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BRADLEY MCCALLUM JACQUELINE TARRY Born In BRADLEY MCCALLUM JACQUELINE TARRY Born in Green Bay, Wisconsin, 1966. Born in Buffalo, NY, 1963. Lives and works in New York Lives and works in New York EDUCATION: 1992 Sculpture 1986 State University College at Buffalo, Yale University School of Art, BA, Philosophy New Haven, CT 1989 BFA, Sculpture, Virginia Commonwealth 2003 Whitney Independent Study University, Richmond, VA Program, New York, NY SOLO EXHIBTIONS AND PUBLIC INSTALLATIONS: McCallum & Tarry 2007 McCallum & Tarry, Kinkead Contemporary, Los Angeles, CA McCallum & Tarry, Caren Golden Fine Art, New York, NY Whitewash & Cut, Lisa Dent Gallery, San Franscico, CA 2006 Whitewash, Light Factory, Charlotte, NC Bearing, F.U.E.L., Philadelphia, PA Miscengenation Portaits, Conjunction Arts, Inc., McCall Center Mother and Child: Father and Child, Philadelphia Mural Arts, Philadelphia, Pennsylvania Derry/London Derry, North 55 and the Playhouse Theater Topsy Turvy, New York Historical Society, New York City, NY Cut, Conner Contemporary Art. Washington, DC. Endurance, Studium Generale, Technische Unifersiteit Eindhoven, The Netherlands Whit wash, F-2 Gallery, Beijing, China 2005 Endurance, Aljira, a Center for Contemporary Art, Newark, NJ. Endurance, Nichido Contemporary Art, Tokyo, Japan. Endurance, Tokyo Wonder Site, Tokyo, Japan. 2004 Otis, Conner Contemporary Art, Washington, DC. Endurance, City Space Gallery, Seattle, Washington. Civic Endurance, Marvelli Gallery, New York. 2003 Civic Endurance, Conner Contemporary Art, Washington, DC. 2002 Silence: New Haven, Rush Arts Gallery, New York, NY. 2001 Silence: New Haven, Artspace at Center Church on the Green, New Haven, CT. 2000 Witness: Call Boxes Citywide Installation, ConjunctionArts, New York, NY. Witness: Perspectives on Police Violence, The Bronx Museum of the Arts, Bronx, NY, and citywide installation, New York, NY. The Madison Project, Madison Public High Schools, Madison, WI. In the Public Realm: Installations, Witness Elvehjem Museum of Art, University of Wisconsin Madison, Madison, WI. 1999 Witness: Perspectives on Police Violence Documents: Public Projects by Bradley McCallum. Cathedral Church of St. John the Divine, New York, NY. Witness: Institute on Arts and Civic Dialogue Preview, Kings Chapel, Boston, MA. McCallum 2001-03 Madison Project: Path of Voices, Five permanent installations, Madison Public High Schools, Madison, WI 1998 Permanence of Memory, ICA at the Maine College of Art, Portland, ME. History Table: Gorhams Corner , Percent-for-Art Program, Portland ME. 1996-97 The Manhole Cover Project: A Gun Legacy, Wadsworth Atheneum, Hartford CT. 1996 Transcending Silence: The Tubs Project, Albion College, Victory Park, Albion MI. Surviving Memories, Swords Into Plowshares Peace Center and Gallery, Detroit MI. 1995-96 The Permanence of Memory Maine Veterans and Civilians Remember WWII, Battery 201, Two Lights State Park, Cape Elizabeth, ME. 1994 Shroud: Mother’s Voices, A Memorial for Victims of Gun Violence in New Haven, CT, Coalition to Stop Gun Violence Conference, Washington, DC. Testimonies, Screening, Boston Film and Video Foundation, Boston, MA. 1993 Aiding Awareness: Women’s Stories , ARTSPACE Gallery, New Haven, CT, a collaboration with Class Action: The Art Collective For Community Action. Multi Media Installation , Virginia Polytechnical Institute, Blacksburg, VA. 1992 Shroud: Mother’s Voices A Memorial for Victims of Gun Violence in New Haven, CT, Maloney Correctional Institute, Sight Specific Installation, Cheshire, CT. Connecticut College Chapel, Sight Specific Installation, New London, CT, September.City Hall, Sight Specific Installation, New Haven, CT. MFA Thesis Show, Yale Art + Architecture Gallery, New Haven, CT. 1990 Outdoor Installation of Homeless Shelters, Yale University, New Haven, CT. 1989 Park Bench Shelter, Outdoor Installation, New Haven, CT. 1988-89 Homeless Carts, 11 collaboratively designed vehicles given and used by street people to collect aluminum cans and other recyclables, Richmond, VA. GROUP EXHIBITIONS: McCallum & Tarry 2007 Finding Form, Atlanta Contemporary Art Center, Atlanta, GA Cinema Remixed and Reloaded: Black Women Artists and Moving Image Since 1970, Spellman College Museum of Fine Art, Atlanta, GA A Spectral Image of Self, Newcomb Art Gallery, Tulane University, New Orleans, LA Taking Possession, The University of Arkansas at Little Rock Galleries, Little Rock, AR What Kind of Portrait? Curator: Simon Watson, Marc Selwyn Fine Arts, Los Angeles, CA Street Scenes. Curator: Welmoed Laanstra and Nora Halpern, The National Portrait Gallery, Washington, DC. Transformer, Curator: Amy Moorefield, VCUarts Anderson Gallery, Richmond, VA Critical Translations, Nash Gallery of Art, University of Minnesota, Minneapolis, MN 2006 Legacies: Contemporary Artists Reflect on Slavery, New York Historical Society, June. 25 Bold Moves, Curator Simon Watson, House of Campari, New York, NY 2005 A Knock at the Door, Lower Manhattan Cultural Council, New York, NY Crossing Waters and Boarders Down Memory Lane, Cork, Ireland Convergence, International Contemporary Art Exhibition, Beijing, China Noorderlicht Photofestival, Groningen, Netherlands The Staged Body, Curator’s Office, Washington, DC 2004 Whitney Museum of Arts Studio Loft, New York. It’s about Memory. Rhona Hoffman Gallery, New York. Ralph Bunche: An American Legend, Curator: Franklin Sermons, Queens Museum of Art, New York, NY. Collector's Cabinet: for Marsha, Marc Selwyn Fine Art @ Domestic. 