P R E S I D E N T ’ S M E S S A G E

To The Congress of The United States:

It is my pleasure to transmit herewith the Annual Report of the National Endowment for the Arts for the fiscal year 1995.

On September 29, 1995, at the close of the fiscal year, the Arts Endowment celebrated its 30th anniversary. A young man or woman born at the same time as this Federal agency’s establishment has enjoyed access to the arts and culture unparalleled in the history of the country. The National Endowment for the Arts has helped bring tens of thousands of artists into schools, teaching tens of millions of students about the power of the creative imagination. This small Federal agency has helped launch a national cultural network that has grown in size and quality these past 30 years.

This Annual Report is another chapter in a great success story. In these pages, you will find projects that bring the arts to people in every State and in thousands of commu­ nities from Putney, Vermont, to Mammoth Lakes, California. The difference art makes in our lives is profound; we see more clearly, listen more intently, and respond to our fellow man with deeper understanding and empathy.

In these challenging times, when some question the value of public support for the arts, we should reflect upon our obligation to the common good. The arts are not a luxury, but a vital part of our national character and our individual human spirit. The poet Langston Hughes said, "Bring me all of your dreams, you dreamers. Bring me all of your heart melodies..." For 30 years, the Arts Endowment has helped keep those dreams alive for our artists and our audiences. May it long continue to do so.

William J. Clinton President of the United States COVER:

Black-On.White Bowl

by Lucy Lewis, featured

in The Studio Potter,

a Visual Arts grantee.

Photo courtesy Susan Peterson C 0 N T E N T S

President’s Message 1 Chairman’s Message 4 The Arts Endowment in Brief 8 The National Council on the Arts 11 Programs Dance 12 Design 20 Folk & Traditional Arts 26 International 34 Literature 42 Media Arts 5O Museum and Visual Arts 60 Music 84 Opera-Musical Theater 102 Presenting 108 Theater 118 Partnerships Federal Interagency Partnerships 130 Arts for Youth 132 Arts in Education 134 Challenge 138 2 Advancement 144 Expansion Arts 148 3 Local Arts Agencies 160 State & Regional 164 Underserved Communities Set-Aside 168 Office of Policy, Research and Technology 174 Office for AccessAbility 176 Panels 180 Dance 181 Design 182 International 184 Literature 186 Media Arts 188 Museum 190 Visual Arts 192 Music 194 Opera-Musical Theater 197 Presenting 198 Theater 2OO Arts in Education 201 Challenge 202 Advancement 205 Expansion Arts 206 Local Arts 2O8 State & Regional 209 Financial Summary 210 1995 was a year of great change for the National Endowment for the Arts. The agency turned 30 on September 29, 1995, and at that moment, we made a new beginning. The year engaged us in a comprehensive planning process, creating the blueprint for a reinvented, streamlined National Endowment for the Arts. By late September, plans were in place to allow the agency in 1996 to reach a broad spectrum of arts organizations and the American public.

The fundamental change in direction moves the agency toward a more integrated consideration of the impact that art has upon communities. Although we continue the expertise in all fields that has made the Endowment so distinguished in its leadership, we no longer fund each discipline separately. In addition to our public partnerships with state arts agencies and regional arts organizations, we now fund projects through four important divisions:

Heritage & Preservation - for projects which honor, assist and make visible those arts rooted in and reflective of the many traditions that make up our nation’s culture, and for projects which preserve our most significant artistic accomplish­ ments and works of art.

Education & Access - for projects which broaden and deepen arts education experiences for people of all ages, or to broaden access to the arts by reaching out to new audiences or introducing audiences to art forms to which exposure has been limited or nonexistent.

Creation & Presentation - for the creation of new work and the presentation of new and existing works of any culture, period or discipline.

Planning & Stabilization - for projects which focus on organizational planning, strengthening capacity internally or within an arts field, sustaining the arts, build­ ing partnerships, and developing new resources.

Another major change is the limitation on the number of applications frown any one organization. In the past, organizations with multiple programs submitted multiple applications. Beginning in 1996, we will accept only one application per organization to one of the four divisions. Additionally, organizations may form consortia to apply to one of the four divisions.

Applications will be reviewed through a four-tiered process. The first will be the traditional review by a jury of experts in a shared discipline. The next step will be a review by a combined arts panel, with expertise in many different areas. The third step is adjudication by the National Council on the Arts, and the fourth is the final review of the Chairman. CH A I R M A N ’ S M E SS A G E

It is zny hope that the new structure will encourage community-wide cooperation in addition to collaboration within and across arts disciplines. This new structure was born out of the notion that sustainable strength of the nonprofit arts can be achieved through unity of organizations which share a common mission or even a common home.

The success of our new structure will be measured in future annual reports. While this has been a hard year at the Endowment, it has not been without its rewards and many successes. A few bear special mention.

The Endowment has made a strong effort to work with other agencies of the Federal government in support of projects in the arts that fit within the mission of President Clinton’s Administration. In Fiscal Year 1995, the Endowment par­ ticipated in 30 formal partnership agreements with other agencies, including the Departments of Agriculture, Commerce, Education, Housing and Urban Devel­ opment, Health and Human Services, Justice, State, Transportation, the General Services Administration, the Corporation for National Service and the U.S. Infor­ mation Agency. 4 These efforts have resulted in such projects which impact favorably upon our 5 children and communities. WritersCorps, which brings 60 writers to work with Watching the inner-city communities in the Bronx, San Francisco and Washington, D.C., is funded in partnership with the AmeriCorps. Pathways to Success, a partnership dancers and the dance,

Jane Alexander takes in a class in Jackson,

Wyoming. C H A I R M A N ’ S M E S S A G E

~ith the Office of Juvenile Justice & Delinquency Prevention supports after-school and weekend programs for at-risk youth. Arts and Prevention, a collaboration with the Department of Health and Human Services, resulted in the inclusion of arts organizations under the funding guidelines for grants awarded to community coalitions providing substance abuse and mental health services. In partnership with the Department of Education, the Endowment assists over 100 national arts and education organizations to implement arts education in the curriculum.

Perhaps the most poignant of all of our partnerships came about in response to tragedy. After the bombing of the Federal building in Oklahoma City, the Arts Endowment collaborated with the General Services Administration, the Depart­ Ray Stroud at ment of Transportation, and the Department of Housing and Urban Development to begin the "Celebration the process of community rebuilding through a design initiative. An exhibition, "We Will of the Spirit," Be Back: Oklahoma City Rebuilds," details the community-wide design workshop held in an arts workshop Oklahoma City in the summer of 1995. for survivors and Every fiscal year begins on October 1 for the Federal government, a happy coincidence families of the for the cultural community, since October is Oklahoma City National Arts & Humanities Month. In October 1994, at the beginning of the fiscal year, the bombing. President awarded the National Medal of Arts to 11 distinguished artists and patrons and one arts organization on the White House lawn. The 1994 Medals went to: singer Harry Belafonte, pianist and com­ poser Dave Brubeck, singer Celia Cruz, violin teacher Dorothy DeLay, actress Julie Harris, dancer/choreographer Erick Hawkins, dancer and actor Gene Kelly, folk musician Pete Seeger, arts patron Catherine Filene Shouse, artist and teacher Wayne Thiebaud, poet and playwright Richard Wilbur and the arts education organization Young Audiences. At a luncheon that week, I had the distinct plea­ sure of awarding rosettes to former members of the National Council on the Arts, designating them as Ambassadors for the Arts.

Throughout the year, I continued to meet with people in communities all across the country. It is clear to me that there is a genuine hunger for more arts in our towns and cities; art performances and exhibitions are a few remaining activities that bring people together in a community and give a sense of the common legacy they share. C H A I R M A N ’ S M E S S A G E

A sense of community rounds out each fiscal year when the Endowment presents the National Heritage Awards. At a White House ceremony hosted by the First Lady, the following individuals from communities across our great country received this highest honor for our nation’s folk and traditional artists:

Bao Mo-Li, Chinese-Americanjing ehru player from Flushing, New York Mary Holiday Black, Navajo basketweaver from Medicine Hat, Utah Lyman Enloe, old-time fiddler from Lee’s Summit, Missouri Donny Golden, Irish-American stepdancer from Brooklyn, New York Wayne Henderson, luthier from Mouth of Wilson, Virginia Bea Ellis Hensley, blacksmith from Spruce Pine, North Carolina Nathan Jackson, Tlingit woodcarver/metalsmith/dancer from Ketchikan, Alaska Danongan Kalanduyan, Filipino-American kulintang musician from San Fran­ cisco, California Robert Jr. Lockwood, African-American Delta blues guitarist from Cleveland, Ohio Israel "Cachao" Lopez, Afro-Cuban bassist/ 6 composer/bandleader from Miami, Florida 7 Nellie Star Boy Menard, Lakota Sioux quiltmaker from Rosebud, South Dakota Buck Ramsey, cowboy poet and singer from

Amarillo, Texas Weaver Mary During the ceremony, Mrs. Clinton remarked: Holiday Black from "In these challenging times when some may seek to divide us, when some question the value Medicine Hat, Utah, of public support for the arts, we must remem­ ber that art is not a frill or extravagance. Art is a a 1995 National vital part of our national character. Art, in all its forms, unites our people, for its speaks the common language of our intellect, our emotion, and our spirit." Heritage Fellow.

Fitting words to conclude the 30th anniversary year of the National Endowment for the Arts, words which give us impetus to begin our fourth decade of public service through the arts.

Jane Alexander National Endowment for the Arts, an independent agency of the Federal government, was established by Congress in 1965 to support the creation of American art, to broaden public awareness of the arts, and to increase public participation in our culture. We serve the American people primarily through grants to artists, nonprofit arts organizations and public arts agencies, as well as through leadership initiatives, and advocacy.

The Arts Endowment supports literary, visual, design and performing arts organi­ zations which create and present performances, exhibitions, projects and programs. Through partnerships with foundations, corporations and other donors, it serves as a catalyst to increase non-Federal contributions to cultural activity. Partnerships with local, state, regional and other Federal agencies fund arts education projects for both children and adults and provide access to the arts for all Americans.

Our Mission The mission of the National Endowment for the Arts is:

To foster the excellence, diversity and vitality of the arts in the United States, and

To broaden public access to the arts.

The Process In Fiscal Year 1995, the Arts Endowment awarded grants to individual artists, arts groups and other nonprofit organizations that applied for support through the programs listed in this report. Because the agency received nearly four times more applications than it can support, the receipt of a grant represents a distinct honor. Beginning in Fiscal Year 1996, the programs will be streamlined into four divisions: Heritage & Preservation Education & Access Creation & Presentation Planning & Stabilization

The agency will continue its partnership with the state and jurisdictional and regional arts agencies and support a limited number of leadership initiatives. To find out more about the structural changes, please consult the 1996 guidelines. THE ARTS ENDOWMENT IN BRIEF

Hundreds of private citizens with expertise in the arts came to Washington to review applications and make funding recommendations in 1995. A typical panel is composed of 12 persons, including one "layperson" who does not earn a living as an artist or through an arts organization. Panel recommendations are then reviewed by the National Council on the Arts in an open, public meeting. Applications which the Council recommends for funding are then reviewed by the Chairman for final approval. This process will also change in 1996.

The Chairman and National Council Appointed by the President of the United States with advice and consent from the U.S. Senate, the Chairman is the agency’s chief executive officer as well as Chairman of the National Council on the Arts. Jane Alexander was named to this position by President Clinton and took office on October 8, 1993.

The National Council on the Arts advises the Chairman on policies, programs, grants and procedures. Composed of 26 private citizens appointed by the Presi­ dent and confirmed by the Senate, the Council represents various arts disciplines, including arts patronage. Council members serve six-year terms, staggered so 8 that roughly one-third of the body rotates every two years. 9 The Advisory Panels All of the Arts Endowment’s grant-making programs are advised by panels: rotating groups of private American citizens, both professional artists and knowledgeable lay persons. Selected from every region in the country, the panel­ ists mirror our nation’s diversity of race, gender, and aesthetics. Appointed by the Chairman, advisory panels meet throughout the year to review applications, develop or revise program guidelines, and provide advice on how the programs may best serve the field.

Panel nominations are welcome from any source at any time. Membership rotates regularly, so no member may serve on a panel more than three consecutive years. You cannot serve on any panel that might consider your application or that of your organization.

In 1996, the Endowment will review applications from arts organizations accord­ ing to their discipline or field, but the panels will consist of experts from the combined arts field according to each of the funding themes. Please consult the 1996 guidelines for changes. THE ARTS ENDOWMENT IN BRIEF

Methods of Funding The Arts Endowment provided thre~ major types of financial assistance:

| Matching grants for projects of artistic merit to nonprofit, tax-exempt organiza­ tions. Applicants must match the Endowment award at least dollar-for-dollar with non-Federal contributions.

| Matching grants to state, local and regional arts agencies.

Non-matching grants to individual artists of exceptional talent. Beginning in 996, grants to individuals, with the exception of creative writing fellowships, the American Jazz Master Awards and the National Heritage Awards, will no longer be offered.

Impact of Endowment Grants Every grant directly benefits the grantee and thus their home community and state. Endowment dollars attract private contributions, and this partnership stimulates local economic activity.

Some of our grants attract audiences nationwide through radio and television broadcasts, publications and recordings. Others reach wide audiences through touring - of a dance company or a museum exhibition, for example. By providing management or technical assistance, professional training, career development, research or information, grants in each of the disciplines raise the standards for arts organizations nationwide.

This Annual Report The organization of this annual report reflects the agency’s structure in Fiscal 1995, and it is designed to provide an overview of our programs and financial obligations. The total number of awards and amounts listed in each program are our financial commitments made in Fiscal 1995. In order to give a thorough financial summary, we report both obligations and awards. Cooperative agree­ ments, projects in which the agency has special oversight or active involvement, such as the Mayors’ Institute on City Design, are also noted. Interagency agree­ ments with other Federal agencies are included in summary reports organized by category in each of the discipline programs.

Summary reports of the agency’s financial transactions are included as an appen­ dix. A detailed history of all previous authorizations and appropriations is avail­ able through the Office of Communications. THE NATIONAL COUNCIL ON THE ARTS

Jane Alexander Chairman

Appointed for term Appointed for term Terms expire in 1996 Terms expire in 1998 ending in 1992" ending in 1994" William Bailey Ronald Feldman Robert Garfias Philip Brunelle Painter/Teacher Commercial Art Scholar/Ethnomusicologist Artistic Director/ Branford, Connecticut Gallery Owner Irvine, California Conductor New York, New York Minneapolis, Minnesota Trisha Brown Dance Company Director/ Barbara W. Grossman Roy M. Goodman Choreographer Theater Historian/ State Senator/Arts New York, New York Professor Patron/Trustee Newton, Massachusetts New York, New York Donald Hall Poet Kenneth M. Jarin Peter deCourcy Hero Danbury, New Hampshire Lawyer/Civic Volunteer Community Foundation Philadelphia, Pennsylvania President Hugh Hardy San Jose, California Architect LeoJ. O’Donovan, S.J. New York, New York University President Wendy Luers Washington, DC Arts PatrozffFrustee Marta Istomin New York, New York Music School President/ Jorge Perez 10 Musician Arts Board Member/ Roger Mandle Washington, DC Civic Volunteer 11 College of Art President Miami, Florida Providence, Rhode Island Colleen Jennings- Roggensack Judith O. Rubin Jocelyn Levi Straus Arts Presenter State Arts Council Arts Patron/Trustee Tempe, Arizona Member/Theater San Antonio, Texas Chairman Louise McClure New York, New York Catherine Yi-yu Cho Woo Arts Patron!Trustee Scholar/Visual Artist! McCall, Idaho Rachael Worby Teacher Conductor San Diego, California Roberta Peters Charleston, West Virginia Opera Singer/Trustee Scarsdale, New York

William E. Strickland, Jr. Arts Administrator/ Ceramist Pittsburgh, Pennsylvania

George White Theater Director/Producer ~5,~aterford, Connecticut

* Members serve until Senate confirmation of their successors. ith support form the Endowment’s Dance Program, major artists and companies continue to enrich the cultural landscape of the nation with the creation of new works, restaging of master works, and impressive collaborations. Audiences all over the country now have access to performances by ballet and modern dance companies, folk and traditional dance troupes, tap, jazz and experimental work. The unparalleled diversity of artistic vision coupled with superbly trained dancers and eager audiences have allowed artists to tackle ever more ambitious programs. Artistically, American dance is thriving.

However, artistic vigor cannot mask the increasingly eroded infrastructure upon which the dance world rests. A number of concerns loom on the horizon: deficits, fewer touring engagements, fewer performances at home, and decreasing finan­ cial support from public and private sources. These realities, in combination with such larger societal problems such as AIDS, have placed this ephemeral artform in danger.

The Dance Program acted to strengthen the artistic health of the field and to respond to the need for systemic support. In Fiscal Year 1995, the Program awarded fellowships to choreographers who work in a variety of genres and styles, including West African, ballet, baroque, Butoh, East Indian, hip hop, Mexican, modern, postmodern, Native American, tap and vogue. The 97 dance companies supported by the Program also The Eugene Ballet reflected this impressive range. received a Dance In recent years, there has been an increasing awareness and appreciation Company grant for of the diversity of American dance, arguably one of the rich and most statewide touring varied dance cultures that has ever and educational existed. The resource this represents for artists is now international in programs. scope. For example, Zivili, a dance company whose repertory includes the dances, costumes and music of the countries that once formed Yugoslavia, is a repository in Granville, Ohio, for a cultural heritage that has been de­ stroyed by civil war. Many dances from Croatia, Serbia and Bosnia are now only performed by the artists of Zivili. D A N C E

Under the direction

of Arthur Mitchell,

the Dance Theatre

of Harlem celebrates

its 25th anniversary,

12

13

The Program’s support to most dance companies centered on artistic core concerns such as development of new dances, touring, performances at home, and reaching out to new audiences through school and community programs. An effort to strengthen the sinews connecting artists and companies to the public was provided by support from the Services to the Field category. The Program addressed such critical concerns as the preservation of dances, keeping perfor­ mance and rehearsal space affordable, the exchange of information, and helping dancers make the transition from life as a performer to new careers and role.

Public participation in dance has also remained a priority. Support of touring has allowed many companies to perform for audiences far from their home base. The Eugene Ballet Company from Oregon received support to perform throughout the West. Muntu Dance Theater from Chicago used its grant to tour historically black colleges throughout the South. In addition to acquiring and performing such classics of American modern dance as Dianne McIntyre’s restaging of Helen Tamiris’s "How Long Brethren," the Cleo Parker Robinson Dance Company from Denver used dance to work with inner-city at-risk youth. D A N C E

220 awards $7,120,747 Caniparoli, Val W. Harishankar, Ramya Leullieux, Tania San Francisco, CA $20,000 Irvine, CA $20,000 Willits, CA $7,000 Choreographers’ Chen, Nai-Ni Hay, Deborah Leullieux, Tania Fellowships Fort Lee, NJ $20,000 Austin, TX $9,100 Willits, CA $9,100 Chin, Kiken Hixson, Lin L. Madsen, Wade R. Grants were awarded to pro­ Seattle, WA $9,100 fessional choreographers for Portland, OR $9,100 Chicago, IL $9,100 their artistic development. Awards of $20,000 are two- Chuma, Yoshiko Howard, Mark McConneloug, Shawn year grants; $9,100 are one- New York, NY $9,100 Chicago, IL $9,100 Minneapolis, MN $9,100 year grants. In some cases, choreographers were awarded Chvala, Joseph M. Howard, Mark McCullough, Rick an additional grant of $7,000 Minneapolis, MN $7,000 Chicago, IL $7,000 Winston-Salem, NC $20,000 in lieu of a two-year grant because of budgetary recision. Clemente, Steve and Jasperse, John R. McIntyre, Dianne R. 93 awards $1,209,300 Richard Colon New York, NY $20,000 New York, NY $9,100 Bronx, NY $9,100 Alessi, Alito Jones, Rosalie M. McIntyre, Trey B. Eugene, OR $9,100 Comfort, Jane C. Santa Fe, NM $20,000 Houston, TX $7,000 New York, NY $9,100 Armitage, Karole Jungels, Dorothy A. McIntyre, Trey B. $9,100 New York, NY $9,100 Dendy, Mark B. Providence, RI $9,100 Houston, TX New York, NY $20,000 Atkinson, Charles Kaye, Pooh McKayle, Donald C. Las Vegas, NV $9,100 Di Palma, Susana New York, NY $20,000 Laguna Beach, CA $9,100 Minneapolis, MN $9,100 Bowers, Martha Kelly, John J. McMahon, Jeffrey D. $9,100 Brooklyn, NY $9,100 Dorfman, David C. New York, NY $20,000 New York, NY New York, NY $9,100 Bromberg, Ellen R. Kimoto, Kumiko McPherson, Dianne Dunya Tucson, AZ $9,100 Dove, Ulysses New York, NY $20,000 Austin, TX $7,000 New York, NY $9,100 Brown, James R. Klein, Demetrius A. Monson, Jennifer $20,000 New York, NY $9,100 Eisen, Robert F. Lake Worth, FL $20,000 Brooklyn, NY Chicago, IL $9,100 Brown, Ronald K. Konte, Assane Parsons, David $20,000 New York, NY $9,100 Gamonet de Los Heros, Washington, DC $9,100 New York, NY Jimmy Brown, Ronald K. Miami, FL $20,000 Koplowitz, Stephan M. Pimsler, Stuart G. New York, NY $7,000 Brooklyn, NY $9,100 Columbus, OH $20,000 Giffin, John R. Browne, Harriet Columbus, OH $20,000 Lacey, Jennifer M. Posin, Kathryn $7,000 Brooklyn, NY $9,100 Brooklyn, NY $7,000 New York, NY Graney, Patricia M. Bufalino, Brenda D. Seattle, WA $20,000 Lamhut, Phyllis Pulvermacher, Neta $7,000 New York, NY $20,000 New York, NY $20,000 New York, NY Greenberg, Neil D. Buraczeski, Daniel J. New York, NY $20,000 Leahy, Sharon B. Raghavan, Jothi New York, NY $20,000 Spring Valley, OH $20,000 North Potomac, MD $9,100 Gross, Sally Burgos, Juan J. New York, NY $20,000 Leake, William Rajagopalan, Hema Brownsville, TX $9,100 Flushing, NY $9,100 Oak Brook, IL $9,100 Haigood, Joanna Bustamante, Jose Luis San Francisco, CA $20,000 Lee, Hae Kyung Richard, Byron M. and Erin Thompson Austin, TX $20,000 Garden Grove, CA $7,000 Haim, Mark S. Minneapolis, MN $9,100 New York, NY $9,100 Lemon, Ralph S. Byrd, Donald Robinson, LaVaughn E. New York, NY $20,000 New York, NY $20,000 Philadelphia, PA $20,000 D A N C E

Rogers, Wendy L. Ballet West Dance Brigade Berkeley, CA $20,000 Dance Company Grants Salt Lake City, UT $65,000 Oakland, CA $10,000 To support the development To support touring and Rousseve, David J. Grants assist professional and production of new work. dancers’ salaries. Brooklyn, NY $9,100 dance companies to undertake projects that enhance creation, Bella Lewitzky Dance Continuum production, and public under­ Salaam, Abdel R. Dance Foundation New York, NY $30,000 New York, NY $20,000 standing of dance. Los Angeles, CA $75,000 To support home season 98 awards $5,447,000 To support rehearsals and performances, touring, Shapiro, Danial N. and company salaries. administrative activity, and Joan Smith Program Funds $4,572,000 the creation of new work for Minneapolis, MN $9,100 Treasury Funds $ 875,000 Boston Ballet Susan Marshall & Company. Boston, MA $25,000 Shiraishi, Hisatoshi R $150,000 TF Dance Exchange New York, NY $20,000 African-American Dance Ensemble To support home season Washington, DC $20,000 Skaggs, Sarah Jo Durham, NC $18,000 performances and salary To support the Museum expenses. Residencies Project and the New York, NY $20,000 To support home season performances and touring. development of new work for Capoeira Foundation Liz Lerman Dance Exchange. Sohl-Donnell, Linda J. AMAN Folk Ensemble New York, NY $17,000 Long Beach, CA $9,100 Dance Theater Foundation Los Angeles, CA $65,000 To support the development New York, NY $185,000 Soto, Merian of new work, home season To support touring, com­ performances, and admini­ $100,000 TF Bronx, NY $20,000 munity residencies, and rehearsal weeks. strative activity of DanceBrazil. To support the home season performances, repertory Terry, Keith Caribbean Dance Company enrichment, touring, and Berkeley, CA $9,100 American Ballroom St. Croix, VI $10,000 rehearsals for the Alvin Ailey Theater Company American Dance Theater. Turocy, Catherine M. New York, NY $13,000 To support rehearsal salaries. New York, NY $9,100 To support rehearsals for Dance Theatre of Harlem 14 national touring and the Cincinnati Ballet Company New York, NY $270,000 home season. Cincinnati, OH $10,000 Varone, DougJ. To support the acquisition of New York, NY $20,000 To support dancers’ salaries new work, rehearsals, and 15 Bailes Flamencos and rehearsals for mixed touring. Weaver, Jon S. San Francisco, CA $19,500 repertory programs. San Francisco, CA $7,000 To support home season Dayton Contemporary performances. Cleveland Ballet Dance Guild Wilson, Llory Cay Cleveland, OH $10,000 Dayton, OH $35,000 Austin, TX $20,000 Ballet Hispanico of To support company salaries To support the acquisition, New York and production expenses. rehearsal, and performance Wilson, Reginald New York, NY $35,000 of a new work. Brooklyn, NY $7,000 To support home season CODA: Choreographers performances, rehearsals, Organization for Dance Dean Dance & Music Wilson, Reginald and educational programs. New York, NY $10,000 Foundation Brooklyn, NY $9,100 To support the development New York, NY $72,000 Ballet Metropolitan of new collaborative works To support the development Wong, Mel Columbus, OH $15,000 during the 1995-96 season of a new work, company Santa Cruz, CA $20,000 To support the development for Creach/Koester. salaries, touring, and produc­ of new works. tion costs for Laura Dean Wynn, Kevin A. Cunningham Dance Musicians and Dancers. New York, NY $7,000 Ballet Theatre Foundation Foundation New York, NY New York, NY $260,000 $275,000 Discalced Yaelisa $25,000 TF New York, NY $72,000 San Diego, CA $9,100 To support home season performances, repertory To support the New York To support the creation of enrichment, and rehearsals season, touring, media and new work, and the planning, Zambrano, David C. of American Ballet Theatre. archival projects. implementation, and evalu­ Hoboken, NJ $7,000 ation of the Residency Per­ formance Project of the Zawerucha, Stefa K. Mark Morris Dance Group. Brooklyn, NY $9,100 D A N C E

Erick Hawkins Garth Fagan Dance Hubbard Street Keep the Country Dancing Dance Foundation Rochester, NY $85,000 Dance Company Sloatsburg, NY $12,000 $60,000 Chicago, IL $10,000 To support the creation of New York, NY To support home season To support the creation of performances and domestic To support rehearsal weeks. new work, and a New York City concert season for Foot new work, home season per­ touring. formances, and touring. Hundred Grand Dance and Fiddle Dance Company. Gotham Dance Foundation Ko-Thi Dance Company Ethnic Dance Theatre $33,000 New York, NY $10,000 New York, NY Milwaukee, WI $12,000 Minneapolis, MN $10,000 To support the creation of new To support the creation and To support research and To support company salaries. development of new work, work, rehearsal salaries, and revivals, administrative sala­ home season performances travel for repertory enrich­ for Bill Young & Dancers. ment and rehearsals. Eugene Ballet ries, and touring for the Eugene, OR $12,000 Bebe Miller Company. Institute for Spanish Arts LINES, A Dance Company To support touring and edu­ Guateque Folkloric Taller Santa Fe, NM $48,000 San Francisco, CA $15,000 cational outreach programs. Corozal, PR $11,000 To support the creation of new To support the creation of a work, rehearsal, performance, new ballet by Artistic Director Floricanto Dance Theatre To support the creation and development of new work. residency, administration, and Alonzo King. Whittier, CA $14,000 touring for Maria Benitez’s Teatro Flamenco. Lubovitch Dance Foundation To support rehearsal and H.T. Dance Company performance salaries for $15,000 New York, NY $35,000 dancers, musicians, and New York, NY Instituto de Cultural technical staff during the To support the creation, Puertoriquena for Ballet To support the creation and 1995-96 season for Danza development, and production development of new work Concierto de Puerto Rico and touring. Floricanto/USA. of new work, and administra­ San Juan, PR $12,000 tive costs for Chen & Dancers. To support the home season Lucinda Childs Foundation for performances for Ballet Dance Promotion Hartford Ballet Dance Foundation Concierto. $75,000 New York, NY $82,000 Hartford, CT $10,000 New York, NY To support home season To support the creation and Jazz Tap Ensemble To support the creation of new production of new work. work, administrative activity, performances, touring, and Los Angeles, CA $48,000 and touring. rehearsals for the Bill T. Jones/ To support home season Arnie Zane Dance Company. Heritage and Tradition performances, touring, Lula Washington South Pasadena, CA $10,000 administrative salaries, Contemporary Foundation for Independent and educational activity. Artists for Eiko and Koma To support the creation of Dance Foundation new work and administrative $10,000 New York, NY $30,000 Inglewood, CA activity for AVAZ. Joe Goode To support the creation of Performance Group To support dancers’ salaries. new work, home season per­ House Foundation for San Francisco, CA $25,000 formances, video documen­ the Arts Manhattan Tap tation, and touring. To support company salaries New York, NY $10,000 New York, NY $95,000 and marketing expenses To support the creation of related to home season To support home season Foundation for performances. performances, dancers’ the Joffrey Ballet new work, administration, documentation activity, and and musicians’ salaries, New York, NY $200,000 and administrative activity. touring for Meredith Monk! Jose Limon To support company salaries The House. Dance Foundation and touring. New York, NY $55,000 Margaret Jenkins Houston Ballet Foundation Dance Studio To support home season San Francisco, CA $55,000 Fua Dia Congo Houston, TX $40,000 performances and rehearsals. Oakland, CA $10,500 $50,000 TF To support the creation of To snpport the development new work, home season To support home season Kansas City performances, touring, and performhnces. of new work, rehearsal and Ballet Association dancers’ salaries. home season activity during Kansas City, MO $30,000 the company’s 25th anni­ versary year. To support company salaries during the 1995-96 season for the State Ballet of Missouri. D A N C E

Martha Graham Center Nikolais/Louis Foundation Paul Taylor Plato Dancers of Contemporary Dance for Dance Dance Foundation New York, NY $17,000 New York, NY $190,000 New York, NY $85,000 New York, NY $275,000 To support the creation and To support the creation of new To support the creation of To support the creation of production of new work for work by guest choreographers, new work by Murray Louis, new work, the 1995-96 home the Doug Elkins Dance the New York season, touring, the revival of work by the late season, and touring. Company. and rehearsals. Alwin Nikolais, the New York season, and touring. Pennsylvania Ballet Princeton Ballet Society Miami City Ballet Association New Brunswick, NJ $10,000 Miami Beach, FL $60,000 North Carolina Philadelphia, PA $25,000 Dance Theatre To support the creation and To support the creation of Charlotte, NC $25,000 To support dancers’ salaries. development of new work new work. during the 1995-96 season for To support rehearsals and live Performance Zone, Inc. American Repertory Ballet. music for performances. Mixed Bag Productions New York, NY $10,000 San Francisco, CA $15,000 Repertory Dance Theatre To support the creation and Oakland Ballet Salt Lake City, UT $20,000 To support production of Company & Guild development of new work "The Mira Cycles" trilogy for Tere O’Connor Dance. Oakland, CA To support the reconstruction and administrative activity $12,000 of a classic American modern during the 1995-96 season To support rehearsal and Philadelphia Dance dance, the creation of new for Contraband. production costs. Company work, company salaries, and Philadelphia, PA $35,000 licensing costs. Muntu Dance Theatre Oberlin Dance Collective Chicago, IL $15,000 San Francisco, CA To support the creation of Rhapsody In Taps $20,000 new work, rehearsals, and To support touring. To support the creation of new costumes for Philadanco. Los Angeles, CA $10,000 work and dancers’ salaries. To support the creation and New Dance Theatre Pick-Up Performance production of new work, and Denver, CO $25,000 Ohio Ballet Company artists’ salaries. To support the creation of Akron, OH $60,000 New York, NY $80,000 Richmond Ballet new work, rehearsals, pro­ To support the creation of To support the creation of duction expenses, and touring new work and production new work, rehearsal and Richmond, VA $12,000 16 of the Cleo Parker Robinson expenses. workshop activity, and the To support artists’ salaries. Dance Theatre. New York season for David 17 Oregon Ballet Gordon/Pick Up Company. Ringside New Life Dance Portland, OR $10,000 New York, NY $20,000 New York, NY $12,000 Pilobolus To support the creation of To support the development To support the creation of new work during the 1995-96 Washington Depot, CT of new work and dancers’ new work for Sara Pearson/ season. $10,000 salaries during the 1995-96 Patrik Widrig & Company. To support the creation and season of Elizabeth Streb/ Original Ballets Foundation production of new work. Ringside. New York Chinese New York, NY $75,000 Cultural Center Pittsburgh Ballet Theatre Rio Grande Union To support the creation of new New York, NY $10,000 work by Eliot Feld, the New Pittsburgh, PA $65,000 New York, NY $22,000 To support the creation of York season, and touring To support the creation of To support the creation of new new work, home season activity for Feld/Ballets NY. new work, artists’ salaries, work and company salaries for performances, and touring home season performances, Douglas Dunn & Dancers. activity for the Chinese Folk Pacific Northwest Ballet and touring. Dance Company. Seattle, WA $40,000 Ririe-Woodbury $150,000 TF Pittsburgh Dance Alloy Dance Foundation New York City Ballet Pittsburgh, PA $12,000 Salt Lake City, UT $I0,000 New York, NY $50,000 To support home season $250,000 TF performances, repertory To support the creation of To support the choreographic expansion, a choreographic new work, dancers’ salaries, fees for the creation of new To support rehearsals and workshop, and outreach and outreach activities. touring activity. programs. D A N C E

San Francisco U.B.W. Carlisle Project Dance Umbrella Ballet Association New York, NY $20,000 Carlisle, PA $5,000 Austin, TX $5,000 San Francisco, CA $115,000 To support artistic and To support a workshop series, To support a wide variety of $150,000 TF administrative salaries of an advanced choreography services to the dance com­ To support home season per­ Urban Bush Women. residency program, and munity in Austin and other formances, dancers’ salaries, showcases in Carlisle and cities in Texas. and choreographic fees. Washington Ballet Philadelphia. Washington, DC $10,000 Dance/USA School of Hard Knocks City Center 55th Street Washington, DC $27,500 To support the revival of a Theater Foundation, Inc. New York, NY $12,000 To support the Dance Forum repertory work. New York, NY $16,000 To support dancers’ salaries program of professional for Yoshiko Chuma & The Zivili Kolo Ensemble To support up to 16 weeks development, publication of the Dance/USA journal, School of Hard Knocks. Granville, OH $20,000 of rent subsidy and related marketing services to resident and information services. To support company salaries, dance companies performing Sharir Dance Company costuming, research, music, Austin, TX $10,000 at City Center during the DanceWorks, Inc. and rehearsals. 1995-96 season. New York, NY $20,000 To support the creation and development of new work Colorado Dance To support ongoing services and company salaries. to the dance field, including Services to the Field Festival, Inc. fiscal administration, grant Boulder, CO $5,000 writing, booking and represen­ Solomons Company/Dance To support the activities of the tation, marketing and special New York, NY $12,000 Grants are made to organiza­ projects. tions for exemplary projects International Tap Association, To support the creation of that address crucial artistic including members’ services new work by Mr. Solomons, and professional needs in and the publication of the Florida Dance home season performances, dance. ITA newsletter. Association, Inc. and touring activity. Miami, FL $8,000 27 awards $375,000 DC Wheel Productions, Inc. To support the 1995 Florida Stephen Petronio Washington, DC $5,000 Dance Festival, services to Dance Company American Dance Festival, Inc. To support master classes artists, companies, and pre­ New York, NY $20,000 senters; and information and Durham, NC $5,000 by three guest artists in the To support company salaries, performing series and a publication of the Florida home season performances, To support the 1995 Dance marketing/production project Dance Calendar and Florida and touring activity. Critics Conference and the for emerging artists in the Dance Directory. Archival Preservation Project. DC dance community. Third Street Dance H.T. Dance Company, Inc. Bay Area Dance Series New York, NY $10,000 Dance Notation Bureau, Inc. New York, NY $5,000 Oakland, CA $5,000 Glen Head, NY $6,000 To support dancers’ salaries To support subsidized re­ for Ton Simons and Dancers. To support staff salaries and To support the documentation hearsal and performance marketing/advertising costs of choreography through space and services to dance for the tenth season of per­ Trisha Brown labnotation and the catalogu­ companies and choreogra­ formances in 1995. ing and archiving of related phers at the Mulberry Street Dance Company Theater in Chinatown. $200,000 supplemental materials. New York, NY Career Transition To support rehearsals, home for Dancers Dance Theater Joyce Theater season performances, and New York, NY $5,000 Workshop, Inc. Foundation, Inc. touring. To support a toll-free helpline New York, NY $27,000 New York, NY $22,500 and a response network of To support membership To support the Dance Rental volunteers and staff to publi­ services and the dance/video Program, providing 24 weeks cize their services and publish access program during its of performance space subsidy a newsletter. 30th anniversary season. and related services to dance artists and companies per­ forming at the Joyce during the 1995-96 season. D A N C E

Minnesota Dance Alliance On the Boards San Francisco Performing Minneapolis, MN $12,500 Seattle, WA $5,000 Arts Library and Museum Special Projects To support members’ services, To support the Artist Access San Francisco, CA $5,000 the publication of the Minne­ Program of technical assis­ To support the research, Grants support a very limited sota Dance Newsletter, the Dance tance and the 12 Minutes cataloguing, and preservation number of grants to indivi­ Production Clearinghouse, Max performance series. of videos from the San Fran­ duals or organizations for and the Writing Initiative. cisco Ethnic Dance Festival outstanding, exemplary Philadelphia Dance and the creation of a flyer projects that will advance the Movement Research, Inc. Company about the library’s holdings. dance art form, are of national New York, NY $9,000 Philadelphia, PA $10,000 significance, and/or can be Theater Artaud used as models by the whole To support the Judson Church To support the eighth annual field. Performance series, the Work­ International Conference on San Francisco, CA $9,000 shop Series, the Studies Proj­ Blacks in Dance. To support the Technical Assis­ 2 awards $89,447 ect, the Artist Residency Project, tance Rental program, the the Open Performance series, Pittsburgh Dance Alloy Artist-in-Residence Program, Dance Theater Workshop, Inc. and a work study program. Pittsburgh, PA $5,000 the Summertime Dance Proj­ ect, the Dance Documentation New York, NY $62,300 To support the 1995 Dance New York Dance Center, and cozrmaunity forums. To support dance residencies Center, Inc. Critics Association annual con­ ference, co-sponsored by the during the 1995-96 season New York, NY $5,000 Theatre Development of the dance component of Dance Alloy and Dance Critics Fund, Inc. To support the Harkness Space Association in conjunction the National Performance Grant Program of rehearsal with the Carnegie Institute. New York, NY $22,500 Network. space subsidy. To support dance ticket subsi­ Preserve, Inc. dies, the dance voucher pro­ Mid-America Arts Alliance New York Public Library Lee, MA $7,500 gram, the New York City Kansas City, MO $27,147 for the Performing Arts Onstage telephone hotline, To support the publication and To amend a prior year’s grant New York, NY $22,500 and the publication of the to present dance companies in distribution of the Afterimages Directory of Performing Arts. To support the documentation newsletter, production and dis­ Arkansas, Kansas, Missouri, of dance performance and tribution of an instructional Nebraska, Oklahoma and Texas artists on videotape and by video on archiving dance Jack Faucett & Associates during the 1995-96 season. oral history, acquisition and materials, and a workshop se­ Bethesda, MD $95,000 18 provision of dance materials, ries on dance and technology. A cooperative agreement for archival consultation, and the administration of on-site referral services. evaluations. 19 ~ have benefited significantly this year from the Design Program’s support of architecture, landscape architecture, urban design and planning, historic preservation, and interior, fashion, graphic, industrial and product design. Through its unique position as a multi-disciplinary national resource, the Design Program fosters communication and collaboration among all design disciplines and allied fields.

The Design Program helps designers work together to build a better America through a balance of competitively awarded grants for design projects and a variety of special leadership initiatives undertaken by the Program. Calling upon its extensive contact with all the design disciplines, the Program shaped categories that reflect the needs of the field and plans projects that expand design activity in the private and public sectors.

Rapid advances in technology and communication are bringing about profound changes in people’s ability to interact with one another, and in our definition and perception of the public realm. The resulting economic, social and cultural changes at personal, community and global levels present timely challenges to designers to work across geographic and professional boundaries. During 1995, Design Access, an agency initiative, offered an unique public resource for multi­ disciplinary information on design activity. By placing one call, anyone could gain access to a sophisticated database of information on all the design disciplines and be put in touch with participants in design projects previously funded through the Design Program. Building on this service, the agency is preparing for a 1996 launch of Civiscape, an experimental The Cooper Memorial on-line series of forums in which design professionals and civic groups Chapel, designed by can post, critique, and explore de­ architect Fay Jones, sign problems and potential solutions relevant to American communities. featured in an The Mayors’ Institute on City Design, exhibition developed a program initiative celebrating its ninth successful year, brought by the Department of together multi-disciplinary groups of design professionals with mayors Arkansas Heritage. from cities across the country includ­ ing Albuquerque, Anaheim, Buffalo, Toledo, Fort Collins, Saint Paul, Oklahoma City and Bayamon, Puerto Rico. Together these individuals analyzed each mayor’s chosen urban D E S I G N

design problem from physical, economic, Visions for Renewal~ social, and environmental perspectives. Issues addressed the siting of major transportation the first step in and infrastructure projects, redevelopment of derelict and dated strip shopping centers, blueprints for strategies for creating waterfront public rebuilding downtown amenities and planning of major civic spaces.

Oklahoma City, As a result of participating in the spring Mayors’ Institute, Mayor Ronald Norick of Oklahoma City asked the Design Program to assist him and the residents of the city rebuild in the aftermath of the devastation caused by the April 19, 1995 bombing of the Alfred P. Murrah Federal Building. The Design Program organized a design workshop and brought a team of designers to Oklahoma City in July to work with local designers, residents and property owners in the damaged area, community leaders and city officials to develop a vision and guidelines for rebuilding the north downtown area damaged by the 20 blast. This work was published in a report, Visions for Renewal, and incorporated into an exhibition, "We Will Be Back: Oklahoma City Rebuilds," co-sponsored by 21 the National Building Museum with support from the General Services Adminis­ tration, Department of Housing and Urban Development, and the Department of Transportation. In addition to showing ideas for rebuilding and developing north downtown, the exhibition illustrated the human response to the disaster, creating a forum for the nation to reflect on the tragedy.

The Presidential Design Awards, an ongoing initiative begun in 1983, recognized Federal design projects that contributed to our country’s legacy of design excel­ lence in the public realm. Award-winning projects included the completion of Interstate 90 - a massive transportation/green space development in Seattle, the river relocation project in downtown Providence, Rhode Island, and the U.S. Holocaust Memorial Museum in Washington, D.C.

Grants to organizations included support for a collaboration between a lighting designer and artist to illuminate Cleveland’s extensive network of bridges as part of the city’s 1996 bicentennial. Awards were made to establish a model training program for inner-city youth in textile design, production, marketing and sales; a grassroots adobe church restoration project in New Mexico; and documentation of the landscape, grounds, and buildings of Mark "I~vain’s home in Hartford, Con­ necticut. Throughout 1995, the Design Program played a critical role in bringing together the design disciplines through panels and meetings, its grant support for projects, and leadership initiatives. D E S I G N

William Marsh 79 awards $2,836,027 Concerned Citizens for Massachusetts Institute $1,979,135 Humanity, Ltd. of Technology Rice University 66 grants Houston, TX $31,500 13 cooperative/ Hartford, CT $31,500 Cambridge, MA $10,800 interagency To support the creation and To support an issue of Design To support issues of Cite, a agreements $856,892 production of billboard images Book Review devoted to new journal of architecture and by graffiti artists and designers theories regarding hmnanist design published by the to decry the proliferation of architecture. Rice Design Alliance. Design Project Grants violence. Partners for Young Aspirations/ Cooper Union for Sacred Places, Inc. Young Artists, Inc. the Advancement of Philadelphia, PA $45,000 New Orleans, LA $45,000 Science and Art Organizations To support a program to fos­ To support expansion of a New York, NY $45,000 ter support for the rescue and training program in fabric and Grants support projects that To support implementation of restoration of our country’s textile design and production advance design through a plan to nianage and lead a historic religious properties. for inner-city youth. practice, research, theory national graphic design and communication. archive project. Storefront for Art and Architecture, Inc. 21 grants $757,820 Cornerstones Community New York, NY $18,000 Arts Facilities Design Partnerships To support development American Academy Santa Fe, NM $44,970 Grants support organizations of an exhibition examining seeking to research, devise in Rome the role of decorative design $36,930 To support expansion of a or implement projects that New York, NY comprehensive training pro­ and hardware in relation to will contribute to the design To support career develop­ gram to teach traditional architecture and modern process in the renovation, ment opportunities for indi­ adobe preservation techniques technology. rehabilitation, or creation of viduals working in the fields to community members. arts facilities. of architecture, landscape Union College architecture, and urban, Crosby Arboretum Schenectady, NY $21,690 7 awards $267,795 interior, set, graphic, and Foundation industrial design. To support research and Boston Center for Picayune, MS $43,200 analysis for preparation of a monograph and exhibit on the Arts, Inc. Arango Design Foundation To support design of a visitor Boston, MA $45,000 and education center for Isaac Jackson’s early 19th­ Miami, FL $28,800 Crosby Arboretum, the pre­ century garden at Union To support the creation of To support a travelling exhi­ mier native plant conservatory College. a staged renovation plan for bition examining industrial of the Gulf South. the Cyclorama. design in relation to recycling. University of Illinois at Cultural Arts Council Urbana-Champaign Children’s Museum California Lawyers of Houston Champaign, IL $45,000 of Rhode Island for the Arts, Inc. Houston, TX $45,000 To support interdisciplinary Pawtucket, RI $45,000 San Francisco, CA $45,000 To support development of a research to develop method­ To support design develop­ To support programming public art master plan within ologies to integrate industrial ment for a new 15,000 square to assist arts organizations an urban design context in design and product engineer­ foot facility for the Museum. with planning and design the first phase of a planning ing in the early phases of issues relevant to military process for Houston. product development. City Auditorium base conversion. Eureka Springs, AR $12,375 Kent State University University of Wisconsin-Milwaukee To support creation of a Cascade Locks Main Campus master plan for the phased Park Association Kent, OH $45,000 Milwaukee, WI $38,900 renovation of the Auditorium. $45,000 Akron, OH To support expansion of To support a sampler of a To support design fees for a Architronic: Tke Electronic video book which teaches Franklin Furnace recreational trail in Cascade Journal of Architecture. architecture and design using Archive, Inc. Locks Park which runs parallel desktop publishing and digital New York, NY $36,000 to the Ohio and Erie Canals. video editing. Lumen, Inc. To support design renovation New York, NY $10,530 Cleveland Bicentennial Walker Art Center, Inc. plans by architect Bernard Commission, Inc. To support development Minneapolis, MN $45,000 Tschumi. Cleveland, OH $36,000 of an online architectural and design publication. To support development of Institute of American To support a lighting design an exhibition exploring the Indian Arts Foundation collaboration between a design, content, and environ­ Santa Fe, NM $45,000 designer and artist for Cleve­ ments for communicating in land’s extensive network of the electronic interactive age. To support the design phase bridges. of a permanent campus for the Institute. D E S I G N

On the Boards Department of Society for Pennsylvania Rural Seattle, WA $40,500 Arkansas Heritage the Preservation Arts Alliance Little Rock, AR of New England To support design develop­ $45,000 Loretto, PA $42,750 ment of a permanent new To support development Antiquities, Inc. performance facility. of an exhibition on the Boston, MA $15,700 To support a planning study for the East Broad Top Rail­ Arkansas buildings designed To support a project to cata­ road Corridor in Huntingdon Peabody Museum of by Fay Jones. log, preserve, and make acces­ County. Salem and Essex sible the Robert Allen Cook Institute, Inc. Architectural Collection. Exit Art, Inc. Village of Woodville Salem, MA $43,920 New York, NY $40,500 Woodville, WI $13,410 To support design planning To support an exhibition and University of California for the adaptive use of the catalogue that will present the at Berkeley, Regents of the To support evaluation of the Museum’s mid-19th century Berkeley, CA $27,000 natural and built environ­ history of independent and ments of Woodville, and Plummer Hall/Daland House underground periodicals in To support the creation of complex. the United States. creation of a plan to accom­ computer simulations and an modate future growth. information database on the League of Historic historic evolutions of Cairo and Damascus. Design Education American Theatres Washington, DC $12,280 Individual Projects To support creation of a University of North Texas Grants support activities to Denton, TX $45,000 further design education. relational database on historic Grants are awarded to indi­ theatre design, rehabilitation To support the completion of vidual designers to support 2 awards $26,415 planning and design, and a computer catalogue of the projects that advance design operation that will be used as University’s fashion collection. through practice, research, North Carolina a public resource. theory and communication. State University Wellesley College 19 awards $390,100 Raleigh, NC $15,075 Library of American Wellesley, MA $45,000 Landscape History, Inc. To support creation and Amherst, MA $17,325 To support an exhibition, Belcher, Nathaniel Q. publication of annotated catalogue, and educational Columbus, OH $25,000 bibliographies on topics To support the touring of the programs on the Arts and related to graphic design. exhibition "Ellen Shipman, Crafts Movement in Boston To support research on the 22 Landscape Architect: and surrounding communities. influence of African American 1869-1950." culture on the buildings, University of the Arts spaces, places, and landscapes 23 Philadelphia, PA $ l 1,340 Williams College of the United States. Mark Twain House To support phase two of a Williamstown, MA $32,400 Hartford, CT $45,000 comprehensive program to To support an exhibition Caruso, John K. introduce design as an integral To support the documentation and catalogue of drawings Chicago, IL $25,000 problem-solving activity within of Mark Twain’s late 19th­ by Louis Kahn of sites and K- 12 education. century Gothic-style residence, structures in Italy, France, To support the development of carriage house, and grounds. concepts for viable consumer Greece, and Egypt. products made from recycled plastic and tire rubber. Museum of Modern Art History/ New York, NY $45,000 Documentation Rural!Small Dousset-Flament, Benedicte To support production of a Honolulu, HI $24,800 comprehensive catalogue of Communities Grants support organizations the Museum of Modern Art’s To support the investigation which preserve the physical collection of design objects. Grants are awarded to organi­ of the relationship among products of design or docu­ zations in rural and small micro-climates and urban ments of design history. San Francisco Museum towns to find design solutions planning, design, land uses, to complex community issues. and surface properties. 13 awards $456,545 of Modern Art San Francisco, CA $45,000 3 awards $65,160 Farricielli, Susan E. American University To support an exhibition and Branford, CT $25,000 Washington, DC $41,340 catalogue on the architecture Missouri Council of William Wilson Wurster. of Architects To support design develop­ To support the creation of ment of an ergonomically a volume of the papers of Jefferson City, MO $9,000 correct rigid-seated wheelchair Frederick Law Olmstead To support a public design for elderly persons. for the parks, parkways, and symposium and follow-up public recreation grounds exhibition on creating a he designed between 1857 master plan for the Missouri and 1895. State Fairgrounds. D E S I G N

Gazzuolo, Edith B. Parker, Dennis A. Corporate Design Foundation Minneapolis, MN $25,000 Columbus, OH $8,300 USA Fellowships Boston, MA $110,000 To support research and A cooperative agreement to To support the creation of a help plan and conduct the video on a breakthrough in writing on the history of Fellowships support indepen­ men’s waistcoats. dent study and travel within National Forum on Design apparel design technology the United States for mid- to educate the public and that derives custom-fitted patterns from computer- career professional designers. private sectors about the Pollak, Linda J. role of design in achieving scanned models. Boston, MA $15,700 1 award $15,300 national objectives. To support research and the Ho, Suenn completion of essays for a Clute, Katharine A. Community Ventures $17,000 Portland, OR book on the design of urban, Milwaukee, WI $15,300 Charlotte, NC $29,980 outdoor spaces. To support research, analysis To support research on a and documentation of the To amend a 1993 cooperative book to include a master agreement to help coordinate architectural uniqueness of Tayar, Memduh A. plan and design guidelines Round Four of the Presidential Chinatowns as prominent New York, NY $25,000 for the Tonawanda Seneca Design Awards, which recog­ ethnic communities. To support development of a Indian Reservation. nizes exemplary achievements prototypical table constructed in Federal design projects, Laefer, Debra E of molded particle board. programs and policies. Los Gatos, CA $23,600 Design Initiatives To support research and Taylor, Anne P. documentation on non­ Albuquerque, NM $25,000 standard techniques for The program conducted Interagency Agreements structural repair and up­ To support the writing and leadership activities through funded through other grading of unreinforced publication of a guidebook to cooperative agreements and Federal agencies masonry buildings. help children become involved interagency agreements. in school community design using math, science, social 13 agreements $856,892 U.S. Courthouse Lang, Michael H. studies, and art. Melrose Park, PA $16,700 in Baltimore Baltimore, MD To support the production Trancik, Roger To of a manuscript on alternative Ithaca, NY $25,000 Design Initiatives: A General Services Administra­ approaches to modern urban Access/Professional tion award of $16,000 allowed design, low-income and non­ To support the development Development the program to organize a traditional housing, and of a studio textbook with a two-day design charrette to de­ community development, computer graphics software velop ideas and guidelines in emphasizing the social component using Rome, Italy National Building Museum redesigning the plaza areas philosophy of John Ruskin. as a model for teaching prin­ and lobby of the Edward A. ciples of urban design. Washington, DC $118,630 Garmatz U.S. Courthouse in Lavin, Maud K. To amend a 1994 cooperative Baltimore, MD. agreement to support "Design New York, NY $8,500 Tucker, Sheryl G. Houston, "i-X $25,000 Access." National Building Museum To support research and Washington, DC writing on 20th century To support the design for graphic design that has renovation of a storefront A General Services Administra­ worked to create social into a performing art space Design Initiatives: tion award of $14,000 allowed change. for educational and cultural Federal Realm the program to organize a programs in Houston’s two-day design charrette to de­ Third Ward. velop ideas and guidelines for Lawson, Laura J. Because the design field is a $19,000 a master space plan for the Oakland, CA multi-disciplinary one that is National Building Museum Webster, Ann K. supported by few institutions, To support curriculum New York, NY $25,000 located in the historic Pension development, programming the Design Program under­ Building in Washington, DC. and research exploring how To support a workshop and takes leadership initiatives in response to needs of the field urban public landscapes symposium to develop archi­ HUD Plaza serve economic, recreational, tectural, urban design, and and the public. These initia­ planning strategies for urban tives support communication, U.S. Department of Housing aesthetic, and social needs and Urban Development of communities. industrial sites. education, technical assis­ tance, and research. Washington, DC Marks, Andrea S. Wohnsen, Kristine F. A General Services Administra­ U.S. Department of State tion award of $18,700 allowed Corvallis, OR $6,500 Dolgeville, NY $25,000 Washington, DC $20,000 the program to organize a To support research for a To support research and two-day design charrette to de­ CD-ROM about women of development of a neonatal An interagency agreement velop ideas and guidelines for the Bauhaus as an educational positioning system for high- to provide partial support the re-design of the plazas sur­ tool for universities. risk infants. for the FY 1995 activities rounding the Department of of the Federal Facilities Housing and Urban Develop­ Council (FFC), an organiza­ ment headquarters in Wash­ tion dedicated to improving ington, DC, and to review the Federal design. initial design concepts. D E S I G N

Department of Justice Oklahoma City Design University of California Department of Justice Charrette & Exhibition Berkeley, CA $81,000 Main Building National Endowment Design Initiatives: Washington, DC for the Arts Public Realm A cooperative agreement to Washington, DC support the Mayors’ Institute A Department of Justice award on City Design: West, a re­ of $19,500 allowed the pro­ An agreement with General Georgia Tech gional forum which brings gram to organize a two-day Services Administration, Research Corporation together mayors and design design charrette and assist Housing and Urban Develop­ Atlanta, GA $35,000 professionals to discuss spe­ the Department of Justice ment, and the Department A cooperative agreement to cific urban problems facing with the modernization of of Transportation of $135,000 small and mid-sized cities the Main Justice Building in support the Mayors’ Institute allowed the program to orga­ on City Design: South, a in the West. Washington, DC. nize a series of design work­ regional forum which brings shops to develop ideas and together mayors and design University of Maryland/ Social Security Headquarters design guidelines for the professionals to discuss spe­ CADRE Corporation Social Security Administration 12-block area around the Alfred P. Murrah Federal cific urban problems facing College Park, MD $35,000 Woodlawn, MD small and mid-sized cities in Building, including some the South. A cooperative agreement to A General Services Administra­ 300 buildings that have been support the Mayors’ Institute tion award of $16,000 allowed destroyed or damaged by on City Design: Northeast, a the program to organize a the bomb blast. The work­ Harvard College, regional forum which brings two-day design charrette to shop materials became part President and Fellows of together mayors and design develop ideas and design of an exhibition on rebuild­ Cambridge, MA $158,424 professionals to discuss spe­ guidelines for the moderni­ ing Oklahoma City at the cific urban problems facing zation of the 286-acre Social A cooperative agreement to National Building Museum support the Mayors’ Institute small and mid-sized cities in Security Administration head­ in Washington, DC, in the on City Design, a national the Northeast. quarters in Woodlawn, MD. fall of 1995. forum which brings together mayors and design profes­ University of Virginia Transportation Awards sionals to discuss specific Charlottesville, VA $40,000 U.S. Department of problems facing cities in the Transportation Design Initiatives: United States. To amend a 1994 cooperative Washington, DC agreement to continue the Corporate Realm Mayors’ Institute on City A Department of Transpor­ National Assembly of Design. State Arts Agencies 24 tation award of $160,000 al­ Carnegie-Mellon University lowed the program to organize Washington, DC $18,000 Washington University and implement the Design Pittsburgh, PA $75,000 A cooperative agreement St. Louis, MO $36,000 25 for Transportation National A cooperative agreement to to support State Arts Agency Awards to honor projects and support the production of Design Education and A cooperative agreement to activities that exemplify the the first three video/print Planning. support the Mayors’ Institute highest standards of design packages in the proposed on City Design: Midwest, a and have made an outstanding series, "Design for Business." regional forum which brings contribution to the nation’s The purpose of the series is to National Trust for together mayors and design transportation network and demonstrate the importance Historic Preservation professionals to discuss spe­ the people it serves. of design to economic com­ Washington, DC $99,858 cific urban problems facing petitiveness by providing To amend a 1994 cooperative small and mid-sized cities in GSA Design Excellence case studies from a variety of agreement supporting "Your the Midwest. Initiative/Peer Review business types. The primary Town: Designing its Future." General Services audience is corporate execu­ Administration tives in "medium-sized" busi­ Washington, DC nesses with annual sales under $200 million. Additional A General Services Administra­ audiences include universities tion award of $50,000 allowed and community colleges, the program to continue GSA~s design firms, regional tech­ Design Excellence Initiative nology centers, and govern­ using private sector peer re­ ment agencies. view to develop quality Federal facilities for the 21st Century. uiltmaker Hystercine Rankin passes on her generations-old African American aesthetics and technique to local women in the front room of Mississippi Cultural Crossroads, a local organization dedicated to its community’s cultural and eco­ nomic renewal in Port Gibson, Mississippi. At Wolf Trap Performing Arts Center in Vienna, Virginia, virtuoso Irish stepdancer Donny Golden animates thousands of concert goers at one of the nati~;n’s most prestigious Irish cultural festivals, organized by the Greater Washington Ceili Club. Cowboy balladeer Buck Ramsey sings vintage songs of the West and recites his new poetry in classic forms, moving his ranching audience to both tears and laughter at the Western Folklife Center’s annual Cowboy Poetry Gathering in Elko, Nevada. In Modesto, California, renowned Mexican mariachi bandleader Natividad Cano teaches aspiring young musicians the finer points of instrumental technique as part of Radio Bilingue’s annual Viva el Mariachi festival. In the central Ozark region of Missouri, William Graves records his rare dulcimer repertoire to be distributed on compact disc by the Missouri State Old-Time Fiddlers Association. At the Robert Abbe Museum in Bar Harbor, Maine, Mary Gabriel joins other Native American basketweavers from around the state to solve problems of dwindling raw materials, limited marketing opportunities, and ways to involve Indian youth in taking up their centuries-old traditions. "4 What do these people from far-flung corners of the diverse American "culture- scape" have in common? They are all seasoned practitioners of artforms often called "folk" or "traditional" arts that have been passed on informally within groups of people linked by a common culture, language, occupation, or other important shared way of life. They also share two deeply-held concerns: that their artform be practiced at the highest level of excellence and for the benefit of the most people; and that the meaning and power invested in their traditions be put at the service of strengthening the cultural communities of which they are a part. Finally, they were all assisted in their efforts by support from the Folk &Traditional Arts Program of the National Endowment for the Arts.

