Download 860K

Total Page:16

File Type:pdf, Size:1020Kb

Download 860K Biting the Hand 6/12/01 Jessica M. Mulligan Page 1 Biting the Hand: A Compilation of the Columns to Date Copyright 2001 by Jessica M. Mulligan Copyright 2000 by Jessica Mulligan. All right reserved. Biting the Hand 6/12/01 Jessica M. Mulligan Page 2 Table of Contents 1 THE 1997 COLUMNS......................................................................................................6 1.1 ISSUE 1: APRIL 1997.....................................................................................................6 1.1.1 ACTIVISION??? WHO DA THUNK IT? .............................................................7 1.1.2 AMERICA ONLINE: WILL YOU BE PAYING MORE FOR GAMES?..................8 1.1.3 LATENCY: NO LONGER AN ISSUE .................................................................12 1.1.4 PORTAL UPDATE: December, 1997.................................................................13 1.2 ISSUE 2: APRIL-JUNE, 1997 ........................................................................................15 1.2.1 SSI: The Little Company That Could..................................................................15 1.2.2 CompuServe: The Big Company That Couldn t..................................................17 1.2.3 And Speaking Of Arrogance ...........................................................................20 1.3 ISSUE 3 ......................................................................................................................23 1.3.1 December, 1997.................................................................................................23 1.3.2 The Seidman Forums .........................................................................................23 1.3.3 Quake II: So What? ...........................................................................................24 1.3.4 Martin Cirulis: Columnist Of The Year..............................................................26 2 1998 COLUMNS .............................................................................................................28 2.1 ONLINE GAMING: WHY WON’T THEY COME?..............................................................28 2.2 MARCH TO MAY, 1998 ...............................................................................................33 2.2.1 Ultima Online....................................................................................................33 2.2.2 Publisher Focus: Interplay ................................................................................35 2.2.3 The 1998 Modem Mutant Awards ......................................................................37 2.3 AN OPEN LETTER TO HASBRO INTERACTIVE ...............................................................41 2.4 HASBRO TO BUY MICROPROSE ...................................................................................47 2.5 SEPTEMBER 1998 .......................................................................................................49 2.5.1 Reaction To The Hasbro Articles .......................................................................49 2.5.2 The Marching Morons .......................................................................................53 2.5.3 Pressing The Flesh, The Interactive Way ...........................................................55 2.6 OCTOBER 30, 1998.....................................................................................................57 2.6.1 General Notes for the Holidays..........................................................................57 2.6.2 Interplay Falls On Hard Times ..........................................................................58 2.6.3 Tis The Season .................................................................................................58 2.7 DECEMBER 7, 1998 ....................................................................................................61 2.7.1 The 1998 Round-Up...........................................................................................61 3 YEAR 1999 COLUMNS .................................................................................................64 3.1 WELCOME TO MY WORLD; NOW BITE ME..................................................................64 3.2 NASTY, INCONVENIENT QUESTIONS, PART DEUX.........................................................66 3.3 PRESSING THE FLESH II: THE INTERACTIVE SEQUEL.....................................................70 3.4 MORE BUGS: A CASUALTY OF THE XMAS RUSH?.........................................................72 3.5 IN THE BIZ..................................................................................................................75 3.6 JACK AND THE BEANCOUNTER....................................................................................77 3.7 COLOR ME BONEHEADED ............................................................................................81 3.8 AH, SWEET MYSTERY OF LIFE ................................................................................84 Copyright 2000 by Jessica Mulligan. All right reserved. Biting the Hand 6/12/01 Jessica M. Mulligan Page 3 3.9 THE CONFERENCE FORMERLY KNOWN AS THE COMPUTER GAME DEVELOPER’S CONFERENCE .........................................................................................................................86 3.10 THIS FRAGGED CORPSE BROUGHT TO YOU BY ...........................................................89 3.11 OH, NO! I FORGOT TO HAVE CHILDREN!....................................................................91 3.12 CATCHING UP ON EMAIL ............................................................................................93 3.13 GOD SUED! .............................................................................................................96 3.14 PAYING FOR THE WRONG SINS AND OTHER ODD THOUGHTS ........................................97 3.15 NO MODEM MUTANTS HERE, PAL ..............................................................................99 3.16 MASSIVELY MULTIPLAYER GAMES WE’D LIKE TO SEE .............................................. 