Varsity Investigates MI6 Recruitment at Cambridge
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2015 Inventory of Library by Categories Penny Kittle
2015 Inventory of Library by Categories Penny Kittle The World: Asia, India, Africa, The Middle East, South America & The Caribbean, Europe, Canada Asia & India Escape from Camp 14: One Man’s Remarkable Odyssey from North Korea to Freedom in the West by Blaine Harden Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity by Katherine Boo Life of Pi by Yann Martel Boxers & Saints by Geneluen Yang American Born Chinese by Gene Luen Yang The Orphan Master’s Son by Adam Johnson A Fine Balance by Rohinton Mistry Jakarta Missing by Jane Kurtz The Buddah in the Attic by Julie Otsuka First They Killed My Father by Loung Ung A Step From Heaven by Anna Inside Out & Back Again by Thanhha Lai Slumdog Millionaire by Vikas Swarup The Namesake by Jhumpa Lahiri Unaccustomed Earth by Jhumpa Lahiri The Rape of Nanking by Iris Chang Girl in Translation by Jean Kwok The Joy Luck Club by Amy Tan The Reason I Jump by Naoki Higashida Nothing to Envy: Ordinary Lives in North Korea by Barbara Demick Q & A by Vikas Swarup Never Fall Down by Patricia McCormick A Moment Comes by Jennifer Bradbury Wave by Sonali Deraniyagala White Tiger by Aravind Adiga Africa What is the What by Dave Eggers They Poured Fire on Us From the Sky by Deng, Deng & Ajak Memoirs of a Boy Soldier by Ishmael Beah Radiance of Tomorrow by Ishmael Beah Running the Rift by Naomi Benaron Say You’re One of Them by Uwem Akpan Cutting for Stone by Abraham Verghese Desert Flower: The Extraordinary Journey of a Desert Nomad by Waris Dirie The Milk of Birds by Sylvia Whitman The -
ANNUAL REPORT of the UNIVERSITY Docx
ANNUAL REPORT OF THE UNIVERSITY THEATRE SYNDICATE, 2008 – 9 This year, as well as being one of celebration for the University, was also a year of celebration for the ADC Theatre, as it reflected on the completion of many long-term objectives. October 2008 saw the completion of the redevelopment that had started in 2003 and the beginning of a new set of opportunities for the Theatre. The last phase of the building work included the rebuilding of the workshop and dressing rooms, and the creation of a rehearsal and performance studio (The Larkum Studio, named for former Sidney Sussex Bursar and Chairman of the ADC Theatre Executive Committee Charles Larkum). It also saw the installation of a platform lift which allows disabled access to the stage area for the first time in the theatre’s history. The changes were evidently popular with the theatre’s audience, with audience figures breaking the momentous 50,000 mark for the first time in the theatre’s history, as it welcomed 53,000 visitors over 353 performances. Programme Review The Autumn season once again opened with a production from the Cambridge University American Stage Tour: Henry V , which claimed an unprecedented six stars from Varsity. Also back from tour was the Edinburgh sell-out, Devils , written and performed by the Cambridge Footlights. The redeveloped building was re-opened to a selection of alumni and current students with a performance of an exciting new musical written by Cambridge students called Hero , which had also enjoyed a successful run at the Edinburgh Festival. The gala evening was attended by Sir Peter Hall (guest of honour) and Sir Trevor Nunn, and a number of volunteers involved in the building project were invited. -
To Download Rupert Christiansen's Interview
Collection title: Behind the scenes: saving and sharing Cambridge Arts Theatre’s Archive Interviewee’s surname: Christiansen Title: Mr Interviewee’s forename(s): Rupert Date(s) of recording, tracks (from-to): 9.12.2019 Location of interview: Cambridge Arts Theatre, Meeting Room Name of interviewer: Dale Copley Type of recorder: Zoom H4N Recording format: WAV Total no. of tracks: 1 Total duration (HH:MM:SS): 00:31:25 Mono/Stereo: Stereo Additional material: None Copyright/Clearance: Assigned to Cambridge Arts Theatre. Interviewer’s comments: None Abstract: Opera critic/writer and Theatre board member, Rupert Christiansen first came the Theatre in 1972. He was a regular audience member whilst a student at Kings College, Cambridge and shares memories of the Theatre in the 1970s. Christiansen’s association was rekindled in the 1990s when he was employed to author a commemorative book about the Theatre. He talks about the research process and reflects on the redevelopment that took place at this time. He concludes by explaining how he came to join the Theatre’s board. Key words: Oxford and Cambridge Shakespeare Company, Elijah Moshinsky, Sir Ian McKellen, Felicity Kendall, Contemporary Dance Theatre, Andrew Blackwood, Judy Birdwood, costume, Emma Thompson, Hugh Laurie, Stephen Fry, Peggy Ashcroft and Alec Guinness, Cambridge Footlights, restaurant, The Greek Play, ETO, Kent Opera and Opera 80, Festival Theatre, Sir Ian McKellen, Eleanor Bron. Picturehouse Cinema, File 00.00 Christiansen introduces himself. His memories of the Theatre range from 1972 to present, he is now on the Theatre’s board of trustees. Christiansen describes his first experience of the Theatre seeing a production of ‘As You Like It’ featuring his school friend Sophie Cox as Celia, by the Oxford and Cambridge Shakespeare Company and directed by Elijah Moshinsky [b. -