American territory has been home to an enormously complex and diverse array of cultural traditions, each with its own governing sense of beauty and purpose and with its own particular needs. The Folk & Traditional Arts Program has worked to heighten awareness and appreciation of these arts both within commu­ nities and among the broadest public. Concerts, exhibits, festivals, tours, radio and television programs, and school presentations are among the many venues through which this has been accomplished, all supported by the Project Grants to Organizations category. The National Heritage Fellowship category has brought outstanding American traditional artists to wide public attention through 185 grants awarded since 1982. In 1995, twelve individuals and their tradition were F O L K & T R A D I T I O N A L A R T S

recognized, ranging from the Tlingit Alaskan Native totem pole carving of Nathan Jackson to the Chinesejing erhu instrumental mastery of Ms. Bao Mo-Li of New York City and the ornamental ironwork of North Carolina blacksmith Bea Ellis Hensley.

At the same time, the Folk & Traditional Arts Prograln has been responsive to specific needs of artists and cultural groups in passing on their traditions to future generations. Statewide apprenticeship programs have grown in number - now present in 40 states and territories - and a recent study showed that over 2,600 individual apprenticeships have occurred since the Program’s effort to encourage apprenticing was launched in the early 1980s. Instructional workshops by master artists passed on skills as diverse as African American gospel music, ancient Chinese paperfolding, and Puerto Ricanfibaro music to younger generations. While the folk and traditional arts by definition embody accomplishments of past generations, a concern for the role of these artforms in forging the cultural future is paramount among the artists and communities themselves.

26

27

The Delta Blues

Education Fund

helps keep the

blues alive through

programs and

workshops in

Mississippi schools. F O L K & T R A D I T I O N A L A R T S

Chinatown History 146 awards $3,244,700 Atlanta Historical Society, Inc. Museum Folk Arts Projects Atlanta, GA $40,000 New York, NY $36,700 National Heritage Awards went to support To support "Turning to Tradi­ To support an exhibition of Fellowships projects that encourage and tion: Folk Arts in a Changing hu zhi (folded paper art) by preserve traditional art forms. South," an exhibition using Chinese immigrant artists folklife and folk art to explore with accompanying catalogue. These $10,000 awards are 124 grants $2,672,500 the identity of the South. given to master folk artists 2 cooperative City Lore, Inc. whose significant contribu­ $257,000 tions to the nation have gone agreements Boston Center for New York, NY $15,000 the Arts, Inc. largely unrecognized. Can­ To support an intern position. didates are chosen from Adirondack Historical Boston, MA $20,000 nominations from the folk Association To support a festival of Cape and traditional arts field. Blue Mt. Lake, NY $32,700 City Lore, Inc. Verdean traditional arts. New York, NY $35,000 12 grants $120,000 To support a survey of tradi­ tional arts related to life and Brooklyn Arts Council To support the continued work of the National Task Force on work in the Adirondack woods Brooklyn, NY $12,000 Bao, Mo-Li of northern New York state. Folk Arts Education, including Flushing, NY To support the presentation a part-time coordinator position. of folk artists in concerts Alamo Public Black, Mary and demonstrations at the City Lore, Inc. Telecommunications Council Brooklyn Children’s Museum. Medicine Hat, UT San Antonio, TX $23,400 New York, NY $20,000 To support a video document­ California Indian To support "The Weavings Enloe, Lyman ing the sacred dance tradition Basketweavers Association of War," an exhibition ex­ Lee’s Summit, MO of Los Matachines de la Santa Nevada City, CA $17,300 ploring a contemporary Cruz de la Ladrillera. tradition from a variety of Golden, Donny To support the fifth annual cultures involving the creation Brooklyn, NY California Indian Basket- of textiles that depict and Arab Community Center weavers Gathering. comment on warfare. for Economic and Henderson, Wayne Social Services Cambodian.American Mouth-of-Wilson, VA Dearborn, MI $25,200 City Lore, Inc. Heritage, Inc. New York, NY $10,000 To support a survey of the Fort Washington, MD $16,600 Hensley, Bea Ellis local Arab American commu­ To support "American Talkers," Spruce Pine, NC nity to determine the artistic, To support a series of classes a series of radio modules for cultural, and social role of and rehearsals leading to national broadcast featuring traditional foodways among a concert of Cambodian American traditional storytellers. Jackson, Nathan classical music and dance Ketchikan, AK the many different Arabic cultural communities. in celebration of the Cam­ City Lore, Inc. bodian New Year. $30,000 Kalanduyan, Danongan S. New York, NY San Francisco, CA Arizona Historical Society To support core programming Tucson, AZ $4,500 Cedarburg Corporation Cedarburg, WI $8,500 of City Lore through a tradi­ Lockwood Jr., Robert To support an all-day work­ tional music advocacy project. To support a series of con­ Cleveland, OH shop in the Tohono O’odham waila musical tradition. certs at the Cedarburg City of Oakland, California Cultural Center. Lopez, Israel "Cachao" Oakland, CA $28,200 Arts in Progress, Inc. Miami, FL Centrum Foundation To support moon hua chae Boston, MA $31,900 festivals, workshops in tradi­ Port Townsend, WA $23,600 Menard, Nellie Star Boy To support a traditional arts tional pungmul (percussive Rosebud, SD education program in the To support a 20th anniversary chamber music), a chuseok Boston area. celebration of the Festival of (culinary) demonstration, and American Fiddle Tunes. a fieldwork effort to identify Ramsey, Buck and document local Korean Amarillo, TX Chicano Humanities and traditional artists. Arts Council, Inc. Denver, CO $15,000 To support the 1995 Chile Harvest Festival. F O L K & T R A D I T I O N A L A R T S

City of Oakland, California Cultural Exchange Council Economic Development Film Arts Foundation Oakland, CA $23,700 of Tucson, Inc. Administration San Francisco, CA $17,000 Tucson, AZ $15,000 To support a series of concert San Juan, PR $30,000 To support distribution costs programs presenting Beijing To support artist honoraria To support the production for the film documentary and Cantonese-style operas and fieldwork to identify of a crafts catalogue to high­ "We Love You Like a Rock," and Chinese folk dance for new artists for the "Tucson light the work of premier featuring the legendary Oakland’s Chinese commu­ Heritage Experience" festival. Puerto Rican artisans and gospel quartet, the Dixie nity. interpret the craft traditions Hummingbirds. Delta Blues Education Fund of Puerto Rico. City of St. Mary’s Clarksdale, MS $17,300 Film History Foundation St. Mary’s, AK $25,000 To support the blues-in-the­ Ethnic Folk Arts Center, Inc. San Francisco, CA $34,900 New York, NY $29,600 To support a festival of Yup’ik schools program. To support Through Yup’ik Eyes, music and dance bringing To support field research to a film documenting Yup’ik together artists from the Documentary Arts, Inc. identify, document, and plan storyteller John Active and his Lower Yukon River region. Dallas, TX $18,200 public presentations for tradi­ depiction and interpretation tional arts and artists of the of the lifeways of the people College of Great Falls To support the development West African communities in of southwestern Alaska. Great Falls, MT $21,400 of a Folk Arts in the Schools the greater New York area. program for northeast Texas. To support concerts, demon­ Filmmakers Ethnic Folk Arts Center, Inc. Collaborative, Inc. strations, and a symposium Duquesne University at a conference of Metis New York, NY $30,000 Cambridge, MA $40,000 Pittsburgh, PA $9,800 traditional art and culture. To support the identification To support a film and radio To support "Folk Celebra­ of local folk artists and the series, "River of Song," ex­ Community tions," a series of radio development of programs in ploring the cultural heritage Environments, Inc. programs featuring master public parks. along the Mississippi River Brooklyn, NY $23,000 traditional musicians pre­ through encounters with local sented as part of the folk traditional musicians. To support completion costs music tours produced by Ethnic Heritage Council for the video documentary, the National Council for Seattle, WA $26,300 Folklore Village Farm, Inc. "Days of Awe, Days of joy," the Traditional Arts. To support a tour of Philippine documenting Lubavitch Jewish Dodgeville, WI $4,900 kulintang (gong orchestra) 28 traditional art. East Bay Center for concerts by the Mindanao To support "Paths of Tradi­ the Performing Arts Kulintang Ensemble. tion," a series presenting Community School of Richmond, CA $12,000 traditional arts and artists 29 Music and Arts in rural Wisconsin. To support the Third Bay Ferrum College Mountain View, CA $9,000 Area Huastecan Festival and Ferrum, VA $25,700 Franco-American CENTRE To support fees for a folklore workshops on Huastecan To support an internship at specialist to begin planning music and dance. the Blue Ridge Institute. Franco-Americain and assessment for future Manchester, NH $32,400 programming of local folk East Bay Center for Ferrum College To support an exhibition artists and for a folklorist-in­ the Performing Arts of selected works by Franco- residence position at the Ferrum, VA $7,600 Richmond, CA $6,000 American traditional wood­ Community School. To support a new component carvers in several Northeastern To support workshops in of traditional storytelling at states. County of Middlesex Khmu and lowland Lao the Blue Ridge Folklife Festival North Brunswick, NJ $26,300 music and dance. and a series of workshops for teachers and students in the Fresno Arts Council, Inc. To support a concert series East Durham Irish region. Fresno, CA $35,000 presenting outstanding re­ Culture & Sports To support a folk arts coordi­ gional traditional musicians. East Durhmn, NY $23,500 Festival of Philippine nator position. Arts & Culture To support the Irish Tra­ Crocker Art Museum Los Angeles, CA $26,100 Association ditional Music Festival, Sacramento, CA $34,500 including workshops and To support artist fees and mini-concerts leading up related costs to present tradi­ To support the development, to the festival. tional Filipino artists in stage presentation, and touring of performances and workshops. "The Fine Az-t of California Indian Basketry" exhibition. F O L K & T R A D I T I O N A L A R T S

Institute for African- La Primera Orquesta Los Reyes de Albuquerque Fresno Arts Council, Inc. Foundation Fresno, CA $15,500 American Folk Culture de Cuatros New York, NY $15,000 Hartford, CT $5,500 Albuquerque, NM $5,500 To support an intensive field To support a series of monthly To support a showcase in To support a series of infor­ survey to document the range mal, educational presentations of Mexican American tradi­ concert events associated with Hartford of traditional Puerto hip-hop. Rican musicians and trovadores of traditional Hispanic music tional arts related to the at early childhood centers. Christmas cycle in Fresno (singers) from New England. County and neighboring Institute for Community Mexican American agricul­ Research, Inc. Living Traditions, Inc. Middle Mountain Foundation tural communities. Hartford, CT $14,700 New York, NY $15,000 Chico, CA $31,000 To support a project pro­ To support KlezKamp, a Fund for Folk Culture viding technical assistance in Yiddish folk arts program of To support costs for the devel­ Santa Fe, NM $9,200 marketing and promotion to intensive workshops, master opment of cultural heritage projects in Native American To support a national eva­ Connecticut traditional artists. classes, and performances. luation of state folk arts communities in California. apprenticeship programs. Institute for Community Long Island Research, Inc. Traditions, Inc. Missouri State Baldwin, NY $5,800 Old Time Fiddlers Fund for Folk Culture Hartford, CT $16,000 Association Santa Fe, NM $50,000 To support a state folk arts To support the development Columbia, MO $4,500 To support the program coordinator position for and implementation of a associate position. Connecticut. folk arts program in the To support the documen­ Freeport elementary schools. tation of the music of William Graves. Greater Lowell Institute of Alaska Regatta Festival Native Arts, Inc. Los Cenzontles Moanalua Gardens Lowell, MA $18,000 Fairbanks, AK $20,100 Mexican Arts Center San Pablo, CA $5,400 Foundation, Inc. To support a performance at To support the creation of Honolulu, HI $20,900 the 1995 Lowell Folk Festival a statewide plan to perpetuate To support a workshop series by a Vietnamese ensemble artistic skills identified as on Veracruz-style Mexican To support the 1996 Prince presenting the traditional at-risk by Alaska Native elders. fandango music and dance. Lot Hula Festival. music of Hue. International Association Los Pleneros de la 21, Inc. Mother Bethel African Greater Washington for Research in New York, NY $5,500 Methodist Episcopal Vietnamese Music Philadelphia, PA $20,000 Ceili Club Corporation To support a residency by Washington, DC $11,500 Kent, OH $20,000 the traditional Puerto Rican To support a project to sur­ To support a concert tour to music and dance ensemble vey and document African To support the 1995 Wash­ American quilting traditions ington Irish Folk Festival at large Vietnamese communities. Los Pleneros de la 21 in Wolf Trap Farm Park for the several New York City schools. in southeastern Pennsylvania. Performing Arts. International Institute of New Jersey Los Reyes de Albuquerque Municipality of Penuelas Group for Cultural Jersey City, NJ $30,000 Foundation Penuelas, PR $19,800 Documentation, Inc. Albuquerque, NM $11,700 To support the Program for To support the presentation Washington, DC $30,000 Immigrant Traditional Arts. To support a series of in­ of a series of workshops and lectures on making and To support "A Communion of formal concerts of traditional Hispanic music and song at playing the guiro. the Spirits: African-American Jack Straw Foundation Quilters, Preservers and Their Seattle, WA $21,300 elderly and homeless centers Stories," a national touring throughout New Mexico. Music From China, Inc. exhibition. To support assistance to New York, NY $31,300 traditional artists in several Los Reyes de Albuquerque states through high quality To support a series of perfor­ Indian Pueblo Foundation mances, lecture demonstra­ audio recordings, photo and Albuquerque, NM $1,000 Cultural Center, Inc. text documentation, and tions, and workshops in the Albuquerque, NM $2,600 workshops about promotion. To provide additional funds New York City area. To provide additional funds for a 1994 project, support­ for a 1994 project creating Kunqu Society, Inc. ing the production of two compact discs of traditional an interactive kiosk system Hartsdale, NY $11,900 presenting the traditional arts New Mexican music. of the pueblo. To support full-length per­ formances of The Palace of Longevity, a kunqu-style Chinese opera. F O L K & T R A D I T I O N A L A R T S

Nai-Ni Chen National Council for Philadelphia Pueblo of Pojoaque, Dance Company, Inc. the Traditional Arts Folklore Project New Mexico Fort Lee, NJ $10,000 Silver Spring, MD $162,000 Philadelphia, PA $30,500 Santa Fe, NM $13,600 To support a workshop series A cooperative agreement To support completion and To support a workshop series by master Chinese opera to support the organization post production costs of The on traditional drum making actors in traditional operatic and administration of the Real Untold Stories of Tap, a among members of the dance movement, leading to 1995 Assembly of National video representing the art, Northern Tewa-speaking a performance of the opera Heritage Fellows, including experiences, and opinions of Pueblos. The Night Run of Lin Chun. public appearances, and a Philadelphia African American free public concert. women tap dancers. Radio Bilingue, Inc. 1 N~afional A~sembly of Fresno, CA $8,300 Local Arts Agencies National Park Foundation Philadelphia Washington, DC $50,000 Folklore Project To support advanced-level ~ington, DC $41,000 workshops in traditional To support a major folk and To support artist and artistic Philadelphia, PA $30,000 Mexican mariachi music in traditional arts component at director’s fees and production To support the Asian Folk Arts conjunction with the 14th the 1996 National Assembly costs for the third annual Education Initiative. annual "Viva el Mariachi" of Local Arts Agencies con­ American Roots Fourth of July festival. ference and an introductory concert and radio broadcast. Philadelphia artist showcase and panel at Folklore Project Recorded Anthology of the 1995 annual conference. New York Folklore Society Philadelphia, PA $19,000 American Music, Inc. Newfield, NY $29,900 New York, NY $18,500 National Council for To support the documenta­ the Traditional Arts To support the program tion of Cambodian narrative To support costs for the director position, the Silver Spring, MD $37,000 traditions. production of a compact Mentoring Program, and disc and cassette recording To support "Echoes of Africa," the 1995 Fall Conference. Portland Art Museum by The Rising Star Fife & a tour featuring African Portland, OR $28,400 Drum Band. American and American-based Niagara University To support a video exploring African performing artists. Niagara Univ., NY $32,400 Rensselaer County the history, practice, associated Council for the Arts To support the first phase of art forms, and cultural signifi­ National Council for Troy, NY $23,400 the Traditional Arts a project to research, exhibit, cance of Native American hand and promote beadwork tradi­ 30 Silver Spring, MD $35,000 games among Western tribes. To support the position of tions from Haudenosaunee folklorist. To support the 57th National (Iroquois) communities. Portland Performing 31 Folk Festival in Chattanooga, Arts, Inc. Rimson Memorial Tennessee. Northwest Folklife Festival Portland, ME $15,600 Church of God in Christ Seattle, WA $28,200 Charleston, s,W $8,800 National Council for To support "The House Island the Traditional Arts To support the presentation of Project," a new initiative to To support the West Virginia Silver Spring, MD $95,000 Filipino American traditional link nationally-renowned folk Black Sacred Music Festival, artists at the 1996 Northwest and traditional artists with including support for work­ A cooperative agreement to Folklife Festival. artists practicing the same shops, seminars, and public support site visits, artistic traditions in communities in concerts. assessments, and technical Philadelphia Maine through a series of assistance to applicants and Folklore Project artist residencies. Roberson Memorial, Inc. grantees. Philadelphia, PA $20,000 Binghaznton, NY $29,900 Prince George’s National Council for To support the establishment Community College To support a project to iden­ the Traditional Arts of a touring exhibitions pro­ tify, document, and present gram featuring photographs Largo, MD $10,000 Silver Spring, MD $38,000 traditional artists from through­ of Philadelphia folk artists and To support the Bluebird out the upper Susquehanna To support "The Memphis dealing with issues regarding Blues Festival. Valley region of New York and Sound" tour, presenting the nature, meaning, and role Pennsylvania. acoustic and electric country of folk arts. Public Corporation blues, and black and white for the Arts gospel music that emerged around Memphis in the 1950s. Long Beach, CA $37,400 To support a folk arts coor­ dinator at the Long Beach Regional Arts Council. F O L K & T R A D I T I O N A L A R T S

Robert Abbe Museum of Texas Folklife Resources University of William King Regional Arts Center Stone Age Antiquities Austin, TX $10,000 Southern Maine Portland, ME $5,100 Abingdon, VA $21,000 Bar Harbor, ME $14,000 To support distribution costs To support the 2nd annual for the series "Texas Country To support an exhibition To support a Living Traditions Roots," for national broadcast and performance focusing series of concerts and outreach Maine Indian Basketmakers programs focusing on the Gathering in conjunction on public radio. on the tradition of Franco- with the 7th Annual Native American women in Maine musical heritage of southwest American Festival. and the region. Virginia and the neighboring Texas Folklife Resources Blue Ridge region. Austin, TX $15,000 Samahan Philippine University of To support presentations by Wisconsin’s Ethnic Dance Company, Inc. the Philippines Alumni Native American traditional Walnut Creek, CA $21,200 Settlement Trails, Inc. E1Cajon, CA $12,100 craftspeople as part of the Sheboygan Falls, Wl $13,600 Native American Heritage To support a series of classes in To support workshops in To support a regional folklife Maguindanao kulintang (gong Festival and Powwow. Maguindanao and Maranao­ style Filipino kulintang taught festival featuring traditional orchestra) led by master artists from the ethnic com­ Filipino musician Danongan Texas Folklife Resources by master musician Danongan Kalanduyan. munities along the Lake Kalanduyan. Austin, TX $30,000 Michigan shoreline. To support core programming Santa Barbara Museum Utah Arts Council of Texas Folklife Resources Salt Lake City, UT $3,000 Wolf Trap Foundation of Natural History through "Touring Traditions." for the Performing Arts Santa Barbara, CA $20,000 To provide additional funds Vienna, VA $44,400 To support a series of public Texas Folklife Resources for a 1994 project document­ ing and presenting Navajo To support a national folk arts programs and workshops as Austin, TX $40,000 part of the California Indian basketry. in education model, based on Culture Project. To support the production the highly acclaimed "Folk and presentation of a series Vermont Folklife Center Masters" concert series. of major concerts featuring Middlebury, VT $30,000 Schoharie Museum of diverse Texas traditional music. Wolf Trap Foundation the Iroquois Indian To support core programming for the Performing Arts Howes Cave, NY $15,000 creating an exhibition roster Vienna, VA $10,000 Town of Abita Springs at the Center and allowing To support a workshop Abita Springs, LA $14,900 To provide additional funds series at the Iroquois Indian touring of these exhibitions. Museum. To support a series of weekly for a 1994 project to extend radio shows to present and Western Folklife Center the audience for the Folk Masters concerts through preserve the traditional music Elko, NV $35,400 Spanish American Union and folklife of the Florida a pilot video program. Springfield, MA $30,500 parish area of Louisiana. To support the planning of To support a video on the a permanent exhibit to honor World Music music, history, cultural signi­ Traditional Arts in the finest of American con­ Institute, Inc. ficance, and construction of Upstate New York, Inc. temporary cowboy craft ­ New York, NY $42,000 the Puerto Rican cuatro. saddles, bits and spurs, ropes, Canton, NY $29,800 and other tack. To support the concert series To support a staff folklorist "The Musical World of Islam." Sunflower River position. Wheaton Cultural Blues Association, Inc. World Music Clarksdale, MS $17,700 Alliance, Inc. Tung Ching Chinese Millville, NJ $25,000 Institute, Inc. To support educational work­ Center for the Arts, Inc. New York, NY $35,000 shops, lectures, and concerts To support the folk arts Flushing, NY $24,700 coordinator position to To support the "African during the Sunflower River Troubadors" tour of Festival. To support a series of con­ serve southern New Jersey. certs in New York’s Chinese American-based African communities. musicians representing a variety of African cultural traditions. F O L K & T R A D I T I O N A L A R T S

Kansas State State Apprenticeship Historical Society Programs Topeka, KS $22,000 To support the folk arts ap­ Grants supported nonprofit or prenticeship program in state agencies which develop Kansas, focusing on Native statewide programs providing American communities. apprenticeships to individuals to work with master folk and Michigan State University traditional artists. East Lansing, MI $19,500 8grants $194,900 To support a folk arts appren­ ticeship program in Michigan. Davis & Elkins College Elkins,~W $27,000 Oregon Historical Society Portland, OR $29,600 To support the state folk arts apprenticeship program in To support the folk arts West Virginia. apprenticeship program in Oregon. Economic Development Administration Texas Folklife Resources San Juan, PR $30,000 Austin, TX $30,000 To support the folk arts To support a folk arts ap­ apprenticeship program prenticeship program in in Puerto Rico. Texas and to support the continuing integration of the Florida Division of program’s goals in a broader Historical Resources folk arts in education project. White Springs, FL $26,800 Vermont Folklife Center To support the state folk Middlebury, VT $10,000 arts apprenticeship program 32 in Florida. To support a folk arts appren­ ticeship program in Vermont. 33 he International Program has helped American artists and arts organizations develop international ties that strengthen the many art forms of the United States. The Program’s mission was twofold: to broaden the scope of experience of American artists in ways that will enrich the art that they create, and to support innovative international endeavors that reach new audiences and deepen public understanding of the cultural influences from abroad that invigorate American society. Its activities increased worldwide recognition of the excellence, diversity, and vitality of the arts of the United States and helped U.S. audiences appreciate the richness of cultural expression around the globe.

With very little seed money, the fruits of the International Program’s activities have touched the lives of artists and audiences in every part of the United States and through the world. Since its inception in 1993, the Program has provided funding for approximately 300 projects yearly through partnerships and direct grants. These international projects have involved artists and arts organizations in 43 states and reached urban, rural, and suburban areas across the country.

Community leaders throughout the United States are recognizing that high quality international cultural exchange provides unmatched experience for their artists, enhances the prestige and economic vitality of their towns, sparks interest to participate in the global marketplace, and improves the quality of life. Educa­ tion is at the core of international exchange. Through increased access to such activities, the more than 170 different ethnic groups represented in this country learn more about the roots of their own cultures and those of other societies. Trade and business relationships with other countries can also be strengthened through cultural exchange.

This past year the International Program expanded its International Match Pro­ gram, a partnership with state and local arts agencies to provide needed support at the state and local levels to their constituents engaged in outstanding interna­ tional arts activities. Pioneered by the Arts Endowment and the Ohio Arts Coun­ cil, thirty-six state and local arts agencies have agreed to provide grants ranging from $750 to $5,000 to individuals or organizations from their states or localities that have received Arts Endowment funding for international projects.

The U.S./Canada/Mexico Creative Artists’ Residencies marked its second year in Fiscal Year 1995. In partnership with the governments of Canada and Mexico, this program supports residencies for artists from the three countries for resi­ dencies in communities throughout North America. The United States/Japan Creative Artists’ Fellowships, established in 1978, provide six-month fellowships for U.S. artists in Japan and for Japanese artists in the United States. I N T E R N A T I 0 N A L

The International Projects Initiative offers project grants to U.S. cultural organi­ zations to support sustained collaborations and exchange with arts organizations abroad. Many integrate arts education into international presentations; others increase recognition in this country and abroad of the richness of America’s di­ verse cultural traditions; other projects bring international presentations of the highest quality to underserved communities in the United States.

One of the greatest successes of the Arts Endowment in the international arena has been its ability to attract new funding sources as partners. With so little pri­ vate sector support for international exchange, the Endowment’s leadership role in this area is critical. ArtsLink, a public/private partnership with the Open Soci­ ety Fund!Soros Centers for Contemporary Arts, The Trust for Mutual Under­ standing, The Starr Foundation, and CEC International Partners encourages artistic interchange with Central and Eastern Europe and the NIS.

The International Program’s oldest public/private partnership (with the U.S. Information Agency, the Rockefeller Foundation, and the Pew Charitable Trusts) is the Fund for U.S. Artists at International Festivals and Exhibitions which 34 supports the participation of artists from throughout the United States in major festivals and exhibitions worldwide. Involvement in these prestigious international 35 events creates employment for U.S. artists, increases their national and interna­ tional recognition, and contributes to their creative growth by exposing them to new artists, art forms, and audiences.

Detail from a

mural in Mexico

City created under

the direction of

Philadelphia artist

Meg Fish as part

of an international

exchange. I N T E RN A T I 0 N A L

22 awards $873,000 Dance Theater Workshop Minnesota Composers New York, NY $13,000 Forum ArtsLink Collaborative St. Paul, MN $15,250 To support the strengthening Projects International Projects and expansion of a network of To support a collaboration Initiative U.S. and Mexican artists and between Minnesota Compos­ art administrators to increase ers Forum, the Vietnamese Leo Coach presentations and residencies Cultural Association of Minne­ Cleveland, OH $3,000 l cooperative in both countries. sota, and the Schubert Club To support the creation of agreement $224,000 of Minnesota, to sponsor jazz compositions inspired Gamelan Sekar Jaya residencies and performances by the works of noted Slovene for four musicians of Vietnam­ CEC International Partners E1 Cerrito, CA $25,000 poets in collaboration with New York, NY $224,000 ese origin. the Contemporary Music To support the creation of Coalition and Slovene musi­ A cooperative agreement to three collaborative works by cian Lado Jaksa. administer grants to U.S. two Balinese artists and two arts organizations to support American artists to be per­ Partnerships Yoshiko Chuma artistic exchange, partner­ formed and toured in the U.S. New York, NY $6,000 ships, or collaborations with and Indonesia. Cooperative agreements were artists and organizations made with organizations To support the creation and abroad. Grants were awarded Gotham Dance that facilitate international performance of a new dance to the following artists and New York, NY $35,000 arts exchange. Grants made and music piece in collabora­ organizations: through each cooperative tion with local dancers in To support a series of ex­ agreement are listed beneath Vilnius, Lithuania. changes between American each category: and South African dance Christine Dakin International Projects professionals. Initiative Bronx, NY $4,000 Heard Museum ArtsLink To support the creation, per­ Phoenix, AZ $35,000 formance, and video docu­ Boulder-Dushanbe mentation of a new dance Sister Cities To support a New Zealand A cooperative agreement was awarded to CEC International piece in collaboration with the Boulder, CO $25,000 tour of 35 Native American Olga Bavdilovich Dance Com­ artists and their exhibition Partners to plan, publicize, pany in Vladivostok, Russia. To support the installation of "Shared Visions: Native conduct panel reviews, and a traditional Tajik Teahouse American Painters and Sculp­ administer grants for ArtsLink, by ten Tajik master artisans tors in the Twentieth Century." a partnership of the Arts Constance de Jong working with apprentices from Endowment, the Open Society Nyack, NY $3,000 the Boulder community. Fund, the Trust for Mutual To support a collaboration Kings Majestic Corporation Understanding, and the Start Brooklyn, NY $30,000 with Marina Grzinic of SKUC Carnegie Mellon University Foundation. Galerjia in Ljubljana, Slovenia To support residencies for Pittsburgh, PA $15,000 1 cooperative to record literary texts by Compagnie Ebene and individuals affected by the To support artist Douglas Compagnie Azanie at the agreement $112,000 Cooper in the creation of a ethnic conflict in the former International Arts Festival Yugoslavia for presentation mural in Frankfort, Germany at the Majestic Theatre in CEC International Partners worldwide on the Internet. in collaboration with students June 1996. New York, NY $112,000 and senior citizens. A cooperative agreement to Diane Elliot Milwaukee Repertory Centro Cultural de la Raza support U.S. artists to work on Minneapolis, MN $1,500 Theater mutually beneficial projects San Diego, CA $10,000 Milwaukee, WI $15,250 To support the development with counterparts in Central of improvisational movement To support a collaboration To support a collaboration and Eastern Europe, the and storytelling performances with the Bankstown Youth with the Subaru Acting Co. of former Soviet Union and the in collaboration with local Development Center in Tokyo to create a dramatic Baltics, and to support U.S. dancer-performers in Buda­ Australia to create an inter­ adaptation of Shusaku Endo’s organizations to host an artist pest, Hungary. active, mixed-media exhibi­ novel Silence. or arts administrator from the tion aimed at at-risk youth. region. I N T E R N A T I 0 N A L

Garrison Fewell Andrew Herscher George LeGrady Mark Taylor Cambridge, MA $2,500 Los Angeles, CA $2,880 San Francisco, CA $3,000 Pittsburgh, PA $1,500 To support the creation and To support the creation of an To support the creation of an To support the creation performance of new jazz interactive video fable in col­ interactive CD-ROM using and performance of a new works and the development laboration with Francisc Mraz, footage from the Hungarian dance piece in collaboration of student jazz workshops president of the Tirgu Mures Film Institute in collaboration with Estonian dancers, musi­ in Poland and Hungary in International Film Festival in with Balazs Varga, a researcher cians, and vocalists in Tallinn, collaboration with local Bucharest, Romania. at the Institute, and Hungar­ Estonia. musicians. ian students in Budapest. Judit Hersko Tony Waag John Ford San Diego, CA $3,990 Ardele Lister New York, NY $1,000 Lomora, WI $1,500 To support a collaboration Brooklyn, NY $4,000 To support tap dance tech­ To support the creation of site- with Cimbora Foundation and To support the design and nique workshops and perfor­ specific installations in unused the Toparti Gimnazium in creation of urban garden mances in Estonia and Russia attic spaces in collaboration Budapest, Hungary to conduct architectural objects in col­ in collaboration with the with Galeria B.W.A. in Krakow, arts workshops for youth laboration with the Zlaty rez Estonian dance company, Poland. aimed at fostering tolerance architects in Prague, Czech Tanzart. and acceptance of ethnic Republic. Michael Griggs differences. Portland, OR $3,500 Jessica Lurie Eileen Hohmuth-Lemonick ArtsLink Residencies To support the creation and Seattle, WA $6,000 performances of a new adapta­ Princeton, NJ $3,500 To support a musical colla­ tion of S. Yansky’s Yiddish To support a documentary boration between the Billy Bemis Center for drama The Dybbuk, incor­ photography project on Tipton Memorial Saxophone Contemporary Art porating elements of Eastern blindness in collaboration Quartet and Ne Zhdali, a Omaha, NE $1,000 European music and Japanese with Czech photographer musical group from Tallinn, theater conventions in col­ Dana Kyndorva in Prague, Estonia to co-compose and To support the Bemis Center laboration with R.S. 9, a Czech Republic. arrange eight new works for in hosting Neli Ruzic, a visual theater company in Budapest, the combined groups. artist from Split, Croatia. Hungary. Julie Ann Keller Kevin Rice City Art Works, Fresno, CA $1,500 Pratt Fine Arts Center 36 David Hahn Wellfleet, MA $2,500 Seattle, WA $2,500 To support a collaboration Seattle, WA $1,000 between choreographers Chris To support a residency in To support the creation and Campbell, Chip Curry, Julie Russia to direct his play To support the Pratt Fine Arts 37 performance of a musical Ann Keller, Hilary Roberts, Siberian Summer, commis­ Center in hosting glass artist drama about the war in the and the Duna Ensemble of sioned by the Sakha Ministry Anna Skibska from Poland. former Yugoslavia in collabo­ Budapest, Hungary to conduct of Culture to tour throughout ration with Davorka Horvat of workshops on traditional the country. Double Edge Theater the Croatian National Theater dance and music techniques Ashfield, MA $1,000 in Zagreb. in Hungary and California. Jorge Luis Rodriguez To support the Double Edge New York, NY $3,060 Marilyn Henrion Theater in hosting Bulgarian Charles Krafft director/playwright Petar New York, NY To support the creation and $3,000 Seattle, WA $2,000 installation of a sculpture as Todorov. To support an artistic resi­ To support a collaboration well as written and video dency in the All-Russian with IRWIN, a Slovene paint­ documentation of the creative Illusion Theater Museum of Decorative, ers group, to design and process in collaboration with Minneapolis, MN $1,000 Applied and Folk Art in which produce commemorative Pavel Opocensky, a Czech Yvonne Forman, Marilyn ceramic plates in Ljubljana, sculptor in Prague. To support the Illusion Henrion, Patricia Malarcher, Slovenia. Theater in hosting Boris Caksiran, a costume and set Joy Saville, and Robin Schwalb Stephen Shanabrook will display their quilts, con­ Sonia Kuftinec designer from Yugoslavia. duct lectures on quiltmaklng Akron, OH $4,500 Stanford, CA $3,000 techniques, and exchange To support a collaboration Indianapolis Museum of Art information with fellow textile To support a residency in with Russian sculptor Olga Indianapolis, IN $1,000 artists. Zagreb, Croatia for the artist Chernyshova to create new and other members of Corner­ sculptures from an exhibition To support the Indianapolis stone Theater to create a in Moscow. Museum in hosting Reet performance piece developed Varblane, curator at the Art through drama workshops with Galler); Institute of History residents of refugee camps and in Tallinn, Estonia. the communities in which the camps are located. I N T E R N A T I 0 N A L

McLean Project for the Arts University of Georgia Behe Miller Company $6,750 McLean, VA $500 Museum of Art The Fund for U.S. Artists New York, NY Athens, GA $1,000 To support the Emerson at International Festivals To support performances at Gallery in hosting visual artist To support the University of & Exhibitions the Turning World Festival Marjetica Potrc from Slovenia. Georgia in hosting visual arts in London, England. manager Ewa Hornowska from Poland. 1 cooperative Billy Tipton Memorial Northlight Theater agreement $308,000 Company Saxophone Quartet University of Hartford Seattle, WA $1,000 Evanston, IL $1,000 Institute for Hartford, CT $1,000 To support the Northlight International Education To support performances at Theater in hosting theater To support the University (Arts International) Festival International des lighting designer Igor Berginc of Hartford photography New York, NY $308,000 Musiques Innovatrices in from Slovenia. department in hosting visual Marseilles, France. artist Mariola Przyjemska A cooperative agreement to from Poland. administer grants for the Boston Camerata Old Dominion University Fund for U.S. Artists at Inter­ Norfolk, VA $1,000 national Festivals and Exhi­ Boston, MA $2,500 University of Iowa bitions, a partnership of the To support performances To support the International Iowa City, IA $1,000 Writers Center in hosting Arts Endowment, the Pew at Festival Daily, Festival writer Andrej Blatnik from To support the International Charitable Trusts, and the Musique au Chambertin, Slovenia. Writers Program in hosting Rockefeller Foundation. Festival d’Ambronay in France. Romanian writer Robert- People’s Light Theater Daniel Deleanu. Martin Bresnick Malvern, PA $500 New Haven, CT $2,015 University of Arts International To support the People’s Light To support performances of Southern Maine Grants his work at Adelaide Festival Theater in hosting Janos Gorham, ME $1,000 Regos, artistic director of the in Adelaide, Australia. Theater Szkene in Budapest, To support the University of Alvin Ailey Dance Theater Hungary. Southern Maine in hosting New York, NY $15,000 Cantores in Ecclesia Vilnus Auzins, founding Portland, OR $3,650 To support performances at Pomona College director of the first Photo­ graphy Museum in Latvia. the Spoleto Festival/Festival To support the group’s per­ Claremont, CA $500 dei Due Mondi in Italy. formances at the Festival de To support Pomona College in Musica Antigua in Acapulco, Vortex Repertory Theater Mexico. hosting Croatian performing Austin, TX $1,000 American Ballet Theatre artist Aleksandar Acev. New York, NY $4,000 To support the Vortex Reper­ Capoeira Foundation To support performances at Tacoma Arts Commission tory Theater in hosting actor New York, NY $5,000 and director Ljupco Bresliski Athens Festival in Athens, Tacoma, WA $1,000 from Macedonia. Greece and the Uluslararasi To support performances at the Men in Dance Festival in To support the Tacoma Arts Istanbul Festival in Istanbul, Turkey. Salvador, Bahia, Brazil. Commission in hostingJana Washington Ballet Mlakar, Deputy Secretary Washington, DC $570 for Culture for the city of American Boychoir Carter Family Marionettes Ljubljana, Slovenia. To support the Washington Princeton, NJ $3,000 Seattle, WA $2,500 Ballet in hosting Jana To support performances To support performances The Ink People Bartakova, an arts manager at Riga Dom International at Traditional Festivals of Eureka, CA $1,000 from the Czech Republic. Festival of Boys’ Choirs in Puppet Theaters in Tashkent, Riga, Latvia. Uzbekistan. To support The Ink People Whitworth College in hosting visual artist Aleksij Kobal from Slovenia. Spokane, WA $1,000 Basso Bongo Chinle Valley Singers To support Whitworth Hartford, CT $1,500 Denver, CO $9,500 College in hosting ceramic To support performances at artist Bojidar Bontchev To support performances at JazzKaar Tallinna Baltica/International Folklore from Bulgaria. Rahvusvaheline Festival Festival in Tallinn, Estonia. in Tallinn, Estonia. I N T E R N A T I 0 N A L

Donna Coleman Ethnic Dance Theatre Jodie Christian Sextet Martha Graham Huntington, PA $1,200 Minneapolis, MN $5,000 Chicago, IL $6,500 Dance Company To support performances To support performances at To support performances at New York, NY $3,500 at Manly Jazz Festival in Szegedi Nemzetkozi Festival Red Sea Jazz Festival in Tel To support performances Australia. in Hungary and Cetvrti Aviv, Israel. at Edinburgh International Medzunoroden Folkloren Festival in Scotland. Crossroads Theatre Festival in Bulgaria. Lisa Karrer and Company David Simons Miami City Ballet New Brunswick, NJ $10,000 Forces of Nature New York, NY $3,580 Miami Beach, FL $8,000 To support performances of New York, NY $5,805 To support performances at To support performances at Sheila’s Day at the Africa ’95 To support the company’s the NYYD Festival of New the White Nights Festival in Festival in London, England. performance at the Aruba Music in Tallinn, Estonia. St. Petersburg, Russia. International Dance Festival Blondell Cummings in Aruba and Tanztage Festival Kronos Quartet Mum Puppettheatre, Ltd. New York, NY $5,000 in Linz, Austria. San Francisco, CA $2,500 West Chester, PA $2,500 To support performances at Dave Frank To support performances To support performances at the Festival International de at Festival Internacional International Theater Festival Theatre pour le Developpement West Medford, MA $2,000 Cervantino in Mexico. in Athens, Greece, and Inter­ in Ouagadougou, Burkina Faso. To support performances at nationalen Puppetagen Standard Bank National Arts Oliver Lake Mistelbach in Austria. Fred Curchack and Festival in South Africa. Montclair, NJ $6,800 Daniel Stein Muntu Dance Theatre Jed Gaylin To support the group’s per­ of Chicago Studio City, CA $5,200 formance at Konfrontation To support their performances Baltimore, MD $500 in Nickelsdorf, Austria. Chicago, IL $10,000 at the Festival International To support performances To support performances of des Journees Theatrales at Festival Internacional E1 Lucinda Childs their African Visions program Carthage in Tunis, Tunisia. Callejon del Ruido in Mexico. Dance Company at Panafest in Accra, Ghana. New York, NY $2,500 Dance Theatre of Harlem Goat Island National Black To support performances Touring Circuit New York, NY $5,000 Chicago, IL $4,250 at Festival International de 38 To support performances at To support performances Dance Cannes in Cannes and New York, NY $6,500 Festival de Lille in France. at Konscht am Dialog in the Biennale Nationale de To support performances of Luxembourg. Dance in Vitry sur Seine, Zora Neale Hurston at Panafest 39 Deep Ellum Theatre Group France. in Accra, Ghana. Dallas, "IX $4,000 Matt Heckert San Francisco, CA $1,770 Lucinda Childs Charles Neidich To support performances Dance Company at Ohrid Summer Inter­ To support his performance Del Mar, CA $275 national Music Festival in at Muzyka Bez Granic in New York, NY $5,000 To support performances at Ohrid, Macedonia. Krakow, Poland. To support performances at the Biennale for Contempo­ the Festival d’Automne in rary Music at the Tel Aviv Dirty Dozen Brass Band Sha Sha Higby Paris, France. Museum in Israel. New Orleans, LA $7,000 Bolinas, CA $2,500 Margolis Brown Company New York Theatre Workshop To support musical perfor­ To support her performance mances at Panafest in Accra, at the Singapore Festival of Minneapolis, MN $5,000 New York, NY $2,000 Ghana. the Arts Fringe in Singapore. To support performance at To support performances at the Singapore Festival of the London International Festival Kurt Elling & Rob Amster Jazz Arts Group Arts in Singapore. of Theatre. Chicago, IL $800 of Columbus Dimitris Marinos To support performances at Columbus, OH $2,000 Jay O’Callahan Red Sea Jazz Festival in Tel To support performances at Chicago, IL $1,975 Marchfield, MA $2,000 Aviv, Israel. Festival de Italica in Sevilla, To support musical perfor­ To perform stories at the Spain. mances at the 4th Gaida Glistening Waters Storytelling Festival in Vilnius, Lithuania. Festival in Masterton, New Zealand. I N T E R N A T I 0 N A L

Obo Addy and Kudkrudu Seattle Peace Chorus Karen Vuranch ETA Creative Arts Portland, OR $10,000 Seattle, WA $4,000 Fayetteville, WV $750 Foundation Chicago, IL $6,300 To support musical perfor­ To support performances at To support her storytelling mances at Panafest in Accra, Festival Internacional de performances at the UK Year To support an eight-week Ghana. Coros in Santiago, Chile. of Literature and Writing in residency and public programs Swansea, Wales. for Canadian playwright Colin Taylor. Paul Taylor Dance Lemuel Sheppard Foundation Inc. Pittsburg, KS $2,000 Wilma Theater New York, NY $5,000 Philadelphia, PA $12,000 Exploratorium To support performances at San Francisco, CA $4,510 To support the company’s International Eisteddfod in To support performances at performance at the Singapore South Africa. Mezinarodni Divadlo Festival To support an eight-week Festival of the Arts, Singapore. in the Czech Republic. residency and public programs Sonus for Canadian installation artist Catherine Richards. Peabody Trio Charleston, SC $500 John Bell Young Baltimore, MD $4,000 Spring Hill, FL $500 To support performances at Fabric Workshop To support the group’s per­ Tage Alter Music/Pro Musica To support performances Philadelphia, PA $8,500 formance at the Biennale Antiqua in Regensburg, of solo and chamber music for Contemporary Music at Germany. at Pushkin: Petersburg in To support an eight-week the Tel Aviv Museum in Tel St. Petersburg, Russia. residency and public pro­ Aviv, Israel. Teatro Hispano de Dallas grams for Mexican visual artist Patricia Torres Ortiz. Dallas, TX $10,000 Philadelphia To support performances at U.S./Canada/Mexico Guadalupe Cultural Dance Company Festival Internacional de Philadelphia, PA $12,000 Creative Artists’ Arts Center Teatro de Trujillo in Peru. San Antonio, TX $4,380 To support performances Residencies at American Black Festival TeenStreet Theater To support an eight-week in Italy. Company 1 cooperative residency and public programs agreement $120,000 for Mexican playwright Hugo Chicago, IL $4,000 Fragoso Campos. Philadelphia Orchestra 17 grants $34,000 To support performances at Association Pumpenhaus in Munich, the Philadelphia, PA $5,000 Headlands Center Kultersummer Festival in Mainz, for the Arts To support performances at Kultersommer in Hannover, Host Organizations Sausalito, CA $18,000 the International Festival of the Jugendtheaterprojekt Music in Lucerne, the Festival in Frankfort, the Jugendamt To support eight-week resi­ Musique Montreux-Vevey des Stadt in Soligen, and Citizens Exchange Council dencies and public programs in Montreux, Switzerland, at the Sommerfestival in New York, NY $120,000 for Canadian performance/ and the Salzburg Festival in Braunschweig, Germany. video artists Lori Millan and Salzburg, Austria. A cooperative agreement Shawna Dempsey and Mexican Mark Trayle to support two-month residen­ visual artist Ricardo Chavez cies by artists from Canada Castaneda. j. G. "Paw-Paw" Pinkerton San Francisco, CA $1,465 and Mexico at U.S. host arts Stamford, CT $550 To support performances at organizations. Grants were La Quinta Arts Foundation To support performances at the DEAF - Dutch Electronic awarded to: La Quinta, CA $8,460 Cape Clear Island Storytelling Art Festival in Rotterdam, Festival in Ireland. Netherlands. Bemis Center for To support an eight-week Contemporary Art residency and public programs Robert Pollock Trisha Brown Company $3,140 for Canadian choreographer Omaha, NE Cornelius Fischer-Credo. Ship Bottom, NJ $1,000 New York, NY $5,000 To support an eight-week To support performances at To support performances at residency and public programs New York Shakespeare International Festival Europe- Internationale Tanzwochen for Mexican visual artist Eric Festival Asia in Russia. Wien in Austria. del Castillo Bandala. New York, NY $9,100 San Francisco Mime Troupe The Unicorn Composers Guild To support a six-week resi­ of New Jersey dency and public programs San Francisco, CA $13,000 Newbury Port, MA $2,730 for Canadian playwright Ship Bottom, NJ $15,310 To support performances of To support the group’s per­ Djanet Sears. Offshore at the Third Asian formance at the Holland To support eight-week resi­ People’s Theatre Festival in Festival Oude Muziek in dencies and public programs Hong Kong. Utrecht, Netherlands. for Mexican composer Ana Lara Zavala and Canadian pianist Marc Couroux. I N T E R N A T I 0 N A L

Ragdale Foundation Sandow Birk Jan Erkert Lake Forest, IL $6,500 Los Angeles, CA Chicago, IL U.S./Japan Creative To support an eight-week To support the painter in an To support the dancer in an Artists Fellowships residency and public programs eight-week residency and eight-week residency and for Mexican playwright Silvia public programs in Mexico. public programs in Mexico. 1 interagency Pelaez Polo. transfer $75,000 Ruth Sophia Breuer Donald Erb Restore Resources An agreement with the Japan- New York, NY Cleveland Heights, OH U.S. Friendship Committee Montpelier, VT $8,500 To support the performer/ To support the composer in permits a transfer of funds to To support an eight-week resi­ director in an eight-week an eight-week residency and enable U.S. artists for six- dency and public programs for residency and public programs public programs in Canada. month fellowships in Japan. Mexican visual artist Federico in Mexico. Sanchez Reyna. Meg Fish Jill Baroff Aria Busto Philadelphia, PA Brooklyn, NY Rutgers University Brooklyn, NY Piscatawa); NJ $15,000 To support the painter in an To support a six-month fel­ To support the visual artist in eight-week residency and lowship in Japan for this To support eight-week resi­ an eight-week residency and public programs in Mexico. installation artist to investi­ dencies and public programs public programs in Canada. gate Japanese architecture for Mexican visual artists Jack Gilhooley and gardens throughout Oscar Manuel Garcia Castro, Lenora Champagne Sarasota, FL Japan. Silvia Teresa Flota Reyes and New York, NY Agustin Portillo Lozoya. To support the playwright in Bruce Chao To support the playwright!solo an eight-week residency and Rehoboth, MA University of California performer in an eight-week public programs in Canada. at Irvine residency and public programs To support a six-month fellow­ in Canada. ship in Japan for this visual Irvine, CA $7,300 Pat Graney Seattle, WA artist to study the Japanese To support an eight-week Myrel Chernick method of glassworking. To support the dancer/chore­ residency and public pro­ New York, NY grams for Canadian visual ographer in an eight-week Mei-Ling Horn artist Allyson Clay. To support the video installa­ residency and public programs tion artist in an eight-week in Mexico. Philadelphia, PA 40 University of Cincinnati residency and public programs To support a six-month fellow­ in Canada. ship in Japan for this visual Cincinnati, OH $6,500 Greg Hannan 41 Washington, DC artist to learn about and To support an eight-week Heather Cornell document Japanese paper­ To support the painter/ residency and public pro­ New York, NY making traditions. grams for Canadian play­ sculptor in an eight-week wright Sally Clark. To support the tap dancer/ residency and public pro­ Christine LoFaso choreographer in an eight- grams in Canada. week residency and public Carbondale, IL programs in Canada. Amy Harrison To support a six-month fellow­ U.S./Canada/Mexico New York, NY ship in Japan for this fiber Virginia Davis artist to investigate Japanese Creative Artists’ To support the video/film New York, NY non-traditional garment Residencies artist in an eight-week resi­ construction. To support the visual artist in dency and public programs an eight-week residency and in Canada. Grants of $2,000 were awarded Roy Staab to U.S. artists for two-month public programs in Mexico. Milwaukee, WI residencies in Canada and Pauline Oliveros Mexico. Patrick Dougherty Kingston, NY To support a six-month fellow­ Chapel Hill, NC ship in Japan for this visual Catherine Baker To support the composer in artxst to investigate Japanese To support the sculptor in an eight-week residency and culture and landscapes. Cambridge, MA an eight-week residency and public programs in Mexico. To support the poet in an public programs in Mexico. eight-week residency and public programs in Mexico. to the Endowment’s 1993 Public Participation in the Arts Survey, literature reaches more Americans than any other surveyed artform. The study documented that in 1992 over half the American public read a book or went to a literary reading or event. A January 1995 TIME magazine poll reports that more Americans read a novel in a year than any other surveyed activity except watching a sporting event on television. Even reading a poem within the past year was more popular than attending the performing arts. The Literature Program supports the best contem­ porary literature and makes it widely available to great numbers of Americans.

Literature is popular partly because it is so accessible to Americans in rural and urban areas alike. An artform that goes anywhere, literature reaches millions of Americans in their homes, schools, libraries and neighborhoods, and it can tell us the .story of our own lives in our own times.

Because books do not stop at state lines or attract primarily local readers, literature has a distinctly national and international impact. American literature, no matter where it’s written, is read throughout the country and the world. An author living in Montana writes a book that is read in Maine. An independent press in Illinois publishes a book that is nominated for the National Book Award and promoted in bookstores from Boise to Boston. American writing and American writers represent our country and our culture to the wider world.

Without writers there is no literature. Without publishers there are no books. With­ out books, there are no readers, and without readers, American literacy and culture are impoverished. The Literature Program nourished the full spectrum of literary activity, from helping writers find the time to write, to grants to independent pub­ lishers to enable them to publish the best noncommercial literature, to support to those organizations that bring together writers and readers through reading groups, workshops, classes, bookfairs, festivals and other venues.

The literary fellowship program is one of the Endowment’s outstanding successes. Since 1990, 19 of the 24 recipients of the National Book Awards, National Book Critics Circle Awards, and Pulitzer Prizes in fiction and poetry have received En­ dowment fellowships, in all but one case, prior to receipt of the national prize. Virtually all other awards recognize past accomplishment; Endowment fellowships discover and support America’s best writers at critical early stages in their careers.

Competition for these awards is particularly intense. Over 97 percent of eligible applicants do not receive grants. Applications are judged anonymously by a rotat­ ing panel of writers, readers and editors using a process in which literary merit ­ not quotas of any kind - is the sole criterion for awards. L I T E R A T U R E

The cover from a recent issue of

The Kenyon Review, a well-known literary magazine published at Kenyon

College in Ohio.

Once a book is written, how does it get published? The for-profit publishing indus­ try increasingly is driven by the bottom line, and more and more cookbooks and 42 calendars flood the American marketplace. In this era of growing commercializa­ tion, small independent publishers in communities across the country dedicate themselves to publishing the best literature, not the most lucrative. Modest grants from the agency help these small publishers produce high quality literature. From 1990-93, twenty percent of the books nominated for the National Book Awards were published with assistance from the National Endowment for the Arts - an extraordinary record when one considers the corporate resources of the commer­ cial New York publishers.

