DOCSLIB.ORG

Mambo Nassau : 80/82 the Grigri Years

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mambo Nassau : 80/82 the Grigri Years MAMBO NASSAU : 80/82 THE GRIGRI YEARS... After touring to promote « Press Color », her debut album, with a funk band, Lizzy Mercier Descloux traveled to Europe with companion•film•maker Seth Til- lett. They worked in Italy on a serie of short films where she played Anna Mag- nani, Suzanna Agnelli, filmed Renzo Rossellini at Cinecitta about the Emerginati movement, met Federico Fellini during the filming of « Cita della donna », discov- ered the label Ocora (traditional music from all around the world) and with all this in mind started writing songs with help of drummer Bill Perry. In Paris they audi- tionned many african musicians cause after wild child funk the idea was to make a record malaxating african roots music, french buzz vocals, albatross swing and some bizarre soundtracks. The record was made in Nassau, Bahamas at Compass point, Island Records studios under kindness support of Chris Black- well. Walli Badarou who worked there as a house musician with Sly Dunbar and Robbie Shakespeare, joined Lizzy’s band. Steve Stanley a young engineer from Jamaica who was also working on Grace Jones’s album, produced the sound, he later also produced Tom Tom Club, Third World and lots of Island records. « Mambo Nassau » was all instinctive pulsations, improvized energy. Each song is an attempt to mix the urban vibes of city like New York, raw tempo and acro- batic drum beats, african harmonies, hirsute guitars, heavy pulse of bass lines, anachronistic chants, derisive laughter, a blissfull ignorance of the rules of good taste. Music to snatch and glean with a big black sun in the middle of it. World music was not in the cards, it was a step by step adventure, everyday was a sur- prise, an uncompromizing ride, a motherfucking hot stew and they had the ocean to get lost. Eric Clapton, who was recording next door, showed Lizzy his legendary guitars and she sang him an Edith Piaf Song. Nassau is an island for Les millionnaires, drug center, casinos, american ladies looking for sex but Lizzy and the band lived like ermits in the studio, outside Lee Perry was talking to his tree and FIVE TROUBLES MAMBO IT’S YOU SORT OF I’m a trouble alone one Its you sort of I’m trouble to you two It’s you j’ai la dance de St Guy three I kinda feel something hot in my back Chut, chut, chut you bore four Holding me dumb, hoarse, hoarse, hoarse and worst I’m no mascotte in Macao I don’t know why Or an amp fuzz in Las Vegas It’s like letting it go for its shadow A rififi at Chac Mool Beach It’s you sort of When I sing “my darling spinning top” It’s you I kinda feel something scoring my throat I’m a trouble alone one Feel, feel I’m trouble to you two Holding me wet, wet, rough LIZZY j’ai la dance de St Guy three It’s pure gold running on purpose MERCIER Chut, chut, chut you bore four It’s you sort of DESCLOUX This is for real my babe jive five I kinda feel something not in my throat MAMBO NASSAU It’s you sort of Lizzy Mercier Descloux 1981 Its you © 2004 ZE Multimedia Music Lizzy Mercier Descloux 1981 © 2004 ZE Multimedia Music ROOM MATE Lazy, lazy , lazy Cue me Cue me I’m mixed up Mix it up Leaky, leaky, leaky