2003 The Outlaw Series, New York, NY. Confrontation or Commentary: The Role of Political Art in Society, Nathan Cummings Foundation, New York, NY. 2003 Biennial Exhibition of Public Art, Neuberger Museum of Art, Purchase College, State University of New York, Purchase, NY. 2002 Media City, Artists Commune Gallery, Hong Kong, China. Strike, Wolverhampton Art Gallery, Wolverhampton, England. Art & Outrage, Rober Miller Gallery, New York, NY. 2001 In Cold Blood, Samuel Dorsky Museum of Art, State University of New York at New Paltz, New Paltz, NY. Art at the Edge of the Saw, Aldrich Museum of Contemporary Art, Ridgefield, CT. Collaborative Art Projects 2000, The Bronx Museum of the Arts, Bronx, NY. 2000 Black and Blue, Zilkha Gallery, Wesleyan University, Wesleyan CT. Group Show, MoCADA Museum, Brooklyn, NY. 1999 Mumia 911, Refuse and Resist, New York, NY. McCallum 2005 Disputed Territories, City Without Walls, Newark, NJ 2002-03 The Culture of Violence, University Gallery at the University of Massachusetts, Amherst, MA; Bowdoin College of Museum of Art, Brunswick, ME; Samuel P. Harn Museum of Art, Gainesville, FL 2000 Concerted Compassionism , White Columns, New York, NY. Onced Removed , Socrates Sculpture Park, Long Island City, NY. 1998 Inspired Fear, Erector Square Gallery, New Haven, CT. 1997 Memory and Mourning: Shared Cultural Experience, University Art Museum University at Albany, Albany, NY. Surviving Memories Site Installation, The Heidleburg Project, Detroit MI. 1996 Incestuous, Thread Waxing Space, New York, NY. In Our Sights: Artist Look at Guns, Sight Specific Installation of Shroud: Mothers Voices. UCR California Museum of Photography, Riverside CA. 1995 Crime and Punishment, Philadelphia Art Alliance, Philadelphia, PA. Arresting Images, Gallery 400 at the University of Illinois at Chicago. Reinventing the Emblem, Yale Art Gallery, New Haven, CT. Strokes of Genius: Mini Golf by Artist, DeCordova Museum, Lincon, MA a collaboration with Dawoud Bey. 1994 Multiple Choice, Gates of Heck Editions, New York, NY. Percent for Art Finalist Exhibition, Baxter Gallery, Maine College of Art, Portland ME a collaboration with Marta Huszar. 1993 Small Works, ARTSPACE Gallery, New Haven, CT. Art and Ethics, Sawtooth Center for Art, Winston Salem, NC. Re-enchanting Art , Multi Media Installation, Cardinal Gallery, Annapolis, MD. 1991 Toys Are U. S., Key Gallery, Richmond, VA. 1989 Coastal Exchange II, Traveling Juried Exhibition, Anderson Gallery, Richmond, VA, Maryland Art Place, Baltimore MD & Nexus Art Center, Atlanta, GA. Tarry 2004 Independent Study Program Studio Program Exhibition, Whitney Museum of American Art, New York, NY PUBLIC PROJECTS/COLLABORATIVE PARTNERS + MAJOR GRANTS: McCallum and Tarry Civic Endurance, Seattle, WA 2003-05 In partnership with Peace on the Streets by Kids from the Streets, Seattle, WA and commissioned by the Seattle Office of Arts and Cultural Affairs, Arts Up Program. Additional funding by the National Seattle Office of Arts and Cultural Affairs, Arts Up Program. Additional funding by the National Endowment for the Arts, Seattle Department of neighborhoods, and the Fales Foundation. Silence: New Haven, New Haven, CT (2001-02) Presented by Artspace and Center Church on the Green, New Haven, CT. Produced by ConjunctionArts. Funded by the Lustman Memorial Fund, The Gunk Foundation, Trumball College Fine Art Program and the Connecticut Humanities Council. Presented in New York by the Rush Arts Gallery, a program of Rush Philanthropic Arts Foundation. Funded by the New York State Council on the Arts and the Greenwall Foundation. Witness: Perspectives on Police Violence, New York, NY, (1998-00). Sponsored by: ConjunctionArts in partnership with; The Center for Constitutional Rights; 100 Blacks in Law Enforcement Who Care; Parents Against Police Brutality; The National Action Network; and The National Congress for Puerto Rican Rights; and The New York Civil Liberties Union. Funded by: The New York State Council on the Arts; The Institute on Arts and Civic Dialogue; The Jerome Foundation, The Gunk Foundation,
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