PLANNING COMMITTEE 10 January 2018 Application Number 17/1541
PLANNING COMMITTEE 10th January 2018 Application 17/1541/FUL Agenda Number Item Date Received 5th October 2017 Officer Michael Hammond Target Date 4th January 2018 Ward Market Site Cambridge Union Society 9A Bridge Street Cambridge CB2 1UB Proposal Demolition of ancillary buildings and removal of 1930's facade at the Grade II listed Cambridge Union Society. Construction of replacement facade, reinstatement and refurbishment of historic features and internal and external access and refurbishment works including enlargement of existing cafe (Use Class A3) and reopening of 'footlight's' entertainment space (sui generis). Demolition of squash courts and un-listed 3-5 Round Church Street in the conservation area. Construction of new link building for access and ancillary uses for the Union Society. Construction of adjacent new building with ground floor restaurant (Use Class A3) with 45 room post-graduate student accommodation above (Use Class C2) together with basement storage and services. Applicant Cambridge Union Society and Trinity College SUMMARY The development accords with the Development Plan for the following reasons: The principle of demolition and development has been established under the previously permitted application (16/0673/FUL). In comparison with the previously permitted plans (16/0673/FUL) the proposal is not considered to exacerbate the level of harm caused to heritage assets. The proposed changes compared to the previously approved development would not impact on the accessibility of the building. RECOMMENDATION APPROVAL 1.0 SITE DESCRIPTION/AREA CONTEXT 1.1 The Cambridge Union Society is located in the historic core of the City Centre. It occupies a large site on the south-west corner of Park Street and Round Church Street. -
TRINITY COLLEGE Cambridge Trinity College Cambridge College Trinity Annual Record Annual
2016 TRINITY COLLEGE cambridge trinity college cambridge annual record annual record 2016 Trinity College Cambridge Annual Record 2015–2016 Trinity College Cambridge CB2 1TQ Telephone: 01223 338400 e-mail: [email protected] website: www.trin.cam.ac.uk Contents 5 Editorial 11 Commemoration 12 Chapel Address 15 The Health of the College 18 The Master’s Response on Behalf of the College 25 Alumni Relations & Development 26 Alumni Relations and Associations 37 Dining Privileges 38 Annual Gatherings 39 Alumni Achievements CONTENTS 44 Donations to the College Library 47 College Activities 48 First & Third Trinity Boat Club 53 Field Clubs 71 Students’ Union and Societies 80 College Choir 83 Features 84 Hermes 86 Inside a Pirate’s Cookbook 93 “… Through a Glass Darkly…” 102 Robert Smith, John Harrison, and a College Clock 109 ‘We need to talk about Erskine’ 117 My time as advisor to the BBC’s War and Peace TRINITY ANNUAL RECORD 2016 | 3 123 Fellows, Staff, and Students 124 The Master and Fellows 139 Appointments and Distinctions 141 In Memoriam 155 A Ninetieth Birthday Speech 158 An Eightieth Birthday Speech 167 College Notes 181 The Register 182 In Memoriam 186 Addresses wanted CONTENTS TRINITY ANNUAL RECORD 2016 | 4 Editorial It is with some trepidation that I step into Boyd Hilton’s shoes and take on the editorship of this journal. He managed the transition to ‘glossy’ with flair and panache. As historian of the College and sometime holder of many of its working offices, he also brought a knowledge of its past and an understanding of its mysteries that I am unable to match. -
JG Ballard's Reappraisal of Space
Keyes: J.G. Ballard’s Reappraisal of Space 48 From a ‘metallized Elysium’ to the ‘wave of the future’: J.G. Ballard’s Reappraisal of Space Jarrad Keyes Independent Scholar _____________________________________ Abstract: This essay argues that the ‘concrete and steel’ trilogy marks a pivotal moment in Ballard’s intellectual development. From an earlier interest in cities, typically London, Crash ([1973] 1995b), Concrete Island (1974] 1995a) and High-Rise ([1975] 2005) represent a threshold in Ballard’s spatial representations, outlining a critique of London while pointing the way to a suburban reorientation characteristic of his later works. While this process becomes fully realised in later representations of Shepperton in The Unlimited Dream Company ([1979] 1981) and the concept of the ‘virtual city’ (Ballard 2001a), the trilogy makes a number of important preliminary observations. Crash illustrates the roles automobility and containerisation play in spatial change. Meanwhile, the topography of Concrete Island delineates a sense of economic and spatial transformation, illustrating the obsolescence of the age of mechanical reproduction and the urban form of the metropolis. Thereafter, the development project in High-Rise is linked to deindustrialisation and gentrification, while its neurological metaphors are key markers of spatial transformation. The essay concludes by considering how Concrete Island represents a pivotal text, as its location demonstrates. Built in the 1960s, the Westway links the suburban location of Crash to the West with the Central London setting of High-Rise. In other words, Concrete Island moves athwart the new economy associated with Central London and the suburban setting of Shepperton, the ‘wave of the future’ as envisaged in Ballard’s works. -