Cue me Cue me I’m mixed up Mix it up Dizzy just like Just like the whirling dervishes Diva just like Orianna Fallacci Lava, lava, lava Cue me Cue me I’m mixed up Mix it up Sqeamish just like, just like The whirling dervishes Rapper, just like Orianna Fallacci Lizzy Mercier Descloux 1981 © 2004 ZE Multimedia Music SPORT SPOOTNIKS Ah cha cha cha, in the Pampa Ah chi chi chi, look in the arena Oh aie aie aie, there’s pimps Oh aie aie aie, los caballeros Ah cha cha cha, a chartless life Ah chi chi chi, los picadores Oh aie aie aie, a cheerless fight Ah aie aie aie, they grow grow Eh matadwarf Eh matadwarf There’s specialist They’re perverted No they’re spootnicks No they’re spootniks Spootnicks Perverted ? Non Spootniks Ah cha cha cha, not too chatty El toro, El toro Oh aie aie aie, their size are phony Matador Ah cha cha cha, these guys are spots Torero Oh aie aie aie. these spots are bad Troops in the mood Eh matadwarf Matadwarf There’re perverted Troops in the mood No they’re spootnicks Perverted, Hein Lizzy Mercier Descloux 1981 Spootniks © 2004 ZE Multimedia Music MAÏTA Maïta vit à côté de son temps Maïta n’a pas sa langue dans sa poche Battue par le sable, Elle rit parce qu’il a beaucoup plu De derrière, de devant Elle crie parce qu’elle a beaucoup bu Et une ribambelle d’enfants Et alors ! Un par an Pas de nouvelle, bonne nouvelle De bonne guerre! Mais pas à Soweto Autre temps, autres moeurs Loin des yeux loin du coeur Mais pas à Soweto Mais pas à Soweto Loin des yeux, loin du coeur Une vie de bout de chandelles Mais pas à Soweto C’est cela à Soweto Elle remplace l’homme Maïta vit nue comme un ver Emmuré, disparu Elle broie du noir De bête de somme, ses muscles Elle brasse du vent L’ont changé en statue Elle tourne en rond A cette cadence, rivée aux pieds du mur Dans la lumière du couchant Néanmoins elle garde sa plus fière allure Elle s’aveugle, Mystère Elle fait des cravates aux mouches Vivre et voir venir, Et morte de fatigue! Mais pas à Soweto Finalement elle se couche A tout prendre, à vrai dire Atmosphère, atmosphère Mais pas à Soweto Mais pas à Soweto Vogue la galère Son et lumière, C’est cela à Soweto Mais pas à Soweto Mais pas à Soweto Les premiers seront les derniers Black is beautiful Certes pas à Soweto But not in Soweto D’amour et d’eau fraîche Mais pas à Soweto Lizzy Mercier Descloux 1982 On ne vit qu’une seule fois © 2004 ZE Multimedia Music Même pas à Soweto 2.28 Lyrics Lizzy Mercier Descloux / Music Wally Badarou 2.44 Lyrics Lizzy Mercier Descloux / Music Lizzy Mercier Descloux & Yahn Leker 4.21 Lyrics Lizzy Mercier Descloux / Music Lizzy Mercier Descloux & Yahn Leker 4.22 Lyrics & Music Lizzy Mercier Descloux 0.50 Music Nino Rota / Arrangements Wally Badarou 4.10 Lyrics & Music Kool & the Gang 3.40 Lyrics Lizzy Mercier Descloux / Music Philippe Lemongne 2.17 Lyrics Lizzy Mercier Descloux / Music Yahn Leker & Philippe Lemongne 3.08 Music Lizzy Mercier Descloux & Yahn Leker 2.14 Lyrics Lizzy Mercier Descloux / Music Mercier Descloux & Wally Badarou 3.52 Lyrics & Music Lizzy Mercier Descloux 3.14 Lyrics & Music Lizzy Mercier Descloux 2.16 Lyrics & Music Lizzy Mercier Descloux 2.49 Lyrics & Music Bob Marley 2.40 Lyrics Lizzy Mercier Descloux / Music Lizzy Mercier Descloux & Michel Bassignani .
