lands most exciting The Thad Jun~ \11!1 Le-w•" South American tour Don Ellis and Buddy Rich Band has undoubtedly tflV n both run exciting hi,; bands; big band was the first of the man has strong JC"llo capab1- Jan a powt>rful lnJl'C:ll •o or the Clarke-Boland big band new generation of big bands, 1 musical hormnnea. and Thad broke attendance record, at formed 1n November 1965, ~1!~~fon anilai!r ' f,° .:e ~~~~ IS deh1hted that men 11i...­ Ronnie Scott',; earlier thls and, to my can. il 1s still the ti1:plo1t !hose solo possibilities Cl1rk Terr)' and ()ukt Purs n year; Duke Pearson h• s a big most exciting havt emulatrd hi, p1onnr1np, it ¥1·ould he a rul wute." ' worl,; ror the r,.v,val )I ~,, band, 10. does Clark Terry. Says Thad: ., Mel and I had Getting the band tocethtr And British exlle Ronnie d1scu~sed the possibility or was just I small parl or the band Roull1er has formed one in wnrking together many umes problem. Arran1em1mtt, had to .. Wht"n l nr t s.tartt New York ln the put. When we w,re he written - motll)" b)' Thad play1111 lrumptol, theft' ~rt The big band revival 1s nol both working with Gerry - rehurHls had to hr called rt,thl to tt>n natu'"•ll~ k.l'l(JWI' only welcome from a musical Mulligan the ld'8 t>ecam, and then there wa, lhc lnu.i, bil[ hand~ t r<•uld a m to W(•tk point of view, ii is also more crystal,st·d and we sat matter ot findin& ,omewh~rf­ >w1lh, ~put fr om local Mndt e,:tremely desirable rrom tht down Jnd talkrd ahout the to play But no•adan lht only muslt musicians· point of view as a IU)·s we wanted 10 hire Mu Gordon, good natured kid, n,n look rorward to Is D means of . tlght1n1 against "Then, when Mullisan dis­ owner or tht• V1lla1to Van• school But aller lhat -..;t\PA' computerisation in music, banded, Mel and 1 gnt in do rhe} au'> If the M1 band touch by phonf- and Wf- said with elec1ron1c mons1en, ~ff:~ng ba~:' 1 on.~ ... sc-t'nf' c-on11n ... n I dt-ve P.. t 'O K, let's do 1t' So we sphi ~t~ ~~ doln,t lhe \liDrk nl lwenty \1onday n11ht 111. • could ht' a lff'at ork h P muc;;lclans thf' names down tht" middle Thus in thl' ff'("ond w11tpk 1n provin1 around lor o..ini and phonrd around And Frbraury, 196$ lht Thad tlle-nl ThNe':i. nohfld\ lt"i like d rvery RUY Wl" calltd llld \"PS lllmpuler than lhnd Jone.-. A "Al that tlmr I h•d onl)' Jontol•Mel Le-wl• B11 Band h1a. aenieornu!>, cherrful man after el&hl WHkl or rfh11tu18I JEAN WIOTT ahnut t"tghl or n1nr hi1 band made ill flnt public IPPt'lr· ""1th a ma1ch1ng ht·ar1 and a .arnnst'menh l"d dont- ror ,m,,,. a m1k ~ldt', h~ Ii lhl' d1ffrren1 hand . hul I didn't ..... p.!rfcc l b111 hand luilt-r A 1d.­ Thad r•calla. • M• and I .-ant l1 u lhe-m I want~ 1, boL11h1 •land& wtuch wt lrnm his hnlhant 111h1hl1~ a, a star! •fruh w11h a d1fftrent mu••c mu 1uan and arnnat-r. wh1c-h app,oach 0 ~~r:d1h~!tu1~~r :: ,:a~ ! k e-,.un him univc ut re-,pt-d hf' •• Y11 u •C! with mo11 band ,1rner•lc1 i-" much ntr&Y and 1l1huuah lhr~ i I rna1n enth1n1ai!lfn that 1h11' mu lcian, ;~. ~~~:' :'PC::: !!; ~i• n am 11,nt of solo ahllil), lhty tho bHk al Iha this week. " I wasn' l 8 01 much g r eate1 bccau5E of lo lr1t:a1" ln 1151. Jimmy told getting any more. ted up " •~~re tow~~s %u.'• ~~ that." ffl• '' Th• OMlt• had 12 m l'. n u... I p ;111d th• ban d 80(1 with what we were doing agreed. " But I certa inly The new group will restr ict d•ll•n. afti:I Qa¥t: Ltu: Duke a than I have ever been. In wouldn' t caJJ it a jazz. the amount of ~ oric the} f,,.• hand w1lh ;unng em"nL!!' fact I like po p music - band. 1 would Uk e to •' S'O clollan • Um<: do " to the point wh~re, •• Wh- I arrived b.11 ck at Lhese last five years have think tha t the musk will we can still feel like UI.• Cotton Cluti rrom • l"f•lp to turned me into a pop fa n. be in the n ature or a human being~... Le>l'lilan tho m•nagl'.ment •· It was just a case or synthesis of ourselves Wllnted to throw me OUI Th• and rverything, we have .. We've don e some g\g-s. thinking: ' So I make witt, a larger unit. :~fn~L --·:o~"':t~,.. but th l'. Y pop recoi:-ds, but w hat Is dug 0 1 been involved in. Jimmy·, •• South A mtr1c11n Em:::tn'>n, alTeady;· sa:y~ in it for me, musically.• "When il came lo forming Ma.ntre.d. •~ Somt:. of then, Way ' fflildr Carmen Mlr11 n da I've r laye.d every s ingle the " ew group t r ealised l didn' t really wanl to go w e.t"e - n o t di-.as,\TOU.'1. ~n:..:~~ ~,.~ d~,:-~H•"n':c!~ Wf! have made and tried e-,cac\l") - not particular• b_.,-,: 11tci'u dH th• Dor-SC!)' lo figure o ut what J'vc back to Jazz. 1 wanted a a"uft•r&.. &J•nn l'f trJ•.- . • ot> done. There I am pJaying funky rhythm section, Jy suecessrut. But \\ t ~ t.,.,.t,r ...~ ••.- l'frKlnlf!'Y t or it U>gethrr much •- ...... ,. ',r R, .. 1.-n R • Vllf' the organ but wha t d<>e~ bul fiOl an Elvin Jones better J,,,,.,..7 • t so chas•d up it amount to? ft '!. nice to type thing. a nd l earned a lot tr m Fra nlue Lain~. " Th • a n-sw it: r our mfc;taJces. Townds ••1. \h,1,l 1n h il f\rst l.WD be successful, of cours~ " H will be a nth:lure or albums F r.u,kl• hod • I C.an~ buf what Is there. In it everyth in,g we dtg - the end i t \4"3S ge1 t-tn,r &'O!ht" " "fl-I&\ "tou·r e In Love good." w ,th " '-.' • an 'Th• Sunny musically for either Mike OrneHe Coleman, the Sid• 0 1 l"hll 5ltt•l • a nd • I'm Hugg or myself? Beatles, A rchie Shepp, Manfred and Mike Huu Ill Th• Mood F OJ LOV 't '.•• " I think you have to make the Beach Boys - with• will C'0ntlnue Co work on N • n y g,f the 1ongs Jimmy out rea11 y being any of T V commercials but St"em " c: H u• h w rote fflaJ not h•v• fundamental dec is ions ~ " m asr.rple:c:u,. As a oro­ more 1.ha n once 1n your tt,em. unlikely to do another t1rn1onal songwr it c: r . hot. too, life if y ou arc going to " ln a funny sort of way I film score. ofl• n h*d lo work to lh\! ci.d:. a v t it's • su re bet that, ac}li eve any thing, Every feel rathe\ sad about • The basic thing Js that I f1ft 1re11 Y••" r rom now , many musician makes one giving up the pop g roup. w.:1n t to sit down and just of his R•"d u d .1 will 11111 b o when he decides to g ive Mike D'Abo, Tom, Klaus play - preferably on a.1"011nd up: being an insurance and the rest of us plano, a lthough I seem to clerk - or. in my case, w ere- not [riends In the b<: s tiU lumbered with the LAURIE HENSHAW MANFRED MANN : no move back to jazz giving up being th~ son sense of always ha ng ing orgar.." Three Dog Night stay BILLY PRESTON clear of the violence ISON APPLE

T HREE DOG Nii!hl are not the best known American band e ver to visit Ur ,taln. But they are probably one of the- best that h iwe- ever played he re. Pl,,. nt}' tf Jlrf•IJP$ hrt VC cCIM \." "1th t-normou.~ n:ptitall ons ;md pro,cd ct ns1stcnfl" d rS· appointing \\ 1th their under· r l'aned. ca!'iual. r corkv sta,r ncrf(lrmance-!> "Thr~e 00-ll, Sight )l i'.lYe only Mrn tc gethH a fe-w monlhs and hav~ quu;kly estJbhsh1•tl thtmselve.s. in "rn.rlca w•th their first alhum and hvt' ap- P~..!'~~~t} ar.. in Bntain for sl'M):'t: 1 pn r"!"'(.._1,, nal vrs1t and ti.Ji\~ :tlrt!ad,· 1mprt'Htd thOl/1. t CHU CK CORY • n·. t,a..-a m-tt a nd hl'Jrd them -..,"It h lh~lr rtfr!~htn 1..- adu lt wht!rt !hey pl:ty akit1le1 - " Youn j people spend nu,wde and talenl like 1n H11rd l)oy's Night,'' m"ney to came: and .;ee you they sn1d a1tackin11 the It ca1 or buy your a\bum<1 H you Team hrt•w ri: ·~~Je\'a~f·sg1i~r~rre,rr, value ~ 1 hey were 01 ~0 i,le :is,:.11.I 111 11 \ ( hu c- k felt that whllL much lht' relatl\ :- :y pt'accful ;tt· ..,, ,dence and hO!ltilitv m con· 111 sphere ol Lci nd nn 11 n(1 th e 1c.rr. pnr3ry llfo 1s rellected In w...Jcome MghT r1 f 11nnrmcd reek mus ic, they dhl n~11 wr1n1 pf) linftne n tu qe L invulved •· ihc whdt' of Snn 1- nm ­ cisrn hn c-rumbl c.d ant.l Thats theway turned int•1 o mu 1iu1in )l t it<' Hatp.hl M1hti1.1ry , which used tu Hostile hE' the hippies c~nlrE", Is now o tcrnhlt d f '"f\. Fh- w._r Pov. e r We're nc. t u1una fJUr music 1<; tlc ,1d and onh th,· n1mmah1 ii, • platform for ~•,;pres!>1ng God planned it nm ldl Th" bar kl,u, h vn, lencr (, pinion,; J1m Mnrr1s,m wa<, 1h,ng hos m• dro plact s J1k.t th ,• mt: sl hc11 tdr tigure u, l)r1r, 11 re-elly ~rri r,n F-'-•en }\OH rr c. .a, IIMld ht.- AOI 811'L~Sl~d lrin,i.• llm rcd p1•11pll o:re carry Now th('- MC5 1ro mllf h mon· ing M, !'r,'" hw1t1lt• onrl the) ;,omh cun• tin l h ( MlhJ('I I u t n UHIIC •JlsUnt lv acrn~~ thl' r c;untr)· 1 htt'IIII• ~· lht"y ar .. i\nl l.akntr,I :'!-,t' ..' ~'e rt ,, ' 1~it ~ndNf'J::n~ Th.:~· J!:n on •,ta11 to in'lu.l! OUTNOW ,m: w W r'v :11 1 hai n !'t lnr,mit , , 11 w~ i.cn dnwn We• n v111r,• 111 J:tt l.lfQ 1• r .i lv,ul i J U , "'"' It:,' to r·ommuuttalr , 111 h1 • r 1, o )'t'•H .1r,1 t , l\n'1 ' \1.1· n hr..ir.. t- , trn\ Wf! v,. don I ll lil;(l \U • ktn <1p d,,rq hu" l' Vt'l')'thlnt ;.il•nned L1'• 1 · n I U\ , ,!. t• ,i r • 11 ~l tt:' 111 e r,r1tr ,.n,1 phnr1 ''r 11 d 1u ! w,,r;II,; • ll II w Tc-,, I tht' u irlirr.,, , tfl \11111 u n1pll11 r r 51h1 Jo nd w,;iar,L •11• r. w,'11 ,t,, Apple Records ABC 123 6 r. , r 1nwthu, ~r• 1h• Yi r .•.• 1,1 \HLUIH \11\KFR Jun1· 14 191\9 Now Surman joins t~e

rHF STAMPEDE of musicians from the barren stretches of the Hritish ja1z c::cene is beginning to make th~ Dunkirk evacuation seem like a boatload of trippers taking off on ':t summer excur~ion. Jt'~ 11nly .-1 shor• wliil{! 3i:O that d rumm er Jackie Dougan quit British jazz Urit.ain lor ~Ustrnlia Hts reason: Beca use "Jazz rolenl in this- country is so fi11anc1ally unrewarded." Sou r 1m1pes from :lr. unsuccessful musician'l Far from it. Jackie had bac-k~-cl :-uch inttornationnl stars as Stan Getz, Ben Webster, Sonny Stirt, Roland Ki rk, .la) Ja\ Johnson, Dakota Staton, Ton y Bennetl. Mrl TornlL, ne,ll-r Gort.lnn and Lucky Th,1rnpson . .Jatl,11: left 'Bri\Jin after fifteen yr:>ar.s as a professionol music1un bec:,.u c ht- ,.,,as kd up \'-"1lh lht' lack o f opport unitirs a nd r4:wards in P\lr">UJn~ .l i11u Utr't'(•r brain drain Nn\lo, ,Ulotht1 mu.-.ici:in - .YOunger than Jeck le - is torced to fnllo..-. tht> Jaa dram A dram t hat, over th t> yeors, h~s lost Britain such SURMAN:' I'm looking further afield' ~·~:J,~;;'•'7-1i;;~,Rnnnrt Ball, Rnlph "\.f;i"~~t: Shsron. AN EXCLUSIVE INTERVIEW BY LAURIE HENSHAW D,11 fon, ~. Eddii. Thomson, J"£ Tlmpcrley, D1ny Reece Warleigh, Mike Osborne, Tony They're doinR ver}' welt fn o,h~ nerck Smith with it a y~ar's tree scholar­ So surely tllerc must be Britain cropped up in a balance, phrase togeth er 1 America, but I don't fancy tht! conversnlion I had w1lh him better , and so on, ~, ~e1f ~~ ~~;1;o~~u1d h!~~ political scene there. Hl J!'! ::!4·),'tar-r)ltl John :thlp I'll lhe world-fnmed something rotien in 1he. itatt! Sum-an A bnll1an1 musician 13nklee School of MUliiJC in of Bri tish jav. npprecmt1on - about the rchll!ve merits of "But therr are some fan ­ been something if we could •· Too orten, ju1. is 1u,1 Flntish and American janmen tastically goo~ ca ts ln this ha ve played Logelher for regarded as ilnother form QI "'h l h11d 4 n,Hable dnuhh:- in l:IMlOn, U.SA or lack of it - lhat makes a cou ntry. It's Just that. they 1ht M\l :1> lf;lfil'l J,:n·, Pc,11 as severaJ months. en tertainmtm rather than nn A mnn who hns been We were discussing sax don't get the opportunit.Jes to " Bu t on ma ny occasions, art form Of course, a should "innf'r ,t lht- Bar,lonti and descri~d l'I!> a " wonderful ~e:!~1 i~~a1d~hf~!1 t~~fi~~! of mner enthusiasm beginning section!I' And John said play togeth er as much as the 1 he entertai nment, but radm \ ! ,.;,~llt1n.- . u~ (Snprano sa,1 c:uimple ~f tht! yuunjler gene· pl~~u 1vd1, n~ A mnn, rurthtrmor.e, r .:i t 1t;1n Of British jazzmen who to wa ne, Where the British " People cons tan tly sny that Ameri cans. ~iu Jft!~ tot~ ~i; eh!~ work is mostly groverned h) \\ h, won lhc trip solr.iis1 have come up, clear of th e scene is concerned, that is. th e Americans are beuer " When I was playing with li rn e LO get lhe music together the Light. Entt-rtainmenl dr a ward Ill the 196!-l lnter­ prejudi ces and stylistic hnng­ But it's the old, old story players than we are when it Humphrey Lyuleton's Big - Jet alone work on such partments. n,1:11 tiat Jan Fes11var ttl ups which ren l their pre­ all over again. And John comes to section work. l'hat Band we had a ranlasllc sax th ings &!> phrasing as a learn " People li ke Roger Eamt' M,•n tr~au, - wh1C"h carried dtcessors. · S urman's decision to quit they obtain a heller internal section There were Ra y " This is one of Lh e reasons prO th e s ummer. I shall probably of juz, and do a grea1 10b work on the continent Be­ But th ere are too m•n, lieve me, there :ue some 11mit.a tions and too few np, wonderful young musicians in portun ities for J!Zt t x­ Rrirnin, and it's been ~reat to pression " work with them, And !hat Berklee schol.ar­ "But H'!> very frustrating shfp? 10 know thnt there are so few " J didn't take II up !H th1• opportunitie~ for them to timt- for pen.anal rf'aS(ln!'. fur express their lnlL'ntll And It's onr lhing. 1 didn't wont th go, not only !hi! young cats; there 1 nre equally good music.'lans r;~;h c;,~''"fharll:.:a"c. ~rr-:::. who have been around for And I also had o. kn nr some time engagements in England e.1 •· But where can they play? thnl particular time Ro nnie Scott•~ is one of the: " But the. !.Ch,1\an1h1p Mil\ very few places aut I can't suinda. I can go there any BM-BOX 100 get a Ri $ wilh my own group year w ithin the next fill)' al Ronnie's these days ; and I years1" know of no other place where Unfo rtuna tely, 1t set-ms, !he you can play Jazz six nigh ts a British jazz scene is no t :.CJ I.ONDON WC.I. week . So I'm trying elsewhere durable. If thmg1' dechne thf' - ubroad way they &re, there won't be " Dave Holland and Johnny much Britis h jazz around ,n YOU CAN HAVE McLaughlin both went to the fifty )' ears' lime Or many YOUR OWN States for the same reasons musici ans left lo play it PRIVATE BOX Swing-that's the name of the game "I DON'T intend to become on expatriate. Our idea is to commute between the Stales ··: , I I and Europe. And the purpose in min~ is to hring the music :'(· OR JUST USE - valid mus ic, I should add - Lo all of Europe and, tif course, to work as much as YOUR INITIALS possihli! at this p('lint ." Charles Tolliver, 27-year-old trumpet player on a flying BM-A.I<. visit to London, wa:; speaking about his presence m Europe TOLLIVER 0 going to commute LONDON WC.I. j!d ~~~~:~ ~o~~~~~e~nc,b; Stanley Cowell (pno), Steve Novosel (bass) and Jimmy Does lhe unit have a 5 leader? HofC1tv~~~ ~·as seen a lot of "Not rea.11;. I don't believe­ this Conl!nenl since comini! in lht:m I believe 1n totnl here for the flrs1 time in 1967 pnrlidpation ancl sharing oJ everything ,o far as po~slblt wi~~ ~~~ ~;~~~; A~~~~er last the business t"nd B"> well J~ fr~t•o~~r:.1 h;o~/~ s~r::~ '~~~~ th~ musical gu;zherre ,:igi~eJ)t ~~.nr.h a~1~ sequently played in and out vf 11 ~eris 1'1:. well as visilin,R courzigeous, ron Y('lu 5l't!, 1t 5 Germany, ond ~tayed onlil 1mpossihte now to take J hHe Dectrnber group Into a PtJns: dub. We'll Then, aflt!r a spell with most prubahh,. 1,ve there whdr This is a prestige postal service announced by .Roach 1n New York, ht In Europt> ;.and work ,u11 ul MELODY MAKER and BRITISH MONOMARKS returntd for a third vi!\Jt Pan.-. · (while thc- grnup wa< laid Off 1 wondered what it3Vt' ltl January) workin H: in Tolllvc.r the Idea, in111all), ~:f Zurich, Pans, \11enno and sharJni,t h1~ l1011! bc:-tw'-'cn th,. ngam in Gerrnany MAIL FORWARDED DAILY or whenever required c1Jntlnen1s He ,aid it v.~ t"' "The marn idea Ill that thing~. the urge: hJ w, rk 111tl Moil ol~o ~ent lo meel you as you trove! - U.K llmt WIIS r,laylng and (Otn­ ------For fu ll details send to: ------· enthu-.1asm 1r, pl.t) IP m •rt' and abroad, POSil_'lg f• r radio band'I, hUl penplc * playing Llub dut\l'~ Where the\' "Normal!~. 1n 1ht ,;,t11lt­ PRIVATE BOX ENQUIRIES W£•rt• OOt:red," Tt1l]iv1:r L''II. pla11hnl thC' tird1n1ry Jilt mu"Ctll\ doe,n·1 work mnre than ~•' MELODY MAKER - BRITISH MONOMARKS The ,dt'il nt hrmgrng t•ver • month., m the )'Ur H sr ~cJ 161 FLEET STREET, LONDON, E.C.4 MAIL HELD for your collection you may tele­ 4uarte-1 ._"t!m~ to havt! cvmc up tn me a. solullnn mtght ht I by chance. wl·11lt- thl" trumpet do ,i..,_ month hrrr arid .i11 phone before colling lo enquire whether there ;, any pl~ver Wita h4tk ,n the Slett· moil owo1tin9 yoc, !here- nr a month In ••en w1th Mu Roarh rcrt-nth, place, or tWQ munlhs Whrch· * He has wurkl'J 'with 'R,ut:h evar way 1t works nut Name . .. •. .. .. , .... , • • • • • · · · • · · · · · · · · · · · · · tor lwo )ear, - •· exacllv twu • ihrn, ttlU. we'r,- 1all11n,: )·eaD lul munth,' he Hid - about lh• eqernt

THE 1.. 1 Derby .,,., J.,st twin kling to an • nd on a J a p;anH• por1abla TV wh• n I A helping a r riv• d a t D;arry from guru Ryan'• qualnlly plu1k W U L End nat. • a rr)', nll'flt v,rt.,a lly fu ll y recover• d from burn, 1ulla lned In hand from C e rm • n y thr•• months ago n• v• r 'b>tone sµeuctllv for the i.;Onccrt Onlv to find •• Elab•,'' 11lu'"p•d In Great 11·, the only way 10 b• at 11 8rllllln when his follow-up • a,Ty lost ,, a hell of a S.l hoth ~hows were a s,11 out napped c•· It was Ilk• • Eloise · To kef'p m tnm for tht- Beach Boys· nJ.:Ornus roullm.:, and that wai a mistake- '" }, or '"on• J ., Ir, the 1a1t tit, .. yel somtd dut.l "ed ror great month,. • 111 h•' • rarl11g t• C.arl plays tennis ·· I pla~ for hours and hours;· he says. heights on th1 Continent. slllrl work og•ln a nd 111 the .. You'vt- ~ot lo do th,s, othtrw1se you find yotfr..!' going " When I rtlea1ed • Love 11 pa.-1 frw weeks ha, bun doing c1\. c r 1ht• f1nce," h,· addPd m a p1cn1resi1ul" reforence Love' altirr • Elolte,' ll wa,,.· t 1 difforent •nou9h for • rllaln. :C~:~t D~e.,1:::~"f• ~1:0 •::;!. but Europoan counlrfH want tlatlng a "•w A'"erlca" r t• ~1~ at~~~~~~1~0: Hr.1:n, ~:I~ i:e:i ~~;n;~,~l~~;r m~:i ror It In a big way. In fact It' s cording cont,act which wll/ Jea 11: u, " still numbl r ane In Carmany probably r u ull In a switch of labels here (probably to Pol (o.rl 1s prcu; hapf') wuh his workmx roulin"' Though, now. Ev• rythlng was shaping 1 ydor) . Over the next thre• fhe-9 e- days, tht" Fkac-h Boys pick and chnos their datt!-. BEACH BOYS : pick a nd choose their dates ~rll ~~~~t ,i::~ ~hper:nd ,:~d :, •Hells. a new 1l ngl1 w1U bo Noni:! of them is that keen and tha t would have been TV and c• barat bookings. announce d . on lon~·d1stancl' travel• too long Then 1umphhhh! In a rew Jeconds It' s all 11an1.•' ling, and the\- ha\•t: " We don't li ke any pro• ThoH " few s•conds ·• wor• re-ached tht. pos1t1on moteT to get uptigh t. so tragic and ,ould hav• been where the) can afford to we'r e intending t o go tat.al. When th• phon• blew up take 1t e-asy, or conn·n· 1n hh face, he was badly " P1.111 a nd I want u, r el• ••• n t: xt January.'' burned on lht> neck and hand t rate cm rt'<'ord1ngs a "umbe r oA his called to offer ,f I did tur n to direct." he added with mlcrest, are a forthcom• Carl looked blank when we 1 1 Making Ey u ' whkh I, • '' We du a lot or chant}' :~:u::{ ur"e!:..'fa·" s':!l!d:ec~r: sort or Hollywood dr-• ni, actmg.'' hP .~id "I'd iakf' honest candour mg Beach Boys album - m e ntiom;- d the p o ss.ibtl ity shut his • YH. And thh show,. sa}s Carl " Pnsnn to t ry 1l and see what J " W ere work mg on 1t rHctlon probably .. .,,ed his ~~io,H~!'m~:~oly lh:ine~~l\i;: work, especially We In this r es pect . Carl recalls of segregated concerts could makr out of ,t. I'd now," !lays Carl - and a He had obv iou:,Jy not 11ghL Hl1 e1• lldl ware Hared hun'l been mad• yet and It playe-d at McAlhstf"r a vi!iit to an American LOp ;and botto'" but miracu­ Ul,ld be something tlH." hh tc, gt-t thr ree l of the Indian, a sort or ,i:uru projected tour of South heard of apartheid. And lously the • ye, were noft Pr·,;on, Oldahoma and did camera In f,:1C't, I would Africa harmed . It h dldn"t go, would •• another on£- nt Lou,sbe-rg named Georg~. Carl, in he s e e m e d disturbed a l Ion him to lhe Am• rlcilln Film not mind bein~ a c.imer3 ·• We had one planned for 1ls implications. But " Lols of people have accl• lndus1ry. Nf:w Jersey·· fact, v 1s1ts him regula r!; dents - brok• n 1•11• and opE' raror I lhmk you las t January , but w e had a parl from expres.s ini thln11. 9ut being burn• d Is •• No. If thl• doun·t ••. I' ll And hov.• did th• c.apt1\e " He said I could be a could JtCl a lot :nore from ..-er; n oted actor, h~ r e to pu1 n off. The n we w me nstonishmc-01 a t dlffer• nt. The doctor. told me try 19aln The actl"lil thing I• aud1t-n< f' reaLr • Well, thal than atlmti:. I'd like p lanned to go this m o n t h the pass law'.'., he madt­ aflerward1 that an acc1d1nt really In th• air. 11, Just th~y didn't ha\'l" a thanc:r calls 11lte lhl• could hava b•en som•th1119 that "'•1 happen If to direct, 100 But t·m (J une) hut II would have no further comments on f•llll becaus• with burns I a'" successful In the ,crHI\ to gt-l out·· cradu, Carl no! ~urr I'd know how t o Bu t, of mort- 1mmt-d inte bttn fo r seven weeks, thl projected !Our there Is con,lderable shock ttsl, ln'lolved. And the doctors said .. But tvtn If I ••• offond a that th• 1hock can either kill part. I wouldn't m.ove ptr 1011 ar not. lu(k1ly, It wasn' t mantnlly to th• StatH 1·111 RADIO JAZZ thal bad. What worried mo Ju1t •• ovu, do th, hlri, and mot when It happened wu:. C0'11t back. This h homo iUtd I lher• •• , "o palri, Nothing like II hare •