The agency also supports a wide spectrum of programs for readers. Organizations that have grown to serve the writing and reading public are as diverse as service organizations for writers, local library and school systems, literary centers in towns and suburbs offering classes and workshops, and regional bookfairs sponsored by municipal associations. For instance, in Buffalo, New York, Just Buffalo literary center cooperates with the local library system and Buffalo Bison minor league baseball team to sponsor The Summer Reading League. By completing a certain number of books, children earn baseball tickets. Audiences around the country enjoy public appearances by prominent writers through the National Writer’s Voice Project of the YMCA. The world’s largest provider of childcare and youth services and the National Endowment for the Arts now jointly sponsor literature and literacy programs for latchkey children at Y’s throughout rural and inner city America. L I T E R A T U R E

215 awards $4,355,565 Checkoway, Julie Hall, Daniel J. Maynard, Lee Baltimore, MD Amherst, MA Cochiti Lake, NM Fellowships for Ciment, Jill Karen Head, Gwen T. McCann, Richard John Creative Writers New York, NY Berkeley, CA Washington, DC McFall, Lynne E. Fellowships of $20,000 were Connolly, Geraldine R. Hix, Harvey L. awarded to enable writers of Bethesda, MD Kansas City, MO Syracuse, NY poetry, fiction and creative nonfiction to enhance their D’Ambrosio, Charles A. Homes, Amy M. Miller, Jane R. creative development and Los Angeles, CA New York, NY Tucson, AZ professional growth. Murrey, Matthew J. 83 grants $1,780,000 Dark, Alice E. Horton, Diane M. Montclair, NJ Manitou Springs, CO Urbana, IL Addonizio, Kim T. Ireland, Thomas S. Notley, Alice San Francisco, CA Davis, Melody D. Brooklyn, NY Santa Fe, NM Living in France Anshaw, Carol Nugent, Caroline Beth Chicago, IL Deming, Alison H. Janzen, Jean W. Tucson, AZ Fresno, CA Boulder, CO Arteaga, Alfred Nurkse, Alan D. Berkeley, CA Doty, Mark A. Johnson, John Fenton Provincetown, MA San Francisco, CA Brooklyn, NY Becker, Geoffrey M. Joseph, Lawrence Ping, Wang Iowa City, IA Eugenides, Jeffrey K. New York, NY New York, NY New York, NY Bellerose, Sally J. Northampton, MA Evenson, Brian Keith Kelly, Brigit Pegeen Rafkin, Louise Provo, UT Urbana, IL San Clemente, CA Braschi, Giannina Kenvin, Natalie E. Revell, Donald G. Santurce, PR Fenza, David W. Washington, DC Chicago, IL Salt Lake City, UT Brown, James M. King, R. Douglas Richman, Janine D. San Bernardino, CA Foerster, Richard A. York Beach, ME Grass Valley, CA San Francisco, CA Brown, James W. Kubicki, Jan T. Rinehart, Steven J. South Dartmouth, MA Francisco, Patricia W. Minneapolis, MN Philadelphia, PA Fayetteville, GA Burns, Michael D. Kusz, Natalie L. Rubin, Mark S. Willard, MO Gardner, Thomas M. Blacksburg, VA Jamaica Plain, MA Burlington, VT Bush, Mary E. Larson, Michael P. Rudman, Mark Pasadena, CA Garrison, William T. Kensington, MD Owatonna, MN New York, NY Cadbury, Alison B. Sethi, Robbie Clipper Berkeley, CA Greenfield, Robert L. Lee, Li-Young Goleta, CA Chicago, IL Skillman, NJ Canin, Ethan A. MacCoun, Catherine L. Shapiro, Gerald D. San Francisco, CA Hagedorn, Jessica M. New York, NY Chicago, IL Lincoln, NE Castillo, Aria Manley, Frank Sharp, Paula R. Gainesville, FL Hale, Janet Campbell Moscow, ID Decatur, GA Mount Kisco, NY L I T E R A T U R E

Shepherd, Reginald Hoisington, Thomas H. Chicago, IL Fellowships for River Forest, IL Distribution Translators To support translation from Shurin, Aaron Russian of an anthology The 2 grants $135,000 San Francisco, CA Fellowships of $ l 0,000 were Bittersweet Years: Contemporary awarded to the following Russian Stories on Aging. Arizona State University Sikelianos, Eleni A. translators of creative litera­ Tempe, AZ $60,000 San Francisco, CA ture for translation projects Larsen, Jeanne L. from other languages into Roanoke, VA To support the distribution English. and promotion of small press Silex, Edgar G. To support the translation books focusing on contempo­ College Park, MD 10 grants $100,000 from Chinese of an anthology rary Hispanic literature. of poetry written by women Sinha, Anjana Appachana Allen, Esther during the Tang Dynasty Small Press Distribution, Inc. (618-907). Phoenix, AZ New York, NY Berkeley, CA $75,000 Sucher, Cheryl Pearl To support the translation Maier, Carol S. To support nationwide market­ from Spanish of Oficio de ing, promotion, and New York, NY Atwater, OH tinieblas, a novel by Mexican distribution of small press writer Rosario Castellanos To support the translation of books and literary magazines. Swirl, Joan A. (1925-1974). the novel La sinraz6n by the Edmonds, WA Spanish writer Rosa Chacel Chioles, John (1898-1994). Templeton, Fiona New York, NY Assistance to New York, NY Polizzotti, Mark A. Literary Magazines To support the selection and Newton, MA translation from Greek of a Tolstaya, Tatyana N. collection of short stories by To support the translation 34 grants $359,705 Princeton, NJ Costas Taktsis (1927-1988). of the French novel Lac by Jean Echenoz (b. 1947). American Poetry Review VanderMolen, Robert L. Fulton, Bruce E. Philadelphia, PA $12,000 Grand Rapids, MI Seattle, WA Smith, William Jay To support payments to con­ Cummington, MA tributors for issues of American 44 Vogelsang, Arthur To support a collaborative translation with Ju-Chan To support a new translation Poetry Review. Los Angeles, CA Fulton of a collection of from French of a collection of 45 short stories in Korean by fairy tales by Marie-Catherine Americas Society, Inc. Wenthe, William J. O Chong-hui (b. 1947). d’Aulnoy (1650-1705). New York, NY $12,000 Lubbock, TX To support publication costs Gilson, Estelle and related expenses, includ­ Yarbrough, John S. Bronx, NY ing writers’ fees, for a special Fresno, CA Literary Publishing To support the translation issue of Review: Latin American fi’om Italian of t~,o books Grants were awarded in three Literature and Arts. Young, Brian R. by Massimo Bontempelli categories: Assistance to Liter­ Scottsdale, AZ (1878-1960): the novel ary Magazines, Small Press Asian American 11 Figlio di due Madri and a Assistance, and Distribution Writers’ Workshop, Inc. ZoBell, Bonnie J. collection of short stories Projects to support the pub­ New York, NY $12,000 entitled EAmante Fedele. Oceanside, CA lication and distribution of To support production, pro­ contemporary creative writing. motion, and related costs, Poets & Writers, Inc. Hartsell, Larry D. 61 grants $1,129,375 including payment to con­ New York, NY $140,000 Seattle, WA tributors, for issues of The To support reading and To support the translation of Asian Pacific American Journal. evaluation of manuscripts the Nepali novel Pallo Ghar ko and related administrative Jhyal (The Window of the House costs for the Literary Fellow­ Next Door) by Govinda ships category. Bahadur Mafia (b. 1922). L I T E R A T U R E

Bard College Five Fingers Press New York Foundation Salamander, Inc. Annandale-Hudson, San Francisco, CA $8,000 for the Arts, Inc. Brookline, MA $6,780 New York, NY $12,000 NY $12,000 To support production, To support production, pro­ To support contributors’ fees promotion, and related costs, To support payments to writers motion, and related costs, and production, promotion, including writers’ fees for for issues of Grand Street. including payment to writers, and related expenses for issues issues of Five Fingers Review. for issues of Salamander. of Conjunctions. Northwestern University Grapes, Jack Evanston, IL $12,000 Sun Publishing Company Chapel Hill, NC $12,000 Calyx, Inc. Los Angeles, CA $12,000 To support contributors’ fees Corvallis, OR $12,000 To support publication costs, and promotional expenses To support contributors’ fees To support publication costs, related expenses, and pay­ for issues of TriQuarterly. for issues of The Sun. payments to writers, and ments to contributors for related expenses for issues issues of ONTHEBUS. Oakland Community Threepenny Review of CALYX. College Berkeley, CA $12,000 Hershon, Robert Farmington Hills, MI $10,000 To support promotion costs Central Europe Institute Brooklyn, NY $11,000 To support publication and re­ and payments to writers for Washington, DC $10,750 To support payments to lated costs, including contribu­ issues of The Threepenny Review. To support publication, pro­ writers, publication costs, tors’ fees, for issues of Witness. motion, and related costs, and related expenses for University of Hawaii including contributors’ fees, issues of Hanging Loose. Painted Bride at Manoa for issues of Trafika. Art Center, Inc. Honolulu, HI $12,000 Hudson Review, Inc. Philadelphia, PA $5,000 To support production, pro­ Council of Literary New York, NY $9,750 To support payments to writers motion, and related costs, Magazines and Presses To support promotional and production, promotion, including writers’ fees, for New York, NY $0,575 expenses, writers’ fees, and and related costs for issues of issues of Manoa. To support the reading and related costs for issues of Painted Bride Quarterly. evaluation of literary maga­ The Hudson Review. University of Houston- zines, small press titles, and Ploughshares, Inc. University Park other materials submitted by Indiana State University Boston, MA $12,000 Houston, "IX $10,000 applicants to the Literary Terre Haute, IN $12,000 Publishing category. To support publication costs, To support publication costs, To support publication costs, contributors’ fees, and re­ fees for writers, and related related expenses, and con­ lated expenses for issues of costs for issues of The Americas Council of Literary tributors’ fees for issues of Ploughshares. Review. Magazines and Presses African American Review. New York, NY $12,000 Poetry Flash University of Virginia To support publication costs Kenyon College Berkeley, CA $12,000 Charlottesville, VA $10,000 and related expenses, includ­ Gambier, OH $12,000 To support fees for writers, To support publication costs, ing contributors’ fees, for payments to contributors, issues of The Paris Review. To support publication publication costs, and related costs, contributors’ fees, expenses for issues of Poetry and related expenses for and related expenses for Flash. issues of Callaloo. Eshleman, Clayton issues of Kenyon Review. $12,000 Ypsilanti, MI Poetry in Review Writers Review To support fees for writers Left Field Press Foundation, Inc. Normal, IL $12,000 and production, promotion, Chicago, IL $7,850 New York, NY $10,000 To support production, pro­ and related costs for issues motion, and related costs, of Sulfur. To support production, To support publication costs, promotion, writers’ fees, contributors’ fees, and related including contributors’ fees, and related costs for issues expenses for issues of Paruassu~: for issues of American Book Fiction Inc. of Another Chicago Magazine. Poetry in Review. Review. New York, NY $10,000 To support publication costs, New Art Review of Contemporary Yale University contributors’ fees, and re­ Publications, Inc. Fiction, Inc. New Haven, CT $12,000 lated expenses for issues of New York, NY $5,000 Normal, IL $11,000 FICTION. To support publication costs, To support publication costs To support production, pro­ writers’ honoraria, and related and related expenses, includ­ motion, and related costs, expenses for issues of The ing payments to contributors, including writers’ fees, for Yale Review. for issues of BOMB. issues of Review of Contemporary Fiction. L I T E R A T U R E

Graywolf Press Review of Contemporary Words Given Wings Small Press Assistance St. Paul, MN $30,000 Fiction, Inc. Literary Arts Project To support publication costs Normal, IL $30,000 San Francisco, CA $17,500 25 grants $634,670 and related expenses, including To support production and To support payments to writers, authors’ royalties, for books. promotional costs, authors’ publication costs, and related Aunt Lute Foundation royalties, and related ex­ expenses for books published San Francisco, CA $25,000 Hershon, Robert penses for books published by Mercury House. by Dalkey Archive Press. To support publication costs Brooklyn, NY $15,000 and related expenses, including To support authors’ royalties Sheep Meadow authors’ royalties, for books. and production, promotion, Press, Inc. Audience Development and related costs for books Riverdale, NY $30,000 BOA Editions, Ltd. published by Hanging Loose Grants are awarded through Brockport, NY $25,000 Press. To support publication costs, three subcategories: Residen­ royalty payments, and related cies for Writers and Reading To support production, pro­ Institute for expenses for books. motion, and related costs, Series, Assistance to Literary Publishing Arts, Inc. Centers, and Audience Devel­ including royalty payments, Story Line Press, Inc. for books. Barrytown, NY $30,000 opment Projects, all programs To support royalty payments, Brownsville, OR $30,000 designed to broaden the audience for literature. Coffee House Press publication costs, and related To support authors’ royalties Minneapolis, MN $30,000 expenses for books published and production, promotion, 35 grants $457,870 by Station Hill Press. and related costs for books. To support production, pro­ motion, and related costs, Latin American University of Houston- including authors’ royalties, Literary Review University Park for books. Residencies for Writers Pittsburgh, PA $30,000 Houston, TX $30,000 Contemporary Arts To support production, pro­ To support production costs 16 grants $122,240 Educational Project, Inc. motion, and related costs, and related expenses for Los Angeles, CA $30,000 including royalties, for books. books published by Arte Bridge Center for Publico Press. Contemporary Art To support authors’ royalties, Milkweed Editions, Inc. El Paso, TX $8,800 46 production, promotion, and Minneapolis, MN $30,000 University of Massachusetts related costs for books pub­ at Boston To support the 1995-96 Inter­ lished by Sun & Moon Press. To support royalty payments, Boston, MA $25,170 national Reading Exchange publication expenses, and Series and the International 47 Copper Canyon Press related costs for books. To support production costs Residencies Program. Port Townsend, WA $30,000 and related expenses for the New Rivers Press, Inc. 1995-96 series of translated To support production costs, Dia Center for Minneapolis, MN $30,000 fiction titles exploring the royalty payments, and related the Arts, Inc. Vietnam War as written by New York, NY costs for books. To support production, pro­ Vietnamese veterans. $8,800 motion, and related costs, To support the 1995-96 Crawford, John E including authors’ fees, for University of Pittsburgh "Readings in Contemporary books. Albuquerque, NM $15,000 Pittsburgh, PA $12,000 Poetry" series and two audi­ ence development initiatives: To support production, pro­ Perlman, Jim To support production costs "Meet the Poets" and the motion, and related costs for Duluth, MN $15,000 for volumes in the 1995-96 "Poetry Circle." volumes of poetry published Pitt Poetry Series. by West End Press. To support publication Guild Complex costs and related expenses, White Pine, Inc. including authors’ royalties, Chicago, IL $6,780 Curbstone Press Fredonia, NY $30,000 Willimantic, CT $25,000 for books published by To support the 1996 Perfor­ Holy Cow! Press. To support publication costs mance Poetry Series show­ To support publication costs and related expenses, includ­ casing the literary and and related expenses, includ­ Readers International, Inc. ing authors’ fees, for books. performance styles of local ing authors’ royalties and Columbia, LA $30,000 and nationally-known poets. advances, for books. Women in Translation To support production, pro­ motion, and related costs, Seattle, WA $15,000 Hill-Stead Museum Feminist Press, Inc. Farmington, CT $8,800 New York, NY $25,000 including royalty payments, To support production, pro­ for books. motion, and related costs, To support the 1996 Sunken To support production, pro­ including authors’ royalties, Garden Poetry Series. motion, and related costs, for books. including royalties, for books. L I T E R A T U R E

Howard County Poetry and University of Houston- Poets House, Inc. Theatre Communications Literature Society, Inc. University Park New York, NY $31,060 Group, Inc. Columbia, MD $8,800 Houston, TX $8,800 New York, NY $10,120 Woodland Pattern, Inc. To support the 1995-96 To support the 1995-96 To support the "Plays Are reading series at community "Houston Reading Series" Milwaukee, WI $29,480 Literature" promotional centers and area schools. of public readings and resi­ campaign to generate aware­ dencies sponsored by the Writer’s Center ness of dramatic literature. Institute of American Creative Writing Program. Bethesda, MD $19,890 Indian Arts Foundation WHY](, Inc. Santa Fe, NM $5,810 University of Tennessee Writers & Books, Inc. Philadelphia, PA $15,400 at Knoxville Rochester, NY $24,110 To support administrative To support two poetry resi­ Knoxville, TN $7,040 dencies during 1995-96. costs for the radio program To support the 1995-96 "Fresh Air," hosted by Terry Gross. Island Institute residency program. Audience Development Sitka, AK $6,690 Walker Art Center, Inc. Projects Western States To support two residencies Minneapolis, MN $8,800 Arts Federation for the 1995-96 Visiting 9 grants $108,510 Santa Fe, NM $13,820 Writers Series. To support the 24th season of the Writers Reading program. To support writers’ fees, American Library audience development acti­ Lizard Loft, Inc. Association vities, and related costs for Honolulu, HI $8,800 Young Men’s Christian Association of Billings Chicago, IL $10,120 the 1995-96 Western States Book Awards. To support the Hawaii Literary Billings, MT $8,800 To support the expansion Arts Council’s 1995-96 reading of the "Writers Live at the series featuring an exchange To support the expansion of Library" pilot program. Writers In The Schools of writers between Hawaii and the 1995-96 reading series of Houston, TX $11,440 the mainland. The Writer’s Voice, featuring regional and national writers. Broward Public To support the 1995-96 Library Foundation Writers in the Schools pro­ Mountain Writers Series Fort Lauderdale, FL $9,590 gram in Houston’s middle Portland, OR $8,800 and high schools. To support production, promo­ To support programs of Assistance to tion, and related costs of new readings and residencies Literary Centers programs for "The Sound of during 1995-96. Writing," a nationally-broadcast, Professional Development To support literary services half-hour weekly radio pro­ New England gram featuring new fiction and programming during Grants were awarded to Poetry Club, Inc. the 1995-96 season. works by American writers. Cambridge, MA $4,400 national service organizations 10 grants $227,120 that provide professional To support the 1995-96 Guadalupe Cultural assistance to creative writers. reading series presented Arts Center at Harvard University, the Asian American Writers’ San Antonio, TX $11,440 23 grants $844,000 Workshop, Inc. Boston Public Library, To support the ninth annual and the Longfellow House New York, NY $10,650 San Antonio Inter-American Academy of National Park site. Book Fair and Literary Festival. American Poets, Inc. Hellgate Writers, Inc. New York, NY $40,000 New Mexico Missoula, MT $22,880 Intersection State University To support ongoing services to San Francisco, CA $15,930 writers during 1994-95. Las Cruces, NM $3,520 just Buffalo To support printing, produc­ To support the 1995-96 Literary Center, Inc. $29,740 tion, installation, and other Academy of reading series sponsored by Buffalo, NY administrative costs for American Poets, Inc. La Sociedad Para Las Artes. StreetfareJournal, a six-poster New York, NY $30,300 The Loft, Inc. poetry series displayed on San Jose State Minneapolis, MN $30,890 public buses during 1995-96. To support ongoing services to University Foundation writers, public presentations, the Walt Whitman Award, the San Jose, CA $8,800 Maine Writers and Symphony Space, Inc. Lamont Poetry Selection, and To support the 1995-96 Publishers Alliance New York, NY $10,650 the Landon Translation Award Brunswick, ME $4,660 residency program at the To support production of during 1995-96. Center for Literary Arts. the ninth audio edition of Poetry Project, Limited "Selected Shorts on Audio­ New York, NY $23,760 cassette," audio rights pay­ ment to authors, reordering costs of earlier editions, and writers’ fees for the live series. L I T E R A T U R E

Associated Writing Hostos Community College Poets & Writers, Inc. Writers Room, Inc. Programs Advisory Council, Inc. New York, NY $80,600 New York, NY $13,700 Fairfax, VA $65,000 Bronx, NY $30,300 To support ongoing services To support ongoing services To support ongoing services To support the Latin American to writers during 1996, includ­ to writers and public readings to writers during 1994-95, Writers Institute’s public pro­ ing the Readings/Workshops during 1995. including "Constructing a grams and ongoing services to Program, the Publications Literary Foundation," a pro­ writers during 1995-96. Program, and the Information Young Men’s & gram designed to develop Center. Young Women’s creative writing programs at National Council of Hebrew Association Historically Black Colleges Young Men’s Christian San Francisco New York, NY $31,940 and Universities. Associations of the USA State University To support literary programs New York, NY $53,050 San Francisco, CA $38,000 Associated Writing during 1995-96, including Programs To support the 1995-96 To support ongoing services ongoing services to writers, National Writers Voice Proj­ to writers during 1995. the Main Reading Series, Fairfax, VA $50,510 ect including the National the "Discovery’/The Nation To support ongoing services Readings Tour, the National San Francisco contest, and radio broadcasts to writers during 1995-96, Readings Network, the Annual State University of "The Poet’s Voice." including the annual confer­ Spring Writer’s Voice Confer­ San Francisco, CA $22,220 ence, the AWP Intro Awards, ence, and staff training and Summer Creative Writing support for regional offices. To support recording, promo­ Seminars for High School tion, distribution, preservation, Special Projects Teachers and other programs. National Poetry Series, Inc. and archiving of literary per­ Hopewell, NJ $15,000 formances, the Poetry Center Grants are awarded to organi­ Before Columbus Book Award, and ongoing zations for unique literary Foundation To support ongoing services services to writers during 1996. projects of national signifi­ to writers during 1994-95. Oakland, CA $20,200 cance that are not eligible for Teachers and Writers support in other categories. To support ongoing services PEN American Center, Inc. Collaborative to American writers during New York, NY $51,770 New York, NY $48,150 2 grants $35,520 1994-95. 1 cooperative To support the PEN Fund To support the 1995-96 ser­ for Writers and Editors with vices to writers and teachers, agreement $8,800 Before Columbus 48 Foundation AIDS, the Freedom-to4Vrite including writing workshops, Program, the Readers & textbook publication and Council of Literary Oakland, CA $16,530 Writers Program, and other distribution activities, and Magazines and Presses 49 To support the 17th annual public programs and services mentoring projects for pro­ New York, NY $8,800 American Book Awards, to writers during 1996. znising writers. A cooperative agreement to writers’ panels and seminars, increase funding for a 1994 publication of Homeground, a PEN Center USA West University of Texas project. series of anthologies featuring Los Angeles, CA $23,600 at Dallas contemporary multicultural Richardson, TX $17,900 literature, and other ongoing To support ongoing services National Book services to writers during to writers during 1994-95. To support ongoing services Foundation, Inc. 1995-96. to literary translators during New ~brk, NY $25,520 1995. PEN Center USA West To support nationwide author Council of Literary Los Angeles, CA $23,050 residency programs featuring Magazines and Presses University of Texas National Book Award winners To support ongoing services at Dallas New York, NY $82,020 to writers during 1995-96, and finalists during 1995-96. Richardson, TX $10,990 To support ongoing services to including the Literary Awards literary magazines and presses Competition, public programs, To support ongoing services Oklahoma Arts Institute during 1995-96, including and publication of the profes­ to literary translators during Oklahoma City, OK $10,000 the Gregory Kolovakos Seed sional journal Center. 1996, including sponsor- strip of the annual American To support "Celebration of the Grant Award, and publication Spirit," an interdisciplinary of the Directory of Literary Poetry Society of America Literary Translators Associa­ workshop designed for surviv­ Magazines and technical assis­ New York, NY $43,570 tion annual conference and ors of the April 19th Oklahoma tance monographs. publication of the Translation To support ongoing services Review. City bombing and families of to poets during 1996, includ­ the victims. Hostos Community College ing awards to writers, writing Advisory Council, Inc. seminars, publication of Bronx, NY $35,600 PSA News, and national and To support ongoing services regional programs. to writers during 1994-95. omprising independent film and video and the arts on public television and radio, the nonprofit Media Arts field is now almost 30 year~, old. After years of growth, there is a pause in the media arts exhilarating journey to establish parity for its artform with its performing arts siblings. Where the arts are concerned, public and private funds are now less forthcoming as other matters take precedence in several funders’ agendas. Increasing costs of production, competition from commercial interests (e.g., electronic shopping marts) for delivery space, and a lingering puzzlement as to the nature of media arts centers have curtailed ambitions and limited performance. New on-line technology seems a natural venue for media arts centers, but acquiring a presence requires funds and opportunities not as yet available as corporate and public interests are first in- and on-line.

Despite this, the field, though divided into several camps, shows resilience and flexibility. One gauge of its vitality is the continued growth of the main delivery system for independent media: the exhibition circuit provided mainly by media arts centers, some universities, supplemented by occasional commercial distribu­ tion. Some three million people now see American independent film, foreign film, third world film, and a wide variety of international and national video art on Endowment-supported screens.

Though distribution opportunities have increased, they have not provided better access to the media arts for the public. Missing from the world of not-for-profit media is a consistent voice about the place of media in our culture, its potential for not only artistic enterprises, but educational, informational and community uses.

Two areas of activity supported by the Endowment - the artform itself and the distribution of all other artforms through broadcast - achieved significant success in 1995. In January/February, the ten-part "American Cinema" series was broad­ cast on PBS on four successive nights to a total audience of 18 million. The series instructed viewers on the history, aesthetics, and criticism of American film, and it is part of an ambitious project: to bring the best of the American arts of the past century to public attention as the Millennium approaches. Series on theater, mu­ sic, jazz, the novel, photography, and architecture and design are planned, and their fate depends upon availability of future funds.

As a steady background to this enterprise, the on-going television and radio series supported by the Endowment provide the public, particularly those deprived of access to the live performing arts, with constantly-renewed varieties of excellence. Some of today’s greatest artists, such as Yo Yo Ma, Seiji Ozawa, Placido Domingo and Itzak Perlman, were brought into living rooms in every state through such programs as "Great Performances," "American Masters," "Live from Lincoln Center," and "The Metropolitan Opera Presents." A jewel of the past year’s M E D I A A R T S

offerings was the four-part series, "Marsalis on Music," which featured the renowned trumpeter’s concerts for young people with an elan rivalling the legendary Leonard Bernstein.

Ubiquitous in all media, Mr. Marsalis also hosted the radio series, "Jazz from Lincoln Center," one of the 18 radio series constantly encouraged by the Media Arts Program. Covering literature, audio art, drama, classical music, folk and much else, these series support the contention of radio professionals that their medium is more alert, responsive and adventurous in its programming than television.

There is something elegiac in citing the achievements of individual grantees, since this is the last year the Endowment will offer grants to media artists. Ironi­ cally, the final cycle was superb both in the deliberations of a judicious, fair- minded and, at times, inspired review panel and its results, with such artists as Frederick Marx, Yvonne Rainier and Lodge Kerrigan on the recommended list.

The string of Endowment-supported Academy Award winners continued with the success of Maya Lin: A Strong Clear Vision, by California filmmaker Frieda Lee 50 Mock. One critically acclaimed film that was not nominated, the now-legendary Hoop Dreams, was initiated with a small regional fellowship grant. The Media Arts 51 Program also supported the Academy Award nominee in documentary, Complaints ofa Dut~d Daughter, by Deborah Hoffman, which was broadcast on the "P.O.V." television series.

An eye-catching This coming year is a testing one for the media arts, par­ poster announcing ilm festival ticularly in two basic areas. Unless media arts centers are the 1995 Sundance sustained, the field will shrink at a moment when it should Film Festival in be expanding in a radically 199 Utah, funded changed media environment. And without the Endowment’s through a Media careful cultivation of the arts on television, the public’s only Arts Center grant. window on the arts will, if not close, narrow considerably,

Jan. 19-29 M E D I A A R T S

217 awards $8,923,500 Folk Traditions, Inc. Kerrigan, Lodge Other Pictures, Inc. New York, NY $31,500 New York, NY $31,500 New York, NY $31,500 To support the production of To support the production To support the post-production Film/Video Art a documentary film by George of a narrative film about a costs for a docuinentary by Nierenberg on the historical, woman’s attempt to confront Jonathan Mednick about a cultural, and social signifi­ her father about their past summer camp for children cance of soul music as seen when he re-enters her life from East Harlem. Film/Video Production through the career of Solomon after many years. Burke, one of soul’s greatest Priestley, Joanna living legends. Klahr, Lewis D. $22,500 Grants were awarded to indi­ Portland, OR viduals or organizations for New York, NY $31,500 To support the production film and video productions. High, Kathy To support the production of of an animated film about New York, NY $18,000 a surreal animated film about a future society based on a 33 grants $900,000 To support the production a musician and the biological reverence for all forms of life. of a docu-drama videotape black market in Asia. Appalshop, Inc. about the fizture of genetic Radtke, Edward A. Whitesburg, KY $31,500 biotechnology. Marx, Frederick Bellbrook, OH $31,500 To support the production Chicago, IL $31,500 To support the production of Human Arts of a documentary film by To support the production of a narrative film about two Elizabeth Barret about a Association, Ltd. a narrative film about two displaced juveniles who meet Canadian filmmaker who New York, NY $20,250 victims of early childhood and befriend one another as was shot to death while docu­ To support the production of abuse. they hitchhike across America. menting poverty conditions a narrative fihn directed by in Appalachia in the 1960s. Nora Jacobson and produced McElwee, Ross S. Rappaport, Mark by Charles Light and Daniel Cambridge, MA $18,000 New York, NY $31,500 Black, Stephanie Keller about the Liberation New York, NY $31,500 News Service and its founder, To support the production of To support the production Marshall Bloom. a documentary film about the of an experimental video ex­ To support the production ploring cultural differences by of a documentary film on filmmaker’s plan to adopt a Paraguayan infant. manipulating photographs Jamaica’s economic situation Hutton, Peter B. from 19th-century Japan and as it relates to a factory worker, Annadale-on-Hudson, NY the U.S. a resort hotel, an American $18,000 Media Network, A.M.I.C. New York, NY $31,500 tourist, a chicken farmer, and To support the production Rendina, Frederick the Minister of Finance. of an experimental film study­ To support the production New York, NY $18,000 ing the four seasons on the of an experimental film by Blair, David Hudson River. Elia Suleiman. To support research, develop­ New York, NY $22,500 ment, and pre-production Nelson, Stanley costs for a narrative film To support the production Jacobs, Ken about a Ghanian cab driver of an experimental work on New York, NY $28,350 New York, NY $31,500 who immigrates to New York the Holocaust. To support the post-production To support the production of to earn money to start a costs for an experimental film a documentary film about business in Africa. Cassidy, Carol on the underground and beat the African American press Atlanta, GA $31,500 scenes in New York City be­ between 1910 and 1965. Saks, Eric To support the production of tween 1957 and 1960. San Pedro, CA $31,500 a documentary film about New York Foundation To support the production teenage pregnant3’. Katz, Joel for the Arts, Inc. of an experimental video­ Brooklyn, NY $22,500 New York, NY $45,000 tape recounting the story of Dorsky, Nathaniel To support the production of To amend a previous grant to St. Francis of Assisi through San Francisco, CA $18,000 a narrative film about J. Edgar support post-production costs the experiences of a young of An American Love Story by boy lost in the mountains. To support production and Hoover’s only known trip post-production costs for outside the United States to filmmaker Jennifer Fox. an experimental film which Mexico. Spiro, Ellen will juxtapose urban and Noren, Andrew Richmond, VA $18,000 natural images. Holmdel, NJ $18,000 To support the production of a To support the production of documentary video about the an experimental film using lives, mores, and social codes light and shadow to generate of contemporary American images that seek a definition nomads. of time. M E D I A A R T S

Springer, Brian Art Institute of Chicago Center for New Television Buffalo, NY $14,400 American Film Chicago, IL $29,000 Chicago, IL $10,000 To support the production of a Institute To support the Film Center’s To support video program­ documentary video on people exhibitions, educational acti­ ming, facilities access, a who have been the subjects of A grant was awarded to the vities, and resource services. newsletter, and workshops. television news stories. AFI, founded in 1967, to preserve the heritage and Asian CineVision, Inc. Center for New Television Thornton, Leslie advance the art of film and New York, NY $23,900 Chicago, IL $5,000 television in the United States. Brooklyn, NY $18,000 To support media exhibitions, To amend a 1994 grant to To support the production of touring programs, facilities provide additional funds for an experimental film on the American Film Institute, Inc. access, publications, and project completion. life of Isabelle Eberhardt, an Washington, DC $925,000 workshops. $250,000 TF extraordinary woman who Chicago Filmmakers traveled to Algeria in the late Bay Area Video Chicago, IL $15,300 1800’s disguised as a man. Coalition, Inc. To support film and video Media Arts Centers San Francisco, CA $32,000 University of Michigan screenings, facilities access, Ann Arbor, MI $45,000 To support facilities access, workshops, and distribution Grants help media arts centers workshops, publication of activities. To support the production of increase public appreciation the newsletter Video Networks, a television documentary offihn and video art. Projects artists’ residencies, and Community Film Workshop produced by Charles Hobson included exhibitions, work­ exhibitions. Chicago, IL $10,000 and directed by Dante James shops, production facilities, on George Gershwin’s Porgy publications, study collections, Boston Film]Video To support facilities access, and Bess as viewed from an and arts education programs. Foundation, Inc. workshops, exhibitions, and African American perspective. education programs. 68 grants $1,265,200 Boston, MA $5,000 Upstate Films, Ltd. To provide additional funds Community Television for a 1994 grant. Rhinebeck, NY $31,500 911 Media Arts Center Network Seattle, WA $10,000 Chicago, IL $10,000 To support the production Boston Him/Video of a documentary film by To support media exhibitions, Foundation, Inc. To support facilities access and Ralph Arlyck. facilities access, and workshops. training programs for low- 52 Boston, MA $26,900 income youth in the Chicago American Museum of To support media exhibitions, area. Williams, David D. workshops, production facili­ 53 Richmond, VA $31,500 the Moving Image Astoria, NY $13,500 ties, and education activities. Cornell University To support the production Ithaca, NY $10,000 of a dramatic film about a To support a film and video Brooklyn Institute mother/daughter relationship exhibition program. of Arts and Sciences To support Cornell Cinema’s fihtVvideo exhibitions, re­ using the real-life characters Brooklyn, NY $10,200 as actors. Anthology Film Archives gional touring programs, New York, NY $10,000 To support thematic exhibi­ installation works, and pro­ tions of film and video. gram notes. Women Make Movies, Inc. To support screenings, publi­ New York, NY $31,500 cations, and a resource center. Carnegie Institute Downtown Community To support the production Pittsburgh, PA $12,600 Television Center, Inc. of a docu-drama film by Appalshop, Inc. New York, NY $27,000 Cheryl Dunye on the histories Whitesburg, K’Y $5,000 To support film!video screen­ of African American women ings, publications, and resource To support media exhibitions, in early Hollywood cinema. To provide additional funds services. facilities access, workshops, for project completion. internships, and a resource Women Make Movies, Inc. Center for library. New York, NY $31,500 Appalshop, Inc. Contemporary Arts Whitesburg, KY $53,000 ¯ Santa Fe, NM $10,000 Electronic Arts To support the production Intermix, Inc. To support film/video work­ To support film/video screen­ of an experimental narrative New York, NY $23,800 film by Yvonne Rainer. shops, training and outreach ings, a Native American Film programs, artists’ residencies, Festival, and a media literacy To support a distribution distribution activities, film/ project. program, facilities access, and video screenings, radio and exhibition equipment access. television production and programming, and archival programs. M E D I A A R T S

Experimental Television Haleakala, Inc. Los Angeles Contemporary New Orleans Video Center, Ltd. New York, NY $21,400 Exhibitions, Inc. Access Center, Inc. Los Angeles, CA $10,000 New Orleans, LA $15,000 Newark Valley, NY $10,000 To support a distribution pro­ To support a center provid­ gram and video exhibitions. To support video exhibitions, To support facilities access, ing artists with access to a artists’ fees, panel discus­ screenings, a newsletter, distri­ sophisticated video image Hallwalls, Inc. sions, and maintenance of bution services, and workshops. processing system with advi­ Buffalo, NY $11,400 an archive/library. sory, administrative, and Ohio State University curatorial services for the To support exhibitions, Media Alliance, Inc. Research Foundation development of projects. workshops and residencies, New York, NY $10,200 Columbus, OH $10,000 and facilities access. To support facilities access, To support visiting artists’ resi­ Facets-Multimedia, Inc. Harvestworks, Inc. publications, workshops, and dencies, an ongoing series of Chicago, IL $29,900 conferences. AIDS-related film and video New York, NY $10,000 To support exhibitions, pub­ exhibitions, and film/video pre­ lications, visiting filmmakers, To support audio-to-video Millennium Film sentations during the Gender an international children’s facilities access, artists’ resi­ Workshop, Inc. and Technology project. film festival, and a video dencies, and workshops. New York, NY $12,000 distribution service. Oregon Art Institute Helena Presents To support exhibitions, faci­ Portland, OR $5,000 $10,000 lities access, filmmaking Film Arts Foundation Helena, MT and film theory classes, and To provide additional funds San Francisco, CA $43,000 To support film exhibition publication of the Millennium for a 1994 grant. To support facilities access, programs, workshops, and Film Journal. film screenings, a national visiting artists. Pittsburgh Filmmakers, Inc. newsletter, workshops, and Minnesota Film Center Pittsburgh, PA $5,000 resource services. Independent Media Artists Minneapolis, MN $10,000 of Georgia, Etc. To provide additional funds for a 1994 grant. Atlanta, GA $19,800 To support film exhibitions, Film Society of guest speakers, and workshops. Lincoln Center, Inc. To support exhibitions, facili­ Pittsburgh Filmmakers, Inc. New York, NY $28,500 ties access, a resource center, Moving Image, Inc. Pittsburgh, PA $18,900 To support the New York Film workshops, and a newsletter. New York, NY $38,000 Festival, publication of Film To support facilities access, Comment, the exhibition series Intermedia Arts of To support year-round pro­ screenings, education services, "New Directors/New Films," Minnesota, Inc. gramming at Film Forum’s workshops, and a newsletter. and year-round film/video Minneapolis, MN $25,500 three theaters. progratnming at the Walter Portland Art Museum Reade Theater. To support video exhibitions Museum of Fine Arts, Portland, OR $24,000 and installations, a quarterly Boston To support the Northwest Film newsletter, access to video Boston, MA $10,000 Film/Video Arts, Inc. facilities, workshops, and Center’s exhibitions, education New York, NY $27,900 visiting artist programs. To support film/video exhibi­ programs, distribution activi­ ties, facilities access, and To support facilities access, tion programs. workshops, internships, and International House media resource services. exhibitions. of Philadelphia Museum of Fine Arts, Philadelphia, PA $29,000 Houston San Francisco Cinematheque Houston, TX $10,000 San Francisco, CA $12,600 Friends of the Mary Riepma To support the Neighborhood Ross Film Theater Film Project’s screenings, news­ To support film and video To support the film/video Lincoln, NE $10,000 letter, workshops, equipment exhibitions and a resource exhibition program, gmest appearances, and publications. To support the film exhibition access, and library. library. program. Jerome Foundation, Inc. Museum of Modern Art Scribe Video Center, Inc. George Eastman House St. Paul, MN $5,000 New York, NY $55,000 Philadelphia, PA $10,000 Rochester, NY $10,000 To provide additional funds To support year-round film To support workshops, access To support a film exhibition for project completion. and video programming. to video equipment, seminars program and the distribution and screenings with visiting of work from the museum’s Long Beach Museum New Community artists, and services to media collection. of Art Foundation Cinema Club, Inc. artists. Long Beach, CA $30,400 Huntington, NY $10,000 To support facilities access, To support film exhibitions, exhibitions, video and print an education program, work­ catalogues, and workshops. shops, and the publication of program notes. M E D I A A R T S

South Carolina University of Colorado, Camera News, Inc. International Documentary Arts Commission Regents of New York, NY $I0,000 Foundation Columbia, SC $41,800 Boulder, CO $10,000 To support the distribution Los Angeles, CA $10,000 To support facilities access, To support the Rocky Moun­ of films and videos by and To support the 1995 Interna­ workshops, a touring film/ tain Film Center’s exhibitions, about people of color. tional Documentary Congress. video exhibition, a media facilities access, workshops, arts-in-education program, and resource library. EBS Productions, Inc. International Film workshops, and publications. San Francisco, CA $10,000 Circuit, Inc. University of New York, NY $10,000 Southern California the District of Columbia To support a conference for Asian American Washington, DC $11,000 American independent pro­ To support the organization Los Angeles, CA ducers to learn about European and circulation of a retro­ $24,000 To support the Black Film co-productions featuring spective of films by women To support Visual Communica­ Institute’s screenings and speakers from such organiza­ from the former Soviet Union tion’s screenings, publications, lecture presentations on black tions as the BBC, Channel 4, which have been unable to and distribution activities. and Third World film. Germany’s ZDF and ARD, secure commercial distribution and the new German cultural in this country. Southwest Alternate Visual Studies channel ARTE. Media Project, Inc. Workshop, Inc. International Film Houston, TX $5,000 Rochester, NY $11,900 Film Arts Foundation Seminars, Inc. To provide additional funds To support facilities access, San Francisco, CA $10,000 New York, NY $10,000 for a 1994 grant. workshops, and coverage of To support the Canyon To support the Robert Flaherty independent film and video Cinema film!video distribu­ Seminar, now in its 40th year, Southwest Alternate in Afterimage. tion cooperative. bringing together artists and Media Project, Inc. scholars for screenings curated Houston, TX $27,200 Walker Art Center, Inc. Foundation for Independent by leading film programmers Minneapolis, MN $20,900 Video and Film and to discuss current issues in To support media exhibitions, film practice. workshops, and educational To support film and video New York, NY $42,000 programs. exhibitions. To support services to inde­ International Media pendent media artists, includ­ ing publications, seminars, New York, NY $10,000 Standby Program, Inc. Whitney Museum of 54 New York, NY $14,900 American Art and information services. To support the Latin American New York, NY $28,500 Video Archive and database To support facilities access, Frameline, Inc. project to help distribute Latin workshops, and publications. To support the New American 55 San Francisco, CA $10,000 American and U.S. Latino- Film and Video Series. made independent film and Sundance Institute for To acquire media artworks for video in the United States. Film and Television Women Make Movies, Inc. distribution. Salt Lake City, UT $24,300 New York, NY $20,000 Jewish Film Festival Hawaii International Berkeley, CA $10,000 To support services to inde­ To support workshops, exhi­ Film Festival pendent filmmakers, including bitions, and the production Honolulu, HI $10,000 To support the 15th annual screenwriter and filmmaker and distribution of films Jewish Film Festival. lab programs, a producers’ and videotapes by and about To support touring exhibi­ conference, and a film festival women. tions, conferences, workshops, National Alliance of and an educational program. Media Arts Centers, Inc. University of California Oakland, CA $26,000 Berkeley, CA $56,000 Independent Feature National Services Project, Inc. To support services which To support Pacific Film New York, NY $10,000 promote the development Archive’s exhibition programs, Grants were awarded to assist of media arts centers and workshops, study collection, media artists and arts organi­ To support services to de­ increase public understanding and guest speakers. zations. velop, produce and distribute of the arts of film, radio, and feature films by independent television. University of California, 27 grants $328,200 filmmakers. Los Angeles National Alliance of Los Angeles, CA $30,000 American Federation International Center Media Arts Centers, Inc. To support the exhibition of Arts, Inc. for 8mm Film Oakland, CA $10,000 program of the UCLA Film New York, NY $19,200 Rowley, MA $12,500 and Television Archive. To support a conference on To support the organization To support technical assistance, new technologies targeted and circulation of exhibitions workshops, and information to multicultural media arts of film and video to museums, services to help advance the communities. universities, libraries, and art of 8mm and Super-8 film­ media art centers throughout making. the country. M E D I A A R T S

National Asian American Thomas A. Edison Anthology Film Archives Telecommunications Media Arts Consortium, Inc. New York, NY $10,000 Programming in Association Jersey City, NJ $12,500 To support restoration and the Arts San Francisco, CA $10,000 To support The Black Maria preservation of at-risk films To support the Living Room Film and Video Festival’s by Paul Sharits (1943-1993). Grants are awarded to radio Festival, a television series circulating exhibition of and television producers to broadcast locally featuring independent film and video. George Eastman House bring high quality and diverse the work of independent film Rochester, NY $50,000 arts to greater audiences. and video makers. University of California To support a film preservation at Santa Barbara project "The Body as Art Form: National Asian American Santa Barbara, CA $5,000 Early American Avant-Garde Arts on Radio Telecommunications and Hollywood Performers Association To support the publication of the scholarly journal in the Silent and Early Sound $600,000 San Francisco, CA $11,000 Camera Obscura. Period." 28 grants To support CrossCurrent Chorus America Media, a national video/audio Video Association Museum of Modern Art cassette and film distribution of Dallas, Inc. New York, NY $50,000 Philadelphia, PA $20,000 program for works by or about Dallas, TX $10,000 To support preservation of a To support the production Asian Americans. of "The First Art," programs To support the 1995 annual number of endangered works Dallas Video Festival at the in the Department of Film of choral music performed National Educational Dallas Museum of Art. and Video’s collection crucial by Chorus America member Media Network to the history of film. organizations. Oakland, CA $10,000 Washington, DC CultureWorks, Ltd. To support the 25th annual Film Festival, Inc. National Center for Philadelphia, PA $35,000 National Educational Film Washington, DC $10,000 Jewish Film, Inc. & Video Festival. Waltham, MA $18,000 To support the 1995 annual To support the production Washington, DC International To support the preservation of "Leonard Bernstein: National Film Film Festival. of films from the canon of An American Life," a docu­ Preserve, Ltd. Yiddish cinema. mentary series of one-hour Hanover, NH $10,000 programs. To support the 1995 annual New York Public Library Earmark, Inc. Telluride Film Festival. Film Preservation New York, NY $8,000 West Chester, PA $20,000 To support the Dance Col­ New England Awards were made to znoving lection for the preservation To support "Artbeat," a new Foundation for the Arts image archives to restore of films from the Leonide national radio magazine on Cambridge, MA $10,000 and preserve the nation’s Massine Fihn Collection. arts and culture, ranging film heritage. from music (classical to rap) To support "Mixed Signals," and the performing arts to a series of works by indepen­ 7 grants $188,000 University of California, visual, literary, audio, and dent film and video artists 1 cooperative Los Angeles non-traditional artforms. distributed by cable television agreement $164,400 Los Angeles, CA $50,000 throughout New England. To support preservation of Johns Hopkins University American Film Institute a group of rare motion pic­ Baltimore, MD $20,000 Sinking Creek Film Washington, DC $164,400 tures in three categories: Celebration, Inc. silent feature films produced To support the production of Nashville, TN $10,000 A cooperative agreement to between 1917 and 1929, "The Baltimore Symphony support the 12th year of the two Harold Lloyd comedies, Casual Concerts with David To support the 1995 Sinking National Center for Film & Zinman," a series of programs Creek Film Celebration. and animated cartoons by Video Preservation, including Ub Iwerks and George Pal. featuring the Baltimore Sym­ publication of The American phony Orchestra, with com­ Squaw Valley Community Film Institute Catalog of Ameri­ mentary from its conductor of Writers can Feature Films and develop­ University of California, David Zinman. Olympic Valley, CA $10,000 ment of the National Moving Regents of Image Database. Berkeley, CA $2,000 To support the annual screen­ writers program. To support partial laboratory costs for the preservation of David Holzman’s Diary. M E D I A A R T S

Koahnic Broadcast Montana State University Public Radio University of Texas Corporation Bozeman, MT $25,000 International, Inc. Austin, TX $35,000 Anchorage, AK $20,000 To support "Hearing Voices," Minneapolis, MN $15,000 To support the production To support the production a series of short, adventurous To support the production of "Latino USA," a weekly, of "National Native Arts," works for radio featuring of"Schickele Mix," a weekly English-language radio jour­ a series of features on tradi­ documentary, drama, spoken- program hosted by the Grammy nal of news and culture. tional and contemporary word, and audio art. Award-winning composer/artist Native American artists and Peter Schickele. West Virginia the role their art plays within National Public Radio, Inc. Public Broadcasting their culture. Washington, DC $10,000 Rhythm and Blues Charleston, WV $35,000 Foundation, Inc. To support the production L.A. Theatre Works Washington, DC $35,000 To support the production Venice, CA $10,000 and acquisition costs for "NPR of"Mountain Stage," a weekly Playhouse," which presents To support the production arts and performance pro­ To support the production of weekly broadcasts of Ameri­ and distribution of "Let the gram presenting contempo­ audio dramas jointly produced can-produced radio drama. Good Times Roll - The Real rary music by traditional by L.A. Theatre Works in an Story of Rhythm & Blues," an and folk roots performers, historic collaboration with National Public Radio, Inc. exploration of the develop­ produced by West Virginia the NHK, Japan’s top radio Washington, DC $15,000 ment and evolution of rhythm Public Radio. broadcasting network. and blues from the 30s and To support the production of 40s through today. WHYY, Inc. L.A. Theatre Works a new jazz series entitled "Billy Taylor’s Jazz at the Kennedy Philadelphia, PA $10,000 Venice, CA $20,000 St. Tammany Center," a major series pro­ Art Association To support the production of To support the production duced in partnership with Covington, LA $20,000 "Fresh Air" with Terry Gross, and broadcast of "The Play’s the Education Department of a daily magazine for the arts the Thing," a series of con­ the John E Kennedy Center. To support the production and and contemporary culture temporary plays and original distribution of a weekly series featuring interviews with radio dramas recorded before New Radio and entitled "South to Louisiana! ­ prominent and emerging a live audience. Performing Arts, Inc. A Cajun and Zydeco Music figures in the arts. Staten Island, NY $50,000 Show." Lincoln Center for Wolf Trap Foundation for To support the production the Performing Arts, Inc. Symphony Space, Inc. the Performing Arts 56 New York, NY $20,000 of "New American Radio," a weekly series of works New York, NY $10,000 Vienna, VA $25,000 To support the production of acquired from audio artists To support the production of To support the production 57 "Jazz from Lincoln Center," a across the country. "Selected Shorts: A Celebra­ and distribution of the "Folk series of broadcasts of record­ tion of the Short Story," a Masters" concert and radio ings of live jazz performed by Newark Public Radio, Inc. series of readings of short series, a performance/music the Center’s Jazz Orchestra. Newark, NJ $30,000 stories by prominent actors. program recorded live at The Barns of Wolf Trap. Media Network, A.M.I.C. To support the production Texas Public Radio of"JazzSet" with Branford New York, NY $15,000 Marsalis, a nationally-syndi­ San Antonio, TX $20,000 World Music Productions To support the production of cated, jazz-in-performance To support "Riverwalk, Live Brooklyn, NY $30,000 the "Endangered Literature series featuring leading jazz from the Landing," a series of To support "Afropop X%rld­ Project," a series which adapts musicians and rising young programs on the roots of jazz, wide," a weekly series of novels, short stories, biogra­ artists, recorded at major featuring host Jim Cullum. programs which showcases phies, and autobiographies venues. contemporary African and for radio. University of Missouri African-influenced music in Pennsylvania Public at Kansas City the Caribbean, Europe, and Minnesota Public Radio Associates, Inc. Kansas City, MO $10,000 the Americas. Radio, Inc. Uwchland, PA $10,000 St. Paul, MN $15,000 To support the production of ZBS Foundation To support the production of "New Letters on the Air," a To support the production of "Echoes," a daily soundscape weekly literature series which Ft. Edward, NY $20,000 "Saint Paul Sunday," a weekly of new music. presents poets and novelists To support a dramatic series series that features works who read from and are inter­ of programs entitled "Angels of 20th-century composers, viewed about their work. of the Archipelago." classical repertoire, and jazz. M E D I A A R T S

Filmmakers Wolf Trap Foundation for The Arts on Television Collaborative, Inc. the Performing Arts Radio/Audio Art Cambridge, MA $200,000TF Vienna, VA $6,000 Grants were awarded for both 13 grants $3,361,000 To support the production of To provide additional funds "River of Song," a television for a 1994 grant. outstanding single produc­ Program Funds $1,231,000 tions and series for radio Treasury Funds $2,130,000 series which will explore and celebrate the cultural heritage broadcast and audio art. of America through encoun­ Grants also supported radio American ters with musicians and other Millennium TV and audio services projects. Documentary, Inc. artists along the Mississippi 34 grants $333,000 New York, NY $400,000 TF River. Grants were awarded to tele­ vision producers to create To support the costs of acqui­ 80 Langton Street, Inc. Lincoln Center for series about the development sition, development, and San Francisco, CA $9,000 completion of the 1996 broad­ the Performing Arts, Inc. of American art forms in the cast of "P.O.V." (Point of View). New York, NY $110,000 TF 20th century. To support the creation of 4grants $570,100 an audio environment by To support telecasts in 1996 of the Seattle sound sculptor, Connecticut Public "Live From Lincoln Center." Broadcasting, Inc. Trimpin, with San Francisco Civil Rights Project, Inc. Hartford, CT $110,000 composer and clarinetist, Metropolitan Opera Boston, MA $420,000* Beth Custer. To support the costs of pro­ Association, Inc. To support "I’ll Make Me duction and acquisition for New York, NY $135,000 TF Alaska Public the 1996 broadcast of "New A World," a television series To support the telecasts in on African American artists Radio Network Television," a series presenting Anchorage, AK $6,300 video artworks from around 1995-96 of"Metropolitan in the 20th century. the world. Opera Presents." * Funded in collaboration with To support "The Art of Oral the Arts in Education Program. Tradition," an audio produc­ Educational Nikolais/Louis tion workshop providing Broadcasting Corp. Foundation for Dance Educational specialized media training New York, NY $385,000 New York, NY $30,000 Broadcasting Corp. to Native Americans. $515,000 TF To support the post-production New York, NY $100,000 Allison, Jay To support the American pro­ expenses of a television series To support research and documenting the multimedia development costs associated Woods Hole, MA $13,500 ductions of the 1996-97 broad­ Dance Theater of Alwin cast of "Great Performances." with the American Masters To support a series of audio- Nikolais. Millennium Collection, a project portraits entitled "Life Stories," Educational that will assemble and widely focusing on ordinary people Broadcasting Corp. Twin Cities distribute "American Masters" from small towns, rural areas, Public Television, Inc. documentaries and related New York, NY $345,000 TF and urban neighborhoods, St. Paul, MN $200,000 educational materials. usually overlooked by main­ To support the production stream reporting. of "Healing and the Arts To support the production and acquisition costs of the L.A. Theatre Works with Bill Moyers," a series 1996 telecast of "Alive TV,," Venice, CA $25,050 Arcos Landa, Adalberto of documentary programs exploring connections be­ presenting new and experi­ To support the reproduction Venice, CA $4,500 tween art, illness, and health. mental work in film, video, and distribution of an audio To support audio-essays on and animation. cassette package of 20th­ North America’s changing Educational century American radio plays, cultural landscape. Twin Cities to be placed in public library Broadcasting Corp. Public Television, Inc. systems in under-served New York, NY $400,000 Arts Company, Inc. St. Paul, MN $200,000 TF inner-city and rural areas $9,000 $225,000 TF throughout the United States. Cambridge, MA To provide additional funds To support Turf, an experi­ To support the development for a 1994 grant. and production of the 1996 Western Public Radio, Inc. mental pilot for radio. broadcast of "American Mas­ San Francisco, CA $25,050 ters," a series of documentaries Unity Theatre Association of Independents on important American artists Company, Inc. To support the planning and in Radio, Inc. in every field. New York, NY $100,000 development phase for the initiation of a sound portrait Washington, DC $11,250 To support a series of plays of the United States as it To support activities which adapted and designed for approaches the millennium. will include the 1996 Public television. Radio Producers’ Conference, a bimonthly newsletter, and an on-line computer bulletin board. M E D I A A R T S

Baskas, Harriet Green, Anthony D. Mattress Factory Quin, Douglas H. Seattle, WA $5,400 Chicago, IL $9,000 Pittsburgh, PA $4,500 Glen Ellen, CA $7,200 To support a pilot program To support "Grand Boulevard," To support a permanent To support Australis/Borealis: entitled A Boomer’s Guide to a daily radio drama that pro­ audio installation by German Sounding Through Light, a new Aging, Disability, and Depen­ vides a positive glimpse into artist RolfJulius, consisting composition using the sounds dency, exploring the myths the lives, values, and culture of of collected and composed of Arctic and Antarctic wildlife, and realities of aging and middle-class black Americans. sound imaginatively layered and the indigenous music of how various sectors of society throughout a public garden. Alaskans, Scandinavian Lapps, are responding to them and Harvestworks, Inc. and Canadians. disability issues. New York, NY $9,000 National Public Radio, Inc. To support services to artists Washington, DC $9,000 Radio Bilingue, Inc. Ceiba Productions, Inc. Fresno, CA $18,000 Brooklyn, NY $13,500 who use sound and computer To support "Seasonings," audio technology as creative a series of holiday specials To support the production of To support "Harlem Hit media. exploring diverse American short, cultural arts features to Parade," a weekly series of communities by focusing be broadcast over Noticiero programs documenting the Jack Straw Foundation on their holiday culinary Latino, the only daily Spanish- story of rhythm and blues Seattle, WA $10,800 traditions. language news, arts, and music, as told by its creators. information service offered To support Jack Straw Produc­ New Radio and in public radio. Children’s Hospital tions’ Artist Support Program Performing Arts, Inc. Education & Entertainment and its new producer-in­ residence component. Staten Island, NY $7,200 Richman, Joe Readings New York, NY $10,800 Howard Beach, NY $12,600 To support the research and Kahn, Tony development of a series of To support "A Year in the Life: To support Children’s Hospi­ Arlington, MA $11,250 radio programs entitled Teenage Diaries," a series of tal Education & Entertainment "At the Table: Conversations audio portraits focusing on Readings’ (CHEER’s) efforts To support "Blacklisted," radio with American Women." teenagers asked to document to enhance the quality of life dramas revolving around the their daily lives. of hospitalized children by 50th anniversary of the House New Radio and providing them with audio Un-American Committee hearings that brought black­ Performing Arts, Inc. WBEZ Alliance, Inc. cassettes of original children’s Staten Island, NY songs and stories. listing to Hollywood and fear $7,200 Chicago, IL $17,100 to American industries. To support a documentary To support an hour-long weekly 58 Coffey, Daniel series entitled "Tunnel program that will invite artists, Works." Iowa City, IA $6,300 Kay, III John T. poets, playwrights, mono­ 59 Brooklyn, NY $7,200 logists, and composers to To support a radio drama illuminate a different theme To support Mostly Live New New Wave Corporation entitled Colfax, focusing on Columbia, MO $13,500 taken from current affairs. the people and town of York, a pilot for a series on Colfax, Iowa. the eclectic new music scene To support Midwest Radio in New York. WGBH Educational Theatre Workshop, the only Foundation national center for radio Collison, Dan Boston, MA $9,000 Silver Spring, MD $13,500 Kirchner, Mary Beth drama. New York, NY $8,100 To support a radio series To support the "American Otherworld Media, Inc. entitled "The History of To support "Table for Two," Worker Series," telling stories Freeland, WA Rock and Roll." of working lives - from far-off a series recorded at Bouley, $4,500 factories to the office around one of New York’s leading To support research and the corner. restaurants. development for a master data base of audio works Special Projects Elaine Summers LA. Theatre Works produced by independent radio producers nationally, Experimental Intermedia Venice, CA $18,000 1 grant $50,000 New York, N¥ $9,000 as well as works funded by To support a docudrama based the Arts Endowment. To support "Four Seasons," on William Bradford Huie’s Pathmakers, Inc. a series of specials by senior book on Ruby McCollum, an Pacifica Foundation Washington, DC $50,000 producers in residence at African American woman public radio stations. from South Florida accused North Hollywood, CA $13,500 To support the live national of killing her lover, a white To support the archiving, telecast from the West Lawn of the U.S. Capitol of two Golding, Barrett doctor and politician. distribution, and preservation services of Pacifica Radio concerts with the National Bozeman, MT $9,900 Symphony Orchestra: The Lee, Milt Archive. To support a series of’~kudios," National Memorial Day Concert Rapid City, SD $7,200 and A Capitol Fourth. short rhythmic radio pieces Phillips, John J. H. that blend documentary, drama, To support You Gotta Have story, and song. Heart, a documentary explor­ Philadelphia, PA $7,200 ing the human heart as a piece To support a collaborative of biological equipment and gallery sound installation in as the mythical seat of human which viewers trip analog intelligence and emotion. sensors embedded in the sculptures created by a col­ laborating artist. J

or the first time in nearly 25 years, the Museum Program and the Visual Arts Program worked together under one director, shared staff resources, and began to explore areas of commonality. In the early years of the Endowment, the Visual Arts Program supported both the work of visual artists and the institutions that presented, interpreted, and preserved works of art. In 1971, a separate program was formed to focus solely on the needs of museums while the Visual Arts Program shifted its focus entirely to supporting the various activities of visual artists. This configuration was unique in the Endowment; other discipline programs, such as Music, Dance or Literature, embraced the full spectrum of activity within the field from the creation of new work to the presentation of historical work.

In October 1995, under the pressure of budget cuts, the Museum and Visual Arts Programs were clustered together thus setting up the opportunity for a conversa­ tion to take place about the relationship of artists making work today with the works of museums large and small across the country. While this conversation was taking place, the grantmaking work of the two Programs continued with the priorities of past years guiding decisions. No significant changes were made in any of the categories or budget allocations with the exception that, as in all programs, budgets were less than the previous year, and grants awarded in the latter half of the fiscal year were reduced because of rescission.

The Museum Program supported the full range of activities that occur within museums from public presentation, to interpretation and education, to conser­ vation and documentation of artworks of the highest quality. In addition, the Program provided training for museum professionals entering various museum fields and opportunities From Maine, for seasoned professionals to take time to study and Mark Wethli’s reflect on new areas of work. painting earned The Program supported projects involving the art him a Visual Arts of all cultures and periods brought to audiences Fellowship. through a variety of formal and informal programs. Museums are broadly de­ fined as institutions of any kind (collecting or non- collecting) that present works of art to the public. MUSEUM AND VISUAL ARTS

A Museum Special In addition, the Museum Program administered the Exhibitions grant extremely successful Arts and Artifacts Indemnity went to support Program. Since its incep­ "Pandora’s Box: tion in 1975, the Indem­ nity Program has provided Women in Classical indemnity against loss or damage to works of art Greece" at the borrowed from abroad for exhibition in this country Waiters Art Gallery and for domestic loans included in such exhibi­ in Baltimore. tions, as well as for loans of works in American collections that are sent abroad for exhibition. This program brings to 60 the American public large scale exhibitions that otherwise might not have been seen in this country, such as 61 the Vermeer exhibition at the National Gallery of Art. Based on figures supplied by the applicants, we estimate that in 1995 alone museums would have had to pay well over $12 million to commercially insure the exhibitions approved for indemnification.

The Visual Arts Program supported the creation of new work by American artists of exceptional talent and the presentation of contemporary art to diverse audi­ ences through a variety of venues. Since its founding in 1965, the Visual Arts Program consistently placed funding for individual artists at the top of its priori­ ties, and this past year was no exception. All of the categories in the Visual Arts Program either supported artists directly through fellowships or through artist- run organizations and public arts projects that present their work to the public.

In 1995, panels of distinguished professionals including artists, museum direc­ tors, educators and directors of visual arts organizations convened numerous times to examine issues related to the full spectrum of the visual arts field. What arose from these conversations and presentations were principles and directions that will inform the future work of the Arts Endowment as it relates to the mu­ seum and visual arts fields. The participants in the planning process who helped shape and clarify our thinking are listed in the panel section as the Planning Advisory Panel, the Museum Overview Panel, and the Visual Arts Overview Panel. MUSEUM AND VISUAL ARTS

In summary, their recommendations were:

1. Museums, visual artists organizations and other arts organizations play a signifi­ cant role in cultivating critical thinking and stimulating the creative imagination among all who partake in their programs. These institutions provide public forums for, and are facilitators of, lively democratic exchange among widely divergent audiences. As such, they constitute a necessary component of a civic and cultural network that aids in the strengthening and growth of American civilization.

2. Under the new grantmaking structure, the Arts Endowment should take into account the full spectrum of practice in the visual arts field as it exists in the United States today. This means acknowledging the complete visual arts ecology that supports artists working alone or in collaboration, public presentation of works of art in museums, visual artists organizations and through public art pro­ grams, analytical efforts of critics and scholars to interpret and foster an under­ standing of art, the documentation and preservation of works of art, and the cultivation of an appreciation of art among artists and audiences. While the Arts Endowment may not be able to support all aspects of this ecology, we acknowl­ edge that in order for there to be a healthy and lively cultural infrastructure, all aspects of this system are important and interdependent.

3. The focus of the Arts Endowment’s funds should go toward linking artists, works of art and audiences. Whether this linkage comes as part of a planning process, as a method of programming, or as a process of day-to-day management, it is an important premise. The Endowment is a "taxpayers’ foundation," and fostering the connection between the "investors" and their "investment" is key to our future decision making. We are interested in encouraging new ways of involving audiences in all the work that museums and visual artists organizations do from planning to developing exhibitions, from conservation efforts to educa­ tion programs. Partnerships among arts institutions, large and small, as well as partnerships between arts institutions and governmental agencies or non-arts institutions are encouraged. Collaborations between artists and institutions of all kinds are a way of exploring new relationships among communities and museums and visual artists organizations.

4. The planning process acknowledged the role of the artist as the generative force in building our culture. The works that artists make not only help to eluci­ date our own times but leave a record of the underlying historical and sociological forces of those times. The acknowledgement of the role of the artist as creator and as product of his or her time is a central concern.