Load more

Recommended publications
  • Anthony David the Red Clay Chronicles Mp3, Flac, Wma
    Anthony David The Red Clay Chronicles mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: The Red Clay Chronicles Country: UK Released: 2006 Style: Neo Soul, Soul MP3 version RAR size: 1310 mb FLAC version RAR size: 1803 mb WMA version RAR size: 1826 mb Rating: 4.8 Votes: 923 Other Formats: DXD XM MIDI MPC AU AHX MMF Tracklist Hide Credits Stop Playin' 1 –Anthony David Written-By – A. Harrington*Written-By, Co-Producer, Guitar, Keyboards – 3:49 Chris Johnson Written-By, Piano – Branden Burch Smoke One Horns – Eugene IV, NemWritten-By – A. Harrington*Written-By, Drum 2 –Anthony David 4:04 Programming – O. Ferrer*Written-By, Keyboards, Drum Programming – Branden Burch Eveyrthing Is Everything 3 –Anthony David 4:11 Written-By – A. Harrington*, Branden Burch, Omar Ferrer Words –Anthony David Backing Vocals – Slick Guitar – Ryan WatersKeyboards, Bass, Strings – 4 4:02 Feat. India.Arie Eddie StokesPiano – Branden BurchStrings – Eric Rostad*Written-By – Anthony David, India.Arie On & On 5 –Anthony David Keyboards – Julius SpeedWritten-By – A. Harrington*, Branden 4:18 BurchWritten-By, Bass – K. Simmons* Lady –Anthony David Bass – Eric Jefferson*Drums – Chris Johnson Guitar – Anthony 6 Feat. Keisha 4:39 Papamichael*Horns – Jonathon Lloyd*, Anthony Bailey*Written-By – A. Jackson Harrington*, LaMarquis Jefferson ATL Sunshine 7 –Anthony David Horns – Anthony Bailey*Strings – Eric Rostad*Written-By – A. 5:03 Harrington*Written-By, Piano – Branden Burch Something About You Backing Vocals – Cekoya TolbertBass – LaMarquis JeffersonGuitar – 8 –Anthony David 4:54 Victor BaileyRemix – Branden BurchWritten-By – Boon Gould, Mark King, Mike Lindup, Phil Gould, Wally Badarou Sho Nuff Backing Vocals – Laurnea Wilkerson*, PJ Morton, Slick , Tori 9 –Anthony David AlamazeBass – Khari SimmonsDrums – Landon AndersonHorns – Eugene 5:52 IV, Tony Bailey Keyboards – Julius SpeedWritten-By – A.
    [Show full text]
  • Lenguajes Artísticos Y Vanguardias En La No Wave
    UNIVERSIDAD DE LA LAGUNA. GRADO EN HISTORIA DEL ARTE. Lenguajes artísticos y vanguardias en la No Wave Trabajo Fin de Grado Adriana García Benítez 23/09/2014 Tutor del trabajo: Dr. Pompeyo Pérez Díaz. ÍNDICE 1. Metodología y objetivos. Pág. 3 2. Introducción a la No Wave . Pág. 5 a. Influencias de la No Wave . b. New Wave y No Wave . c. Donde se produce el encuentro: The Mudd Club. d. Fanzines. 3. La música de la No Wave . Pág. 19 4. El cine y los directores ( filmmakers ) de la No Wave : Pág. 24 a. Vivienne Dick. b. Beth B c. Susan Seidelman. d. Jim Jarmusch. e. Paul Auster. 5. No solo pintura: Pág. 35 a. Jean Michael Basquiat. b. Robert Longo. 6. Conclusiones. Pág. 40 7. Bibliografía. Pág. 44 2 METODOLOGÍA Y OBJETIVOS. Con el presente trabajo se pretende realizar una inmersión a las manifestaciones artísticas que se dan en el entorno No Wave de Nueva York entre los años 70 y 80. El objetivo principal es estudiar las relaciones que existen entre las figuras más relevantes tanto en artes plásticas como en música y cine. El título “Lenguajes artísticos y vanguardias” responde a una intención de establecer las colaboraciones y cruces entre las artes, ya que al tratarse de un movimiento heterogéneo, se puede y se busca estudiar diferentes artistas y objetos artísticos. Este aspecto, a nivel personal, es otro de los que nos convencieron para abordar este tema, ya que nos permite indagar en varias manifestaciones en lugar de centrarnos en una única expresión, así como en los artistas clave del momento y como encajan todos los elementos en un lugar y momento determinados.