HAROLD DAVISON PRES'NTS THISSATURDAY · 1, JUNE at 7.30 p.m. DAVE BRUBECK with the ONONNATI SYMPHONY ORCHIS1RAl play '' Brandenburg Gete ' Light on the WilderMa - ONLY UfflSN APIIIIUIANCl LONDON· IOYAI.MIIIIIUll llckelll 7/., ,.,., Ill-. afU•, 0/• ..,_..dclllll.M,a,tlflll-Olkle ...... 1 -MfLOOY ~Kt R Ju.M 1• I ·• OUR [ XT single From the tongue 111 be a bl~ num­ r, If ~ • I'd Rath r <.-o Blind: o " e e uldn'1 JlOS ibl) h~ 'Chicken in cheek, to the c l ed as 3 pop group," said I g,r­ THEDUJESPAGE lo,in&: tan \\ebb in a f lttl Strttl pub r~ in ferment centl) Shack will TM ~~ C.hkk.: 1 · d r,utu':f:' """' NEW POP ALBUMS URaal f! t-rful lf, stay loyal' M0:~t~~11,:~ " l 'nllc- 1\'l t>a l •• (I r it ri "-• ll•nlk). /\ ...... cl• ulilt lomr I ~.~ ,,r mo•lnr ah Jtllthly, t'rl1 UI ~ - •., mu u. 111• k .. n1.1 ~ • i I Minor roll, 1 I~ lrona• ' t says Stan .inc! SJIII t hl I Hom, ~ hv I fll ll k ZaJ1p.d l Sul If C r ruin, h rt•~t ,•nd tht M,1 thc-t • pn t- nl 4 u w1tti BY TONY WILSON 1nolht1 balllr-rnent Mo11 I 1,I thr mus i~ Said Stan, paulting ori l) for the Plastic Penny. ,1 f-111nk t'Xplaln •· A i;irl in the band te-nds lO • pull al hi.!. lager, " 1 : . ~h~'"~~~:J:d "f~m FRANK ZAPPA lb ink we-·, I:' hulll up the be a bit of • novelty," Oc lo hu '67 Ir follO\~:ing. but no matter optned Stan, " unless she h-hruary ·n~ ancl 11 rtot PI-.Tl DR OWN AN O HI " Is a raving s inger like BATTfRl-. 0 ORNAl\1lj\jlS• '"A •"'hat group )" OU • ~ if ll' !t pa n 1c.u l:oitly n:prL~ •n t•uv~ ( 1! ... f lhulk 11"1, anotMr eood a ,:cod ,rnoogh record Jt Janis JopUn. Paul's organ lhr- Muthn ,' 1:1 1' prr • Mui You Ca n Shak, Hand, advHtiwtnent for lhe wr, rk With In The Dark •• (Harnt t). s h o uld get into the chart. playing has brought the WEBB: ~,·n lcd nn the 1r recl"nt tn ur hand \\ e "rt &tUlnj; much If a Mues band ma.k~ • sound up. The audience 'You won't catch me playing a ballroom' Hut ,t rt- m 111ns cxc1tln}!, Wl·l rd Pett Hrnwn 1aa pof't 1n cJ •1na morr musical although rtt-Ord good enough it expect a bloke to be JZ:OOd a nd hDl\i C't1 lly t· nll·rlalnln~ WtJ lf'r w ho cnll llilhor atPd Wtlh J ack t\rutt· ,,n 11r, m t of "''-' II St.a) "il.h the blues, should get ln. There's not anyway. I think it's a want to see another but trttch It to lb difference ln sound be­ {h"f ( ream·-. hn t "1na,. Ont· ~r that many blues band.~ change for the better. cause we•ve switched television program ml'," P";~,n;:t '"~n r•~~~:kfr o: limilS .. tht hra ln 1n frrmf'nt lhcar hel l kno~ n tunt-1 wa a.bouL The Cream's The iroup ls much closer from a four.track studio The Ollcken Sha )f"ar1 to al!t 1ntn thf' Mntht:t1 and ll nd l'O )O)'nlenl in t h e ir w11 rk. Thole whu already h ov1• a Wld l• n'R/\NNO~/\\l k\ •!-- U.l· X • "Un icorn " (Rie.1 11\ / .ono~ kno wlCd Kf', or a t lra,t a p,ns­ BLUES ON RECORD tnK 11cqunmtnnn- "'1th mod phone). A prnhll'nl I qnfn,n l e:d T Rf'x & co The} W('n• rrn Sf'rmu 1t rnui;.! c-, rrtdrum i.ouni1 on Mary ·· with 9ood•humo111rc-d sued H sln9lu. They lnclud, (Liberty L9Sl)2ll) he is :~~~-~::i)' ~t=;:o,r1~:~:-:a~~::; Van 111:onk Is he•rd on BLACK " She Wat. Born Tu Re- My lyrics abeul a drlnlllnll rriend el ,1n •tt.r,1c,tve "Cold Fut." a hear d whh • sat recorded 11, tr,1cks Much of the. m•terlal MOUNTAIN BLUES (Xtn 1011) NINA SIMONF. (Polydor). Un1cnrn" and hi!. piano S•"'-, TtuJ 1s hi.glt--sland•rd piece about his gull.Ir, "I Love HM in Los Ang• le1, with his Is original Ander-son. The tracks •nd is ona of the batter lnle· When the name Nina Simone beating 1~ most t-fffCllVP nn vuy from the str•lght blues pnters or tho Idiom, Ir only nlu and 1 u11.u· blues . .1nd rul ~U.c,:'~;s,•nd,,~v:°.:.f'e J°Jn:~1~•;::.; :11 S~rs, \Rtoup t~at ln~uded 1s mentioned people rcec-t lhc- prf'lt)' but 1;tron1 ,. l~I 1 01 9 rrom th• point or view or sin• VIOiently. They love nr lhl"Y •olu• • 25,: - M.J and " Funk"-Sh un." • u1 then Is c~:~:;d (h•1;1,}," :n:n~ul~~r!i: :;Y'!n,u of b~~~ll~•un~ on !~~~ eerily, He b'llcks hlmulf well black (the W11ard's H.21)"' 0TH, th 11 th 81be S~e Al11t Molhlng • 1.11 a on gull.Ir h•vlng .i re•s.onable loathe -: there's never any or 1he t-nt tunes \iarc h• • Alltert Kint and the 5L11• ::::~,. l~~t.r":-1:.!:~n.:. ,~~~~t·~~ fn~ ~~h: ~:iac,:'~ su-::;1!~rd D.19gon e Crny Fool Mumble." grasp of the v•rious sl)'les, quallficlllons W,c dig and, if wnlt~n •19ade - lncludin1 •oollt:r T the r,:c;o,rd, whlc:h Is "' good e•• Sllm on olher lr'llcks. Tht-y The album catches the Idiom With the- currer,t wealth or blues you do, ~et 1h1s a lbum She aind Al J,1drson - make lnMIVY uT1ple of conlempor,1ry blues, combine tD produu some very well •nd the ennmble numbers m•tt:tl•I av'llll;able the naces­ _.u.1-1c on KING OF THE • LUES Mui,phb style. - N.J Ustenable cuu Including " Hold 1111• " Hot Time.,," Stereo ha,; an Africnn ambirncc slty of white bluumen could be ahou1 ~er ~:!T~'":e~~~~e !:'TJ}Thl: Th•t • us, Conductor,"' " A Hud Death Breakdown," •nd " Th•t's qwestloned but It sho1.1ld be re• singin_g A slrlnKe. FLIRTATIONS Allrlght.. h•ve • good degrH mysterious vo1cl' full or Like Tht Flirtation~" wu • ..... period for u,._ ~lsrh•:z, J•:.~a mr: O ea'!~!: :,~~~rs• Lon~ra;l~l~~u "::~11d'- membered that Y•n lllonk be~ °!"~ of swing. - T W. g,1n •lh a far more llmlled :-adnes and imagcry, 11 time­ tDeram) An atmo5ph,rlc srt ~•:.... ::!~;"'::e ~:•aa!::r bst1!'! Arlt.lns.u, In 1921 and spe.nt ,1nd • harmottlca lnstnimenlal less voict. She's heaut1ful or numhtr .. fn,m 1h1s Aml'n• 11 • A walhr or eleclric bl11es th:~1n,. d~~~ "'"'-- ..uld 1M wall ~ buy ~','en~~~ri .. ye~!._,!; •tafa~hic!;! ~~~1/.'!"~n: s,~ ~",,.,ca:on bl!~ :!i~~--!::~::ts htrr- on songs hke "Don'l can vocal trui curr~nt I\ dtJm1 :::,dsye::v:r s::u~rlh urh:n covered " tht whole fi11ld ev•n• Smt1ke In Bed." "Lillie Girl _.. __ . _-_._._._._._,,._._.._ -_. ____,______, :::.:. ':~: 1:::r·1n!~"'::::·~ c:i:~ tu•lly. His respect ror the i ciltd m Dnt11in Tht" nich~s1ra. mon denominator or pl•ylng 12· music, prompted by his Initial Blut," " I Loves 'r'ou Pora\' ·• und('r Johnny Harns punch h ind Shakey Jakes' nlu~ bar stuff, much of It In v•rious 1 Ind '' Gnod au,t .. weals. - T .W. degrtts or mediocrity, ut • few alonv. nicl"ly but aornthow th • ~j~re~! :r:~ --:!~o~;:u~~h~~~ girls' u,mt>whal hJhlwei,:ht DURATOMIC b•nds ha1ta tried to work within In the music through his per­ • The country blues Is t:nJOY· the- framework, ye.t Inject their forma11ces •s on lhlJ album OTIS REDDING: "Sitlln' vocal ahihtv fa1l1 to 1tel the Int a 9rHI deal or popularity own lde•s In to what they •r• thing inw top Jl'ait And rt's ,11. th11 moment thro1.19h U'le which lncludH • variety 0 j On . The Dod. or Tht' Bay " doing. Such • b.lnd Is KILLING songs lncludlng " Dunc,1n And •~ven dr1ti.:KY on a couph• 11! •norls of s1.1ch peopl• as Dave FLOOR (Spark SlllLP 102), who (AlCO). A~ the note says _ K•IIY . Nike Cooper •nd l,1n An• ploys • mlxt1.1re or blues and • r11dy," "Wln1n' • oy,"' ·• Back. "Ol!, Re:ddin1, W,L the ht-sl trark '("Sta.,.•• for tl!:amplt) denon, ,111 ef whom h••e ••ter llues," " K c . Moan '' "Talk,.,to,.,me" modern rack on this their first •"d " How Long " - T w one man campaign oul muotl~ ~~,~r.,.e1~.~~r:1:~nc;ntra11:d hut ever had." H~re's prnol _ sonas like the t1lll' 1r.11d\ "The Glory Of Love ,: "Noho~y Knows Y,1u," .. oi sticks Man 1 rouhh·" and "Oon· 1 Mes, W11h (upld •• E11tht nl thr- lrac-k !j, hav nt-\rer ht n in Now taltc., shout. beat-out all the wav with t hes@ an alhum heifort au 11,tl'n In great new Duratomic sltcks Stronger than any 11 11 1 M•c~ previously produced, they have a perfect h!10J ~!c,~:~fc:~~ir Y~u~ll 'Ut~ v.t ght-to-1,za ratio and k.een balance. How hooked w1lhin lnur tt.ar come ? Because they re made from wood p,egnated wnh a special plastic mateual by • p,oceu of h,gh-energy radiation de.-eloped by the AfOmic Energv Reaearch A55ocia1ion 1 Smash that cymbal I Hit 1hose heads I Go-go-go aU th~ way with Duraton--1c Sticks I ONLY 19 &,~,..,

(P. 10- d ,, p, I AVAllAILE FROM All GOOD MUSIC STORES

llose--··Uo,•ris MFI.ODV MAJ.:FR, Juflr 1-4, 1969-Plie H REACH BOYS: "Brirak A.wa1 •· (C.pltol). Rt.1•!-!r f.dWlft \\'fl71,. \NH mu11e.r n,: 1h1r ,,ther da) "< t1.,,, r,z, 80( h }-1,)YI, let''I hftYIP .. "Tl!' of rhosr great f!ld .c,und, \I used 10 makir and ent'Mlah , t this Pct r Green Anita H.11ri A COMFORTABLE sound }'ou·vt- het-n ,i:aving Ill t lati~~~~pt: th• lads mar,.:e I Wrazh t wordt f •r lo. lh . rtturn .,...Ith wrnt fahulnui ha~;•~~~~ally a d ,JJbk A sd! with •• Celet,rallP The Nt~s HIT FOR SCOTT on the nip. hUI me-think!. •· ftreakaway • is th onl' GENO WASHINGTO~ & doin,t 1ht1 sing-a-hn,t now c,r THf RAM JAM BAND: " My balancin,R a ccirn on thf' :-Oh SPENCER'S WASHBOARD SCOTT WALKER: on my nose and renting L.., ,. KJNGS: " PlmUt:0" (Parlo­ Li ctlt Chickadee " (Pye), phon•). A -surpnsin,:1', moLay Lady Lay•• South t.al ions. shows perhaps all is not Henn Macauley c:omposl_tion with (CBS). Shining out of the A Nilsson song and a hit lost at Oeram strength and since.nty. alag heap thia week are t'1'! O. C. SMITH: " frle,'lJ, GR A H AM BONNEY: JOHNNIE TAYLOR; "re.it• Byrds with the Bah Dyla:i Lover, Woman, W1fe .. (CBS). SPOOKY TOOTH: " Son or •• U-ander Angeline " (Colum­ Jfy (I Wonna) •• (Slax). .l 1 MONEY: "Come Laugh­ CHER: " 1 Walk On Gilded seems to be a good week r, r tune that invites the lady 0 Yll!:J that"s ~nes, what Ii ing Home" (Major Minor). Your Father" (Island). A hit bia). Graham has a good voice Jay on his big brass bed woITlan. A 1ight better than has long escaped the a;roup and always make-s mature Splinters" (Allantlc). Cher·s ~oul records (hll!: said covenn~ A Manchester group ver1ion of the Dr John song up a yawn and staring Stran,t, oh of course. tt-:e: ,' Clara Bolley, known lhr•u!_\h• the term " heavy " was productions hke this wann out South Ruishp u :.t making a pleasant job of a created for. and Elton John's nnd pleasant ballad Success 1s excellent - evil and vacantly into the middli! are going to show m.a~1 c song from a Northern rocking distance, removing 1nm~ from tanLern slides under rht: poisoner. stranaler and M:.st sona could help them brll!:ak has eludM him In Bnt:un O. C. sangs about his comedy presented by Reg throueh althouJ?;h he 15 popular on the The band are funky and the finger nails and tv.-1ddltnJ blankll!:ts. Spiffy sound and 1f whole production makes it a Lhumb~) 0 mystery woman in his usual Marsh and Bill Kenwrighl, A good back ~eat and nice Continent 1~m h~oi~·;' o~ adrnlrablt' fashion, and l t-x-Co rC'nation Street star~. organ chord.s ~1vll!: a gospll!:I He will need a song wilh better be! 1hon Marsha Hunt's a·,-. ['.Ot a good beat, tnd ~~td~~~ ~"o,u1~; !llronRt"r appeal than this version, if the tune Is go1ng In they renlly rock. Oh man ho..., anyway, so plague rot every­ wouldn't mind heltm1 hl".11 who have formed a theat­ blues appeal sell a few SPooky havt- :i new album unforlunutely take off here at all lhey rock I RFAl.1.V foci Jlk e bodv rica l m ,1 nagem ent compa ny. CAT STEVENS: " Where Ar~ You •· (Dcr;,m) . And th Ca t comes back - a welcome figurt from lhc.­ nol \oo distant past. with l,T\e o{ hts uwn \hough\.fu\ and attre.cltve compositions. His voice retains its old unusual quahtie, with a

DISQUES FLECHE AND JEUNE MUSIQUE THANK FRANK SINATRA FOR WHAT HE DID WITH \\MY WAY,, CLAUDE FRAN~OIS' \\COMME D'HABITUDE" P•a• 1-&-~nLODY MAK ER, J unfl I•, 1969 MICK FARREN

bt' quJte pleated ,r I heard n1 c."i.!.t. 1h11 nn the r•dJI> whtn I WH (MGM). 1n bed In lhti mo rninR . IL'• 1 hav• t.h1a 1Jt,um. Thi• 11 11 Rit hlr H1v•n1 di,1 na • Bliek l~;fn: :~:;t.h:~J "100:r~~ Boll•. There'• • track on producer, would try u hard tht alhum called " Ba llad or a, SPnme thine sound, much of It has to do nobody walks down. It was along the blocks ~" ry lime about It as the difference with their drummer. Jimmy between Ike and Tina Carl Black. Great record!!l of this street that the vicious riots of a few Turner produced by Phil like this never gel pl ayed on months ago raged, and so far, nobody has Sp"ctor and produced by the radio, only the rubbl.sh 'fHE M!~RA~!,S: ;.i?e: Jk~ Turner, Lhcy are 1n So the Revolution getl held bothered to rebuild the burnt out super­ J llmself Jesus " (from lhe lwo differe nt categories. I'd btck another three years. market; office blocks and houses. Their charred husks stand as ugly memorials to past violence and the few miserable buildings left along the street have " Soul Brother " scrawled on the side of them: Hopeful pleas to the black racists, the slogans mean " Hey man. Leave me alone. I'm one of you." And yel, it is in the heart of Detroit, In the ROBINSON: vice president of Motown very centre of one of America's most violent Herb Alpert sings cities, that the vast JANE ENNIS traces the growth Motown record com­ pany has successfully made Its headquarters. Gordy's brainchild from a tene While other businesses flee to the suburbs or Detroit to a multi-million dollar safer towns, Motown buys a new office bloc!; sound so successful - has the R and B that I ...Uy been dismissed as nonsense Interior walls Inside hla In the middle of the fe!L I didn't rKomt a bit one--sldf'd ln ~ lo ...It ...... _ -- .. part ., • ,...., rennt months. The mystle­ th':"w'l:iilc~ .:: II ~ _., In hie home town ____111111 - ... tllls,,.,,.._. la Juol ANilsson song al part or th• relatlonablp .....I Ille)' ft. Whan IM)' AMS755 r~J but ha -• a.a ~- his 1•11111¥ aad - lhe Id• that It -• i.:"n.. .. _ WClllld ...... 10111oChln1 In Ibo Dlln>ll • Ir banlcruptcy.shop - OIi Illa WI)' lo -...__ "' whld, rn• do tilt Mot- =:.,,1111111 and -• ~ ...__ ...... -: Ha •I'll "I,__. ll- .... ,., ~ .. _ ...... two t";, r:"":"':.:t.... :r: BLIND FAITH : there is so much more they •re 1oini to do BLIND FAITH leAd IH,NI to the shorft of a !aft .... lo - they --1· Blind URES BY BARRIE WENTZELL eneedareftlatlon,ud Following evm the scribes of 1be land noted 11 and ..W It WU Sood. And the - area•t mu.ally too )lot an of a pop revelatiODL to the sh res 'J'hett ... ~ ... teuety albHcal u.:.t * • • - I D •ilpalR° -~- \IJllq- free a.art rem lloy tlMMW~ ... born - i. .__,. e,... Chris Wek:11 reports • Sabrday's ~ A p,ollfic writer ud ThlouaJl his earphones, Park ,. Satunlay. ::.....-e--~-·------.. lyricist (he's • ..., dMCribod Stevie beud the pre­ ---- E.._ tt God ~ • utro­ by Beb Dylan u Atneria'I ,_nled baddnc and wu naut. he mi&ht wdl N" =~-.. -test Uring pool) remlncled of the lyrics by played pltar, becaae il .~ ~'1:... ~ ~Hyde Smekey wrote hls first song producer Don Hunter who !::-to•ot:;t;~•= -'!k ' ... al the age of 11:1:. monnu.red each line to .-F....,.._...._..._ ...... ---­ He recaBed: "' It W&S for ..... l)e Sl)ttlade of tbOUUJHS. ol ::::- • school play and I had the --­..:..:-: ,_..,__ part or Uncle Remus. 1 reached ::ueo:ethe point of having ----- = race·:,~~-:,)' °:'as~'::~ ~ -- - aas • ..... : .'IMID I.- = • can't for the life of me to sing Jt. •T--.. ~- Le. a re­ remember how II went :t=J ::,o,~.';. ---.,_. .,_ ..... They went on tJttleuly ·:m::.: ...... though. have always -di.• ...... - l --• ~-­ until 2.SO a.m.. when Don --­ .i•a....a~•r.at wrltk'o son&S, but \l wasn't cot a tape which almost C.-- tt">- f"•-, until l tnet Ben-y that 1 had satlsfied hlm. And even Slew-~-­ ..... _____ .,... ~.. •ny \uck wUh thetn. When theft he said: •• I'm aot sure ...-----...... we first mit4 1 had a book -- ~- about lt at aU. Stevie needs .. Bet the 'paper• don't write .... ,__, .. ..a of 100 songs which I a new sin,&1e badly, but I _, . .,..._ ::r-.c-;:..--:: proudly sh(,o.r.,ed him. He ·---- .... doo'I know whether thls is ~:;~~U:'~f~ .. Jt ...... liked one of them and .-. Just the one-" WU a• id • t the end of the ...... told me exactly what wu The ,ong, tentatively afternoon ol peac,r, m•k' wrong with the other 99. caUed " Something To Say .. and a:unsll.lne.. The one that he dkl llke - b still under consldentlon. But the Sunday Minor, and " My Mamma Done Told ffftr•.I other ullonaJ news­ A sinister thing happened papers noted bow we.D tlle Me " - was recorded on du.ring my last week in the fUp side of our first c:oncert had aooe and tile EDWIN JOHNNIE Deuolt which pinpointed Daily Mirror la • leadft' sin&}e." the reasons for the souring a.rtlde stated: .,. Tbat are of the Detroit-Motown not many coUDU'ia; wbtte .Jn:~~~yRta::;;;s c:=: affalr, mon than l00,NI YoQD&· •ters coukl ~ tosethtt so are legendary at Motown. I accompanied a Motown STARR TAYLOR He has been offered a peacefully and sin the live show to a Un.lvenlty tn C:llce no ,.., ,..,,,,._ • • . million dollars cash and no show starred end or contracts to leave, Mich.lg.an. The Stevie Wonder, the Spin­ o:.· :r~u!o!~ If My Heart Could but UY5 he has never been ners and BohaMen and and •:mlabJe plllertap or ttabla dnun rap.s dt-oD• pn,y." around outside when I l.n1 bcr:otJeally In 1bt heat stepped out to take a breath of air. Dressed ~":5 w~r! ~':'u:1 :.!:us;J Secret the Gan1es lnslUd of the klen11cally and wearing Serpentine. Another popular n,yth "Afro" cuts. they gathered Edp.r Brouablor.P,ved tu• concerning Motown iUCCess In a rin1 around me. asked mt'lldously po llt kl Ju.at Is that they have some me what J w11 doing and a bit WOl'T)' n1 with hb aecret way of recoNlln& ~ed .. Demou Out,. routJne aDd their ton&s. Smokey denied o':: ::"t o; :; ulH of .. Ycnn"e aot the this. Spinners dlseoYend that he power, wb• t llte you &Olnl He aid: " It ls • com­ had had hl!r otage ,ult pinched by one of this ::.tdoiln!,~ .'c?~~~= bination of hard work and c.-. •o muy people cnaahed to-. As be ...., hom this aether. tal.;:1.ed~~ •-oed to can A. It Uppens lMr• wut two be the ease, for whim I Incident, Motown hu to be c.• Oa tor a doctor, oatt went to w• tch Stevie very careful of becomln& wbH a &hi WM bwt ud Wonder cut a tape tor • Involved In lhe black power when a man eollapsed la new 11n1le, I ...,.Inly movement.. 1be mDltant the but. dJdn't notice anythtn& out ndstl In Detroit are just walllna for the chance to Rl:~:.::~.::W:e:!:= of the onUnary In the 1ultara and conp drum re<0nllng studios which use Motown for their own ends. Motown mana1ement ~Yed would account for the ::,;:!a:Ddt0 ~ Motown oound. Tn,e, they are weD aware of this and "M•&lle°a Fann." take • lot of trouble arf' quick to point out that Then a tbrlD or udtelllfflt recording their rhythm sec­ they are not an all black went throuah the perk wlMa tion and sometimes use company. Donovan made • aurpriH u: From a business polnt or appearance and ulted to m11ny as lhree drummers on 1lft1. In a white Jacket, 1M one record, But olberWlse, vlew, as long as i>en& In with means 1mlted at lM aUe• t maaea everything seemed usual. love Detroit 1 8 It was 11 p.lTL when I sldln& with the black ~li'f.. " and .... Coi:ra.• s:~ Invited them to dnploa&, arrived at the studlos. Tht ~~l~!~al~~o=y w.!l b= back1ng had already been Thu - at lat. after a flMI recorded and Stevie, people recording the hits, "1tretc:h period., al I pm. but when It comes to the on walked Steu £.rk. dress~ ln • green track Glnaitr and Rkk 8nd the­ suit and wlth'lut his ramous buyfn&, Motown ts lntrr· PINK FLOYD ested In the colour of your mus or c:a11Wrame11 bl froat ~un glassr:s, looked very of th• sta•e f\ltl" forwu11. ~lrealllolila"._.•• youn1 sLlndln& alo11e on money, not the colour or 11 c....,.._,._._,_,.... your skin whatevn the ~h the recording floor WN,rlng ThUon7. ,w:C ~ c.1- scwa tumt.o dud earphones. rad1t1 mlJht 11kt to thll\k. St~t on eltttric- piano alld ··- - -~ fa• 1f; Mllt)tn MAh.f-R , Junt- 1-4 , I tij4