101 3.17 GAMES WE MIGHT (SHUDDER) SEE .......................................................................... 103 3.18 UNSUNG HEROES...................................................................................................... 105 3.19 BANDWIDTH SHALL NOT SAVE YOU ......................................................................... 108 3.20 HISTORY S REVENGE................................................................................................ 111 3.21 ODD BITS AND PIECES .............................................................................................. 113 3.22 PERSISTENTLY SILLY ................................................................................................ 114 3.23 OH, NO, NOT CONVERGENCE AGAIN! ....................................................................... 116 3.24 TWO MIND-BENDING EMAILS ................................................................................... 118 3.25 THE COUNT IS IN, AND MORE READER MAIL............................................................. 121 3.26 TALK ABOUT DREAMING .......................................................................................... 124 3.27 SNIPPETS AND RUMORS ............................................................................................ 126 3.28 THE WORLD’S (COOLEST/MOST EXCITING/EAGERLY AWAITED) (COLUMN/ARTICLE/RANT)................................................................................................... 128 3.29 THE REAL ONLINE GAME MARKETS.......................................................................... 130 3.30 THE REAL ONLINE GAME MARKETS, PART II ............................................................ 132 3.31 THE MARCHING MORONS, PART DEUX ..................................................................... 135 3.32 THE FUTURE: SHOOTING THE MOON ......................................................................... 137 3.33 SO THIS IS BROADBAND?.......................................................................................... 139 3.34 SO THIS IS BROADBAND? PART II.............................................................................. 142 TH 3.35 HAPPY 30 BIRTHDAY, ONLINE GAMES.................................................................... 144 TH 3.36 HAPPY 30 BIRTHDAY, ONLINE GAMES, PART II ...................................................... 147 TH 3.37 HAPPY 30 BIRTHDAY, ONLINE GAMES, PART III..................................................... 151 3.38 GENERAL STUFF....................................................................................................... 154 3.39 RAMBLIN’ ON ....................................................................................................... 156 3.40 BREAKING TRADITION .............................................................................................. 158 3.41 I FEAR, I FEAR!........................................................................................................ 160 3.42 INVISIBILITY COMES WITH A PRICE .......................................................................... 164 3.43 GADZOOKS! ............................................................................................................. 166 3.44 IT’S THE MOST WONDERFUL TIME OF THE YEAR .................................................... 168 4 YEAR 2000 COLUMNS ............................................................................................... 171 4.1 RANDOM THOUGHTS
Recommended publications
  • History of Computer Game Design Our Collaboration Will Build on Projects That We Two Have Been Engaged in for Some Time
    How They Got Game: The History and Culture of Interactive Simulations and Video Games http://www.stanford.edu/dept/HPS/VideoGameProposal/ Principal Investigators Tim Lenoir, History of Science, email: [email protected] Henry Lowood, Stanford University Libraries, email: [email protected] Research and Development Team Carlos Seligo, ATS Freshman Sophomore Programs, email: [email protected] Carlos co-designed the Word and the World sites. His Blade Runner site is one of the most innovative interactive educational sites on the web Rosemary Rogers, Program Administrator, HPS, email: [email protected] Rosemary has designed the Mousesite, the HPS sites, and the Sloan Science and Technology in the Making sites. She has won numerous awards for her website designs. Undergraduate Interns Zachary Pogue, sophomore, email: [email protected] Zach is part of the DMZ design team that won the VPUE website design contract. He has extensive experience in interactive website design John Eric Fu, senior, email: [email protected] As a Presidential Scholar John has completed an outstanding research project comparing British and American video game products and culture. Since his early teens he has been a video game reviewer for Macworld. Grad Students Casey Alt, History of Science and Film Studies, email: [email protected] Casey has worked with Scott Bukatman, Pamela Lee, and Lenoir. He is working on Japanese Manga film and has extensive media experience. Yorgos Panzaris, History of Science, email: [email protected] Yorgos has a master's degree in educational technologies from the MIT MediaLab and has extensive experience with databases and online design. He has worked with Lenoir on several recent projects.
