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Bradley Mccallum + Jacqueline Tarry Bradley McCallum + Jacqueline Tarry Live and work in Brooklyn, New York Education Bradley McCallum 1992 MFA, Sculpture, Yale University School of Art, New Haven, CT 1989 BFA, Sculpture, Virginia Commonwealth University, Richmond, VA Jaqueline Tarry 2003 Whitney Independent Study Program, New York, NY 1986 Philosophy, State University College at Buffalo, Buffalo, NY Solo ExhibitionS MCCALLUM + TARRY 2009 • Nichido Contemporary Art, Tokyo, Japan • Galerie Nordine Zidoun, Luxembourg 2008 • Within Our Gates, Irwin Street Water Tower, Atlanta, Georgia • The Dark Is Light Enough, Galerie Nordine Zidoun, Paris, France • Another Country, Kiang Gallery, Atlanta, GA 2007 • Now, Tomorrow & Forever, Kinkead Contemporary, Los Angeles, CA • Bloodlines, Caren Golden Fine Art, New York, NY • Whitewash & Cut, Lisa Dent Gallery, San Francisco, CA 2006-07 • Whitewash, Light Factory, Charlotte, NC 2006 • Bearing, F.U.E.L., Philadelphia, PA • Cut, Conner Contemporary Art, Washington, DC • Whitewash, F-2 Gallery, Beijing, China 2005 • Endurance, Nichido Contemporary Art, Tokyo, Japan • Endurance, Tokyo Wonder Site, Tokyo, Japan • Endurance, Aljira, Center for Contemporary Art, Newark, NJ 2004 • Endurance, Marvelli Gallery, New York, NY • Otis, Conner Contemporary Art, Washington, DC • Endurance, City Space Gallery, Seattle, WA 2003 • Civic Endurance, Conner Contemporary Art, Washington, DC [email protected] P 512.215.4965 F 512.215.4113 360 Nueces, Suite C Austin, Texas 78701 www.lorareynolds.com 2002 • Silence: New Haven, Rush Arts Gallery, New York, NY 2001 • Silence: New Haven, Artspace at Center Church on the Green, New Haven, CT 2000 • Witness: Perspectives on Police Violence, The Bronx Museum of the Arts, Bronx, NY and citywide installation, New York, NY • In the Public Realm, Elvehjem Museum of Art, University of Wisconsin-Madison, Madison, WI 1999 • Witness: Perspectives on Police Violence, Cathedral Church of St. John the Divine, New York, NY • Witness: Perspectives on Police Violence, Institute on Arts and Civic Dialogue, Kings Chapel, Boston, MA MCCALLUM 2001–03 • Madison Project: Path of Voices, Five permanent installations, Madison Public High Schools, Madison, WI 1998 • Permanence of Memory: Maine Veterans and Civilians Remember WWII, Institute of Contempo- rary Art at Maine College of Art, Portland, ME • History Table: Gorhams Corner, Percent-for-Art commission, Portland, ME 1996–1997 • The Manhole Cover Project: A Gun Legacy, Wadsworth Atheneum, Hartford, CT 1996 • Transcending Silence: The Tubs Project, Albion College, Victory Park, Albion, MI • Surviving Memories, Work-in-progress, Swords Into Plowshares Peace Center and Gallery, De- troit, MI 1995–1996 • The Permanence of Memory: Maine Veterans and Civilians Remember WWII, Site specific installa- tion, Battery 201, Two Lights State Park, Cape Elizabeth, ME 1994 • Shroud: Mother’s Voices, A Memorial for Victims of Gun Violence in New Haven, CT, Coalition to • Stop Gun Violence Conference, Washington, DC • Testimonies, Screening, Boston Film and Video Foundation, Boston, MA 1993 • Aiding Awareness: Women’s Stories, in collaboration with Class Action: The Art Collective For • Community Action, Artspace, New Haven, CT • Multi Media Installation, Virginia Polytechnic Institute and University, Blacksburg, VA 1992 • Shroud: Mother’s Voices, A Memorial for Victims of Gun Violence in New Haven, CT, Site specific installation, Yale Art & Architecture Gallery, New Haven, CT; City Hall, New Haven, CT; Connecticut College Chapel, New London, CT; Maloney Correctional Institute, Cheshire, CT 1990 • Awnings: Shelter, Site specific installation, Yale University, New Haven, CT 1989 • Park Bench Shelter, Site specific installation, New Haven, CT 1988-1989 • Homeless Carts, Public art project, Richmond, VA [email protected] P 512.215.4965 F 512.215.4113 360 Nueces, Suite C Austin, Texas 78701 www.lorareynolds.com Group ExhibitionS MCCALLUM + TARRY 2009 • Tokyo Wonder Site Shibuya, Tokyo, Japan • Post Memory, EFA Gallery, New York, NY 2008 • Prospect 1 Biennial, New Orleans LA • Sound Off, BRIC Rotunda Gallery, Brooklyn, New York • No Mas Heros, La Coleccion Vlll, Artium, Centro Museo Vasco de Arte Contemporaneo, Vitoria- Gasteiz, Spain • The Other Mainstream II, Arizona State University Art Museum, Tempe, AZ • Group Show, Galerie Nordine Zidoun, Paris, France • Identity, Nichido Contemporary Art, Tokyo, Japan • Subversive Complicity, The LAB, San Francisco, CA • Performed Identity, Kathleen Cullen Fine Arts, New York, NY • I-Dentity: Los Angeles Video Art, University of Missouri – Kansas City Gallery of Art, Kansas City, MO • Taking Shelter, Canazi Gallery, Columbus College of Art & Design, Columbus, OHCollectors Se- lect, Arlington Arts Center, Arlington VA 