1995 was a lively and stimulating year with the pressure for change welling up both internally and externally. With the excellent thinking brought to our plan­ ning process, the Arts Endowment is well prepared to move into the future to serve museums, visual artists organizations, visual artists, and the American public with renewed vigor and intelligence. M U S E U M

400 awards $9,024,175 New Museum of Cleveland Museum of Art Museum of Fine Arts, Boston Contemporary Art Cleveland, OH $39,000 Boston, MA $25,000 New York, NY $13,000 $36,000 TF To support an environmental Museum Training To support a curatorial intern­ To support the renovation upgrade of the Museum’s ship for a minority candidate. of the decorative arts storage Wickes basement storage area. Grants were awarded to areas. museums and universities Queens County Art and Museum of Fine Arts, to support arts-related train­ Cultural Center, Inc. Corcoran Gallery of Art, Houston ing programs, internships Queens, NY $14,550 Trustees of and apprenticeships at the Houston, TX $29,000 graduate and undergraduate To support a graduate intern­ Washington, DC $25,000 To support the rehousing of levels, and continuing educa­ ship in the Special Needs To support the renovation of the Museum’s prints and tion programs for mid-career Office of the Museum’s the prints, drawings, and drawings collection. professionals. Education Department. photographs storage area. Nelson Gallery Foundation 11 grants $170,300 University of Kansas Detroit Institute of Arts, Kansas City, MO $31,000 Lawrence, KS $15,000 Founders Society American Museum of Detroit, MI $25,000 To support an upgrade of the Moving Image To support the Spencer the storage facilities for the Museum of Art’s Museum Astoria, NY $13,000 To support the purchase of Museum’s collection of English Training Program, designed cabinets and related expenses ceramics. To support a graduate-level to complement the graduate for the Islamic art storage area. internship in the Department degree programs in art history. Rhode Island School of Film and Video. Fashion Institute of Design Worcester Art Museum of Technology Providence, RI $15,000 Denver Art Museum, Inc. Worcester, MA $15,010 New York, NY $50,800 Denver, CO $16,140 To support an architectural To support a graduate-level To support an upgrade of survey of the Museum of Art’s To support an internship to internship in the Department a portion of the Museum’s Pendleton House (1906). introduce a Native American of Prints and Drawings de­ textile storage area. candidate to the museum field. signed to provide in-depth San Diego Museum of Art experience in operating an Heard Museum active department and print San Diego, CA $10,000 Harvard University Phoenix, AZ $10,000 Cambridge, MA $18,000 study room. To support an upgrade of To support the last phase of the storage facilities for To support a graduate-level a storage upgrade for the the Museum’s South Asian internship in the Department Museum’s framed paintings paintings. of Ancient Art at the Harvard Care of Collections and watercolors. University Art Museums. Southwest Museum Hudson River Museum Los Angeles, CA $10,000 Henry Francis du Pont of Westchester Collection To support an environmental Winterthur Museum Maintenance Yonkers, NY $15,000 Winterthur, DE $18,000 survey of the Museum’s stor­ To support a survey of the age facility. To support a collections Grants were awarded to help environmental and fire safety management internship. museums preserve collections systems at the Museum’s University of Michigan of artistic significance by Glenview Mansion (1876-77). Ann Arbor, MI $5,000 Historic Hudson Valley identifying and solving prob­ Tarrytown, NY $15,300 lems of climate control, secu­ Montclair Art Museum To support the rehousing rity and storage. of works on paper in the To support a registrarial Montclair, NJ $15,000 collection of the University internship. 22 grants $650,000 To support an upgrade of of Michigan Museum of Art. Program Funds $414,000 the Museum’s security system. Indianapolis Museum Treasury Funds $236,000 Wadsworth Atheneum of Art, Inc. Museum of Arts and Hartford, CT $20,000 Indianapolis, IN $14,800 Amigos del Museo Sciences, Inc. To support the upgrade of To support an internship in del Barrio Daytona Beach, FL $I0,000 New York, NY $5,000 the Museum’s dosed circuit museum photography. To support the upgrade of television security system. To support an environmental the Museum’s storage facilities. Metropolitan Museum of Art survey of the newly renovated Waiters Art Gallery, New York, NY $17,500 exhibition galleries. Museum of Contemporary Trustees of the To support a graduate-level Art, Los Angeles Baltimore, MD $12,200 internship for an art historian Art Institute of Chicago Los Angeles, CA $20,000 Chicago, IL $200,000 TF To support the development of in the Sherman Fairchild To support an upgrade of plans to upgrade the climate Department of Paintings To support the installation of the Museum’s works on paper control system in the Museum’s Conservation. improved environmental sys­ storage area. 1974 Wing. tems in the paintings and ob­ jects conservation laboratories, imaging and photographic services departments, and the registration department’s main art packing and storage. M U S E U M

Woods-Marchand Brooklyn Institute Dartmouth College, Joslyn Art Museum Foundation of Arts and Sciences Trustees of Omaha, NE $10,000 Greensburg, PA $17,000 Brooklyn, NY $20,000 Hanover, NH $6,000 To support the conservation of the Museum’s small collection To support the upgrade of To support advanced intern­ To support the second phase the Westmoreland Museum ships in conservation at the of a conservation survey of of Spanish Colonial religious of Art’s security system. Brooklyn Museum. the Hood Museum of Art’s paintings. collection of works on paper. Yale University Buffalo Fine Arts Academy Laumeier Sculpture Park New Haven, CT $25,000 Buffalo, NY $13,000 Detroit Institute of Arts, St. Louis, MO $4,500 Founders Society To support a conservation To support environmental To support the conservation Detroit, MI $20,000 improvements in the Yale Uni­ treatment of the Albright survey of the outdoor and site-specific sculptures in versity Art Gallery’s American Caryatids, one of the last works To support a one-year ad­ Furniture Study storage. of Augustus St. Gaudens. vanced internship in analysis the permanent collection. of museum materials and Buffalo State College paintings conservation. Marion Koogler McNay Foundation, Inc. Art Museum Conservation Buffalo, NY $64,000 Detroit Institute of Arts, San Antonio, TX $4,400 Founders Society To support a conservation To support student fellowships Detroit, MI $20,100 Grants were awarded to help for the college’s graduate- survey of the art Museum’s museums conserve collections level art conservation training To support the conservation sculpture collection. and to improve the expertise program. treatment of Neri di Bicci’s of their conservators. early Renaissance altarpiece Metropolitan Museum of Art 60 grants $796,000 Butler Institute of Tobias and the Three Archangels. New York, NY $11,000 Program Funds $732,000 American Art To support the purchase of an $64,000 Youngstown, OH $8,900 Florida Art Museum ultraviolet-fluorescence micro­ Treasury Funds Directors Association scope for the Museum’s objects To support conservation Tampa, FL $5,000 conservation department. Afro-American Historical treatment of several paintings and Cultural Museum in the collection. To support a seminar and Philadelphia, PA $5,000 workshop series on conserva­ Montclair Art Museum tion for Florida’s art museums. To support the conservation Cathedral of Montclair, NJ $9,000 St. John the Divine To support a conservation treatment of Romare Bearden’s Harvard University fabric collage, Captivity and New York, NY $10,000 survey of the Museum’s Resistance and the purchase of Cambridge, MA $12,500 Native American works of art. To support apprentice stipends mobile painting storage racks. for a pilot phase of conserva­ To support the purchase and tion treatment of the cathe­ shipping of a multipurpose Museum Associates American Museum dral’s Barberini Tapestries. low pressure lining table for Los Angeles, CA $6,500 of Natural History the treatment of paintings To support the purchase of a New York, NY $20,000 in the Straus Center for Cincinnati Museum Conservation. portable spectrodensitometer To support an advanced Association and related computer software internship in the conservation Cincinnati, OH $15,000 at the Los Angeles County Intermuseum Conservation Museum of Art. of archaeological and ethno­ To support an advanced in­ Association graphic materials. ternship in the conservation Oberlin, OH $20,000 of paintings. Museum Associates Art Institute of Chicago To support an advanced Los Angeles, CA $20,000 Chicago, IL $12,500 internship in the conservation Conservation Center for of paintings. To support an advanced To support the purchase of a Art and Historic Artifacts internship in the Conservation Philadelphia, PA $15,000 Center at the Los Angeles high energy x-ray radiography Intermuseum Conservation unit for the Museum’s objects To support an advanced in­ Association County Museum of Art. conservation laboratory. ternship in paper conservation. Oberlin, OH $10,500 Museum of Fine Arts, Baltimore Museum To support a seminar and Boston Corporation of workshop on the conservation of Art, Inc. the Fine Arts Museums Boston, MA $7,500 $20,000 of historic picture frames. Baltimore, MD San Francisco, CA $15,000 To support the purchase of an To support an advanced ultra high resolution stereo- To support the conservation Isamu Noguchi zoom microscope system for internship in the conserva­ treatment of the early Renais­ Foundation, Inc. tion of paintings. the objects conservation sance tapestry, Triumph of Long Island City, NY $10,000 Fortitude (1535). laboratory. Brooklyn Institute To support the conservation of Arts and Sciences treatment of several stone Museum of Fine Arts, Corporation of works in the sculpture garden Boston Brooklyn, NY $5,600 the Fine Arts Museums and the construction of a Boston, MA $20,000 To support a survey of the San Francisco, CA $7,500 prototype protective winter Museum’s collection of housing for one of these To support the Museum’s con­ To support the purchase of servation training program. Paracas mantles and oversize several pieces of equipment to sculptures. textile fragments. upgrade the Museum’s paper conservation laboratory. M U S E U M

Museum of Modern Art Phillips Collection Telfair Academy of University of Iowa New York, NY $15,000 Washington, DC $7,500 Arts & Sciences Iowa City, IA $5,000 Savannah, GA To support an advanced intern­ To support the purchase of $5,700 To support the conservation ship in painting conservation. several pieces of equipment To support conservation treat­ treatment of several paintings for the museum’s conservation ment of original built-in tables in the Museum’s collection. Museum of New Mexico laboratory. in the Owens-Thomas House. Foundation University of Texas Santa Fe, NM $5,000 Phoenix Art Museum Textile Conservation Austin, TX $5,000 Workshop, Inc. To support conservation Phoenix, AZ $5,000 South Salem, NY $15,000 To support the conservation treatment of selected works To support the conservation treatment of a group of works of art in the collection of treatment of several European To support a one-year ad­ on paper from the Huntington the Museum of Indian Arts Old Master paintings. vanced internship in the Art Gallery’s permanent and Culture. conservation of textiles. collection. Rhode Island School New York University of Design Waiters Art Gallery, Upper Midwest New York, NY $64,000 TF Providence, RI $5,000 Trustees of the Conservation Association To support student financial To support the conservation Baltimore, MD $10,000 Minneapolis, MN $8,700 aid and related expenses treatment of significant To support the conservation for the university’s 1995-96 American watercolors in the To support the purchase of a treatment of rare monumental stereomicroscope and floor graduate program in conser­ Museum of Art’s collection. 13th-century stained glass stand for the objects conser­ vation training. panels. vation department. Rhode Island School Northeast Document of Design Waiters Art Gallery, Conservation Center, Inc. Williamstown Regional Art Providence, RI $5,000 Trustees of the Conservation Laboratory Andover, MA $7,500 To support a conservation Baltilnore, MD $15,000 Williamstown, MA $7,000 To support the development survey of the Museum of To support a one-year ad­ To support a series of two-part and presentation of a two-day Art’s collection of European vanced internship in the seminar on new standards workshops on collections care furniture. conservation of illuminated and rehousing issues. and technologies for museum manuscripts and early printed climate control. San Diego Museum of Art books. 64 San Diego, CA $6,000 Northeast Document University of Arizona Special Exhibitions Conservation Center, Inc. To support conservation treat­ ment of Portrait of J. Carroll Tucson, AZ $4,500 65 Andover, MA $20,000 Beckwith (1904) by Thomas To support the fourth step in Grants were awarded to enable To support an advanced Eakins and Portrait of Thomas a multi-phase conservation museums to plan exhibitions, internship in the conserva­ Wentworth (1761) by Joseph survey of the Museum of Art’s organize special exhibitions or tion of art on paper. Blackburn. works on paper collection. borrow exhibitions organized by other museums. This list Pacific Asia Museum San Francisco Museum University of Arizona include six grants committed in 1994 and obligated in 1995. Pasadena, CA $4,000 of Modern Art Tucson, AZ $3,600 San Francisco, CA $15,000 To support a conservation sur­ To support a conservation sur­ 180 grants $4,662,375* vey of the Harari Collection of To support the conversion of vey of selected photographs Program Funds $3,162,353 Japanese paintings and works the conservation laboratory’s in the Center for Creative Treasury Funds $1,500,022 in the collection of Chinese vacuum hot table into a multi­ Photography’s collection. * Includes $285,000 committed paintings. purpose painting conservation in FY 1994 but not obligated table. University of California, until FY 1995. Philadelphia Museum of Art Regents of the Philadelphia, PA $15,000 San Francisco Museum Berkeley, CA $7,000 Allentown Art Museum of Modern Art To support the purchase of To support a conservation Allentown, PA $5,360 San Francisco, CA $15,000 a gas chromatograph-mass survey of the University Art To support costs associated spectrometer. To support the second year of Museum’s collections of with planning the exhibition an advanced internship in the Japanese prints and Chinese "Charles Sheeler in Doyles­ Philadelphia Museum of Art conservation of modern and and Japanese paintings. town: American Modernism Philadelphia, PA $15,000 contemporary painting. and Pennsylvania Tradition." University of Delaware To support a one-year ad­ Southern Methodist vanced internship in the Newark, DE $64,000 American Craft Museum University conservation of decorative To support stipends and New York, NY $40,000 TF Dallas, TX $7,000 arts and sculpture. related expenses for students To support the exhibition, To support conservation in the graduate program in "Craft in the Machine Age: Phillips Collection treatment of several pieces art conservation. 1920-1945," with accompany­ Washington, DC ~6,000 of 20th-century sculpture in ing catalogue and education the collection of the Meadows programs. To support the conservation Museum. treatmeut of several works on paper from the permanent collection. M U S E U M

Americas Society, Inc. Anchorage Museum Austin Museum of Art, Inc. Brandeis University New York, NY $15,000 Association Anstin, TX $10,000 Waltham, MA $15,000 Anchorage, AK $25,000 To support costs associated To support the presentation To support the exhibition with planning a retrospective To support the development at the Laguna Gloria Art "More Than Minimal: Women’s exhibition of 20th-century of a curriculum hnit to Museum of the exhibition Work in the ’70s" with accom­ Mexican painter Maria complement the exhibition "Ceremony of Spirit: Nature panying catalogue and educa­ Izquierdo (1902-1955). "Our Way of Making Prayer: and Memory in Contemporary tion programs at the Rose Art The Living Tradition of Latino Culture" with accom­ Museum. Amherst College Yup’ik Masks." panying education programs. Amherst, MA $30,000 Bronx Museum of the Arts Arizona State University Baltimore Museum Bronx, NY $10,000 To support the exhibition Tempe, AZ $10,000 of Art, Inc. To support the research and "Language as Object: Emily Baltimore, MD $25,000 Dickinson and the Visual Arts" To support the touring exhi­ planning phase of an exhibi­ with accompanying catalogue bition "Art on the Edge of To support a touring exhibi­ tion of site-specific installation and related education programs Fashion" with accompanying t:ion of the work of American projects by Uruguayan-born at the Mead Art Museum. catalogue and education artist Laurie Simmons with artist Rimer Cardillo. programs at the University accompanying catalogue and education programs. Amigos del Museo Art Museum. Brooklyn Institute del Barrio of Arts and Sciences New York, NY $23,080 Art Institute of Chicago Bard College Brooklyn, NY $60,000 Chicago, IL $15,000 Annandale-on-Hudson, To support a touring retro­ To support the touring exhibi­ NY $25,000 tion "Leandro Katz: A Decade To support an exhibition of spective exhibition of the work of Work" with accompanying work by artists from Aboriginal To support the exhibition of American artist Leon Polk catalogue and education communities in Australia, "The Art, Sub/Youth Culture Smith with accompanying programs. organized by the Betty Rymer and Pop Culture Exchange" catalogue and education Gallery of the School of the with accompanying catalogue programs at the Brooklyn Museum. Amon Carter Museum Art Institute of Chicago, and and education programs. of Western Art an accompanying brochure. Fort Worth, TX $25,000 Bard College Brooklyn Institute Atlanta College of Art/ Annandale-on-Hudson, of Arts and Sciences To support an exhibition Robert W. Woodruff NY $25,000 Brooklyn, NY $50,000 examining the creation of Arts Center, Inc. To support the exhibition To support the exhibition Thomas Eakins’ masterwork Atlanta, GA $20,000 Swimming (1885) with ac­ "Between Heaven and Hell: "In the Light of Italy: Corot companying catalogue and To support a multimedia Contemporary Art from the and Early Plein-Air Painting" education programs. site-specific installation by Middle Eastern Diaspora" at the Brooklyn Museum with Spanish-born artist Muntadas with accompanying catalogue accompanying catalogue and titled "On Translation," with and education programs, at education programs. Amon Carter Museum Bard College’s Center for of Western Art accompanying catalogue and education programs, in Curatorial Studies Museum. Buffalo Fine Arts Academy Fort Worth, TX $25,000 conjunction with the 1996 Buffalo, NY $46,160 TF To support the exhibition Olympic Games in Atlanta. Birmingham Museum of Art "The Shores of a Dream: To support the traveling Birmingham, AL $60,000 TF exhibition "Arshile Gorky: Yasuo Kuniyoshi’s Early Work Atlanta College of Art/ in America" with accompany­ To support the exhibition The Breakthrough Years," Robert W. Woodruff "Treasures from the First with accompanying catalogue ing catalogue and education Arts Center, Inc. programs. Emperor of China" and ac­ and education programs at Atlanta, GA $7,500 companying catalogue and the Albright-Knox Art Gallery. Anchorage Museum To support the presentation education programs. Association at the Atlanta College of Art Capp Street Project Anchorage, AK $15,000 of the exhibition "Ciphers Boston College, San Francisco, CA $15,000 of Identity," organized by the Trustees of To support an exhibition of To support a touring exhihi­ Fine Arts Gallery at the Uni­ Chestnut Hill, MA $35,000 tion of the work of Scottish versity of Maryland, Baltimore installation work by Armenian- artist Andy Goldsworthy, with County, and accompanying To support the exhibition born, Paris-based artist Sarkis accompanying catalogue and education programs. "Protection, Power, and Display: with accompanying catalogue. lectures by the artist, at the Shields of Indonesia, the Anchorage Museum of History Atlanta Committee for Philippines, and Melanesia" Carnegie Institute and Art. with accompanying catalogue Pittsburgh, PA $80,000 TF the Olympic Games, Inc. and education programs at Atlanta, GA $60,000 the College Museum of Art. To support the 1995 Carnegie To support an exhibition of International Exhibition with temporary site-specific art accompanying catalogue and projects to be created for education programs. the Olympic Arts Festival in Atlanta in 1996 with accompa­ nying catalogue and education programs. M U S E U M

China Institute Contemporary Arts Dallas Museum of Art Edmundson Art in America, Inc. Association of Houston Dallas, TX $4,620 Foundation, Inc. New York, NY $15,000 Houston, TX $23,080 To support the presentation of Des Moines, IA $10,000 To support costs associated To support an exhibition the exhibition "Pandora’s Box: To support the presentation with planning the exhibition of the work of British artist Women in Classical Greece" at at the Des Moines Art Center "’The Life of a Patron: Zhou Richard Long with accompa­ the Dallas Museum of Art. of the exhibition "Urban Lianggong and the Painters of nying catalogue and education Revisions," with accompany­ Seventeenth-Century China." programs at the Contempo­ Dallas Museum of Art ing education programs, rary Art Museum. Dallas, TX $13,850 organized by the Museum Cincinnati Museum of Contemporary Art, Los Association Corcoran Gallery of Art, To support the presentation Angeles. Cincinnati, OH $23,080 TF Trustees of of the exhibition "Across Continents and Cultures: The Fresno Metropolitan Museum To support the exhibition Washington, DC $13,850 Art and Life of Henry Ossawa "Mistress of House, Mistress To support exhibitions of Tanner" and related education of Art, History, and Science of Heaven: Women in Ancient the work of European artists programs. Fresno, CA $15,000 Egypt" with accompanying Niek Kemps, Berlinde de To support the presentation catalogue and education Bruyckere, Philip Huyghe, Dallas Museum of Art of the exhibition "Italian programs. Ludwig Vandevelde, and Dallas, TX $46,160 TF Paintings from Burghley Ursula Schulz-Dornburg with House" and accompanying Cleveland Center for accompanying brochures and To support the exhibition education programs. Contemporary Art education programs. "Power and Glory: The Arts of Japan’s Golden Age" with Frick Art & Historical Cleveland, OH $15,000 accompanying catalogue and Corcoran Gallery of Art, Center, Inc. To support a touring exhibi­ Trustees of education programs. tion of photographic installa­ Pittsburgh, PA $35,000 Washington, DC $16,160 tion work by Canadian artist Dartmouth College, To support the exhibition Genevieve Cadieux and an To support the touring exhibi­ Trustees of "Jean-Francois Millet: The accompanying catalogue. tion "Hospice: A Photographic Hanover, NH $20,000 Painter’s Drawings" with Inquiry" with accompanying accompanying catalogue Cleveland Museum of Art education programs. To support costs associated and education programs. Cleveland, OH $35,000 TF with planning the exhibition Corporation of "La Vie Intime: Love and Guggenheim Museum/ 66 To support the exhibition the Fine Arts Museums Domesticity in 18th-Century "Sons of Ra: Images of Egyp­ French Genre Painting" at the Solomon R. Guggenheim tian Royalty from the Louvre" San Francisco, CA $60,000 TF Hood Museum of Art. Foundation with accompanying catalogue To support the exhibition New York, NY $50,000 TF 67 and education programs. "Pergamon: The Telephos Denver Art Museum, Inc. To support a touring retro­ Frieze Restored," organized Denver, CO $10,000 spective exhibition of the Cleveland Museum of jointly by the Fine Arts Muse­ work of American artist Natural History ums of San Francisco and the To support the presentation of Ellsworth Kelly. Cleveland, OH $10,000 Metropolitan Museum of Art, the exhibition "Mongolia: The with accompanying catalogue Legacy of Chinggis Khan" and Guggenheim Museum/ To support the exhibition and education programs. related education programs. Solomon R. Guggenheim "Pre-Columbian Treasures of Foundation Costa Rica: A Legacy to Share" Corporation of Dia Center for the Arts, Inc. New York, NY $25,000 and accompanying education the Fine Arts Museums New York, NY $25,000 programs. San Francisco, CA $65,000 To support the exhibition To support the production of a "A Rrose is a Rrose is a Rrose: Columbia University, To support "Paris Modern: The large-scale site-specific instal­ Gender Performance in Trustees of Swedish Ballet, 1920-1925," lation by Jessica Stockholder Photography." an exhibition and catalogue with accompanying catalogue New York, NY $15,000 of drawings, costumes, set and education programs. Guild Hall of To support the exhibition designs, models, posters, and East Hampton, Inc. ’~postles in England: SirJames photographs documenting Dia Center for the Arts, Inc. East Hampton, NY $17,500 Thornhill and the Legacy of the artistic productions of the New York, NY $25,000 Raphael’s Tapestry Cartoons" Swedish Ballet. To support the exhibition with accompanying catalogue To support an exhibition of "The Surrealists and Their the work of German artist and education programs at Craft and Folk Art Museum Friends on Eastern Long the Miriam and Ira D. Wallach Hanne Darboven with accom­ Island at Mid-Century" with Los Angeles, CA $20,000 Art Gallery. panying catalogue and edu­ accompanying catalogue and To support the exhibition cation programs. education programs. "Okinawa: Colors of Paradise, Textures of Perseverance" with Drawing Center, Inc. accompanying catalogue and New York, NY $25,000 education programs. To support an exhibition of Plains Indian ledger drawings and accompanying catalogue and interpretive programs. M U S E U M

Harvard University Institute for Contemporary Jewish Museum Menil Foundation, Inc. Cambridge, MA $40,000 Art, P.S. 1 Museum New York, NY $20,000 Houston, TX $50,780 TF Long Island City, NY $20,000 To support "The Fire of To support the touring exhibi­ To support the traveling Hephaistos: Large Classical To support a touring retro­ tion "Too Jewish? Art and exhibition "Joseph Cornell/ Bronzes from North American spective exhibition of the Identity in the 1990s" with Marcel Duchamp: In Reso­ Collections" with accompany­ landscape paintings of accompanying catalogue and nance" with accompanying catalogue and education ing catalogue and education American painter Alex Katz education programs. programs at the Harvard and accompanying education programs. University Art Museums. programs. Joslyn Art Museum Omaha, NE $15,000 Metropolitan Museum of Art Institute of Contemporary New York, NY $40,000 High Museum of Art/ To support the presentation Robert W. Woodruff Art, Boston of the exhibition "The New To support the exhibition Arts Center, Inc. Boston, MA $15,000 Child: British Art and the "Enamels of Limoges" with Atlanta, GA $40,000 To support "Boston School," Origins of Modern Childhood, accompanying education To support exhibitions of an exhibition of work by photo­ 1730-1830" and accompany­ programs. the work of Polly Apfelbaum, graphers Mark Morrisroe, Nan ing education programs. Byron Kim, Daniel Levine, Goldin, Jack Pierson, David Metropolitan Museum of Art Fabian Marcaccio, Leslie Armstrong, 8hellbume Thurber, Katonah Museum New York, NY $75,000 and Philip-Lorca DiCorcia, Wayne, Janine Antoni, Bing of Art, Inc. To support "Splendors of Lee, Scogin Elam and Bray, with accompanying catalogue Katonah, NY $20,000 and education programs. Imperial China: Treasures and Clarissa Sligh, with from the Palace Museum, accompanying catalogues To support the exhibition "Object as Insight: Japanese Taipei" with accompanying and education programs. Institute of Contemporary Buddhist Art and Ritual" with education programs. Art, Boston accompanying catalogue and Houston Center Boston, MA $25,000 education programs. Metropolitan Museum of Art for Photography To support "Inside the Invis­ New York, NY $60,000 Houston, TX $9,400 ible," an exhibition examining Maine College of Art To support an exhibition of To support an exhibition of the impact of women artists Portland, ME $13,140 on 20th-century art, with the work of American master the work of Heidi Kumao with painter John Singleton Copley accompanying brochure and accompanying catalogue and To support an exhibition/ education programs. installation by David Ireland (1738-1815) with accompany­ education programs. with accompanying catalogue ing education programs. and related education pro­ Isabella Stewart Gardner Houston Center grams at the college’s Baxter Metropolitan State College of for Photography Museum, Inc. Gallery. Denver Houston, TX $5,000 Boston, MA $25,000 Denveq CO $4,620 To support the presentation To support the exhibition Marquette University "The Artistic Splendor of the To support the presentation at of an exhibition of work by Milwaukee, WI $18,470 the Center for the Visual Arts Mexican artist Pedro Meyer, Spanish Kingdoms: The Art of Fifteenth-Century Spain" To support the exhibition of"A Graphic Odyssey: Romare organized by the California Bearden as Printmaker," an Museum of Photography, with with accompanying catalogue "Robert Dunn, Then to Now: A Gathering of Judson Ideas, exhibition organized by the accompanying education and education programs. Council for Creative Projects, programs. Exploring Dance Movement as Video Art" with accompany­ New York, and accompanying Isabella Stewart Gardner ing catalogue and education education programs. Hyde Collection Trust Museum, Inc. programs at the university’s Glens Falls, NY $20,000 Boston, MA $25,000 Haggerty Museum of Art. Mexican Museum To support a touring retro­ To support an exhibition of San Francisco, CA $23,080 the work of Spanish sculptor spective exhibition of New Mattress Factory To support a touring exhi­ York painter George McNeil Juan Munoz with accompany­ Pittsburgh, PA $30,000 ing catalogue and education bition of the work of con­ (1908-1995), with accompany­ temporary Mexican artist ing catalogue and education programs. To support an exhibition of site-specific installation Nahum Zenil with accompany­ programs. projects by artists from ing catalogue and education Japan Society, Inc. Slovakia, Poland, and Ukraine. programs. Illinois State University New York, NY $7,500 Normal, IL $15,000 To support costs associated Menil Foundation, Inc. Mid-America Arts Alliance To support a touring exhibi­ with planning an exhibition Houston, TX $32,320 Kansas City, MO $32,320 tion of installations by Allan of work by Japanese potter Kawai Kanjiro (1890-1966). To support the exhibition To support the organization Sekula with accompanying "Edward Kienholz: 1953-1962" and national tour by Exhibits catalogue at the University USA of the work of American Galleries. with accompanying catalogue Jersey City Museum, Inc. and related education materials. artist Betye Saar with accompa­ Jersey City, NJ $30,000 nying catalogue, CD-ROM, and Independent Curators, Inc. To support an exhibition of related educational materials. New York, NY $40,000 TF Ben Shahn’s 1931-32 Sacco To support a touring retro­ and Vanzetti series of paint­ spective exhibition and cata­ ings and related works with logue of the work of Swiss accompanying catalogue and artist Meret Oppenheim. education programs. M U S E U M

Milwaukee Museum for African Art Museum of Fine Arts, Boston New Orleans Museum of Art Art Museum, Inc. New York, NY $46,160 TF Boston, MA $46,160 TF New Orleans, LA $13,850 Milwaukee, WI $9,230 To support the traveling To support the traveling To support the presentation To support costs associated exhibition "Art of the Baga: exhibition "Impressions of of the exhibition "The Peace­ with planning the exhibi­ A Drama of Cultural Re- France: Impressionism and ful Liberators: Jain Art from tion "Christopher Dresser: Invention," with accompany­ Landscape at the Paris Salon India." Pioneering Industrial Design ing catalogue and education 1860-1890," with accompany­ in Great Britain, Japan, and programs. ing catalogue and education New York University America." programs. New York, NY $13,850 Museum for Milwaukee Contemporary Arts Museum of Fine Arts, To support an exhibition Art Museum, Inc. Houston of the work of British artists Baltimore, MD $32,320 Ben Langlands and Nikki Bell, Milwaukee, WI $23,080 TF Houston, TX $40,000 To support the exhibition, and an accompanying exhibi­ To support the traveling "Going for Baroque," with To support the exhibition tion guide, at the University’s exhibition "Gabriele Munter: accompanying catalogue and "John Singleton Copley in Grey Art Gallery. The Years of Expressionism, education programs, in col­ England" and related cata­ 1903-1920" with accompany­ laboration with the Walters logue and education prograxns. Newark Museum ing catalogue and education Art Gallery, Baltimore. Association programs. Museum of Modern Art Newark, NJ $23,080 TF Museum of Contemporary New York, NY $32,320 Milwaukee Art, Chicago To support the exhibition Art Museum, Inc. To support a touring retro­ "The Rutgers Circle: Creating Chicago, IL $30,000 spective exhibition of the Milwaukee, WI $18,470 a New American Art, 1957­ To support an exhibition of work of African American 1965" with accompanying To support a touring exhibi­ the work of Canadian pho­ photographer Roy DeCarava catalogue and education tion of work by contemporary tographer Jeff Wall with with accompanying catalogue programs. German collaborative artists accompanying catalogue and education programs. Anna and Bernhard Blume and education programs. North Carolina Museum with accompanying catalogue Museum of Modern Art of Art Foundation and education programs. Museum of Contemporary New York, NY $92,330 TF Raleigh, NC $13,850 Art, Los Angeles To support a comprehensive, To support the presentation Minneapolis Society Los Angeles, CA $32,320TF 68 of Fine Arts traveling retrospective of the of"The Art of John Biggers: To support a touring retro­ Minneapolis, MN $18,470 TF work of Piet Mondrian (Dutch, A View from the Upper Room," spective exhibition of the work 1872-1944) with accompany­ an exhibition organized by the 69 To support the traveling of Canadian artist Jeff Wall ing education programs. Musemn of Ene Arts, Houston, exhibition "The Accessible with accompanying catalogue with accompanying education Salon: American Pictorial and education programs. National Academy of Design programs. Photography, 1913-1953" New York, NY $23,080 with accompanying catalogue Museum of Contemporary North Carolina Museum and education programs, Art, Los Angeles To support the exhibition "Edvard Munch and Harald of Art Foundation organized by the Minneapolis Los Angeles, CA $27,700 TF Institute of Arts. Sohlberg: Landscapes of the Raleigh, NC $18,470 TF To support a site-specific Mind" with accompanying To support the traveling Mint Museum of Art, Inc. installation by American education programs. exhibition "Louis R. Mignot: sculptor Robert Gober with Charlotte, NC $18,470 TF The Rediscovery of a Southern accompanying catalogue and National Museum of Romantic" with accompanying To support the touring exhi­ education programs. Women in the Arts, Inc. catalogue and education bition "Michael Lucero: Washington, DC $23,080 programs. Sculpture 1976-1994" with Museum of Contemporary accompanying catalogue and Art, San Diego To support the touring exhibi­ North Carolina education programs. tion "Charlotte Salomon: Life? State University La Jolla, CA $26,780 TF or Theater?" with accompany­ Raleigh, NC $4,620 Montclair Art Museum To support a touring exhibi­ ing catalogue and education tion of the work of American Montclair, NJ $23,080 programs. To support research and artist John Baldessari with travel costs related to planning To support the traveling accompanying catalogue and Nelson Gallery Foundation an exhibition of the work exhibition "Steve Wbeeler and education programs. Kansas City, MO $18,470 of North Carolina ceramist the Indian Space Painters" Mark Hewitt at the university’s with accompanying catalogue Museum of Contemporary To support the traveling Visual Arts Center. and education programs. Art, San Diego exhibition "True or False: La Jolla, CA $18,470 Genuine and Forged Antiqui­ Northwestern University Museum Associates ties Uncovered by Science and To support exhibitions of the Humanities" with accom­ Evanston, IL $23,080 Los Angeles, CA $35,000 the work of contemporary panying education programs. To support the exhibition To support an exhibition of artists Gary Simmons, James "Vandals and Enthusiasts: works by Southern California Skalman, Doris Salcedo, and Views of Illumination in the painter Lari Pittman with William Kentrldge, with ac­ 19th Century" with accompa­ accompanying catalogue and companying brochures and nying catalogue and education education programs at the education programs, as part programs, at the university’s Los Angeles County Museum of the Museum’s "Parameters" Mary and Leigh Block Gallery. of Art. exhibition series. M U S E U M

Oakland Museum Pennsylvania State Photographic Resource Saint Louis Art Museum Oakland, CA $27,700 TF University Center, Inc. St. Louis, MO $46,160 University Park, PA $13,850 Boston, MA $6,925 To support a touring exhibition To support a comprehensive, of the work of California furni­ To support the presentation To support the center’s "New traveling exhibition of the ture maker John Cederquist of the exhibition "Sleeping England Biennial, 1995" and work of German artist Lovis with accompanying catalogue Beauties: African Headrests an accompanying catalogue. Corinth (1858-1925). and education programs. from the Jerome L.Joss Collec­ tion at UCL?~’ at the univer­ Pierpont Morgan Library Salt Lake Art Center Ohio State University sity’s Palmer Museum of Art. New York, NY $36,010 TF Salt Lake City, UT $4,620 Research Foundation To support the traveling exhi­ To support the presentation Columbus, OH $9,230 Philadelphia Museum of Art bition "~Iiepolo and His Circle" at the Salt Lake Art Center of Philadelphia, PA $101,560 TF To support the presentation at with accompanying catalogue "American Ground Zero: The the Wexner Center for the Arts To support a comprehensive, and education programs. Secret Nuclear War," an exhibi­ of"A Postcolonial Kinderhood," traveling exhibition of the tion organized by the Interna­ an installation project by work of French artist Paul Princeton University, tional Center of Photography, Elaine Reichek organized by Cezanne (1839-1906) with Trustees of New York, and accompanying education prograzns. the Jewish Museum, New accompanying education Princeton, NJ $46,160 York, with accompanying programs. To support the traveling San Antonio Museum education programs. exhibition "The Olmec World: Phillips Academy Association, Inc. Ritual and Rulership" with San Antonio, TX $9,230 Ohio State University Andover, MA $50,000 TF accompanying catalogue and Research Foundation To support a retrospective exhi­ education programs at the To support the exhibition Columbus, OH $22,160 bition of the work of American University Art Museum. "Jacob Lawrence: A Life in To support an exhibition of modernist Arthur G. Dove Art" with accompanying the work of Ann Hamilton, (1880- 1946), with accom­ Real Art Ways, Inc. ’ education programs. with accompanying CD-ROM panying catalogue and edu­ Hartford, CT $18,470 catalogue and education cation programs, at Phillips San Francisco Art Institute programs, at the Wexner Academy’s Addison Gallery of To support public art projects San Francisco, CA $4,620 Center for the Arts. American Art. by Mary Kelly, Lyle Ashton Harris, and Inigo Manglano- To support a sound installa­ Ovalle, with accompanying tion project by Australian Otis Art Institute Phillips Collection publications and education sculptor and sound artist Los Angeles, CA $18,470 Washington, DC $46,160 TF programs. Nigel Helyer with accompany­ To support an exhibition of To support the exhibition ing brochure and education the work of American artist "Impressionists on the Seine: Rhode Island School programs. Kim Dingle with accompany­ A Celebration of Renoir’s of Design ing catalogue and education Luncheon of the Boating Party" Providence, RI $10,000 San Francisco Museum programs. with accompanying catalogue of Modem Art and education programs. To support the presentation San Francisco, CA $25,000 of "Azulejo: Five Centuries of Paris Gibson Square, Inc. Portuguese Tile"and accom­ To support the exhibition Great Falls, MT $9,230 Phillips Collection panying education programs "Police Pictures: The Photo­ Washington, DC $32,320 To support an exhibition of at the Museum of Art. graph as Evidence" with the work of Montana artists To support the exhibition accompanying catalogue and Deborah Butterfield and "New Americans in Paris: Rutgers, The State education programs. John Buck at the Paris Gibson Man Ray, Gerald Murphy, University of New Jersey Square Museum of Art with Stuart Davis, Alexander Piscataway, NJ $25,000 San Francisco Museum accompanying catalogue and Calder" with accompanying of Modem Art education programs. catalogue and education To support the touring exhibi­ San Francisco, CA $40,000 TF programs. tion "Asian Traditions/Modern Expressions: Asian-American To support an exhibition of Parrish Art Museum, Inc. Artists and Abstraction, 1945­ the work of German artist Southampton, NY $13,850 Phoenix Art Museum 1970" with accompanying Katharina Fritsch with accom­ Phoenix, AZ $10,000 To support a touring exhibi­ catalogue and education panying catalogue and educa­ tion of the work of Alfonso To support the presentation programs at the Jane Voorhees tion programs. Ossorio (1916-1990) with of "Italian Painting from Zimmerli Art Museum. accompanying catalogue and Burghley House" and accom­ San Francisco education programs. panying education programs. Saint Louis Art Museum State University St. Louis, MO $18,470 San Francisco, CA $8,100 Peabody Museum Photographic Resource To support costs related to To support an exhibition, of Salem and Essex Center, Inc. the planning of the exhibition catalogue, and related educa­ Salem, MA $15,000 Boston, MA $13,850 "Pacific Arts Today: Journey tion programs documenting To support the presentation To support the touring exhi­ from the Past" including the contributions of Asian of"Mingei: Two Centuries of bition "Antic Meet: Merce catalogue photography and Americans to American art Japanese Folk Art" and accom­ Cunningham and the Visual a symposium. history at the University Art panying education programs. Arts" with an accompanying Gallery. catalogue. M U S E U M

Santa Barbara Stony Brook University of California, University of North Texas Contemporary Arts Foundation, Inc. Regents of Denton, TX $13,850 Forum, Inc. East Hampton, NY $6,925 Berkeley, CA $25,000 Santa Barbara, CA $9,230 To support an exhibition of To support the exhibition To support exhibitions of the recent work of Yugoslavian To support a touring exhibi­ "Lee Krasner Drawings: the work of contemporary artist Marina Abramovic, with tion of the work of American Process and Transformation" artists Agnes Martin, Conrad accompanying catalogue and artist Carroll Dunham with with accompanying education Atkinson, Chris Marker, Uri education programs, orga­ accompanying catalogue and programs at the Pollock- Tzaig, and Jochen Gerz, with nized in collaboration with the education programs. Krasner House and Study accompanying brochures and University of Texas, Arlington. Center. education programs, as part Santa Barbara of the Art Museum’s "Matrix" University of Texas Contemporary Arts Studio Museum Program. Austin, TX $23,080 Forum, Inc. in Harlem, Inc. Santa Barbara, CA $27,700 New York, NY $23,080 University of California To support the Archer M. Huntington Art Gallery’s To support the exhibition at Santa Barbara, To support the exhibition Regents of touring exhibition "Spiritual "Home Show II" with ac­ "The Listening Sky: An Santa Barbara, CA $10,000 Journeys: Self-Taught Texas companying catalogue and Inaugural Exhibition of the Artists of the Twentieth education programs. Studio Museum in Harlem To support the touring exhi­ Century" with accompanying Sculpture Garden" with ac­ bition "Lari Pittman: Works catalogue and education Santa Monica Museum companying exhibition guide on Paper" with accompanying programs. of Art and education programs. catalogue and education Santa Monica, CA $15,000 programs at the University University of Wisconsin Studio Museum Art Museum. Madison, WI $23,080 TF To support the touring exhibi­ in Harlem, Inc. tion "(Im)Possible Witnessing: To support the traveling Contemporary Photography New York, NY $9,230 University of Houston Houston, TX $9,230 exhibition "John Steuart and Holocaust Memory" with To support the presentation Curry: Art and Modern Life," accompanying catalogue and of the exhibition "Lifting the To support the presentation with accompanying catalogue education programs. Veil: Robert S. Duncanson and at the Blaffer Gallery of"Asia/ and education programs, at the Emergence of the African- America: Identities in Con­ the university’s Elvehjem Seattle Art Museum American Artist." temporary Asian-American Museum of Art. Seattle, WA $9,230 Art," an exhibition organized by the Asia Society Galleries, 70 To support the exhibition Tacoma ArtMuseum Virginia Commonwealth Tacoma, WA $10,000 New York, and accompanying University "Holding the Past: Historicism education programs. in Northwest Glass" and an To support the presentation at Richmond, VA $13,850 71 accompanying brochure. the Tacoma Art Museum of To support the Anderson the exhibition "Robert Frank: University of Illinois at Urbana-Champaign Gallery’s touring exhibition Sheboygan Arts The Americans," organized by of the work of Puerto Rican Foundation, Inc. the Addison Gallery at Phillips Champaign, IL $10,000 artist Arnaldo Roche-Rabell Sheboygan, WI $25,000 Academy, Andover, Massachu­ To support "Art as Signal: with accompanying catalogue. setts, and related education Inside the Loop," an exhibition To support "Conceptual programs. of contemporary computer Textiles," an exhibition of Virginia Historical Society generated art, with accompa­ Richmond, VA $4,620 fiber-based work by con­ Terra Foundation nying catalogue and education temporary American and for the Arts programs, at the university’s To support costs associated Canadian artists, with ac­ Chicago, IL $13,850 Krannert Art Museum. with planning the exhibition companying catalogue and "Photography in Virginia." education programs at the To support the presentation John Michael Kohler Art of the exhibitions "Across University of Iowa Iowa City, IA $20,000 Virginia Museum Center. Continents and Culture: The of FineArts Art and Life of Henry Ossawa To support the touring exhi­ Richmond, VA Smith College Tanner" and "A Shared Heri­ bition "NO! art and the $13,850 Northampton, MA $18,470 tage: Four African-American Aesthetics of Doom," at the To support the presentation of Artists" at the Terra Museum university’s Museum of Art. the exhibition "Head, Heart, To support a site-specific of American Art. and Hand: Elbert Hubbard gallery installation by Beverly and the Roycrofters." Semmes at the college’s University of Iowa Museum of Art with accom­ University of California, Iowa City, IA $25,000 Regents of Visual Studies panying brochures and To support an exhibition at education programs. Berkeley, CA $75,000 TF Workshop, Inc. the university Museum of Art Rochester, NY To support the exhibition focusing on the work which $13,850 "The New Child: British Art American artist Philip Guston To support a touring exhibi­ and the Origins of Modern (1912-1980) produced during tion of the work of African Childhood, 1730-1830" with the 1940s. American photographer accompanying catalogue and Jeffrey Henson Scales with education programs at the accompanying catalogue. University Art Museum. M U S E U M

Wadsworth Atheneum Whitney Museum Emory University Cleveland Museum of Art Hartford, CT $23,080 TF of American Art Atlanta, GA $30,000 Cleveland, OH $32,300 New York, NY $7,578 To support the preparation of To support a series of exhibi­ $29,352 TF Museum Associates a catalogue documenting the tions of the work of Yukinori $80,000 Yanagi, Dawoud Bey, Hachivi To support the exhibition Los Angeles, CA Museum’s collection of ancient Edgar Heap of Birds, and "Beat Culture and the New Egyptian art. Janine Antoni with accompa­ America: 1950-1965" and Museum ofFineArts, nying brochures and educa­ accompanying education Houston Concord Antiquarian tion programs. programs. Houston, TX $30,000 Society Concord, MA $30,000 Walker Art Center, Inc. Whitney Museum To support the publication of Minneapolis, MN $17,700 of American Art The Concord Museum: Decorative $10,000 TF New York, NY $55,400 TF Utilization of Arts from a New England Collec­ Museum Resources tion, a catalogue documenting To support a touring exhibi­ To support a retrospective tion of the work of Swiss artists exhibition of the work of the permanent collection. Peter Fischli and David Weiss Edward Keinholz with accom­ with accompanying catalogue panying education programs. Cornell University and education programs. Catalogue Ithaca, NY $I0,000 Wichita Center To support the preparation Waiters Art Gallery, for the Arts, Inc. Grants went to museums of an updated and expanded Trustees of Wichita, KS $4,620 to document collections or handbook highlighting the Baltimore, MD $78,480 TF to publish catalogues and Herbert E Johnson Museum To support the presentation handbooks on collections. of "The Jewelry of Tone of Art’s permanent collection To support the traveling and its I. M. Pei-designed exhibition "Pandora’s Box: Vigeland," an exhibition 38 grants $843,200 Women in Classical Greece" organized by the American building. with accompanying catalogue Federation of Arts, New York, Art Institute of Chicago and education programs. and accompanying education Corporation of programs. Chicago, IL $60,000 the Fine Arts Museums Washington State University To support the publication San Francisco, CA $10,000 Pullman, WA $6,925 Wichita State University of a scholarly catalogue on To support the scholarly Wichita, KS $18,470 their collection of 17th- and documentation of the Muse­ To support the presentation at 18th-century French and ums’ Andean textiles collec­ the Museum of Art of"Robert To support the Ulrich Museum English paintings. Helm 1981-1993," an exhibi­ of Art’s exhibition "Subversive tion. tion organized by the Blaffer Domesticity," with accompany­ Brandywine Graphic Dartmouth College, Gallery at the University of ing catalogue and education Workshop, Inc. programs. Trustees of Houston and accompanying Philadelphia, PA $10,000 education programs. Hanover, NH $20,000 Williams College To support the preparation of To support the scholarly docu­ Washington University Williamstown, MA $5,000 a catalogue documenting the mentation of the Hood Mu­ contemporary prints produced St. Louis, MO $46,160 To support the presenta­ seum of Art’s collection of art throughout the 20-year history from Melanesia’s Papuan Gulf. To support the traveling tion at the Williams College of the Visiting Artist Program. exhibition "Lifting the Veil: Museum of Art of the exhi­ bition "Robert Frank: The Davenport Museum of Art Robert S. Duncanson and the Bronx Museum of the Arts Emergence of the African- Americans," organized by Davenport, IA $19,200 American Artist" with accom­ the Addison Gallery Phillips Bronx, NY $17,500 Academy, Andover, Massa­ To support the publication panying catalogue and educa­ To support the research and of a catalogue featuring tion programs at the university chusetts, with accompanying documentation of significant the Museum’s collection of Gallery of Art. education programs. works in the permanent Mexican Colonial paintings. collection. Wellesley College The following museums re­ Harvard University ceived grants in FY 1994 but Brooklyn Historical Society Wellesley, MA $9,230 Cambridge, MA $17,500 funds were not obligated until Brooklyn, NY $12,500 To support the exhibition FY 1995. To support the preparation "Willem de Kooning’s Door To support the scholarly of a catalogue examining Cycle" with accompanying documentation of the society’s the Harvard University Art catalogue and education pro­ Carnegie Institute collection of Brooklyn-related Pittsburgh, PA $15,000 Museum’s collection of ancient grams at the college’s Davis works on paper. bronzes. Museum and Cultural Center. Center for African Art, Inc. Chinatown History Museum Indiana University Whitney Museum of New York, NY $45,000 New York, NY $10,000 $10,000 American Art Bloomington, IN To support the publication New York, NY $32,320 Corporation of To support the preparation of a catalogue documenting of a catalogue documenting the Fine Arts Museums the Museum’s collection of To support a comprehensive San Francisco, CA $85,000 works on paper by Russian- exhibition of the work of Cantonese Opera materials. born artist Pavel Tchelitchew Florine Stetthelmer with (1898-1957). accompanying education programs. M U S E U M

Indianapolis Museum Museum of Fine Arts, School of American Research Waiters Art Gallery, of Art, Inc. Boston Santa Fe, NM $11,600 Trustees of Indianapolis, IN $28,400 Boston, MA $32,500 To support the preparation Baltimore, MD $35,000 To support the scholarly To support the preparation of a catalogue documenting To support the publication of a documentation of the collec­ of a catalogue discussing the collection of Southwestern catalogue examining the tion of Indian and Southeast the Museum’s collection of Indian pottery from the Pueblo collection of Thai sculpture. Asian textiles, costumes, and American silver. of San Ildefonso. costume accessories. Williams College Nelson Gallery Foundation School of American Research Williamstown, MA $30,000 Jewish Museum Kansas City, MO $20,000 Santa Fe, NM $20,000 New Xtbrk, NY $35,000 To support scholarly documen­ To support the publication To support the publication tation of the Williams College To support the publication of a scholarly catalogue dis­ of a catalogue discussing the Museum of Art’s permanent of a catalogue examining the cussing the Nelson-Atkins collection of early 20th-century collection of American art collection of Torah ornaments. Museum of Art’s Italian Pueblo Indian paintings. dating from paintings collection. the Colonial period to 1950. Long Beach Museum Seattle Art Museum of Art Foundation Oakland Museum of Seattle, WA $35,000 Long Beach, CA $20,000 California Foundation Oakland, CA To support the publication of Education To support the preparation of $20,000 The Spirit Within: The John H. a catalogue documenting the To support the documentation Hauberg Collection of Northwest video art collection. of the Museum’s collection of Coast Art. Grants helped organizations crafts and decorative arts by utilize their collections and California artists of the 19th other resources to provide Maryland Historical Society Studio Museum education programs. Baltimore, MD $20,000 and 20th centuries. in Harlem, Inc. To support the scholarly docu­ New York, NY $20,000 43 grants $620,300 mentation of the paintings Philadelphia Museum of Art Philadelphia, PA $20,000 To support research and docu­ collection. mentation of the Museum’s Albany Institute To support the scholarly permanent collection. of History and Art Metropolitan Museum of Art cataloguing of selected Italian Albany, NY $5,400 New York, NY $40,000 prints in the Museum’s Muriel Toledo Museum of Art To support "Artful Stories," and Philip Berman Gift of To support the publication of Toledo, OH $45,000 a program for third grade European Prints. students at area schools. a catalogue of the American To support preparation of the sculpture collection, covering Prlntmaking Workshop, Inc. collection catalogue, Roman the work of artists born by and Early Byzantine Glass: Armory Center for the Arts 1885. New York, NY $10,000 Free-Blown and Mold-Blown Pasadena, CA $20,000 To support the documentation Vessels and Objects, First to Early To support a semester-long Montclair Art Museum of the collection of modem Seventh Centuries. program for elementary school Montclair, NJ $30,000 and contemporary prints. students that integrates the To support scholarly and University of Arizona study of language arts computerized documentation Pueblo of Pojoaque, Tucson, AZ $12,500 with visual arts. of the Museum’s collection New Mexico Santa Fe, NM $7,500 To support scholarly and com­ of sculpture, costumes, and puterized documentation of Austin Museum of Art, Inc. works on paper. To support the computerized the Center for Creative Photo­ Austin, TX $10,000 documentation of the Poeh graphy’s collection of negatives To support the expansion Museum Associates Museum’s collection of work and contact sheets of work by of an outreach program Los Angeles, CA $18,000 by Tewa artists, as well as the American photographer Garry which employs artists to teach purchase of reference slides of Winogrand (1928-1984). children who, because of low To support the preparation Tewa objects in the collection of a catalogue discussing the income, disabilities, family of the School of American University of Pennsylvania, crisis, or geographic distance, Los Angeles County Museum Research. of Art’s collection of Indian Trustees of cannot come to the museum. decorative arts. Philadelphia, PA $7,500 Rhode Island School To support photographic and Brooklyn Institute of Design of Arts and Sciences Museum of Fine Arts, Providence, RI $20,000 computerized documentation Boston of the University of Pennsylva­ Brooklyn, NY $12,500 Boston, MA $17,200 To support scholarly and nia Museum’s numismatic To support an education computerized documentation collection. To support the documentation program for older adults of the print collection at that combines visits to the of the Museum’s Nubian art the Rhode Island School collection. University of Texas at Austin Brooklyn Museum’s galleries of Design Museum of Art. Austin, TX $20,000 with art making activities. To support the preparation of a catalogue documenting the Eric Gill collection at the Harry Ransom Humanities Research Center. M U S E U M

Museum for Capital City Art Gallery Dia Center for the Arts, Inc. International Folk Association, Inc. New York, NY $10,000 Art Foundation Contemporary Arts Santa Fe, NM $15,000 Baltimore, MD $25,000 Raleigh, NC $10,000 To support an intensive art education training program To support the development To support the expansion and To support interpretive pro­ enhancement of the Museum’s grams that make contemporary for junior high school teachers. of bilingual curriculum materials for grades K to six interdisciplinary curriculum art more readily accessible to initiative. the public. Fondo del Sol based on the Museum of International Folk Art’s per­ Washington, DC $15,000 manent collections of Spanish Museum of Contemporary Children’s Museum To support the expansion of Colonial and contemporary of Manhattan Art, San Diego an arts education program Hispanic folk art. La Jolla, CA $15,000 New York, NY $25,000 for students and teachers in area schools. To support a school program To support the planning and Isabella Stewart Gardner emphasizing the study of implementation of the New Museum, Inc. cultural diversity. York City Museum School, Friends of Photography Boston, MA $17,500 one of 14 New Vision Schools San Francisco, CA $22,000 in the city. To support a collaborative Museum of Modern Art To support a series of year­ program between the museum, New York, NY $35,000 long education exhibitions the Black Achievers Program Chinatown History Museum for students and families. of the Boston Y.M.C.A., and To support the expansion New York, NY $28,000 the Boston public schools. of the "Visual Thinking Cur­ riculum," a school outreach To support a comprehensive Houston Center for program for 4th- and 5th­ interpretation and outreach Photography J.B. Speed Art Museum grade students. program for Chinatown Pano­ Houston, TX $12,500 Louisville, KY $8,000 rama,a group art exhibition. To support an education out­ To support the development New Museum of reach program addressing of a family and teacher gallery Cincinnati Museum Contemporary Art Association issues of autobiography and guide on human conflict. New York, NY $5,000 identity. Cincinnati, OH $10,000 To support art historical Mattress Factory training for the Museum’s To support the establishment Hudson River Museum Pittsburgh, PA $10,000 security and admissions staff. of a regional teacher resource of Westchester center. To support the development Yonkers, NY $15,000 of an interactive computer- Newark Museum To support the development based program on the per­ Association Corcoran Gallery of Art, of a Junior Ambassador manent collection. Newark, NJ $30,000 Trustees of the program to further involve Washington, DC $10,000 students in the life of the Memphis State University To support an interactive museum and the surrounding children’s exhibition on To support the expansion of a Memphis, TN $15,000 Korean art and culture. school program for students in community. grades nine through twelve. To support the expansion and Huntington Museum reprinting of Ancient Egypt: An Newark Museum Educator’s Guide and related Association Cornell University of Art, Inc. $5,000 teacher workshop at the Newark, NJ $5,000 Ithaca, NY $15,000 Huntington, WV Institute of Egyptian Art To support a school program To support specialized train­ and Archaeology. To support docent training ing for docents and art educa­ workshops on intercultural for students in rural upstate communications and teamwork. New York sponsored by the tors participating in the Mexican Fine Arts Center Herbert E Johnson Museum Museum’s annual docent Chicago, IL $10,000 of Art. symposium. Paris Gibson Square, Inc. To support the development Great Falls, MT $15,000 of an art education training Dartmouth College, Institute of Contemporary To support the development Art, Boston program for area elementary Trustees of school teachers. of a traveling art suitcase Hanover, NH $10,000 Boston, MA $20,000 program for rural students To support the development To support a teen docent Montclair Art Museum in north-central Montana. of interpretive materials program for urban youth. Montclair, NJ $7,000 designed to make the Hood Portland Museum of Art Museum of Art’s permanent International Center To support in-service training Portland, ME $20,000 collections more accessible for elementary, middle, and of Photography secondary school teachers. To support the development to adult visitors. New York, NY $15,000 of an interactive learning laboratory for the visual arts To support a school program Montclair Art Museum Denver Art Museum, Inc. at inner-city public schools. in the museum. Denver, CO $20,000 Montclair, NJ $5,000 To support in-gallery demon­ To support a docent training strations featuring touchable program to improve the level objects relating to the Museum’s of professionalism among collections. volunteer staff. M U S E U M

Roswell Museum Centro de Detroit Institute of Arts, & Art Center Presentation of Estudios Avanzados Founders Society Roswell, NM $7,400 Collections Old San Juan, PR $17,500 Detroit, MI $100,000 TF To support the development To support the reinstallation of To support the reinstallation of of a teacher resource center Grants helped organizations the Museum of the Americas’ the Museum’s permanent col­ designed to help integrate better utilize their collections permanent exhibition "Folk lection of French art of the 16th the study of the arts into the and other resources of artistic Arts of the Americas" and through 18th centuries and school curriculum. significance. related education programs. related education programs.