    [Show full text]
  • Wally Badarou Words of a Mountain Mp3, Flac, Wma
    Wally Badarou Words Of A Mountain mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Words Of A Mountain Country: Germany Released: 1989 Style: Ambient MP3 version RAR size: 1135 mb FLAC version RAR size: 1941 mb WMA version RAR size: 1760 mb Rating: 4.2 Votes: 680 Other Formats: FLAC DMF MPC DTS AHX RA TTA Tracklist 1 Leaving This Place 4:10 2 The Dachstein Angels 5:30 3 Vesuvio Solo 6:13 4 Mt. Fuji And The Mime 5:26 5 Wolves In The Ural 5:28 6 The Feet Of Fouta 5:30 7 A Horn For Lake Powell 4:08 8 Ayers Rock Bubble Eyes 6:15 9 Words Of Grace 2:47 Companies, etc. Record Company – Island Visual Arts Phonographic Copyright (p) – Island Records Ltd. Copyright (c) – Island Records Ltd. Printed By – TOPAC Distributed By – BMG Records Distributed By – BMG Ariola Published By – Blue Mountain Music Ltd. Pressed By – Sonopress Recorded At – Studio "W" Mixed At – Studio "W" Mastered At – The Sound Clinic Mastered At – The Town House Credits Executive-Producer – Chris Blackwell Flute, Violin – Emil Schult Liner Notes – Robert L. Doerschuk, Vivien Goldman Mastered By – Tony Cousin*, Trevor Wyett* Other [Printed Poems] – Marianne Faithfull Photography By [Mountains] – Adrian Boot Photography By [Portrait] – Kevin Davies Vocals – Laura Weymouth Written-By, Producer, Recorded By, Mixed By, Performer – Wally Badarou Notes Recorded & mixed at Studio "W", Nassau, Bahamas 1988. Mastered at Sound Clinic and Townhouse, London. ℗ 1989 Island Records Ltd. © 1989 Island Records Ltd. Distributed by BMG Records. Printed in Germany by TOPAC. Barcode
    [Show full text]
  • January 1988
    VOLUME 12, NUMBER 1, ISSUE 99 Cover Photo by Lissa Wales Wales PHIL GOULD Lissa In addition to drumming with Level 42, Phil Gould also is a by songwriter and lyricist for the group, which helps him fit his drums into the total picture. Photo by Simon Goodwin 16 RICHIE MORALES After paying years of dues with such artists as Herbie Mann, Ray Barretto, Gato Barbieri, and the Brecker Bros., Richie Morales is getting wide exposure with Spyro Gyra. by Jeff Potter 22 CHICK WEBB Although he died at the age of 33, Chick Webb had a lasting impact on jazz drumming, and was idolized by such notables as Gene Krupa and Buddy Rich. by Burt Korall 26 PERSONAL RELATIONSHIPS The many demands of a music career can interfere with a marriage or relationship. We spoke to several couples, including Steve and Susan Smith, Rod and Michele Morgenstein, and Tris and Celia Imboden, to find out what makes their relationships work. by Robyn Flans 30 MD TRIVIA CONTEST Win a Yamaha drumkit. 36 EDUCATION DRIVER'S SEAT by Rick Mattingly, Bob Saydlowski, Jr., and Rick Van Horn IN THE STUDIO Matching Drum Sounds To Big Band 122 Studio-Ready Drums Figures by Ed Shaughnessy 100 ELECTRONIC REVIEW by Craig Krampf 38 Dynacord P-20 Digital MIDI Drumkit TRACKING ROCK CHARTS by Bob Saydlowski, Jr. 126 Beware Of The Simple Drum Chart Steve Smith: "Lovin", Touchin', by Hank Jaramillo 42 Squeezin' " NEW AND NOTABLE 132 JAZZ DRUMMERS' WORKSHOP by Michael Lawson 102 PROFILES Meeting A Piece Of Music For The TIMP TALK First Time Dialogue For Timpani And Drumset FROM THE PAST by Peter Erskine 60 by Vic Firth 104 England's Phil Seamen THE MACHINE SHOP by Simon Goodwin 44 The Funk Machine SOUTH OF THE BORDER by Clive Brooks 66 The Merengue PORTRAITS 108 ROCK 'N' JAZZ CLINIC by John Santos Portinho A Little Can Go Long Way CONCEPTS by Carl Stormer 68 by Rod Morgenstein 80 Confidence 116 NEWS by Roy Burns LISTENER'S GUIDE UPDATE 6 Buddy Rich CLUB SCENE INDUSTRY HAPPENINGS 128 by Mark Gauthier 82 Periodic Checkups 118 MASTER CLASS by Rick Van Horn REVIEWS Portraits In Rhythm: Etude #10 ON TAPE 62 by Anthony J.