2007 • Group show, Kiang Gallery, Atlanta, GA • Finding Form, Atlanta Contemporary Art Center, Atlanta, GA • Cinema Remixed and Reloaded: Black Women Artists and the Moving Image Since 1970, Spelman • College Museum of Fine Art, Atlanta, GA • A Spectral Image of Self, Newcomb Art Gallery, Tulane University, New Orleans, LA • The New Media Festival ‘07, Hardcore Art Contemporary Space, Miami, FL • Taking Possession, University of Arkansas at Little Rock Art Gallery, Little Rock, AK • Some Kind of Portrait, Marc Selwyn Fine Art, Los Angeles, CA • 50,000 Beds, Real Art Ways, Hartford, CT • Transformer, VCUarts Anderson Gallery, Richmond, VA • Bearing, The African American Museum in Philadelphia, Philadelphia, PA • John Q. Public & Citizen Jane: Private Americans in the Political Domain, University Art Gallery, San Diego State University, San Diego, CA • Critical Translations, Katherine E. Nash Gallery, University of Minnesota, Minneapolis, MN 2006 • Civic Performance, Stony Brook University Art Gallery, Stony Brook, NY • Nothing Good House, Kunsthaus Graz, Landesmuseum Joanneum, Austria • Legacies: Contemporary Artists Reflect on Slavery, New York Historical Society, New York, NY • 25 Bold Moves, Curator Simon Watson, House of Campari, New York, NY 2005 • A Knock at the Door, Lower Manhattan Cultural Council, New York, NY • Crossing Waters and Boarders Down Memory Lane, Cork, Ireland • Convergence, International Contemporary Art Exhibition, Beijing, China • Noorderlicht Photofestival, Groningen, Netherlands 2004–2005 • The Staged Body, Curator: Andrea Pollan, Curator’s Office, Washington, DC [email protected] P 512.215.4965 F 512.215.4113 360 Nueces, Suite C Austin, Texas 78701 www.lorareynolds.com 2004 • Ralph Bunche: An American Legend, Curator: Franklin Sermons, Queens Museum of Art, New York, NY • It’s About Memory, Curator: Simon Watson, Rhona Hoffman Gallery, Chicago, IL 2003 • The Outlaw Series, Curator: Lisa Kirk, New York, NY • Confrontation or Commentary: The Role of Political Art in Society, Curator: Danny Simons, Na- than Cummings Foundation, New York, NY • 2003 Biennial Exhibition of Public Art, Neuberger Museum of Art, Purchase College, State Uni- versity of New York, Purchase, NY 2002 • MediaCity, Curator: Wang Nan-Ming, Artists Commune Gallery, Hong Kong, China • Strike, Curator: Gavin Wade, Wolverhampton Art Gallery, Wolverhampton, England • Art & Outrage, Curator: Simon Watson, Robert Miller Gallery, New York, NY 2001 • In Cold Blood, Samuel Dorsky Museum of Art, State University of New York at New Paltz, New Paltz, NY • Art at the Edge of the Law, Aldrich Museum of Contemporary Art, Ridgefield, CT • Collaborative Art Projects 2000: Artists-in-Community Residence, Bronx Museum of the Arts, Bronx, NY 2000 • Black and Blue, Zilkha Gallery, Wesleyan University, Wesleyan, CT 1999 • Mumia 911, Refuse and Resist, New York, NY MCCALLUM 2005 • Disputed Territories, City Without Walls, Newark, NJ 2002–2003 • The Culture of Violence, Curators: Donna Harkavy & Helaine Posner, University Gallery at the • University of Massachusetts, Amherst, MA; Bowdoin College Museum of Art, Brunswick, ME; Samuel P. Harn Museum of Art, Gainesville, FL 2000 • Concerted Compassionism, White Columns, New York, NY • Once Removed, Socrates Sculpture Park, Long Island City, NY 1998 • Inspired Fear, Erector Square Gallery, New Haven, CT 1997 • Memory and Mourning: Shared Cultural Experience, University at Albany Art Museum, Albany, NY • Surviving Memories, Site specific installation, Heidelberg Project, Detroit, MI 1996 • Incestuous, Thread Waxing Space, New York, NY • In Our Sights: Artist Look at Guns, UCR/California Museum of Photography, Riverside, CA [email protected] P 512.215.4965 F 512.215.4113 360 Nueces, Suite C Austin, Texas 78701 www.lorareynolds.com 1995 • Crime and Punishment, Philadelphia Art Alliance, Philadelphia, PAArresting Images, Gallery 400 at the University of Illinois at Chicago, IL • Reinventing the Emblem, Yale Art Gallery, New Haven, CT • Strokes of Genius: Mini Golf by Artists, Collaboration with Dawoud Bey, DeCordova Museum, Lincoln, MA 1994 • Multiple Choice, Gates of Heck Editions, New York, NY • Percent for Art Finalist Exhibition, Baxter Gallery, Maine College of Art, Portland, ME 1993 • Small Works, Artspace, New Haven, CT • Art and Ethics, Sawtooth Center for Art, Winston Salem, NC • Re-enchanting Art, Multimedia installation, Cardinal Gallery, Annapolis, MD 1991 • Toys Are U.S., Key Gallery, Richmond, VA 1989 • Coastal Exchange II, Anderson Gallery, Richmond, VA; Maryland Art Place, Baltimore, MD; Nexus Art Center, Atlanta, GA TARRY 2004 • Independent Study Program Studio Program Exhibition, Whitney Museum of American Art, New York, NY awardS MCCALLUM + TARRY 2008 • Video Fellowship, New York Foundation for
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