Saint Louis ArtMuseum 45 grants $1,288,200 Chinatown History Museum Fabric Workshop, Inc. St. Louis, MO $I0,000 Program Funds $1,088,200 New York, NY $20,000 Philadelphia, PA $25,000 Treasury Funds $200,000 To support the development To support the installation of a To support an exhibition and testing of curriculum permanent exhibition entitled drawn from the permanent materials based on the Amigos del Museo "Who is Chinese American?" collection and accompanying Museum’s permaneut del Barrio with accompanying education education programs. collections. New York, NY $20,000 programs. To support a collaborative International Center San AntonioMuseumofArt exhibition and catalogue Cincinnati Museum of Photography San Antonio, TX $15,000 publication of pre-Columbian Association New York, NY $17,500 Taino art drawn from the Cincinnati, OH $50,000 To support the development collections of the museum To support a series of low- of an interpretive tour and and the Museo del Hombre To support "Avant Garde by cost touring exhibitions, and related materials for the the Yard: Textile Design on the accompanying education Musemn’s permanent col­ in the Dominican Republic, and accompanying education Cutting Edge, 1880-1930" and programs, serving smaller lections of antiquities, related education programs. regional galleries and com­ Asian, Latin American, and programs. munity art centers. European-American art. Arkansas Arts Columbia College Center Foundation Chicago, IL $20,000 Jewish Museum San Francisco Museum New York, NY $25,000 ofModernArt Little Rock, AR $45,000 To support a series of perma­ San Francisco, CA $15,000 To support exhibitions, a nent collection exhibitions at To support a series of collec­ publication, and education the Museum of Contemporary tions-based exhibitions on 74 To support a media arts edu­ programs highlighting the Photography and related major themes in 20th-century cation program for high education programs. Jewish art and accompanying school students and teachers. Museum’s noted large-scale contemporary drawings and education programs. objects in its permanent Cornell University University of Pennsylvania, collection. Ithaca, NY $10,000 Mexican Museum Trustees of San Francisco, CA $20,000 Philadelphia, PA $5,000 To support a collaborative Art Museum of exhibition of prints organized To support a series of exhi­ To support a teen docent Southeast Texas by and traveling to a consor­ bitions drawn from the per­ program on contemporary Beaumont, TX $25,000 tium of upstate New York manent collection and related art for high school students museums, including the education programs. and teachers at the Institute To support a collection- sharing project between the Herbert E Johnson Museum of Contemporary Art. museum and the San Antonio of Art, with accompanying Mid-America Arts Alliance Museum of Art which will catalogue and education Kansas City, MO $10,000 University of Tennessee programs. include education programs To support a touring exhibi­ at Chattanooga and a catalogue. Chattanooga, TN $20,000 Dallas Museum of Art tion entitled "Living Tradi­ tions: Mexican Popular Arts." To support a curriculum Brooklyn Institute Dallas, TX $55,000 development project involving of Arts and Sciences To support the reinstallation Morehead State University the Southeast Institute for Brooklyn, NY $100,000 TF of the Museum’s collections Morehead, KY $26,700 Education in the Visual Arts of African, Asian, and Pacific and four art museums in To support the exhibition, To support the first long-term catalogue, accompanying arts and related education Alabama, Tennessee, Louisi­ programs. installation of the Kentucky ana, and Georgia. educational activities, and tour Folk Art Center’s permanent of "Converging Cultures: Art collection. and Colonialism in Spanish Denver Art Museum, Inc. Wichita Art Museum, America" drawn from the Denver, CO $60,000 Friends of the Munson-Williams-Proctor permanent collection of the To support a collaborative Wichita, KS $20,000 Brooklyn Museum. Institute exhibition entitled "Colorado: Utica, NY To support an art education Competing Visions of" the $12,500 program, including teen Carnegie Institute West" and related education To support a traveling exhibi­ docents, for high school Pittsburgh, PA $45,000 programs. tion and catalogue of the art students and teachers, related museum’s watch collection and To support an exhibition and related education programs. to students’ interests and lives. catalogue of Japanese wood­ block prints from the James B. Austin collection, with related education programs. M U S E U M

Museum Associates National Academy of Design Society for the Preservation University of California Los Angeles, CA $35,000 New York, NY $25,000 of New England at Santa Barbara, Boston, MA $15,000 Regents of To support an exhibition and To support a touring exhibi­ Santa Barbara, CA $14,000 catalogue of contemporary tion and catalogue of 19th­ To support a traveling exhibi­ prints drawn from the Los century American landscape tion drawn from the Bertram K. To support the exhibition Angeles County Museum of drawings selected from the and Nina Fletcher Little folk "Representing America: The Art’s Cirrus Editions archive permanent collection and art collection at the Society Trevey Collection of American with accompanying education augmented by works from for the Preservation of New Realist Prints," an accompany­ programs. the Cooper-Hewitt National England Antiquities with an ing catalogue, and related Museum of Design. accompanying catalogue and education programs at the Museum of Contemporary education programs. University Art Musemn. Art, Los Angeles New Museum of Los Angeles, CA $20,000 Contemporary Art Stanford University University of Pennsylvania, New York, NY $20,000 Stanford, CA $15,000 Trustees of To support a permanent col­ Philadelphia, PA $25,000 lection exhibition and related To support the first exhibi­ To support an exhibition, education programs cele­ tion and catalogue of the catalogue, and accompanying To support a traveling exhibi­ brating the reopening of the Museum’s semi-permanent education programs jointly tion of Hellenistic and Roman Museum’s original facility, The collection and accompanying developed by the university’s glass from the permanent Temporary Contemporary. education programs. Museum of Art and 3anerican collection of the Museum of Indian Program. Archaeology and Anthropology, Newark Museum Association and related education pro­ Museum of Contemporary grams. Art, San Diego Newark, NJ $30,000 Telfair Academy of La Jolla, CA $40,000 Arts & Sciences To support a permanent Savannah, GA $30,000 University of Pennsylvania, To support an exhibition of collection exhibition and Trustees of the Museum’s permanent catalogue entitled "Cooking To support a permanent Philadelphia, PA $15,000 collection and a subsequent for God: Art and Home Ritual collection exhibition and series of focus exhibitions and in Bengal," and accompanying catalogue entitled "Classical To support an exhibition of related education programs. education programs. Savannah" and related edu­ work by the visionary French cation programs. architect Robert Le Ricolais Oakland Museum of drawn from the Architectural Museum of Fine Arts, Archives of the University of Boston California Foundation Texas Fine Arts Association Austin, TX $20,000 Pennsylvania, and related Boston, MA $50,000 Oakland, CA $20,000 education programs. To support the installation To support a permanent To support a touring program, of two permanent galleries collection exhibition, guide catalogue, and education Virginia Museum of French silver drawn from book, and education programs programs of contemporary art of Fine Arts exhibitions that will travel to the Museum’s Elizabeth Parke related to photographs by Richmond, VA $12,500 and Harvey Firestone, Jr. Dorothea Lange (1895-1965). small colleges, museums, and collection and related edu­ community centers in Texas. To support the low-cost tour of cation programs. Peabody Museum the exhibition "Designed to of Salem and Essex Toledo Museum of Art Sell: American Turn-of-theo Century Posters" drawn from Museum of Fine Arts, Salem, MA $35,000 Toledo, OH $17,500 Houston the permanent collection and To support a permanent To support an exhibition and related costs for education pro­ Houston, TX $20,000 collection exhibition and catalogue of work from the grams and printed materials. To support a permanent catalogue of 19th-century permanent collection, selected collections exhibition and and contemporary Native by contemporary artists, and Virginia Museum catalogue entitled "Quest for American art and accompany­ accompanying education of Fine Arts the Moon and Other Stories: ing education programs. programs. Richmond, VA $30,000 Three Decades of Astronauts in Space" and related educa­ Phillips Collection University of Arizona To support an exhibition tion program. Washington, DC $20,000 Tucson, AZ $15,000 and catalogue of turn-of-the­ century American posters To support low-cost touring drawn from the permanent Museum of New Mexico To support an exhibition and catalogue of the work exhibitions serving galleries collection. Foundation of Marsden Hartley, Arthur and cultural centers in Arizona, Santa Fe, NM $20,000 Dove, John Marin, Georgia Colorado, Idaho, Vv’yoming, To support a permanent col­ O’Keeffe, and Alfred Stieglitz Utah, Montana, Nevada, and lection exhibition, catalogue, drawn from the permanent New Mexico, organized by the Special Projects and accompanying education collection, and accompanying University of Arizona Museum programs related to work pro­ education programs. of Art. 1 grant $12,000 duced at the Studio School at the Santa Fe Indian School. San Francisco Museum University of Arizona Vermont Museum of Modern Art Tucson, AZ $10,000 and Gallery San Francisco, CA $30,000 To support a low-cost touring Shelburne, VT $12,000 To support the exhibition, exhibition entitled, "Intimate To support the continuation "Western Views," drawn from Nature: Ansel" Adams and the of the Vermont Collections the permanent collection, with Close View," and accompany­ Care Program. an accompanying catalogue ing educational materials and education programs. organized by the Center for Creative Photography. V I S U A L A R T S

261 awards $4,381,500 Sakoguchi, Ben Stratton, Margaret M. Pasadena, CA Iowa City, IA Regional Fellowships Fellowships Savinar, Tad Walsh, Peter L. Cooperative agreements Portland, OR Baltimore, MD were awarded to regional arts Grants in this category sup­ organizations to make $5,000 ported the creative develop­ Sillman, Amy D. fellowships available in 1996 ment of professional visual Brooklyn, NY to artists who work in painting, artists. In 1995, fellowships Works on Paper other genres, and works on were offered in painting, Stark, Linda A. paper. The Endowment’s other genres, and works on Los Angeles, CA Beeman, Malinda M. State & Regional Program paper, and all awards were Snowmass Village, CO co-funded this category. in the amount of $20,000. Wethli, Mark C. 6 co-operative Brunswick, ME Belichick, Meg A. agreements $585,000 58 awards $1,160,000 Brooklyn, NY Arts Midwest Camp, Donald E. Minneapolis, MN $97,500 Painting Other Genres Philadelphia, PA To support regional fellowships Adams, Dennis P. for visual artists in Illinois, Allan, William G. Chan, Judy K. New York, NY Long Beach, CA Indiana, Iowa, Michigan, San Rafael, CA Minnesota, North Dakota, Carvalho, Josely Condit, Cecelia Ohio, South Dakota, and Antezzo, Matthew J. New York, NY Wisconsin. Brooklyn, NY Milwaukee, WI Connor, Maureen Crumpler, Dewey S. Mid-America Arts Alliance Aptekar, Kenneth R. New York, NY Kansas Cit); MO $97,500 New York, NY Berkeley, CA To support regional fellowships desoto, Lewis for visual artists in Arkansas, Balas, Jack J. Davis, Lisa Corinne Oakland, CA New York, NY Kansas, Missouri, Nebraska, Berthoud, CO Oklahoma, and Texas. 76 Dove, Toni Dente, Robert Chunn, Nancy L. New York, NY Mid Atlantic Arts Foundation New York, NY West Hartford, CT Baltimore, MD $97,500 77 Hall, Douglas E. Gipe, Lawrence C. To support regional fellowships Forsman, Chuck San Francisco, CA Boulder, CO New York, NY for visual artists in Delaware, the District of Columbia, High, Kathryn Howland, Rebecca A. Heffernan, Julie A. Maryland, New Jersey, New Brooklyn, NY State College, PA York, Pennsylvania, Virgin New York, NY Islands, Virginia, and West Jenkins, Jr., Ulysses S. Henderson, Adele M. Virginia. Humphrey, David A. Inglewood, CA New York, NY Buffalo, NY New England Foundation Katz, Joel D. for the Arts Kim, Byron Lavin, Jenny Brooklyn, NY Cambridge, MA $97,500 Brooklyn, NY Brooklyn, NY To support regional fellowships Macmurtrie, Frank Lawrence, Matthew R. for visual artists in Connecticut, Kwan, Jerry San Francisco, CA New York, NY Lancaster, PA Maine, Massachusetts, New Hampshire, Rhode Island, Manglano-Ovalle, Inigo and Vermont. Leipzig, Mel D. Lazzari, Margaret R. Chicago, IL Los Angeles, CA Trenton, NJ Southern Arts Federation Martinez, Daniel J. McGibbon, Phyllis I. Atlanta, GA $97,500 Lin, Zhi Los Angeles, CA Springfield, MO Wellesley, MA To support regional fellowships for visual artists in Alabama, Morgan, Joey Tisdale, Danny B. Florida, Georgia, Kentuck); Marlatt, Megan Bronwen Brooklyn, NY Orange, VA Harlem, NY Louisiana, Mississippi, North Carolina, South Carolina, and O’Reilly, Michael Martin, Bernard M. West, Annie Tennessee. Philadelphia, PA Richmond, VA New York, NY Pope L., William Zhang, Hongtu Ocampo, Manuel Jonas Lewiston, ME Los Angeles, CA New York, NY Reeves, Daniel M. Zimmermann, Philip B. Rosen, Kay G. New York, NY Barrytown, NY Gary, IN V I S U A L A R T S

Western States Fine Arts Work Center Alternative Center for Arts Federation in Provincetown, Inc. Visual Artists Organizations International Arts, Inc. Santa Fe, NM $97,500 Provincetown, MA $13,000 New York, NY $20,000 To support regional fellow­ To support long-term resi­ Grants support annual pro­ To support thematic exhibi­ ships for visual artists in dencies for emerging writers gramming of organizations tions and installations by Alaska, Arizona, California, and visual artists. that encourage individual emerging and mid-career Colorado, Hawaii, Idaho, artistic development, experi­ visual artists from diverse ethnic and racial backgrounds. Montana, Nevada, New Headlands Center mentation and informative Mexico, Oregon, Utah, Wash­ dialogue and interaction for the Arts between visual artists and ington, and Sausalito, CA $22,000 Alternative Worksite, Inc. Wyoming. the public. Support also went Omaha, NE $15,000 To support the Artists-in- to publications that served Residence Program which the field. To support the Bemis Center’s provides artists with time and artists-in-residence program. Artists’ Communities space to pursue new ideas, 143 awards $1,981,500 conduct open-ended research, American Indian and respond to the natural 1078 Gallery, Inc. Contemporary Arts Grants supported the creative development of individual and historic resources of the Chico, CA $5,000 San Francisco, CA $5,000 Marin Headlands. artists by assisting organiza­ To support solo and group To support solo and group tions which provide unencum­ exhibitions and related pub­ exhibitions of contemporary bered time, living quarters, MacDowell Colony, Inc. lished materials that increase Native American visual artists and work space for artists to Peterborough, NH $15,000 opportunities for access to from throughout the United pursue their work in commu­ To support initiatives that contemporary visual art in this States. nity with other artists. will strengthen the residency rural agricultural community. 12 awards $140,000 program for artists working Armory Center for the Arts in a wide range of disciplines. 1708 East Main, Inc. Pasadena, CA $12,500 Richmond, VA $7,500 Art Awareness, Inc. To support exhibitions featur­ Millay Colony for Lexington, NY $8,000 To support a series of solo ing the work of established and the Arts, Inc. and group exhibitions, instal­ emerging artists and access to To support initiatives designed Austerlitz, NY $10,000 lations, related publications, a working facility for print- to strengthen a residency To support a residency pro­ and support services for making and photography. program for visual and per­ visual artists. forming artists. gram for professional writers, composers, and visual artists Art Awareness, Inc. at Steepletop, the 600-acre 18th Street Arts Complex Lexington, NY $7,500 Centrum Foundation landmark farm that was home Santa Monica, CA $20,000 Port Townsend, WA $5,000 To support exhibitions, to the poet Edna St. Vincent To support publication of installations, and artists’ To support the Artists-in- Millay. the quarterly journal High residencies. Residence Program which Performance. provides artists with oppor­ Montalvo Association Art Institute of Chicago tunities to complete works­ Saratoga, CA $5,000 in-progress or to experiment 80 Langton Street, Inc. Chicago, IL $33,000 with new media and ideas. To support an international San Francisco, CA $33,000 To support the production, residency project organized in To support a program of presentation, and distribution conjunction with the Center installations, exhibitions, of video tapes by and about Djerassi Foundation for Latino Arts of San Jose. Woodside, CA $18,000 performances, and video visual artists by the Video Data screenings. Bank at the School of the Art To support the Resident Ragdale Foundation Institute of Chicago. Artists Program which pro­ Lake Forest, IL $15,000 vides room, board, studio Acme Art Company space, and support services To support outreach initiatives Columbus, OH $5,000 Art Re Grup, Inc. San Francisco, CA $10,000 to emerging and established designed to strengthen an To support a series of ex­ artists working in a wide artists’ residency program. hibitions, visually-based To support a series of exhibi­ range of media. performances, and related tions, installations, residencies, Virginia Center for public programming. and performances by visual Dorland Mountain the Creative Arts artists. Arts Colony, Inc. Sweet Briar, VA $10,000 Advaita Society $5,000 Temecula, CA $7,000 To support the continuation Berkeley, CA Art in General, Inc. To support a residency pro­ of the Fellowship Outreach To support visual arts exhibi­ New York, NY $20,000 gram for visual artists, writers, Project. tions, installations, residencies, To support solo and group and composers. and a working facility for exhibitions, installations, Yaddo, Corporation of printmakers at Kala Institute. performances, and educa­ Saratoga Springs, NY $12,000 tional programming by a To support a residency pro­ Aljira, Inc. culturally diverse group gram for professional artists Newark, NJ $7,500 of emerging and under- recognized visual artists. working in a wide variety of To support a series of solo and disciplines. thematic exhibitions which con­ nect the visual arts to issues of importance to the community. V I S U A L A R T S

Artist Trust: A Resource Boulder Art Center Center for Photography Clay Studio for Washington Boulder, CO $7,500 at Woodstock, Inc. Philadelphia, PA $10,000 Seattle, WA $5,000 To support a visual arts Woodstock, NY $13,000 To support an exhibition To support a triannualjournal exhibition program, related To support solo and group program and working facility and professional development educational events, and exhibitions, workshops, for ceramic artists. services for visual artists. accompanying catalogues lectures, services, and pub­ and brochures. lications on photography Contemporary Art Artists Alliance, Inc. and related media. for San Antonio Lafayette, LA $5,000 Brandywine Graphic San Antonio, TX $25,000 Workshop, Inc. Center for Women To support a series of exhi­ To support a series of visual bitions and visually-based Philadelphia, PA $10,000 & Their Work, Inc. Austin, TX $20,000 arts exhibitions, related pub­ performances. To support a visiting artist lications, lectures, and educa­ residency program and To support exhibitions, educa­ tional programming. Artists Space, Inc. related exhibitions. tional programs, and services New York, NY $25,000 for visual artists. Contemporary Arts Center, Bridge Center for New Orleans To support exhibitions in Contemporary Art Center on Contemporary Art all visual arts media and a New Orleans, LA $25,000 E1 Paso, TX $12,500 Seattle. WA $17,000 computerized slide registry. To support multidisciplinary To support solo and group To support a program of visual exhibitions, installations, Asian American exhibitions, performances, arts exhibitions, related per­ performances, and related Arts Centre, Inc. and related programs. formances, and publications. video screenings, lectures, New York, NY $12,500 and publications. Bronx Council Centro Cultural To support exhibitions of on the Arts, Inc. de la Raza, Inc. Craft Emergency visual artists from diverse Relief Fund, Inc. cultural backgrounds and Bronx, NY $18,000 San Diego, CA $30,000 the publication of Artspiral. To support a series of visual To support exhibitions of re­ Northampton, MA $10,000 arts exhibitions, related per­ gionally and nationally recog­ To support services for craft Atlanta Art Papers, Inc. formances, and a year-end nized Chicano, Mexlcano, and artists who have experienced Atlanta, GA $25,000 catalogue. Native American visual artists. work-interrupting emergen­ cies such as fire, theft, illness, 78 To support publication of Art Capital City Art Gallery Chicago Artists’ Coalition or natural disasters. Papers, a journal that focuses Association, Inc. Chicago, IL $10,000 on contemporary visual art Creative Time, Inc. activity in the Southeast. Raleigh, NC $10,000 To support services for re­ 79 To support exhibitions, per­ gional and national visual art­ New York, NY $40,000 Atlanta Photography formances, artist residencies, ists, including a slide registry, To support the creation and Group, Inc. lectures, and publications. health and fine art insurance, a presentation of new work by Atlanta, GA $6,000 credit union, a resource library, visual artists in public spaces lectures, and technical assis­ throughout New York City. To support exhibitions and Capp Street Project San Francisco, CA $30,000 tance workshops. services for visual artists Dallas Artists Research working in photography. To support residency, exhibi­ Chicago New and Exhibition, Inc. tion, and education programs. Art Association Dallas, TX $5,000 Atlatl Chicago, IL $15,000 Phoenix, AZ $10,000 Center for Arts Criticism To support exhibitions, St. Paul, MN $5,000 To support publication of the publications, and related To support the workshops, New Art Examiner, a national interpretive programming. publications, and programs To support informational and forum for informative and of this national service organi­ career development services critical commentary on art Daniel Clark Foundation zation for Native American and publications for visual and cultural issues. visual artists. artists and visual arts critics. Goffstown, NH $7,500 Chinese-American To support publication of Baltimore Clayworks Center for Contemporary Arts Council, Inc. Studio Potter, a journal that addresses topics of concern Education Center, Inc. Arts of Santa Fe, Inc. New York, NY $8,500 Baltimore, MD $7,500 Santa Fe, NM $20,000 to the functional potter. To support a series of solo To support a working facility To support solo and group and group exhibitions by Delaware Center for and services for ceramic exhibitions, installations, and emerging and established Contemporary Arts artists. video screenings of the work Asian-American visual artists. of regionally and nationally Wilmington, DE $5,000 Beacon Street Gallery and recognized visual artists. Cincinnati Artists’ To support exhibitions, Performance Company Group Effort, Inc. residencies, publications, educational programs, and Chicago, IL $7,500 Center for Exploratory Cincinnati, OH $7,500 and Perceptual Art, Inc. artist support services. To support an exhibition Buffalo, NY $20,000 To support multi-media program and performance visual arts exhibitions, multi­ Delta Axis, Inc. series for visual artists. To support exhibitions and disciplinary performances, Memphis, TN $5,000 educational programs in courtyard installations, film/ photography, film, computer video programs, and presen­ To support an exhibition imaging, and related media. tations by audio/sound artists. series and related program­ ming in a new art center. V I S U A L A R T S

Dialogue, Inc. Fabric Workshop, Inc. Guadalupe Cultural Intersection Columbus, OH $5,000 Philadelphia, PA $25,000 Arts Center San Francisco, CA $10,000 San Antonio, TX $15,000 To support publication of the To support a residency pro­ To support solo and group bimonthly periodical Dialogue: gram in the textile arts and To support solo and group exhibitions, lectures, panel Arts in the Midwest. related exhibitions. exhibitions, working facilities, discussions, and performances and services to visual artists. by visual artists from the Bay Area and elsewhere. Dieu Donne Papermill, Inc. Forecast Public Artworks New York, NY $7,500 St. Paul, MN $7,500 Hallwalls, Inc. Buffalo, NY $20,000 Kansas City Artists Coalition To support a working facility To support the publication of Kansas City, MO $5,000 for artists using handmade Public Art Review, a biannual To support an exhibition and paper as a visual arts medium. journal which focuses on performance series, related To support exhibitions, publi­ national public art issues and publications, workshops, cations, related performances, projects. artists’ talks and forums, and services to visual artists. DiverseWorks, Inc. and Houston, TX $38,000 Foundation for Advanced a regional slide registry. La Raza!Galeria Posada To support visual arts exhibi­ Critical Studies, Inc. Sacramento, CA $5,000 tions, installations, lectures, West Hollywood, CA $10,000 Hand Workshop, Inc. To support a series of solo and video programs, and a per­ Richmond, VA $9,000 formance series. To support publication of Art group exhibitions of Chicano, Issues, a bimonthly journal To support an exhibition Latino, and Native American program of regional and visual artists. Documents Magazine, Inc. dedicated to the study of contemporary American national craft artists. New York, NY $5,000 culture and the visual arts. Light Factory To support the publication Headlands Center Charlotte, NC $10,000 of Documents, a biannual Foundation for for the Arts periodical for emerging To support photography Art Resources, Inc. Sausalito, CA $17,500 exhibitions, public programs, voices on contemporary $7,500 art and crflture. Los Angeles, CA To support residencies for and services to artists. To support visual arts exhibi­ visual artists and related Drawing Center, Inc. tions and a lecture series. public programs. Light Work Visual New York, NY $20,000 Studies, Inc. Foundation for Heresies Collective, Inc. Syracuse, NY $28,000 To support solo, thematic, and Today’s Art-Nexus New York, NY $7,500 To support photography group exhibitions and installa­ Philadelphia, PA $7,500 tions by visual artists at various To support publication of exhibitions, artists’ residen­ stages of their careers. To support exhibitions, artists’ Heresies, a critical forum for cies, publications, and a residencies, and services to new and established women working facility. artists. Drawing Legion, Inc. artists, including programs for artists with disabilities. Living Arts of Tulsa, Inc. Cedar Rapids, IA $5,000 Houston Center Tulsa, OK $5,000 To support a series of exhibi­ Franklin Furnace for Photography tions at CSPS, a contemporary To support a series of exhibi­ Archive, Inc. Houston, TX $20,000 tions and installations. arts center located in a century- New York, NY $25,000 old former Czech social hall To support exbibitions, public in downtown Cedar Rapids. To support exhibitions, programs, artists’ services, Los Angeles Center for installations, performances, and publications about pho­ Photographic Studies tography and related media. En Foco, Inc. educational programs, and Los Angeles, CA $20,000 artists’ services. Bronx, NY $15,000 To support exhibitions, Intermedia Arts of installations, lectures, and To support publications, artists Minnesota, Inc. Galeria Studio 24 publications. services, and "Intercambio," a San Francisco, CA $20,000 Minneapolis, MN $18,000 program which brings Ameri­ can mainland photographers To support a series of exhibi­ To support exhibitions, Los Angeles Contemporary to Puerto Rico for seminars tions and related programs installations, performances, Exhibitions, Inc. and workshops. for Chicano and Latino visual and artists’ services. Los Angeles, CA $20,000 artists at Galeria de la Raza. To support exhibitions, per­ Exit Art, Inc. International Arts Relations, Inc. formances, video art screen­ New York, NY $27,500 Galveston Arts Center, Inc. ings, services, publications, Galveston, "I-X $5,000 New York, NY $25,000 To support multidisciplinary and an artists’ bookstore. exhibitions, installations, To support exhibitions, publi­ To support a series of exhibi­ publications, and related cations, and education and tions and related publications. Manchester projects. outreach programs. Craftsmen’s Guild International Sculpture Pittsburgh, PA $9,000 Eye Gallery Glass Art Society, Inc. Center, Inc. To support exhibitions and San Francisco, CA $6,500 Seattle, WA $6,000 Washington, DC $5,000 facilities for artists working in To support exhibitions and To support a national con­ To support publications, ceramics and photography. installations by emerging ference, publications, and workshops, and services for and under-recognized artists information and referral sculptors nationwide. working in photography and services for visual artists related media. working in glass. V I S U A L A R T S

Maryland Art Place, Inc. New Art Publications, Inc. Pewabic Society, Inc. Real Art Ways, Inc. Baltimore, MD $10,000 New York, NY $5,000 Detroit, MI $10,000 Hartford, CT $20,000 To support a series of exhibi­ To support publication of BOMB To support exhibitions, resi­ To support exhibitions, site- tions, installations, public magazine, a large-format dencies, and a working facility specific installations, and programs, and services. quarterly presenting the work for the ceramic arts. related activities. of visual artists and writers. Mayor’s Advisory Photographic Resource San Francisco Committee on Art New Observations, Ltd. Center, Inc. Camerawork, Inc. and Culture New York, NY $7,500 Boston, MA $25,000 San Francisco, CA $30,000 Baltimore, MD $10,000 To support publication of To support exhibitions, installa­ To support exhibitions in To support exhibitions, educa­ New Observations, an artist-run tions, publications, public pro­ photography and related tional programs, and services journal presenting the work gramming, and services in media, lectures, publications, to visual artists at the School and ideas of contemporary photography and related media. and services. 33 Art Center. artists and art writers. Pilchuck Glass School Santa Barbara Contemporary Mexic-Arte New York Experimental Seattle, WA $5,000 Arts Forum, Inc. Austin, TX $20,000 Glass Workshop, Inc. Santa Barbara, CA $15,000 Brooklyn, NY $25,000 To support residencies, work­ To support exhibitions, instal­ ing facilities, and services for To support visual arts exhibi­ lations, and services to visual To support working facilities artists working in glass. tions and installations, a artists. for glass artists, exhibitions, performance art and video residencies, publications, and Pittsburgh Center series, publications, education Minneapolis Society related services. for the Arts programs, and artists’ services. of Fine Arts Pittsburgh, PA $7,500 Minneapolis, MN $10,000 Nexus, Inc. Santa MonicaMuseumofArt To support a series of exhibi­ To support exhibitions, publi­ Atlanta, GA $35,000 tions, related programs, and Santa Monica, CA $10,000 cations, and related program­ To support exhibitions in services for visual artists. To support exhibitions, site- ming of the Minnesota Artists Nexus Gallery, artists’ book specific installations, and Exhibition Program. projects at Nexus Press, and Printed Matter, Inc. commissioned artists’ projects. services to regional artists. New York, NY $28,000 Mobius, Inc. Sculpture Center, Inc. Number, Inc. To support the distribution 80 Boston, MA $8,000 of artists’ publications and New York, NY $10,000 Memphis, TN $5,000 To support installations, group related services. To support exhibitions, video exhibitions, a performance art To support publication of installations, residencies, and 81 series, and public programs. Number, a quarterly arts Project Artaud a slide registry. journal of critical writing San Francisco, CA $13,000 Movimiento Artistico and visual art. To support exhibitions, instal­ Sculpture Space, Inc. del Rio Salado, Inc. Utica, NY $15,000 Phoenix, AZ $10,000 Oregon Center for lations, lectures, and related the Photographic Arts, Inc. activities. To support a working facility To support a visiting artists Portland, OR $12,000 and residencies for sculptors. residency program and related Public Art Fund, Inc. visual arts programming. To support a series of exhi­ New York, NY $15,000 Segue Foundation, Inc. bitions and publications at New York, NY $5,000 N.A.M.E. Gallery Blue Sky Gallery. To support temporary Chicago, IL $10,000 public art projects and To support publication of Painted Bride Art Center, Inc. related services. M/E/A/N/I/N/G, a semiannual To support exhibitions, video Philadelphia, PA $5,000 artist-run publication that ad­ art screenings, collaborative Pyramid Arts Center, Inc. dresses a broad range of issues public art projects, and related To support exhibitions and in­ of concern to visual artists. programs. stallations by visual artists with Rochester, NY $5,000 related public programming. To support exhibitions, resi­ Self-Help Graphics National Association of dencies, and services to artists. and Arts, Inc. Artists Organizations, Inc. Parts Photographic Arts Los Angeles, CA $13,500 Washington, DC $35,000 Minneapolis, MN $7,500 Pyramid Atlantic, Inc. Riverdale, MD $15,000 To support collaborative To support conferences, publi­ To support an exhibition printmaking residencies for cations, information/referral series, darkromn facility, To support a working facility culturally diverse artists at services, technical assistance, publications, and services for hand papermaking, print- different career levels. and related activities. to photographic artists. making, and the book arts. Sheboygan Arts National Council Performance Zone, Inc. Randolph Street Gallery, Inc. Foundation, Inc. on Education for New York, NY $5,000 Chicago, IL $40,000 Sheboygan, WI $25,000 the Ceramic Arts To support The Thing, an in­ To support exhibitions, inter­ Flushing, NY To support thematic group $15,000 ternational electronic arts net­ disciplinary performance and solo exhibitions and To support an annual confer­ work which serves as a forum and media art presentations, related publications, artists’ ence, publications, and other for the discussion, production, installations, temporary public residencies, working facilities, services for ceramic artists. and dissemination of visual art art projects, publications, and and a resource center at the in telecommunicational space. related activities. Kohler Arts Center. V I S U A L A R T S

Snug Harbor Thread Waxing Space Women’s Studio Center for Exploratory Cultural Center, Inc. New York, NY $5,000 Workshop, Inc. and Perceptual Art, Inc. Rosendale, NY $10,000 Buffalo, NY $5,000 Staten Island, NY $5,000 To support a series of exhibi­ To support visual arts exhibi­ tions and related educational To support a working facility To support "Chambers of tions, residencies, a studio programs. for printmaking, handmade Enchantment," a temporary program, a community gallery, paper, and the book arts. public art project that will and public education programs. Urban Institute for address the relationship of Contemporary Arts Xel~r the artist to society at the turn of the 21st century. Social and Public Art Grand Rapids, MI $5,000 Seattle, WA $10,000 Resource Center To support exhibitions, related To support publication of CityArts Workshop, Inc. Venice, CA $10,000 public programs, and services. Reflex, a bimonthly journal New York, NY $5,000 To support the creation and covering contemporary visual presentation of public art work Visual AIDS for arts activity in the Northwest. To support the creation of a by emerging and established the Arts, Inc. portable mural project entitled visual artists, a working facility, New York, NY $10,000 "No More War" by artists and informational services. Vitaly Komar and Alexander To support a series of artists’ Visual Artists Melamid. projects, programs, and Public Projects Society for Photographic services to increase public Education, Inc. Collaborative Urban awareness about AIDS and Sculpture, Inc. Dallas, TX $12,500 its impact on the arts. Grants went for public arts projects that make the best Portland, ME $5,000 To support regional and contemporary art accessible in To support a commission national conferences, pub­ Visual Studies public places and to increase lications, and information Workshop, Inc. to artist Bradley McCallum opportunities for American for a public art project "The and referral services for Rochester, NY $38,000 artists to create public works of photographic artists. Permanence of Memory: To support exhibitions, lec­ art. Support also was given to Maine Veterans and Civilians tures, workshops, residencies, visiting artists programs. Remember World War II." Society of North related services, and the American Goldsmiths publication of the journal, 38 awards $365,000 Tampa, FL $7,500 College of Charleston Afterimage. Charleston, SC $6,500 To support an annual confer­ Alfred University ence, publications, regional Washington Project Alfred, NY $7,850 To support an African- American artist-in-residence workshops, and a minority for the Arts, Inc. To support "Art, Social Con­ fellowship program. Washington, DC $33,000 program in Charleston County cerns, and the Approaching elementary schools for the To support exhibitions, public Millennium," a visiting artist 1995-96 school year. Socrates Sculpture programs, services, and an series involving the creation, Park, Inc. artists’ bookstore. presentation, and discussion Long Island City, NY $6,500 of artwork that addresses Contemporary Art social issues. for San Antonio To support exhibitions of Watershed Center San Antonio, TX $5,575 sculpture and an outdoor for the Ceramic Arts Art in General, Inc. To support a series of window sculpture studio program. Edgecomb, ME $5,000 New York, NY $13,900 installations by visual artists To support a working facility in downtown San Antonio. Space One Eleven, Inc. and residencies for ceramic To support community-based Birmingham, AL $10,000 artists. workshops organized in collaboration with Project Creative Time, Inc. To support a series of exhibi­ New York, NY $5,000 Wheaton Cultural Reach, involving artist-led tions, artists residencies, and workshops for youth. educational programs. Alliance, Inc. To support artists residencies Millville, NJ $5,000 and a public symposium to Arts Festival Association explore telecommunications Spaces To support a residency pro­ of Atlanta, Inc. space as a new public venue Cleveland, OH $25,000 gram and working facility Atlanta, GA $9,250 for creating and presenting for artists working in glass. visual art. To support exhibitions, instal­ To support a residency for lations, performances, video visual artist Alfredo Jaar, screenings, and public forums. White Columns, Inc. who will create a series of Fountain City Area New York, NY $20,000 public art projects that make Historical Society Storefront for Art and To support exhibitions, related visible the work of the city’s Fountain City, WI $4,525 Architecture, Inc. programs, and services for humanitarian organizations. To support the creation of a New York, NY $20,000 visual artists. mural by artist Suzan Pitt in To support exhibitions, instal­ Bronx Council the interior of the U.S. Post lations, publications, and WhiteWalls, Inc. on the Arts, Inc. Office in Fountain City. related activities. Chicago, IL $8,000 Bronx, NY $6,500 To support Whitewalls, a bian­ To support residencies for Indiana University-Purdue Textile Arts Centre nual publication that provides visual artists Michael University at Indianapolis Chicago, IL $6,000 a forum for visual artists who Bramwell, Angel Rodriguez- Indianapolis, IN $8,350 To support a series of exhi­ use the printed word as both Diaz, and Danny Tisdale at To support a visiting artist bitions and educational the material and subject of the Longwood Arts Project, series for visual artists Patrick their work. the visual arts facility of the Dougherty, Truman Lowe, programs on contemporary fiber art. Bronx Council on the Arts. and Frances Whitehead. V I S U A L A R T S

Los Angeles Department Norfolk Arts Council Santa Barbara Contemporary University of Montana of Cultural Affairs Norfolk, MA $18,500 Arts Forum, Inc. Missoula, MT $6,500 Los Angeles, CA $9,250 To support the creation by Santa Barbara, CA $16,650 To support ?.Native American To support the creation by Mags Harries of site-specific To support "Home Show II," Voices," a visiting artist lecture visual artist Wang Po Shn of public art works at elementary a series of temporary site- series. a permanent public art project schools in Norfolk. specific public art works to in a San Fernando Valley address issues surrounding Village of Arts and community park site in North One Reel the concept of "home." Humanities, Inc. Hollywood. Seattle, WA $8,350 Philadelphia, PA $13,900 Santa Monica Maryland Art Place, Inc. To support a residency for Museum of Art To support the creation of a Baltimore, MD $7,400 artist Beliz Brother, in col­ sculpture garden on a vacant laboration with Indonesian Santa Monica, CA $9,250 site in North Philadelphia To support a critics’ residency craftsmen, to create a series To support the 1995-96 Friday by Lily Yeh, Robert Craddock, program designed to serve of permanent ceremonial Evening Salon Series, public Alejandro Lopez, Leroy regional artists’ and writers’ structures in a garden in a forums on contemporary art Johnson, James Maxton, need for an art-informed Southeast Asian community. issues. and Heidi Warren. public and a critical environ­ ment in which to work. Project Row Houses Sculpture Center, Inc. Weber State University Houston, TX $26,000 New York, NY $9,250 Ogden, UT $5,575 Miami-Dade Community College To support costs associated To support a series of tempo­ To support a visiting artist Miami, FL $14,800 with an ongoing public art rary site-specific installations lecture series for the 1995-96 program of site-specific on Manhattan’s Roosevelt academic year. To support artists Hillary installation artworks in for­ Island. Leone and Jennifer MacDonald merly abandoned houses for a temporary public art in Houston’s Third Ward. Sculpture Chicago, Inc. installation at the Wolfson Chicago, IL $11,100 Special Projects campus. Real Art Ways, Inc. Hartford, CT $11,100 To support "Re-inventing the Awards go to a limited number Mid Atlantic Arts Garden City," a community- To support "House on the of innovative projects which Foundation, Inc. based public art program serve the visual arts field. Baltimore, MD $23,000 Hill," a temporary public designed to bring visual artists 82 art project by visual artist into a long-term working 3 awards $80,000 To support a residency pro­ Karin Giusti. relationship with the city’s 1 interagency gram that funds interstate parks department. agreement $70,000 83 residencies for visual artists REPOhistory, Inc. and critics at arts organiza­ New York, NY $9,250 Southern Illinois University Art Resources Transfer, Inc. tions within the Mid-Atlantic at Carbondale, Board of region. To support a community- Trustees of Los Angeles, CA $10,000 based artists’ residency project Carbondale, IL $7,400 To support a fine arts publica­ Murray State University in Atlanta in the fall of 1995. To support "Elemental tions pilot program which Murray, KY $9,250 places art and cultural studies ’ Research Foundation of Forces," a visiting artist To support visual artist lecture series. books into public libraries free State University of New York of charge. Truman Lowe’s residency at Albany, NY $5,000 the school, including fees for Southern Oregon State author/art critic Lucy Lippard. To support a lecture and College Foundation College of Santa Fe discussion series entitled Ashland, OR $8,350 Santa Fe, NM $50,000 New Mexico Institute of "Artists’ Public Projects" at the University at Buffalo Art To support fees and expenses To support the planning phase Mining and Technology and initiation of an extended Socorro, NM $5,000 Gallery in preparation for a for visiting artists James Luna, campus public art program. James Lavadour, Carrie Mae photographic survey of the To support a series of Weems, Alberto Rey, and United States in the years be­ community-participation David Furman to create a fore and up to the turn of the Richmond Chapter of century. public art events throughout the National Conference series of public projects at the New Mexico. of Artists, Inc. Schneider Museum of Art on NAMES Project Foundation Richmond, VA $5,575 the college campus. New Mexico State San Francisco, CA $20,000 University Main Campus To support honoraria and travel expenses for a public Temple University To support the cost for a tempo­ Las Cruces, NM $11,100 symposium entitled "Great Philadelphia, PA $9,250 rary installation of the AIDS To support fees for visual Women in the Arts." Four To support a series of visual Memorial Quilt on the Mall in artists to participate in senior African American artist residencies entitled XAhshington, DC in October 1996. "Dialogues of Irony: Humor artists will participate. "Arranged Introductions: Art and Terror in Contemporary Works in Different Places." Smithsonian Institution Art," a visiting artist series Roosevelt Island National Museum of of lectures, performances, Operating Corporation University of Colorado, American Art and workshops during the New York, NY $13,900 Regents of Washington, DC $70,000 1995-96 academic session. To support the creation of Boulder, CO $7,850 An interagency agreement to support a three-phase project a public artwork by David To support a visiting artists Ireland at a ruined nineteenth- program during the 1995-96 to develop a slide archive and century asylum. academic year. documentary catalogue of the Visual Artists Fellowship recipi­ ents, which includes more than 5,000 artists. argest of the Endowment’s programs, the Music Program has increasingly found itself reflecting the concerns that face music - and indeed, the culture generally ­ in America. In the public schools of our great cities, arts education has been severely reduced or abandoned altogether. While there are bright spots in many smaller communities around our country, it is clear that three generations of our children have mostly been deprived of the benefits of a strong exposure to music, and indeed to all of the arts.

Musical organizations, large and small, as well as individual artists, are increas­ ingly providing both the artistic and political resources to begin to turn this bleak situation around, and the funding categories of the Music Program have assisted their efforts. In addition to support of Learning the performance and recording, funding has strings at the been provided to the music schools that train America’s future musicians and Saint Louis music teachers. Symphony’s Orchestras, the core institutions in their resident communities, lead the way. Most Community communities throughout the United States support an orchestra or some form of orchestral activity, and they provide Music School. infrastructure for the other performing arts. Orchestras provide opportunities for composers to hear their works played and for solo artists to perform, and all orchestras provide some form of arts education for all age groups in communities.

In 1995, 195 grants were invested in this great cultural resource. The St. Louis Symphony has taken the visionary step to merge with a community music school, and as if to make the act organic, has moved its administrative offices into the school building. The St. Louis Symphony is involved in what it calls its Commu­ nity Imperative: as an example, a massive partnership with 22 African American congregations which is soon to be expanded to non-African American and non­ religious organizations.

The Detroit Symphony, in the realization that its great performing facility, Detroit Symphony Orchestra Hall, in one of Detroit’s most blighted areas, has joined with the Detroit Public Schools and the Detroit Medical Center in a consortium that will invest $80 million in an entertainment, commercial and education complex designed to revitalize a major section of Woodward Avenue in downtown Detroit. The "Orchestra Place" project includes a high school for the fine and performing arts, a six story office tower, a retail and restaurant center and an expansion of Orchestra Hall. "Orchestra Place" would be the nation’s first performing arts center with a public high school on its grounds. M U S I C

From another angle, the Chamber Music Rural Residencies program is bringing young chamber music ensembles of high promise to live, teach, and perform in ten isolated rural communities for a full school year. In residence in California’s Salinas Valley, the Rackham String Quartet from Ohio are teaching 300 children of Hispanic agricultural workers to play string instruments. Encouraged by com­ munity response to this residency, the superintendent of schools is taking steps to reintroduce a formal music program in area schools. Here, as elsewhere, these dedicated young musicians are perceived as role models throughout the commu­ nity and act as catalysts to promote change and growth.

The Thelonious Monk Institute of Jazz, together with the Arts Endowment and the Los Angeles Lakers, has begun a school-based jazz education outreach project in Los Angeles linking two American classics,jazz and basketball. Some 25 aspir­ ing musicians at two Los Angeles high schools receive after-school and Saturday morning instrumental training classes, as well as opportunities to perform, to­ gether with renowned jazz artists, at several Lakers’ games.

The Glen Ellyn Children’s Chorus, one of 36 choral organizations receiving grants, 84 for the fifth year ran its Outreach!Inreach program, which in 1995 offered choral training to economically disadvantaged youth in DuPage Count); Illinois, stressing 85 total integration of the children in all GECC activities, including Parent Orienta­ tion and Awards Night.

Handbill from These are but a handful of the projects supported through the Music Program which demonstrate commitment to artistic excellence, community involvement, Philomel Concerts and education in the arts. of Philadelphia, a chamber music ensemble that performs on early music instruments. M U S I C

521 awards $10,890,625 Kim, Earl Chirillo, James L. Cambridge, MA $18,500 Jazz Fellowships Teaneck, NJ $7,000 To support the composition To support the completion Fellowships of a work for soprano, mezzo- Fellowships were awarded for of Concerto for Clarinet and soprano, and chamber en­ jazz performance, composi­ Jazz Orchestra written for semble, and a work for solo tion, study and special projects. standard-size jazz orchestra. bass-baritone accordion. 75 grants $545,000 Composers Fellowships Cosby, David A. Lam, Bun-Ching Baltimore, MD $3,600 Poestenkill, NY $9,500 Bacon Jr., John Fellowships were awarded to Tonawanda, NY $3,800 To support study with guitarist individual composers to create To support the cmnposition Rodney Jones. or complete musical works. of a work for solo piano. To support study with drummer and composer Bobby Previte Crook, Harold 18 grants $166,500 and related costs. Logan, Wendell M. Attleboro, MA $5,500 $13,500 Berger, Jonathan J. Oberlin, OH Balaban, Nicholas To support a concert featuring New Haven, CT $9,000 To support the composition New York, NY $2,500 the applicant as trombonist in of a work for chamber a quartet. To support the composition orchestra, choir, and vocal To support study with pianist of a concerto for piano and and instrumental soloists. Jo Anne Brackeen. D’Aveni, Anthony J. orchestra. Worcester, MA $4,500 Rothman, Daniel B. Berger, David Cordero, Marghreta To support study with saxo­ Venice, CA $8,000 New York, NY $7,500 Anthony, NM $6,000 phonist and pianist Jerry To support the composition To support the composition Bergonzi. To support the composition of a work for orchestra. of a five-movement suite for of a three-movement work for big band. Danko, Harold chorus and mixed instruments New York, NY $11,000 based on the legends of three Sametz, Steven P. indigenous Mexican women. Bethlehem, PA $7,500 Bisesi, Nicholas J. To support the costs of a Des Plaines, IL $3,000 To support the composition series of concerts featuring Eidschun, Robert W. of a work for men’s chorus. To support study with saxo­ the applicant as pianist, Rochester, NY $11,500 phonist David Liebman. composer, and bandleader. To support the composition Shearer, Allen R. Oakland, CA $9,500 Bloom, Jane Ira Donelian, Armen H. of a work for mixed chamber New York, NY $10,000 West Orange, NJ $7,500 ensemble. To support the completion of a work for voices and To support the costs of con­ To support the costs of a series Ellison, Michael P. chamber ensemble. certs featuring the applicant of jazz master classes featuring San Rafael, CA $7,000 as soprano saxophonist and the applicant as pianist in a leader in a quartet. quartet with guest musicians. To support the composition Shore, Clare of a work for string quartet. Delray Beach, FL $7,000 Brayton, Dana G. Douglas, David D. To support the composition Jamaica Plain, MA $5,500 Brooklyn, NY $10,000 Gann, Kyle E. of a work for string quartet. Lewisburg, PA $6,000 To support the composition To support the costs of con­ Stock, David of work for big band and a certs featuring the applicant To support the composition of saxophone quartet. as trumpeter in a quintet. a multimovement microtonal Pittsburgh, PA $13,000 work for electronic keyboard, To support the composition Buckholz, Christopher J. Expose, Thaddeus strings, and percussion. of a work for orchestra. New Haven, CT $2,300 Chicago, IL $2,000 Golijov, Osvaldo N. Weber, Jr., Mark A. To support study with To support study with bassist trombonist Conrad Herwig. Newton, MA $14,000 Philadelphia, PA $6,000 Rufus Reid. To support the composition To support the composition of a work for string quartet. Butler, Henry C. Felt, Bradley J. of a work for violoncello Charleston, IL $20,000 Bloomfield Hills, MI $5,000 quartet. Grantham, Donald J. To support the costs of a To support the costs of Austin, TX $7,000 Wingate, Mark L. summer jazz camp for a concert featuring the visually-impaired students. Austin, TX $6,500 applicant as tuba player To support the composition and quartet leader. of a work for mixed chamber To support the composition ensemble. Campbell, Will L. of a work for mixed chorus Dallas, $3,400 Franklin, Henry Carl and digital audio tape. Johnson, Scott R. To support study with Perris, CA $8,000 New York, NY $7,000 saxophonist Dick Oatts. To support the costs of a series of concerts featuring the To support the composition applicant as bassist in solo, of a work for sampled voice, duo, trio, and septet settings. computer-controlled elec­ tronics, and a mixed ensemble of acoustic, electric, and electronic instruments. M U S I C

Glover, Frank A. Hollenbeck, John E. Marcus, Michael D. Retzlaff, Peter E. Indianapolis, IN $5,000 Brooklyn, NY $2,500 New York, NY $6,000 New York, NY $2,000 To support the costs of a con­ To support study with pianist, To support the costs of a To support study with jazz cert featuring the applicant as trombonist, and composer concert featuring the appli­ drummer Kenny Washington. clarinetist in a jazz quartet. Bob Brookmeyer. cant playing the stritch (straight alto saxophone) Robinson, Scott M. Goldberg, Benjamin A. Jang, Jon C. and manzello (modified West New York, NJ $9,300 Oakland, CA $9,000 San Francisco, CA $9,500 saxello-b flat soprano sax) accompanied by a jazz trio To support the costs of a con­ To support the costs of a To support the composition consisting of a guitar, bass, cert featuring the applicant series of concerts featuring of a work entitled Island: and drums. playing music by composer, the applicant as clarinetist The Immigrant Suite. bandleader, and keyboardist and bass clarinetist in various Mays, Bill A. Sun Ra on various instruments ensembles. in an ensemble setting. Kimbrough, Frank M. New York, NY $5,000 Long Island City, NY $10,200 Greene, James D. To support the costs of con­ Robinson, $onya L. To support the costs of con­ New York, NY $2,000 certs featuring the applicant Glendale, WI $11,500 certs featuring the applicant as pianist in a trio. To support study with pianist as pianist performing works To support the costs of per­ Jim McNeely. written by pianist/composer McGuinness, Peter O. formances featuring the Herbie Nichols. Brooklyn, NY $6,500 applicant as violinist and Grice, Janet A. leader in a trio. Ardsley, NY $6,000 LaVerne, Andrew M. To support the composition of works for standard big band. Rosenberg, Joseph R. To support the costs of con­ Peekskill, NY $9,000 Tiburon, CA $11,000 certs featuring the applicant To support the costs of a series Middleton, Andrew L as bassoonist in a quintet. of concerts and master classes To support the costs of a featuring the applicant as Brooklyn, NY $5,000 series of concerts featuring Hahn, Steven R. pianist in a trio. To support the costs of a the applicant on soprano Boulder, CO $2,000 concert at the Greenwich saxophone accompanied by Linka, Rudolf House in New York featuring a quartet of other musicians. To support study with bassist New York, NY $2,500 the applicant as tenor and and Chapman Stick player soprano saxophonist in octet Rosenwinkel, Kurt P. Alphonso Johnson. To support study with and quartet settings. 86 guitarist John Scofield. Brooklyn, NY $6,000 Hanson, Paul J. Mills, Glenn J. To support the composition 87 Berkeley, CA $11,700 Lopato, David P. Brooklyn, NY $7,500 of music for a sextet. To support the costs of con­ New York, NY $6,500 To support the composition Saxton, William E. certs featuring the applicant To support the composition of a five-movement work for as bassoonist playing original of several works for solo large ensemble. New York, NY $7,000 world folk music in a modern piano. To support the costs of a jazz improvisational context. Moutis, Peter D. concert featuring the appli­ Lutke, Kevin J. Greenland, NH $4,000 cant as saxophonist playing Harlow, Edward To Jersey City, NJ $5,000 original compositions. Gainesville, FL $3,000 To support study with To suppbrt the costs of drummer Adam Nussbaum. To support study with saxo­ the preparation of a demon­ Schuller, George A. Brooklyn, NY $6,000 phonist George Garzone. stration tape featuring the Namery, Allan applicant as jazz guitarist. Old Tappan, NJ $8,000 To support the composition Healy, Scott M. of a work written in tribute Jersey City, NJ $6,500 MacKillop, Kerry S. To support the costs of a to jazz drummers Max Long Beach, CA $2,000 series of concerts featuring Roach, Paul Motian, and To support the composition the applicant as saxophonist Jack DeJohnette. of several extended works for To support study with in a quintet. a 10-piece ensemble. trumpeter Bobby Shew. Schumacher, David M. Pietro, David .4,. Weehawken, NJ $6,500 Helias, Mark Makowicz, Adam Astoria, NY $6,000 New York, NY $7,500 New York, NY $12,000 To support the costs of a To support the costs of a concert featuring the appli­ To support the composition To support the costs of a concert featuring the appli­ cant on baritone saxophone of several works for piano trio. series of concerts performed cant playing the alto and in different ensemble settings. in tribute to Erroll Garner soprano saxophones in Hemingway, Gerry featuring the applicant as ensembles of various sizes. pianist. Slagle, Steve Hackettstown, NJ $6,000 Chestnut Ridge, NY $6,000 To support the composition Piket, Roberta L. Brooklyn, NY $2,800 To support the costs of a of a three-part suite entitled concert featuring the appli­ Rebounds dedicated to Dizzy To support study with pianist cant as saxophonist in a Gillespie. Richie Beirach. large ensemble. M U S I C

Slater, K. Neil Williamson, Bruce E. Amherst Saxophone Chamber Music Society Denton, TX $5,500 New York, NY $5,000 Society, Inc. of Lincoln Center, Inc Williamsville, NY $4,000 New York, NY $15,000 To support the composition To support the composition of of a work for a 20-piece jazz a work for an octet composed To support chamber and new To support a subscription orchestra. of a saxophone quartet and a music performances by the series of chamber concerts. string quartet. Amherst Saxophone Quartet. Stone, Richard J. Chestnut Brass Company Brooklyn, NY $10,000 Wilson, James D. Association for Philadelphia, PA $4,000 New York, NY $5,500 the Advancement of To support the costs of a Creative Musicians To support a four-concert To support the composition residency in Washington, New York, NY $6,850 series of chamber music. D.C., featuring the applicant of a work for jazz orchestra. as guitarist in a quintet. To support a concert series Chicago Chamber Musicians celebrating the compositions Chicago, IL $4,500 Struyk, Samuel C. of the Association’s composers. To support a chamber music Ada, MI $3,200 American Jazz Masters Aston Magna Foundation for concert series. To support study with pianist The following jazz legends Music and the Humanities Jim McNeely. were each awarded an Ameri­ Danbury, CT $4,000 Concert Artists Guild, Inc. can Jazz Masters Fellowship New York, NY $4,000 Sturm, Frederick I. and a $20,000 grant. To support the performance of chamber music. To support the performance Honeoye Falls, NY $10,000 of chamber music. Brown, Raymond M. To support the copying costs Bach Camerata Hollywood, CA of a multi-faceted project Santa Barbara, CA $4,000 Da Capo Chamber designed to recognize and Players, Inc. document the evolution of Flanagan, Tommy To support the performance New York, NY $4,000 jazz arranging from the early New York, NY of chamber music. 1920s to the present. To support the performance Golson, Benny Boston Musica Viva, Inc. of chamber music. Tucker, Patrick D. New York, NY Boston, MA $4,500 Brooklyn, NY $4,000 To support the performance of Dorian Woodwind Quintet Foundation, Inc. To support study with saxo­ Haynes, Roy O. chamber music and outreach phonist David Liebman. Roosevelt, NY activities. New York, NY $4,000 To support the performance Turner, Noel Sean Johnson, James Louis Boston University, of chamber music. St. Anthony, MN $3,000 Indianapolis, IN Trustees of Boston, MA $4,500 To support study with pianist DVQ Association Jo Anne Brackeen. Silver, Horace W. To support the performance of Colorado Springs, CO $4,000 Malibu, CA chamber music by the Atlantic To support the performance Vincent, Ronald D. Brass Quintet. of chamber music. Brooklyn, NY $5,000 Bronx Arts Ensemble, Inc. Early Music America, Inc. To support the costs of a Ensembles Bronx, NY $4,500 concert featuring the Cleveland, OH $10,000 applicant as drummer To support the performance To support technical assis­ in trio and quintet settings. of chamber music. tance workshops and produc­ tion of the organization’s Weiskopf, Joel P. Chamber/Jazz California E.A.R. publications. Brooklyn, NY $3,200 Ensembles Unit Foundation Los Angeles, CA $5,000 Early Music To support study with com­ Grants were awarded to poser Dary John Mizelle. To support the performance Foundation, Inc. chamber music and jazz New York, NY $4,500 ensembles for performances of new music. Werner, Kenny of muslc for all eras, with an To support the performance of Watchung, NJ $6,000 emphasis on American music. Carnegie Chamber early music by the Ensemble Assistance was also provided Players, Inc. for Early Music. To support the composition to organizations serving the New York, NY $4,500 of a double piano concerto chamber music field. (for two pianos) and sym­ To support a chamber music Earplay phony orchestra. 65 grants $365,700 residency. San Francisco, CA $4,000 To support the performance White, Deborah A. American Brass Chamber Music of new music. Brooklyn, NY $6,000 Chamber Music America, Inc. New York, NY $40,000 To support the composition New York, NY $4,500 Four Nations, Inc. Brooklyn, NY $4,000 of a suite for jazz quintet. To support the performance To support a technical assis­ of chamber music by the tance program and costs of To support the performance Wieloszynski, Daniel L. American Brass Quintet. the quarterly magazine of chamber music. Teaneck, NJ $2,500 Chamber Music. To support study with saxophonist Bob Mintzer. M U S I C

Gamelan Son of Lion, Inc. New Music Consort, Inc. Performers’ Committee, Inc. San Francisco Contemporary New York, NY $4,000 New York, NY $6,000 New York, NY $4,000 Music Players To support the performance To support the performance To support the performance San Francisco, CA $6,500 of gamelan music. of new music. of 20th-century music by the To support the performance ensemble Continuum. of new music. Goliard Concerts, Inc. New Sounds Music, Inc. Astoria, NY $4,000 Tecumseh, MI $4,000 Philadelphia Renaissance Sea Cliff Chamber Wind Band Players, Inc. To support the performance To support a new music of chamber music by the residency by the Prism Philadelphia, PA $4,500 Sea Cliff, NY $5,000 Goliard Chamber Soloists. Quartet, Saxophone and To support the performance To support the performance MIDI Ensemble. of early chamber music. of chamber music. Hesperus Arlington, VA $5,000 New York Chamber Philomel Concerts, Inc. Shakespeare Theatre at Ensemble, Inc. Philadelphia, PA $4,000 the Folger Library To support the performance New York, NY $4,000 Washington, DC $7,500 of chamber music. To support the performance To support the performance of chamber music. To support the performance Jazz Legacy, Inc. of chamber music. of early music. New York, NY $6,850 Pittsburgh Early Music New York Festival Sixteen As One Music Inc. To support concert perfor­ Ensemble, Inc. of Song, Inc. Pittsburgh, PA $4,500 South Orange, NJ $8,000 znances, a teacher workshop, New York, NY $4,500 and a lecture/demonstration To support the performance To support a concert and for inner-city children in the To support the performance of early music. workshop series for universi­ New York area. of vocal chamber music. ties and high schools in the Present Music, Inc. New York metropolitan area, featuring the Vanguard Jazz Kronos Performing New York New Music Milwaukee, WI $4,500 Arts Association Ensemble Orchestra. New York, NY $4,500 To support the performance San Francisco, CA $15,000 of new music. To support the performance Speculum Musicae, Inc. To support new music per­ New York, NY $4,000 formances by the Kronos of new music. Prince George’s 88 Quartet. Arts Council, Inc. To support the performance of new music. Newband, Inc. Riverdale, MD $6,000 La Capriole Nyack, NY $4,500 To support a chamber music 89 Williamsburg, VA $4,000 St. Luke’s Chamber To support the performance of residency with the Prince new music during the 1995-96 Ensemble, Inc. To support the performance George’s Arts Council by the New York, NY $6,500 of chamber music. season. Resounding Winds Ensemble. To support the performance of chamber music. Lincoln Center for Newberry Library Project Ars Nova the Performing Arts, Inc. Chicago, IL $4,000 Reading, MA $5,000 St. Michael’s New York, NY $5,000 To support a series of early To support the performance chamber music concerts by Episcopal Church To support the Lincoln Center of early music. New York, NY $4,000 Jazz Orchestra’s tour in the the Newberry Consort. Northeast region, featuring Quintessence Chamber To support the performance works of Duke Ellington. North Country Ensemble, Inc. of early music by the vocal Chamber Players, Inc. Phoenix, AZ $4,000 ensemble Anonymous 4. Maelstrom Percussion Franconia, NH $4,000 To support the performance Synchronia Ensemble, Ltd. To support the performance of of new music. Buffalo, NY $5,000 chamber music. St. Louis, MO $4,000 To support the performance Quintet of To support the performance of new music. Odyssey Chamber the Americas, Inc. of new music. Players, Inc. New York, NY $5,000 Musica Antigua de New York, NY $4,000 Third Angle To support the performance New Music Ensemble Albuquerque, Inc. To support the performance of of chamber music. Mbuquerque, NM $4,000 chamber music. Portland, OR $4,000 To support the performance Relache, Inc. To support the performance of chamber music. Pacific Artists Philadelphia, PA $4,000 of new music. Representatives San Francisco, CA To support the performance of Twentieth Century Consort Musical Traditions $4,000 new music. San Francisco, CA $4,000 To support artists’ fees and Washington, DC $4,000 To support the performance of related marketing expenses S.E.M. Ensemble, Inc. To support the performance new music by the Paul Dresher associated with the perfor­ Brooklyn, NY $4,000 of new music. Ensemble. mance of chamber music by the Francesco Trio. To support the performance of new music. M U S I C

Voices of Change Cantata Singers, Inc. His Majestie’s Clerkes Northwest Girlchoir Dallas, TX $8,000 Cambridge, MA $5,000 Chicago, IL $5,300 Seattle, WA $8,400 $1,700 TF To support the performance To support the conductor’s To support expenses associ­ of new music. salary, soloists’ and singers’ To support administrative and ated with a choral workshop. fees, costs associated with artistic salaries and fees. Western Wind the presentation of a newly Orchestral Association Vocal Ensemble, Inc. commissioned work, and Kansas City Chorale Chicago, IL $27,700 TF educational activities. New York, NY $6,000 Kansas City, MO $5,000 To support fees for the pro­ fessional paid singers of the To support the performance Cathedral Choral Society To support salaries of the of vocal chamber music. artistic director and part- Chicago Symphony Chorus. of Washington, DC time executive director and Washington, DC $4,300 singers’ fees. Oregon Repertory Singers To support concert costs Portland, OR $4,300 related to the appearance of Ensembles: Choruses Kitka, Inc. To support salaries of the guest conductor Robert Shaw Oakland, CA $6,500 in the performance of Paul conductor, a paid core of Grants were awarded to main­ To support singers’ fees four singers, a keyboard tain or improve the artistic Hindemith’s When Lilacs Last in the Door-yard Bloom’d. and the salary of the artistic accompanist, and fees for and managerial quality of director. vocal coaches. choruses and to provide ~ Choral Arts Society opportunities for American Performing Arts Association choral singers, soloists, con­ of Washington Los Angeles Master ductors and accompanists. Washington, DC $4,300 Chorale Association of Orange County Los Angeles, CA $13,000 Irvine, CA $5,000 $366,700 To support vocal soloists’ fees. 36 grants To support singers’ and vocal To support salaries for the Program Funds $293,000 soloists’ fees and educational singers and artistic director Treasury Funds $73,700 Choral Cross-Ties, Inc. activities. of the Pacific Chorale and fees Portland, OR $6,500 for guest soloists. American Boychoir School To support the salaries of Master Chorale of Princeton, NJ $6,000 music director, executive Orange County Phoenix Bach Choir director, accompanist, singers’ Costa Mesa, CA $4,500 Phoenix, AZ $7,000 To support artistic and admin­ fees, and related expenses. istrative salaries, engagement To support the salary of the To support singers’ salaries. of a choral conductor as Chorus America artistic director/conductor and master teacher, a series of col­ fees for a paid core of singers. Phoenix Boys laborative performances with Philadelphia, PA $25,000 Choir Association San Francisco Chanticleer, and To support ongoing services Milwaukee Symphony Phoenix, AZ $4,300 educational activities of the to the choral field. Orchestra, Inc. American Boychoir. To support fees and related Milwaukee, WI $14,600 costs for the appearance of Dale Warland Singers To support salaries and fees a guest conductor in a sub­ American Choral Minneapolis, MN $25,700 Directors Association and related administrative scription program and a $14,300 TF choral workshop. Lawton, OK $11,000 expenses of the Milwaukee To support artistic stipends Symphony Chorus. To support expenses related for singers and salaries of the Plymouth Music Series to the association’s national music director and assistant Minnesota Chorale Minneapolis, MN $11,500 leadership conference and conductor/accompanist. salaries of the executive direc­ Minneapolis, MN $7,500 To support fees for the En­ tor, the managing editor and To support singers’ fees, the semble Singers and rehearsal a part-time editorial assistant Glen Ellyn Children’s annual outreach program, accompanist and salary of the for The Choral Journal. Chorus, Inc. artists-in-residence educa­ associate conductor. Glen Ellyn, IL $4,300 tional activities, and related Ars Nova Chamber To support salaries related to a costs. Pomerium Musices, Inc. Singers, Inc. children’s choral workshop in New York, NY $4,300 Boulder, CO $4,300 DuPage County and the fifth National Choral year of the Outreach/Inreach To support singers’ fees for Foundation, Inc. rehearsals and concerts. To support artistic staff sala­ Programs. Washington, DC $7,500 ries and fees of the rehearsal accompanist and singers. To support the salary of the Gregg Smith Singers, Inc. San Francisco music director and singers’ Chanticleer, Inc. New York, NY $7,000 Ascension Music fees during the Washington San Francisco, CA $10,000 Chorus & Orchestra, Inc. To support salaries and travel Singers’ performance season. $30,0O0 TF New York, NY $7,000 expenses for singers, conduc­ tor, and accompanist. Nebraska Choral To support salaries for To support salaries of the Arts Society the singers, music director/ conductor and office staff and conductor, assistant con­ Handel and Haydn Society Omaha, NE $4,300 fees for the accompanist, ductor, and artistic director. singers, and vocal soloists. Boston, MA $18,000 To support costs associated To support the salary of the with Project Harmony involv­ San Francisco Choral Artists chorus master and rehearsal ing the Nebraska Children’s San Francisco, CA $6,000 and performance fees for the Chorus. chorus, rehearsal pianist, and To support fees for singers guest soloists. and a music director. M U S I C

San Francisco New Music Consort, Inc. American Composers Atlanta Symphony Girls Chorus, Inc. New York, NY $12,600 Orchestra, Inc. Orchestra/Robert W. San Francisco, CA $7,800 To support a residency project New York, NY $11,300 WoodruffArts Center, Inc. To support artistic salaries involving Chinese American $22,000 TF Atlanta, GA $50,000 and fees and outreach training composer Zhou Long. To support artistic and produc­ $132,000 TF programs. tion costs of an additional re­ To support the Atlanta Sym­ New Sounds Music, Inc. hearsal for each subscription phony Orchestra’s season of San Francisco Symphony Tecumseh, MI $12,600 concert, and marketing, promo­ subscription, education, family, San Francisco, CA $16,000 tion, and advertising expenses. and free parks concerts. To support a residency To support salaries of San project involving composer Francisco Symphony Chorus Jennifer Higdon and the American Symphony Augusta Symphony, Inc. singers. PRISM Quartet. Orchestra League Augusta, GA $5,000 Washington, DC $50,000 To support the MasterWorks Santa Fe Desert Chorale Western Wind To support the American Series I and II and related Santa Fe, NM $6,800 Vocal Ensemble, Inc. Conductor Program. costs. To support the singers’ and New York, NY $10,925 music director’s salaries. To support a residency project American Symphony Austin Symphony involving composer Robert Orchestra League Orchestra Society, Inc. Washington, DC $60,000 Austin, TX $19,000 Syracuse Children’s Dennis and The Western Wind Chorus, Inc. Vocal Ensemble. To support the Orchestra To support the subscription Camillus, NY $5,000 Management Fellowship concert series and engage­ Program. ment of the znusic director/ To support expenses related conductor, American guest to performances of a staged Orchestras artists, and string principals. production of Britten’s opera American Symphony for children, Golden Vanity. Orchestra League Awards are made to improve Washington, DC $194,500 Baltimore Chamber the artistic quality and man­ Orchestra, Inc. To support education, train­ agement of orchestras, to Owings Mills, MD $6,000 encourage a broader reper­ ing, and information services Consortium toire, particularly new Ameri­ to the field. To support fees for American Commissioning can works, and to provide soloists and musicians’ com­ professional opportunities American Symphony pensation in the presentation 90 Consortium Commissioning for American musicians and Orchestra, Inc. of American repertoire. grants enable consortia of conductors. Grants also go to New York, NY $18,500 91 performing organizations, educate and increase the audi­ Baltimore Symphony ence for symphonic music, to To support the subscription soloists, or presenting organi­ series of theme-based concerts. Orchestra, Inc. zations to commission and assist orchestras that are in­ Baltimore, MD $60,000 performing new works. creasingly the catalyst for the $152,000 TF return of music education for Anchorage Symphony 1 grant $120,000 the public schools of America. Orchestra To support the Celebrity, Anchorage, AK $5,000 Favorites, Casual, Uncommon, Meet the Composer, Inc. 196 grants $7,771,800 and Classically Black concert To support a series of recitals series. New York, NY $120,000 Program Funds $3,611,500 and chamber ensemble concerts Treasury Funds $4,160,300 performed by Anchorage To support the Meet The Baton Rouge Composer/Reader’s Digest/ Symphony Orchestra musicians. Acadiana Symphony Symphony Association Arts Endowment Commis­ Baton Rouge, LA $11,500 sioning Program which awards Association Ann Arbor Symphony funds to consortia of music Lafayette, LA $5,000 Orchestra, Inc. To support classical concerts. organizations for commis­ To support salaries of princi­ Ann Arbor, MI $8,000 sioning works in concert Battle Creek Symphony pal string players and costs To support increased re­ music, opera, musical theater, related to their educational muneration for orchestra Orchestra and jazz. and outreach activities. musicians, educational and Battle Creek, MI $5,000 outreach programs, and To support engagement of Albany Symphony related costs. American guest artists, the Composer in Residence Orchestra, Inc. performance of a new work by Albany, NY $18,000 Arkansas Orchestra an American composer, and a special Veteran’s Day concert. Composer in Residence grants To support the subscription Society, Inc. support collaborative working series. Little Rock, AR $9,200 relationships between com­ To support full orchestra Bay Area Women’s posers and multi-performing Amarillo Symphony, Inc. rehearsals. Philharmonic organizations in which a Amarillo, TX $5,000 San Francisco, CA $7,500 composer works within a To support community out­ To support an additional full community as an advocate for orchestra concert in the sub­ contemporary music. reach and educational pro­ grams and for engagement scription series. 3grants $36,125 of American guest artists. M U S I C