    [Show full text]
  • LA MUSICA D'avanguardia (Provenienza Sconosciuta
    LA MUSICA D’AVANGUARDIA (provenienza sconosciuta!!) Presentazione Questo volume si propone di fornire una panoramica, la piu' aggiornata possibile, sui fenomeni musicali che esulano dalle correnti tradizionali del rock, del jazz e della classica, e che rappresentano in senso lato l'attuale "avanguardia". In tal senso l'avanguardia, piu' che un movimento monolitico e omogeneo, appare come una federazione piu' o meno aperta di tante scuole diverse e separate. Alcune costituiscono la cosiddetta "contemporanea" (capitoli 1-7), figlia dell'avanguardia classica; altre sono scaturite della sperimentazione dei complessi rock (capitoli 8-10); altre ancora appartengono al nuovo jazz, e non fanno altro che legittimare una volta per tutte il jazz nel novero della musica "intellettuale" (capitoli 11-13); la new age, infine, sfrutta le suggestioni delle scuole precedenti (capitoli 14-17). Piuttosto che un'introduzione generale ci sembra allora piu' opportuno fornire una presentazione capitolo per capitolo: 1. L'avanguardia popolare. Per avanguardia si intendeva un tempo soltanto l'avanguardia classica. A dimostrazione di come i tempi siano cambiati, questo libro e' in gran parte dedicato a musicisti che hanno le loro origini nel rock, nel jazz o nella new age. In questo primo capitolo ci proponiamo di fornire una panoramica storica sulla nascita dei movimenti musicali che hanno introdotto le novita' armoniche, acustiche, ideologiche su cui speculano tuttora gli sperimentatori moderni. Ci premeva anche trasmettere la sensazione che esista una qualche continuita' fra i lavori di Varese e Stockhausen (per citarne due particolarmente famosi) e i protagonisti di questo libro. 2. Minimalismo. La scuola minimalista degli anni Settanta era chiaramente delimitata.
    [Show full text]
  • Untitled Spreadsheet
    Founded in 2002, Light In The Attic is a leading archival reissue label, distribution company, and creative house with offices in Seattle and Los Angeles. They earned their reputation as the quintessential champion of the underdog through their grassroots success with Rodriguez and the soundtrack to the Academy Award®-winning documentary SEARCHING FOR SUGAR MAN (2012). Since then, LITA has gone on to garner nominations for multiple GRAMMY Awards, including one for Best Historical Album for Native North America (Vol. 1) (2015). Their exuberance and dedication to spreading joy through music has propelled them through the release of 200+ titles worldwide, setting the pace for reissue labels and the archival process. From D’Angelo to Donnie & Joe Emerson, Jim Sullivan to Serge Gainsbourg, Betty Davis to Karen Dalton, Lewis to Lifetones, the list goes on and on. In addition to the label’s acclaimed output, the company operates a thriving and rapidly growing distribution business and is home to nearly 150 like-minded labels including heavyweights MONDO / Death Waltz, iam8bit, Tidal Waves, and more. True to their record-loving roots, Light In The Attic also maintains a thriving physical brick and mortar record store inside the KEXP Gathering Space in Seattle. PRE-ORDER before 30th April 2020 Underlined texts been hyperlinked to it's webpage ETA are on May 2020 unless is stated otherwise For more new arrivals, pre-orders and merch, do visit www.tandangstore.com BENNY SOEBARDJA W I C The Lizard Years 2xCD STRAWBERRY RAIN RECORDS K E psych rock
    [Show full text]
  • Maximising Value in a Connected World
    Sacem Annual Report and Accounts MAXIMISING VALUE in a connected world 2016 Society of Authors, Annual Report and Accounts Composers and 2016 Publishers of Music Maximising value in a connected world This has been a year of tremendous progress at Sacem. As one of the world’s leading authors’ rights organisations, our mission is to protect and enhance the value of our members’ rights, and to inspire a strong and sustainable future for our industry. In an increasingly connected world, our investment in technology and commitment to maximising value for creators have resulted in another record year of collections and distributions, and an enlarged global footprint. We collected €884m in royalties and distributed €769m to around 298,000 creators around the world. Including mandates, we collected almost €1.4bn and distributed more than €1.2bn. In addition, we play a core role in cultural and artistic development within France and internationally, investing over €57.7m in social and cultural programmes to support talent and creativity across all ages, activities and communities. Over the long term, our objectives are to continue to invest in technology leadership and processes to drive efficiency and maximise value for our members, and to support artistic creativity and long-term cultural sustainability. Alexandre Desplat Composer Strategic review Management report Financial statements Contents AT THE FOREFRONT Strategic review OF TECHNOLOGY 02 At a glance – an overview of Sacem in 2016 04 President’s statement 06 Chief Executive’s Q&A 08 Market