special 1

JA7l A.NO POPl/1 ~R muc.ic ov. t n enormClu'i drtil to a llelflJ•n instru• men1 mak r, Adolph Sax its v.. hoc;e mid- nine teenth cen­ Sax rears •u'1 contt•mporarle,,, mu,c;, haH thouaht him riJ)I! for AN INCREASING number the funnl furn when he d t'a ml up w ith thal curious ~~,:;ou~la:fn~t~tlll:~r:r ·:rh':; hybrid t ht ~u.ophon t. a woodwind Instruments In h Ju• I about , , u) lnno,·a1ion th•I, lln••ups. Thm such, all e In la.u. OYt r the pa,, 25 yeau 1 1n has ~en rnastt rmlnded by u11: ~ :x:;~c;~ ~~:ri?ri~!!~s, ::: 1 Blodwyn Pig. ~:r:;sR o"iiin1,c~! ~~• c:i~::::: Audience feature an Ornt'tlt' Colt- man, .\rt' hlt' ampllfltd acoustic Spanl11h lii ht'pp and lht' A\I guitar as part or their lnscrumentation. " I play more • CHARLIE PARKER • ORNETTE COLEMAN • JO HN COLTRANE or leu 10 blt'.nd with th• purt ADVE NT ;!;~stl~ef~~tarGl:m~:lro~~ the groups plays sax, flult and clarinet. Yt-1 the dC"bt t,n't all OM ~ •,· •hh~r. for untll the up a1ainst is t1o lume. " In a ach l" nl uf Juzmen likr Cole­ man Ha wk in,. ~,dne.y Btthf'I SPRUNG :~~:ui~H!,~,j• b~?~:'.::eri~~ and J ohnny HOO &H, tht- full It's dlffic.'u lt to keep your pos,1b1li tlr-1 of lht' U\:Ophonc SAXISTS-ALWAYS into nallon correcl w hen bl.ut­ " Although In some numbers h •J no t bt'e.n ru h,,.d and Its J play the sax more 11kt the ing. Ulf Jara•h r.Or lc.'t ed lO mllltar)' bands. trumpet. I think the u~e of the su, In groups has sprung out When )'OU come 10 think about it, h 's a pretty weird or Ch e !IOU! band Ching. Our NORMAL mu hln t :a ny 14' :t) . As the stuff t, a bit more Jan Conc."be Odord Ok1lonary Of THE INNOVATORS orie nted due to the u o;t of lhe •• On the tenor I uu a Musk puts II: " Its eons lrut'• tenor. tfon prlne1plu are hybrid. brau is its material " variety of sounds. It Is this "Nobody lool.s s urprised ' buG; which pil'kti up the bottom reelster beuer than a combln1nc the t'onlcal lubt of Tht result, t10Wt'.\·er, is ability to produce highly whtn they see us us ing A sax , 11 0 1 though. The real surprise Is Blodwyn 's J <1ck L<1 ncHtcr normal mike. ~=d ob:t ~ ~1:~1:eih"r!~n~~ ~!~lb:e~~ :',.t~h!~h ln~ n1:: ~: !>'r~~=drns~um~~~: ~ BY BOB when they hear me us in g a "The disaduntatte of thls r:;~ i• that it changes my tone to Rute wi red up through • wah­ " If we think • riff would ;======:;i which has1 made1 1suophone wah peda l. such an extenl that I don·t r~·r.e:: s1~~/~i: ~:t!nf9sg!~es DAWBARN be n ice In • certain p lace, recognise my own p laylna. So Tht- fl~t Jazzman to attain " The sax Is amplified then we arrange It so I can 1 try, whenever po!>tlble, to through my own PA system. play tenor and soprano si ­ fa me as a saxophonl.st was cascM!es of notes seemingly use a s traight m ike, or if It's Co leman Hawkln.s, w ho died The clarinet and Rute have 1 multaneously, This sounds like a par elcularly loud part, lurn on May J 9 lasL His rolt as a :~r:;at:: 1~: 1t~!nt.rhf~hu!! special attachment. a pin ch from Ro la nd Kirk bul the 'bug' to half volume a nd pioneer was one of in• early 1960s he became fasci­ " I also play clarinet, bu1 we onJ y use It to fiJJ out. uu a combinallon of both. .. '\ . comparable Importance and, nated by lengthy Improvisa­ this is an experiment, really, "Anywa y, the first person I " Most numb~ra we p fay virtually sin gl<> -handed, he tions often based on only two at the momenl. saw playing two ins trumen ts ha ve t::ICtt:: ndNI !'fO IOS. and prov t'.d that the saxophone toaclher was Charlie Carroll ' ., . . or three notes. " We seem co be gelling a vo lume Is • problem here ...... : ...... ,. .. . ~,.. "'as the id eal Jan solo Yoke He became the grealest jazz folky sound, In a way. I often at the Blackpool Tower cfrcu.s a nd not just a rather cumber­ lnfluencl' since Parker and use the nx in unison with the when J was • kid." :!:!"Uif,u1i,;~:;:;-:•• :.1a~ =· .·.• •.. ,~\~ .· ·~ some cousin or the clarinet, lnsplrt-d , throu1h his eSH)'S slngtr' o; volee, which liYts an "Jac-k says one or the main ro d) namtcs ... useful for 5pec.'l al eff ects or to Into free lmprovluUon, many unusu•I ha nnonlc tfftc-l. ·• dlfflcultlea a su: playrr C'Offl- TIJNY WILSON add body to tht dance bands . ,' .....1-< 'li;_~·~.,.'/f . ·./ . of the en ~h! ~e h~ 11J:~mdtl'vt~oc:e:;~~~ Kins Crtm,on Is another ,------­ group which featurits clarinet. Ht brought to the tt' nor u11: 1 fl Is played by Ian McDonald, i~~; ;:-a: ..• . ~-,. _,,. :. ;. _.. a new full-blooded, warm tone ~ ~v•~~u\tl~j 1~zz hj; t ~~s~~ who abo pl:ays u:c, flute and ...... ··-·•·· :_)..:.;,A,.;. .. , ...... and a rh ythmie nexlblllty that ru ll y belongs In this catego­ Melotron. Says Ia n "The use mad e him lh e a ll -pervading ry, rather running parallel to of the sax In the band enables '.1·.~~- ..• lnnuent'e on his in!Hru ment ii. us to achieve • greater range . • . · ✓ - throughout the 1930s. Of equal lmportanc~ were of colour and dimensions, • • • /<"'4> 1·1'.'t, - .,', the record ings made between providing another voice, .• ,· :. J:t· ~('°" .·- '.·. / 1960 and I 962 by an alto anolhu lead Instrument. The VITAL p layer, Ornt lte Colt man, 1ullar, whil'h all too ohtn ls When /.'.•t ;'.• f ' ,•.,.·.':,:: which d id not employ the the dominant lead Ins trume nt, traditional concept of Jazz . . I~ balanced by thr- use of o. « .. . .• ·... :- ,. Th t other yfl:1 1 1enor lmprovh.atlon based on chord reed fn o; trumenl. r '\.' , Influence of che period was changes and did not seem to mus1c1ans .I, IIfJ . . ·. -'-~- Les ter Yo una wh ou dr)·, use a regular beat. The music sardonic tone :a nd sparse was emotional and free - , n. ,._- phrulne w a,; the a n1 1thesls or and caus ed tht greatest t'On• UNISON demand Hawki ns and was 10 exert t.roversles In Jazz s ince the enonnous tasclnaUon on the early days of Parker. 1 " We u.se the sax and guita r younRet musicians Involved In His importa nce has bet n perfection .•. tht Bop revolution. Young together In unison and hanno,. was 1hr, musical fatht'.r of ;:':::sl~~sl~fa~:e :h:be~a:! ny. This s trengthens lead lines These 1up..-t~11v• l,,l.1INna el.iWt11Uo •"' '°' Stan Getz and virtually all the mu11c,,1n1who.,,1,t,•hlldon/y.....,1h.lt9tlttC'I 11t adopted his :approach. r~~~ePl~i:d :~:c~lu':f• A.JI m11,um ... ,, •mbody IHlnd •IOfV-.c;I Oltk.i ~ ... new tenor players In the late ~:~ i! completr- sax or brass section. k~ 1Cayp,!ta.,.,,1e,,..,ad•flfl.1f'tt,.on,,J 101t,1 WHAT IS TONAL FOCUS? 1940s and early 1950s. log .nwru,g pe,ftct IIIQOl'IW'II Mid 1>-caUfd •• "'"ti or •oun4," •""PJn,1111 "'°'"' NEXT? MFIOnY MAKFR Junp 1•. 1. 9-Pa,:r!- 17

special 2

Afll:R FIHV VE.AR~ In u,, hand• of )au mu lLeeds, 25s. and H , each 25s h f' played lik e- Pa rker. Whne For Saxes Only. D av id Gornslon elt:t' wu thf'n to s t..rt? Just e e to put thin&s •tral&,ht. somr of Music parts and LP. Me thod for ( 1) Saxo 1,1s sc.JII rt'fflrrnbf'r wlit'n Mde.s Music Minus One phone (2) Clarinet ;-;.:: !,CO:~t r':;~d:: ~~~Or~!! 8 /1,11'!'.'' Undu Oli ver Nelson's H is solos bursl from the 4006. School of Con ­ Ashley Fie lds. 9s 6 d rer " less potent. name, it ft'atured Dolph)' In a group, full or unlikely inter• tem porary Arranging Sudden ~lslon,; are the leut (First) 10s 6d (In. conventional nxte.l, probably \' lb and sharp c:Omt'U which Techniques, £3 1Os . termed,ate) I Is 6d c:ommunic&b\• (:and \'!Ht aimed ti> catch the ~ -::i~~d . ~~r••~~~st a~t s~b~ Lookln& back at my own duth and stran&er musics have phdne. a luxury for some time unavail- stance or It all had bel'n e.xperlence I can suggest him boen offered, the shock should ~n today, ....hen things hc.pp.n able in this country which, together with overlooked. A great pity. as a possible link between the havr lessened. His value will ~u,te naturally in every dty old and the new. Find Dolphy nner diminish while we nffd ,n the world that must make the Trumpets and Trombones, makes and you may find the key. cou~a•ous music to deflower the Victorians wriggle in another full select,on Apart from the two Candid the nnses. their groves, Paris still Also in the accessories, for the younger METHOD offers that spec;iol soxy aspmng Woodwind player, we have a something all her own. full stock of Recorders and Tutors The bds clarinet became part or this method, an For freedom of extension of his allo and expression and sheer another range or sound. His brilliance In solos would rise from tht achievement, ~~j~/!,1ls!:~ l~~~l~nu::1:: !~ fhl:re's still nothing a shriek, briefly 1rruplnJ what quite to equal wu not readlly available and Paris Sox, the moving on for more. flrsl choice Saxophonists•• The aearch was aggressive and continuous. No achleve­ of top men1 was ever enough for perfonnen share my him. He was like a painter •,,..rywhere who completes a masterpiece. only to continue painting over reed the floor and walls unlll he falls bade u:hauslt'd. Flute Is an Instrument experience! whlt'h can re,duce ldentlt)' to ~me ntent., because or the wa) In which It Is blown, and this b where the essence of Dolphy WU diluted. Even so, the familiar phrasln&, a1aln an eximslon or the aho, came for full detoil, of th11 ond through without the fle,ilble pUch and tone whlC'h he. other Poris soay deh;hll, , p' '"· L '\It<> JU'l(.o ph• "'" Ht achieved on lhe other instru­ menll, post o" the coupon below. C 1nl, Inc ,k 1gn M'ld lhc Taken in contf'•t with other 1raclls, his flute recardtngs ar• a, If he h.•d slowff down to ;-..;;07.::d "'• Uteratvr. on rhe s.,..., Saa.----- I ch•C'k his btarln&•- Dnp11e thl1, re.w other naullsts ha\re I Nome : mad• .uch aood Jan senk. I Add,.., l A challen&• whlC'h M ar cc-pl.-d n·•dlly was that of the I I una<:rompanll'd solo, a pro stM"rt moa.l olhrn ftnd unfn\Olt bt& •lther from dt,Jnternl, ! Jn.:-._ ffoae- Worrl• feu of Nin,: alon•. or tar• or SPOl',IS()Pf (1 PR00UL T'.;, unaalutlnn sh=-phl11d ci!'i!n~••c. ~:~ L--~~-:::::_:--·-·----~ 3 sense Sound h e u e a nd could he from tht: encl of the rrn.1 to J ~ it possible lo lea rn lo recommend a good pic.k-up play U,e ,;axophon<' thP mark mu!'il ht• idt-ntlcal Jor my Roger~ plNtrum SCOTLAND 1 from books? Wha1 kind of to thf' diamf"lt•r or thf' e nd acou~tlc JUitar? - J J {Ir tht> tunmJ( !1il1de c-Mk Jf t=E=A=S=T=A=NC=L=IA~I SOUTHERN ENGLAND ln"i lrum~n l I~ be-.1 for th~ Webb. TJpl •ho,,n so much You NOT hclJl matters what­ P,1111 e•ch11ng, H P soever .-. nd can only result hghl -g&• IJ.!f> !litnngs for s ,lid F,r II mu 11 1· 1t1 .imt11 OBOES can picJt up a gu itar and guitars .1 nd G ah on Sono­ al"ld ll- - ,. (Ir, Fnr lutth•1 d•1•1I• w,,u, phon• m rurther ag(.traval1on of S 11 ,dtn\ .-l 1r,n11 ou1t,1 SAXOPHONES or ull get 1t :-ound out of ii right malic !1J r plectru rn guitar 86 Norlhdown Ro.d I u n i ., g d1sc repanc,e, h om iJ jjl'II away. Bu t w ilh a saxo• The bes.t pick-up for your 5 1t1d" "I fh11t ou 11 ,1, W• u riy • '30od ,101:1< (• g Chlto n 111 U•. M1rg•t• phone, you·ve got to k no" between variou$ ind1,·idual !to m 33 g 11s 20 Lfi tl•1,n• 1•) o l •It w ood ­ T1I Th,n, t 13205 notes on the in ~t r ument r equ1 rement!ii v.ou ld 1'~ a w u, d • nd Cln QIVI sl)tlc-,•hs.d how to se1 your reeds a n cJ De Armo nd OAVt IAAGA IN OF THE WEEK l dv,ce ,nd rs p,,r ,.,vu:1 crook, ulow properl y (other­ The nut l· 1s, t hC' refore, Kohl,r1 1/to oullll ,o,t either hl•1lt al a low er pitch GOLDBFRG. C,43 10 5 wise it could injure your Our prlet new C85 0 0 health). place the sux in tha n sta nda rd, or otherwise. h\d•v•d u1 t l u 11'uf\ 1v111tbl1 KEN STEVENS GEORGE POTTER you r r1outh correctl y and you a re play mg it nat by ""H~~~S iregulri:: :~: 8eg or1r1flrt Ad v1nt1d 10 Guildhall St. & CO LTD 1 rncorred pos1tIon1ng or the m inently rt-a tured on Peter 6 Cowper St. 26/28 Grosvenor Road ~h~~t~pl s;:ndr~t~t fi:s7~~~ head Joint m relation to Sarstedt '!i !.Ing le, ·• Fronn (o~Jtrt~e~i:P:3~d) Cambridge Aldershot, Hants les5ons showing these your embouchu,e. - Free­ O range Juice ·• a nd .. Ar.1- Tel. 53159 Tel. 23226 necessities to my pupils and Janee saxls l, tcache,- and lusa Loser "? - Marily r1 Te l Northampton 36832 Stockis1s of Selmer watching them r:tlher tha n dealer !!ILL LEWINGTON Rhodes, Perth. B & H , Buffet, Audall li stening. When buying an PLAY tenor~sax and It JS the Rotcillound slell ~======~.______J Cane instrument, go to a rcpu- ] would like to Jea rn gu1la1, playt'd hv P~ t .. GEOFF GOUGH tahle dealer, preferably all the chord combina tio ns W illsher. .salf'!m110 and . I NORTHERN ENGLAND I with your teacher or a nd mnk e the besl use of demonstrator a1 th MUSIC another qualified musician !hem In Jazz Jmprovl!sation. Rotosounct sho\HOOm m LONDON Don't 1,uy a c.heap !Ciaxo ­ 6 Gloucester Street SOUTH WEST ENGLAND London's Ot>r,mA rk et phone, hecausc you nc<:d all - T~a~ik~a(h;t~e:r'~~o~. of srr Leamington Spa the h.elp yoa gel out chords in Jazz improvi!-a• WHICH J?uHar ,tring BERNARD DEAN LTD. can or 11 3 Mu11c. C111h• the instrument when you n,. W arwick s Tel 27445 t1on , It Is essential to tram u!'.ed ~~~d .\1a:,r;:.; ~~rf'~ ~1 " ' " .. , ...... s, .... are learning. It should be a 5car bcHougtl hi 257) For expert advice on ,,II BLANKS BILL HARDING ru11 artists model, rangin~ ~~~;on~a;haltofits h.aea:-Oe1c!:l: lhl J ethro Tull'.' - p f • 11 ou w OOJl 'flo1nt:I The Clarmet Specraltst · from top F to bottom B-ffat, and also lo be able lo bu!-k Collard, WhitJe> Bay •qu •• en1, Woodwind ma tters. come 1 [ Music Centre and it musl be low pitch, or melodies. To learn even My I u tar ,s; G b n 1 &oo;,•r 1. ~1••~ .. and see Geoff Gough MUSIC STORES 1t could p rove useless to chord ind It!! invf'rs,orrS Paul c;~c -..I 281 H19h Road 1 Fore Street you LOOk at the pearl~ takes a Jong I me, so H a b u ht n b Newquay, Cornwall (finger stops), to see if cu1df' fo s larl off with, th d,t I London, N W .6 they're badly worn. W hen a m111n •sent1J ls to know h n ' Tel. 2485 player's h_ands perspire ;i Tel MAI 1260 nre the has1c 1ri-cho rds in Aa~~~~c.ab 1 ,ilso ha~ n lot, acid in the body can for the finest selec11on of ~1 ~~te~~r\fir~l~~ Fc>nder Stra\oc.1c.\N v.h1( h causP e: ros1on, especially ~~~t ~~1 if; Clarrnet outfrts-24 gns 10strumen1s. lhe fin est ad­ for one ot the Midland's around the thumb support . learn .t5 ll !o> Ou nds, a s ba ic ~1~~:•h \l~ \\ ~~;,nt:~n :,.! re- hnes1 selection of Wood vice and the fin est after So ll1ok for sca rs and other Alt Woodwinds s10cked ~~dc~;~~s na~tee~h.~/\'h!• !~~~~ f ender Hn<. k Rull , w th , wmd mstruments Jnrf sales service signs or wear. Tt is best to ·n ancJ the- chllrd constrUl: .1 . All1ey l1J,.h l f accessories 10~ deposit terms havi: drawn tone holes , 11n d tull rurnc-r ,u is l·uill up by adding 6. banJo rm~ for tht> ll•,1 I: Educational Consult 8111 Harding when )' OU can e fford it, get tum ~ metal rmgs on the pads then 7, 9, 11 , 13 intervals nf J'\'e e:icper m nl ,J N KITCHENS -FOR7 H P and pen exchange tht- scale Also you need to v.nh c' ffpre, nr 1mpl Ii rs M~ke ~. ure the dealer sup· 3 .. WOODWIND I Repairs * After sale plies you with a KOOd kmm how to altf' r the bas ic ~u/ ";.r~;i, Jl~iu"\!m';~t w .. ,, •..., service moulhpwce, ,~eds, slmg SAXOPHONES , 182 Stratford Road a nd case for tht' purchase ~~~~~:,c,~ot;r;y~~d:d ba~;~ w hich is kno,, n Hi" ll ., Mmo, flal third note of ar,d ma,,e ti ) 5ma ll ~ ..., ,. r. ,. Shirl ey_ Sohhull ~H'E' M~'.s1c_ pnct.: . If not, refuse to bu\· ~ c., Warwicks FREEDMANS MUSICAL ~-T·~~l-~1 - Saxist-leader JOHNNil . - I All ~VI I •I , 1)\f.i1•,••" ~r, ,;I major '-lale (second note o f ::;,t,~~\~~en!le~~~on;1c~;1 \\t'~~ CL A RINETS, Tel. Shirley 5583 ,cce11one 1 GRAY. 0 tecRe,,,i.,,-.1 •. leb """ S-• r.W- INSTRUMENTS LTD. w,,r, phone or call !~~;_~ .'1djt nJ~j 0;l~ir;;:d~ter(i) Jt con. 9u1r1n1Hd the centre of the blowing ~aclt (fourth 11Nt. of chord} w h~re tht' I 11 <· hu ll s ..,, -·- 3 IHOME COUNTIE~ h I li l(,fchH LI ii. )7.)1 Q.,MII \!-• I hole when the rod Is placed l\"ott-_s belween chrirds a r~ ,, hK V. f' pl y'1..I u11t~d fu r Slt ..l l- · I h ' 2'22' I S 11:llk.M• ~:ft•!!ct/o•:Q•~rt H ~ ~•~:quh~~:~: WALES in the head joint rr a flut e passing notes nnd you pass plenty or aoulltl Ltol · ,, ...... , '1.M• tM-••11-,,... ln!oHUmtnh pu•thued 101 tllh T.f 2UOO Alfr•• ,-, • .,, UII , 26 N.rence 1!> Woodv orxan. u,lng lhe PR-1 0 t une- makes of I I •t1d H1wkes Ros, Mo m J ott - 8 . G., Leeds. Herman Sa"l(Ophone OigeSt cabinet as an a mpllhl'r 1 _ The correct position of (<";hnpp t• II, 5s) . This wi\1 T Walker, Blackbur n. - BAND BOX BOOSEY & HAWKES W r,1•, phon• o• ttll 3 Plfk Stlffl. u,n,lh Ttl 3072 the tunmg shde cork is the give you all the other You rl'•q u1re 1h ribbon !Wolverhampton) LTD. BEESON POPS MUSIC CENTRE same distance from the mformat mn vou need a nd type; of n10,·1nc , -c ul m i ru 2JI SNOW Hill SE LMER For ,u Mu,,c,t ln•ullmt"i. centre of the hlowm~ hole sum~ t''.\cellent exercises phon e connec.ted d rcc: t!y WOLVERHAMPTON •ncl Atceuon•, rrumtnl )'~•o 11• !,r ("op)' rl1ht C~dl • Bria ... Cl.~rinets Fl utes Tel 01 -570 1611 ] o~, 01( I ..... 1 ~•~n 1ft1'!:'- London. ~ I --- I ~l:Y~h~ f:= •II -= 127 Far Go1ford Street TRAIES CRYMBLES Tel 23414 CROYDON FOR All MUSICAL I IN S TflUMfNTS A ACCESSOAII:~ OF • I.a-.,._ and C.,P1,r nu1 :~:=-t!t,:r~ 90 Barkers Butu une MUSIC STUDIOS Pell tH'""lil• •IIO•lnl, L Tel 28200 lloi 278 Ponobello ftoad BELFAST bN-UN. but• WI III a - 40 Station Road COVENTRY LONDON, W,10 Stodt11t1 of 111 ~ - '---- WEST CROYDON Tel 01 -989 15822 leading mak11 o l :'Ti:!_ ,.,, wlllell.:.::- -~....: - !,p,f•tl•1h Woodwind Woodwind ln1t.rument1 CHARLES MOORE T el 01 -888 0628 lnt1•ulfl,nt1 M••11'" eeenll ... 6- SON SflMf,. * CONN IAXOl'HONII :i=.~.- Canon BUfSCHU 11c CLAIIINlfl O,OU ...... 111 Bl•bv l'lod For Bu isson lnd,-,,d u•I ,.,,d Grou p lu11o111n 0 11 1!4opalr8--~ 1.out'1 W1gtton. l•lc:t•"• Melerne. Ra mpone Buffet s,.o,hon• Cl,r,11•1 •nd ,,, Wlgtl0'1 105 l t uffl!Nl IIWT ..... S,:lmer Clarmets Oboes ••• Mar1 lo •dv•nctd ~ ,,11 I I $9 111t,r Sexophon,, Par lvtt"Sf d,iat11 ••80 t •,' 4, H f ;,lH Flu tes Caftf> t. 1., • .,,,.., WriM. J."Dtle., e.U Mf.L(JOY MAK~R, .lun~ 14, 1969--Pa,:r 19

special 4 How to build up a good tone

THI::. FIRST things I t vu aet 0 1 :~~e~s~u~n•dem~ :tvrc:Ch~ a t> I , omelhlng fal rly ner•ti•· By John Surman A medium mouthpiece and • rttd ~, mtdlum SlTt-n g t h. Evet')'Onf' txperlmt nls with II will takt about thrtt or t~e'" :f~t: ~!e~h_e·~,·:1~!:t1t! mouthpiece., and reeds. I have lour yean' p1a) lng bt"fore matter of trial and error, bttn trying out a MW type of anyone wot .k now whHhtr he ru lly, before )'OU fi nd out the plastic reed ma,de In Germany. '4anu to <" hange to something Ideal combinati on of mouth• I don' t think It Is )l et dlffutnl. Whether ht rt"qulre,; pie-ct a nd reed to achieve the available here. But the reeds a more open lay or sm1tllu sound you have In your mind. and mouthph-ces you can lay for the mouthple<"t", or a The- sound you want 10 already get In Britain are all "Yt-r}' h ard or soh reNI excellent. Matching makes of a good, tull tone - the first the size of the openings of the produ«: - whether you wanl essential - you can'I go tone holes. Again, there's nol to pla)' loud!)' or sofll)' - 11 ll 11 150 depends uoon whal l:S~im;:~an7 ! ~/~~~ebe:r11:~: wrong In pracelslng long much work a vailable on SAX AND WOODWIND kind nr sound lht" playu and the type of work you no1es. This Is a very good soprano. Why did I take It up? want to produce. And this I.! wa.n t to do are all go,·em lng sax than on the clarinet. I'm not particularly basis for building up a 1 ood I jus t happen to like the detennlnNI to some extent by ractOt.!. tone. Su.5 ta ln the notes until Instrument. BARGAINS FROM qualified to talk about the you can pla)' them wllh no clarinet, but I do undt't.!tand o r course, it'.! Important to vibra to. ftnd a &ood teacher. It doesn ' t it ls very difficu lt lo get the Dots a pu1on's physique Maurice M. Porter proper tone on clarinet If you necessarlly follow that the are uidn1 lht wron1 mouth• ~~:;Jnali~!ria~l~~t'j~~, I :pp~! best players are the best piece. teachers. Deis t w ay to find • BARRATTS So many people come up to ~f t~hc;1rbe;t J> :Jau~!;sB~t 11:ood tea.cher ls to 11:0 on THE k~~; someone's recommendation. me and ask me what type of don'I re-all)' Jook after thcmi• Reconditioned Mk, YI Low A Baritone £250 barltone mouthpiece I use, Sl!l'YCS, for ln1t• nCII!, Coltman EMBOUCHURE and 1 Ju1t ltll them I hnt Hawkins hardl1• every both• Mk. one made In this counll')' Reconditioned YI Tenor £125 ever inter• tred about eating. But I TAUGHT With the inaeasing wouldn't r~onunend anyone Reconditioned Conn Artist Tenor £180 est being shown in wind instn,,. to follow this pattern of behaviour! Ideally, you should pracllse New Martin Alto ... £150 ment ploying "The !mbou­ MODEL u much as possible. Bui If diure'' with its fascinating and And anywa)I, now that the you do only ten minutes a New Mortin Tenor £185 H•wk and Coltrane hav~ day, make sure that those ten instructive readilg, is a unique As for lhe actual model or gone, I.he tenor I• In for a bad New Leblanc Bb Clarinet £75 nxophone you iiet, this aaaln minutes are spent In hard book that should be in the spell concentration on what you Pair Buffet Clarinets (Bb ond A) £136 depends on the type or work And If you are determined collt