Concerto Soloists Berkeley Symphony Cedar Rapids Cleveland Orchestra/ Orchestra Symphony Orchestra Musical Arts Association Philadelphia, PA $10,000 $20,000 TF Berkeley, CA $5,000 Cedar Rapids, IA $12,200 Cleveland, OH $55,100 $176,800 TF To support the preparation To support salaries of orches­ To support salaries of contract and performance of American tra string players who com­ To support the Cleveland musicians and engagement of works through the "Under prise two string quartets, and Orchestra’s musicians’ salaries per-service assisting musicians Construction" program. concerts to rural communities and American artists’ and for performances of Master­ by the full orchestra and conductors’ fees. works and Artists Series con­ certs and run-out concerts. Binghamton Symphony ensembles. and Choral Society, Inc. Cleveland State University Champaign-Urbana Cleveland, OH $7,000 Concordia: A Chamber Binghamton, NY $5,000 Symphony, Inc. Symphony To support second perfor­ To support costs related to Champaign, IL $5,000 New York, NY $5,000 performances of a subscription mances of contemporary series concert. To support orchestra musi­ American works. To support the subscription cians’ salaries, fees for Ameri­ series. Boston Symphony can guest artists, and guest Colonial Symphony Orchestra, Inc. conductor fees. Basking Ridge, NJ $5,000 Dallas Symphony Association, Inc. Boston, MA $56,400 To support performances of $180,000 TF Charleston Symphony Dallas, TX $40,000 American music and presenta­ $110,000 TF Orchestra tion of American guest artists To support the subscription Charleston, SC $14,400 series, youth concerts, cham­ for the subscription season. To support the main subscrip­ ber ensemble performances To support salaries of orches­ tion series, African American preceding symphony orchestra tra musicians who comprise Colorado Springs and Hispanic Festival Con­ concerts, and outreach activi­ the brass and woodwind Symphony Orchestra certs, and Young Listeners’ ties to low-income elderly quintets and the string quar­ Colorado Springs, CO $17,000 Concerts. residents of Boston’s Roxbury tet, and related costs. To support Young People’s Dayton Philharmonic and Back Bay neighborhoods. and Family Adventure Con­ Charlotte Symphony Orchestra Association certs and a Side-by-Side Dayton, OH $11,200 Brooklyn Philharmonic Orchestra Society, Inc. Concert during the season. Symphony Charlotte, NC $12,000 $21,000 TF $23,000 TF Brooklyn, NY $14,300 Colorado Symphony To support the Coffee Con­ $27,000 TF To support the education Association certs and Casual Classics To support the subscription program and the American Denveg CO $15,000 Series and the In-School series and related audience Music Project. $40,000 TF Ensembles Program. development, free arts educa­ tion and community outreach, To support the subscription Delaware Symphony Chicago Sinfonietta, Inc. series, youth concerts, and and broadcasts. Chicago, IL $12,000 Association touring by an orchestra en­ Wilmington, DE $20,000 To support the subscription semble to schools in Northern Buffalo Philharmonic series. Colorado. To support the subscription Orchestra Society, Inc. series and performances Buffalo, NY $70,000 Chicago String Ensemble Columbus Philharmonic in southern Delaware com­ munities. To support presentation of Chicago, IL $5,000 Guild, Inc. works by American composers Columbus, GA $5,000 To support the subscription Des Moines Symphony at Classics Series concerts, To support engagement of repeat performances of series and repeat perfor­ Association Classics Series concerts at the mances in Evanston and American guest artists and Des Moines, IA $11,500 La Grange. educational activities. State University of New York To support the preparation, at Buffalo, and community performance, and promotion outreach programs. Cincinnati Symphony Columbus Symphony Orchestra Orchestra, Inc. of a world premiere commis­ Columbus, OH $24,000 sioned work, engagement of Canton Symphony Cincinnati, OH $40,000 American guest artists, and Orchestra Association $130,000 TF $62,000 TF educational activities. Canton, OH $20,000 To support the subscription To support the educational To support activities of the series. programs, including engage­ Detroit Symphony string quartet, brass and ment of an education director Orchestra Hall, Inc. woodwind quintets, and Classical Philharmonic of and part-time support staff. Detroit, MI $182,000 percussion ensemble. Northern California Concert Royal, Inc. To support the classical sub­ San Leandro, CA $5,000 scription series, the Christmas New York, NY $5,000 Cayuga Chamber To support an additional Festival, and Young People’s Orchestra, Inc. rehearsal for each subscription To support the subscription se­ Concert Series. Ithaca, NY $5,000 concert. ries of period instrnment per­ To support the main home formances and engagement of subscription series. American guest artists. M U S I C

Duluth-Superior Flint Institute of Music Greensboro Symphony Indiana State Symphony Symphony Association Flint, MI $5,000 Society, Inc. Society, Inc. Duluth, MN $7,000 To support the Flint Sym­ Greensboro, NC $6,500 Indianapolis, IN $24,000 To support rehearsals of Ameri­ phony Orchestra’s "Music To support the Monday Night $110,000 TF can music for subscription Where You Live" series. classical concert series. To support Indianapolis series concerts and services Symphony Orchestra musi­ for the Chamber Ensembles in Florida Philharmonic Greenville Symphony cians’ salaries and guest artists’ the Schools project. Orchestra, Inc. Association fees for the Classical Series, Ft. Lauderdale, FL $20,000 Greenville, SC $5,500 and production costs of the Eastern Connecticut $40,000 TF Studio Series and Mid-Winter Symphony, Inc. To support full and chamber Festival. New London, CT $5,000 To support the Masterworks orchestra run-ont concerts to Series and the Music for Youth underserved communities. Indianapolis Chamber To support the subscription program. series. Orchestra, Inc. Handel and Haydn Society Indianapolis, IN $5,000 Florida West Coast Boston, MA $12,000 El Paso Symphony Symphony, Inc. $23,000 TF To support an additional Orchestra Association Sarasota, FL $9,100 string rehearsal for each El Paso, TX $5,800 To support orchestra musi­ subscription concert and To support salaries of core cians’ fees for period- increased remuneration for To support the subscription orchestra musicians. instrument performances. the Music Director/Conductor. series. Fort Wayne Philharmonic Hartford Symphony Island Philharmonic Elgin Symphony Orchestra, Inc. Orchestra, Inc. Society, Inc. Orchestra Association Fort Wayne, IN $12,200 Hartford, CT $21,500 Melville, NY $9,200 Elgin, IL $5,500 $24,000 TF To support the subscription To support the Stars of the To support the performance To support core orchestra series, education and outreach Future concerts and education of American music, engage­ musicians’ salaries and related activities, and distribution of program. ment of American conductors, costs. free tickets to high school American guest artists’ fees, students. Jackson Symphony rehearsal time, and educa­ Fort Worth Symphony tional services. Orchestra Association Orchestra Houston Symphony Society Jackson, MI $5,000 Ft. Worth, TX $18,000 Houston, TX $40,000 Erie Philharmonic $36,000 TF $125,000 TF To support remuneration of Erie, PA $5,800 core orchestra musicians and 93 To support the touring and To support the subscription related costs. To support youth concerts and outreach program. series. Family Discovery concerts. Jacksonville Symphony Georgia State University Hudson Valley Association Eugene Symphony Atlanta, GA $60,000 Philharmonic Society, Inc. Association, Inc. Jacksonville, FL $13,000 Poughkeepsie, NY $10,000 $27,000 TF Eugene, OR $6,000 A cooperative agreement to support the Orchestra To support the subscription To support the education To support the subscription Education Guide. series and the Alternative program and Starry Night series. * Co-funded with the Arts in Chamber Series. at Met Park concerts. Education Program Evansville Philharmonic Huntsville Symphony Johnstown Symphony Orchestral Grand Rapids Orchestra Association Orchestra Evansville, IN $11,000 Symphony Society Huntsville, AL $5,000 Johnstown, PA $5,000 To support Family Series, Grand Rapids, MI $18,300 To support costs related to a To support engagement of Youth Concerts, and in-school $35,000 TF series of chamber orchestra additional players and a con­ ensemble performances. To support salaries of core concerts. certmaster, educational con­ orchestra musicians and re­ certs for elementary students, lated costs for subscription, Illinois Philharmonic and orchestra musicians’ par­ Fairfax Symphony chamber, educational, run-out, Orchestra ticipation as teachers at the Orchestra and special constituency con­ Park Forest, IL $5,000 Summer Music Institute. Annandale, VA $6,500 certs, and collaborative opera and ballet performances. To support increased re­ To support the subscription muneration for orchestra Kalamazoo Symphony series. musicians, additional re­ Society Greater Akron Musical hearsal time, and a chamber Kalamazoo, MI $12,000 Association, Inc. Fairfield Orchestra, Inc. orchestra concert. To support the subscription Norwalk, CT $5,000 Akron, OH $I 1,000 series and a run-out concert To support orchestra musi­ To support the continuation Illinois Symphony to Three Rivers, Michigan. cians’ remuneration and guest of outreach and education Orchestra, Inc. artists’ fees for performances programs. Springfield, IL $10,000 of concerts during the sub­ To support remuneration of scription series. core orchestra musicians. M U S I C

Los Angeles Philharmonic Milwaukee Symphony National Chamber Kansas City Symphony Orchestra Society, Inc. Kansas City, MO $20,000 Association Orchestra, Inc. $40,000 TF Los Angeles, CA $56,400 Milwaukee, WI $32,500 Rocl~ville, MD $5,000 $180,000 TF $110,000 TF To support artistic and admin­ To support the main subscrip­ tion series. To support the winter season To support classical subscrip­ istrative costs associated with subscription series. tion concerts, youth and high performance of American school concerts, family con­ music, engagement of Ameri­ Knoxville Symphony Louisiana Philharmonic certs, and touring throughout can artists, and increased Society, Inc. Wisconsin. rehearsal time. Knoxville, TN $19,500 Orchestra New Orleans, LA $11,500 To support the continued Minnesota Orchestral National Symphony engagement of core orchestra To support engagement of a Association Orchestra Association musicians. music director and orchestra Minneapolis, MN $55,900 Washington, DC $60,000 musicians’ salaries for perfor­ $176,000 TF $152,000 TF Lake Forest Symphony mance of Classics subscription series concerts. To support the subscription To support the classical sub­ Association, Inc. series, including the Kaleido­ scription series. Lake Forest, IL $6,000 Louisville Orchestra, Inc. scope and Casual Classics To support the subscription Louisville, KY $23,000 series, education and outreach New Hampshire Symphony series, and run-out concerts $47,000 TF activities, and a Midwest tour. Manchester, NH $6,000 to Northwestern Lake County communities and the College To support the MasterWorks, Mississippi Symphony To support the subscription of Lake County. Coffee Concerts, and New Orchestra Association series at the Palace Theatre. Dimensions in Music Series. Jackson, MS $5,800 Lansing Symphony New Haven Symphony To support statewide run-out Orchestra, Inc. Association, Inc. Madison Civic and touring of full orchestra Lansing, MI $5,000 Music Association New Haven, CT $15,000 Madison, WI $5,000 and ensemble concerts To support engagement of throughout Mississippi and To support the subscription additional string players. To support the education distribution of free tickets series. program. to underprivileged and dis­ Lehigh Valley abled citizens. New Jersey Symphony Chamber Orchestra Marin Symphony Orchestra Lehigh Valley, PA $5,000 Association Missouri Symphony Society Newark, NJ $81,000 $10,000 To support additional string San Rafael, CA Columbia, MO $5,000 To support the education sectional and string principal To support increased remu­ To support an audience devel­ program. rehearsals for subscription neration for orchestra musi­ opment effort and distribution series concerts. cians, additional rehearsal of free tickets to disadvantaged New Mexico Symphony time, the music director’s residents. Orchestra Lexington Philharmonic salary, Young Peoples Con­ Albuquerque, NM $15,000 certs, New Projects Series, Society, Inc. Modesto Symphony Orchestra To support the engagement of and marketing and promotion Modesto, CA $5,000 Lexington, KY $10,000 costs. a music director, educational To support the performance programs, and touring To support civic and educa­ throughout New Mexico. tional ensemble performances, Maryland Symphony of American music and the Young People’s Concerts, and Orchestra, Inc. presentation of American travel expenses for musicians. $5,500 guest artists. New World Symphony, Inc. Hagerstown, MD Miami Beach, FL $10,000 Lincoln Orchestra To support presentation of Monterey County $20,000 TF American guest artists. Association Symphony Association To support the home subscrip­ Lincoln, NE $5,000 Carmel, CA $5,500 tion series. Meet the Composer, Inc. To support a free public New York, NY $64,000 To support an extra rehearsal concert in the park. for each of the subscription New York Chamber To support the orchestra series concerts. Symphony, Inc. Long Beach Symphony portion of the New Residency New York, NY $13,000 Association Program. Music of the Baroque $25,000 TF Long Beach, CA $12,000 Concert Series To support the Main Series. $23,000 TF Memphis Orchestral Chicago, IL $12,500 Society, Inc. To support orchestra musi­ New York Philharmonic/ To support orchestra musi­ Memphis, TN $10,200 cians’ salaries for concerts $19,000 TF cians’ salaries and presentation Symphony Society and education projects. of American instrumental of New York To support salaries of core soloists. New York, NY $56,400 Los Angeles Chamber orchestra musicians. $180,000 TF Orchestra Society, Inc. Nashville Symphony To support the Rush Hour Los Angeles, CA $23,000 Meridian Symphony Association and Casual Saturday concerts, $47,000 TF Association, Inc. Nashville, TN $12,000 Philharmonic Celebrations, Meridian, MS $5,000 $23,000 TF To support artistic and pro­ additional rehearsals, Children’s duction costs of the Connois­ To support performance of To support summer concerts Promenades educational activi­ seur and Regency Series. American music and presenta­ and a concert in tribute to ties, Philharmonic Forums, tion of American guest artists. Martin Luther King, Jr. and free parks concerts. M U S I C

North Carolina Oregon Symphony Philadelphia Orchestra Portland Maine Symphony Society, Inc. Association Association Symphony Orchestra Raleigh, NC $20,000 Portland, OR $25,000 Philadelphia, PA $65,000 Portland, ME $27,000 $60,000 TF $80,000 TF $160,000 TF To support the Classical Series To support full orchestra To support Classical Series To support the subscription and pre-concert lecture series. educational concerts and subscription concerts, run- series, a chamber music series, performances of new out concerts, and concert People’s Choice Concerts, edu­ Prince William American music. broadcasts. cational outreach programs, Symphony Orchestra performances of Messiah, Prince William, VA $4,400 Northwest Chamber Orpheon, Inc. Martin Luther King, Jr. and To support run-out concerts. Orchestra New York, NY $15,000 Halloween concerts, and a Seattle, WA $5,000 New Year’s Eve Gala. To support additional re­ Pro Arte Chamber Orchestra To support artistic, produc­ hearsal time, preparation Philharmonia of Boston, Inc. tion, and administrative costs and performance of American Baroque Orchestra Cambridge, MA $6,500 related to a concert on the music, outreach and education subscription series. programs, and presentation of San Francisco, CA $18,400 To support salaries of the American guest artists. To support costs related music director and general Northwest Indiana to the period-instrument manager. Symphony Society, Inc. Orpheus Chamber performances of Handel’s Munster, IN $9,000 Orchestra, Inc. oratorio Saul. ProMusica Chamber Orchestra of Columbus To support costs related to the New York, NY $13,000 Great American Concerto $27,000 TF Philharmonia Virtuosi Corp. Columbus, OH $5,000 Project. To support the Carnegie Hall Dobbs Ferry, NY $8,000 To support travel expenses and Satellite Series, and To support an additional of orchestra musicians living Oakland East Bay preparation and performance rehearsal for each subscription outside the Columbus area for Symphony of new American music. series concert. orchestra sei~,ices and related Oakland, CA $5,000 costs. Owensboro Symphony Philharmonic Center To support engagement of Orchestra, Inc. for the Arts, Inc. Queens Symphony music director/conductor and Orchestra, Inc. part-time business manager, Owensboro, KY $5,000 Naples, FL $12,000 Long Island City, NY $6,000 subscription series, outreach To support principal musi­ To support the salary of the 94 and educational activities, cians’ remuneration and in- Naples Philharmonic’s resident To support the subscription and an orchestra and chorus school educational programs. conductor for the rehearsal series, additional rehearsals, collaborative concert. schedule and public school audience development, and 95 Pacific Symphony music education program. community outreach activities. Ohio Chamber Association Orchestra Society Santa Ana, CA $13,000 Philharmonic Society of Reading Symphony Beachwood, OH $9,000 $47,000 TF Northeastern Pennsylvania Orchestra Association Reading, PA $9,000 To support a free concert To support engagement of Avoca, PA $5,000 series and related educational American soloists and guest To support the Classical To support a community activities. conductors, and orchestra Subscription Series and outreach program, additional musicians’ salaries for prepa­ educational activities. rehearsals, increased remu­ Oklahoma Philharmonic ration and performance of neration for orchestra musi­ Society, Inc. contemporary American works Phoenix Symphony cians, and American guest Oklahoma City, OK $10,700 and Youth Concerts. Association artists’ fees. Phoenix, AZ $29,100 To support the Classics Sub­ Rhode Island scription Series. Pasadena Symphony $58,000 TF Association Philharmonic Orchestra To support the Classics Series Pasadena, CA $18,400 Providence, RI $11,000 Omaha Symphony performed at Symphony Hall. Association To support musicians’ salaries To support costs related to the Omaha, NE $11,000 for subscription series concerts Pittsburgh Symphony Music for Our Schools and the $21,000 TF and educational programs. Society Rhode Island Philharmonic ~buth Orchestra programs. To support the education Pittsburgh, PA $55,000 Peoria Symphony Orchestra $175,000 TF program, touring activities, Richmond Symphony and run-out concerts. Peoria, IL $9,000 To support the subscription Richmond, VA $10,000 To support increased remu­ series. $20,000 TF Orchestral Association neration for orchestra musi­ Chicago, IL $56,400 cians, pre-concert lectures, Piano Chamber Orchestra To support musicians’ salaries and other related costs for $180,000 TF increased chamber music Piano, TX performances, and related $5,000 the production of the Double To support the Chicago marketing costs. To support increased remu­ Exposure Series and statewide Symphony Orchestra’s sub­ neration for per-service musi­ touring. scription series. cians and engagement of American guest artists and conductors. M U S I C

Riverside Symphony, Inc. Saint Louis San Luis Obispo County Southwest Florida Symphony Orchestra New York, NY $5,000 Symphony Society Symphony Orchestra St. Louis, MO $57,000 San Luis Obispo, CA $5,000 Fort Myers, FL $5,000 To support free Community $176,000 TF To support the Music Direc­ To support distribution of free Concerts, additional rehearsal tickets to at-risk and disadvan­ time, and repeat performances To support the subscription tor’s and orchestra musicians’ of its Tully Hall concerts at the series. salaries and American guest taged children, educational Kathryn Bache Miller Theatre. artists’ fees for performances activities, and ensemble per­ formances in nursing and Saint Luke’s Chamber of main subscription series concerts. retirement homes. Rochester Civic Music Guild Ensemble, Inc. Rochester, MN $5,000 New York, NY $10,000 Santa Barbara Symphony Spokane Symphony Society To support engagement of To support orchestra musi­ Orchestra Association Spokane, VCA $21,500 the Rochester Symphony cians’ salaries for performance Santa Barbara, CA $11,000 of subscription series concerts To support orchestra musi­ Orchestra’s music director/ cians’ salaries. conductor, per-service orches­ at Carnegie Hall and repeated To support the Sunday tra musicians, and American at SUNY/Purchase and the matinee series. guest artists. Tilles Center in Long Island. Springfield Symphony Santa Rosa Symphony Orchestra Rochester Philharmonic Saint Paul Chamber Association Springfield, MA $22,000 Orchestra, Inc. Orchestra Society Santa Rosa, CA $5,000 To support educational activi­ Rochester, NY $24,000 St. Paul, MN $30,000 To support engagement of ties, performance of American $62,000 TF $105,000 TF the music director/conductor. music, and presentation of To support educational con­ To support the Masterworks, American guest artists. certs, subscription series Basically Baroque, and Morn­ Savannah Symphony concerts in the Eastman ing Coffee Series. Society, Inc. Stamford Symphony Theatre, Stained Glass con­ Savannah, GA $19,000 Orchestra, Inc. Stamford, CT $5,500 certs, free concerts at public San Diego Chamber To support the education locations, and run-out con­ Orchestra program. To support engagement of certs in upstate New York. Rancho Santa Fe, CA $5,000 additional musicians, pre- concert educational programs, Rockford Symphony To support additional rehears­ Seattle Symphony als in the performance space, Orchestra, Inc. and distribution of free and Orchestras, Inc. discounted tickets to students, engagement of American Seattle, WA $35,000 Rockford, IL $5,000 guest artists, and performance the elderly, and economically- $95,000 TF disadvantaged residents. To support the education of American music. To support the Masterpiece program, the pops series, and series. a production of The Barber of San Diego Symphony Symphony Society Seville. Orchestra Association of San Antonio San Diego, CA $23,000 Shreveport San Antonio, TX $18,500 Sacramento Symphony $62,000 TF Symphony Society $35,000 TF Shreveport, LA $13,300 Association To support orchestra musi­ To support youth concerts, Sacramento, CA $20,000 cians’ salaries for the main To support an educational orchestra musicians’ salaries, American guest artists’ and To support orchestra musi­ home series. program in cooperation with cians’ salaries, educational school boards in Bossier, conductors’ fees, and concert activities, and the World View Caddo, Claiborne, and DeSoto production and marketing San Francisco parishes. costs. Festival. Chamber Symphony San Francisco, CA $5,000 Saginaw Symphony South Bend Syracuse Symphony Association To support increased remu­ Symphony Orchestra Orchestra, Inc. neration for musicians and $5,000 South Bend, IN $10,000 Syracuse, NY $17,000 Saginaw, MI additional rehearsal time. $33,000 TF To support engagement of To support salaries of core orchestra musicians and To support educational activi­ the principal string players, San Francisco Symphony woodwind players, and brass component ensembles. ties, engagement of American San Francisco, CA $56,400 guest artists, performance of players. $180,000 TF South Dakota American music, and full orchestra and ensemble run- Saint Joseph Symphony To support the main subscrip­ Symphony Orchestra tion series. Sioux Falls, SD $5,000 out performances in central Society, Inc. and northern New York. St. Joseph, MO $5,000 To support engagement of San Jose Symphony American guest artists and To support the subscription Association Toledo Orchestra series, educational activities, conductors, performance of San Jose, CA $15,000 American music, educational Association, Inc. festival concerts, and run-out $40,000 TF activities, and touring by the Toledo, OH $15,000 concerts. $28,000 TF To support the Signature full orchestra and chamber Series and a free outdoor ensembles. To support costs related to concert. the presentation of American guest artists. M U S I C

Tucson Symphony Society West Shore Winston-Salem Chicago Park District Tucson, AZ $23,000 Symphony Orchestra Symphony Association Chicago, IL $24,500 TF Muskegon, MI $5,000 Winston-Salem, NC $20,100 To support salaries of the To support American musi­ orchestra’s core musicians. To support costs related to To support musicians’ salaries cians’ fees and related costs an additional full orchestra and costs related to educa­ for the 1995 Grant Park Music Tulsa Philharmonic rehearsal for each subscription tional activities and an addi­ Festival. Society, Inc. series concert in Frauenthal tional rehearsal. Tulsa, OK $18,500 Theater. Eastern Music Festival, Inc. To support salaries of the Greensboro, NC $5,100 West Virginia Symphony orchestra’s core musicians. Orchestra, Inc. Music Festivals To support American musi­ Charleston, "~W $9,000 cians’ fees for the 1995 Tuscaloosa Symphony Grants assist music festivals Eastern Music Festival. Association, Inc. To support the continuation of that are primarily producers. Tuscaloosa, AL $5,000 touring activities throughout Festival at Sandpoint, Inc. West Virginia. To support educational 25 grants $240,000 8andpoint, ID $4,000 Program Funds $140,000 activities. Westchester Philharmonic To support American musi­ Treasury Funds $100,000 cians’ fees and related costs for Hartsdale, NY $8,000 University of Illinois at the 1995 Festival at Sandpoint. Urbana-Champaign To support open rehearsals in Boston Symphony Champaign, IL $5,000 the orchestra’s performance Orchestra, Inc. Fredric R. Mann hail. Boston, MA $18,100 TF To support orchestra musi­ Music Center cians’ fees for a fourth re­ To support American guest Philadelphia, PA $5,900 Westchester Philharmonic hearsal for each subscription artists’ fees for the 1995 To support American musi­ series concert and American Hartsdale, NY $7,500 Tanglewood Festival. cians’ fees for the 1995 soloists’ fees and related costs. To support the continuation summer festival at the Mann of the Education Program, Bowdoin College Music Center. Utah Symphony Society "Exploring New Worlds: Brunswick, ME $4,400 Salt Lake City, UT $26,300 Music of the Americas." To support American musi­ Grand Teton $70,000 TF cians’ fees and related costs for Music Festival, Inc. Westfield Symphony To support the Classical, the 1995 Bowdoin Summer Teton Village, WY $8,300 96 Westfield, NJ $5,000 Chamber, Cinema, Enter­ Music Festival. To support American musi­ tainment, Family, and Youth To support preparation and cians’ fees and related costs Series, Finishing Touches performance of American Bravo for the 1995 Grand Teton 97 concerts, collaborative per­ music, presentation of Ameri­ Vail, CO $5,900 Music Festival. formances with the Utah can guest artists, and educa­ Opera, and run-out concerts To support American musi­ tional programs. cians’ fees and related costs La Jolla Chamber and touring in Utah and the Music Society western United States. for the 1995 Bravo! Colorado Westmoreland at Vail-Beaver Creek Music La Jolla, CA $4,900 Symphony Orchestra Festival. To support American musi­ Ventura County Greensburg, PA $5,000 Symphony Association cians’ fees for the 1995 Bridgehampton Chamber Ventura, CA $5,000 To support an additional Summerfest La Jolla. rehearsal for each subscription Music Associates, Inc. To support orchestra musi­ series concert. New York, NY $4,000 Los Angeles Philharmonic cians’ salaries and presenta­ tion of American guest artists. To support American musi­ Association Wheeling Symphony cians’ fees and related costs for Los Angeles, CA $15,700 TF Society, Inc. the Bridgehampton Chamber To support American musi­ Vermont Symphony Wheeling, ~,W $6,000 Music Festival. Orchestra Association, Inc. cians’ fees for the 1995 Holly­ Burlington, VT $11,000 To support additional wind wood Bowl Summer Festival. and string sectional rehearsals. Cabrillo Guild of Music To support run-out concerts Santa Cruz, CA $13,700 Minnesota Orchestral and tours throughout the Wichita Symphony state. To support American musi­ Association Society, Inc. cians’ fees and related costs Minneapolis, MN $9,800TF Wichita, KS $17,300 for the 1995 Cabrillo Music Washington Chamber Festival. To support American musi­ Symphony To support educational cians’ fees for the 1995 concerts. Viennese Sommerfest. Washington, DC $5,000 Caramoor Center for Music To support the performance William Paterson College Katonah, NY $4,000 Monadnock Music of American music and the of New Jersey To support American musi­ Peterborough, NH $5,900 engagement of an American Wayne, NJ $5,000 conductor and guest artists. cians’ fees for the 1995 To support American musi­ To support a special concert Caramoor Music Festival. cians’ fees and related costs commemorating the 50th for the 1995 Monadnock anniversary of the United Music Festival Nations. M U S I C

Mozart Festival Association Yellow Barn Curtis Institute of Music Manhattan School of Music San Luis Obispo, CA $7,300 Putney, VT $5,900 Philadelphia, PA $6,100 New York, NY $14,800 TF To support American musi­ To support American musi­ To support the program of To support the program of cians’ fees for the 1995 Mozart cians’ fees and related costs scholarship aid to American scholarship aid for under­ Festival in San Luis Obispo. for the 1995 Yellow Barn students in the Master of graduate, graduate, and Music Festival. Music in Opera Program. doctoral students in classical and jazz music studies. Music Associates of Aspen, Inc. Detroit Symphony Marlboro School Aspen, CO $4,800 Orchestra Hall, Inc. $12,300 TF Training, Recording, Detroit, MI $7,175 of Music, Inc. Services Philadelphia. PA $3,010 To support American musi­ To support the program of $23,000 TF cians’ fees for the 1995 Aspen scholarship aid for musicians Music Festival. in the Detroit Symphony To support scholarship pro­ Orchestra Fellowship Program. grams for both young and experienced artists. Music at Angel Fire, Inc. Professional Training Angel Fire, NM $8,300 Eastern Music Festival, Inc. Grants were awarded to post­ Greensboro, NC $4,000 Music Academy of the West To support American musi­ secondary music education Santa Barbara, CA $5,380 cians’ fees for the 1995 Music To support the program programs to foster the career To support the prograzn of from Angel Fire Festival. development of musicians. of scholarship aid for post­ secondary students preparing scholarship aid for students 32 grants $370,250 for professional careers in enrolled in the instrumental Musical Arts Association music. and accompanying programs. Cleveland, OH $19,600 TF Program Funds $150,250 Treasury Funds $220,000 To support A~nerican musi­ Harlem School Music Associates cians’ fees for the 1995 of the Arts, Inc. of Aspen, Inc. Blossom Music Festival. American Symphony New York, NY $5,380 Aspen, CO $1,785 Orchestra League $24,140 TF Washington, DC $23,500 To support coaching fees for OK Mozart, Inc. the Master Voice Class Pro- To support the program of Bartlesville, OK $14,700 To support the Music Assis­ scholarship and fellowship tance Fund Scholarship aid for students in the Aspen To support Anlerican musi­ program. cians’ fees and related costs Howard University Festival Orchestra, the Aspen for the 1995 OK Mozart Washington, DC $8,970 Chamber Symphony, and the International Festival. Boston Symphony Aspen Opera Theater Center. Orchestra, Inc. To support scholarship aid to Boston, MA $43,240 TF students in the String Instru­ New England Peter Britt Gardens Music ment Program. and Arts Festival Association To support the Fellowship Conservatory of Music Medford, OR $5,400 Program at Tanglewood Music Boston, MA $15,610 TF Center held in conjunction Indiana University To support American artists’ $4,490 To support the program of with the Tanglewood Music Bloomington, IN scholarship aid and a course fees for the 1995 Peter Britt Festival. Classical Festival. To support the program of entitled Career Skills. scholarship aid for students Bowdoin College in the School of Music. New School for Research Foundation of $4,000 State University of New York Brunswick, ME Social Research Albany, NY $4,000 To support the program of Johns Hopkins University New York, NY $4,000 Baltimore, MD $11,660 TF scholarship aid for Performing To support the program of To support American musi­ Associates and Associate cians’ fees for the 1995 Music To support the program of scholarship aid at the Mannes in the Mountains Festival. Composers programs at the scholarship aid for under­ College of Music for minority Bowdoin Summer Music graduate and graduate students and the creation of Festival. students. University of Oregon a new course to prepare students to manage their Eugene, OR $16,600 California Institute Juilliard School professional careers. To support American musi­ of the Arts New York, NY $27,900 TF cians’ fees and the engagement Valencia, CA $8,610 New School for of an audience development To support the program of Social Research coordinator for the 1995 To support the program of scholarship aid for talented scholarship aid for minority New York, NY $10,320 Oregon Bach Festival. American students in the students enrolled in the Jazz Music Division. To support the program of and Instrumental Performance Yale University scholarship aid for students Programs. participating in the 1995 New Haven, CT $6,900 Kent State University Kent, OH $7,175 New York String Orchestra To support the 1995 Norfolk Cleveland Institute of Music Seminar. Chamber Music Festival. Cleveland, OH $9,060 TF To support the program of scholarship aid at Kent/ To support the prograxn of Blossom Music. scholarship and fellowship aid to undergraduate and gradu­ ate students. M U S I C

Oberlin College University of Michigan Musicians’ Accord, Inc. Oberlin, OH $14,620 TF Ann Arbor, MI $2,890 Music Recording Brookside, NJ $5,960 $12,000 TF To support the program of To support a recording ad­ scholarship aid for students To support the program of Grants assist nonprofit orga­ dressing the AIDS crisis and enrolled in the Conservatory scholarship aid for master’s nizations to enable solo and featuring the works of Chris of Music. and doctoral fellowship duo performers record and DeBlasio, Laura Kaminsky, students. distribute American music. and C. Bryan Rulon for Com­ Orchestral Association posers Recordings, Inc. 20 grants Chicago, IL $2,310 Yellow Barn $212,210 $15,000 TF Putney, VT $4,000 New Music Consort, Inc. Bang On A Can, Inc. To support the scholarship aid New York, NY $5,060 To support the program of New York, NY $11,380 program of the Civic Orches­ scholarship aid for partici­ To support the recording of tra of Chicago, the training pants enrolled in the Yellow To support the recording percussion and string works orchestra of the Chicago Barn Music Festival. of works by David Lang for of Charles Wuorinen and Symphony Orchestra. Sony Classical. Ge Gan-ru for Mode Records.

Quartet Program, Inc. California State University- New Sounds Music, Inc. Career Development Fresno Foundation Rochester, NY $4,000 Tecumseh, MI $11,380 Organizations Fresno, CA $5,960 To support the program of To support the recording of scholarship aid. To support the recording saxophone works by William Grants assist organizations, of solo flute and flute and Albright, performed by the Research Foundation of other than presenters or piano works featuring flutist PRISM Quartet, for Bridge educational associations, to M. Teresa Beaman and pia­ State University of New York support professional career Records. Albany, NY $8,970 nists Jane Davis Maldonado development of American and Andreas Werz for Laurel To support the program of solo artists. Records. New York Foundation scholarship aid at the Pur­ for the Arts, Inc. 4 grants $81,275 New York, NY chase College Division of Chestnut Brass Company $8,670 Music. Philadelphia, PA $9,570 To support the recording Concert Artists Guild, Inc. of wind and piano works Rider University New York, NY $21,670 To support the recording of ofWallingford Riegger for works by Richard Wernick, Bridge Records. 98 Lawrenceville, NJ $7,175 To support management and Leslie Bassett, Eric Stokes, To support the program of booking services, national Jan Krzywicki, and Timothy scholarship aid. concert tour expenses, and the Greatbatch for Albany Records. Newband, Inc. 99 Guild’s New York City recital Nyack, NY $7,770 series. San Francisco Conservatory Chicago Chamber Musicians To support the recording of of Music, Inc. Chicago, IL $9,570 works of Elizabeth Brown, San Francisco, CA $4,000 Great Lakes Performing Dean Drummond, Anne Artist Associates To support the recording of Le Baron, and Harry Partch To support the program of Ann Arbor, MI $5,420 selected chamber music of for Mode Records. scholarship aid for students David Diamond for Cedille in the Graduate Chamber To support management and Records. Music Program. booking services for regional Orchestra 2001, Inc. performing artists in the Great Wallingford, PA $11,830 Lakes region. DVQ Association University of Cincinnati Colorado Springs, CO $10,470 To support the recording of Cincinnati, OH $8,970 TF works of American composers Pro Musicis To support a two-compact on compact discs for Centaur To support the program of Foundation, Inc. disc recording of the complete Records. scholarship aid at the College- New York, NY $16,260 chamber works of composer Conservatory of Music. Arthur Foote on the Naxos/ To support a recital series in Marco Polo label, performed Orchestral Association several cities throughout the by the Da Vinci Quartet. Chicago, IL $23,120 University of Maryland United States. College Park, MD $6,730 To support the recording of Musical Traditions Concerto for Orchestra, Legends, To support the program of Young Concert Artists, Inc. scholarship aid of the National San Francisco, CA $9,570 and Cki Skyline by composer New York, NY $37,925 Shulamit Ran for Teldec. Orchestral Institute. To support the recording of To support the organization’s arias from selected operas services to American solo Perconti, Bill University of Massachusetts and musical theater works of recitalists. Clarkston, WA Amherst, MA $6,280 composer Paul Dresher for $4,610 Owl/Starkland Recording. To support the recording To support the program of of alto saxophone works by scholarship aid for the 1995 Barbara Kolb, Bernhard Jazz in July X%rkshop in Heiden, Ellwood Derr, and Improvisation. Fisher Tull for Centaur Records. M U S I C

Mills College Brooklyn Philharmonic Phoenix Symphony Symphony Association Oakland, CA $5,000 Services to Composers Brooklyn, NY $9,200 Phoenix, AZ $16,790 To support costs related to a Grants support organizations series of symposia presented To support a weekend of To support the recording of special jazz performances Daniel Asia’s Piano Concerto which provide national or by the Mills College Center regional services to composers. for Contemporary Music. titled From Gospel to Gershwin, and Black Light for orchestra featuring arrangements by on the Koch International $105,600 William Grant Still and others Classics label. 8 grants Minnesota Composers Forum for the Paul Whiteman Band, American Composers $7,000 and free summer park/ Pittsburgh Symphony St. Paul, MN coxnmunity concerts in Society Orchestra, Inc. New York, NY $5,000 To support administrative 1995 and 1996. Pittsburgh, PA $20,410 and other expenses associated To support costs related to with the Forum’s services to International Association To support the recording orchestral reading sessions of commissioned works of member composers, and the of Jazz Educators Benjamin Lees, Ellen Taaffe and mentors for emerging National Composer Services Manhattan, KS $30,000 Zwilich, and Leonardo Balada American composers. Initiative. for Sony Records. To support a special concert American Music Center, Inc. and award ceremony in honor New York, NY $33,600 of the 1996 National Endow­ Riverside Symphony, Inc. Jazz Services/ ment for the Arts American New York, NY $11,380 To support administrative Special Projects Jazz Masters Fellowships and other expenses associated recipients. To support the recording and with the center’s information post-production expenses services. Grants were awarded to associated with the recording national or regional organi­ Mid Atlantic Arts of works by Stephen Hartke zations that benefit the field Foundation, Inc. for New World Records. American Women Composers Baltimore, MD $18,750 Midwest Chapter of jazz. Chicago, IL $5,000 $155,000 To support the Mid Atlantic Seattle Symphony 11 grants Jazz Showcase. Orchestra, Inc. To support costs related to $16,790 Seattle, WA music reading sessions, music American Federation National Jazz Service workshops on extended com­ of Jazz Societies, Inc. To support the recording of Organization position techniques for clarinet West Sacramento, CA $4,600 Washington, DC $30,000 Peter Mennin’s Symphony No. 3 and current Music Instrument (1946), Symphony No. 7 (1963), Digital Interface techniques, To support a Jazz Education To support expansion of the Fantasia for Strings (1946), and and the AWC newsletter. Assistance Team to provide Technical Assistance Program, Concertato Moby Dick for Delos on-site counseling to jazz improvement of existing International, Inc. societies, completion of the programs, enhancement of Composers’ Forum, Inc. HOW-TO manuals series, New York, NY $5,000 services to the field (including Spencer, Patricia expenses for the 10th Annual regional symposia), and ex­ New York, NY $5,060 To support costs related to the AFJS Convention, and other pansion of the NJSOJournal. activities. To support the recording of New Music/New Composers music reading sessions. flute works by Thea Musgr~ve New England Foundation and Judith Shatin for Neuma American Music Center, Inc. for the Arts Records. International Computer New York, NY $13,800 Cambridge, MA $8,300 Music To support the American Mu­ To support costs relating University of North Texas San Francisco, CA $5,000 sic Center’s Jazz Information to the Achievement in Jazz Denton, TX $6,860 To support costs related to the Services and the jazz portion Awards and the fourth Computer Music Information of the Margaret Fairbank Jory To support compact disc Copying Assistance Program. regional jazz conference. recordings of works by Larry Project. Austin, Joel Chadabe, Insook Arts Midwest Philadelphia Clef Club Choi, Cort Lippe, Salvatore Meet the Composer, Inc. of the Performing Arts Minneapolis, MN $4,600 Martirano, James Phelps, Zack New York, NY $40,000 Philadelphia, PA $4,600 Settel, Rodney Waschka, and To support the Meet The To support jazz activities, Frances White for Centaur including the Jazz Masters To support costs related to Composer Fund/National producing a quarterly news­ Records. Affiliate Network. Awards and publication of the quarterly newsletter, letter and the first compre­ Midwest Jazz. hensive membership directory of regional musicians which will include contact informa­ tion, photographs, and short biographies. M U S I C

Southern Arts Carnegie Hall Corporation Florida International Orchestral Association Federation, Inc. New York, NY $20,000 University Chicago, IL $8,000 Atlanta, GA $21,450 Miami, FL To support Professional Train­ $10,000 To support the costs of com­ To support costs related to ing ~%rkshops during the To support costs related to the missioning a new work by ongoing jazz activities. 1995-96 season. Intergenerational Jazz Masters American composer Steven project. Stucky and his travel costs to Thelonious Monk Chamber Music attend rehearsals and the Institute of Jazz America, Inc. Hudson Valley premiere performance by the Washington, DC $9,700 New York, NY $80,000 Philharmonic Society, Inc. Chicago Symphony Orchestra. To support Jazz in the Class­ To support the 1995-1996 Poughkeepsie, NY $5,000 room educational activities Oregon Symphony season of the Chamber Music To support costs related to Association in selected public schools Rural Residencies program, teaching improvisational tech­ in Washington, D.C., and which places emerging cham­ niques to orchestral musicians. Portland, OR $8,000 Boston during the 1995-96 ber music ensembles in se­ To support the costs ofcom­ school year. lected rural communities Indiana University ~nissioning a new work by in Arkansas, California, of Pennsylvania American composer John Pennsylvania, Texas, Ken­ Indiana, PA $5,000 Adams and his travel costs tucky, Maine, and Oregon. to attend rehearsals and Special Projects To support costs related to the the American premiere of Chamber Music Festival of Women Composers. his work. Grants were awarded to inno­ America, Inc. vative projects that benefit the New York, NY $60,465 Jazz Foundation Pegasus Musical Society entire music field and are not of America, Inc. To amend a cooperative Dallas, TX $10,000 eligible under other Music New York, NY $8,000 categories. agreement. To support artists’ fees for To support costs related to performances by the Orches­ 27 awards $354,465 Chamber Music Society career development work­ tra of New Spain of music of Lincoln Center shops and Monday Night from the Spanish Baroque era. American Dance New York, NY $8,200 Jam Sessions. Festival, Inc. To support artists’ fees related Research Foundation of Durhazn, NC $12,000 Juilliard School State University of New York to the Chamber Music Society New York, NY $19,500 To support costs related to the Two initiative. Albany, NY $8,000 100 music portion of a composers/ To support the continuation To support artists’ fees and choreographers residency Clifford Brown Jazz of the Seaver/NEA Conductors concert production costs 101 program. Foundation Award in 1995-96. associated with the 1996June Los Angeles, CA $5,000 in Buffalo composers’ semi­ nars and workshops sponsored American Jazz Philharmonic To support costs related to Newband, Inc. Los Angeles, CA $5,000 Nyack, NY $6,000 by the State University of New educational workshops for York at Buffalo. To support costs related to a elementary and middle To support the restoration of free concert in Los Angeles. school students at the 1996 several original instruments International Association of San Francisco Symphony built by Anaerican composer San Francisco, CA $8,000 American Music Center, Inc. Jazz Educators conference Harry Partch. in Atlanta, Georgia. New York, NY $5,000 To support costs of commis­ Oakland Youth Chorus sioning a work by American To support costs related to a College Music Society, Inc. Oakland, CA $10,000 composer Lou Harrison and New Music Sourcebook. Missoula, MT $6,000 his travel costs to attend To support costs related to the rehearsals and the premiere Arts for All, Inc. To support costs related to creation and performance of performance. Tucson, AZ the presentation of a major the collaborative work Secret $4,800 retrospective on the culture, World. To support costs related to musics, and musical materials Thelonious Monk workshops and the develop­ of the Pacific Northwest as Institute of Jazz Oklahoma Philharmonic Washington, DC $20,000 ment of a song book/training part of the College Music Society, Inc. manual on involving children Society’s 38th Annual Meeting Oklahoma Cit); OK $7,500 To support costs related to in composing songs. in Portland, Oregon. the Jazz/National Basketball To support Concerts for the Association Project. Carlisle Project Conductors’ Guild, Inc. Community and the final phase of the collaborative arts Arlington, VA $5,000 West Chester, PA $5,000 Walter W. Naumburg education program ll~’ve Got Foundation, Inc. To support costs related to the To support costs related to the Rhythm. music portion of the choreo­ Guild’s American conductor New York, NY $5,000 music workshop component of training workshops during To support the expenses of a the Choreographer-Composer the 1995-96 season. concert in Alice Tully Hall in Collaborations Program. 1996 by a chamber ensemble. ust as the aria is the heart of an opera, support for performance has been the core of the Opera-Musical Theater Program. On American stages from Philadelphia to Santa Fe, opera and musical theater combine the spectacle of drama, the grandeur of costuming and sets, and the power of the human voice to engage audiences of all ages. The mission of the Endowment’s Opera-Musical Theater Program has been to support that artistic excellence and provide opportunities for more people to learn and enjoy these artforms. Grants were made through four major categories: Professional Opera-Musical Theater Companies, New American Works, Professional Artist Development, and Services to the Field.

The largest of these categories, Professional Companies, went to help underwrite the tremendous costs in mounting seasons of opera and musical theater. The Pittsburgh Opera, for example, received funding for a season which included Aida, Cosifan tutte, and Pagliacci, as well as its professional training program, the Pittsburgh Opera Center at Duquesne University. Across the country, the Western Opera Theater received support to tour Rigoletto in 45 venues in a six-state tour, and the New York City Opera went to 27 states with La Traviata through Endow­ ment support. The American Music Theater Festival in Philadelphia received funds for world premieres ofLulu Noire by Jon Faddis and Lee Breuer, and Black Water by John Duffy and Joyce Carol Oates, and in rural Virgina, Lime Kiln Arts produced four original musicals based on the folktales of the region.

The New American Works category functioned as a research and development fund for opera and musical theaters written by American composers and librettists and performed by American compa­ Don Chastain, nies. In the past, works such as The Voyage by Philip Glass and David Cass Morgan~ Henry Hwang and John Corgliano’s Rudy Roberson and The Ghosts of Versailles first received Endowment support and went on to Theresa McCarthy acclaim. The roster of 1995 grants includes works in development such in Playwrights Amistad by composer Anthony Davis and librettist Thulani Davis at the Horizons’ premiere Lyric Opera of Chicago. At the Minnesota Opera Company, com­ of the musical poser Evan Chen’s Bok Choy Varia­ "Floyd Collins." tions is in development, and The Wonderful O, a musical based on OPERA-MUSICAL THEATER PROGRAM

a James Thurber novel, The marquee poster written by Will Osborne with music and lyrics by from Houston Grand Randy Courts is in the Opera’s production final stages at the Ameri­ can Music Theater Festival. of Gershwin’s

Training for the next American classic generation of musical theater and opera theaters "Porgy and Bess," came through grants to 12 companies from the Glimmerglass Opera in Cooperstown, New York to the New Music-Theater Ensemble in Minneapolis, Minnesota. A grant went to the San Francisco Opera 102 Center’s Adler Fellowship Program which provides 103 intensive training to nine singers, including support­ ing roles in the Company’s International Season. Past participants in the program have included singers Craig Estep, Maria Fortuna, and Susan Patterson.

The Services to the Field Category supports a wide range of activity not covered under the basic program guidelines. Grants were awarded in 1995 for projects such as the 1995 Festival of New Musicals, the fellowship program run by OPERA America, and the video taping of live musical theater performances for the The­ ater on Film and Tape Library housed at the New York Public Library, a collection of over 2,800 American musical theater productions available to theater profes­ sionals, researchers, and the public. OPERA-MUSICAL THEATER PROGRAM

Manhattan 185 awards $5,057,000 Burns, Donna Lynn Foley, Peter New York, NY $8,000 Brooklyn, NY $10,000 Theatre Club, Inc. New York, NY $5,000 To support the creation of To support the creation of The New American Works Storm Warning by composer Masters by author/composer To support the general opera­ Donna Lynn Burns, librettist/ Peter Foley based on a short tion and development of the Grants enabled individual pro­ lyricist Saundra McClain, story by Ursula K. Le Guin. musical theater program. ducers and organizations to and orchestrator Timothy create, develop, rehearse and Graphenreed. Goodspeed Opera House Mankin, Nina produce new American opera Foundation, Inc. New York, NY $8,000 or musical theater works, to en­ Carnelia, Craig East Haddam, CT $7,500 To support the creation and courage their introduction into New York, NY $8,000 testing/revision of The Two the standard repertory, and to To support the creation of To support the creation Summer by composer Paul Orphans by composer/lyricist make audiences more aware Schwartz and playwright/ Nina Mankin, composer and appreciative of new works. of Actor, Lawyer, Indian Chief by composer/lyricist Craig lyricist Erik Haagensen based Mark Bennett and bookwriter 53 grants $612,000 Carnelia. on the novel by Edith Wharton. Theresa Rebeck.

American Music Carter, Chandler Goodspeed Opera House Minnesota Opera Company Theater Festival, Inc. New York, NY $10,000 Foundation, Inc. Minneapolis, MN $10,000 East Haddam, CT $21,000 Philadelphia, PA $35,000 To support the creation of To support the rehearsal Supper at Emmaus by composer/ To support the new works and production of Bok Choy To support the testing/revision Variations by composer and rehearsal and production librettist Chandler Carter. development program. of Looking for Sister Noblues/ Evan Chen. The Reunion by composer Cole, Stephen Griffiths, Wendy E. Geri Allen and writer Hattie New York, NY $5,000 New York, NY $5,000 Minnesota Opera Company Gossett. Minneapolis, MN $35,000 To support the creation of The To support the creation of The To support the rehearsal and American Music Night of the Hunter by librettist/ Quiet American by composer/ lyricist Stephen Cole and com­ librettist Wendy Griffiths. production of Transatlantic Theater Festival, Inc. by composer George Antheil. Philadelphia, PA $25,000 poser Claibe Richardson. Harvestworks, Inc. To support the rehearsal Cumberland County New York, NY $5,000 Mount Vernon College and production of The Wonder­ Washington, DC $5,000 Playhouse, Inc. To support the creation of ful O, adapted from the Crossville, TN $12,000 To support the rehearsal James Thurber novel by Jerry by composer/librettist To support the creation and Shelley Hirsch. and production of Full Moon Will Osborne, with music in March by composer John and lyrics by Randy Courts. testing/revision of Spirit of the Mountains, based on Hegarty, James Harbison, adapted from the libretto of the play by American Music the life and writings of Elgin, IL $8,000 Emma Bell Miles. W.B. Yeats. Theater Festival, Inc. To support the testing/revision Philadelphia, PA $17,000 of PeaceOpera by James Hegarty. Drummond, Dean Music-Theatre Group, Inc. To support the developmental Upper Nyack, NY $12,000 New York, NY $10,000 program, which includes House Foundation To support the creation of for the Arts, Inc. To support the testing/revision AMTF’s Independence Resi­ of Extraordinary Measures by dent Ensemble Project and Care Buffe by composer Dean New York, NY $26,000 Spelvin’s Cafe. Drummond and poet!librettist composer William Harper. Charles Bernstein. To support the creation and testing/revision of America American Music Theater Music-Theatre Group, Inc. Archeology #2, #3 and #4 New York, NY $5,000 Festival, Inc. Emerald City Arts by Meredith Monk. Philadelphia, PA $5,000 Seattle, WA $9,000 To support the creation of To support the creation To support the creation of Hwang, Jason You Don’t Miss Water by poet Corneliu Eady, composer/ of Across the Dreaming Line Night Passage by composer Jersey City, NJ $10,000 composed by John Hodian Robert Mora and librettist cellist Diedre Murray, and with libretto by Beth Williams. James Skofield. To support the creation of designer Michael Chybowski. Immigrant of the Womb by composer Jason Hwang. American Opera Eugene O’Neill Memorial Musical Traditions Projects, Inc. Theater Center, Inc. San Francisco, CA $15,000 Kings Majestic Corporation New York, NY $8,000 Waterford, CT $13,000 Brooklyn, NY $10,000 To support the creation and To support the rehearsal To support the 1995 National testing/revision of The Strange and production of Memoirs of Music Theater Conference at To support the revision, re­ Last Voyage of Donald Crowhurst Uliana Rooney by composer the Eugene O’Neill Memorial hearsal and production of The by composer Steve Mackey. Vivian Fine and librettist/ Theater Center. Outcast by composer Noa Ain. filmmaker Sonja Friedman. New Music- Fleischmann, Stephanie Ann Lyric Opera of Chicago Theater Ensemble Botti, Susan Brooklyn, NY $10,000 Chicago, IL $14,000 Minneapolis, MN $5,000 New York, NY $9,000 To support the creation of Far To support the testing/revision To support the creation and To support the creation of Sea Pharisee by librettist!lyricist of Amistad by composer development program of new Telaio: Desdemona by composer/ Stephanie Fleischmann and Anthony Davis and librettist American opera and other librettist/bookwriter Susan Botti. composer Miki Navazio. Thulani Davis forms of music theater. OPERA-MUSICAL THEATER PROGRAM

New Music- Santa Fe Opera Association Sarasota Opera Theater Ensemble Santa Fe, NM $20,000 Professional Artist Association, Inc. Minneapolis, MN $5,000 Sarasota, FL $13,000 To support the creation and Development To support the creation testing/revision of Emmeline by To support training for young and revision of Wanderlust, composer Tobias Picker. Grants support opera and American singers. created collaboratively be­ musical theater organizations tween writer Denise Lanctot, Santa Fe Opera Association devoted to career develop­ Theatre Building and composer Kitty Brazelton. Santa Fe, NM $7,000 ment and professional per­ Performance Community formance training of creative Chicago, IL $5,000 Opera Theatre of To support creative artist fees artists. Saint Louis for the creation of Ashoka’s To support the New Tuners Dream by composer Peter 12 grants $136,000 professional musical theater St. Louis, MO $10,000 Lieberson and librettist training program for writers, To support the rehearsal and Douglas Penick. Central City Opera composers, and performers. production of The Thunder of House Association Horses by composer Cary John Schorr, Eric D. Denver, CO $10,000 Wolf Trap Foundation for Franklin and librettist Michael New York, NY $5,000 the Performing Arts Albano. To support the 1995 training Vienna, VA $12,500 To support the creation of The program. Pen, Polly Doctor’s Wife by composer Eric To support training for young Schorr and lyricist!bookwriter singers. New York, NY $10,000 Collaborative-Arts Charles Leipart. Project 21, Inc. To support the creation of New York, NY $13,000 Bed and Sofa by composer Shadow Box Theatre, Inc. Polly Pen and librettist New York, NY $I0,000 To support the company’s Professional Companies Laurence Klavan. advanced training program. To support the rehearsal and Grants supported nonprofit Playwrights Horizons, Inc. production of The Earth and Me Glimmerglass Opera, Inc. professional opera and musi­ by Sandra Robbins. New York, NY $19,500 Cooperstown, NY $12,000 cal theater companies for resident production seasons To support the musical theater Theatre Building To support the training or, where noted, for touring. development program. Performance Community program. Chicago, IL $5,000 106grants $4,010,200 104 Playwrights Horizons, Inc. Houston Grand Opera Program Funds $1,735,200 To support development of Association, Inc. New York, NY $25,000 the introductory workshop Treasury Funds $2,275,000 To support the production of for the New Tuners Theatre. Houston, TX $18,000 105 Floyd Collins by composer/ To support the professional Amalgamated Producers, lyricist Adam Guettel and TheatreworksAJSA training program. Playwrights, Lyricists, book, additional lyrics, and Corporation and Entertainers, Inc. direction by Tina Landau. New York, NY $8,000 Juilliard School Louisville, KY $7,000 New York, NY $5,000 To support touring of original Redwood Cultural Work, Inc. To support the collaborative workshop. musical theater works. Oakland, CA $10,000 To support the Opera Center’s Young Artist Training Program. To support the creation and Triangle Opera Theater American Music the testing/revision of Way Durham, NC $10,000 Lehman Engel Theater Festival, Inc. Past Cool by composer Jeff Musical Theatre Workshop Philadelphia, PA $19,310 To support the creation of Langley and librettist Los Angeles, CA $7,500 $18,290 TF Kathleen Masterson. Luyala by composer Dr. Ysaye Barnwell and librettist To support programs for American Repertory Theatre Rhode Island Black Penelope Bridgers. writers and composers. Cambridge, MA $20,000 Heritage Society Providence, RI $15,000 Vivian Beaumont Metropolitan Opera Appalshop, Inc. Theater, Inc. Association, Inc. Whitesburg, KY $11,400 To support the rehearsal and New York, NY $15,000 New York, NY $14,500 production of Anybody Seen To support touring expenses. Marie LaVeau? by playwright To support the musical theater To support the Young Artist Aishah Rahman development program. Development Program. Arizona Opera Company Phoenix, AZ $5,000 Rosen, Louis Wargo, Richard New Music- Theater Ensemble Brooklyn, NY $10,000 Scranton, PA $10,000 ArtsPower, Inc. Minneapolis, MN $7,500 To support the creation of To support the creation of Ridgewood, NJ $5,000 The South Side by composer/ Ballymore by composer and To support the training pro- To support touring expenses. lyricist Louis Rosen. librettist Richard Wargo. grana for writers, composers, performers, and stage directors. Zimet, Paul Atlanta Civic Opera St.AnnCenter f0r Rest0rati0n Association, Inc. Brooklyn, NY $10,000 New York, NY $7,000 San Francisco Opera Association Atlanta, GA $12,500 To support the creation of To support the creation and San Francisco, CA $18,000 testing/revision of Petrarch’s Air Actaeon by librettist Paul Zimet by librettist Ronald Jones and and composers Dan Froot, To support the Kurt Herbert composer Todd Levin. Hany Mann, and Ellen Maddow. Adler Fellowship Program. OPERA-MUSICAL THEATER PROGRAM

Augusta Opera Des Moines Lake George Opera New Federal Theatre, Inc. Association, Inc. Metro Opera, Inc. Festival Association, Inc. New York, NY $5,000 Augusta, GA $5,000 Indianola, IA $10,500 Glens Falls, NY $5,000 New Jersey Austin Lyric Opera Early Music Lime Kiln Arts, Inc. June Opera Festival Austin, TX $12,000 Foundation, Inc. Lexington, VA $5,000 Princeton Jct., NJ $5,000 New York, NY $11,000 Black Ensemble Theater To support the 1995-96 tours Long Beach Opera New Music- Chicago, IL $7,500 of Daniel and the Lions and The Long Beach, CA $12,000 Theater Ensemble Raising of Lazarus/The Conver­ Minneapolis, MN $10,000 Boston Lyric sion of St. Paul. Lyric Opera Cleveland Opera Company Cleveland, OH $7,000 New Orleans Boston, MA $21,000 East-West Players, Inc. Opera Association Los Angeles, CA $5,000 Lyric Opera of Chicago New Orleans, LA $8,000 Center Stage Associates, Inc. Chicago, IL $51,120 Baltimore, MD $7,500 George Coates $251,380 TF New York City Opera, Inc. Performance Co. New York, NY $52,095 Center Theatre Group San Francisco, CA $9,400 Lyric Opera of $141,105 TF of Los Angeles Kansas City, Inc. Los Angeles, CA $14,000 George Street Kansas City, MO $9,000 New York City Opera, Inc. $14,000 TF Playhouse, Inc. New York, NY $35,000 New Brunswick, NJ $10,000 Measured Breaths Central City Opera Theatre Company, Inc. To support production House Association New York, NY $5,000 expenses associated with the Glimmerglass Opera, Inc. 1995-96 National Company Denver, CO $8,000 Cooperstown, NY $16,250 tour ofLa Traviata. $16,250 TF Metropolitan Opera To support the 1995 summer Association, Inc. festival season. New York, NY $80,730 New York Gilbert & Goodspeed Opera Sullivan Players House Foundation, Inc. $393,770 TF Chautauqua Institution New York, NY $5,000 Chautauqua, NY $12,500 East Haddam, CT $28,870 $78,330 TF Michigan Opera Theatre New York Shakespeare Chicago Opera Theater Detroit, MI $28,500 $28,500 TF Festival Chicago, IL $10,000 Hawaii Opera Theatre Honolulu, HI $15,000 New York, NY $12,500 $12,500 TF Children’s Theater Michigan Opera Theatre Company and School Hawaii Opera Theatre Detroit, MI $9,500 Honolulu, HI $7,000 North Shore Community Minneapolis, MN $15,000 To support touring expenses. Arts Foundation, Inc. To support production ex­ Beverly, MA $8,000 Cincinnati OperaAssociation penses associated with the Milwaukee Florentine Cincinnati, OH $15,000 1995-96 tour of L’Italian in Opera Company, Inc. $9,500 Odyssey Theatre Algeri throughout the islands Milwaukee, WI Foundation of Hawaii. Civic Light Los Angeles, CA $5,000 Opera Association Minnesota Opera Company Pittsburgh, PA $12,500 Houston Grand Minneapolis, MN $46,620 $12,500 TF Opera Association, Inc. $44,280 TF Opera Association Houston, TX $51,120 of Central Ohio Coconut Grove Playhouse $251,380 TF Mobile Opera, Inc. Columbus, OH $5,000 State Theatre of Florida Mobile, AL $5,000 Miami, FL $5,000 Idris Ackamoor and Opera Colorado Cultural Odyssey Music Center Denveg CO $17,500 Connecticut Opera San Francisco, CA $7,500 Opera Association Association, Inc. Los Angeles, CA $31,250 Opera Company Hartford, CT $5,000 Idris Ackamoor and $93,750 TF of Philadelphia Cultural Odyssey Philadelphia, PA $17,000 Cumberland County San Francisco, CA $6,500 Music-Theatre Group, Inc. Playhouse, Inc. To support expenses asso­ New York, NY $25,285 Opera Grand Rapids Crossville, TN $8,500 ciated with the 1995-96 tour­ $24,015 TF Grand Rapids, MI $5,000 ing performances of original Dallas Opera musical theater works. Musical Traditions Opera Guild of Dallas, TX $30,730 San Francisco, CA $8,500 Greater Miami, Inc. $83,170 TF International Arts Mianfi, FL $35,000 Relations, Inc. Musical Traditions $35,000 TF DesMoines Metro New York, NY $18,000 San Francisco, CA $10,000 Opera, Inc. To support expenses asso­ Opera Orchestra of Indianola, IA $7,500 Kentucky Opera ciated with a tour of original New York, Inc. To support touring to schools Association, Inc. works by Artistic Director and New York, NY $7,400 and rural communities. Louisville, KY $24,900 composer Paul Dresher. OPERA-MUSICAL THEATER PROGRAM

Opera Pacific Sarasota Opera Western New York Lyric Opera of Chicago Irvine, CA $16,250 Association, Inc. Opera Theater, Inc. Chicago, IL $9,000 $16,250 TF Sarasota, FL $14,800 Buffalo, NY $5,000 To support the Lyric Opera To support production for the of Chicago’s cmnposer-in­ Opera San Jose, Inc. Seattle Opera 1995-96 season of the Greater residence program. San Jose, CA $15,000 Association, Inc. Buffalo Opera Company. Seattle, WA $38,895 $105,405 TF Meet the Composer, Inc. Opera Theatre of Western Opera Theater, Inc. New York, NY $17,500 Northern Virginia, Ltd. San Francisco, CA $35,000 Arlington, VA $5,000 Shreveport Opera To support the opera and Shreveport, LA $5,030 To support expenses for musical theater components the 1995-96 tour of a new of the Meet the Composer/ Opera Theatre of production of Rigoletto. Saint Louis Spoleto Festival U.S.A. New Residencies program. St. Louis, MO $53,870 Charleston, SC $15,000 $53,330 TF York Theatre Company, Inc. National Alliance for New York, NY $5,000 Musical Theatre Producers Summer Opera New York, NY $12,800 Opera!Omaha, Inc. Theatre Company, Inc. Omaha, NE $8,000 Washington, DC $5,000 To support the 1995 Festival Services to the Field of New Musicals. OperaDelaware, Inc. Tennessee Repertory Wilmington, DE $15,000 Theatre Trust Grants assist organizations National Alliance for Nashville, TN $12,000 that provide basic services for Musical Theatre Producers Orlando Opera opera and musical theater New ~brk, NY $30,000 Company, Inc. Theatre Under companies. To support the Alliance’s Orlando, FL the Stars, Inc. artistic, management, and $7,500 13 grants Houstou, TX $13,750 $198,800 information services to its 1 cooperative Paper Mill Playhouse $13,750 TF member companies Millburn, NJ $49,160 agreement $100,000 $46,640 TF Theatreworks/USA National Public Radio, Inc. Corporation American Music Center, Inc. Washington, DC $19,500 New York, NY $5,000 Piedmont Opera New York, NY $8,900 To support the production 106 Theater, Inc. To support the opera-musical and national distribution of Winston-Salem, NC $5,000 Theatreworks/USA theater portion of the Ameri­ several programs of American Corporation can Music Center’s Library opera as part of National 107 Pittsburgh Opera, Inc. New York, NY $6,500 and Information Services. Public Radio’s "World of Pittsburgh, PA $24,000 To support touring expenses. Opera" series. American Music Center, Inc. San Diego Theatrical Outfit, Inc. New York, NY $8,000 New York Public Library Opera Association Astor, Lenox and Tilden Atlanta, GA $5,000 To support the opera-musical Foundation San Diego, CA $44,125 theater portion of the Ameri­ New York, NY $12,000 $41,875 TF Tulsa Opera, Inc. can Music Center’s copy Tulsa, OK $12,500 assistance program. To support tbe video taping San Francisco $12,500 TF of live musical theater per­ Mime Troupe, Inc. American Music formances for the Theater on Film and Tape Library. San Francisco, CA $9,770 Utah Opera Company Theater Festival, Inc. To support production ex­ Salt Lake City, UT $7,400 Philadelphia, PA $5,000 penses for the 1995-96 tour To support the Philadelphia OPERA America, Inc. of Zanzibar and Ramona. Virginia Opera Coalition for New Opera. Washington, DC $50,000 Association, Inc. To support OPERA America’s San Francisco Norfolk, VA $18,000 Houston Grand Opera informational, technical, and Mime Troupe, Inc. Association, Inc. financial services to member San Francisco, CA $15,000 Vivian Beaumont Houston, TX $10,000 companies. Theater, Inc. To support the current and San Francisco New York, NY $22,500 expanded operations of OPERA America, Inc. Opera Association $22,500 TF Houston Grand Opera’s Washington, DC $14,000 San Francisco, CA $48,500 Archives and Resource Center. To support OPERA AJnerica’s $246,500 TF Walnut Street fellowship program. Theatre Corporation Jack Faucett and Associates San Jose Civic Light Philadelphia, PA $9,000 Bethesda, MD $100,000 Theatre Development Opera Association, Inc. Fund, Inc. San Jose, CA $19,800 A cooperative agreement Washington Opera to administer artistic and New York, NY $6,000 Washington, DC $34,090 Santa Fe Opera Association administrative evaluations To support the Theatre $92,410 TF of applicants and grantees to Developinent Fund’s ongoing Santa Fe, NM $46,380 the Opera-Musical Theater opera-musical theater $125,620 TF Program. programs. resenting is a diverse field, encompassing art centers, colleges and universities, festivals, and presenters without facilities. In every venue, presenters represent an essential bridge between artists and audiences. In rural states, presenters are often the community’s only link to professional performing arts activity.