    [Show full text]
  • Using the MMORPG 'Runescape' to Engage Korean
    Using the MMORPG ‘RuneScape’ to Engage Korean EFL (English as a Foreign Language) Young Learners in Learning Vocabulary and Reading Skills Kwengnam Kim Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Education October 2015 -I- INTELLECTUAL PROPERTY The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2015 The University of Leeds and Kwengnam Kim The right of Kwengnam Kim to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. -II- DECLARATION OF AUTHORSHIP The work conducted during the development of this PhD thesis has led to a number of presentations and a guest talk. Papers and extended abstracts from the presentations and a guest talk have been generated and a paper has been published in the BAAL conference' proceedings. A list of the papers arising from this study is presented below. Kim, K. (2012) ‘MMORPG RuneScape and Korean Children’s Vocabulary and Reading Skills’. Paper as Guest Talk is presented at CRELL Seminar in University of Roehampton, London, UK, 31st, October 2012. Kim, K. (2012) ‘Online role-playing game and Korean children’s English vocabulary and reading skills’. Paper is presented in AsiaCALL 2012 (11th International Conference of Computer Assisted Language Learning), in Ho Chi Minh City, Vietnam, 16th-18th, November 2012.
    [Show full text]
  • KNIGHT CLUB: the Bat & the Crow
    KNIGHT CLUB: The Bat & The Crow – One shot PAGE ONE PANEL ONE – EXT. DARK BATTLEFIELD – NIGHT This panel takes up one half of the page, vertically. The setting is a DARK and CHAOTIC BATTLEFIELD. In the foreground is MALIZAR. He is a tall, lanky, and worn-looking evil wizard in a scarred, leathery cloak. Bathed in shadow behind Malizar is his army of gruesome fiends, both human and non-human. CAPTION (top of page): In the time before the Three Crown War, before the lands of Trygia were forever lost, vast armies of unfathomable creatures battled for the right to shape the four realms in their image. The commanders of these warring factions were two wicked spell-casters of indescribable power. CAPTION (beside Malizar): Malizar the Bloodthirsty ruled legions of cruel beasts and hideous undead fiends. His mastery of the dark arts was rivaled by that of only one other. PANEL TWO – EXT. DARK BATTLEFIELD – NIGHT This panel makes up the second half of the page. In a similar setting, we see KALKUS in the foreground. He is a stocky, crook-nosed man with wild hair and an ornate feathered cloak. Bathed in similar shadow behind him is another similar army of creatures. CAPTON: (beside Kalkus): Kalkus the Dark was the only wizard to oppose Malizar’s reign and live. He ruled over an entire kingdom of twisted, otherworldly beings and wraith-like warlocks. CAPTION: (bottom of page): The two dark masters collided on countless occasions. Each confrontation brought about immense turmoil, painting entire mountains red with inhuman blood. Still, neither man would yield.