LAWTON METAL WHY i, ff IS ...... GORDON BEESON MOUTHPIECES Reeds on record MAGI YARDLEYS n SAXOPHONE PAOS ALTO, TENOR, WOODWIND SPECIAUSTS • TOP TENORS C,te9al 2074) ARE THE BEST BARITONE !c J~~J)~A~S~~v~ll~i:,r:.;':~:.~: An lnnu.nUal tenor styl• of the All mokH Clarinets, Oboes, Flutes, etc Ph1r•d ond • ndoo.-cl II)' l•od,ng Ive Stan Cicll tenor lmprovlu­ Thll"IIIS and Fortiu ,~ u:hiblted LARGEST STOCKS IN THE MIDLANDS They la 1t longl'!r 8 r1 111 h ond Am•tic: 011 r• •d plcir•rt llon1 from lhl p1rlod, 1949 and by • ud FrHman and Eddi• 1'SJ which allow ror lntereJtlng MIiier {also a touch of Miller's All•£12.120 rc,-Cl400 eon. -•'• or pho1- They ore 100% wolerproof cornparl,on1 fin• clarlnct) on the11 r•lnu11 lorlt•l'I• £16.16,0 CHAILIS HIWm, ..0 yeon' •~per,.,,ce 1n Woodwind They ore 100% oirproof • OSCAR PETERSON WITH 0 1 will attend to you peno"Olly The pali!n ted conca ved THE JAZZ GIANTS - SONNY f (~~:.R~~~ ';:."s~:"'.n: t ioJ:_ STITT COLEMAN HAWKINS, IOJS and I05:Z)· Thell six Overhaul,. an·the-spot Repain o'ld Ad1u1tmenh. ndel ,,Iver /one p la tes g ive • EN WE• STIR (VSPll/32): The •!bum, offer ru11ark•bl• valu• IOOHT & HAWKES MAIN DIALlll produch· of two.and••h•K ffne 11 MIDLAND 1h01 fuller rte: her .aund • 1hc;v•:~:.F:~t;: Ll"s n111111d 111 one or MCM', ~~,:::'J r:::.. 17-ff SNOW MIU U6 7441 b&rgaln-prlce vs,- doubl•-barrel Oiro111h I• '51 Dlny, MIi••· J From all good dealers 11:ts £•p•clan1 muterlul Slit! J., Wardell Gra, aftd others and Wcblltl" to"trlbule too BIRMINGHAM • OUTWAltO • OUND {Trllnt· • THE ATLANTIC Y• ARS, VOL aua"Uc PltlJU): A r,111,1111 or l (Allan tic SUlH). This n• a" Eric OolphJ album, wllll JACK DAWKES tHllct f1aturH John Col F"ddl1 Hubbud. Jakl • Jud. ,,.ar,e's tenor 1n the companJ C••l"ft Tutk1r aftd ••r Ha'""· SAXISTS I INSTRUMENT REPAIRS or MIii Jack10n, Hantl Jones, which f,nt appear•d her, In 'll and OVERHAULS to Paul Chamb11'1 and Conn11 DolphJ play.. alto. bau clarln•t BUY OR ., and 111111 UKCN'HOIC..I _,.. WOOOWIND . IINt.TSUMlHU 91'•-__...... __.._,,._ • &Hl• Y MULLIGAN NAETI JOHNNY DODDS (ICA 9'1Clllr SELL J'AUL DESMOND, JOHNNY I Dl'WJ): ThMe IMIPIS&.etl 111 ,...,.. ... Naw Ortu11, dad..., c ...d ft HODCIS (YSPJJ/)4), Sl11dantl ...... ,- .... fta Ulla• ltsletl ta DNca .. -'"" ~ of tt11 baritone ca" 111Je, -•ll•r _...,....., ...... ,_. - lhHe late Twlfltl.. lf'acls UCOMDH,t,frtO ~ ..::r::·.!::' .~:: ~-:.~~==j TN IN,LATIID - ~,.._ U 1JC Ol'HOHU1 WOOOWIND DMmo,ul and J1hn11, HN911. A • • l1t1011 In r91aut1eJ1. l • ntlc 1111.U)i ....., tnR • 11•,...... tllt • IHI lhNp • ,._ ll•Rlllawlll • PIH FOi ALL (CH INIM --- 'DUI): Artie It.aw, e..e ef .. :.''":f"::.i::. -:::,.-: ::::C~Mia,:',:C -==rt:i: ...... lllt"="S_~ :& ~--d .,.,...... ,,._ S"&i: ..-™,.; 1 \H I IIIJ) \1A.KIN Jun I • l'lf.'f Selling the people Pete's problem of Battered Ornaments

,\ M \N ol man~ word, l'i f8 Pelt Brown, leadl'r and m:1nllcpie<'e of tht• Bat t<"red Ornament-. . .., 1\s 11 pot>I , ht- wH doH: I) REVIEWERS : BOB DAWBARN, BOB HOUSTON, JACK HUTTON, MAX ~~ h\\nlvtd "4·ilh pot'ln ;1 nd jut "Some "ears airo, h.11 r.ad•h11 \lt rl ilnJI: • t the f dln• burgh Festiva l ~md been puh• 11,hNt In hi, own rlJhl, and laltr cnllabor• ttd with J ack Herdsmen 1n the Forties • Big Bruce a nd Erir Clapton on \U t.h numhl'u as " Whilt­ Room •· and " Sunshine Of Y our Love." l'io w he has hls o~n band Buddy • A salute to Edmond thing goin g with the 8 11 HerNI Ornaments and their fi rst a l- 0 THE HERDSMEN ," h-alu.Au1 T t..• tdl :»t,~• te;am func111ins admirably Sidt One. equally vivid for 11: resshe hbd. Harvrst It dlt'." responsiblt• for ,.nme or thf' f,...- ., Th411 Way !d i , "We didn'I kno"' which Of 1he Ballered Om•• Hall. 15 lhe more inll:'restinsc ments he says: " There are snn~s. We did chi.a mammoth Nt dhw I P•!-Hg f<" / fnr snme lnc141ve and im11R 1• label It was comin,t out on," ,on,r:,. uc:i nA pe.oplr lots ~f weird thln1u aboul sN or Cr n '1nd- lcf, I Wok• ~IUIVf' 1:,U ll ilr play ing, 1,nln a nd Sl l'S Pete, who re111mble11 • from Jon H l§eman'\ band lJr O,u:y le I Sk,ppy Jnr rather hip Tobv J uJI: and con• lhe arou p, People think I 1 (\ a•~ ~~nrl( h~;,il I~~• l•~~,r{ i~~~ ,1anlly seems 10 be burl ed s tarted It as a ta:c dodR• 1;1:~~·r:al' r~:~ le-I T~ M,1ri I Lovt" (,1J and a lc.t of others think It's ~;i,. :~l~h l unu~ua ll)·, on an acnuin,, ln!.idt' one of thn111e bulky like,. th em T hev'rr th• mn,;1 " Corne EltvtO (,1) to make money, but l can R ..-, Lull•by lb), I Gor 1n,;trumf'nl. AfRhAn coats w ay-out pop th1ng1 evt'f ·• His playmR a lon~. on •· They' re tarlv effort\ and make more money u a poet Rh)tl',m lb) fMeu:ury I" .. " Jammin' " and " Prn­ thei; are a bit primitive," hr dolnR one-n l1t hlen on m, Pete ha, a nt-"4 bnok ol poetry d ut' OUI LI' I ' [.nl frt n -1 t io".-I SMWL11038 ) foundly ·• in parllcu13 r, would SB}'S of the trat'k'S On the own. ,oon t•I Re d Norvo All ht- wnrth 1hc price of tho album. "When I first hurd •• The first six monthi , w e Ro i ~ Kafka, .. but l'rn t r.> ln1,,. Stu Sutt" t ,' Norvo lv,be--.) album ,,, ~tnn,tmen; and 11 1s them I had the horror~. but weren"t maklnR much. W e to kive il up " A.1, on S .1 ch1 fc 1 / Teddy worth nntin,:. lh t> mfluen< e- of after a few listens H strlku ROt a str• nRt reaction be· Sa) , Pf' te: " Thert' ar ci • W 1l1on fpnoJ . Remo Pal­ Teddy Bunn f> n his phrai. 1na me u beina quill' t-nteruln• cause we found tha t there 101 of m )· poem a bout. M) m,eri ritrl Sf,1m Stew.ai,t here Ing. wer e: n 't many Rroup.s oround publls her w a n b 10 print Truth w tell, the eelei,te 11 "It's fun ny and s•rlou". that improvise. M ost groul)l them. I don' t mind. but I ,h~ "i Edd,e Oe!II !drq have arun~ements fo llow ed 11., .... ~.utit !~i1n~m";;ne~~m~~:'nt[hht"- II aeema 10 have • nnse or could n <' vN a o back to th 1:­ humour runnlnSt all 1he way by solos. h nrd a.rind ol readln.M aaaln. ft,) Red Norvo All impre11s iun of a Bolinesr gong lhr0URh It, It's about 50 " W e play • II the time. I' m too !at Into music no"-, .. St.- r St'pte t , Norvo lv,L, \. ) hand erossed w1lh a Jan minutes Ion)(.. 'IO il''S RD0d there aren't many solos - Pet~ Is 111110 ~orkin,: on his J~ Thom.ts f t p ! ) Vic qua n et In '41 11 may have valu e. a nd a lo t of people were O,clt. c n,on i tmbJ H.aink heen a daring experiment, bul " Therr are a few ml•· worried by that - but they ~~::ios;~~hy~s ~ ~:~:. ~j today w e would prefer to taku," he admits. "The realised we- were entertain• O 'Am,co ,'111 Wilson hear, sa,, Hall, Chnstian and taptd con,,tri;atlnn"L It'll Pf"IO Stow.trt lh-ls\ J voi ce Is II bit off but the ina and we' re serlou, about take Jenn, and \\UI be- •1 Crosby ·• s a trio. or maybe boys play well . I've leaml'd what we are allhnujt:h Spus do1nR, much :tbowl oth~r rrorl• •• Powell I dtu with a good drummer making • lot from them. Evtf}'Ont we m.a)· ae1 on staae and ,, ' ~ 4 up a quartet. - MAX JONE}\. mr." plD)' fanlutlcallt on It. il'I lau,i:h and Joke and m.akeo Sar ,.,., now, &lw .a., t l Chubby l.ac.lno"' vt-r), loo&e: and thr~•• a lot insanr cnmm~nl,. ,n-.d araa..aca .,. ,_.,_ Orch. luli.,on I l improvlsatfon. " fhf' eon11 we do arl' or main cont"t'l'II ..,,.,. Howo,d McChec It(.,' "The gro11p J, rlndln,t IU quhe M>phl.\.tlcated and nol •n 8,11 H.uri) Flip worklnv nn another a\b11m 11rr,h) , market In colleRe\ and the obviously comml'rclal. They and Pete think• there ma}' P)11l/1p1 I 1,,r I R.ailph Burns progreo;slve clubs and " w e are really an exten~ton of h e a .,\n1,I I!' " In th e ah .•• hne one or two IIUle pop what I was d olnll, In my lpnoJ Bdly B.tucr rgr, RED NORVO: modelled on the Goodman combos Of th aec.ond LP, P h: D.ai•l' Tough ldr!>) 10 I 45 futlnls .and there •f'f sllr­ pOelry. " Prople want label you s1att'<.: .. fl hat a rnuch , di Bill H.aini1, Sep- rln1u from abroad and lh~ to tele\•lslon ·• dHperatrlt bul the\· tan't strontt•r aroup ,~,. The ftnl tmi • lbo\.$1 S 2 >1 1 - tbl - Red lot tet H.airr11 I I Pete the t1m 1..: l¼'le Candoll was They have J111t done • TV label Ml. NO\I' "'e Juli H)' LP so11nds llkr a or Cando/, ( tpt) Phillips \l'ry much a Diuy G1lle<1p11: Nor'f'o lv•twsl Teddy Wlbon ,woplt' dlaaln& each other (pno) Corl Krn1 totrl stiow. Free- For All, which we an a rock aroup.'" fmr) B11rns (pno) . B.1uer man and both he .&.nd Ka, Johnny Will/om, I boll) BUDDY RICH ORCHESTRA gou out on Jul)· II, "lt'1 Despite all lbe actlvit}' and It', happenlna. We &fffl• 111:l r l J,1c;luon l ba!.-s) Winding ~ und rather 1m­ 25 I •• A l! New Yor k C,ty. •• Rlchcrotl •· lnd•o no, R1th not a pop proJramme, but with the aroup. Pete has 10 koow whal \\-1!: want "°"'• m11l ure wh('n c,1mp.1T?d wilh crol1, 5wrct, T ooth (101 and it ju9I remains to con­ Alvin Burroughs 1dr• I Ho nch Ht'rt? Comes Chorl• an arts proscrammc - su~ plent)' going for him out­ their later offerings 0 posedly," he sa)'s, "We lend side. Currenll} he Is wrlllng vince the population of Ena• : l -1:;i BLU~ic:~le;:is~~! ~er1;;a~; Yordbtrd Sud e, Cherokl!'l' , I Th<. two who renll >· s um up Won! A L11! 1t' Gnl, F,om The to work ln ,purls. There'• song• with Jack Bruee. land.'' 11' 1 Nul Hefti lhe p~riod are BIii Hams and taking on the appearance or a St1tl,;1, Sono Of Th,: lstorlds O,ch : Hefti ( rpr I Ka, Flip Phillips· Harris'5 solod salute to Edmond Hall - (Marcw,y lnte,notlonot SMWL Wind1ns ( tmb l , Charlie have worn r .: mark1bly well though it makes much-needed 110351. and he play~ beautifully on Rich fdll/, Emm ett Bt'ny, Ventur.ai ( tnr) , Tony Aless bows to Kaminsky, Hodes, de Horry Edison, JC>C' Ferrante, l pno) Bauer ( g t r). Juk­ " Cryin' Sands," recorded a Paris and olher worthies o! son j b.a\\ 1 Alvin Stoller month after the. full Herd ver­ Forties traditional jan. - and t':~ F/,':,c~i,nEi~i:,.,&t'~~tl~iH; slc.n PhilliP6 WU firmly Melody Maker 1969 Pop Poll ,.--1 I Janu ar • 1947 I hope a few newcomers are 1 1 nd ,coted 1n the Hawkins-Web discovering the Joys of hot, ~:~:{s Jl7::t,1~ eE: ,~ w!!~~~ • ter school and thouith hardly creative traditional Jazz as a P11H Woods (0/101). Al Cohn, a grut oria inal, he had a Benny Gobon {lnrsJ. St...,l' result of these albums. Perlow lbor,), John Bunch TH!r i:::rir :;!e"~~~:ups~ full tone and • pleasantly The quintet titles have wt-r,, mt-mbers of the Woody sophisticated mel,>dic ap­ something or the taste and ~~tt°LedJ!ibo1.s~~~~r~h, /g~rJ, BRITISH SECTION He-rman Herd of the mid- proach <.hamber :-nusic lightness of 1 :VOTE 1940 , hence Lhe Lttle of the Goodman· small groups, t1 lb~m.~:o~gglxwB:•.t~•hle the album. and it Is possible to discern A !!~d~!AR·~.;o :~~' The)' were hardly 1.:poch­ Edmond's oflen-stated admira­ album that concentrates on Now ! DISC JOCKEY ina kmi,:: .,.,!lsion 'I-. hul ,l rs all l ion for Goodman a11d Shaw. the traditional virtues or the rrlal.t'd, s win,=:m x; jan which But his violent attack and genre - swing, punching MAU SINGER has rr ta 1n"1:I 11,; gfl(•d •natured hard-edged sound are utterly brass, smooth sax section and individual And, as a Blue iood soto,sts charlT' a nd 1,; Jus t b!I t> nJoyahlr. EDMOND.I Note leaflet of the t,me stated, The general direction brings POP POLL time GIRL SINGER • quarter c, f a century later 1he clarinet " renders plain. to mind the Basie band, an at w H --- n a t the time 11 was by the quahty of Its m· effect heighlened by Ernie again! Time to vote rnad . HALL tonatlon and the: nature of its WIikins' arrangements which in the most auoted GROUP Th,: N orvo Se ~tet. obv1ou.1 ly rhraslng. 1he fact that its mainly huild from riffs nn the . modt'll e-d c,n the f"'rOQdm • n and most widelv re­ rooL~ are in the blues mode of faster numbers. MUSICIAN rnmlms <• f the period, hu ex­ EDMOND HALL : " Celntool expression." The soloists, notably A l ld Park Ta v.-rn. fl.,und• ROE• UCK, TOTT•NHAM CT 111:0 OA VI • TOHI. JO•ANN KELLY , Crt't'II R 1>a d Nil J OHN P' EARSE l 11 k•• t, ,11 door SECOND HAN D h t ph,u11· ·11111:1 h • r, ,, •f\'f DEREK BRIMSTONE p) u, ll1hl ~n n'fl a nd ll'f'lrdl • LACK • ULL JIIKh Ro,. d N 211 FOLK CO UlllE1'S T H"EE HOJISESHOES f, RI OO \ ULLI VAN C hi t• Ht••l n ·1r,,·1. 1""' 11 , 1r WIT H RO GE" EVAN S GROV E FOLK CLUB Escaping the Irish folk tag FOLK COURIERS Abbe; Cri,vt. Ahbt> )' Wood. SE2 ''"coLIN 's'coTT CLU• O" GANISERS 1>,,w dat, SOUTHERN RAMBLERS ANO YOU1' HOSTS THE UUllS 111 11 1nil• blf' lnr LAST YEAR, a song 1erl::i l for lh<" second al- wtlh au,.•h II p in bum. It's a ll contem para ry, YOUNG TRADITION written by Playboy NAGS HEAD, Ynrk Ruad WEDNESDAY FOCUS ON FOLK the only thing lrh,h ts the " 1"11 ol-5'3 0'75 211\ 81111.'Fl('I magazine cartoonist d ia lect. Dul the Clancyi. FOLK CENT RE. HAM"ERSM ITH aALTA8ARIN . DOWNHAM W.&Y , S h e I Silverstein, w ere the fir st succe"s£ul RON SIMMONS & Amtrlc.a lor abuut t,..,u lht•lr own t c.l<'\l h.lon Irish ~ro up tn Amcrka ALEX CAMPBELL DAVE COOPER t>;o~"S'1~M~~•,;~•; V EJ\fc~OPER' topped the charts In y :trs hndinp: w ork wherl' c;e rh.•c;, a, ppcarontl'S ln " OD HAMILYON DODO , OOH and were th(' fo refa ther~ JACK O' LAHT ERN F'OLK CLUD America, Canada and the-\· could and lh<'n got a Tht VuJ!l nian tele\l lslon or the moveml'nl." S HElll'HERD, J ILL OA R• Y, Prln<'t' 111:AILWAY MOTEL, DA.TFOJID big' brea~. pl.a ~ lnp, at thl! series :md mnkln.: com· ll f W;a ln. D• I\IOJ: Roa d 2 m,n , DAIGLAH DRIVE Australia. Called R1r.-n1t, Uri Park IUhf SOUTH OCKENDON Purple On1on In Sa n mt.- rdal, for A e r Llngus. Thl' R ovti-$ a r e hoplnJ,; 10 CLAY COUNTY .. The, U nicorn." it bre.a k through in Brita in BRIAN LAWLESS Francisco, "'hlch hu " ll gaH us a fool in the WHITli 8E'AR, kU•r"ll'Y Road TRAVELLERS was recorded b}' fi\"e been the st.artintt point d oor ," say~ WIii. " It g o l as well ns In America HOUNSLOW Reind t- nll CRAYFOLK Northern Irishmen for a numb('r of ramOU!> to numb<' r om• In the ar,d Canada and spoke CLIFF AUNCIER warmly of Lhe En1tllsh called the Irish acts including th(' Smo­ Iris h chart u " ell. In CHAS u,roN. ALAN HOWAAO th~Mi Brulhers and lhl' America It sold lo nil nudlencrs. who they Ro, ers. Kfni;ston Trio. klnd5 of people, childre n, think would enjoy their hippies a nd older people. act, which the y d escribe FRIDAY Th e Ronr!> - \\'ill, Joe " Wr did a live a lbum as s ong with plenty or 1nd George !'tt\Ua r, J Im ""hich " as atroclous." humour. " But because a AT COUNTRY CLUB, 21011 Fr~u-.on a nd Wilcll !taid Will Mill:11 . " Theu song Is No J in the ll 11\·rt,.t1irk 11111 . N.W l .50 y;ird~ 1\l e Dc.1 ,-.. ell - fiot ml!l up the a lbum with ' t inJ­ Bitter S ta te~, ft doesn't m ean N• otlh Bd~IU• Par k Tub1 MUR in C.ruda W ill ,,• 'i corn · camt our a nd b\ th:tl It wlll be numbt'r RAY KAS H lnlrudU\' " ·forking "'-DIO and e, en ­ JON BETIIUAD T ROUllADOUR, t 10 -.om~ ;.1ct o f pro\ldcnc,•, "The onl:r biller lhlng onl' In Rritaln," ~ ys DAVE WARD waJI, fN m c.od up \' Ith tht• the ~ms h: o l ' l 'n kom ' nbout II n ,H thnl lht' Will :~,~~RS i,tfw r lo ur "ho n ('re \o\ a• releasNI •· Ba chelor, r(',Conted IC ~~:H, 1.~r~~:t'o1 tur" ,prt1111 •umnu·r o1 dml"1"n I P' M A'T WAlll: IE ~ OLK CLUB, air d~ ,, o rkin f! H th(" The Jrlsh Ro, en. are ho pe­ Perhaps it \U the luck nf oHr here a nd p r obabl~, ful th.at the)' w ill make BREWERY TAP, WARE HIGH ST. I Tl~h R n , e r-". . the C-ampbdls. for pl.ly• ht'\·.au\c thl'U? " ue two AT COUS IN E 411 Gn~k Slrrr' FLOWER A THOAN PRESENTS their nnme In Brita in ·11, 11 11 m Ing \e.d ~uHJlr on lht' venlun i,, nt!lthl•r ha p· wl1h thelr ne>. l s ln~le, ALEX CAMPBELL record wa" Glen Ounp- pt'ned." •• Pf.' ter KnJght," whieh Is ROY Al ALIHT HAU Old Rover& MUSIC OF INDIA Success bell, no" f\rmly c,;tab- lhl' ha\'l' any relCM\<'d In • mo nth here lish«!d himself on the probl<'ms aboul being ,.,,lh K11n1 r ., ~nd l'arlv Adr11 by MCA Stul ~ 11 m MONDAY Tha.t \U\ • (e" ),Inn ago. American ~ent'. compan-d w ith lh l• th "Flnanclall} we've done AT CATF ORD, RISING SUH , FOLK CONCERT NO\\ tht>} a re enjo}'ln1t a It was a surprbt' hit and ~~n~~ n~~ 1~r;1~ 1:U.~~ well In America,'' says CHINCFORO MORRISMEN 0 t.t'Nt:ftAl IIAVf.LOl'li., ILFORD ROSEMARY HAROMAH W IJly, " but we'd really I,, o,d of Volt,,".._n of SI Of)'tfl 11 ~~1f !, ~~~ c~s h:~~ l~~s 1::! r~0~;~ of being tht' d rinker,. 11nd ~:~t°~ ~~I=y like to makt' It h <' re. And AT HANGING LAMP' Th, \'H1 CoJl.g,t, Chrla,,olr-.hofU.ifritd 3rd5 HAM MERSMITH TOWN HALL wori. a t the be-ginning. themselve!o. It IN! to th('m :~~eri.:n ~:'::us~~¥r !" once \V l' gel eslab llshed, F1'/0AY. JUNE. 27, AT I P M 711rd Rlrhm,,nd • p rn N(lf;on1 SfvcM,ofl' Auooohc,o, I'm sure Wl' eould do well A TOUCH OF THE c .... 11 ComP4"r1 :::Th=•Y==•=••='=•l=led==ar=o=u=nd===g•=t=ti=ng=fi='°=K=O=ld=r=ec:=o=nl=::;s,;i Adt~l'd g!~ll~w'.~~\~~n~ry~~ In Britain." JON BETMEAD l'lu~ n•i,ldl·nt, lri11h fo lk thing. We MURPHYS DON PARTRIDGE w r0ll' mm,t of thl' m11 TONY WILSON NOEL MU RPHY, SHA&GI S, 01% AT THE " RO • E Y " DEENA WEBSTER OI SLEY, JOHNHY HAWK ES· DIZ DISLEY WO RTH, JOHNNY VAH DERE K, DEHNIS O'B1'11'N & TINKERS WIN A TRIP FOR 2 ROO HAMILTOH CHARLII! HA. ROT 1·111t\'I :\ . 7 ' 11 , in. "- p ,n S IR GEORGI! R081!T JOHNNY SILVO GROUP FOLK NEWS l'hune 111 •11 77 lhtl!t S1•n ·n S11,tr1~ Jl,.,,d 111pp •·tn bur)' P.arl. St•lmnJ OVERLANDERS TO NASHVILLE U.S.A. 1 1 SATURDAY EHFIELO FOLK CLU8 MALCOLM PRICE TH~ r~n: ~id~! The Hop-p ol••• ••liar Strtel. ':~1t }i~~~::~ Enfield CLIFF AUNGIER .. at Cherri' Hinton on Au,tust 1, AHGLE. 5, TEDOINGTON. All expenses paid - tri p of a lifeti me 2. and 3 h as bMn a nnounced IAN MCCANN • RALPH McTELL by oraanh,er Ken W oolfo rd. ROaE"T GAISFORD u t 1hr ORANGE • LOSSDM SATURDAY, 2htJUNE 1 h1· main h1U cumpr1ses Th e SO UNO JIM CAMPBELL O ub lintrs, All':ti: Campbtll, the •I 7 .30p.ffi FREE ENTRY FO!"!MS AVAI LABL E AT Youn,c T r adlt li.J n , Al Slt\l.arl, AT COUSIMS ... , c; r,·rl<: Slrul HAM,STEAD CLU• 1h·dhll1 Slr•·l"I off Alh,111y 'ilrnt NW 1 fklta tt S/6, 1!116, 1016. 13/6 1516, 1he J ohnstons, J oe Locker, ; 30-11 pm fro,n AO YAL Allf.lH HALL 10~ LONDON'S TO P COU NTRY VENUES NOt"I Shaiah:, Murphv and MALCOLM PRICE OrFtCE f,om J11ne 71" Ralph McTell, Due and Toni Al STEWART t,..r .. ,, • p ,n Arthur, DNtk Bri mstone and ""'' wuk M.utm C:irth) Dau• Ro e bu ck MaJn• Carla, m a k inK thl: lr sw,. rlltl\~ All nti:h• ,1011 IJ 7 MARQUIS ,,f r:1.1nt, :;1rd, lt.•, ye MAIC tlLINOTON'S ,,_. Red Cow Red lion fi r. t m11o r tes!lval appuranct A111,Jo111: · llu ,l 11 .ilph n,ultln 'I S, ulh,..,1tk Stri •·I P.1,l1J 1n11lnn U' o nd "•"" 1,n9I• ·p•aor Do.,-•· al'ld C "ml)('r1•s will bt' S h e l::aa h nrnk r II I.ill llfflf' 'l"l' ,ltll I CLANFOLK P'RESENTS IAN IUSSIU'l r, a "" LP · 'S,nc, s-­ Brentford Lewis hc,m 'ET£ STANLEY a Hammersmith \1cDonald, Cohn Scoll, Ak, thiftg Sl"f.,r ·, of'l d booL r• tt­ • "IAN GO L• ET Allt'r'>On a nd Dave Caldcrhead. ,.. ...RAiP1r ·,.c TELL g.,.,iteman a t 7our d ub Wltboo,11 d.loy- A !lpt"CUII future thi,; vear MINOTAUR, flidV II, ~tt. Nuf\h Nashville WIii b~· 11 b a nd l t /11 10 which 11 MAGNA CARTA ~lrt•1•\_ Cl.1ph.a111 "fOUl FIOM SIRA" Born Bar SAM MITCHELL ID S"-Phe,d • Cl- , C"-dw.U HMII, va rwh ol mur loff!ford, Eu .. Tai 01 -SH 0479 • LUESCENE. CJIOWN, TWICK WALTON • ON THAMU l l>R Hammersmith ( We st Ke n. Tube) Bob Da1,l:'nJ)()rl end the M11ru­ The Ian Cam p b r ll Group rl! Ch1111h Sir.II . POUIFIOM EHHAM IAN ANOERSON'S COUN 1u, ... ..4.,... .,...,,.., 11,. ~...... ,. drn R altlen, the F.a m o u s Ju,: cord lhrr e spols for ATV"1 TJI Y • LUES JON !SHERWOOD Ba n ds, Southern Ramble r., and ·r oda)' pro,:ramnit- on June 19 ...... , Golden lion Adam & Eve th{· Cru udt·r., West Indian and In 1hr ,..,cnin,t ar{' ho11t1 DEN OF INIQUITY Slttl Btnd There will also tri the Yetllu at the Juk 0' TOM WIID..- SMILEY Hilling don Hayes bt the usual f luh l t nl Punch c luh. On J unt- 21 Lh e TUESDAY CUIIINTLY IN LONDON D•vt and Tonv Arthur •re iroup arr al Ormskirk Col MIKE COOPER ' """"• te-11<1 WATINll(MOUIJ... , 1, IC;k 7.)0 p .m . Hl1h SlrHI, South9atr AT FOX. IILINGTON CiRN .• N .l tht· 1ud,:ts al a folkwni con­ lt,tt, Llv.-rl)()OI On J ulv 3 t hev ( b e h11,d Fire StaUon). ~t1:un 11ooe1 ttNOWlH , ....}. l,U,t le~t ai Hac knt'y on Sa lurday appnr wi th !he Oubllneu , Mc.CAUMNN:UOIOUlll't'-,I L MOa Thi~ 11 !ht flrst Harknty folk Marlin Carthy and Davt.- $war• P'(ANUTS. Kt n c• Arm l l 1 JOHN FOREMAN "'"H 1,.,. 'i coea IC11111Jf1 !Ord \r Fe-.llvll tnd it 11 hl'ln~ ht'ld ol brick, !ht Youna Tradition and Rl,_h"p•i('A \ 1· IWlfNIY'IMIN !Gd )tel.el ...... ------,, Wr ll SI ree l ( '11mmnn al S JO Dominic 8 (' hln ot th r folk JOHN FOREMAN pm ni,:ht or the Pop Prom, 11 1he 1 R,,yal Al ht- r l Ha ll THI FO' C'Snl C'luh ,o l ht· l'H\I, l' etrn.-ld R1 ,,1d K1 n.,1 .... RO y AL ALBERT HALL w1 n°t: !':~kfn•t~u ~-~~;•t!Ht' i~ Da ve P eaa and Andy SmJ1h lh1· tuturt' i" an con and he of lhf' Campbf' II , h ave rnm­ 0 Thursday 3rd July, et 7 30 P m ~i~ s~~.:tft:i~<:~ {~:~~;/k~ pltlt'd wn rkrm • fn rthrnmina rti'iriAo 'uNiON FIFTH CAMBRIDGE a lbum b" en~mr driYl'f Don o11 7 JO Ii i• l h C' r l'' unlll mld•J ulv Shri•rr,hirc-, Ril, ton, lo h.- re-leased nn Xira and lt.nt:HiYd\' Utlt'd THI: c•ffNWlcHTHEATH ~,hJ~i~}~ ::~r1:•:n1n:n,:n :::: •· Farewell To Stt.-am ·• FOLK CLUB THE DUBLINERS Th• (;h,ut \"ll tr FOLK FESTIVAL '-'warbrlck, One and Tony ~n u rtcen &roup5, plus. com ""-Int Wi lli am Wall!, S F. 10 ,,1hu,, Jo-Ann K•llv. Pal wn. pc ru Wall) Whylon, Malcolm CRAYFOLK Price t n d Murray KHh, l a k r THE IAN CAMPBELL GROUP Jan 1t and Geofl Whllr, tnd II p n, l'h ,n, 1·11m,· ,arly 1st, Ro, l'm 1t r\ 11nd Ml rf'a r e: t Jen p11 r1 1n I l>t'ntflt (IIO{t't l i l an kin ,.,, a, rn rnnmt WHh the Nuhvlll'" Ro<1m Wt,1 THE LCS p u r n 11 THI MARTIN CARTHY d J o hn P t>a r-.t n1111p.-r1nr: 1,,niJ.!hl Kt'n'IIMJlun , t)O Sat urday, Ill IINGEIS' CLUa. An """ n1n1 u ( atd a l Mn. lrt'nd• Gibb, .... 111 1ul 8onn w1 1h RWAN Nae• 11~ ' "'""' ,,., 1d,;,, v. i,f th,• !alt Bob Gibbs, COLL PKGY IHG•I JelfN DAVE SWARBRl(I( (;~t'r'.'.~~,.;~. •~, FAULKN• I SANDIA KIRA JACK f1m lt.ut tm.l ~ •ddy Pr1nr h:i,-. ,:u 1l • r1 1.t V. Uh l ht Johnny WA• INAW • T&IIY YA.HILL ''"' " •'"' ,.. t, 11,., II \'o un11 4, a n d thr l hrtP •ur UNION TAY• b It IJ .,4 ·•br THE YOUN GTRADITION Vt'11\JI In .\ua.u 1 I tin,I al Vt\11n, ml'n1 t,,.r. f• I 1h .. a roup 11 I LPhd tMI Wt" I 7 U Pt" lt,n, .ilt- tr t1v1tl w,t~ v.h, ~rn 1nvnl..,t-d 1n • tar .H1 1drn1 la I m,,n1h 1n -. h1 h C BEHAN !"uth, ""' " " '' , .... Compere: DOMINI h"r"lcil"" n A,JIC L q I 1m hall Roh t.i1bb1 ~~" k1 ll•d All ck , r-1 pt and 1n,,n t' I n m .., , 11 ,,.1 1 lf(keta 11 6 12 / 6 10 7 1 6 . from rn 1 ~"::~, v, .~~• 1 1 !~r~~ii~ ~~ ,~::.,,n:~£. ';:''~ :."J Roy I Al~'! Ha;l..,!!ndon S W 7 c~~~ ~ , ·,'; '"~,,~~ !~.r ..!!!~! •h• thrtt m•m 1111 1 1 arou, :,:: l•lr 1 , n ..,.... Hu"n L..-~------'I 1 TONY WI._ Pll it;t- 22 -Mfl OU\' MAKfR, Jun• 14 , 1969 CLASSIFIED ADVERTISEMENT DEPARTMENT "MELODY MAKER ... 161-166 FLFET STREET, LONDON, E.C.4. ~nquiries, 0 1-353 5011 , Ext. 171 , 176 & 234 PRESS DATES. Every effort will be made to in cl ude cla ,si fi ed advertise ments recei ved of ter 10 a.m. on the Friday previous to week of publication. CLASSIFl[ D ADVERTISEMENTS BROUGHT INTO THE OFFICE WILL BE ACCEPTED UP TO AND NO LATER THAN 5 p.m. ON TH E MONDAY PR EVIOUS TO DAY OF PUBLICATION ALL CLASSIFIED ADVERTISING MUST BE PREPAID n,. Publtd,.,i "''°in~ Nghl to ro f1.11e or w1Hidraw odYerttJemenls of fheir d1.trel,on , JJtho 1.1 g,li •""' Y \u,e" tohn lo r:,votd mi, lo~o,, Jh• y .,,.. no/ rupon,ibl• for c~ol or pl"lnl.,,J ...,.on