The last two decades, presenters Cover of Puppets: have developed artistic vision which guide their operations; the Power of Wonder, not only do they select the art a publication of the for their communities, they as­ sist in shaping and interpreting Center for Puppetry that art. For instance, when the University of Iowa’s Hancher Arts in Atlanta. Auditorium commissions the Joffrey Ballet or has the Road­ side Theatre or Bill T. Jones in residence, it is contributing significantly to the artists’ ability to create new work and provide community access to that work. Would there be a Joffrey Ballet Billboards without the Hancher? Would Bill T. Jones have completed and toured The Last Supper at Uncle Tom’s Cabin - The Promised Land without the commitment of two dozen presenters? In fiscal terms, presenters have an enormous effect on the various arts disciplines, and they provide access to new art for audiences of all kinds. The farmers in rural Iowa have often expressed that although they may not come often to the Hancher, they are glad their children do.

The best presenters establish themselves as trusted curators of cultural taste in their communities. Once this "house trust" is in place, the presenter moves beyond being simply a delivery system and becomes a creative resource. The successful presenter effectively blends the need to help a community explore artistically while giving appropriate attention to the financial bottom line.

Many presenters work with artists to find ways to do new things in a variety of disciplines. Presenters foster orchestra touring to get ensembles out into the com­ munity through master classes and developing relationships with public schools. Children are often first exposed to live opera through touring arrangements by presenters. The University Musical Society in Ann Arbor, Michigan worked with the Martha Graham Dance Company by asking how to incorporate other art- forms into or through dance. They commissioned a three-week residency with the Company and local dancers. P R E S E N T I N G

The Program estimates there are 2000 professional presenters nationwide, and the applicant pool of some 200 presenters alone contributes in excess of $100 million to the arts economy. While our grants have made up only a tiny percentage of that amount, the audience-building and development projects we have supported help increase levels of ticket sales and contributed income.

Another area of presenting activity which warrants special mention is an increased focus on arts education. With the establishment of presenting programs in com­ munities throughout America, local arts centers have come to be seen as learning centers in the arts. Beyond the pre- and post-performance discussions, "meet the artist" sessions, and school-time performances, many arts presenters have approached arts education as a way to deepen community involvement and effect the virtual transformation of traditional community relations. For instance, the Music Center of Los Angeles County’s Education Division annually sponsors performances by hundreds of artists in thousands of schools in Southern Califor­ nia. Elaborate study guides and workshops with teachers insure continued work with the arts long after the residency has concluded. 108 The Axis Dance 109 Troupe in Oakland,

California received a commission to develop and present a new collaborative work with the

Dance Umbrella. P R E S E N T I N G

Mexican Fine Arts Center 296 awards $5,272,000 Center for Contemporary Franklin Furnace Arts of Santa Fe, Inc. Archive, Inc. Chicago, IL $20,000 Santa Fe, NM $10,000 New York, NY $6,000 To support costs associated Presenting Organizations with the 1995 Mexican Center for Friends of Performing Arts Festival. Puppetry Arts, Inc. the Davis Center, Inc. Grants were awarded to orga­ New York, NY $30,000 nizations which present a Atlanta, GA $5,000 Miami Light Project, Inc. variety of performing arts To support costs associated Mianfi Beach, FL $7,500 to support artists’ fees and with the 1995 Summer Festival. Guadalupe Cultural related expenses for the Arts Center Mount Vernon College $27,000 1995-96 season of events. Center for Women & San Antonio, TX Washington, DC $5,000 87 grants $975,000 Their Work, Inc. Anstin, TX $5,000 Hult Center for Music Center of the Performing Arts Los Angeles County 18th Street Arts Complex Eugene, OR $15,000 Los Angeles, CA $27,000 Santa Monica, CA $10,000 Centro Cultural de la Raza, Inc. San Diego, CA $14,000 Humboldt State North Carolina Black Alberta Bair Theater University Foundation Billings, MT $5,000 Repertory Company, Inc. Children’s Theatre Arcata, CA $10,000 Winston-Salem, NC $5,000 Alverno College Board of Winston-Salem To support costs associated Winston-Salem, NC $10,000 Inquilinos Boricuas Milwaukee, WI $7,500 en Accion with performing arts and related activities during the Boston, MA $5,000 Anchorage Concert City Center 1995 National Black Theatre Association, Inc. New York, NY $7,500 Festival. Anchorage, AK $10,000 Intersection $5,000 City folk San Francisco, CA Ohio State University Appalshop, Inc. Dayton, OH $22,000 Research Foundation Whitesburg, KY $36,000 Japan Society, Inc. Columbus, OH $20,000 New York, NY $7,500 Cleveland Performance Artist Series at Art Festival, Inc. Onion River Arts Council the Pabst, Inc. Lakewood, OH $15,000 Japanese American Cultural Montpelier, VF $5,000 Milwaukee, WI $5,000 and Community Center Los Angeles, CA $27,500 Pennsylvania State Artists Collective, Inc. Climate Theatre San Francisco, CA $5,000 University Hartford, CT $9,500 Joyce Theater University Park, PA $6,500 Foundation, Inc. Asia Society Creative Time, Inc. New York, NY $5,000 Pepatian, Inc. New York, NY $15,000 New York, NY $10,000 Bronx, NY $5,000 Jump-Start Baltimore Museum Dancing in the Street, Inc. Performance Company Performance Space 122, Inc. of Art, Inc. New York, NY $6,000 San Antonio, TX $5,000 Baltimore, MD $7,500 New York, NY $20,000 Dartmouth College, Boston Dance Umbrella Kings Majestic Corporation Performing Arts Society Trustees of Brooklyn, NY $5,000 Cambridge, MA $25,000 Hanover, NH $5,000 of Acadiana, Inc. Lafayette, LA $5,000 La Mama Experimental Boston Early Music Davis & Elkins College Festival, Inc. Theatre Club, Inc. Elkins, "~W $7,000 Pittsburgh Children’s Cambridge, MA $18,000 New York, NY $25,000 Festival, Inc. To support presentation of Pittsburgh, PA $10,000 Carter G. Woodson the performing arts and Lafayette College related activities during the Foundation, Inc. Easton, PA $16,000 Portland Concert Newark, NJ $5,000 1995 season at the Augusta Heritage Center. To support presentation of Association To support costs associated performing arts and related Portland, ME $12,500 activities at the Williams with the "OnStage in New District Curators, Inc. Jersey" series. Center for the Arts. Washington, DC $22,500 Portland Performing Arts, Inc. Catamount Film Manchester Portland, ME $15,000 and Arts Co. DiverseWorks, Inc. Craftsmen’s Guild $15,000 St. Johnsbury, VT $5,000 Houston, TX Pittsburgh, PA $15,000 Randolph Street Gallery, Inc. Earshot Jazz Society Mayfair, Inc. Chicago, IL $5,000 of Seattle Allentown, PA $8,000 Seattle, WA $10,000 P R E S E N T I N G

Real Art Ways, Inc. University of Arizona Washington University Colorado Dance Hartford, CT $5,000 Tucson, AZ $5,000 St. Louis, MO $7,500 Festival, Inc. To support costs associated Boulder, CO $31,000 Redwood Cultural Work, Inc. University of California with performing arts events Oakland, CA $5,000 at Davis, Regents of and related activities at the Columbia College To support costs associated Davis, CA $5,000 Edison Theatre. Chicago, IL $15,000 with residency activities during the 1995-96 season, including University of California World Music Institute, Inc. Contemporary Dance partial support for the resio at Santa Cruz, Regents of New York, NY $25,000 Theater, Inc. dency program coordinator. Santa Cruz, CA $7,500 Cincinnati, OH $5,000

Research Foundation of University of California at D.C. Wheel State University of New York Santa Barbara, Regents of Dance Presenters Productions, Inc. Albany, NY $5,000 Santa Barbara, CA $35,000 Washington, DC $5,000 Grants were awarded to pro­ St. Ann Center for Restoration University of Kansas fessional presenting organiza­ Dance Saint Louis and the Arts, Inc. Lawrence, KS $12,000 tions for dance programming. St. Louis, MO $5,000 Brooklyn, NY $15,000 To support presentation of the 37 grants $460,000 performing arts and related Dance Umbrella San Francisco activities during the 1995-96 18th Street Arts Complex Austin, TX $7,000 Performances, Inc. season at the Lied Center. Santa Monica, CA $5,000 San Francisco, CA $10,000 Dancing in the Street, Inc. To support costs associated University of Massachusetts New York, NY $10,000 Scottsdale Cultural Council with the 1995-96 "Dance Amherst, MA $12,000 Traffic" performance series To support the presentation Scottsdale, AZ $10,000 and artist residency activities. of dance and related activities To support costs associated University of during the 1995 season of with performances and re­ Minnesota-Twin Cities American Dance "Dances For Wave Hill." lated activities of Circus Flora Minneapolis, MN $5,000 Festival, Inc. during the 1995-96 season. To support presentation of Durham, NC $31,500 Danspace Project, Inc. the performing arts and New York, NY $10,000 Seattle International related activities during the To support the presentation of 110 Children’s Festival dance and related costs during 1995-96 season at Northrop the 1995 festival. DiverseWorks, Inc. Seattle, WA $10,000 Auditorium. Houston, TX $7,500 111 Sheboygan Arts Anchorage Concert University of Pennsylvania Association, Inc. Florida Dance Foundation, Inc. Philadelphia, PA $15,000 Association, Inc. Sheboygan, WI $10,000 Anchorage, AK $15,000 To support presentation of the Miami, FL $7,000 performing arts and related Bates College, Southern Theater activities during the 1995 Foundation President and Trustees of John E Kennedy Center Philadelphia International Lewiston, ME $10,000 for the Performing Arts Minneapolis, MN $5,000 Theater Festival for Children. Washington, DC $30,000 Sushi, Inc. Boston Dance Umbrella University of Washington Cambridge, MA $46,000 Joyce Theater San Diego, CA $10,000 Seattle, WA $5,000 Foundation, Inc. To snpport a one-week resi­ Catamount Film New York, NY $35,000 TeatroAvante, Inc. dency by Urban Bush Women. and Arts Co. Miami, FL $15,000 St. Johnsbury, VT $5,000 Kings M~estic Corporation To support the 1995 Inter­ Utah Arts Festival Brooklyn, NY $8,000 national Hispanic Theater Foundation, Inc. Center for Contemporary Festival Salt Lake City, UT $5,000 Arts of Santa Fe, Inc. Ohio State University Santa Fe, NM $7,000 Research Foundation Theater Artaud Virginia Museum Columbus, OH $15,000 San Francisco, CA $5,000 of Fine Arts City Celebration, Inc. To support costs associated Richmond, VA $8,000 San Francisco, CA $5,000 Performance Space 122, Inc. with the Asian American New York, NY $22,000 Performance Initiative during Washington Center for City Parks Foundation the 1995-96 season. the Performing Arts New York, NY $5,000 Pittsburgh Dance Olympia, WA $5,000 Council, Inc. Tucson Jazz Society, Inc. College Community Pittsburgh, PA $19,000 Tucson, AZ $10,000 Services, Inc. Brooklyn, NY $8,000 P R E S E N T I NG

Chamber Music Society Downtown Music Research Foundation of Productions, Inc. State University of New York of Logan, Inc. Music Presenters New York, NY $7,500 Albany, NY $7,000 Logan, UT $5,000 To support multi-music To support production, Grants were awarded to sup­ To support a chamber concert housing, technical and design port presenting organizations and residency. concerts. costs associated with the for music programming. Chamber Music Society Early Music Guild of Seattle participation of Alvin Alley 93 awards $950,000 American Dance Theater, of St. Cloud, Inc. Seattle, WA $5,000 Amy Pivar, and Bebe Miller in St. Cloud, MN $6,000 To support early music the Performing Arts Center’s Artists Collective, Inc. concerts. 1995-96 Residency Program. Hartford, CT $11,000 To support chamber music concerts. To support a series of concerts, Earshot Jazz Society San Francisco including jazz and gospel. Charlin Jazz Society, Inc. of Seattle Performances, Inc. Washington, DC $7,000 Seattle, WA $15,000 San Francisco, CA $12,000 Bang On A Can, Inc. To support the Earshot World New York, NY $13,000 To support jazz concerts. Scottsdale Cultural Council Jazz Festival during 1995. Scottsdale, AZ $5,000 To support the Marathon City of Madison, Wisconsin new music concert during Madison, WI $10,000 Elaine Kaufman Cultural the 1995 season. Center - Lucy Moses School Society for To support multi-music con­ for Music and Dance the Performing Arts Boise State University certs and residency activities. New York, NY $13,000 Houston, TX $12,000 Boise, ID $5,000 Composers’ Forum, Inc. To support multi-music concerts. Sushi, Inc. To support chamber music New York, NY $7,500 San Diego, CA $5,500 performances. To support multi-music Fairbanks Symphony concerts. Theater Artaud Brooklyn Institute Association, Inc. of Arts and Sciences $7,500 San Francisco, CA $10,000 Fairbanks, AK Brooklyn, NY $8,000 Concert Society at Maryland, Inc. To support a multi-music concert series. Thelma Hill Performing To support a jazz concert series. College Park, MD $7,500 Arts Center, Inc. Brooklyn, NY $5,000 California Institute To support multi-music Fairfield University of the Arts concerts. $5,000 To support costs associated Fairfield, CT Valencia, CA $10,000 with dance presentation and Contemporary Arts Center, To support multi-music related activities during the To support the 1996 Spring New Orleans concerts. 1995-96 Amoebae Dance Music Festival. New Orleans, LA $7,500 Project. Friends of the Arts, Inc. California State University To support contemporary Locust Valley, NY $5,000 University of Kansas Sacramento Trust Foundation music concerts. Main Campus Sacramento, CA $7,500 To support multi-music Lawrence, KS $8,500 Creative Music Works presentations. To support the Festival of Denver, CO $5,000 To support residencies and New American Music in 1995. Friends of the Brattleboro planning activities at the Lied To support jazz concerts. Music Center, Inc. Center and in the Lawrence Center for Contemporary Brattleboro, VT $5,000 community during the Arts of Santa Fe, Inc. Creative Time, Inc. 1995-96 season. $7,500 To support a chamber music Santa Fe, NM $10,000 New York, NY concert series. University of Minnesota- To support a new music series. To support contemporary Twin Cities music concerts. Friends of the Davis Minneapolis, MN $11,000 Chamber Music Center, Inc. Northwest, Inc. Cuyahoga Community New York, NY $20,000 College University of Washington Portland, OR $15,000 To support multi-music Cleveland, OH $15,000 Seattle, WA $7,000 To support the Chamber presentations. Music Northwest festival To support the Tri-C JazzFest. World Music Institute, Inc. during 1995. Fund for the Borough of New York, NY $8,000 Dartmouth College, Brooklyn, Inc. Chamber Music Society Trustees of Brooklyn, NY $10,000 of Baltimore, Inc. Hanover, NH $15,000 To support the Celebrate Baltimore, MD $5,000 To support jazz concerts. Brooklyn performing arts To support chamber music festival in 1995. concerts. District Curators, Inc. Washington, DC $23,000 To support multi-music concerts. P R E S E N T I N G

Gainesville Friends Juneau Jazz Mostly Music, Inc. Pittsburgh Chamber Music of Jazz, Inc. and Classics, Inc. Chicago, IL $6,000 Society, Inc. Gainesville, FL $5,000 Juneau, AK $10,000 To support chamber music Pittsburgh, PA $6,000 To support jazz concerts. To support the Juneau Jazz concerts. To support chamber music and Classics festival in 1995. concerts and a residency. Haleakala, Inc. Mount Saint Mary’s College New York, NY $10,000 Kings Majestic Corporation Los Angeles, CA $16,000 Portland Performing To support new music concerts. Brooklyn, NY $20,000 To support muhi-music Arts, Inc. To support multi-music concerts. Portland, ME $14,000 Henry Street Settlement presentations during the To support a jazz concert New York, NY $5,000 1995 season. Music Hall Center for series. the Performing Arts, Inc. To support a jazz concert Koncepts Cultural Gallery series. Detroit, MI $15,000 Portland State University Oakland, CA $5,000 To support the Montreux Portland, OR $6,000 Inquilinos Boricuas To support jazz concerts. Detroit Jazz Festival in 1995. To support a solo recital series. en Accion Boston, MA $6,000 Kuumbwa Jazz Society Musica de Camara, Inc. Quad City Arts, Inc. To support jazz concerts. Santa Cruz, CA $10,000 New York, NY $8,000 Rock Island, IL $17,500 To support a jazz residency To support multi-music To support a multi-music Inter-Neighborhood and concert series. concerts. concert series. Foundation, Inc. Wilmington, DE $8,000 La Pena New Mexico Ravinia Festival Association To support a jazz concert. Austin, TX $12,000 Jazz Workshop, Inc. Highland Park, IL $5,000 Albuquerque, NM $6,500 To support Latino music To support the jazz series International Association concerts. To support a jazz concert during 1995. of Jazz Educators series. Manhattan, KS $25,000 Lafayette College Redwood Cultural To support jazz presentation Easton, PA $9,000 New Music Circle Work, Inc. at the IAJE Conference 8,: To support multi-music St. Louis, MO $5,000 Oakland, CA $14,000 112 Music Festival. concerts. To support new music concerts. To support multi-music concerts. Jazz Institute Lake George New School for 113 of Chicago, Inc. Arts Project, Inc. Social Research Renaissance and Baroque Chicago, IL $20,000 Lake George, NY $5,000 New York, NY $6,000 Society of Pittsburgh To support artists’ fees and To support the Lake George To support a series of chamber Pittsburgh, PA $6,500 archival documentation costs Jazz Weekend during 1995. music concerts. To support early music for the Chicago Jazz Festival concerts. during 1995. Manchester Ohio State University Craftsmen’s Guild Research Foundation Roulette Intermedium, Inc. jazz in Flight Pittsburgh, PA $23,000 Columbus, OH $15,000 New York, NY $5,000 Oakland, CA $9,000 To support jazz concerts and To support multi-music To support a new music series. To support jazz concerts. residencies. concerts at the Wexner Center for the Arts. St. Louis Classical jazz in the City Miami-Dade Guitar Society San Francisco, CA $30,000 Community College Ojai Festivals, Ltd. St. Louis, MO $6,000 Miami, FL $10,000 Ojai, CA $7,500 To support the San Francisco To support chamber music Jazz Festival during 1995. To support the 7th Annual To support the festival in 1995. concerts. Subtropics Music Festival, Jazzmobile, Inc. Old Town School San Francisco New York, NY $30,000 Mid-Atlantlc Center of Folk Music, Inc. Early Music Society To support jazz concerts. for the Arts Chicago, IL $12,500 Berkeley, CA $5,000 Cape May, NJ $5,000 To support foIk music concerts. To support early music John E Kennedy Center for To support the Cape May concerts. the Performing Arts Music Festival in 1995. Performing Arts Chicago Washington, DC $10,000 Chicago, IL $10,000 San Francisco Minnesota Performances, Inc. To support multi-music To support a residency. concerts. Composers Forum San Francisco, CA $20,000 St. Paul, MN $11,000 Performing Arts Foundation To support multi-music To support a new music of Kansas City presentations. concert series. Kansas City, MO $10,000 To support a jazz series. P R E S E N T I N G

Schubert Club, Inc. University of California City of San Antonio, Texas St. Paul, MN $9,500 at Davis, Regents of San Antonio, TX $33,000 Touring Initiative Davis, CA $5,000 To support solo recital and Dance Theater $552,500 chamber concerts. To support multi-music 15 awards concerts. Workshop, Inc. New York, NY $95,000 Si-Yo Music Society Foundation, Inc. University Musical Society $50,000 TF Regional Arts $5,000 Ann Arbor, MI $30,000 New York, NY Flynn Theatre for Organizations To support chamber music To support multi-music the Performing Arts, Ltd. Consolidated concerts. concerts. Burlington, VT $45,000 $3O,OOO TF Presenting Support Sitka Summer University of Idaho Music Festival, Inc. Moscow, ID $5,000 Helena Presents Arts Midwest Anchorage, AK $5,000 To support the Auditorium Helena, MT $20,000 Minneapolis, MN $70,010 $50,000 TF To support chamber music Chamber Music Series. A cooperative agreement to concerts. support artists’ fees for pre­ University of Massachusetts Jacob’s Pillow Dance senters of music, opera, and Skaneateles Festival, Inc. at Amherst Festival, Inc. theater throughout Illinois, Amherst, MA $10,000 Lee, MA $40,000 Indiana, Iowa, Michigan, 8kaneateles, NY $5,000 $70,000 TF To support multi-music Minnesota, North Dakota, To support chamber music Ohio, South Dakota, and concerts. concerts. La Pena Cultural Wisconsin. Center, Inc. Society for New Music William Paterson College Berkeley, CA $20,000 Mid-America Arts Alliance of New Jersey Syracuse, NY $6,000 $10,000 TF Kansas City, MO $63,540 Wayne, NJ $5,000 To support new music concerts. A cooperative agreement to To support jazz concerts. Lincoln Center for support artists’ fees for pre­ Society for the Performing Arts, Inc. senters of music, opera, and the Performing Arts Wolf Trap Foundation for New York, NY $10,000 theater throughout Arkansas, Houston, q2K $5,000 the Performing Arts $95,000 TF Kansas, Missouri, Nebraska, Vienna, VA $10,000 Oklahoma, and Texas. To support multi-music On the Boards concerts. To support an annual jazz festival and educational Seattle, WA $25,000 Mid Atlantic Arts $40,000 TF Spoleto Festival U.S.A. activities in 1995. Foundation, Inc. Baltimore, MD $63,625 Charleston, SC $15,000 Painted Bride World Music Institute, Inc. A cooperative agreement to To support the festival in 1995. New York, NY $15,000 Art Center, Inc. $40,000 support artists’ fees for pre­ Philadelphia, PA senters of music, opera, and Stanford Jazz Workshop To support multi-music concerts. theater throughout Delaware, Stanford, CA $9,500 University of California, Maryland, New Jersey, New Regents of To support a jazz concert York, Pennsylvania, Virginia, series. Berkeley, CA $105,000 TF West Virginia, the District Consolidated Application of Columbia, and the Virgin Islands. Symphony Space, Inc. Pilot for Presenters University of Iowa New York, NY $10,000 Iowa City, IA $46,000 TF New England Foundation This category consolidated To support multi-znusic Walker Art Center, Inc. for the Arts presentations. three areas of support to a selected group of grantees: Minneapolis, MN $150,000 Cambridge, MA $46,230 seasonal support, fee support $60,000 TF A cooperative agreement to Thread Waxing Space for music, and fee support support artists’ fees for pre­ New York, NY $6,000 for dance. Washington Performing senters of music, opera, To support multi-music Arts Society and theater throughout concerts. 15 grants $1,400,000 Washington, DC $115,000 TF Connecticut, Maine, Massa­ Program Funds $550,000 chusetts, New Hampshire, $850,000 Treasury Funds Young Men’s & Rhode Island, and Vermont. Young Women’s Brooklyn Academy Hebrew Association of Music, Inc. New York, NY $52,000 Brooklyn, NY $20,000 $179,000 TF P R E S E N T I N G

Southern Arts Louisiana Division Corporation for Federation, Inc. of the Arts Presenting Networks Cultural R~investment Atlanta, GA $53,025 Baton Rouge, LA $13,000 Chicago, IL" $15,000 A cooperative agreement to To support costs associated 5 grants $282,500 A cooperative agreement to support artists’ fees for pre­ with a statewide tour of Dance support regrant activity through senters of music, opera, and Umbrella’s "Fascinating Alternate ROOTS, Inc. the Uptown/Edgewater Pre­ theater throughout Alabama, Rhythms: A Celebration Atlanta, GA $50,000 senters Incubator Program. Florida, Georgia, Kentucky, of Jazz Tap Tour"" during Louisiana, Mississippi, North October 1996. To support costs associated with Ketchikan Area Arts & Carolina, South Carolina, a fee subsidy program for south­ Humanities Council, Inc. eastern presenters of theater, and Tennessee. Maine Arts Commission Ketchikan, AK $15,000 Augusta, ME $13,000 storytelling, dance perfor­ Western States mances, and related activities. A cooperative agreement Arts Federation To support costs associated to support regrant activity with a collaborative dance Santa Fe, NM Appalshop, Inc. through the Fee Support Quick $78,570 project between Jonathan Lunn Grant Program for Presenting. A cooperative agreement to and The Apsara Ensemble Whitesburg, KY $80,000 support artists’ fees for pre­ during the 1996-97 season, To support costs associated Maine Arts senters of music, opera, and and dance services to the field. with the American Festival Sponsors Association Project during the 1995-96 theater throughout Alaska, Augusta, ME $15,000 Arizona, California, Colorado, Mid-America Arts Alliance season. A cooperative agreement to Idaho, Montana, Nevada, Kansas City, MO $11,250 New Mexico, Oregon, Utah, Center for Contemporary support regrant activity through Washington, and Wyoming. A cooperative agreement to Arts of Santa Fe, Inc. the Collaborative Arts Project. provide additional support Santa Fe, NM $25,000 for a 1994 award. Montana Performing Arts To support costs associated Consortium with performing arts events Dance on Tour Montana Arts Council Bozeman, MT $15,000 Helena, MT $20,000 and related activities of the Grants were supported Deep West Consortium during A cooperative agreement to through the Dance, State & To support costs associated the 1995-96 season. support regrant activity through with the ongoing development the Rural Presenter Develop­ Regional, and Underserved of dance presenting in the Communities Set-Aside to Dance Theater ment Quick Grant Program. 114 bring dance companies to state, including a statewide Workshop, Inc. communities nationwide. tour and residency activities New York NY $115,000 South Dakotans for the Arts by an out-of-state company, during the 1996-97 season. To support costs associated Deadwood, SD $15,000 Arts Midwest with dance, music, and A cooperative agreement to Minneapolis, MN $11,250 Ohio Arts Council theater residencies and the support regrant activity through A cooperative agreement to Columbus, OH $33,000 annual meeting of member the South Dakota Rural Arts provide additional support presenters in the National Presenting Program. for a 1994 award. To support costs associated Performance Network during with a statewide tour of the the 1995-96 season. Ko-Thi Dance Company Arizona Commission during the 1996-97 season Dancing in the Street, Inc. Special Projects on the Arts and the Council’s ongoing Phoenix, AZ $35,000 New York, NY $12,500 Presenter Enrichment Project. 2 awards $32,000 To support costs associated To support artists’ fees, travel, South Carolina and administrative costs with a statewide residency by Atlanta Paralympic Liz Lerman/Dance Exchange Arts Commission associated with the Environ­ mental Touring Network. Organizing Committee, Inc. during the 1996-97 season. Columbia, SC $13,000 Atlanta, GA $27,000 To support costs associated Pennsylvania Council To support the projects of with a statewide residency by Dance Across America and on the Arts Liz Lerman!Dance Exchange Rural/Inner-City Harrisburg, PA $28,000 Infinity Dance Theater during during the 1996-97 season. Regrant Initiative the 1996 Paralympics in At­ To support costs associated lanta, Georgia. with the council’s ongoing Awards were made to local efforts to develop dance or statewide arts organizations Carving Studio, Inc. presenters, including a state­ to make regrants to local West Rutland, VT $5,000 wide tour and residency presenters in rural and inner- activities by an out-of-state city neighborhoods. To support a national tour of company during the 1996-97 the Terezin operas throughout season. 6 awards $90,000 New England, New York City, and Washington, D.C. Arts Council of New Orleans New Orleans, LA $15,000 A cooperative agreement to support regrant activity through the Neighborhood Performing Arts Initiative. P R E S E N T I N G

Earshot Jazz Society Kronos Performing Rensselaer Polytechnic Commissioning Projects of Seattle Arts Association Institute Seattle, WA $5,000 San Francisco, CA $10,000 Troy, NY $7,800 Grants supported commission­ To support the creation, To support the development To support the creation of a ing projects involving two development, and presen­ of a new music composition by new interdisciplinary work by partnering arts organizations tation of a new music com­ Chinese composer Tan Dun in composer/computer artist for the development and position by composer Carla conjunction with the Hancher George Lewis in conjunction presentation of new work. Bley in conjunction with Auditorium at the University with Roulette Intermedium. Helena Presents and Jazz in of Iowa. 24 awards $280,000 the City. Rushmore Festival, Inc. Life on the Water New York, NY $10,500 Axis Dance Troupe Flynn Theatre for San Francisco, CA $18,000 To support the creation, Oakland, CA $17,000 the Performing Arts, Ltd. To support the creation, devel­ development, and presenta­ To support the development Burlington, VT $20,000 opment, and presentation of tion of a new site-specific and presentation of a new To support the creation, devel­ a new interdisciplinary per­ theater work by artist Robert collaborative performance opment, and presentation of formance work by artists Wilson in conjunction with work by Amy X Neuburg, a new dance/theater work by A. K. Black, Benny Sato the Watermill Center and Thais Masur, Matthew Soyster, choreographer David Dorfman Ambush, Deborah Vaughan, Byrd Hoffman Foundation. Almudena Ortiz, and Lauren and composer Christopher and Leonard Pitt in conjunc­ Elder in conjunction with Hyams Hart in conjunction tion with the Los Angeles Seven Stages, Inc. Dance Umbrella. with Jacob’s Pillow Dance Performing Exchange and Atlanta, GA $10,000 Festival and The Wagon Train. Los Angeles Contemporary Cactus Foundation Exhibitions. To support the development and presentation of a new Los Angeles, CA $8,000 Goat Island theater work by author Susan Chicago, IL $10,000 Lincoln Center for To support the development the Performing Arts, Inc. Yankowitz and director Joe and presentation of a new Chaikin in conjunction with To support the development New York, NY $10,000 solo, multimedia performance of a new interdisciplinary the Magic Theatre and the work by Dan Kwong in con­ performance work with the To support the creation, Joe Papp Public Theatre. junction with the Northwest Portland Art Museum. development, and presenta­ Asian American Theatre. tion of a new dance/theater Stanford Jazz Workshop Gotham Dance, Inc. work by choreographer/ Stanford, CA $10,000 Center for $12,000 director Martha Clarke in New York, NY conjunction with Nederlands To support the creation, Puppetry Arts, Inc. development, and presenta­ Atlanta, GA $19,500 To support the development Dans Theater 3, American and presentation of a new Dance Festival, and the Venice tion of a new composition by To support the creation, dance work by choreographer Biennale. composer/musician Steve development, and presenta­ Bebe Miller, video director Kit Coleman in conjunction with tion of a new interdisciplinary Fitzgerald, composer Robin Magic Theatre, Inc. San Francisco State University. theater work by choreogra­ Holcomb, and writer Holly San Francisco, CA $7,500 pher/playwright/director Anderson in conjunction with University Musical Society Ping Chong and puppeteer/ the Bates Dance Festival. To support the development Ann Arbor, MI $5,000 designer/director Jon Ludwig and presentation of a new solo To support the creation of a in conjunction with the Fiji Jacob’s Pillow Dance performance work created and Theatre Company and the performed by Roger Guenveur new music composition by Festival, Inc. composer William Bolcom in Henson Foundation. $5,200 Smith in conjunction with Lee, MA Seven Stages. collaboration with poet Jane To support the creation of a Kenyon in conjunction with Dance Theater San Francisco Performances. Workshop, Inc. new dance work by ZACCHO Redwood Cultural New York, NY $15,500 Dance Theatre. Work, Inc. University of Illinois To support the development Oakland, CA $17,500 Joe Goode at Urbana-Champaign and presentation of a new Performance Group To support the presentation of Champaign, IL $12,000 interdisciplinary performance $12,000 a suite of new African American work by John Kelly, Anthony San Francisco, CA spirituals by Bernice Johnson To support Krannert Center Chase, Stan Pressner, Jeff To support the development Reagon in conjunction with for the Performing Arts’ Halpern, Gary Lisz, and of a new collaborative work Harlem Spiritual Ensemble presentation of a new collabo­ Scott Pask in conjunction by choreographer Joe Goode and Street Sounds. rative dance work by artists with DiverseWorks. and visual artist Nayland Trisha Brown, Irie, Spencer Blake in conjunction with Brown, and Kenneth Weiss. the Headlands Center for the Arts. P R E S E N T I N G

University of Illinois Helena Presents On the Boards at Urbana-Champaign Commissioning: Regional Helena, MT $22,000 Seattle, WA $16,000 Champaign, IL $12,500 Initiative To support a grants program To support a grants program To support the Krannert serving artists in Colorado, serving artists in Alaska, Center for the Performing 12 awards $250,000 Idaho, Montana, Nevada, Oregon, and Washington. Arts in the development and Utah, and Wyoming, to be presentation of a new dance administered in conjunction 80 Langton Street, Inc. Painted Bride by choreographer Jawole Willa with the Colorado Dance Art Center, Inc. San Francisco, CA $26,000 Jo Zollar and performed by Festival, Inc. Philadelphia, PA $21,000 Urban Bush Women. To support a grants program serving artists in California Intermedia Arts of To support a grants program Wagon Train Project and Hawaii. Minnesota, Inc. serving artists in Delaware, the District of Columbia, Maryland, Lincoln, NE $10,000 Minneapolis, MN $17,000 New Jersey, Pennsylvania, To support the development Alternate ROOTS, Inc. To support a grants program Virginia, and West Virginia. and presentation of a site- Atlanta, GA $23,000 serving artists in Iowa, Kansas, specific performance by To support a grants program Minnesota, Nebraska, North Randolph Street choreographer/educator serving artists in Georgia, Ken- Dakota, South Dakota, and Gallery, Inc. Martha Bowers and composer/ tucky, North Carolina, South Wisconsin. Chicago, IL $22,000 guitarist John King in con- Carolina, and Tennessee. junction with Dance/Theatre/ Lower Manhattan To support a grants program Etcetera at the Haymarket Cultural Council, Inc. serving artists in Illinois, Contemporary Arts Center, Indiana, Michigan, Missouri, Heydays community festival New Orleans New York, NY $25,000 in Lincoln, Nebraska. and Ohio. New Orleans, LA $19,000 To support a grants program Walker Art Center, Inc. To support a grants program serving artists in the State of South Florida New York. Minneapolis, MN $15,000 serving artists in Alabama, Art Center, Inc. Arkansas, Louisiana, and Miami Beach, FL $12,000 To support the development Mississippi. New England Foundation of an on-going work and the for the Arts To support a grants program serving artists in the State of creation and presentation of a DiverseWorks, Inc. Cambridge, MA $24,000 new solo dance and vocal work Florida to be administered in Houston, TX $23,000 by Ann Carlson in conjunction To support a grants program conjunction with the Metro­ 116 with Sushi Performance and To support a grants program serving artists in Connecticut, Dade Cultural Affairs Council. Visual Art. serving artists in Arizona, New Maine, New Hampshire, Mexico, Oklahoma, and Texas Vermont, Rhode Island and 117 to be co-administered with Massachusetts. Mexic-Arte of Austin, Texas. cross the country, the theater serves as the village green in communities large and small where people come together to share ideas and stories. The Theater Program aided activities that provide access to professional theater and worked to advance the art of drama. The Program assisted in the creation of work by professional artists working with theater companies, encouraged the development of gifted individual artists, and supported activities that improve the environment in which artistic excellence may occur.

The last three decades, theater in America has evolved into a vibrant art form and industry reaching every corner of the country. The creativity and excellence of the work on its stages are recognized around the world. Yet the artists and institutions responsible for that achievement continue to labor under precarious and difficult circumstances within a system that offers little artistic continuity or opportunity for a living wage. Over the course of 1995, the economy and downturns in private and public giving have forced reductions in the number of productions and in the development of new Thornton Wilder’s work. More than half the nation’s theaters study of American ended the year with an courtship is operating deficit and the rate of leadership the subject of turnover escalated dramatically. "The Matchmaker"

Theaters are respond­ presented by the ing to these challenges with a renewed com­ Arena Stage in mitment to reaching new audiences, and, Washington, DC. through education and outreach programs, to building strong bonds with their communi­ ties. More companies are collaborating with each other, and more are using their spaces as centers for commu­ nity artistic activity. By Thornton Wilder November !0 -- December 31 T H E A T E R

In Fiscal Year 1995, the Theater Program The Idaho support reached 276 companies in every Theatre for Youth’s region of the country. These grants provided assistance for a variety of activities including adaptation of the creation and production of new work, educational projects, touring and home-based "Moby Dick" seasons. The companies supported included Roadside Theatre (Appalshop, Inc.) in reached thousands Whitesburg, Kentucky to tour a repertory of original plays about and for the people of the of children across central Appalachian coalfields, the Goodman the state. Theatre (Chicago Theatre Group, Inc.) for its 1995-96 season, education programs and _~ ­ research and development of new work, and the Spanish Theater Repertory Company to support classic and contemporary Spanish, Latin American and Hispanic Ameri­ can plays in rotating repertory, touring and performances for school audiences. Grants were also awarded to In the Heart of the Beast in Minneapolis for original 118 work created especially for young audiences in rural school districts and low- income communities and to Cornerstone Theater Company in Santa Monica, 119 California, an artist-run ensemble that works in collaboration with diverse commu­ nities nationwide, including its current program, the Watts Community Residency Project.

The Theater Program continued to invest in the development of individual artists through Fellowships for Playwrights. The 18 fellowships represent a high level of national excellence in a variety of styles and genres. Among the artists supported this year were Mary Gallagher of Kerhonkson, New York to collaborate with com­ poser Peter Gordon on two new music theater pieces, and Octavio Solis from San Francisco to write and develop several projects including the dramatization of an American Aeneid recounting the various epic journeys that Americans have made in order to make a new home.

In the Services to the Field category, grants helped address artistic and organiza­ tional needs including technical assistance, professional development, field news­ letters and publications, preservation, the implementation of culturally-diverse hiring practices, services for artists and audiences with disabilities, and improved communications. Among the 14 awards in this category were grants to the New York Public Library Theatre on Film and Tape Collection and to ASSITEJ-USA for services to theaters producing work for young people. T H E A T E R

310 awards $7,268,035 Adaptors, Inc. American Repertory Theatre Association for Development Minneapolis, MN $14,400 Cambridge, MA $76,980 of Dramatic Arts, Inc. $85,000 TF New York, NY $6,300 To support expenses for the Professional Theater creation, production, and To support expenses for the To support Jean Cocteau Companies presentation of large-scale production of classic and Repertory Theatre’s adapta­ multimedia movement contemporary plays, and the tions of classic plays, com­ munity outreach programs, Grants were awarded to assist theater works. development and presentation of new works through artists’ and productions in rotating nonprofit theater companies collaborations. repertory. for expenses related to the Alabama Shakespeare production of their 1995-96 Festival, Inc. seasons. Montgomery AL $30,600 Antenna Theater Available Potential Sausalito, CA $7,200 Enterprises, Ltd. 277 awards $6,273,935 To support the production Northampton, MA $13,050 of classic and contemporary To support the premiere of Program Funds $5,273,935 "Loteria," a site-specific walk­ To support No Theater’s de­ Treasury Funds $1,000,000 plays, Southern Writers’ Project, and theater training through theater performance velopment of new work, col­ programs. that will examine the essence laborations with other artists, A Contemporary of community. and artists’ compensation. Theatre, Inc. Alice B. Theatre Association Seattle, WA $24,300 Berkeley Repertory Theatre Seattle, WA $12,300 Appalshop, Inc. To support artistic costs for Whitesburg, KY $68,390 Berkeley, CA $35,22 To support expenses for the $50,000 TF mainstage productions. development of new works To support Roadside Theater’s of classic and contemporary administrative salaries, play To support commissioning, A Traveling Jewish Theatre dramas, and the cultivation development, artists’ fees, and development, and presenting San Francisco, CA $18,900 of new and emerging talent national touring. of new works, adaptations of classics for the stage, and To support an extended in the Northwest. Archipelago Company, Inc. educational programs for resident season, development at-risk-youth and students. of new work, premieres of Alley Theatre Chapel Hill, NC $11,700 new ensemble and solo works, Houston, TX $35,550 To support the development touring, lecture demonstra­ Big Apple Circus, Ltd. To support expenses for the and production of new works, New York, NY $51,380 tions, and symposia. development and production the engagement of a guest of classic and contemporary artist, and the increase of To support scenic, costume, Access Theatre, Inc. theater works, increased administrative salaries. lighting, design, choreogra­ Santa Barbara, CA $13,140 artists’ compensation, and phy, and other creative costs, community and educational Arden Party plus compensation for the To support the artistic costs core company. in developing new works, and outreach programs. New York, NY $5,400 sustaining youth and accessi­ To support the development Bilingual Foundation bility programs. American Conservatory and production of a medieval Theatre Foundation of the Arts, Inc. mystery play. Los Angeles, CA $9,000 Actors Express, Inc. San Francisco, CA $68,750 Atlanta, GA $5,850 To support compensation to Arden Theatre Company To support expenses for the artists and administrative staff. Philadelphia PA $7,200 development and presentation To support mainstage produc­ of classic and contemporary tions, intern showcases, and a To support the expenses of Hispanic plays from national year-round public education American Jewish the mainstage productions. and international writers, program. Theatre, Inc. ongoing training programs, New York, NY $4,500 Arizona Theatre Company and community outreach Actors Shakespeare To support the production of Tucson, AZ $27,000 programs. Company, Inc. contemporary plays, world New York, NY $4,500 premieres, and an adaptation To support expenses for the Bloomsburg Theatre production of classic and To support the rehearsal, of classic short stories. contemporary mainstage Ensemble, Inc. production, and tour of a productions, the implemen­ Bloomsburg, PA $10,125 classic production. American Museum tation of the Genesis Project: To support the mainstage of Vaudeville, Inc. New Play Reading Series, season, theater productions Actors Theatre Wellfleet, MA $4,500 and programs designed to for school audiences, the of Louisville, Inc. To support Wellfleet Harbor diversify audiences. ensemble internship program, Louisville KY $53,220 Actors Theater’s expenses artists’ showcases, and com­ $50,000 TF for the world premiere of a Arkansas Repertory munity workshops. To support the Humana new play. Theatre Company Festival of New American Little Rock, AR $8,550 Borderlands Theater/ Plays and Classics in the American Place To support mainstage work, Teatro Fronterizo, Inc. Context/Modern Masters Theatre, Inc. regional premieres, touring Tucson, AZ $5,400 Festival, outreach and edu­ New York, NY $7,200 of educational programs to To support artists’ compensa­ cational programs, staged To support new American regional areas, and develop­ tion and production expenses. readings, and workshops. plays, works in development, ment of new scripts for diverse and educational programs. audiences. T H E A T E R

Brava! for Women Carter Family Chicago Theatre Group, Inc. City Lit Theatre Company in the Arts Puppet Theater Chicago, IL $79,530 Chicago, IL $4,500 San Francisco, CA $5,400 Seattle, WA $9,000 $55,000 TF To support original stage To support touring perfor­ To support the research, To support artists’ salaries adaptations of extraordinary mances for Pomo Afro Homo. design, creation, and rehearsal and fees, travel, production literature, productions and of new puppet productions. expenses, marketing, and interactive workshops at area Brava! for Women administrative costs at the schools, programs and sum­ in the Arts Center Stage Associates, Inc. Goodman Theater. mer workshops with commu­ San Francisco, CA $5,400 Baltimore, MD $73,490 nity organizations, and free programs at various venues. To support artistic fees for $30,000 TF Child’s Play Touring Theatre actors, playwrights, directors, To support mainstage produc­ and designers. tions, "Off Center" perfor­ Chicago, IL $4,500 City Theatre Company, Inc. mance series, Theater for a To support the creation and Pittsburgh, PA $9,000 Bushfire Theatre of New Generation project, and touring of theater for young To support productions on Performing Arts subscription programs. audiences, artists’ compensa­ the mainstage, the Lester Philadelphia, PA $5,850 tion, and school residencies. Hamburg Studio Theatre Center Theatre Group and the outreach program. To support expenses for the development and pro­ of LosAngeles Children’s Theater duction of new works by Los Angeles, CA $81,980 Company and School Cleveland Play House emerging writers, artist com­ $80,000 TF Minneapolis, MN $40,500 Cleveland, OH $20,700 pensation, and community To support the Mark Taper To support mainstage produc­ To support a mainstage outreach activities that pro­ Forum’s production of classic tions, a national tour, educa­ season, new play festival, mote audience development. and contemporary plays, tional programs, and access educational programs, the artists’ collaborations of new Initiatives. Full Circle international Butterfly Education works, and initiatives to diver­ theater program, and artists’ Arts, Inc. sify and increase audiences. Childsplay, Inc. compensation. Northampton, MA $4,500 Tempe, AZ $9,000 Center for Cleveland Public To develop a new play for Puppetry Arts, Inc. To support the salaries of Theatre, Inc. the World Community Project the technical director, stage and tour a production in New Atlanta, GA $112,040 manager, and production Cleveland, OH $5,400 England during Chrysalis To support the New Directions coordinator. To support the production 120 Theatre’s 1995-96 theater Series, Xperimental Puppetry of original plays, adapted season. Theatre, Family Series, and Cincinnati Playhouse material, and presented works. 121 Summer Festival. in the Park CSC Repertory, Ltd. Cincinnati, OH $6,750 Coconut Grove Playhouse, New York, NY $10,800 Chicago Children’s State Theatre of Florida Theatre, Inc. To support expenses for Corporation To support the production development and production of contemporary adaptations Evanston, IL $6,300 of classic and contemporary Miami, FL $4,500 of known or neglected master­ To support the production of theater works, co-productions To support world and regional pieces and new works, the theater-for-youth plays in a with regional theaters, educa­ premieres and contemporary Classic Contenders Event, downtown Chicago venue. tional outreach programs, and and classic productions. symposia, and Classic Ad­ increased touring. ventures. Chicago Dramatists Company One of Workshop Circle Repertory Connecticut, Inc. Capital Repertory Company Chicago, IL $5,400 Theatre Company, Inc. Hartford, CT $6,750 Albany, NY $4,500 To support a plays-in-progress New York, NY $53,990 To support the development To support the production reading series, festivals of To support the production and production of new plays, season, including develop­ new plays, productions, an of contemporary works, the educational outreach, and a ment of new plays, world annual Showcase of Short development of new works by lunch-time reading series. premieres, community out­ Plays, professional playwright emerging writers, and training reach, student and senior membership programs, and programs for playwrights and Connecticut Player’s matinees. special workshops. performers. Foundation, Inc. New Haven, CT $71,640 Carpetbag Theatre, Inc. Chicago Theatre Company Circuit Playhouse, Inc. $50,000 TF Knoxville, TN $5,400 Chicago, IL $6,750 Memphis, TN $4,500 To support expenses for the To support the development To support the production of To support Playhouse on the presentation of classic and of new theater works and plays exploring contemporary Square’s expenses for actors’ contemporary works, the adaptation of existing com­ issues and the development of salaries. development of new works pany theater works for out­ new literary voices. through artist collaborations, door performances through Circus Arts Foundation and community outreach the employment of artists and of Missouri activities. purchase of new equipment. St. Louis, MO $13,500 To support the creation and mounting of Part II of The Legend of the Phoenix. T H E A T E R

Contemporary American Das Puppenspiel East-West Players, Inc. Figures of Speech Theatre Theater Festival, Inc. Puppet Theatre, Inc. Los Angeles, CA $4,950 Freeport, ME $6,300 Shepherdstown, ~,W $4,500 Westfield, NY $6,300 To support artists’ compen­ To support the development To support the development To support expenses for the sation. of a new work, remounting of and production of professional creation, development, and a past production, touring to mainstage plays. production of new plays for El Teatro de la Esperanza school venues, collaborations young and adult audiences, with other artists, and a tour San Francisco, CA $11,475 throughout the eastern United Cornerstone Theater a national tour, master classes and workshops in puppetry To support actors’ salaries, States. Company playwrights’ stipends, and $10,800 arts. Santa Monica, CA artistic production fees. Fiji Theater Company, Inc. To support artists’ compen­ Deaf West Theatre New York, NY $43,650 sation. Company, Inc. Empty Space Association Seattle, WA $14,850 To support mainstage produc­ Los Angeles, CA $5,400 tion costs, national touring Coterie, Inc. To support mainstage activities and educational $8,190 To support the production of Kansas City, MO Who’s Afraid of Virginia Woolf productions. programming. To support theater for young audiences, a young play­ Deep Ellum Theatre Group En Garde Arts, Inc. First Stage Milwaukee, Inc. wrights’ showcase, world New York, NY $6,750 Milwaukee, WI $4,500 premieres, and audience Dallas, TX $18,450 development. To support Undermain To support site specific To support mainstage theater­ Theatre’s artists’ salaries productions, guest artists, for-youth plays, a touring and fees. co-productions, and touring. program, Theater Academy, Court Theatre Fund and comprehensive education Chicago, IL $9,000 programs. Delaware Theatre Company Ensemble Studio To support the production of Wilmington, DE $7,200 Theatre, Inc. classical and contemporary New York, NY $5,400 Florida Studio Theatre, Inc. plays, artists’ compensation, To support a mainstage play Sarasota, FL $7,200 and ongoing educational series, competition for new To support a marathon of new outreach programs. American plays, educational one-act plays, workshops, play To support the expenses for programs for youth-at-risk and readings, and development the production of new and contemporary plays and Crossroads, Inc. mentally challenged children, of new plays by American playwrights-in-the-schools, playwrights. ongoing educational outreach New Brunswick, NJ $72,890 and culturally diverse plays. activities that include the To support the production Ensemble Theatre "Write A Play" series for students K- 12. of contemporary plays by Dell’Arte, Inc. Houston, TX $9,450 African American writers, Blue Lake, CA $19,800 community and educational To support expenses for the Friends of outreach, and the 7th annual To support artists’ salaries production of new and con­ Olympia Station, Inc. Genesis Festival. and project costs during the temporary plays by African Santa Cruz, CA $17,550 development, performance, American writers and artists, and touring of original work. regional touring activities, and To support expenses for a Cucaracha Theatre community and educational circus/dance/theater/music New York, NY $4,950 Denver Center for outreach activities. interpretation of Dante’s To support the development Inferno to be created and the Performing Arts directed by Tandy Beal for and production of new works, Denver, CO $48,140 Eugene O’Neill Memorial their Late Night Series, the Theater Center, Inc. New Pickle Circus. Annual Summer Cabaret, the To support the development Waterford, CT $69,740 Children’s Project, and the of new works, production of Gala Inc. Grnpo de Artistas Monday Night Reading Series. classical and contemporary To support expenses for the Latinoamericanos plays, and a play exchange National Playw’rights Con­ Washington, DC $12,730 Cumberland County with the Mark Taper Forum. ference and development of new plays by emerging To support expenses for the Playhouse, Inc. development and production Double Edge Theatre playwrights with workshops, Crossville, TN $4,500 staged readings, and follow- of classic and contemporary Productions, Inc. works by Hispanic writers, To support artists’ fees, Ashfield, MA $12,690 up discussions. salaries, housing, and trans­ with additional programs that portation for the Classical and To support development of Fairmount Theatre include a bilingual poetry Contemporary Risks Project. new work, collaboration with of the Deaf performance program. other theaters, a training and Cleveland, OH $4,500 Dance Exchange, Inc. internship program, lecture/ Gateway Performance performance series, a theater To support artistic salaries and Washington, DC $5,400 Productions residency, guest artists, and guest artists’ fees related to the Atlanta, GA $5,850 To support the creation of touring. rehearsal and production of a new work, community resi­ mainstage programming. To support national and regional touring, local produc­ dency work, and participatory Downtown Art Co., Inc. performances. tions, outreach programming, New York, NY $5,850 and the rehearsal and devel­ To support full productions, opment of a new work. workshops, and residencies. T H E A T E R

George Coates Gnthrie Theater Foundation Illusion Theater Jomandi Productions, Inc. Performance Co. Minneapolis, MN $111,780 and School, Inc. Atlanta, GA $34,330 San Francisco, CA $41,040 $100,000 TF Minneapolis, MN $9,450 To support development of To support the creation of To support productions on To support mainstage produc­ new work, guest artists, and new work, workshops on the mainstage and in the tions, a prevention/education mainstage productions. integrating digital media laboratory. program, development of new in live theater, a mainstage work, and touring. Jump-Start production, artists’ showcases, Hartford Stage Company Performance Company and restaging previous work. Hartford, CT $72,980 Imago, The Theatre San Antonio, TX $6,910 Mask Ensemble $80,000 TF To support the development George Mason University Portland, OR $11,250 Educational Foundation, Inc. To support reinterpretations and production of works by Fairfax, VA $5,400 of the classics, revivals of To support the creation of new company members and associ­ contemporary classics and work and collaborations. ate artists, a guest artist series, To support Theater of the new plays, a series of play touring, school residencies, First Amendment’s artists’ readings and workshops, Independent Eye, Ltd. and workshops. salaries and the commission­ commissioning of new work, Philadelphia, PA $13,050 ing program. community outreach and Junebug Productions audience development. To support artists’ compen­ New Orleans, LA $18,900 George Street sation. Playhouse, Inc. Heart of the Beast To support cross-cultural New Brunswick, NJ $5,400 Theatre, Inc. Indiana Repertory collaborations with other Minneapolis, MN Theatre, Inc. theater companies, develop­ To support mainstage produc­ $27,000 ment of a new repertory work, tions, artistic collaborations, To support artists’ salaries Indianapolis, IN $24,075 and touring. and the Touring Theatre. and fees for mainstage pro­ To support compensation for ductions, touring shows, artists and the manager of Jungle Theater and community outreach. Great Lakes Theater diversity and media relations. Minneapolis, MN $7,650 Festival, Inc. Cleveland, OH $8,190 Honolulu Theatre for Youth International Arts To support administrative Honolulu, HI Relations, Inc. and artistic salaries, supplies, To support Equity actors’ $39,600 marketing, and facility and salaries, benefits, and housing. To support artists’ salaries. New York, NY $17,100 general administrative costs. To support expenses for the 122 Group I Acting Horse Cave Theatre 76, Inc. creation, development, and Kitchen Dog Company, Inc. Horse Cave, KY $4,950 production of classic and Theater Company 123 New York, NY $27,500 contemporary plays by Latin Dallas, TX $4,500 To support expenses for the American playwrights, New To support the salary of the production of classic and Works Lab Projects, and To support administrative, managing director and the contemporary works, the ongoing community outreach artistic, and production costs fees of the management development and presentation activities, for plays. consultant. of new works by Kentucky playwrights, and ongoing Intiman Theatre La Mama Experimental educational and community Group I Acting Seattle, WA $5,850 Theatre Club, Inc. Company, Inc. outreach activities. New York, NY $130,490 New York, NY $20,250 To support actors’ compen­ sation. To support the expenses for To support expenses for the Huntington Theatre Company, Inc. the production of classic and production of classic and contemporary plays and the contemporary plays, and Boston, MA $13,500 Irish Repertory Theatre Company, Inc. development of new works national touring activities. To support world premieres, through artist collaborations. translation and commissioning New York, NY $7,200 Growth and of a new play, development of To support mainstage Latino Chicago Prevention Theater new work, guest artists, and a productions. Theater Company, Inc. Seattle, WA $4,500 co-production. Chicago, IL $4,500 To support organizational Irondale Productions, Inc. Hystopolis Productions, Inc. To support artists’ compen­ development, including New York, NY $5,850 sation. support for the managing River Forest, IL $4,500 To support expenses for the director’s salary, touring To support the development development and production Lime Kiln Arts, Inc. expenses, costumes and sets. and production of original of The Great God Brown by Lexington VA $5,310 puppetry works, touring, and Eugene O’Neill, and Derek Guadalupe Cultural classes in puppetry arts. Walcott’s The Odyssey. To support new plays adapted Arts Center from Appalachian and Native San Antonio, TX $8,100 Idris Ackamoor and Jewish Repertory American folk tales, work­ Cultural Odyssey shop productions, an annual To support expenses for the Theatre, Inc. San Francisco, CA $8,640 New York, NY playwrighting contest, and production of classic and $7,650 community outreach. contemporary plays by Latino To support artists’ compen­ To support mainstage produc­ writers, the development of sation. tions, the Lee Guber Play­ new works through artist wrights Lab, a free reading collaboration, and ongoing series, a writers-in-residence community outreach activities. group, and audience discus­ sion groups. T H E A T E R