    [Show full text]
  • Cyber-Synchronicity: the Concurrence of the Virtual
    Cyber-Synchronicity: The Concurrence of the Virtual and the Material via Text-Based Virtual Reality A dissertation presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Jeffrey S. Smith March 2010 © 2010 Jeffrey S. Smith. All Rights Reserved. This dissertation titled Cyber-Synchronicity: The Concurrence of the Virtual and the Material Via Text-Based Virtual Reality by JEFFREY S. SMITH has been approved for the School of Media Arts and Studies and the Scripps College of Communication by Joseph W. Slade III Professor of Media Arts and Studies Gregory J. Shepherd Dean, Scripps College of Communication ii ABSTRACT SMITH, JEFFREY S., Ph.D., March 2010, Mass Communication Cyber-Synchronicity: The Concurrence of the Virtual and the Material Via Text-Based Virtual Reality (384 pp.) Director of Dissertation: Joseph W. Slade III This dissertation investigates the experiences of participants in a text-based virtual reality known as a Multi-User Domain, or MUD. Through in-depth electronic interviews, staff members and players of Aurealan Realms MUD were queried regarding the impact of their participation in the MUD on their perceived sense of self, community, and culture. Second, the interviews were subjected to a qualitative thematic analysis through which the nature of the participant’s phenomenological lived experience is explored with a specific eye toward any significant over or interconnection between each participant’s virtual and material experiences. An extended analysis of the experiences of respondents, combined with supporting material from other academic investigators, provides a map with which to chart the synchronous and synonymous relationship between a participant’s perceived sense of material identity, community, and culture, and her perceived sense of virtual identity, community, and culture.
    [Show full text]
  • Copyright by Jason Todd Craft 2004 the Dissertation Committee for Jason Todd Craft Certifies That This Is the Approved Version of the Following Dissertation
    Copyright by Jason Todd Craft 2004 The Dissertation Committee for Jason Todd Craft Certifies that this is the approved version of the following dissertation: Fiction Networks: The Emergence of Proprietary, Persistent, Large- Scale Popular Fictions Committee: Adam Z. Newton, Co-Supervisor John M. Slatin, Co-Supervisor Brian A. Bremen David J. Phillips Clay Spinuzzi Margaret A. Syverson Fiction Networks: The Emergence of Proprietary, Persistent, Large- Scale Popular Fictions by Jason Todd Craft, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2004 Dedication For my family Acknowledgements Many thanks to my dissertation supervisors, Dr. Adam Zachary Newton and Dr. John Slatin; to Dr. Margaret Syverson, who has supported this work from its earliest stages; and, to Dr. Brian Bremen, Dr. David Phillips, and Dr. Clay Spinuzzi, all of whom have actively engaged with this dissertation in progress, and have given me immensely helpful feedback. This dissertation has benefited from the attention and feedback of many generous readers, including David Barndollar, Victoria Davis, Aimee Kendall, Eric Lupfer, and Doug Norman. Thanks also to Ben Armintor, Kari Banta, Sarah Paetsch, Michael Smith, Kevin Thomas, Matthew Tucker and many others for productive conversations about branding and marketing, comics universes, popular entertainment, and persistent world gaming. Some of my most useful, and most entertaining, discussions about the subject matter in this dissertation have been with my brother, Adam Craft. I also want to thank my parents, Donna Cox and John Craft, and my partner, Michael Craigue, for their help and support.
    [Show full text]
  • Analyzing Space Dimensions in Video Games
    SBC { Proceedings of SBGames 2019 | ISSN: 2179-2259 Art & Design Track { Full Papers Analyzing Space Dimensions in Video Games Leandro Ouriques Geraldo Xexéo Eduardo Mangeli Programa de Engenharia de Sistemas e Programa de Engenharia de Sistemas e Programa de Engenharia de Sistemas e Computação, COPPE/UFRJ Computação, COPPE/UFRJ Computação, COPPE/UFRJ Center for Naval Systems Analyses Departamento de Ciência da Rio de Janeiro, Brazil (CASNAV), Brazilian Nay Computação, IM/UFRJ E-mail: [email protected] Rio de Janeiro, Brazil Rio de Janeiro, Brazil E-mail: [email protected] E-mail: [email protected] Abstract—The objective of this work is to analyze the role of types of game space without any visualization other than space in video games, in order to understand how game textual. However, in 2018, Matsuoka et al. presented a space affects the player in achieving game goals. Game paper on SBGames that analyzes the meaning of the game spaces have evolved from a single two-dimensional screen to space for the player, explaining how space commonly has huge, detailed and complex three-dimensional environments. significance in video games, being bound to the fictional Those changes transformed the player’s experience and have world and, consequently, to its rules and narrative [5]. This encouraged the exploration and manipulation of the space. led us to search for a better understanding of what is game Our studies review the functions that space plays, describe space. the possibilities that it offers to the player and explore its characteristics. We also analyze location-based games where This paper is divided in seven parts.