BANDS Pi.UC NOTICES PERSONAL J/ 4 per word MUSICIANS WANTED 1/ - per word I/- psr word 1/ 4 per word I MA.TIN JOHN STIVE NS, DATELIN• CONPUT• II: DATING GUITA.IST, BASS J Ultarl.B t for A A• LI: accomplished band 1r11dln,,: a1 Art Ent0rlalnml"n til, In - TM • Nftl WAY TO NAM• NMl!r Jan based p rogr es• lve group. - ava ll:ibl P. - 8711 •54:Z. 1 "UlfNDS exrtuna d11ln tor !:14 0 A378 11. fler 4 p . m . ABLE AGENCY FOR RELIABLE ~~~r~ ~o~~r?c!~1i~1~ Po~c: Lfc~~i;;(' ,-veryone, ~v.-rywhC"rt- - nSllllt C UITAIU ST FOIi Cenlrlll GROUPS, DI SCDTHEOUES .- 01· to carry on an tml) loymenl naoncy 1h London band, rormlnff 2 lntJs 965 212'/2,, 1. for all Pl'flOns ln the , ('flll'f\llln t~J~uog:tfl t 1N"J ?~~p1~u,~u ~~ setup, now ponrss Gibson, 12 AIOUT JOO top group, and m t nt lndus tr)' Jncludm1 mus-I • Strarrord R<'•d Ulndon. Wtt Tf' I' strlne. harp_ elockenspl el, har• dance band• Immediately avail­ clan~. at 25 UOV t'I Slrl't'I, Ste-Wk• OJ.037 otoz mon)', etc.-.. . Aud1tJon . - Ring Syd 01 •778 9279, County Hall, Aylrnb1Jr1 , wUhln 1-t Srnd 11 11amped addrc11ed •nvl• Dean, Brighton 775711 . days ot the publlc-11!111n nr this JnpP ttl Wurld Wldo rrlf'ndshll> HAMMOND, LOWREY OR GANIST ALEX PACE T lllO, - 11112 5133. ndvl"rtf111'mrnt RE Q IJ IR E D IMM EDIATELY, BA fl: MA• A.S a coming - Up ~1~:ch::t,~~mf'~t";l, RJi;• oi;~:~ YOUNG, Read, moslly soul and minster 25873. BLUES BAND AVAILABLE. - aJC) rl~!'.c!~~lr;:c~c .•~l~f1':i ~\•1c;cJ~:t 01-771 7475. SPECIAL NOTICES HONG kONG. H you arc loo klng • OB URTER o•cHHTllA, J/4 per word IT::•~z~~.P :,.nn'~les~~ •. •:~r•,~ for an lntere&Ung life , why not with JUIIP. Steven1. 01·31S H SI, detail• . - Ana lo Fr t nch Co rttt ACICNOWL DGED H t h• bHtl 1 0 CAllRINGTON • SHAii.. ASSO· • £~~~f<'n:t' ("lu b, Falcon Hou " w~re~heFe:1l~r~~ :Jh~n a~~e :ff Yf~ CIATl:S LTD ... Grnup.i;. Bands, IVOR MAfllAltTI' POSTAL cou••• for l'L CTIUN end Hong Ko n Jr this yur. There or P D111'.C Jock.e)'S, Cllborct , - 01·07 • C.IIILS WANT• P ! S.A .E. for di' vaconc les fen bro111, woodwind, 09 0 FING• RITYLE GUITAR. LargtU 0 HlecUor ol 1uttars ln alock . - talill' . - Po• tal T' enfrltnd1t :s plams t and h11rpl11 Ke,:lnner,1 ~~W~ ..i ~ i;a~ 11 is l1~t - Earl!. rou r t Road, Ltlndnn, W11 agrd 15-ln years also acceptt:"d ; ;s 30011 Particular• : ,vo• MAIR.ANTS for !raining. - Enqu1r 1es to COLDEN ASTRONAUTS, For a ll NUlfC• NTlli, S6 Ra thbOnl' Place. INTIODIJCTIONS to new lt1eno:, Bandmaster H C. R . Brntl)', occn-.mn~. Fl'W \! ll('illll dllll'5 le ft London , WJ.P-JA B of th o oppo1He stl. a r T11 nr• d b y ARCM, psm, Heathfltld Camp. - 1103- QO UI 1>or1 Membus a1ed 11 u pward, Honlton. De von CROU .. S AVAILABLE, low f,•r• ,vnywh er r. Wrne ror dUlll• LEAD/ BASS gullnrUh S('l' k - 01 ·734 7562 . VOCALISTS WANTED 5tatln1 Bft·. Mayhir Jn troduetlon, other mu!liclam,. , (or somoth mg HAYE DRUMS - WILL fD epartm,m l 53), to Neal Strei>! d1 ff t'rent. We have orlglnal !IOllRE> TRAVEL. Thi' Vet"dol Cnrlbbran J/. per word Londo n. W C2 Hormony · ·Idle Steel Ba nd 13 Rei;:c nt Square, JANI ror 1enu1n;,1 Race " / Association Anyth!nt AVAILABLE GIRL v,,t•;ill~t~ for scon Northampton Phone 331134 r('sidtncles A lso m a le a rtists conslden•d Semi pro basis - 889 HAWAIIAN SOUNDS Trio, Book s /~~~~f1~c~~:•1ho~iOJ~'i'. 3803 evenings Nor1on Yor k Agrncy - See ~~i;n:fth thl1 fa bulous HaWilllan st)'le " Groups We n ted" neH. Deta ll11 free. 5d ,tamp to MODEIIN JAZZ musicians holl• music, Scpll'mber onward!! daylng In Co rnwall th i1 1ummer, BLUES INFLUENCED, s-e mi•pro Jane Scull 50/B4 Maddox SIJ'1l!t, fancying a blow, contact (i n :~~)/~~) "Beachcnmbt'r," A )'r , group ll'tkl VOCIIIISI, either ICX London W.l . advance> Goudie Charles, c.'O HOWARD ·"k• II Ban4•• Ca• - F'hone Brackn<'II 23RIIII . .n ftt'r 6 PAIITNEIII IEQUUlED With Railway Hott' l, Penzance. baret, an1whue. - 119 Ol•nwriod p m manaremr nt rxptrif'nl"f - Doi. MUSICIANS r equired . big ba nd, Garden1. lllord. Ol•UO •.OU . CIRL VOCALIST, young, p ops, 844• So ul11 Coa sl. Aug u~t , s ix weeki. LATIN-AMERICAN, Pops, quar• Tam\11, lmm~dl.att' r e tcend - Det:i lli,; Ire<' , T,:~n•ce Club. lounaP work; London area ballroom dances. round fc m .a lP vocalh, t . good vo ic e , Falcon Hou~,-. Burnlt')' wardrobl' nnd hwks !Hand,,rd,, UNUSUAL l'EN•FIIIINOSI J::1. •• Bandwagon," 472 '460 or •n Phone. soul. pops. Urj/ent, 11ppl) with 5906. 01-935 0725 cittn,::ly dlfft'r\\nt. Intornatlon11 membl'nhlp, all agu. Send 1,A.e PIANISTS FO• SOUTH LONDON '----~-----' t~~~os,H~~~f· :re·ci:.~~,.c~ilf :'1'~~~ '. wel'kend loun&e work. Top rates. -Dcpl. M). Bure11u BrllannlR, 13 - Ctnyman•,;, BIS SS31 (day), PROGRESSIVE Q u I NT ET Liodt"n, Gl' rm :,ny Sycaniorl' Grove, Rugby, Wit· PIANISTS. START WORK. THIS modt•r n jai:t oriented. requlrl.'s wicks CDNINC WEEKEND. Wide> choice work In and around London . Very WOIILOWIDE CONTACTS/ •'t,•1 or lounae work, l •S n\aht!I weekly low rates. - Nell. 62• 3883 (day), d e talt, plu!I photos II x 7. Cllnl,(I All aroas. New, lncrciued rates, 435 11298. Gl'Off 203 Z378. TONY EVANS Arruna('ment, Munchen 1 B lt(tx Clayrnan•s, BlahopsrAte 5S-3J .... o YEllSATILE Trio available 32<1, Germany. ' {day) Pl11no bass, drums / organ . Bass ORCHESTRA YOUNG NALE sungwrl!rr tr IIIECOIIDINC ARTIST wants <'X· guitar, drums wltb vocals. Can r1-quiru flr•t-don girl voc:a1i1t. *d qulrrs Introduction to ag,,nt 11.10'1. perlcnced drummer and bass. no photogrophi toi ~nJd~~~lpnp 1~ng~C;;iJ~t, ~R3 1 ~:s~~e~~~~r~~,e~e!k~:~!tliholSll~gj; 1 '1!~ ru~~~~ifl::1~c re-;u~r~,i :i~l-pro. sooner - Bo,i 8446 ILACKIURN AGENCY London, N10. bH!>l> ~ultilr 1md 1rumpe1. - 520 RESIDENT POSITION for lh•,.. ss CvrHl'I Str•.t, lon .. on, W.1 YOUMC. MAN !lal'llk!I 11rl fntnl.l 3503 wlre vocal trio Or quartet for 01--4H 1034 or 01--4ff 5126 20·24 l~h I hllV\' man)' hobbit• SINGER / GUITARIST, Slllo Sllhoucttl' Club. Six nights pl.'r '--'-'---'..;.:.;._;;..;.."-'-''-'--'-_,I collt'cllng n •totd$, 1ardenlng, l'tC Wa11tt'd for resldrprl~es 104 arll11a ln 1our area and Hrn \tfOflled by Agtinq, 'Monagllfflel'II connal•alOn. - De1alls llo.- 7'H. - llfl7 U 47 , u•u~ll y afler 6 pm M11nh,n Ro.id , SE17 01 701 ff987 Compan7 For promotion Clltd wort TIIAN ....RT tc,r IIP, Tran.. , ltl~~S~~ :.~:t:::n~•lmu:r;clf~; Yan for hlre,-ln1nbourn• 411N ftlm1, TY and radio. ar" consider• 1n1 appllcallon1 for lwo p011Uona --IOIIMl- 1 11 --l-6p.-.ai, As1111~11~ar~ ~~~~n~·:::1c ~~ ::~,~~~m·cauo:r~o,":U;~ploH1t1on SaJary acc:ordln1 a•\G H::"!~~~~~lr(' c:.~:!r. !PS:,: .... ~~1:....._...... •...... =.=.:;.-::': ,... - ~.=i:~=---::-,.: 1111. ~~..;n;-- • ··-~-•!CAI-CllliuM~ MIIPII' M.\1-i l R Jun~ 1• IIH' , . lJ