Aaa Worldwise
AAA FALL 2017 WORLDWISE Route 66 Revival p. 32 Dressing for Access p. 38 South Africa: A Tale of Two Cities p. 48 TWO OF A KIND: THE ORIGINAL COLLEGE TOWNS Cambridge MASSACHUSETTS Just north of Boston and home to Harvard University and the Massachusetts Institute of Technology, this city oozes intellectualism and college spirit. COURTESY OF HARVARD UNIVERSITY HARVARD OF COURTESY Harvard and the Charles River STAY SEE When celebs come to Harvard, they’re put up at Harvard University’s three venerable art the AAA Four Diamond Charles Hotel. Just museums were brought under one roof in minutes from Harvard Yard, The Charles has a 2014 and collectively dubbed the Harvard well-stocked in-house library and one of the best Art Museums. Their collections include some breakfasts in town at Henrietta’s Table. The 250,000 art works dating from ancient times to 31-room luxury Hotel Veritas—described by the present and spanning the globe. The MIT a GQ magazine review as “a classic Victorian Museum, not surprisingly, focuses on science and mansion that went to Art Deco finishing technology. It includes the Polaroid Historical school”—boasts 24-hour concierge service Collection of cameras and photographs, the COURTESY OF HOTEL VERITAS HOTEL OF COURTESY and a location in Harvard Square. Those who MIT Robotics Collection and the world’s Hotel Veritas prefer to bed down near the Massachusetts most comprehensive holography collection. Institute of Technology (MIT) should check in Beyond the universities, visit the Longfellow at The Kendall Hotel, which brings boutique House–Washington’s Headquarters, the accommodations to a converted 19th-century preserved, furnished home of 19th-century poet firehouse. -
Annual Report 2005–2006 Cambridge University Library Annual Report 2005–2006 Highlights
cambridge university library annual report 2005–2006 cambridge university library annual report 2005–2006 highlights 2 The year was a highly successful one, with a number of major initiatives that allowed the Library to improve the range of service it is able to offer its users in all disciplines. For scientists, the development of the journals co- ordination scheme started to bear fruit. Following an extensive survey of users’ needs, the scheme’s Steering Committee took out subscriptions to a number of new, urgently needed journals, funded title page from savings made by the cancellation of titles for Reuben Ramble’s which there was no demand. Participants in the map of Cambridgeshire, scheme now include the Schools of Biological produced for Sciences and Clinical Medicine, as well as a majority children in 1845. of departments in the School of Physical Sciences. From the Map Department’s Discussion took place during the year with all the collections. Schools, with a view to extending the scheme to become a University-wide one. right Grammar in rhyme The Library bought the digitised back-sets in the (London 1854). One Elsevier ScienceDirect database and this, together of the books being with the Library’s subscription to current Science re-catalogued online as part of the Direct titles, means that the scientist now has online Tower Project. access at his or her desktop to the full content, from the first issue to the most recent, of more than 2,000 journals – some seven million articles – in a range of The DSpace@Cambridge Project, which has subjects. -
Dan Blaze's Karaoke Song List
Dan Blaze's Karaoke Song List - By Artist 112 Peaches And Cream 411 Dumb 411 On My Knees 411 Teardrops 911 A Little Bit More 911 All I Want Is You 911 How Do You Want Me To Love You 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 911 The Journey 10 cc Donna 10 cc I'm Mandy 10 cc I'm Not In Love 10 cc The Things We Do For Love 10 cc Wall St Shuffle 10 cc Dreadlock Holiday 10000 Maniacs These Are The Days 1910 Fruitgum Co Simon Says 1999 Man United Squad Lift It High 2 Evisa Oh La La La 2 Pac California Love 2 Pac & Elton John Ghetto Gospel 2 Unlimited No Limits 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Kryptonite 3 Oh 3 feat Katy Perry Starstrukk 3 Oh 3 Feat Kesha My First Kiss 3 S L Take It Easy 30 Seconds To Mars The Kill 38 Special Hold On Loosely 3t Anything 3t With Michael Jackson Why 4 Non Blondes What's Up 4 Non Blondes What's Up 5 Seconds Of Summer Don't Stop 5 Seconds Of Summer Good Girls 5 Seconds Of Summer She Looks So Perfect 5 Star Rain Or Shine Updated 08.04.2015 www.blazediscos.com - www.facebook.com/djdanblaze Dan Blaze's Karaoke Song List - By Artist 50 Cent 21 Questions 50 Cent Candy Shop 50 Cent In Da Club 50 Cent Just A Lil Bit 50 Cent Feat Neyo Baby By Me 50 Cent Featt Justin Timberlake & Timbaland Ayo Technology 5ive & Queen We Will Rock You 5th Dimension Aquarius Let The Sunshine 5th Dimension Stoned Soul Picnic 5th Dimension Up Up and Away 5th Dimension Wedding Bell Blues 98 Degrees Because Of You 98 Degrees I Do 98 Degrees The Hardest -