    [Show full text]
  • [Japan] SALA GIOCHI ARCADE 1000 Miglia
    SCHEDA NEW PLATINUM PI4 EDITION La seguente lista elenca la maggior parte dei titoli emulati dalla scheda NEW PLATINUM Pi4 (20.000). - I giochi per computer (Amiga, Commodore, Pc, etc) richiedono una tastiera per computer e talvolta un mouse USB da collegare alla console (in quanto tali sistemi funzionavano con mouse e tastiera). - I giochi che richiedono spinner (es. Arkanoid), volanti (giochi di corse), pistole (es. Duck Hunt) potrebbero non essere controllabili con joystick, ma richiedono periferiche ad hoc, al momento non configurabili. - I giochi che richiedono controller analogici (Playstation, Nintendo 64, etc etc) potrebbero non essere controllabili con plance a levetta singola, ma richiedono, appunto, un joypad con analogici (venduto separatamente). - Questo elenco è relativo alla scheda NEW PLATINUM EDITION basata su Raspberry Pi4. - Gli emulatori di sistemi 3D (Playstation, Nintendo64, Dreamcast) e PC (Amiga, Commodore) sono presenti SOLO nella NEW PLATINUM Pi4 e non sulle versioni Pi3 Plus e Gold. - Gli emulatori Atomiswave, Sega Naomi (Virtua Tennis, Virtua Striker, etc.) sono presenti SOLO nelle schede Pi4. - La versione PLUS Pi3B+ emula solo 550 titoli ARCADE, generati casualmente al momento dell'acquisto e non modificabile. Ultimo aggiornamento 2 Settembre 2020 NOME GIOCO EMULATORE 005 SALA GIOCHI ARCADE 1 On 1 Government [Japan] SALA GIOCHI ARCADE 1000 Miglia: Great 1000 Miles Rally SALA GIOCHI ARCADE 10-Yard Fight SALA GIOCHI ARCADE 18 Holes Pro Golf SALA GIOCHI ARCADE 1941: Counter Attack SALA GIOCHI ARCADE 1942 SALA GIOCHI ARCADE 1943 Kai: Midway Kaisen SALA GIOCHI ARCADE 1943: The Battle of Midway [Europe] SALA GIOCHI ARCADE 1944 : The Loop Master [USA] SALA GIOCHI ARCADE 1945k III SALA GIOCHI ARCADE 19XX : The War Against Destiny [USA] SALA GIOCHI ARCADE 2 On 2 Open Ice Challenge SALA GIOCHI ARCADE 4-D Warriors SALA GIOCHI ARCADE 64th.