CW!IREO MOBIi.£ DISCOTHEQUES PLEASE TURN TO AD. DEPT J ,f Jlof•r "\.\Hl'-1 ACTION OISCOTHE(tUU: .J1ntl' THE CHERRY TREE "MflOOT MAKIW'' II •d \I I HI , 1 1111 11 Jl AVAILABLE NOW 1'111111 t: Jilin II u hr,uc , 11 n WELWYN GARDEN CITY HERTS. PAGES 21, 25, hh \ Ill , ll Ill 1,11 P,t 41 AN DY DUNKLEY J1l11 • GllEAT 1 C IRCL& 111.- 11~1 In p1•JrrMU· 161 -166 flH t StTeet , u1,<1 .\ a,t M f r ,lul, .. rid Contrary to any other statement, this 26,and 27 Lo ndon, l.C A c- '\ '°' k 1t,n \ICh HAllQUEE MAR TIN AGENCY tt,1 1Jt ,u,~ club is open under new mc.nagement t't 'JUI t•I t, !I II, .11h1 ti ,,I th ,,.J llh •h 1,, .. ,1 unrh MARSHA HU NT EVERY Tuesdoy for the best in blues. FOR MORE r1 ffl GllEAT CIRCLE r.1. to, 1 353 5 011 • LUE CUICLE n1•t••lt"Hrqu, WITH h.h. 171 & 176 l h lH N"I" IJJhb t.i {i,i (;1r1a "4, l'lum, lo rt on ~ .. m, Tue,day, June 17th lCLASSIFIED ADS. 1(1,1\ I Ill f,l ; •t-H'.llll•lll CAIII RI NCTOH-5HARP ,\,,.,, 1,1,• . hi M.,1,1\• l11~1,,1t, •1u1·• fur a ll ,.,, I.iii f1111111 .. u• nt I 17 11 1 WHITE TRASH ' ~1 : E ~.,\, "0/:~'. 'r:,/ ,fi'."'t>.,tt 1n FREDDIE KING TAP£ RECORDINGS RECORDS FOR SALE ""' ~'"""' •" ,.,. 1 J. won.J J, .. pi:r word ('l•~h~!~~-TO'f,~ .. °.:. plus KILLING FLOOR f'olr n~or~;~uun TRACK INTERNATIONAL N::wA~~UFIJ~Nti.n D~:~:~t 1:~ltNh•11 •t 11~•:r.111 •,ifl ~M CE.I.MA.NY, HOl..t.ANJ> YUGO PAUL McHUGH D1•c111tw11ue ?LA.VIA, e tc .. Tht'U Ir)' TANDY'i ~11 11 lhl° "'"'I tetlTIJlO'llllVt' prlct'I Tel. 01-437 9506 Tue,day, June 24th ..~ ·:r;~t~~ :1 ::!:r,:c!ftdr,t :~~~ ~~ ~ 4';3"'. ~-~'.:.~11:n~ 107 4 Ida~· 1:tin ~t ~ c:;•~~'w -;d D! ~:a llc 1;~! Jr~ PLASTIC11 SOUNDS tiring0 50pt1wt•r r-======~ BRIAN AUGER ~:~dDY~s. , ,,"!,• '·. w'•.,~,,• •', ","'.•••,,n,,p1 nn \'p \~lrv,IH~ m o;rbi~k ~""diMSi , .,tl tl<:l':IUI't- n ~~;~All 11I ~------, 1 I - ~""Uttl WIMBLEDON TOWN HALL, BROADWAY OTTO \..I NK :-,,rn '-tar m1'Tal '.:< •Ei,~~~ ~~~ !IO~DO t~~l~ •l;~~•~~NTHEQUE OFFERS YOU TRINITY , •ot.1lhpirc1- u nr• .ll S 11 Ar«)le S t CIHto• \uund, llchttna: and C11Ju 1trl, ii.I 11 10 35 1 0 1 EVERY Thursday Discotheque r}·,~ N ~l \ f' 11r ~11~: rr ::-~ Lr , :d~~cc'"r~~~",~ ~h,1~.'1~;.,,~ l12~ ·(' BLACK VELVET ~ any U r t' d l'l t- lions an1ll a ble - IAnv hmt•) (f C / d R . - ) EVERY Sunday Live Tamla-Soul 7 ADVERTISEMENT :~ or~Td , t .:~~d i<~?r~ll , Lf>lJt h11 '11 a ..~~ .~nka b~o,~•l~E 1~;~~~:"r~~~t~- Plusxful~s:;;orti~~s~:ow SEND Ii Plus bqr.,• :- .11• lot 1111 - :1 04 16•.-I pm COPY SHOULD ORMSKIRK 1 1 ARRIVE NOT LATER tfR, ·('nrd/t'~~ •ritClub•~~!t for.. P; •JUSA, h~~ ~1;:New•n ~ ~r.,,..__ ,.....,'l'T'r.,l""'I ~r,;:: :FR: 1:.,: 2: 0t::h:J:U:N:E::::::::::::•~•ft::":~:":· "'"':::':'•:::~ EDGEHILL COLLEGE ST ...LINS THAN FRIDAY rt•l1:as1>, ill Fl'U!IOOllbl l" prlt·(•s - Mon., 16th Jun• GROO VY GRAPPLING I I of :~;[!rd •~t:,)!:d,:fr~d l,rlihtun before the week COWBOY JACK CASSIDY v. THEOUTlAW pub I icot 1on to ensure RECORDS WAHTED DOVER LOUTALOREN v. PAm McGOOHAN i ncl usi on 1n the Club 11- per word £5 + 2 other bouh 4 Da..,. Roberti ,o 0,,1, g ALL unw• ntt d ,15·1 £5 Tou• lwu1ht Seod dl' lllll"' for cuh CASTLE Fri., 20th June Columns. ulh-r b) re-turn - ll Le1ghtoo Road. L1n1lad1: L,c,1ghlon Buuud, SUTTON STREET, £. I Postal orders and Rt'df<' rthhlre VANI TY FAIR TOP ••1ca JIH!n ror un~ant• REHEARSAL ROOMS t-d rt-cord,. Send 1i1I and Su for W HITE TRASH cheques should be offer - B. Ni:wton. IO Cl1,>c:km1II 1/4 per word d ~--•"-· ~ -'_ Ruad . P•ball, WIJull , Staff•. MMD •EHIAIISAL 1tudlo RA DIO DOOM DISCO made payable to,- anllablt- .-.Studlo 5~ 10111 Ot. ~ • rr_ort SttHI. .C..J. (SH- " MELODY MAKER" FOR HIRE 17 Sat., 2 htJuno FOLK l /- per word LA•C. IIE REHUIIISAL room , 161·166 Fleet St. 11 :i IAN CAMPBELL TM E • EST N O• IU D IS- al~l:H~~~'ldL 0:~oM 8!~a~~!~1e ··-'is- ,,,,_ C•THEQUI EQU IPMENT tor hltt Low ralc-11 - Boll ltU8 London, E.C.4 ur purcbUC" from NffKAM MMIIAJl!AL • ooMS al Gcorgr FOR THE BEST SINNERMEN & GU ESTS AUDI O. - 534-4064 IV, Rr ls. hin H Iii IHI 214' ------GO-GO 0trt~: NIGHT A little We1Undian Club w ith a Oiftere nc• Every £5 £5 Thursday ·CLUB 77 251 HOLLOWAY ROAD, N 7 TOWN HALL, HIGH WYCOMBE A ~,,,,j~ j 'f, , SATURDAY 14th JUNE JilHROTUll Ev•ry Sundoy ~ight Midntghl Cobar.,.t Show all W.-,1 Exclusive colour picture and Indian and Am~,ican iole\l record, rTASTE°.~ ';;;; J,J.,.,k.- ,,.,, •··"' ... .-1.,,,,i '·,,, •>"·•~· ,• • •••••••••••••• DRUMMOND great interview MV>•C ,~ IIGtlH ar SIMON STABLE BLAC~ SUN CATCWI, WHm HAIT ACTON RICHARDSON ENTERTAINMENTS UMITB> HAVE MOVED TO: 176 Brood Street, Birm,ng hom , 15 JOYCE BOND IEVUE TELEPHONES: 02 1·6'3 1515 (fi ve line,) SA TUIDA Y, 14th JUNE EDWIN HAWKINS RepreMntlng:- FREDDIE MAC Th. mo~ apolog,w tor -.os,~011p Tharo py' IO\>r off - ln,teod - THE .. ONYX NATIONAL YOUTH ...... Pwtt.~NW.1 BEACH BOYS JAZZ OICHISTIA -~-c.­20ni.1u.. 017 l0p 111 BLOSSOM '"" INCONCHT PRINCIPAL EDWARD'S The Maharishi and us D. J. EMANUEL MAGIC THEATtE Admihion 12/· 1-11 .30 p.m. JOHN PIil TOES Mor...... , ..... ,, p1,. RUMBLE••• - CALMEN WATERS BLUES BAND All in Britain's best-selling colour pop weekly. Adlflln ion 1/6 Me"'btirt o nd Coll191 Studenh 6/6 L1c en11d lor ond oft•~ ...... ,,_. -~i j,;~·~.~i,' ...... GET ,...,...... ,._ RUMBLE plut Light $how hi....,, HN Old fnench ore a.di, THE FAMILY DISC M4or,271h, AUDIINCI ...... MIGHTY IAIY and MUSIC ECHO J.lrlltlt COLOSSEUM OUT NOW CLASSIFIED-­.. ADS MELODY MA f T-1'6Pl(UIJ. IC4 01,U J $011 l .+n 171 , 176 Oftd UC P Ml:L Ol)) MA IO R Ju,. 14, 196tl

!Ml MOlfMCOtt HMI. NOUKCOn AYINU( 0 0 ~~~_£::>.(<)fiJ.ou OH' iOUrHAU &IOAOWAY IUAIIJGGI IOAOI sOUTMAU. •11,,.,1.no: BAlH FESTIVALOF BLUES ~ 0-(_ ~ ~-;:)g~ ~ lllflSH IAll, IOUTHAU Rf CRlATION t;ROUNO ~;g, IUUS, :IJ2. 12'0. ,07, IOS 01 19S SUNDAY, JUNE 15th, 7.30 p .m . SATURDAY, JUN£ 28th ~~ Cl/Uujft'tlou1tl ~ ·~ (12 noor 11 p"' I COUNT SUCKLE f, turmg "-.:,;..>." (~YCEUM, STRAND. W .C.2) ~TEN YEARS AFTER THE RUDl'S BAND )~ ~p~~i?i!!:t i~~~o~ ~~ ~ ~ lf DZEPPEUN • NICE ·······,...... ,.-.,,·.· '·'"······ ,.,., ··· ····· ···· MUSIC EVERY NIGHT CHICKEN SHACK HERBIE GOINS & the 2, THREE DOG S and Sunda y Lunchhm• , 12-2 pm NIGHTIMERS 0 0 Adm,u,on 1, ,, •anpl 5oturdoy o l Adm u,on I••• oll uu1on- ol JON HISEMAN'S COLOSSEUM I --,~~,;;;: ,~;_; ·, ;;~ ...... NIGHT ~ THE KENSINGTON THE TALLY HO! s,.c.1.1 0.-,.1• .-,..,., ~.,.) ,. , IV55fll C APOE N:, HOllANO II OAO f011TE 55 10 AO , l\fNTl5H i OWN MICKABRAHAM'SBLODWYN PIG •KEEf HARTUY KEN51N CJQN W 1', NW !i BILLIE PRESTON ~\ C,o::.:.U10!!~~u!u~!n~octs ?~ l ~u , 11 l J ]1 9 i0 1y mp,o l l1nH 03 IJ, IJ7 11, 0, GROUPTHERAPY • UVERPOOl.5aNf • TASTE J,. .,, ,1, T~wn Tvh- Ci•ti• " j Cra b Nebula Ughts Enhre Sioux Notion ~'V Thundo,- 111 p"' SAVOY BROWN'S BLW BAN> W O.J.- Anoy Dunkley Cl\. DAVI !Hfl'IIIRD QUINm from Am.rice Fudo,-. l-11 P '" STAN GREY QUARffi CHAMPION JACK DUPREE • aouos • BABYlON .., ••• th• o{ AdmiHion 20/ - WnHMYI ...... J._o TED WOOD JAIZBAND F,d,o7IS.,1vrdoy 1-11 p 11'1 PRINCIPAL EDWARD'S MAGIC THEATRE DA VE DAVANI FIVE Advance tickets from: Grond Centro! Posters, 100 ~ Sot\ll'doy&-ll p,n --...... --'tt BRIAN LEMON TRIO DEEP BLUES BAND • JUST BEFORE DAWN SHO WBAND ~~ Choring Crou Road, W.C.2; lyceum, Strand, W.C.2 ~:( JOHN CHILTON S..doy U,,,,Chu-. 12-'2 p ,n Enquiries: PleoH ring 0 1-734 7464 ~) ond Sl.,,tdr;,7 N'llftl, 1·10 JO p ,n Club o,.n 7 nlghh • w••k 0 0 Svndo, l.uftdlh,.. 11 '2 p ,n D.J. JOHN PEEL ~ BIil NILE 'SGOODTI ME IAND TAllY HO! BIG BAND · · ~-d1~~: ·;r·~; "Ni~h;; .. . ~of:/4:>X ~ O~:'.i'.~,...o s-doyn'llhf,l-1030 p m Mondo)'. 1-11 p'" IHADVANC:11 Tuesday, Thunday ond ------H FATJOHNCOX BOSSA4 JOHNN IE RICHARDSON In CIIA ol bed wtoatt.r Sunday Refreshr119nt1 aMI Hot there will btl a aubstan­ !, 18/6 ::, 14/6 r.otvrtnQ Voc-011&1 JUD Y HI Ll DI XIELAN D IA.ND OH DAY nacltl will be r,,aila~ tial amount ol unde, Ge nt's Fr•• Night THE JOHN DUMMER MaftdCJJ• ,.,_ 16th I Tuewfo7. 1- 11 p "' a ll day cover ac:commoda11on ::', 22/6 :::, 16/6 Eve r y WednHday WNHAVIN...... ,o,- DENNY OGDEN'So cm ········ ·••-····· ··· ·· ·· · W.dnadcry. 1·11 P•'" BLUES BAND Wtd Judd ~I OCTO. (G\lito•). H IA.N Ti ckata obia,nabkt fro m London Tichi EnqU1nH 5 B-1 3 4 28 -- LIMON (',o,,o}. KE NNY NA. PPD Sole Rep.: RO NDO PROMOTIONS ALAN LITTWOHN/ BRISTOL Col~ton Hall , Bnalol, 1 ..,,._ M,,.,._ ...My ,,_.,.,, (louj, PHIL SIAM.EN 10rvin.1J READING Hick1n. 153 Fr,..r Strset. Reading 7 Kensington Church Court, Lo nd on, W,8 1- 11 p'" TONYMILLINER SEPTET Ring Tony HodgH ot 01.937 3793 SALISBURY Tlld Mardy, 24b Milford StrM t. Sah• bury 1 The MasMd Gadg•h of GLOUCESTER Bon Mercha. K,ng ·a Sq..are, Gk>Y"II., Auxlm•ni•• OXFORD Ru ...n Acotll:. 124 H,gh SlrMt. Oxlotd BOURNEMOUTH. AUSTIN REED. 1•3 Westover Roed Bournemouth Some Muskol CARDIFF Welah Spo,u Ltd , Quay SlrNI. C.rd1ff Colllsthenka If you five around London EXETER M1nn·a. 19 Par11 Str"1, Eutar The great open air sound Your onlr chonce to '" SWINDON TM Mue,c Shop. Commerc• I Roed Swindon Or by po91 from Bath Fa.Wal Box Ofhc::.. Abbey Owmben. Abbty T.. AMAZINO at Alton Towers Churchyard. 8a1h THE former home of the Earls of Shrewsbury LED ZEPPELIN (Jimmy Paa-, llobert Plant, John Poul Jones "REPUTATION" on CBS ,.loased 9th Moy John lonhamJ Sunday, June 15th ll at the Royal Albert Hall on PINK SUNDAY, 29th JUN(, 1969, ot 5.30 p.m, ond 8 30 p.m Also performing ore The Uverpool Scene ond Mick Abraham'• alodwyn Pig SHY LIMBS lhe love Affair 0202 77354 FLOYD and The AZ.IMUTH C0-0RDINA.1"0R- June 14 Colaton Holl, UIITOI. JuM 1 S GuRAoH, POUSMOUIH The Tremeloes TuSSd~J!lZZ Jun. 16 flt• 0.-, UIOKTOH In tne open 21ir June 20 lo"'" Holl on the open-air stage, storting at l lllMINOHAM Nn. :u loyel PhO~k LfYDPOOl approximutely 3 p.m, KENNY BALL AND HIS JAZZMEN Ju- 22 , , _ Trade Hall June 17 at 8 p.m. 5/ - (no advance booking) MANCHU TU See these two great groups and enjoy Jun. 24 AlEX WElSH ANO HIS IAND ... yourself at Alton Towers with the most THE FINAL LUNACY magnificent gardens in the British Isles, June 26 aeri a l cable way, boating lakes, ~altersea Park Concert Pavilion ROY AL ALBERT HALL cafeteria c,nd licensed catering. LONDON Only 7/ 6 ond 10/6 ti

t:.lle.PHII.Nl" I!, CA~TlE, S.E. ? FRIDAY, JUNE 13 fllDAY, JUNE 13 FAT DAUGHTER TIIICOIIN. l'OIITIIIIIOUIN SATURDAY, JUNE 14th, 7.30 Tho Polytechnic, Little Titchfleld Stred, W. I ::. 1.. IIAYEN Ad•ance 1 2/ 6, Door 1 5 / - Saturday, 14th .Iv- 7.30 ta 11.30 SUGAR O•ford Circus Tube C.I S. Recording $tors IT WAS YESTERDAY TODAY : .. SHYLIMIS Enquiries 01-735 6'.371 plu, ,u,prl,e colebriliu from the - -W D.J. Pat 8. ~ YAL (MICCA) TOTT91HAM -·-8090lffllW '\1Fl llOY MAkEK. Junr I•, 1%9--Pajtt 2F,

WEDNESDAY cont.