    [Show full text]
  • Mutant Disco # 1 a Subtle Discolation of the Norm
    www.zerecords.com MUTANT DISCO # 1 A SUBTLE DISCOLATION OF THE NORM 01 • Was ( Not Was) • Wheel Me Out • 7:08 02 • Material & Nona Hendryx • Bustin’Out • 6:40 03 • Cristina • Drive My Car • 3:21 04 • Kid Creole & The Coconuts • Annie I’m Not Your Daddy • 6:30 05 • Aural Exciters • Emile (Night Rate) • 6:48 06 • James White & The Blacks • Contort Yourself • 6:18 07 • Lizzy Mercier Descloux • Funky Stuff • 4:12 08 • Garçons • French boy • 3:08 09 • Don Armando’s 2nd Ave. Rhumba Band • Deputy Of Love • 5:29 Featuring Fonda Rae 10 • Gichi Dan • Cowboys & Gansters • 7:28 11 • Cristina • Blame It On The Disco • 7:57 12 • Garçons • Encore l’Amore • 8:55 COMPILATION SELECTED AND PRODUCED BY MICHEL ESTEBAN P & C ZE Records Mundo Ltda © 2011 www.zerecords.com MUTANT DISCO : A Subtle Discolation Of The Norm In 1976 a record was released which could have changed the world. It was by the Disco Dub Band; on the Movers label; an extreme reworking of the O’Jays’ For The Love of Money. Ar- ranged and produced by journalist Davitt Sigerson, it featured steals of James Brown gui- tar motifs, free jazz traces, and stripped down, dubbed out disco. Its reverberations would be felt for many years. Five years on, consciously or not, it could certainly be felt haunting the dancehall that was home to ZE’s Mutant Disco revolution. ZE by that time was ready to burst overground in a riot of colour. A perverse over-the-top Hollywood musical spectacular to complement the grainier, underground pop that could equate to the black and white French new wave films of tortured New York noir novels.
    [Show full text]
  • Level 42 the Very Best of Level 42 Mp3, Flac, Wma
    Level 42 The Very Best Of Level 42 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock / Pop Album: The Very Best Of Level 42 Country: Mexico Released: 1998 Style: Pop Rock MP3 version RAR size: 1921 mb FLAC version RAR size: 1859 mb WMA version RAR size: 1206 mb Rating: 4.7 Votes: 338 Other Formats: MP1 AIFF MOD RA MP2 MMF AA Tracklist Hide Credits 1 Love Games 4:15 2 The Chinese Way 4:03 3 The Sun Goes Down (Living It Up) 3:47 4 Micro Kid 3:49 5 Hot Water 3:37 6 The Chant Has Begun 4:17 7 Something About You 3:47 8 Leaving Me Now 3:32 9 Lessons In Love 4:04 10 Running In The Family 3:57 11 To Be With You Again 3:58 12 It's Over 4:40 13 Children Say 4:28 14 Heaven In My Hands 4:08 15 Take A Look 4:42 16 Tracie 3:26 17 Guaranteed 3:52 18 Forever Now 4:15 The Sun Goes Down 1998 (Living It Up) 19 4:01 Featuring – Omar Companies, etc. Phonographic Copyright (p) – Polydor Ltd. (UK) Copyright (c) – Polydor Ltd. (UK) Made By – Universal Music México, S.A. de C.V. Distributed By – Universal Music México, S.A. de C.V. Credits Design [Sleeve] – M4 Design Engineer – Paul Wright (tracks: 18) Engineer [Assistant] – Tom Pilling (tracks: 18) Keyboards – Jonathan Shorten (tracks: 19) Liner Notes – Chris Salewicz Mastered By – Mile Showell* (tracks: 19) Mixed By – Tom Lord Alge* (tracks: 17) Other [Special Thanks To] – Ian Buck Producer – Andy Sojka (tracks: 4), Jerry Pike (tracks: 4), Julian Mendelsohn (tracks: 14 to 16), Larry Dunn (tracks: 3), Level 42 (tracks: 7 to 17, 19), Mark King (tracks: 18), Mike Lindup (tracks: 18), Mike Vernon (tracks: 1, 2), Phil Gould (tracks: 18), Steve Anderson (tracks: 18), Verdine White (tracks: 3), Wally Badarou (tracks: 7 to 17) Producer [Assistant], Engineer, Mixed By – Julian Mendelsohn (tracks: 7 to 13) Producer [Remix], Engineer, Recorded By – Dodge (tracks: 19) Producer, Engineer – Ken Scott (tracks: 5, 6) Remastered By – Jon Astley Technician [With Thanks To] – Spike Drake* (tracks: 9 to 13) Vocals [Additional] – Omar Lye-Fook (tracks: 19) Written-By – R.