    [Show full text]
  • Interim Report • 1 January – 30 September 2018
    THQ NORDIC AB (PUBL) REG NO.: 556582-6558 INTERIM REPORT • 1 JANUARY – 30 SEPTEMBER 2018 EBIT INCREASED 278% TO SEK 90.8 MILLION We had another stable quarter with continued momentum. The strategy of diversification is paying off. Net sales increased by 1,403% to a record SEK 1,272.7 million in the quarter. EBITDA increased by 521% to SEK 214.8 million and EBIT increased by 278% to SEK 90.8 million compared to the same period last year. The gross margin percentage decreased due to a large share of net sales with lower margin within Partner Publishing. Cash flow from operating activities in the quarter was SEK –740.1 million, mainly due to the decision to replace forfaiting of receivables with bank debt within Koch Media. Both THQ Nordic and Koch Media contributed to the group’s EBIT during the quarter. Net sales in the THQ Nordic business area were up 47% to SEK 124.2 million. This was driven by the release of Titan Quest, Red Faction Guerilla Re-Mars-tered and This is the Police 2, in addition to continued performance of Wreckfest. Net sales of Deep Silver were SEK 251.8 million, driven by the release of Dakar 18 and a good performance of Pathfinder Kingmaker at the end of the quarter. The digital net sales of the back-catalogue in both business areas continued to have solid performances. Our Partner Publishing business area had a strong quarter driven by significant releases from our business partners Codemasters, SquareEnix and Sega. During the quarter, we acquired several strong IPs such as Alone in the Dark, Kingdoms of Amalur and Time- splitters.
    [Show full text]
  • THQ Nordic Acquires Award-Winning Warhorse Studios, the Studio Behind Kingdom Come: Deliverance
    NOT FOR RELEASE, PUBLICATION OR DISTRIBUTION IN WHOLE OR IN PART, DIRECTLY OR INDIRECTLY, WITHIN OR TO THE UNITED STATES, AUSTRALIA, CANADA, NEW ZEALAND, HONG KONG, JAPAN, SOUTH AFRICA OR ANY OTHER JURISDICTION WHERE SUCH RELEASE, PUBLICATION OR DISTRIBUTION WOULD BE UNLAWFUL OR WOULD REQUIRE REGISTRATION OR ANY OTHER MEASURES. Press release Karlstad (Sweden), 13 February 2019, 6:30 a.m. CET THQ Nordic acquires award-winning Warhorse Studios, the studio behind Kingdom Come: Deliverance THQ Nordic AB's indirectly wholly owned subsidiary Koch Media GmbH has today entered into an agreement to acquire Prague based Warhorse Studios s.r.o., a leading game developer behind the successful award-winning title Kingdom Come: Deliverance. The purchase price amounts to 33.2MEUR on a cash and debt free basis. Warhorse’s Net Revenues in 2018 amounted to approximately 42 MEUR1 , with an adjusted EBIT of approximately 28 MEUR1. ”Warhorse Studios is one of the leading independent studios in Europe and I am proud to welcome them to the THQ Nordic group. Kingdom Come: Deliverance, which has now sold over 2 million copies, has been a great success since the release exactly one year ago. I look forward to continue working with the founders who will continue managing the studio under strong creative freedom for many years to come", says Lars Wingefors, CEO of THQ Nordic AB. The transaction in brief • THQ Nordic AB ("THQ Nordic" or "The Company") acquires 100 percent of the shares in Warhorse Studios s.r.o. ("Warhorse") through its indirectly wholly owned subsidiary Koch Media GmbH ("Koch Media").
    [Show full text]
  • Inside the Video Game Industry
    Inside the Video Game Industry GameDevelopersTalkAbout theBusinessofPlay Judd Ethan Ruggill, Ken S. McAllister, Randy Nichols, and Ryan Kaufman Downloaded by [Pennsylvania State University] at 11:09 14 September 2017 First published by Routledge Th ird Avenue, New York, NY and by Routledge Park Square, Milton Park, Abingdon, Oxon OX RN Routledge is an imprint of the Taylor & Francis Group, an Informa business © Taylor & Francis Th e right of Judd Ethan Ruggill, Ken S. McAllister, Randy Nichols, and Ryan Kaufman to be identifi ed as authors of this work has been asserted by them in accordance with sections and of the Copyright, Designs and Patents Act . All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark notice : Product or corporate names may be trademarks or registered trademarks, and are used only for identifi cation and explanation without intent to infringe. Library of Congress Cataloging in Publication Data Names: Ruggill, Judd Ethan, editor. | McAllister, Ken S., – editor. | Nichols, Randall K., editor. | Kaufman, Ryan, editor. Title: Inside the video game industry : game developers talk about the business of play / edited by Judd Ethan Ruggill, Ken S. McAllister, Randy Nichols, and Ryan Kaufman. Description: New York : Routledge is an imprint of the Taylor & Francis Group, an Informa Business, [] | Includes index. Identifi ers: LCCN | ISBN (hardback) | ISBN (pbk.) | ISBN (ebk) Subjects: LCSH: Video games industry.