Violence and Dystopia
Violence and Dystopia Violence and Dystopia: Mimesis and Sacrifice in Contemporary Western Dystopian Narratives By Daniel Cojocaru Violence and Dystopia: Mimesis and Sacrifice in Contemporary Western Dystopian Narratives By Daniel Cojocaru This book first published 2015 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by Daniel Cojocaru All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7613-5 ISBN (13): 978-1-4438-7613-1 For my daughter, and in loving memory of my father (1949 – 1991) TABLE OF CONTENTS Acknowledgements .................................................................................... ix Chapter One ................................................................................................. 1 Introduction 1.1 Modern Dystopia ............................................................................. 1 1.2 René Girard’s Mimetic Theory ...................................................... 10 1.2.1 Imitative Desire ..................................................................... 10 1.2.2 Violence and the Sacred ........................................................ 16 1.2.3 Girard and the Bible ............................................................. -
Body and Space in J. G. Ballard's Concrete Island and High-Rise
Universidade Federal de Minas Gerais Faculdade de Letras Pedro Henrique dos Santos Groppo Body and Space in J. G. Ballard’s Concrete Island and High-Rise Minas Gerais – Brasil Abril – 2009 Groppo 2 Acknowledgments I would like to thank Prof. Julio Jeha for the encouragement and support. He was always open and willing to make sense of my fragmentary and often chaotic ideas. Also, thanks to CNPq for the financial support. And big thanks to the J. G. Ballard online community, whose creativity and enthusiasm towards all things related to Ballard were captivating. Groppo 3 Abstract The fiction of J. G. Ballard is unusually concerned with spaces, both internal and exterior. Influenced by Surrealism and Freudian psychoanalysis, Ballard’s texts explore the thin divide between mind and body. Two of his novels of the 1970s, namely Concrete Island (1974) and High-Rise (1975) depict with detail his preoccupation with how the modern, urban world pushes man to the point where an escape to inner world is the solution to the tacit and oppressive forces of the external world. This escape is characterized by a suspension of conventional morality, with characters expressing atavistic tendencies, an effective return of the repressed. The present thesis poses a reading of these two novels, aided by analyses of some of Ballard’s short stories, with a focus on the relation between bodies and spaces and how they project and introject into one another. Such a reading is grounded on theories of the uncanny as described by Freud and highlights Ballard’s kinship to Gothic fiction. -
Downloaded from Surveymonkey to Microsoft Excel
THE DESIGN THINKER PROFILE: CREATING AND VALIDATING A SCALE FOR MEASURING DESIGN THINKING CAPABILITIES DANI CHESSON A DISSERTATION Submitted to the Ph.D. in Leadership and Change Program of Antioch University in partial fulfillment of the requirements for the degree of Doctor of Philosophy October, 2017 This is to certify that the Dissertation entitled: THE DESIGN THINKER PROFILE: CREATING AND VALIDATING A SCALE FOR MEASURING DESIGN THINKING CAPABILITIES prepared by Dani Chesson is approved in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Leadership and Change. Approved by: ______________________________________________________________________________ Mitchell Kusy, Ph.D., Chair date ______________________________________________________________________________ Carol Baron, Ph.D., Committee Member date ______________________________________________________________________________ Shannon Finn Connell, Ph.D., Committee Member date Copyright 2017 Dani Chesson All rights reserved Acknowledgements This study would not be possible without the generosity of the participants that gave their time. As I sat down to analyze your responses I was overwhelmed with your willingness to share your experiences. Your stories are a treasure and I am grateful for each of your contributions. I owe a great deal of gratitude to my late mother who nurtured my curiosity, encouraged me to keep reading, and taught me that education is an investment that will always pay off. For 27 years, I had the privilege of being your one and only daughter. While our time together was short the quality of your parenting is evident in all that I have done and will do. It is has been the privilege of a lifetime to have been educated at institutions that fostered my curiosity and to have been guided by educators that nurtured my potential.