    [Show full text]
  • Download Mambo Wally Badarou Mp3 Free Download Mambo Wally Badarou Mp3 Free
    download mambo wally badarou mp3 free Download mambo wally badarou mp3 free. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 679e9e8d8d71c3ed • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Download mambo wally badarou mp3 free. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 679e9e8ecafd7b4f • Your IP : 188.246.226.140 • Performance & security by Cloudflare.
    [Show full text]
  • Overeatingfor Funandprofit
    CHICAGO’S FREE WEEKLY | THIS ISSUE IN FOUR SECTIO NS | FRIDAY, JUNE 30, 2006 | VOL 35, NO 40 Overeatingfor Funand Profit Meet PatBertoletti, Chicago’smost gifted glutton. By KabirHamid CHICAGO READER Asmoke-free failure p 12 Abizarre arttheft Section 2 J.R. Jones on LarryClark’s Wassup Rockers p 22 Joravskyonrising property taxes (yes,theyare) p 8 ChrisWare, freshold-schoolsoulfromthe southside, Hopper on Sonic Youth, ourguide to theChicago CountryMusic Festival,and more Section One Letters 3 Reviews Movies 22 Columns Hot Type 4 Larry Clark’s Wassup Rockers What Ozzie meant Music 24 The new Sonic Youth, Lizzy Mercier The Straight Dope 5 Descloux, Lagos Chop Up Has a millionaire ever been executed in America? The Works 8 Theater 26 Time for a taxpayer revolt Franz Xaver Kroetz’s Request Programme Chicago Antisocial 10 at Trap Door Theatre If your wife won’t swap, don’t let her shop Plus What Are You Wearing? 13 Our Town 12 Dustin Senovic at City Soles June 30, 2006 A failed experiment in smoke-free drinking; habitual letter writer Brien Comerford Free Shit 16 Breakfast at the Green City Market Comic Ink Well 27 Chris Ware 17 This week’s crossword: That’s an Order ON THE COVER: PAT BERTOLETTI BY SAVERIO TRUGLIA c UGLIA VERIO TR SA Pat Bertoletti Overeating for Fun and Profit One day Kendall College culinary student Pat Bertoletti hopes to run his own restau- rant. But he may never be as famous for his cooking as he is for stu∞ng his face. By Kabir Hamid t was ten o’clock on a Saturday morning room at the destination airport, but his flight have to begin shoving as many beef tamales in May and Pat Bertoletti was in the tiny had been delayed and he was getting nervous.
    [Show full text]
  • 1. Restless Creature (Brendan Gallagher) This Album Is to Celebrate 50 Years As a Guitar Player, Mostly Covers with a Coupla My Tunes Thrown In
    1. Restless Creature (Brendan Gallagher) This album is to celebrate 50 years as a guitar player, mostly covers with a coupla my tunes thrown in. My working title was Some Bloke With A Guitar, a pithy quote from fellow Dead Marine band member Bow Campbell. He was a late substitution one evening for a gig at an inner city Sydney venue and the pub owner wrote just that on the sandwich board out front. But I decided it was bit too glib, and arrived at Restless Creature instead, a term my mother applied to myself and some of my brothers when she was mystified by our apparent purposelessness. Brother #5 Tim and I resolved early on that we would start a band and, as the do as you like kids, another of mum’s descriptors, I started teaching myself on brother #4 Bob’s guitar, and Tim bought a drum kit. We set the kit up just like a photo on an album cover (much like The Shaggs I guess) and both learnt to play by listening to fave Beatles and Stones records on the home stereo and figuring out, by torturous trial and error, what it was that Ringo and Charlie were doing. So I wrote a song called Restless Creature, somewhat autobiographical, but a familiar story to other artists I’m sure, and, true to my mum’s various folksy monikers (oh, I forgot pig-headed) I played everything. I think this may be my debut playing double bass on a record. Recorded at Bondi Pavilion Studio 1 and Declan Kelly’s The Nest.
    [Show full text]