ILi(. ) ~ I l,.J, II f1 I

FLLTIIAM CIII ICtCtT F"Jl5 .'' lf1i:h .t r t: i manguo90 W•rdour St,. London W.1o ,.,_ dc,1 ~• 11'1-i (7 JO 11 OJ ACKER BILK Mo<>dv; Juno 161h (7 )D.-ll 01 GOTHIC JAZ.28A.ND, F11 r l " ' *PROCESSION ~.- nrt wlc:l'I • TERRY REID *JOINT *THE ,lUDIENCE SATURDAY cont SUNDAY cont. TH URLOW ARMS, NO RWOOD RD hldoy, Ju.,. !Jlh (7 J0- 11 0! Tu.:ioy. lun. 171h {130-11 O! FLAMINGO I.JV! i,:r11up, 111rll•t• f 11 I ,;,•n AT 33 -17 WARDOUR STRUT W 1 DLACKBDTTOM STDMP ER$ Wt>CIJ'l('lrf.i)' lbr {:rrn1 Mu i 1\1.nkhnlh ' TORRINGTON DAVE BROCI< irt CHICKEN SHACK FAMILY * THE GROUNDHOGS ~r~,Mt!*,*!.. *! tt! BLAISE$ , QUEENS GAT E , SWl HIGH AR~ THEM E N CHLEY SOU R MI Li< SEA GRAIL $aturMt', luno Ulh (8 0·1110! IT'S SOUL-TAMUI TIME W\lh lh 1 Ed l"IUltlrn T rio CRAMMED CAN Wadn1MX!y, Jullll l81h (7.J0,11 0) PATRICK DANE •PROCESSION JUSTIN AND THE T O BY JlJG~, Surny THE ,lUDIENCE THE SPIRIT OF CHICKEN SHACK Su!W:liry. !una 15111 (7 J0.11 0) f odll)' J,.u,e 13th TYME FRONT LINE MONDAY APPEARING ON 4 SElS OUAING *"N EVENING WITH * JOHN MORGAN THE All-NITER SESSION ITS A • I G BRASS SOUND- AT PLOUGH, STOCKWELL, SW'I lEVIATH,lN KEN COLVER'S JAZZMEN FLAM INGO FIRST FOR THIS FAN CLUBS $atuffl•V JUN 1• 1h EXCITING GROUP THAT GIVE BLUESCENE. CROWN, TWICK­ DUNKY CAMPBELL •THE STRAWBS Thurida,. luna 19th (7 10-1 1 0) OUT WlTH GREAT SOUNDS ENHAM . IAN ANDERSON'S COUN­ 1/ 4 per word AND THEIR FRIENDS THE GRf,lT TRY BLUES CASUALS Official Fi n Club. ALEXWUSH & JUNE PRESSLEY S. 111 ,(', Jo,cphlnt' PtlYII C, II TAtll'I JAMES TAYLOR S***************AT , JUN£ l •th, 8 p ,m - 8 , rn EASTERGATE HALL ( Sussex) 11111 . Ewl"Jl, Sun-~y. AND HIS BAND APPEARING TONITE ARE TH E BEXLEY , KENT. RI.i r k P r ln t t· 0 •DAVID BOWIE * FREDDIE KING GROUP YOU "VE ASKED TO CUPIDS INSPIRATION IIOl(!I . Al • n r.t,dnn BILL Nlll'S GOODTIME H.EAR-TI-IEY-RE SENSATIONAL c1!:.N!!_Y l t-.tL tt"V1~c~!! ~.~t dc r 11, l fl ('arll!tlr Strc<'l, W J. nuee sludtos •• ··~· . .,_. M-. ,~... ,.. . BAND DIJtD CUIITIS Quinttl Grr ,•n maR lj IOllchmend Mo-. WI 0 1-4]167:1 1 THE COMMITTEE FLEETWOOD MAC Man. Bl1ckhrn1h H1!1 Fru Qu in Surldllv June 15th FEATURING COlOUflEO t1•1 r nqulrlu - 01 ·71'H,451 A M ERICAN S INGING STARS THE POLYTECHNIC, Lillie KEN COLVER'S JAZZMEN Tlchfll'ld Stretl l WI Oxford 'CREAM' POSTERS plu1 mz AND DENNIS Circus Tuhl.' Adm1~,1un al (lour COOKS FERRY INN 3ft. 41n, • 2ft Sin Angel Ro• d, Edmonton, BILL NILE'S GOODTIME TONI ROCKET DlSCTET "' Booutifvny r•produ,ad NEXT SATURDAY IT'S JAMAi• ROYAL OAK , M J .S Club, LIVERPOOL SCENE Photo In ,11 .,., ond block CA'S KINGS OF THE SKA-BEAT Tooh•)' Slr.. rt s £ I PHIL 7/ 6 poi! pold BAND SEAMEN, DANNY MOSS , TERRY MondlY Juna 1 6th THE ETHIOPIANS SHANNON, REG PETTIT. A l ontlon J•n Centre Even.ng Sll~:~~:1~ .JAZZ• AND, t;11rl or ~~ ~,;,~;::nc~~=-~~ i'iVERPOOL SCEANE BARBARA ***************WED • JUNE 181h, 8 p.m - 1 1 m ~U Cord, volld 730-11 pm l1-• 11ar THE IT'S THE MID-WEEK NIGHT OUT SAM APPLE PIE S1 ~:~~.D~NEGH CDLY~~P ' Duki• ,\II old ond 111w !luewill• m•"'bot.n w 11 n . Fulhll lll Ur o11dw 11y T E RM AN .JAZZBAND. Ol uo G,..,l••P 111"- S.ovl lc,ncl 1t111•• lN J!ti,f>~~~~, ,.. ,. : AYNSUY STUDIO 51 .P,rn\ ,1vn1· J!I YELLOW DOG. 5 1 11 hop4,i' ,Sh- KEN COL YER CLUB IIOTTLENEC.K BLUES CLUB ~~~:r~·111 11 1~t~ ~ ~o":·w,.c~~rf." Clon, G1111•• Oya. Silo.- ..,.d f•bla. fil.., ~~ •n•••· • UNB IOI\.\ G1 , HlWltOlll ,,un TORRINGTON R•llway Tavarn, Angel Lane, E.15 DI,~,.·• l'olly 1. kott C-, fr1doy Jurie lJlh /Id"' 6. • ..._.._,._ U\CU.1\.'A '"au ..• t,IGH ROAD, HORTH FINCHLE't W~L~~ORGE." MORDEN, ALEX l !11M,-l1111Qlm1>•""'lil .....,.._,,, Jw- 14th CLARK HUTCHINSON '1ihcoo'..tt..-Ucn1,r,c ln>ldt• CLOUDS : THREE DOG NIGHT HAROLD McNAIR l()/ . .,,11d,,,:,r,c,, JS/- .,ndoo, W•foudoy, !un. 11th Ad"' With lh(' Blll Lr SllRt' Trio Nu, PLUS PALE GREEN LIMOUSINE PIED BULL, + ELYSIUM : ~ THE GOTHIC JAZZBAND "'""k Don R1m dcll Tidt'11, Ulllon, 6 N•worli, Slt1"1, l..c••N1 $u,,..,,, Ju- 1Srh, •ft-" J-6 p,, m COOKS, CHINCFORD W1orw4ialf0<1/i4:•I '°'""'"' '"• '"h A, WsQ-.-,. mood o,..,odo, COUNTRY CLUB STEAMHAMMER COLIN SYMONS BAND ...... ,lh)'tfln,S..._ , 50 ,o,~h hls11• l"o,o f 11 bo ~l W J ONt T lONDON \t•P'IW ~lllAOlft.to Ne.i Thu,.:la.,. JI MMY : SATURDAY MAYNARD f,.~ 1 ~list MISUNDERSTOOD =. BRIAN_. SMlffl Sal...-Oy "'""14'11l-i,..,... DISCOTHEQUE BEDF"ORD COLLECE. M,un SKIN FERGUSON PARKER ; Sunday_ Jun, 16th Bu{ldlnJ:' lnnt'"f Cirrh: R1111ct Every S..tunloy N'9ftt Rl'J,(Clll.. J',Hk ,Baku StrNI rn DIC'\,.~~•Jzat~ and 1r11nn l Jat.t n,1,,,. I PM. 8.tr PIEO • UlL BIG BAND MIKE OS• ORNE Qu,rt1•1 DAVE ANCEL ISLINCTON and 1---0 SOFT C.ELLY QUJrtC'I wuh FJIANK irA=y.:.m. RICOTTI. ucs Bttlf,,ra Cl)ll THIE ORIGINAL EAST SIDE MORGAN JAMES DUO )..ti -liitl.l--JACKIE LOMAX ---- MARK _MURPHY THE SHAM plus SPICE 7/6d. 47 Frith S-, W.1 PAT B OJ .-t:TIIWTD, ,.... .,.o.J ,,.,,. ¥we frot11 Mwalcl ..... lerwidt It. Gerranl 47S2/4ut DICK , •• ,!t , \lfllll)'( M ~ ... n~ lun,-1 •, 1% •\ IILL . ············································································· ...... SOIJN(l EQIIIPMENT 1/ fH'' word Lcwington Classified Advertisement Department A FENDE" \I , r l· d\ \ II. I. IM I 1' •• "Nl: LODY NAUR". 151-IU n ..1 SlrHI, London. t .C.4 ~~•'h ~•r/,~"'r.,r.: tl~f-4~1: ~/ . 144 ~ ,-•-W C:Z ALL GOOD qu•hly _,.,. und .,,,111p f.t 01 HOOSl4 fnqumH FLEe t S trHt 50 11 , E.1 171 176 1, '34 m l' lll purchurd fnr l'l•h WIii Ha., ,o..s,o ,., .,s...., call - Oran11t:l. 01 11' asn 4lTOSAJ1°""°"'9 PII.SS OATIS E._..ry effort will be mod. to include don ,fied odvuh5emenll received ofter AM PLIF IERS p., )' U kn<>• 11 n l'olL ..W •vt...... ulh• r m a nuOr turrr lh"t 1111.uun 10 • ffl, on tt\e Friday preY1ou1 to week of pubhcohon CONN ~,-~ lt-t'11 11 Je;l'l lf[IIO ••ti• u11d111t11 rH d Sl\.MEI ADOi'Mf .,_..,._ "" All l)Pl'~ uf ampun,·r 11,·11l11bh UNDER NEW MANAGEMENT ...'" JACX MAND l ...... 1 l"AUL Kon (~1 GIUS!.__.,. ... CLAssmm ADVIRTISlMINT$ UOUOKT INTO THI OfflCl WILL IE ACCIPflD u, TO AND lri,m 71 '"" Yr,:1 dl'lotll nh for_ 111i0NAtCH•OC.-- NO LARR THAN S.00 p.m. ON THI MONDAY , •IVIOUS TO DAl Of l'UIUCATION ...,_..,._ ''° fr'or::- l•i; =~~up~ ~u:,.r•,.\~'11; CONHIOM,..,,... mo All CLASSlfllD ADVHTISING MUST II ,11.,AID ~:~:,udr_y tt~d 1!-"• r~~•d• Sl\N.(IIMIIYI. ,.... ,.r.•;,~: ~Ut ~ u, .• nu p rlCt" d Hlu1trelcd ('llllOlllt' ltAJoll.KTIIO ,,...... ,. DJ •• SH.Mins....-..-,...,.. 1110 ». ~ ~ lfw ,,,,.,.,_ ,__ OI -'fhor- ed...,ll_ h vi lfl.,r d,w:,.l•OII Allhow,li ....,, ,AN A.o\UIUCAN. ,-t.d i • RAND NEW SOW I Pf'l kt' f tab1 LIN....._....._._-- MI.O -hWen"9....,,J•--••. ....,.,,.no1,.~fo,r clfflcDlo,rpro,,,-, 1 w,o,1 : ... ne t. n ncr hee n u1t d, 1'40 - 421 ,,..._ .aT10I ------17J .• ou.ss, •• ~ , ...... ) Sl05 ....._.,_ ._,,,__~ ---(I,., NAMWUCH.Of. .,... _,..._ '" •RAND NEW , so watt 4 x 12 I ..,,.,..,_ '""" .... 140 each - Jan. 140 2517 S•7 ~-iw._.,...... , MUSICAL SERVICES DRUMS TIIJION ...... t 11 11 MOOBSll . --1 0 / A ..., ­ '"UI 1/ 4 p ~USTOM*•UILT a mpllllt r , 50W, ) .. ... LIV9I ·-· 171. MoONMK; l4». -· ,.....,. 1/4 per word 1/ - ,,.r word per word l1 1nput1 built tn SC! lme r Echn 2 • IL aN.~...... "11 I U 1 ''" AdurUumonll under thl• ALL DltUMI, •tcu..,rll'N pur• A •ALI.AO 11 n1ins c art-e r 1 --...... be1dlnir are IIOT acceplcd dlaaed. but prl<"H paid - Ol ·2ll Me lro Sth ool of S ln1ln& d oH n ot ~!u~p~~=~r~· lt7ie: dbu~ ~e a?b~t ...... ~ ...... WICb ..x No•s. 491S promlH to ma k, you a • tar bul ,.._,...... -00. d ou train you to b t a profH ALL GOOD qu11Uy drums / '~u;;.;;:m.,.. .; ..... •~~J!,. " i•-M-OR-,.-~u- •-y-...- ..-,,-W-D~WIG~ - .,_--NO-W_IN_SJ_OCI(_ __ ,_ ...... ,. -•-.... -s--. AMAT liUa SONGWarr1:a s. hnd l lon • l 11n1cr All fully tralnt d tlhlnet plul Marshall SO, b oth In; In; "" ""'" Nl,I your 1onp or lyrla .-Ith S A E acct11orlH purchued for cuh 1ludtnll auu rrd of protu1lon 1l Wl!l <:all. - Oran1e, 01-831 H74 tmnut 1120 o n o - Nollln&h• m _,...,,,.. w tu lllddlesu. IIUIIC'. 11 Byron worll Cluh1, T V. rad io. urord1 81111 twtwc- u I p m and i p m IOI.GI HAYMAN KITS..._ llff. h,.._ Sol,H ...... Goid l,,gol . .w. • ..,. Parade. Hlllln1don. llldd:11 A LUDWC, Grr"llch or pre m ier Fo r ,nice: tc-s t to H H 'H your AIJ•1•S~..,,tDt.,.-• .....,, s W0WIO Km, mu AT ntl OlO rasa 0, U63 ,,.._ pr- tGO ·-· A ,1 A• lltANG.NIINn. II Mel kit .-anted ror ras h - Top c u r pole ntl• I Tel Ol •74 tl 922,., bil lW et· n Sl~V:NISOUND a mpliftcll tlon C1.UMn ford ,\.Yf'nue. B• rlunr Ol-5H Ott 01-240 2347 3and l pm A ,m m o, PAtsll CYMIAU wru II OIYIN TO lMI llkANC A. _,_.,, ffO MUSIC TO L Y• ICS. Vnlce, llpt' AM E• IC AN CENTRIE-l" ULL HI A • IIAft O w•• 1ultar atudln ~T111fi':t~~D1nf1~°<, HT 2 CU ST OMDS TO TAIC I ADVANTAGI 0, ntlS UNltlPUYAIU OW11 no" open Proteull,nal tulUo n, ~~:rt:;!.:~~I I &H IMl'tllrl.U ,26. ,.,,_., c l111lca1 o r mode.rn From l0·6 ~: rm o l~n!, J ~ft! m ~f:a~•~!: ll• h~ IUml-.,-..,. OJ::~::;t; ~v•n:•~ :,~~l.=~:4n~.::£Lrnfr~~!l, :Je•dit .. 1•------a ~ :::~I;~ ~i daily - Modern Sound. 1211 R11t n1nund Showruum1 22 Otn· IOlJNO CITY AMltJPKAnoN ""OIIOC_,.., ..... ,..tad 14• ING, toi,Uno•. e1c.-sm1 Rich, ca n plH llc head,. half price - Charfnr Cros• Road, WCl CO\' 11\Mfl: CONSOL!. .,~ m1~kus :r_:~- w_c 2 :ioA~8:36·1PA ,.,. ta:~ c_. ,_.__ ,.._..._ •.,..,~.,...... _ uo 550 017 1 (enntn11) D.rlfnrd 24•49 1187 111 0 nUMNn QUALITY DEMONST• ATION A l"R EMI EIII:, AJax 4-drum kit ACKNOWL. DC•D • RITAIN'S •mpllfll'rl. loud11 pralct'r l)'I IC!mt Mlo'l'N1o,o fflGUSOH .,... 111J records Suppl) tapto1manu1crlpl barailn us. - 01 -n~ 4813 bell ltat'her SAXOrHoN• / CLARIN T Pr1Ylle IC"HOO!t Be1Jn dl•ca lhe r,uc tqu1pmt'nt , snunfl cmu.i ,,.,t.c., , , 10 - Du Mu11c. 85 Blunon Road A• E YOU h1okln1 for a buyer • m l xu~. t'lt' lland-bu111 to )·QUr 1nsowo,o,, ••...., 17l Htoron Cros~ Stok,, Sl1f'r1 for your kit"' Drnnt, Ch11ppcll wtll ners / a.dva nctd ADYICII I IHI/ HIC"t'l INST UME NTS Alsn 1)01111 own ptr!lnn1/ 1pt't1Rcallnn to 11ve YAMAHA C~, _. u:a SONCW IT E S. Utmo llpl'~ by at'll lt for you - 01-?2R 4!1:J3 • ORGANS <...... - • • 10 ynu t'Utlly !ht· sound 1nd 1i100(L JI - _ _... .. 121 C!J:'PNI arr11n1l'r Mcl<1dlt"I 11> BA• CAIN S FOR drum1ner1 Why 11pp~~ rancc yau reriu1rc- tncrt"d· 1 1 p:1y rld1culou1 prtcu· Dt nm1 ~t,~~~~ -Ns 8:1~~"r 1i;°1t/~~-~·: 1/- per word MAURICE PIACQUH T\OM&OHl:S !;,~~ullne: "~r•7• l~a':::/~;"<'?;11~. N il liNTt•rprl•<' ,t 37 lbly low prltH .1!1 we de•l dlrt"tl ALL GOOD quality org:an pur• l'ha pprll uffcn you kltl from no w11h tht cuslomn - Axti. ,11-,021_,,_ u,...... " tl6) Enflt'ld M1ddlt-lt'X ENF 0564 Odd drum,. 11and1, cymbals ALL STYLIES rO I" SINGINC chased for c:uh . WIil Cl'I II - C.UlTOII. IWf. t Oll'-S,(OWUR tit Rc-C"Mdtngs 1Lnndnn1 . 14 Ar hn11 ,1NOn ...... -, .. o;ahr! 111 0 1mornln1s1 CHCI, pC"dDII . In lat! all drum­ MAUlltlCR • URMAN SCHOOL. Per Oran1r, 01-11!18 0374 IIO~D#iY,Ufl, 4 01\llG,c.ovtrn al CONN 74H .,.._.,, tonal or po11tal IUIUon, bOlnnf'n 1 11 tt'5 TOl"LINES, a run1cmcnl~ mers· requlrt'm1•nt1 at rt'1ll1t1c 1'~~7:;flt>~':r!co~~ri: • AUER PO.TABLE. H•mmond lltlll"WOOO, IIIWII, (OIIINlt l!T m IIM' llttl ,.... _ cncouraRcd.-137 Blckenhall Man ~;~; l,~~r/'~1!•: u•fflpl••• UI 1112 tOO prltl'~ - Phon ll! any tlmr Dl'nnla '-frYICC' abo avo11labll' lypei 1ou nd. tOJtl '350 Jllll munlh• nOADWAY, t OIWI 1n. ll1J UI UONATON(. ,.__ ,..,.,..... 1 alon1, Baker Slret'I. L lll'ld l'B ~rc:t t:l'1.;s,,.- Phonr JS~ OUIU'IC, tm. 4 •nS. ll(W Ill cia.f~~ ~ L2,1 i~R~~lNs. - 01 -728 :f?t 1 8 '" RECORDING STIJOI0S 4813 AU•R• Y FRANK SAXOPHONE PA'I wal'l\1.'d WIil l"Ollert - (0.i) I Plflllr.. a&AltOGAXT. 4 QT\ 1/ 11 as POSTERS DllUM KITS, CIHrlnC't· prl~I. ~II.INST TUITION, Btllnneu FUL •130 , ~:vrn1n1, Rt.:N ~"i~6 HAMMOND, LOW• EY AND J.Dll.1111 (fflSJ,CO• 'UTI m 1/4 per word 1110 c)'inbal1, all makes, acces• lo a d unced . - 1'2 T he Whl1• MARSHALL SO l" .A. Mid twu ~ , l'HILACOIIDA O• GANS. All 2-DIVIII (IIBL C.Oll\£Tt DI I • ptr \4'tlrc.l A•ANDON AaSOLUTEL y ,our 1 Hou,~ N W.1 r:us 1200. H I l H 10 Kc-\h- cnlumn> o, 11 n" - mlldf'II Ne,• and scc11ndh:rnd ,tmSNARE drum, us ln1l r umt'nl1 1uppl1N1 nlr F"IN 7389 Oownb1m. flromlt) l tll-S2tl 3706 01.sn S228 OLYMl"IC 4•0RUM kit 1l11nds. ROGIR K• RR 'S D• UM STUDIO ,..1111, £20 50 1u1t .imphfit ,-.. 140 lilHOll(ULm,llf• mt - rOL 1324. Baker 7S wait -.pt'ak,•r-. !12 t;v,rry and nc:ondilloned C1\I or w.rU,• AVAILAaLE NOW Wllh FOUR cymbal~ bar atn [4$ - 01-228 10 lhf Pr11 f1 ~1lun1I Oraan Spec11l MHSIW.l IOI .!JI' & tu, ft 011 ~"~ ..";,d •;,t:!rr1,, nr;;n f.,r,in1;! DRUM TUITION J.u1 pop lhlnR JlU&rlnh·• d I )"l"Clr - Phnne TlltACK. Studlu li for m.ntc-r ~fill 11\\J for dt'II\IS Of litll ~, 1nuru ¥OJ TM I.US AIII' I tu UIS ~.irnpln dt"l.;111, Ph"n, f'lu,,,1 '""EMIER HAHOC'i,AHY kit. f1,ur 1 Bll!'lt:ln 11,11 J«l'J.1. order lrum 7ll r,·c.irdtni;• SONCWRITER'S :1d'.;.~.~l~.~rw:_ :,ul~1 .. bl' Kin.I{!\ Ru.ad. Rli,:-11:ln Hilt Kr-nt m1-oh 1mpllflcall11n. p.i rl t'X Ali ml.O D llr5T'P Mfirn~••tf Till i -4 DEMOS, ,.,.,.,..1on m~n. 24 hour drum~ c,nc-• acu111orll''- t 85 ;~~~:.~t - chlnttt' and u11y 1t•rm~ Oqi:ans o n o - Tri f'[L 75,s; ELECTRONIC OACAN h-JMIO~ srEAKERS f• r u1f'. Go ..dll\.JOI t'r\"IC't· C"fflPflHIV(' r.lll'I - Ill J!b RftB, ,\ud111n, ~O,..att p,111 Top Tu,, nt, spl11 l rom t:50 - City Elrctron1c, 1 J .. CHUACHflUD lOAO l,;nr.,rd Strett l.t)ndnn W I PIUIMIIA. Lud" II: or 11 mllar rrnm Prl\~11 1tri•11p~. mod1•r n nrRan pt.mo. Hummnnd' b1u v,,1 30w.ill c4t11ncl ah• u,1, Ltd. Rrn.idwal k. Pln nl'r Ro.id ACTON , W~ "11524 HOTELS <;..rn.rd 1s.,o drum kit " ·on1•d for c a.s h . - S11rth lhtrrnw, M1ddl1·",. 01 1,r,3 U,wn·y Ori; • n S tudio~. 7/11 hourly ban gu1111r~. (10 and f7 - !-ih•\'l• 1 EDEN STUDIOS Top qual Ll) lt•nny (d 1y) RIV 2:181 . (uentn11 111•1 1 4 pe,r word CO P 7701 . f"u\k ,11uih r fl u te cl.a r h1ct and 01-8211 27114 evt•nlni, ftl"<1rd1n ·, flllil l.tpr to dl~C S,11lnp hnnt - 21f Ardt•n Rn11d TWO LANEY mu w,111 HAMMOND Ofl:CAN n .ind P R-tn STON EH ALL HOUSE HOTE L tlU ~.-rv1c, ~en'-lblt' r,lllt'I - 11 Edt'II PREMIER LUDWIG. ~i m ll~r kit• ,..;,nlt·d WIii n1\h:-,·t - !Day) N l f in 4H6 a.m pllllt rs t·a~h ulf, rs lll tU f,. r h i re '""Ii h1 r r n •,1dr11c \ Inn •h YI ,c fnd1 •1r11-d.u <.1rc-c1 Kllli."t••n .,urn•v 01 !t4t'i WRIC GILDER SCHOOL OF >1194 Fln( hl,_, U711i r,1,111 11d Ir• ,.11,f.,-.1 1i .. 1t\ T•'lm, '.',\77 .. U l 46'.ln IF.HnmlfU RF N -1 5~8 T WMUSIC MUSIC t11r &II , ocal antJ ln11ru• I/OX A.C.)O SUl"ERTWIN IN• h •h• ·n, 1\1 tl,dl Hot •l\ll ("Old J . I. • . R'fCOllOINCS i..rnu11 PREHIE" 4•D11UM k it s ta od11. LESLI• TYrE ~P• Jk• r r.oh,nt'l act·r -.,rlt'• b,uea1n t 7~ - 01 m11n111 1ulthm. W~•l-1:nd Studio• 11 t , - flt JOI UJI ~11 .-r "" m 400 LILLIE RD, S W 6 full , T'llr lly lu ,ohd 1111 11•M•1• rc-cnrd1 n1 Hamn,ond n raan 4 ~~~N1~/!T~h,11~r i11~·,., f,", ~\a,,,:, • _._, ..... "' I, lh \tll'hl•l'I'• TV ~acu.. 'Multi l1"1tkln11: tll&h kvtl d llet, 1'!11 •'- U ~~~ ii:~c 7Qt, T:~rr~~~d~•ICr~r vox •••o, w .- 1~ 1ri . •.1r11 , ., "' - 1\1-M" ••!l!ll UI 5.4~ "JOH ROSE MORRIS kn. must !it'll lni:'- GIISON s, .." tU'll ''"'" 1 :\ Jc/,(' r, ,11mrn.-nd1•d - or U:4 47'111 YOX 100 WATT ainp With 1m ll.- r •• rJran\ w~nt.·d f.,r 1,,~h • \\1 ~h"l\,h, h1rl- Jin.id klal'k tl llO Whnr f l,a m c with n1u GIIS(»,IH1 tlOO STUDIO SOUND (HITCHIN), Ci,UITAR, • ANJO, • ASS . a ll BEATLE cah f4 '- 121 00 - - REG 71',',4 lu,.. I untt,,11 ~f .1 CII ~ ji, p;fl~ Dnn· 1 dflll)" - R1n,r 01 540 l t:!O u, Rrt·ord1n,: Studh-n D cn,o'IJ. Ad "Yle~ 18% 4:i37 boltum t.1bln~I Nr""· m1•dt"h ll!II! dr.:1wb11r1 U'.111 - 44~ 2!t1~ KNOii ,,H I• •- HS pair, 14 1n Suprr Zyn1 VI p.a 1r d r~!C~~lllllnGR!._• Y7~ii 2T:rtlell1l - fll '4 27 k5111 ffHOUCtn'-f.J•- CIII P.i1r l ~ln Pahtc 60? l )' m TRUMl"I.T / TUITION . - Tele• ------FINOII S•••t lllO PRINTING b .:11 1~ ( HI Pla,uc hc,1d"' u r phonr 01 4511 l!'in 101, lru m ,• n h FOR SALE NfMIEI 1111, .-.,t.1, ffl lkln• and all N ,·w P rl' m ll' r .iu l'' 111pp h t-d LIGHTING EQUIPMENT MAISHAU 10• .., ... , tno 1/ 4 per word OT!t'S Pu\! 1' rl't- - Premll"r J,'- per word l001 Gn•y Shrt'n S '0. tl ll . .S~·umd· ~~m~:;, = An.,. Rt 100 CARDS U Ldtcrht-4d) 1/· per word UNISSUED D)'lan 11pr llfftr IMl'ACT 60 ,.,,. • • ll. _.,,,. 1111 lll - p PS Ht 81wup Road hand klU with lour Urum, (r1•m In ffi,,; 83117 £SO - Trd Warrt•n Dr um Shop. AffiNTION All DRUMMERS I CHEAP STROBES . - Td ti! •U VOX ,_""-"!.. _.., :a Co. 11 JS Tod1nutd,·n. Lllnn •i:Z8 30 CWT lran)l1 f,1n t,..,n wh,·, j IWINSeutt~ "- tlS £1 ~4~ Old Ford Rfl.ad. 811w. E :,_ 11110 10,000 HAN OBI LU 10~ STRO • E. ru n n tJ - W n)lln,: tno - Sim 6 491 Ofl:UM ll, lt. !•- US ~11mph·-. Wht!m11nl Prni lh 1611) Al~•• S-11 urd;11~ till S 30 A.nnouncing the THREE MITCH M11ch,ll·l)I)(' n ·d 4;60 '° WATT DISCOTHEQUE. n tw. N, AVAlLAIH All •"' •-• •-• Ah,unl Pl•.11~.r,1 RoaJ Lundon STROBES us-n~ - 0.Jrlfurd tnmphtl' t"ltTllt•nl (IO - f;f.R ,_ •oM fUl 46,)0 SF a, - fllf9C! :?ti911 npptr A.Ju l.udwaa ~narr 1,1u~ tl30 "n n - 912 ;171 2fiJ!il U71 t \o' IH ni,:, n.., kl ~IM"A'I' Auo,,d,.., "-• 3' 11,on 16 TRIXON TELSTAR.. rt•d ~ PHIL SEAMEN _, ~.,, 1 .... ,1 ...... -·- ·-- .... EXPOSE YOURSELF drumt 16~ Al~u tht"ap 1n,1 rt·' wt,«i.. .- '""' ,.._~•"' 1•+. ~~ F.-Nd cymb.111• l'I\ Odd d rum~ - W,Tlo! lrTHO ..... OTf"l 'IIINTS - .... "--' ~ ..... "'°"'""" ...... Wtth 11 tl. 1J Kt·nll•h Tuwn Road DRUM SCHOOL TERRY WALSH & BOBBY KEVIN _..,.,_r ..... At•flo•CUIOO, u,Jo .. 500 £5 Camdrn tt• l••-•- ll• 11_....., t.-...,~ TR1XON KIT 3 d rurn1, n 11 snarl' in °""T - .. .,..., NOW lllvrt<- Cato...... , Opening shonly the ...... "II ~land, cu111:lal~ and li llln1~ heart of London llll MUSIC (0•pl. MM61} WALIER REPROGRAPHIC mTEMS ( ~,WANTED - ·~· 1432Ptt• rn lrr 11 £: ht blue SALE SALE 157/9 fw•II ...d . SUUITON, Su'"y ~ Pt'• fl ~11 ~h h f? r1nl - 01.9;7 All interested drummers I MAl'Ll STU£! r .. ~w.i.-o,-.,_,,Solwrdo1 LO,,,DON w l 01-04 I~ H4fi should apply now for full details direct to· GIBSON 350 £.180 ELECTRIC Solids from £7 GUILD Siam,. B1glbv £65 PREMIER Blue PN rl £80 PHIL SEAMEN FENDER J 1guo1r £115 PREMIER Gold Gt,uer t90 5 Leverton Place. London SUPRO £60 AUTOCRAT K11 P•rlect £65 HOFNER Pre1,dent Acou:111c As SOUND CENTRE CA~ON K11 Complcne 16 Hi9h SttHI A,c.'9. MELODY MAKER CLASSIFIED ADVERTISEMENTS NW5 new £22 ":100 FRAMUS 9 -sinng Un,que t16 CAlDI" MODERATE FEE - ACT NOW OTHER KIT S from £36 TIL 34011 UNDER FOLK FORUM & CLUB CALENDAR HEA.DINCS BEFORE IT S TOO LATE t BURNS V.sta Bau £35 SNARE DRUMS from £5 FR/\MUS Star Bus £32 H MOEt s.... ,.,..,.., ~, ~• ,. BARGAINS IN SI H ZI LDJIANS fl:NOUT.--- _.,,.. HOFNER Prelldentt from £25 SA.MPLE OF COST AND TYPE SIZES AVA.ILABLE WEM 100.....PA Ne w £175 ffHDfll T.i.c.o1.,. ,.,...... ,,, LUCKY 7 Elec1nc £ 10 FARFISA Compact tns LUDWIG Super ClaS11,c: £210 Fl:NOUt,, K .,.., .., .. ,.._ JAZZPi'ANorum7o CAPRI Organ As new £1JS Gll.$0N S G ~ by young quo11fied l•ad1e1 WEM TIOIJCO £90 GIISON S G Sp.a.I Glas0Nt..o"-I \It orchestral and piano I Ir 11 l" Ll" AS E HOTF ,d••tll ,11,.111" I 4 per wo