    [Show full text]
  • Network Software Architectures for Real-Time Massively-Multiplayer
    Network Software Architectures for Real-Time Massively-Multiplayer Online Games Roger Delano Paul McFarlane Degree of Master of Science School of Computer Science McGill University Montreal, Quebec, Canada Feb. 02, 2005 A thesis submitted to McGill University in partial fulfillment of the requirements for the degree of Master of Science. Copyright © 2005 Roger Delano Paul McFarlane. All rights reserved. ACKNOWLEDGMENTS First and foremost, I would like to thank my wife, Abaynesta, for her support and encouragement. Undertaking a full-time graduate degree while maintaining full-time employment and trying to be a full-time husband would have been an impossible challenge without your love, patience, and understanding. I love you. To my supervisor, Dr. Jörg Kienzle, I would like to express my thanks for taking on a student with a research area only somewhat related to your own, Software Fault Tolerance, and granting me the latitude to freely explore massively multiplayer game infrastructure. In the course of pursuing my graduate degree and writing this thesis, I was employed by two supportive organizations. To the management of Zero- Knowledge Systems Inc., most notably co-founders Austin Hill and Hammie Hill, I express my profound gratitude for your support and encouragement to pursue my academic goals. Thank you for allowing me the flexibility of schedule to take on a full-time course load and for your understanding and encouragement when the time came for me to move on to other opportunities. I would also like to thank the management of the Ubi.com group at Ubisoft Entertainment Inc. for recognizing the potential of this graduate student with no direct gaming experience and giving me the opportunity to learn from and contribute to your game projects while completing my thesis.
    [Show full text]
  • Razer Fact Sheet
    RAZER FACT SHEET Year Founded: 1998 Contact Information: Razer USA LTD Razer (Asia Pacific) PTE LTD 2035 Corte de Nogal, Suite 101 514 Chai Chee Lane, #07-05 Carlsbad, CA 92011 Singapore 469029 Tel: 760.579.0180 Tel: +65 6505 2188 Number of Employees: 400+ History: Razer was founded in coastal San Diego in the late ‘90s by lawyer- turned- competitive gamer Min-Liang Tan and pro NFL linebacker- turned-competitive gamer Robert Krakoff. The company, known for its neon green triple-snake logo, was the first online gaming- specific hardware company, credited with the advent of the gaming mouse, innovations with gaming keyboards and headphones, development of the first portable gaming laptops and tablet, and instrumental role in the development of global e- Sports. Management: Min-Liang Tan, co-founder, CEO and creative director Khaw Kheng Joo, COO Edwin Chan, CFO Robert Krakoff, co-founder, president Mike Dilmagani, SVP, Sales and Marketing Products: • Laptops Tablets and related peripherals Wireless and wired mice and mouse surfaces Mechanical and membrane keyboards Headsets and headphones Software – Audio, VOIP, and systems optimization Apparel Accessories Distribution: 70-plus countries worldwide, including the USA, Canada and Latin America; Asia-Pacific; China; EU; and South Africa Sponsored Personalities: Athene, YouTube personality Jason Somerville, professional poker player Nick Lentz, MMA fighter Scott Jorgensen, MMA fighter Swifty, YouTube personality Sponsored Teams: 3DMX Alliance Anexis Esports Blood Legion Counter
    [Show full text]