RAI LWAY HOTFL DAATF'OAO k p t •~ th apr,llt ,I wOrd o1rt- t"n1r a ,r- 1h1 NOW OPEN. , tim, ApPrO.-: 2 4 I •1 , GUITAR ,, 1h. l,1 STUDIO Prafess1onol Tut1on, PA.NAMA LTD. clou1col or modern I ' • ~ .fl •d \l'.,l,ll. Also \Iring bou Olld bou g!,11tor Oo1ly f,om 10 am -6 pm JOHNNY Sil VO NEW AND SECONDHAND IAIOAINS MODERN SOUND GIIT&IS 121 ChDrin9 Croll ltood ll(h11bad1•• Cullo11t1 Woo, :,. London, W.C .2 pidi-vp,1 lllD Gu.td S.flu.. covttlc S"""'-1t Tel. 01-240 1167 wtut.,,-:._"PI ll,C HARRY BOARDMAN } A ,...,,__._..._. 1110 o,i,_ 11s. ~ 11,0 ,.....,~1'1111.--- 1110 Epl~ltwl .... --.. tfS TERRY GOULD COfll.,.MCN Solld a...... , 134 c...... ,. lold 6 5191111, • ,._ l:U On1111M•S.•ocev.--- MIKE CHAPMAN } buo• ..., -....,_.. -- .. _,,., ...... no ,, JACKSON C. .trtd j /K TIITION W~IITED ·----=..-.::.-c..__-..,... 11:DI... I 4 ~word nd GUITA• LIIIONI --- Ill FLAMINGO e.,,-- L------·~:::::-v -.. •-w- .,, . •~ ...... ,,. ,... Stlmtr MUSICAL IT 0 7 U7t PANAU GOOD INITRUMlNJ) INSTRUMitifs WANTED ,01 CA$H '"'"°""'o.,,e.-..,u.... llJt M nKH .....•4-M •---, lllt ,.,..Oft# .,,._., ---- uo flHOU 0....-,. . ..,..,,. OJ ,CNOU IJ'h J,au .." ••••i.• llU RNOClt.i_,,., C.,."t.. , "'9n: lllS FUCIU ...,...... -u•s PlNOP '°'•-•., _.,,. " __, tts ..-,.c)Hl ...... _....,,11 fENOU Slr ..M.,I ...... ,. as r,t~Wt1...._ 2,/ , . ,.. t115 ~Dl•"'~ ..., .-4 no AMPUritt.i G UIL DSt••· .. • • • .... , 11 0 S&MU• • toc.-.n.~ us ,,,.ts•.., taMU l.-c. SO. ~ • ,_,. u, ,u1NSO-W. • 11-.,,....•- W MAIJt'AlLA• l1~. 9"" t10 UJ,ttONE C-•- • ..ufl•"' tllS YO)I , _ ...,_ ,.... • "" , ,.... GIi.iON no. W.M. i... .,, t140 Ga$OH SG "'"-'''I. ..t_, .. -.,. ll-U ,,-,,,.I.WI01...... 00- ..,. .,.,.,..._ ,m.-"' GIISOH SG .....,, ... .,_ n.-..i , ..... t. 10S u,,,.a.o.. ---~-.,.,. Gfl$0NSO~. uuil'- U)O 1111i,.1CT4•1'1t1 , .,,,... . __ ... __ GIIJONSGS,.Ci .. & ..,.t,y ...... l 140 ,.,,.cr1.uia...•..,.•·-".. GMSOH 12 ...... &,_...,_. l110 DIUMS OflSOHJ'-JIJ~w.t.,o,..-.C. AJA)I...._.,...... ,._ UIO ~~ ll7S ,-.-l ··""--- tfl GIIS~ L7C, l•--t•I• t700 WDWIG•,oou:s ...... it ....,... .-.a- .,J. IIIO GIUOH SG C....-. :I ,1•. .+,,ti. '2$0 ...... _._.._.._ nn HAJIMOHY H77 J " / " ~ . ... US ,t(Mlfl ttY•I • • f\W• ti It GtlSOfril l7SD...... llH IOGH.SW-fl'-• tt.. It.I t! "U vox,.,._",...,,,...,,...,.,,..._.. °' OOGAHI vox,,,_._ u...,._ '"" tu fAIASA c..,,,,p.c1 o,.,..._ ._,_ tlU HOfNII v ..11w .., , 1.!Ml•N ,,_ us tllE COMPlm GROUP SERVICE-BUY-SELL-EXCHANGE­ ~1110"1-. ... 1140 Gt nscH DW• """'" .,.., ..... U J ~ VOJt~ail...... CUDIT TUMS - WHILE YOU WAIT AMP REPAIRS - ALL GUILD SIi., JI-. • • ite• US u,e MAKES OF ORGAN SERVICED AND REPAIRED - EASY IUlNS s, l,t S.-.111 . J ,1•. u ,_... US VO Jt~•1 -.&--• '11.5 PARKING-FREE COFFEE-GAS SERVICE FROM DAVE, RICK AND UNCLE ERNIE NEW IMPACT 60w. P.A. System, complete with leads ond covers £ 147. l 1.0 S81C1lONOf ~ S-..--0..-.-_...,..,.... MAIL OIDH HIIE l't/lCHASE ,All fX04ANt:fs

202 KING STRUT, HAMM.ERSMITH, W.6 1••-4 I~ ._,...,_, f,- , .,,_ ..,,, ...... u...... ,...... o...... ct u,.., KENNY NKHOUS -11v.,., .... , .. , ~~o• ..-AU1W;'II - •- inc.o1~ ._L.L.LILA....,. ST. MUSIC STORE --co-• fl•--~-- London'sPtrCUssion CIT¥1145haftesburyAve.,london, W.1 OUITAU ... VOii ,_,._ ••12 I n DRUM OUILD St_.,• t1000 175 SILMta ••10 c.a.. UJ Centre 437 9353 PlNl)H -~• _,pad...., tto MAUHAU. .SO. l"A ,. • J, Oaft. UU INSTRUMENTS WANTED AMDII $tr9fM-.,., -•~ ...., t:to CUilOM Mr1I I .SOW ._. ,... JOE HODSON DAVE GOLDING BILL HOADE JINOH tMM•l•P t•S t-,. 17J JI- per word u-t,NONI , ...... ,...... 1100 KlMla °"' .... I T' 11 'I SO n s !MAHAG ll l • PINDH t.i.c_..,, _...... 1100 \IOX.S/ ..... 100D..._,tt-,. ..,7 &7S A FENDER, G1b,un j,I U1 t., r. It-ad OUlSCH A,_,.,..,.._.,., '1 • "• 1100 T.O. c .... l9S ~{~p U~~.~~ll \ r ;7~1r;-,tt11r t:i11 h FIN~ r-t.r, 1 l!v•• • ,...,. 1110 &ASS GUITMS 11 LONDON'S LEADING BAND GUTKHa-tAfll.,.,....,_._,, ftNDU J.an .... ,-,....., l1J.5 pu~~;111~go,~r i~!l: t,1t~::1t~ -QI• ,.,.__, -, ,u:• '1~S CMllSON LL1 -r •- It IC, 0 INSTRUMENT SPECIALISTS OfUON H.115, d-,r,y. _, ~ '150 HAaMOHT s,- a... '- U0 Or~f~ ..1A~::::·~!~• PA unlu; and OIISOH 1750, .... II~ DOU9U IA.IS a-- ..-:•·,._ US ~::: 1ul1ar 11npllfkr• - REC offer o comprehrmsiYe sel•dion of all Percussion , Brau, CMUON s.o. i.1u oa~ ~ IICQNIACKD, 1, o9 lllS ,_._ AJAJt !Cit,"-••-.~- l l ,O I CLARINITS. FLUTES, O• OH, Woodwind and So J< ophone Instruments A.Ml'LM'~ l'UMIU...... ,..., ,,._ t•s TflUM,ETS i nd 11u od TENOflS VOX ,...... _, ,_,..~•• Ito ,UMttl. ·• ,._. --, -' ,.s wanted u rrtnlly. - PAN 33/ 1? 'IOJt s....,. •-•lo Tw. CN ... 1t•s Of:O~ Wardour Slreot, W l CE R 11171 LUDWIG VINCENT BACH HAYMAN MAISH.AU. SO. .,11, 4 , \1 C.- YOJt ~ _,.,.. 1150 or WOR DUI, 1ft., 7 p.m l:lSS f.t.lflSA c ....,-, . ... poll un Cil • SON F EHDHt i,c u 11u, 11 nd KING PAISTE SELMER MAUMAU. so... St-k. - ..... 1210 Vax ..... 1:108 b;1~,, ·, \I M1 h·O W ill n•U1·1 I (d11 y1 All INSTllUMINTS a OUGHt ,oa S,Ot C.ASH MAIL 09.00. FUL 400 I H 1nl ng1 ltt;N .UH AJAX PREMIER ASBA GIHON, FINDIR, Manh•l1. Mlll PUIICHASI GOOD SHYia PAIT UC.MAMOlS Vo:a. 1u1tar•. bH~ 11:uuan and and many morw SAXO,HON(, a..uJNn, AMf'Unll UPAIIJ ON PHMISU ampllllera w1n1ed for tuh - P _,.,...... N .. , H G. ••i a 1ecl ••po,'"· ...... ,.,,.,1:.,, .....,. .t Phone RIV 2661 d11) , C'OP 7701 Our Secondhand Stock of Instruments is constantfy ..,.,._ ,,...1,ta"'M•,--~. ~nnln1 A-•...... _..... "-°"""" Qv,d,:-... .t..y..i,_..t(W,.. 1 GODO GUITAflS, AMPLIF11"5I changing SETS THE TREN D .. ,_,..,." ~::h ~~II ~~Y:1!nl~~u~~lt~l a:* WITH THE NEW l>All UCH.\NOt - UIOlf JACIUTIII U71 PAY US A VISll' TO ENSURE YOUR BARGAIN AU 0000 QUAUn,_. G1ou,, lOUIPMINf ,u1CHAJ(O_._. ,oa CAPI __ ... _, .. ... 1 1 __ 1·!~~~,c~t'II ~.~~~~ . J''~ur,i',~" 1.1.-~ PURC HA SE, O R JUST CHAT AND BROWSE SMOOTHWOUND \·In with .. tr,,11 nt-l k VI L·X thJtll•' II fur 1 6 munlh hid llurm, N,tr\110 T d ~~;i 1111111 jjnn n p rn H.P. facilities ovoilable at 15'!. deposit on a ny instrument. MUSICAL INSTRUMENTS, am Repoymenh over 12, 18, 24 month~ n,-.,11-•''V"'tlO'IP THE BIGGEST umE SHOP IN THE BUSINESS plll1l· r , drum~. I'll , \\IIOll'd f<>r U 'i h wnl 1.1111 ;ind u 1lkd - Tri B D.A. MEMBERS ENTITLED SPECIAL DISCOUNTS 5.• ..,,_.f \l'i.-iplo,n"°"'' Jrd -.:i nt -lf5~ ·7911 c.;,.....-.d Jrd WANTED. c;o oo SECON DHAN D ••ct ~=lA~:. U~:::.1i,sea/UI ~=~:. , "4ow,,,~ frllOSOlJNDdNI,,_. KITS.1 ETC., ETC. SPOT CASH 25/5 ~ ,.°(HiNS,PH~E ~:s/A~~ DfA 1 IHE WOOD'S HIGHEST --~... foci\/~ I-low lftd,w,-. Id IMv,cO,w.. ._,.J DOCK ROAD, , o ,LA•. E .1• ( N it I BLACKWALL TUNNEL) P HON IE *IVOR MA/RANTS * GRADE INMUSIC SIRING! 10 Uplord Id lul..,i,-t"' ,_,. SBUNDCtlY 987 $)'16 Bri la, ns Lead,n Gu ,l or Ex ert MANAGH1 DOUG WIS :,~~-r,•:~.~t,;~v~, .. ~t•'~;; ARISTA OF flAMflf(O GUITAIIS .... OSUJ OllU !IIG srm SUTll[lW0 lot WAnOII IIW IIOLAII ILEI SJll(UII Th• WOfld', lorgest Mlection OIISON 11.SS IIDUClD NIW OUttAIS no I OIUSCH C.-"Y 0.. 11 IO ,._.., OIISON 112, • -••• UIS GUILO s ..rll,. n,o INSTRUMENT REPAIRS .._,,, rur40ll 11 .,,.. ICAT .... .,_.... IAJ ~6~~~--~==-- c...... -. 114 per word =~~~~1aJUANDAMONTAGNf =IU::9N I NOfHII Ynlftwo I» A •• AUTIFUL JO•, ou•rhaUIIJ. JUANALVAl(l fl l lllfll At.V.U:U,2 ltO.- N•• P'tNIKI C__.. • 'I llll"'" i,11'HON( 11,..W 1120 I N••·- GllTICH..... UO R•llt'QUtrln,: ll-7 dl)'I by ap• ALDWIN c,..,_.....,., ,,-ct.._ - • - polntmenl. Saxophones / wood • CONOf:HHJAA,NOSN. 17 100,11L Ma 16 t0p• H•• GIOICH ~ ""'"'" l1S0 oo bet.•..d n20 Mo'' '° .- "'-• YOJt l'l,,,u,1- .." '67 9 AMl>Uf11H r~~t,~br;:~Ni': 2rsE~olJ:yo ~ ~;h eo ... ~ .. ._...,.,_., MA~ TMAS No ,o ..._ ,._,.. ,._..US l' -~ l7S SAVE ££'s BUY FROM USI N,w alC... IACIC .llt 11,0 MAISKAU 100w r.A. A .... us L•nt, London, N. IJ _ Enu~rprlso Con only be obfolned "-i1 N•w fOIOa ...... 1. lo;Jfld uo tlUJM,t,4 100w. , ... 41 1 .,~ ...... _ ..... hil_ Z..._ JO -.. Haoa. :,~, :, ~ LL GUI TAR Rrp11lr~. refnt 11·on IIIAIR,tl\'TS Ml Slf'E .'\.TIIE lw111 hflk ...... -."-'9 1s .-. N.w MATON, 1,,. '" .1 A.C,100 ,.,,._, lln1 new nrt-b t'ln&trbnarda s. 'A11110Nf ,v.cf. tONOON w1, u.1 1n 01~ ,_.1 ...__._.., ,. ,... , ...... ,. _ ..... ~ ,,.. • vox •-"'"-" ;w,oy ..... 1 11 ... L""notl ...... ,- .. ,, IM.,._... c.~. ' 17 tl'pnUd1ln,:. - Grlmc;haw Gullau: O,u1YMrM1 ll.l!tOIOUW:¥10 ••1111 r.it.llMIIO ~ ..... JI.__ ,... -- _...... n U2.1 IUIN Am, j r. .. Ail•• 14/1 • .,_ t it &.i.t;a 11.­ a..a& ...... Miki!...... -..-... n M-"'I' C 11'1 (14' l(lMCI 0aYW C.~. aw.. Al'lhM ...,_, _,, ,. .... :!! i1,.r,~~~•i75~oultl'nl')I Sltt'l'I. WI,------~ u ... OIUOH la,,..Nr """'•c•-.t--, ,, .... ~u ..... ,.w....,, •.- HCOHOMANO IMOAIMS VOA 100... •.A. 1 .... ., ...... ,-t• c, ., .... , _.. , • ..,., __ _•-1n,-. Ill O,IUON C.- 1Jr~~~~x:,~~-~~~v1~7~n :ir :~~~:1 ...... ,...... r------.. 1 )f()INP c_,....u, ~ -4 = ·-.,_... 1, -..,.,...., - 1,....,...... :u.,._ $.0 ...... ,w,, 1140 I CU. VlOUHf m.1,._ 7,1 ... HO INSTRUMENTAL TUTORS ...... 1a .-. OIITKH Aftal.,..,.._.,., 1 • ...,.._,_...,ii_ f.! r:::~r~•· Al,~U)~:l!d tl!:~•~:::j , ... o,...... ,~ - - ,__ ,,-...... ,.. n.-.. 1n -.1run11 nh t.ouahl - Tl'I 61·437 ..,_ - 110.- VuACM ...... JNSnU_M_INTS__ IOO__ OHT--'--.- -H.P. IAClUTIH Ht •. ur C'llll, II llan•t'\ Plat't•. off ClMN! •• .,._,...... n ..... , a ... Wi'rd,1ur- '-In-, I LUI W.Htin-t ,., 24-HOU• AU ACClUO.llS • ' Alf ,,,._ ...... , ...... , 4 ...... H•All SIIYICI • IXCHANGIS NUM s-• IN,_h I • ..i, ...... ,---...... ::...... - == OUff.U l,.&OO O«tlShc.p,, ...,_ ..._...... ,. ... ,.,_ ltilwva-" 110.-...... o.w...... i-- ...... 4377486 "un o.~1 W4'wloi70. ....,S ...... i •1.-. ._...... ,_.,... 124ShaftesburyAvenue, W.1. Ol- . PLEAS£ TURN tlUMJlfT N ..._. ...,_,. W..M 711 1, ..,,.,... u.-...... IAXOf'NOfa J o.r .., Wwllii. ..., ...... ~, ..... , ...... ftOMIONI t Dot.. y 211- _, .. ,.... ,. ·-- 11-• t,; , , ... llUMffl ~ su• ...._ ...... , ,1.,... ACCOIDION Ali-.hl o •OAH1 I o •:OAH.1 1 oae.ua• ...., ._ .. ,._ f'IAN04 " ..' .,,11/1_ I -..-.-.q~jmp---1 TO PAGES 21 AIIANCNNO MnMOD O.,c,o ..,, OOI UNJOn ..,.ICM euffAn AND .... ,ouou TWO GREAT DRUM BARGAINS G. SCARTH LTD. I 22, 23 &25 LONDON . W 1 SSCheri1111 C-14., ._..., WC 1 LUDWIG Kit, c°"'pl... ••th LUDWIG Kit. to--ple,e -iti 01•371811 01-4.J7 7241 Op.I'! oll dar So1uida, I loger, Sw•«i"'Oht filf"'QI, '°"'~ logain Swi°'°"31hC ~thngl. C9fflP rn1ng I 21' bou d,"""- 1 1.Ul-4 nti"Q 1 n bon drvn-. I 16'.lll Roe,, tom-tom I 12d t0m-ton, 'loo- tontlDffl. I ll•9 !of'I io,,, TOMUSICALP INSTRUMENTS6tAK FOR MORE -I cmd a ~Nfl4 MW Gr•l1Ch D :ind a w....a NW Gr.ttch 4'· strand 1nc,,e drum DI '"- oll low .,,ond 1roor• d,.,... at fhrt ufl "1- 5 DENMARK STREET, LONDON, W.C2 I p,'Jte r,I 1221 pl'IC:. o# .~ Pl,1y s,1\c you er\ \h" I (J'.u,t of! Cho,ong C,ou Road) Pho,.'•. 01 -240 2 I 1812347 CLASSIFIED IOTM TMI MOVI LISffD ans ... N REAL BARGAINS ·· 'SIL-IPAHU' ,tUIIPI I • 1 A- •' • l ,n • ..., -,..t,..11- 11 4' KITCHENS 00 ... (MIR I • • I • 11, Ila. ,,.,..._ ~-" ,..,t 121 C- .,_._. r.t .... , 111 ~OU S·St•• 100... "A Ne-UOil ADS • ...... , ·- 1M .... u... MAt~U 100w l .... lhldt:.- Ul• '--T•lll.•11-Y HI ...... W MUAAU SO. L...i I 4•11 - l:llO CWSIIIID ...,_, ...... Ill ~ C.t .. II ... MAIIM.'U 4ctl C.M,....,. tr... U0 ..,..., ..,..~..,.., u.. .-..,.... a, ..,.. ,., , _ _ ,..... 111 ...... t....o .. .,_ IOUHO ctn ... ,, 100w c.•-- ,... AD.DIPT. va• ACJO ..,,,.. _. , uo "MllODY IUICII" CL AIINITS _...._,_ 11 ... VOA '-""".., II <• ,__ 140 YOJt , .. , ...... , Ut ...., ,..., ...... ~:.=.. :: ..::- ...o:: -~ .t.~..: • l.Mlt n .. _...... ,t1 so , - 1111 11.1 .. ,_.._ tt• ,,.. ,-,_u•• s-...,. Le,NI.,., I .CA Ill.._. f., 100 ,,,. A.,._ lH M•o .u.a...,...... , """' - •- .,..,..,_ IILMJ'lf·lf0f ...... lt a- en Tel. (01) H i IOII &a-..... -,~ m ------011 vo• ,._"' c-t'-4.. - un ,,..,,.,. ,_.... 4-,• . .. ,,...... 171 A 176 MY SO travels all over the country playing to different audiences, practkally every night. and last Sterner Fnda\ was one of his night - off, but instead of taking advantage and resting, he of - fered his services measures with the rest of his group. to plav a free open - air ,oncert along w i t h other artists Fver) thmg w o u I d for these have gone off fi~e. when ,long came a small band of hoodlums NOT, may I add, long-haired freaks, a~ ii;. their usual descrip• lion, but a gang of crew hoodlums cut young thugs who seemed to deli ght in ~po1ltng a ni~ht out for th e- vas t major it y of PETER GREEN'S FATHER WRITES TO MAILBAG FOLLOWING f"'Ople who cam1.• ther t.' to PETER GREEN : gave up a night off to play at Ca mden , n Ju y them • THE ABANDONMENT OF THE CAMDEN FRINGE CONCERT o:; l• l \le<: Af11 ·r many nasty mc1- r.es:i-ed the evilness or a tiny cl'rl - N IGfL LIGGtTf, d1 nts tht> conctrt ha d to be ba nJ of hoodlums w ho B1rnehun11, Kt'nt. •h11 nduned, much to the 1 uine-d the pleasure or a n LAUREL PROMOTIONS d1si;us1 of thi: o rgan isers t:s l,rna ted 30,()0() people at J SHOU LD like to el< press .,.,ho wt-nl to a i reat d<'a l thf' Camden Frinl(e Festiva l my thanks to the many presents uf tn,uhlt" to a rra nJ,;c it, ( , ncert nn Frida) people a nd ors;:ani S.1 tions It 1s time- ~l e- m e r mea• who combined 10 make t he sure- \H"rt' taken b~ the Free Concerts such a I• "' and s taff e r "" nh•nces J hr~ Fl ee twood MaC' re.1 pleasure for so man) 1m p,.>$<"d on th.., se so ca1led h H lh3t the o ffender~ W(' r> people Write to Melody Maker, 161 Fleet u t1n•n!f-tt>S fAIL mt: for th1· mu, i, intruded a nd ru ined to: Blnc khlll Entt- rpn'll'S, Da vid '"I ~ U• t , fttl l'\3\'in~ wit- the ch ma >i of 3 fi ne free con• Hobda} , OJ,•id Lloyd Jones. IDLE RACE The ne v. Tempt Hlons re­ THE ------. GLC, Lo ndnn Bnroo; h of Adrian Henri well to Lhe fore, with Rreat instrument• lease In th1!i country, for ex• ------,I ;!:de{!;E~ran~~•d Sa~ou~~1t~!~ nl bi llty - notably tht: sen ample, 11 "Ain't Too Proud ROY HARPER Olhtn. without w hOSt' un• s it lve resourceful RUr lar To Bta:• Their last th ree stinted help tht- concerti Ameri t'an singles have been work of Andy Hoberts. unreleased in Bn la in-" Run• would not have b<-en .. nything 11 8 in concert li ke the I UCC'HS the)· were .­ ning Wild," their tut Amen · as U!i~iu~~\~ ~!~r:;sd ,h e~~ can ~mash was a lruly p ro­ M ICHAEL A.LFE \ NDARY mu• ir, the ir wu, on i 1nality (concert orRanlsrr), London, gre~!i 1ve and t;up~t b record a nd vcrH tll,ty t h•>u1d he I with mt>anlng:fu l J1·rfcs unlik~ Fairfield Hall, Croydon "POP PROMS" NW 3. dellp,ht to .1ny pro,trcs-. ivt> pnp the usuaf 1um111 1rh·lft.­ Ian - STE..rH EN '1I LL\YARO, ALTHOUGH W£· are grate• DA VIO S1'11TH, W embley, (General Manager, Thomas WorcC'Slt' r, Wores Mldd~ J. Pyper, ful for readt"T" Bryan Ashby 's M.I.M.Ent.) obvious concern for our ff 1 HF Moody Blu es feelings (Mailbag, May 31), " Threshold Of A Drea m'' t must point out that be• was born oul or the ir Notice Sunday, June 22nd cause of the nature of our Ameri can expen enc.es. then AMEN CORNER music we have comt! to ex ­ America can't be as bad a WHI LST STANDING ,n the pect the occas i0n3l •· bar­ place as Graeme Edge would famed Ma rquee club lost at 6.45 and 9.0 p.m. BERRY rage of jeering and mockery have us believe. nighL I actually took no tice CHUCK from a large section of the If Ill g ro ups pot DS much or the supportin~ act that Tickets from Bo x Office, Tel. 01 -688 9291 audience." played a se-1 befo re the un• Thi!io doesn't upset us a bit, ~: gtif~t ~~!~o.r":ndm1;;1~a1 questionable brilliance of CHICKEN SHACK in fact any fo rm or po:utive sta1ements made by lhel r Jon H1seman's Colloseum. ruct lc., n to us Is prere:rable Y> na.s , we record buyers to pohte indifference lhat would have l11tle 10 complo.in The group was called i------DUBLINERS w ould r.eally brina us down.­ aboul -VIVIAN r ARSLOW , Ci rcus, a nd apart from play. C HRIS S P EDDING (Guitarist • Bris tol. ing Jazz Lhat was not pre­ Pete Brown's BaHerM Orn• • tentious, they were promis­ EQUALS mcmb), London, N 7. ing in a he-11 or a lot of THE ways a nd will be the only THE MOTHFRS Of Jnven• group other than Coll oseum FAMILY lion concert in Birmingham J HAVE coll ected Amer ica n to blow everybodys mind ut cost me thir1y shill ings blues record, for ma ny the S unbury Festival.­ W hat I got was a disap• years but havl! taken little VA KTAN AMADOUNV, FLEETWOOD MAC pointing private Jam-sessio n interest in 1h e British blues London, SE20. which I felt J was eaves­ groups until recently, when dropping on, With a lousy my attention was drawn to INCREDIBLE predictable supporting act. them through visiting While Frank Zapoa Is , en• American a rtists using them titl~d to do his own thinJ, should the poor a udience have as thei r backinR, groups STRING BAND t c> pay for 11 ? The musician• Th e John l)ummer Bluca ship was fin e bu1 where. oh Ba ,ul, currently backing How­ where, wer~ the po inted pre• lin' Woll , I hope are not rep. LED ZEPPELIN else works we know fmm the resentatlve o f Bri tish blues LP's? groups becau.se they were the A group of this sta ture moat ham•flsted group l've MARMALADE ought to give a bt"tter account seen for a long time. Pleaae o( Itself-ROGER FLAVELL, le t's have mo re visits from CuUecroft, Wolve rh o. mpton. the real blues men but Jet the l romoters provide good aroups JOHN PEEL o hack them .-8. E. COPE, Combine Lo ndon, SWl4. THE PENT ANGLE THE REPUTATION which IN MY apinion The Liver­ aoul records are acquiring pool Scene are the sno1t H being unorlainal is un· THE WHO :: ~alive group In Britain al founded. It ti laraely the the moment. They combine r1ult of the English record 11 companies that this im• ~~J: !f ~;~ %~r~t-:~~e:; preuion i• cr"ted.

and many morel At last, a chance to hear the real Warleigh AD-UI CHOIID HADING Hope to ... you at the loyal Albert Hal! A IIC wote af tMnlt1 ta Scott June 29th•Jufy 5th Walker for hi• lovely p,o,luc­ :.t::.=.-::=::::c:--..,.. -·---- ...... :.:.~ tion of Ray Warlei,t,'1 " Flnt AJf tk~eh now on 10fe ot Royal Al bert Hull , London, S.W.7 Album," a real 1i1n of Scott'• or ticlet agencies. ri1e ta maturity. And tha11lt heaven• that at laat • 1rut 1Hophoni1t ha• permitted ua FOR BEST RESULTS - BOOK NOW! ta hear hi• 1entler, more per­ •onal characterl•tic•• Roll • th• 1ec011d album. - I M ROSE London, Wl4