Mixed Blood Live Bait Madison Repertory McCarter Theatre Company Theatrical Company Theatre, Inc. Princeton, NJ $50,390 Theatre Company Minneapolis, MN $25,470 Chicago, IL $4,500 Madison, WI $5,400 To support the mainstage To support mainstage produc­ To support expenses for the drama series, new play festival, To support mainstage and tions, workshops, a series production of new and con­ and annual production of educational touring produc­ of presented artists, and a temporary plays, new play A Christmas Carol. tions, a summer training literacy outreach program. readings, the exploration program for Southeast Asian of co-productions and co­ Merrimack Repertory teens, and a series of custom­ commissions with regional Theatre, Inc. ized productions on racism in Living Theatre, Inc. the workplace. $13,050 theaters, and ongoing edu­ Lowell, MA $7,200 New York, NY cational outreach programs. To support expenses for the To support expenses for the Musical Traditions creation, development, and production of classic and San Francisco, CA $6,750 Magic Theatre Foundation contemporary plays, the production of new works, Omaha, NE $31,500 adaptations, and artists’ development of new works To support the development, collaborations. To support guest artists’ and adaptation of classics, production, and touring of residencies, development of and the residency program theatrical works. "Partners in Education." Lookingglass new work, touring, community Theatre Company outreach, and workshop and National Asian American Telecommunications Chicago, IL $6,750 play development. Metro Theater Company St. Louis, MO $14,850 Association To support the development San Francisco, CA $4,950 Magic Theatre, Inc. To support artists’ compen­ of new works, world premieres San Francisco, CA $13,500 of original plays and adapta­ sation, artistic research and To support artists’ compen­ tions, school touring, and To support expenses for the development of new work, sation. outreach progTamming. production of classic and and touring. contemporary plays with National Black Los Angeles Poverty emerging artists, and commu­ Mettawee Theatre Touring Circuit, Inc. Department nity outreach programs such Company, Inc. New York, NY $4,500 as the Magic Learning Project. Los Angeles, CA $4,500 Salem, NY $13,500 To support the cost of produc­ To support an annual tour of ing and touring productions in To support improvisational Make a Circus, Inc. performances. upstate New York and New New York City and at colleges, San Francisco, CA $7,200 England and development of black arts institutions, and an original work adapted from community performing arts Louisville Children’s To support workshops on circus skills for audience members, the tales of the Ainu people centers. Theatre Stage One of northern Japan. $8,640 performances for underserved Louisville, KY communities, guest artists, National Theater of the Deaf To support world premieres, commissioning new work, and Mill Mountain Chester, CT $7,200 educational outreach to young new shows on immigration Playhouse Company To amend a FY 1994 grant. people, collaborations with and multiculturalism. Roanoke, VA $4,500 teachers in the school system, To support expenses for the and touring. Manbites Dog New City Theater production of classic and Seattle, WA $9,900 Theater Company contemporary works, the MA-YI Filipino Theater Durham, NC $4,950 To support the expenses for Ensemble, Inc. development of new works To support artists’ fees for the through the Festival of New the com~nissioning, develop­ New York, NY $4,500 mainstage season. Works project, and program­ ment, and production of To support mainstage produc­ ming to diversify audiences. solo works, the production of a contemporary play, and tions, staged readings, and the Manhattan Class production of new Filipino- artists’ collaborations with an Company, Inc. Millan Theatre Company emerging play’wright. American plays. New York, NY $4,500 Detroit, MI $9,450 To support mainstage produc­ To support artists’ compen­ New Dramatists, Inc. Mabou Mines Development sation. Foundation, Inc. tions, Performance Labs, New York, NY $16,650 Discovery Series, Summer New York, NY $48,140 To support artists’ compen­ Play Party, and residencies at Milwaukee Repertory To support expenses for the Shake-A-Leg. Theater, Inc. sation. development and production Milwaukee, WI $73,540 of new works, ongoing touring Manhattan Theatre $25,000 TF New Federal Theatre, Inc. activities, artist collaborations, Club, Inc. New York, NY $18,900 and residency programs. To support artists’ compen­ New York, NY $58,490 sation. To support expenses for the To support artists’ fees. production of contemporary Mad Horse plays by African-American Theatre Company Missouri Repertory writers, and the development Portland, ME $6,300 Marin Theatre Company Theatre, Inc. of new works through artist Mill Valley, CA $4,500 Kansas City, MO $4,500 To support expenses for the collaborations. production of contemporary To support actors’ and To support expenses for the plays, the development of new designers’ compensation. production of classic and ensemble-created works, and contemporary plays, educa­ audience development. tional outreach activities, and audience development. T H E A T E R

New Freedom Theatre, Inc. Odyssey Theatre People’s Light & Pope Theatre Company Philadelphia, PA $12,600 Foundation Theatre Company Manalapan, FL $7,200 Los Angeles, CA $15,300 Malvern, PA $22,500 To support the production To support the artistic and expenses of an African- To support artists’ compensa­ To support a free summer administrative costs of pro­ American classic play. tion for the mainstage season, theater festival, a short play ducing new American plays. a play lab series, and develop­ festival, an educational pro­ New Hampshire ment of new works. gram with performances and Portland Repertory Theater Mime Company workshops in the schools, a Portland, OR $4,500 Portsmouth, NH $9,000 Old Globe Theatre translation of a classic text, and a fall production. To support expenses for the To support the development San Diego, CA $84,980 $50,000 TF mainstage and second stage of new work rooted in the productions of classic and actor-training system of To support artists’ compen­ Perseverance Theatre, Inc. Douglas, AK contemporary plays, collabo­ Etienne Decroux, guest artists, sation. $35,100 rations with emerging artists educational performances To support mainstage through the Young Playwrights and workshops, and regional Omaha Theater Company productions. competition, and educational touring. Omaha, NE $6,750 outreach. Philadelphia Theatre New Haven Artists’ To support artists’ compen­ sation. Company Portland Stage Theater, Inc. Philadelphia, PA $6,750 Company, Inc. Old Saybrook, CT $4,500 Portland, ME Ontological-Hysteric To support the 20th season $15,300 To support development of Theater, Inc. including a revival, a new To support educational pro­ new work, collaboration with New York, NY $44,990 play festival, a season-long grams for teachers and other artists, and exploration symposium, audience and students, showcases of new of experimental art and per­ To support artists’ compen­ community outreach, intern­ work, curtain call discussions, formance in the 20th century. sation and the development ships, and educational an internship program, out­ of a new theater work. programs. reach, and the mainstage New Theatre series. St. Louis, MO $4,500 Oregon Shakespeare Phoenix Theatre Festival Association To support artists’ compen­ Academy, Inc. Pregones Touring sation. Ashland, OR $51,925 Atlanta, GA $6,300 Puerto Rican Theatre To support artists’ fees, new To support compensation for Collection, Inc. 124 New York Shakespeare play development, and longer the actors, artistic director, Bronx, NY $21,150 rehearsal periods. and associate artistic director. Festival To support artists’ compen­ 125 New York, NY $80,050 sation. $75,000 TF Otrabanda Company Pick-Up Performance New York, NY To support development of $10,800 Company, Inc. Primary Stages new work by emerging play­ To support expenses for the New York, NY $9,900 Company, Inc. wrights, world premieres, creation, development, and To support scripting, de­ New York, NY $4,500 staged readings, and guest production of new plays, velopment workshops, and To support the mainstage artists. artists’ collaborations, resi­ presentation of new work. season, reading and develop­ dency programs, and touring ment of new plays, commis­ New York Theatre activities. Pittsburgh Public sioning of new work, and Workshop, Inc. Theater Corporation works-in-progress. New York, NY $7,650 Pan Asian Repertory Pittsburgh, PA $18,000 Theatre, Inc. To support production costs, Puerto Rican Traveling New York, NY $22,500 To support expenses for extend programming, and mainstage productions of Theatre Company, Inc. expand workshop programs. To support play development classic and contemporary New York, NY $14,670 and staged readings, main- plays and artist collaborations. To support expenses for North Carolina stage season, national touring, the production of classic Shakespeare Festival, Inc. and educational outreach. Playwrights Horizons, Inc. and contemporary plays by High Point, NC $10,800 New York, NY $72,980 Hispanic writers. Paper Bag Players, Inc. To support compensation and New York, NY $24,750 To support ~xpenses of devel­ travel expenses of actors, stage opment and presentation of Puppet Co. managers, directors, designers To support the development new American works by emerg­ Glen Echo, MD $10,370 and technicians. and production of new work, ing writers through commis­ To support the season of artists’ compensation, and sions, exploratory productions, puppetry productions, the Northlight Theatre expenses related to perfor­ and artist collaborations. development of new plays, an Evanston, IL $19,800 mances. increase of full-time staff, and To support productions Playwrights’ Center, Inc. puppetry classes. Penumbra Theatre Minneapolis, MN $17,280 of theater, and community Company, Inc. and educational outreach St. Paul, MN $12,960 To support PlayLabs, a play programs. development workshop, play To support mainstage produc­ readings, outreach and edu­ tions of contemporary works cational programming, and by African American writers. collaboration with artists. T H E A T E R

Robert W. Woodruff Salt Lake Acting Company Seattle Mime Theatre Puppet Showplace, Inc. Seattle, WA $4,500 Brookline, MA $4,500 Arts Center, Inc. Salt Lake City, UT $6,750 Atlanta, GA $64,340 To support a season of plays To support the development To support development of of an original physical theater new work, touring, theater for and the Literary/New Play To support expenses for Development Program. work and collaborations with young and adult audiences, development and production other artists. and teaching of puppetry of classic and contemporary classes. plays, the commissioning San Diego Repertory and presentation of works by Theatre, Inc. Seattle Repertory Theatre emerging writers, and ongoing San Diego, CA $36,000 Seattle, WA $71,490 Quest Theatre & $50,000 TF Institute, Inc. community outreach activities To support the 20th season West Palm Beach, FL $4,500 for Alliance Theatre. including creation of new To support mainstage and Stage 2 plays, New Play Work­ To support artists’ salaries. work and world premieres by Round House Theatre, Inc. African-American and Latino shops, a touring production, Silver Spring, MD $4,500 writers, a contemporary ex­ and education and outreach Red Eye Collaboration amination of Greek tragedy, activities. Minneapolis, MN $7,200 To support mainstage produc­ tions, outreach activities, and collaborations with artists. To support artists’ and admin­ theater classes, the Arts Day Second Stage Theatre, Inc istrative salaries. program, and the Senior San Francisco New York, NY $10,800 Mime Troupe, Inc. Adult Acting Troupe and To support performances Remains Theatre Youth Onstage programs. San Francisco, CA $67,225 of new and commissioned Chicago, IL $5,400 To support expenses for the work, Reading Series, and Roundabout Theatre community and educational To support the expenses of development and production development and presenta­ Company, Inc. of new works for touring and programs. tion of new works through New York, NY $9,000 residencies, artists’ compensa­ commissioning and artist To support the staging of tion, and ongoing community Seem-To-Be-Players, Inc. collaborations. classic productions, an audi­ outreach activities. Lawrence, KS $4,500 ence development program, To support the salaries of tour Repertory Theatre an educational program, and San Jose Repertory Theatre show designers and artists. of St. Louis an American prelniere. San Jose, CA $5,400 St. Louis, MO $7,200 To support artists’ compen­ Seven Loaves, Inc. To support expenses for the S. U. Theatre Corporation sation. New York, NY $4,500 Syracuse, NY $12,510 production of classic and To support the New York contemporary plays and To support productions of Saratoga International production and tour of a ongoing community outreach culturally inclusive theater, Theater Institute revised original puppetry activities. artists’ residencies, expanded New York, NY $5,850 work for the Czechoslovak- outreach to increase minority To support a year-round American Marionette Theatre. Ridge Street Theater, Inc. attendance, educational pro­ program in New York and a grams, literary publication, New York, NY $4,500 summer season in Saratoga Seven Stages, Inc. and discussion series for Springs for actor training, To support expenses for the Syracuse Stage. Atlanta, GA $18,000 commissioning, development, development of new work, and touring. To support staff salaries, and presentation of new SOON 3 Theatre artists’ fees, and expenses works, and increased artists’ related to major productions. compensation. San Francisco, CA $4,500 Sealaska Heritage Foundation To support expenses for the Shadow Box Theatre, Inc. Ridiculous Theatrical development and production Juneau, AK $8,640 New York, NY $4,500 Company, Inc. of a new work and audience To support residencies in rural New York, NY $55,340 development. Alaskan native communities To support expanding the for Naa Kahidi Theater. Family Theater Center at the To support an adaptation YMCA in Brooklyn providing of literature for the stage, Sacramento Theatre Company artistic programming for commissioning of new work, Seattle Children’s Theatre entire families on weekends production of the theater’s Sacramento, CA $4,500 Seattle, WA $21,150 and holidays, and developing 29th season in New York, To support expenses of new shadow play productions. and touring. mainstage productions, edu­ To support mainstage produc­ tions, educational programs, cational outreach, travel for and touring. artists, and increased Equity Shakespeare & Road Company Company, Inc. $18,450 actor weeks. Johnson City, TN Seattle Group Theatre Lenox, MA $14,400 To support a season of touring Seattle, WA $21,150 To support expenses for the and scripted plays, new show St. Louis Black Repertory development, a home season, Company, Inc. To support artists’ compen­ production of classic and St. Louis, MO $11,700 sation, creation of world contemporary plays, actor and performances in the training and workshop pro­ schools. premieres, artists in residence, To support guest directors’ and the mainstage series. grams, ongoing educational and designers’ fees. outreach programs, and residencies. T H E A T E R

Shakespeare Repertory Springfield Theatre Talking Band, Inc. Theater Grottesco Chicago, IL $8,640 Arts Association, Inc. New York, NY $9,900 North America, Inc. To support artists’ compen­ Springfield, MA $5,400 To support A Piano Falling, Detroit, MI $7,200 sation. To support production ex­ a new music-theater work To support artists’ salaries penses of classic and contem­ written by Paul Zimet, with and the development and Shakespeare Theatre porary plays, the development music composed by Ellen production of new works, at the Folger Library and presentation of new works Maddow and Actaeon, a trio ongoing touring activities and Washington, DC $42,750 by emerging writers, regional of short operas by Paul Zimet. extended residency activities. touring activities, and artists’ To support expenses for the training programs. production of classic plays by Target Margin Theater, Inc. Theater for the New City New York, NY $4,500 Foundation, Inc. Shakespeare and other classic Stage Left Theatre writers, Shakespeare Theatre New York, NY $20,250 Chicago, IL $4,500 To support mainstage produc­ Free For All, and ongoing tions of classic and contempo­ To support premiere produc­ educational outreach activities. To support mainstage pro­ rary plays, increased artists’ tions, the xnulti-racial Street ductions and a theater-in­ compensation, and audience Theater Company touring Signature Theatre Company education tour. development. group, the third annual Com­ New York, NY $4,500 munity Festival Productions, Stages, Inc. Tears of Joy Theatre and the Arts in Education To support artists’ compen­ Program. sation. Los Angeles, CA $4,500 Vancouver, WA $4,500 To support Pavlovskyfest II To support expenses for pro­ and the Mondays at Stages duction of classic and con­ Theatre & Arts Foundation Skysaver Productions, Inc. of San Diego County New York, NY $12,600 program. temporary plays in puppetry arts for young audiences, La Jolla, CA $51,610 To support expenses for the Steppenwolf Theatre touring activities, and the To support adaptations of creation, development, and Chicago, IL $22,500 implementation of works for classic literature for the stage, production of a new work. adult audiences. guest artists, artists’ compen­ To support expenses for the sation, and productions of Sledgehammer Theatre production of contemporary Teatro Avante, Inc. contemporary plays for the San Diego, CA $4,950 plays on the mainstage and in La Jolla Playhouse. the studio, and outreach Miami, FL $10,800 To support artists’ compen­ activities. To support expenses for sation. the production of classic Theatre For You, Inc. 126 Boise, ID Studio Theatre, Inc. and contemporary plays by $7,650 Soho Repertory Washington, DC $9,000 Hispanic writers, and com­ To support touring, the Theatre, Inc. munity outreach activities. development of new theater­ 127 New York, NY $7,650 To support increased artists’ for-youth plays, and theater- compensation, playwright To support expenses for the Teatro Hispano de Dallas in-education programming for development, and revivals the Idaho Theatre for Youth. production of contemporary of classic American and Dallas, TX $8,550 plays, the development of European plays. To support staff salaries, new works through artist artistic fees, mainstage pro­ Theatre Gael, Ltd. collaborations, co-productions, Su Teatro ductions of plays by Latin Atlanta, GA $4,950 and a reading series. Denver, CO $9,900 authors, outreach services, To support development of and the annual "Day of the original plays for both child South Coast Repertory, Inc. To support mainstage produc­ Dead" event. and adult audiences and Costa Mesa, CA $54,580 tions of plays highlighting artists’ compensation. $40,000 TF Chicana/Latina pla)~vrights Teatro del Sesenta, Inc. and directors, touring, and To support the production of collaborative projects. San Juan, PR $24,300 Theatre IV plays on the Repertory’s two To support the mainstage Richmond, VA $7,650 stages, several programs for Sundance Children’s production of classic and To support performances at the development of new work, Theatre, Inc. contemporary plays by Latino home and on tour. the Nexus Program, and xwiters, collaborations with outreach programs. Salt Lake City, UT $9,000 emerging artists, and ongoing Theatre X, Inc. To support the expenses of community outreach activities. Spanish Theatre commissioning, developing, Milwaukee, WI $14,400 producing and touring plays. Repertory Co., Ltd. Tennessee Repertory To support artists’ compen­ New York, NY $121,730 Theatre Trust sation. $20,000 TF Tacoma Actors Guild Nashville TN $7,400 Tacoma, WA $4,500 Theatre de la Jeune Lune To support classic and con­ To support artists’ compensa­ temporary Spanish, Latin To support the expenses for tion, the production of classic Minneapolis, MN $41,040 American, and Hispanic the production of classic and and contemporary works, and To support mainstage and American plays in rotating contemporary plays, the ongoing educational outreach company-created productions. repertory, touring, and perfor­ development of new works, to local students. mances for school audiences. collaborations, and residencies with emerging writers. T H E A T E R

Trinity Repertory Company Virginia Stage Company Women’s Project Theatre for a New and Productions Providence, RI $76,040 Norfolk, VA $4,500 Audience, Inc. New York, NY $4,500 New York, NY $6,750 To support the 32nd season To support expenses for the of classics and new works, the production of classic and To support expenses for To support the collaboration productions. with a resident director, pro­ Project Discovery Program in­ contemporary plays, develop­ ductions of classical plays, troducing high school students ment of new works, and edu­ and performances for school to theater, sign-interpreted cational outreach activities. Woolly Mammoth audiences. performances, and audience Theatre Company development. Vivian Beaumont Washington, DC $10,350 Theatre in the Square, Inc. Theater, Inc. To support expenses for Marietta, GA $6,750 Trustus, Inc. New York, NY $65,940 artists’ compensation for Columbia, SC $4,500 $20,000 TF mainstage productions. To support mainstage produc­ tions of contemporary plays, To support artists’ compen­ To support artists’ compen­ youth programming, commu­ sation. sation. Wooster Group, Inc. nity outreach, increased artist New York, NY $67,040 compensation, new works in Underground Railway Washington Drama To support expenses for the a second space, and artists in Puppets & Actors, Inc. Society, Inc. development and production residence. Arlington, MA $4,500 Washington, DC $87,480 of new theater works, touring, $70,000 TF To support the development and for ongoing training Theatre of Yugen, Inc. and premiere of a new work, To support Arena Stage’s programs for artists. San Francisco, CA $8,100 touring, audience develop­ znainstage production series, To support production of ment, and community out­ "New Voices for a New Working Theatre The Mariposa Bridge Project, reach during the 1995-96 America," "Theater as Company, Inc. to showcase the diversity of theater season. Discovery," professional train­ New York, NY $5,850 ing programs, Living Stage Northern California’s per­ To support expenses for the forming artists, and the pro­ Unicorn Theatre Theatre Company, and other outreach activities. commissioning, development, duction of ensemble-created Kansas City, MO $4,500 and production of new works new works. To support the production of dedicated to the lives of work­ We Tell Stories Inc. ing people. several plays including one Los Angeles, CA $7,380 TheatreWorks world premiere. Palo Alto, CA $5,400 To support expenses for Workshop of the Players To support salaries, benefits, University of development and production Art Foundation, Inc. fees, and travel for actors, North Carolina of classic and contemporary New York, NY $10,370 plays for young audiences, directors, stage managers, Chapel Hill, NC $4,500 To support artists’ compen­ and the artistic director. ongoing touring activities, To support artists’ compen­ and educational outreach sation. sation. that includes workshops and Thick Description residencies. Yale University $4,950 San Francisco, CA Victory Gardens Theater New Haven, CT $41,140 To support production costs Chicago, IL $10,800 Williamstown Theatre $70,000 TF for original adaptations of Foundation, Inc. To support Yale Rep’s pro­ classic and contemporary To support expenses for the $4,500 production of classic and Williamstown, MA duction of new plays, co­ works as well as a world productions, new play premiere. contemporary plays, resi­ To support the production dencies for local playwrights, of classic and contemporary development, guest artist artist collaborations, ongoing plays, training for young residencies, translations of Thunder Bay Ensemble, Inc. touring activities, and educa­ actors, playwright develop­ classics, audience outreach, New York, NY $4,500 tional outreach. ment, staged readings, direct­ and post-show discussions. To support the creation, ing fellows, the free theater, development and production Vigilante Players, Inc. and second stage productions. York Theatre Company, Inc. of new work, collaborations Bozeman, MT $10,800 New York, NY $4,500 with emerging artists, and Wilma Theater To support expenses for the touring activities. To support actors’ salaries, $15,750 fringe benefits, travel, and Philadelphia, PA production of More Stately lodging. To support expenses for the Mansions by Eugene O’Neill, Touchstone production of classic and and Edward Albee’s Seascape. $6,750 Bethlehem, PA Vineyard Theatre and contemporary theater works, To support expenses for the Workshop Center, Inc. collaborations with inter­ Young Playwrights, Inc. creation, development and New York, NY $6,750 national artists to create new New York, NY $17,100 presentation of new works, works, training programs, and To support artists’ compen­ community outreach activities. To support artists’ compensa­ collaborations with inter­ tion and production costs for national artists, ongoing sation, production expenses, and administrative salaries. the 1995 Young Playwrights educational outreach activities, Festival. and regional touring. T H E A T E R

Literary Managers and UNIMA-U.S.A., Inc. Gordon, Charles E Services to the Field Dramaturgs of America, Inc. Atlanta, GA $2,640 Ann Arbor, MI $22,500 New York, NY $2,000 To support the publication Grants went to assist organiza­ To support expenses asso­ ofA Propos and Puppetry Inter­ Harrison, Paul C. tions that provide services on ciated with programs serving national, journals devoted to Chicago, IL $9,000 a national scale to the theater the dramaturgical and literary activities in puppetry around field. staffs of the nonprofit pro­ the world, and directories Hebert, Julie C. fessional theater field. including touring, inter­ Los Angeles, CA $12,600 13 awards $279,100 national festivals, and mem­ 1 cooperative New York Public Library bership guides. agreement $340,000 Hoffman, William M. Astor, Lenox and Tilden New York, NY $12,600 Foundation Yale University ASSITEJ-USA, Inc. New York, NY $41,340 New Haven, CT $2,000 Levy, Tina Howe Seattle, WA $4,440 To support expenses related to To support publication and New York, NY $9,000 To support the editing, pub­ the programs of the Theatre distribution of Theater, a lishing, and distribution of a on Film and Tape Archive. triquarterly magazine that Loomer, Lisa journal, an annual listing of focuses on new writing by and Sherman Oaks, CA $9,000 member organizations’ seasons, Non-Traditional about contemporary theater a semiannual listing of new artists. Casting Project, Inc. McDonald, Heather R. American plays, and a quar­ New York, NY $5,340 terly newsletter featuring BHK Arts Consultants Arlington, VA $12,600 worldwide field activities. To support activities which Washington, DC $340,000 support theaters in the Solis, Octavio Alternate ROOTS, Inc. implementation of culturally A cooperative agreement to San Francisco, CA $18,000 Atlanta, GA $2,000 diverse hiring practices. support the administration, monitoring, and coordination Wellman, John M. To support activities which of site reports of applicants to Theatre Communications Brooklyn, NY $12,600 foster artistic development Group, Inc. the Theater Program. and training for theater artists New York, NY $51,240 at the 20th Annual Alternate West, Cheryl L. ROOTS meeting. To support the enhancement Champaign, IL $22,500 of publication programming Fellowships for 128 Center for Puppetry for the national theater Wille, Janet Neipris community. Playwrights Arts, Inc. New York, NY $9,000 Atlanta, GA $6,240 Fellowships were awarded to 129 Theatre Communications To support services to students, Group, Inc. playwrights to contribute to Wright, Craig scholars, and artists in the field their artistic growth, including St. Paul, MN $9,000 of puppetry. New York, NY $140,790 research, creation of new work, To support comprehensive revision of work-in-progress, Yankowitz, Susan activities that address the and travel for theater-related Drama League New York, NY $12,600 of New York, Inc. artistic and managerial con­ purposes. cerns of nonprofit theaters, New York, NY $5,340 as well as those of freelance 18 awards $225,000 To support the Directors artists and managers. Project. Chong, Ping Stage Designers Theatre Development New York, NY $18,000 Fellowships International Theatre Fund, Inc. Institute of the United New York, NY $2,290 Cruz, Migdalia Theatre Communications States, Inc. To support expenses of the New Canaan, CT $9,000 Group, Inc. New York, NY $13,440 Costume Collection and its New York, NY $150,000 To support expenses associ­ summer internship program, Dinwiddie, Michael A cooperative agreement to ated with providing services to as well as the Theatre Access Los Angeles, CA $9,000 support Round 6 of the Stage theater artists and companies Project and its theatrical sign Designers Fellows Program in the United States and interpretation courses. Foreman, Richard which awards grants to theatri­ abroad. New York, NY $9,000 cal stage designers, provides support services, and arranges Gallaghe~Mary mentor relationships. Kerhonkson, NY $9,000 ederal support for the arts is not limited to the grants from the Arts Endowment. Throughout this annual report is a record of the Endowment’s new focus on inte­ nni grating the arts into appropriate programs of other Federal agencies. In 1995, the Arts Endowment participated in 30 formal partnerships, joining forces and re­ sources with the Departments of Agriculture, Commerce, Education, Housing and Urban Development, Health and Human Services, Justice, State, Transportation, the General Services Administration, and the U.S. Information Agency. Descrip­ tions of these individual partnerships are included in the listings of grants.

Among these partnerships are those which involve the historical, long-term assis­ tance with the Arts Endowment has provided to Federal agencies in the integra­ tion of quality design and visual arts elements into Federally-supported projects. For example, the Endowment’s Visual Arts Program and the General Services Administration (GSA) share a Memorandum of Understanding which promotes the installation of art in Federal buildings. Through other agreements with GSA and specific Federal agencies, the Arts Endowment provides leadership and ex­ pertise in developing guidelines for design projects.

In some cases, Federal interagency collaboration supported joint-funding ven­ tures. A partnership with the U.S. Information Agency supports the Fund for U.S. Artists at International Festivals & Exhibitions. The Goals 2000 Arts Edu­ cation Partnership is a collaboration with the Department of Education and over 100 national arts and education organizations to assist in the implementation of voluntary curriculum standards. An artists-in-residence program in Federal correctional facilities is made possible through an agreement with the Bureau of Prisons of the Department of Justice.

A priority in 1995 was interagency partnerships to "open up" Federal programs which have not traditionally involved the arts and arts organizations in strategies to allow communities to address critical social problems. Of particular note are those programs designed to serve young people who are increasingly at risk of violence, substance abuse, and alienation.

The Writers Corps, for instance, is a collaboration with the Corporation for National Service and the Associated Writing Programs to support residencies for 60 writers to work with inner-city communities in the Bronx, San Francisco, and Washington, DC. A partnership with the Department of Justice’s office of Juvenile Justice and Delinquency Program resulted in a after-school and week­ end programs in the arts, recreation, job skills and entrepreneurial projects called Pathways to Success. FEDERAL INTERAG ENCY PARTNERSHIPS

In many interagency partnerships, the role of the Endowment is to provide a leadership perspective on the importance of the arts to the missions and programs of other Federal agencies and to facilitate the involvement of artists and arts organizations. For example, the Arts and Prevention collaboration with the Department of Health and Human Services resulted in the inclusion of arts organizations under the funding guidelines of the Substance Abuse and Mental Health Services Administration for community coalition grants. This initiative fights substance abuse and provides mental health serves, and through the Center for Substance Abuse Prevention and the Clearinghouse for Drug and Alcohol Information disseminates publications which encourage the involvement of the arts in the prevention programs for young people. The Endowment and the Department of Transportation cooperate through the Design for Transportation National Awards Program which honors projects that exemplify the highest stan­ dards of design and have made outstanding contributions to the nation’s trans­ portation systems and the people they serve.

In the aftermath of the bombing destruction of the Federal building in Oklahoma City, the Arts Endowment, the General Services Administration, the Department 130 of Transportation, and the Department of Housing and Urban Development joined together to support a process of community involvement in the plans for 131 rebuilding downtown Oklahoma City. The results of that project were featured in the exhibition "We Will Be Back: Oklahoma City Rebuilds," co-sponsored by the National Building Museum.

Public service Orchestrate a Get Into Help Create A Miracle. Be Vocal. Masterpiece. announcements The Act. produced in partnership between the

Endowment and the Department of Health and

Human Services. ARTS rants in support of arts for youth can be found throughout this report, but in 1995, Congress earmarked $400,000 for Arts for Youth projects. (This allocation was reduced to $345,000 subsequent to the FY 1995 rescission legislation.) The Arts for Youth funds supported projects which involve the arts in addressing the needs of at-risk youth and to promote leadership initiatives to integrate the arts into efforts to strengthen and build communities. Typically, these projects either have a national impact or serve as models to encourage the expansion of support for programs to benefit youth. The Endowment has promoted Arts for Youth programming through expanded partnership collaborations with other Federal agencies, public agencies, and private groups.

In FY 1995, Arts for Youth funds, allocated through the Local Arts Agencies, Literature, Folk & Traditional Arts, International, and Visual Arts Programs, supported the following projects.

Flavors of the City,

an anthology of

writing by

participants in

the San Francisco

chapter of

WritersCorps. A R T S F 0 R Y 0 U T H

"Pathways to Success," a Writers Corps, a partnership A folk arts program at the A technical assistance manual partnership with the Office with the Corporation for Henry Street Settlement for community groups that of Juvenile Justice and Delin­ National Service and the Abrons Arts Center in New wish to replicate "Shooting quency Prevention and the Associated Writing Programs York City that will include a Back," a program where Bureau of Justice Assistance, which supports residencies folk artist in the schools pro­ photographers work with supports after-school and for 60 writers to work with gram, a series of traditional disadvantaged and at-risk weekend programs for at-risk youth in inner-city communi­ arts events, and an interpretive children on photography as youth which utilize the arts, ties in The Bronx, San Fran­ program in the Lower East a means of creative expression business, entrepreneurial, cisco, and Washington, DC. Side for families, seniors, and and alternative activity. Books education, job skills, and intergenerational audiences. and exhibitions of the photo­ creation activities. This part­ Corporation for Communication between in­ graphs have been produced nership will fund 10 projects National Service: $400,000 coming immigrant popula­ in Washington, DC, Minne­ for a two-year period. Arts Endowment: $75,000 tions and the community, apolis, Newark and several particularly adolescents, will Native American reservations, Department be encouraged. The program resulting in numerous requests of Justice: $800,000 The 4th International Con­ will emphasize common themes to replicate the programs in Arts Endowment: $100,000 gress of Educating Cities, of work, childhood, and story­ other communities in the "The Arts and Humanities telling among cultures. United States. Matching funds as Agents for Social Change," provided by the Prudential The YouthArts Development Project cost: $55,525 Foundation. in September, 1996, sponsored Arts Endowment: Project, a consortium of three by the Chicago Department $25,000 local arts agencies from Port­ Project cost: $65,000 of Cultural Affairs. The Con­ Arts Endowment: land, Oregon, San Antonio, gress will examine how city $10,000 Texas, and Atlanta, Georgia, governments, in collaboration "You Gotta Have Art," the to expand successful proto­ with artists, educators, and first national arts and youth types for Arts-for-Youth pro­ cultural institutions, can de­ initiative of the National grams. These agencies have velop programs linking the Writer’s Voice Project and the extensive experience in devel­ arts and humanities to youth National Council of Young oping intervention programs development. National part­ Men’s Christian Associations for at-risk youth through ners include the U.S. Urban of the USA, which will provide partnerships with community- Arts Federation, the National a variety of programming to based social service and juve­ Assembly of Local Arts Agen­ youth through community nile justice agencies in urban YMCAs. Projects will include cies, the U.S. Information 132 settings. The first phase of Agency, Sister Cities Inter­ workshops in writing and the project, under the coordi­ national, and the Brunswick reading for first-time juvenile nation of the Regional Arts & Foundation. offenders in St. Louis, assis­ Cultural Council in Portland, tance to teenagers from the 133 will develop and disseminate Project cost: $800,000 Southside of Chicago in models for professional de­ Arts Endowment: $20,000 writing and producing a velopment and training for bi-annual magazine, and a artists who work in social ser­ summer camp for young vice settings and for program writers at the YMCA in Sheri­ evaluation and documentation dan, Wyoming. methodology. Project cost: $79,763 Arts Endowment: $100,000 Arts Endowment: $15,000 n Fiscal Year 1995, the Arts in Education Program, in partnership with agencies and organizations at the national, regional, state and local levels, pursued its core mission: to ensure that children and young adults understand the arts and the roles and values the arts play in their lives and society through educational opportunities and experiences. A 1994 Endowment-sponsored suwey found that a majority of American elementary schools, in urban, suburban, and rural set­ tings, offer some instruction in music and the visual arts. The survey also showed that where the arts are taught, they are often integrated with other subjects. In the past five years, the number of students taking arts courses has increased.

The survey also revealed important counterparts to these findings, indicating that our future work is still substantial and dependent on our continued leader­ ship and partnerships. Areas for improvement are varied. The arts in elementary schools are often taught by general classroom teachers, not arts specialists, and the resources necessary to support the increased study have not kept pace with enrollments. Furthermore, there are considerable differences among schools’ offerings depending upon region, metropolitan status, and school size.

In response, the Arts in Shakespeare Education Program had & Company’s three goals: 1) to make the arts basic to the education education programs of children and young adults in grades pre-K were broadened to through 12; 2) to increase public awareness of the include a new project: value of arts education; and 3) to enable individuals Shakespeare in the and organizations, espe­ Hand of Adolescents. cially artists and arts orga­ nizations, to increase arts education opportunities and/or improve the quality of arts education programs. People - whether they are artists, educators, adminis­ trators, parents, or CEOs ­ are at the heart of the partnerships that charac­ terize the three categories of AIE Program support. A R T S I N E D U C A T I 0 N

Arts Education Partnership Grants enable state arts agencies to achieve these goals. The states maintain the flexibility to develop programs geared toward their indi­ vidual needs. The states’ comprehensive approach to arts education emphasizes: | artist professional development to help artists make productive connections with teachers and students. I professional development opportunities for teachers, school administrators, and others, to help them acquire knowledge and skills in the arts.

| arts curriculum development to help children’s arts experiences build sequen­ tially and relate to the larger curriculum.

| incorporation of all artistic disciplines to ensure the broadest possible under­ standing of artforms and the many cultures that communicate through them. | state-level partnerships to help state departments of education, arts education alliances, and other agencies set and evaluate arts education policy. | local partnerships that forge ongoing relationships among arts organizations, individual artists, and local school sites. 134 | awareness campaigns to keep the public informed of the positive effects of arts education. 135 | strategic planning to articulate goals and evaluation criteria and to support state education reform efforts.

Arts Plus Grants supported partnerships between arts organizations and schools to make constructive educational change so that the arts are central to the education of students, and to support artistic exploration and growth by arts professionals. The seven projects supported more than 50 artists and arts organizations working with thousands of students in more than two dozen schools over three years.

Special Project Initiatives undertaken by the Endowment, often in partnership with the Department of Education or other national, regional or statewide organi­ zations help fill gaps in research. For instance, an initiative led to publication of Schools, Communities, and the Arts: A Research Compendium, which summarizes more than 50 studies that support the importance of the arts in the curriculum and as contributors to the overall cognitive and emotional well-being of children. Other initiatives develop innovative solutions to meet pressing needs of the field and to convene people to facilitate coalition-building and collaboration. A R T S I N E D U C A T I 0 N

83 awards $7,116,595 Georgia Council National Assembly Texas Commission for the Arts of State Arts Agencies on the Arts Atlanta, GA $70,900 Washington, DC $23,945 Austin, TX $55,570 Arts Education A cooperative agreement to Utah Arts Council Partnership Grants Hawaii State Foundation support Arts in Education on Culture and the Arts coordinators professional Salt Lake City, UT $140,000 Honolulu, HI $89,110 development. Grants provide opportunities Vermont Council for state arts agencies to build Idaho Commission Nebraska Arts Council on the Arts, Inc. upon their existing arts edu­ on the Arts Montpelier, VT $85,280 cation programs. Grants are Omaha, NE $129,350 Boise, ID $75,000 awarded on a two-year cycle. Virgin Islands Council Each year, 28 state arts agen­ Nevada State Council cies are eligible to apply for Illinois Arts Council on the Arts on the Arts funding. The grants listed Chicago, IL $94,860 Reno, NV $34,000 St. Thomas, VI $25,000 below reflect both the first year of 1995-96 awards and Indiana Arts Commission New Hampshire State Virginia Commission the second year of 1994-95 Indianapolis, IN $60,560 Council on the Arts for the Arts awards. Concord, NH $83,360 Richmond, VA $63,000 Iowa Arts Council 55 awards $4,895,095 Des Moines, IA $95,500 New Jersey State Council Washington State Program Funds $4,395,095 on the Arts Arts Commission Treasury Funds $500,000 Kansas Arts Commission Trenton, NJ $167,680 Olympia, WA $88,630 Topeka, KS $64,980 Alabama State Council $50,000 TF New York State Council West Virginia Arts and on the Arts on the Arts Humanities Section Montgomery, AL $90,000 Kentucky Arts Council New York, NY $10,000 Charleston, WV $40,630 Frankfort, KY $95,000 $180,000 TF Alaska State Council $50,000 TF Wisconsin Arts Board on the Arts North Carolina Arts Council Madison, WI $66,110 Anchorage, AK $90,000 Louisiana Division Raleigh, NC $91,030 of the Arts Wyoming Arts Council American Samoa Council on Baton Rouge, LA $70,000 North Dakota Council Cheyenne, WY $104,000 Arts, Culture, & Humanities on the Arts Pago Pago, AS $35,360 Maine Arts Commission Bismarck, ND $61,900 Augusta, ME $64,680 Arizona Commission Ohio Arts Council Arts Plus on the Arts Maryland State Arts Council Columbus, OH $186,840 Phoenix, AZ $90,740 This category provided three- $55,000 TF Baltimore, MD $53,000 year awards to arts organiza­ Oklahoma, State Arts tions working in partnership Massachusetts Cultural Council of with at least one public school Arkansas Arts Council Council Oklahoma City, OK $95,000 to support programs to make Little Rock, AR $53,370 Boston, MA $114,000 the arts central to the lives Oregon Arts Commission of students, support artistic California Arts Council Michigan Council for Salezn, OR $72,050 exploration, and to encourage Sacramento, CA $62,500 Arts and Cultural Affairs growth by arts professionals $50,000 TF in their work with schools. Detroit, MI $98,500 Pennsylvania Council Colorado Council on on the Arts 7 grants $835,000 the Arts and Humanities Minnesota State Arts Board Harrisburg, PA $90,000 Denver, CO $63,000 St. Paul, MN $162,890 American Place Theatre, Inc. Puerto Rican Culture, New York, NY $100,000 MississippiArts Commission Institute of Connecticut Commission To support a collaborative, on the Arts Jackson, MS $100,720 San Juan, PR $45,610 $50,000 TF play-making process with high Hartford, CT $81,500 Rhode Island State Council school students using the Missouri State Council on the Arts Theater’s "Literature to Life" Delaware Division program. of the Arts on the Arts Providence, RI $92,000 St. Louis, MO $122,000 Wilmington, DE $43,120 City of San Antonio South Carolina Arts San Antonio, TX $90,000 District of Columbia Montana Arts Council Commission Commission on the Arts Helena, MT $50,300 Columbia, SC $117,000 To support the Core Program, and Humanities $65,000 TF a comprehensive teacher Washington, DC $19,000 National Assembly training program involving of Local Arts Agencies South Dakota Arts Council local arts organizations and Washington, DC $10,000 Pierre, SD $118,000 schools in the Northeast, Florida Division of Edgewood, and San Antonio Cultural Affairs To provide additional funds Independent School Districts. Tallahassee, FL $70,520 for a 1994 cooperative Tennessee Arts Commission agreement. Nashville, TN $118,000 A R T S I N E DUC A T I 0 N

Institute for Arts and Appalshop, Inc. Educational Broadcasting Galef Institute Humanities Education Whitesburg, KY $19,000 Corporation Louisville, KY $50,000 New Brunswick, NJ $150,000 To support costs associated New York, NY $46,500 To support a research and To support INTERARTS, a with the Appalachian Media To support development of evaluation project to gauge the program that brings together Institute, an internship pro­ Who’s Dancin’ Now?, a follow- effectiveness of the Institute’s teams of professional artists gram for high school students up documentary to Makes Me "Different Ways of Knowing" and teachers to provide multi­ in schools with high dropout Feel Like Dancin’. education reform project in cultural arts activities for rates. Awarded and co-funded with the Kentucky. students that foster study Awarded by the Expansion Arts Dance Program. in the arts and promote an Program. Galef Institute interest in life-long learning. Georgia State University Louisville, KY $10,000 Chamber Music Atlanta, GA $3,000 To support activities to docu­ Lookingglass America, Inc. Theatre Company A cooperative agreement to ment and evaluate the impact New York, NY $145,000 of using an arts-infused cur­ Chicago, IL $145,000 develop an orchestra educa­ To support the 1995-1996 tion guide. riculum training program To support the Hawthorne/ season of the Chamber Music called "Different Ways of Agassiz Arts Partnership. Awarded and co-funded with the Knowing" in elementary class­ Rural Residencies program, Music Program. which will place emerging rooms in Kentucky. Monterey Jazz Festival chamber music ensembles in Mexican Museum Monterey, CA $50,000 selected rural communities in Kennedy Center for San Francisco, CA $9,500 the Performing Arts To support JAZZPLUS, a music Arkansas, California, Pennsyl­ education program for high vania, Texas, Kentucky, Maine, To support costs associated Washington, DC $375,000 school students that integrates and Oregon. with the museum’s year-round A cooperative agreement to jazz music biweekly into the Awarded and co-funded with visual arts classes for low- support the pilot phase of social studies, literature, math, the Music Program. income youth from San ArtsEdge, an interactive, on-line visual art, and drama curricula. Francisco’s Mission District. computer information network. Charter Oak Temple Awarded by the Expansion Arts Regional Arts and Restoration Association, Inc. Program. Music Educators Culture Council Hartford, CT $9,500 National Conference Portland, OR $150,000 To support artistic and admin­ Village of Arts and Reston, VA $10,000 Humanities, Inc. To support ArtsPlan Schools istrative expenses related to To support the National Coali- 136 partnerships through profes­ an after-school theater and Philadelphia, PA $23,750 tion for Education in the Arts, a sional development for teach­ visual arts program, to be To support costs associated group of more than 30 arts and ers, administrators, artists and held in several Hartford public with after-school and summer arts education service organiza­ 137 arts organizations, arts educa­ schools. arts programming, as well as tions, in its efforts to imple­ tion support for schools, public Awarded by the Expansion Arts the visiting artists program. ment a series of arts education awareness and evaluation. Program. Awarded by the Expansion Arts initiatives over a two-year pe­ Program. riod. Shakespeare &Company, Inc. Chicago Children’s Choir Lenox, MA $150,000 Chicago, IL $9,500 National Alliance of Media Arts Centers, Inc. To support the "Shakespeare in the Hands of Adolescents" To support salaries and Special Projects Oakland, CA $25,000 associated costs for Chicago project. To support the completion of Children’s Choir’s in-school Awards support leadership choruses. the National Media Education initiatives to address national Directory. Awarded by the Expansion Arts issues and influence policy in Program Collaborations Program. arts education. National Assembly of The Arts in Education Pro­ Civil Rights Project, Inc. 10 awards $940,000 Local Arts Agencies gram acted as a financial Boston, MA $120,000 6 grants $155,000 Washington, DC $30,000 conduit for other Programs to To support "I’ll Make Me A 4 cooperative To support the position of arts commit funds to arts education World," a television series on agreements $785,000 in education coordinator and projects. Applicants applied African American artists in the related costs associated with through the discipline pro­ 20th century. Council for Basic Education implementing the National grams and were reviewed by Assembly of Local Arts Agen­ panels in Dance, Expansion Awarded and co-funded with the Washington, DC $90,000 cies’ arts education efforts. Arts, Media, and Music, and Media Arts Program. A cooperative agreement to except where noted, grants support the Teachers of the National Assembly of were awarded using Arts in Community Television Arts Fellowship Program. State Arts Agencies Education allocations. Network Washington, DC $110,000 Chicago, IL $23,750 11 grants $446,500 Council of Chief State A cooperative agreement to To support costs associated School Officers support the Goals 2000 Arts American Symphony with video instruction and Washington, DC $210,000 Education Leadership Fund. production for Chicago’s Orchestra League A cooperative agreement to inner-city youth. Washington, DC $37,000 support the Goals 2000 Arts Southern Arts Federation, Inc. Awarded by the Expansion Arts Education Partnership. Atlanta, GA $30,000 To support education, train­ Program. ing, aud information services To support activities of a national to the field. model in regional arts education programming over two years. Awarded by the Music Program. he Challenge Program granted funds to strengthen the financial and program­ matic infrastructures which underpin the activities of arts organizations. Since its creation in 1978, the Program has awarded 1,131 grants totaling $332 million which, in turn, leveraged more than $2.6 billion from private sources. These funds have been invested to benefit the long-term financial health and artistic viability of arts organizations.

In 1995, the Challenge Program awarded 44 multi-year grants totaling $12.3 million. Individual grants ranged from $75,000 to $800,000, and they must be matched by at least three dollars in nonfederal funds for every dollar of Endow­ ment support. Two categories of grants were offered. Twenty-eight organizations received Challenge Grants for Institutional Stabilization: targeted efforts to elimi­ nate debt or deficits, increase endowment or cash reserve assets, or secure or improve the physical structures vital to an organization’s operations. Sixteen arts groups received funding for Project Implementation: artistic or educational ef­ forts that represent new directions or significant programmatic advances for the institution. All successful applicants were recommended by a panel with expertise in a specific artistic discipline A Challenge grant and then judged by a special combined arts panel which to the Limon Dance assessed the long-term impact that achieving the grant’s goals Company will bring would have on the organization, greater awareness the arts field, and/or national awareness of the arts. of the company’s

The 1995 Challenge Grants founders Jose Limon supported organizations that represent every aspect of the and Doris Humphrey. national arts community. The National Guild of Community Schools for the Arts received $150,000 to provide financial assistance and expertise to help specialized educational and arts organizations throughout the country transform themselves into multi-disciplinary commu­ nity schools of the arts which will serve a broader range of DANCE COMPANY CH A L L E N G E

their constituency needs. "Photography and Regional organizations, such as the Delaware the Old West," Division of the Arts and the Arts & Science one of the many Council of Charlotte traveling exhibitions Mecklenburg, North Carolina, received funds supported through to create multimillion dollar endowment pools, the ExhibitsUSA by the income from which will stabilize operations of numerous area arts groups. Two $250,000 grants went to the Eugene, Oregon and Nashville, Tennessee the Mid-America symphony associations to augment endowment funds; both conduct a variety of activities including free concerts in the parks, concerts and instruction in the Arts Alliance. public schools, performing for local ballet companies, and tours to surrounding communities.

This year’s Challenge Grants will encourage participation from an audience 138 culturally and geographically diverse. Certain grants focus specifically on expand­ ing the appreciation of the diversity of America’s artistic traditions. A $600,000 139 Challenge Grant to D.C. Wheel Productions funded a consortium of presenters in seven cities to create DanceAfrica festivals, showcases for local performing, craft, and visual arts in conjunction with events featuring nationally-known African American artists. A $300,000 Challenge Grant to the Metropolitan Dade County (Florida) Cultural Affairs Council supports a "New Works/New Audiences" initia­ tive intended to commission new work, create collaborations among culturally diverse organizations, and stimulate and attract underserved audiences in the Greater Miami area.

Many of the 1995 Challenge Grants assisted projects related to arts education. A $225,000 grant to the Tucson/Pima (Arizona) Arts Council funded the expan­ sion of a job-training program for youth, linking students with artist/teachers who provide training iu video production and animation, literary and design skills pertinent to desktop publishing, and the design and execution of public art. A $700,000 grant to Urban Gateways in Chicago will help implement a sequential arts curriculum at public schools in economically-disadvantaged areas. A grant of $100,000 will augment a cash reserve fund for the Committee for Young Audi­ ences in New York City, permitting them top respond to the cyclical dmnands on cash created by their program of artist resideucies, performances, and workshops for students pre-K through 12, which has served as a model for similar programs throughout the country. C H A L L E N G E

Current and American Composers DeCordova and Dana Feminist Press, Inc. prior year Orchestra Museum and Park New York, NY $75,000 obligations $21,333,535 New York, NY $320,000 Lincoln, NE $250,000 To support establishment of To support implementation To support renovation and a cash reserve for this literary Challenge Grants provide of three Sonidos de las Americas expansion of the Sculpture press founded in 1970. special opportunities for arts Park, the Museum school, which will involve American FY* $75,000 1995. was obligated in organizations to enhance and foreign composers and and the education building. artistic quality and diversity performers in a series of com­ * $250,000 was obligated in and to strengthen institutional munity concerts, an orchestral FY 1995. Foundation for Independent capability. Each Challenge concert at Carnegie Hall, Video and Film, Inc. Grant must be matched with at composers’ forums, and mas­ Delaware Division New York, NY $100,000 least three dollars in non- ter classes. federal funds. Grants may be of the Arts To support "Information Ser­ * $320,000 was obligated in Wilmington, DE $750,000 obligated at any time over a FY1995. vices for the 21st Century," a three-year period, and the To support augmentation of series of projects designed to amounts obligated in FY 1995 the Arts Stabilization Funds strengthen the field which in­ are noted below these awards. Arts & Science Council held by the Delaware Com­ cludes increased distribution of of Charlotte Mecklenburg munity Foundation to benefit The Independent magazine, pub­ Charlotte, NC $800,000 numerous arts organizations lication of technical assistance To support augmentation of in the state. toolkits, a resource database, 1995 Challenge Grants an endowment fund to benefit * $750,000 was obligated in and workshops for producers. 21 arts organizations in the FY 1995. * $100,000 was obligated in This amount reflects the com­ region. FY 1995. mitments made in FY 1995. FY* $800,000 1995. was obligated in Developmental Disabilities All of these grants are made Service Organization Heard Museum through Treasury Funds, and Sacramento, CA $75,000 Phoenix, AZ $500,000 below each, the amount obli­ California Institute gated in 1995 is listed. To support augmentation of To support augmentation of the of the Arts the endowment funds to use endowment fund as part of a 44 awards $12,150,000 Valencia, CA $200,000 the arts as a vehicle for self- capital campaign to acquire To support augmentation of expression for physically and land and build a wing to expand A Traveling Jewish Theatre the endowment fund as part developmentally challenged the Museum’s programming. San Francisco, CA $150,000 of a $60 million campaign for people. endowment, the annual fund, * $75,000 was obligated in Historic Hudson Valley To support development and capital improvements. of local programming and FY1995. Tarrytown, NY $400,000 establish a local audience and FY* $200,000 1995. was obligated in To support augmentation of an support base for a home DiverseWorks, Inc. endowment fund as part of a season in a permanent site in Houston, TX $25,000 larger endowment campaign San Francisco. Dallas Opera To support the Diverse- for this educational institution Dallas, TX $300,000 that restores, preserves, inter­ FY* $150,000 1995. was obligated in Dialogues project which works To support the New Initiatives with national partners in com­ prets, and promotes historical and New Audiences for a New missioning and residencies, and cultural sites. * $400,000 was obligated in Alabama Shakespeare World project, an extensive expanding efforts for Houston FY 1995. Festival outreach program to targeted artists to interact and collabo­ Montgomery, AL $400,000 populations to increase audi­ rate with regional and national peers, and fostering relation­ To support augmentation of ence size and diversity. Intermedia Arts * $300,000 was obligated in ships between artists and of Minnesota an endowment as part of a Houston communities. $9-12 million stabilization FY 1995. Minneapolis, MN $235,000 campaign. * $25,000 was obligated in FY 1995. To support elimination of debt * $400,000 was obligated in D.C. Wheel related to the acquisition of FY 1995. Productions, Inc. property, to establish a cash Washington, DC $600,000 Eugene Symphony reserve, purchase fixtures, Association and renovation costs. To support implementation Eugene, OR $250,000 * $235,000 was obligated in of DanceAfrica America, a FY 1995. touring and community de­ To support establishment of a velopment consortium of arts cash reserve and augmenta­ organizations from across the tion of an endowment fund as country designed to develop phases in a large-scale stabili­ customized programs for zation effort. seven sites. * $250,000 was obligated in * $600,000 was obligated in FY 1995. FY 1995. C H A L L E N G E

International Documentary McCarter Theatre Company Nashville Symphony Owensboro Symphony Foundation Princeton, NJ $450,000 Association Orchestra Los Angeles, CA $75,000 To support reduction of notes Nashville, TN $250,000 Owensboro, KY $150,000 To support the International payable and accumulated To support augmentation of To support establishment of Documentary Congress, a deficit and to establish a cash the endowment fund as part an endowment fund. series of panel sessions, work­ reserve fund. of a larger campaign. * $150,000 was obligated in shops, and screenings for and * $450,000 was obligated in * $250,000 was obligated in FY 1995. by documentary fihnntakers. FY1995. FY 1995. FY* $75,000 1995. was obligated in Painted Bride Art Center Meet the Composer, Inc. National Council for Philadelphia, PA $125,000 the Traditional Arts New York, NY $250,000 To support elimination of Jacksonville Symphony Silver Spring, MD $150,000 Association To support augmentation of notes payable and an accumu­ the endowment fund. To support establishment of lated operating fund deficit, Jacksonville, FL $250,000 a cash reserve fund for the and for the purchase of main- To support augmentation of Metropolitan Dade County nation’s oldest multicultural stage technical fixtures and the endowment fund as part Cultural Affairs Council producing and presenting equipment. of a $17 million campaign. organization. Miami, FL $300,000 FY* $125,000 1995. was obligated in * $250,000 was obligated in * $150,000 was obligated in FY 1995. To support the "New Works/ FY 1995. New Audiences" progra~n that includes grants to commission Public Radio Jose Limon and present new work, estab­ National Guild of International, Inc. Dance Foundation lish interchange and creative Community Schools Minneapolis, MN $650,000 of the Arts New York, NY $314,000 development fund for nfid­ To support "Classical Radio To support a project designed sized arts organizations, and Englewood, NJ $150,000 Redefined," an initiative to to develop greater national conduct a new marketing To support implementation produce new concerts and a and international awareness xmnat~ve. of two components of the series of programs to attract of the artistic legacies of the * $300,000 was obligated in ArtsAccess program: New Arts a younger and more diverse company’s founders, Jose FY 1995. Schools and Centers, to pro­ audience for classical music. Limon and Doris Humphrey, vide seed grants to commu­ * $339,500 was obligated in and to bring their works Mid-America Arts Alliance nities interested in starting FY1995. before a new public through new schools of the arts in 140 a chamber engemble in Cali­ Kansas City, MO $600,000 underserved areas, and the Redwood Cultural fornia, dancer training, To support expansion of the Community Partnership remounting choreographic ExhibitsUSA program through Action Program to provide Work, Inc. 141 works, and other efforts. increasing community partici­ grants to emerging schools. Oakland, CA $75,000 pation in new work, conduct­ To support the "New Spiritu­ * $314,000 was obligated in FY* $150,000 1995. was obligated in FY 1995. ing performances, workshops als Project," an initiative to and multimedia projects in commission, present, record, schools and libraries, and and conduct educational LINES, A Dance Company creating new educational North Carolina San Francisco, CA $131,000 Symphony Society activities of traditional and projects. new spiritual music. To support a project to com­ * $600,000 was obligated in Raleigh, NC $100,000 FY 1995. * $75,000 was obligated in mission new works from guest To support reduction of an FY1995. choreographers, engage guest accumulated operating fund dancers for specific roles, Minnesota Opera Company deficit and to establish a cash increase the number of con­ Santa Monica Minneapolis, MN $250,000 reserve. Museum of Art tracted dancers, commission * $58,189 was obligated in original scores from prmni­ To support tbe augmentation FY 1995. Santa Monica, CA $125,000 nent composers, and commis­ of the endowment fund as part To support establishment of a sion designs for sets and of a larger capital campaign. cash reserve fund. costnmes. Opera Association * $250,000 was obligated in of Central Ohio FY 1995. * $131,000 was obligated in Columbus, OH $100,000 Seattle Art Museum FY1995. Seattle, WA $250,000 Mint Museum of Art, Inc. To support retirement of Charlotte, NC $250,000 a note payable of Opera! To support augmentation of Columbus. the endowment fund as part To support the establishment of a larger campaign. of an endowment fund as part * $250,000 was obligated in of a larger campaign. FY1995. * $250,000 was obligated in FY 1995. C H A L L E N G E

Seven Stages, Inc. Educational Broadcasting Philadelphia Singers Atlanta, GA $100,000 Previous Years Challenge Corporation Philadelphia, PA $75,000 New York, NY $800,000 To support renovation of the Grants Phoenix Art Museum facility to provide two theater Flynn Theatre for Phoenix, AZ $150,000 spaces and offices. The following organizations the Performing Arts * $I00,000 was obligated in received Challenge grants FY 1995. during previous fiscal years, Burlington, VT $250,000 San Diego Opera and the amounts below repre­ Association sent the FY 1995 obligations. Greater Columbus San Diego, CA $250,000 Textile Museum Arts Council Washington, DC $375,000 Project descriptions may be found in previous annual Columbus, OH $800,000 San Jose Museum of Art To support augmentation of reports. San Jose, CA $400,000 the endowment fund. Jewish Museum FY* $375,000 1995. was obligated in American Museum of New York, NY $200,000 Settlement Music School the Moving Image Philadelphia, PA $500,000 New York, NY $150,000 Lyric Opera of Chicago Tucson-Pima Arts Council Chicago, IL $250,000 Teachers & Writers Tucson, AZ $225,000 Armory Center for the Arts Collaborative To support expansion of the Pasadena, CA $100,000 Mattress Factory New York, NY $150,000 job training for at-risk youth Pittsburgh, PA $100,000 program of its arts education Bay Area Video Tulsa Opera, Inc. program in video, computer Coalition, Inc. Mexican Fine Arts Center Tulsa, OK $300,000 design and publishing, and San Francisco, CA $125,000 Chicago, IL $250,000 photography. University of Cincinnati FY* $225,000 1995. was obligated in Brandywine Graphic Mexican Museum Cincinnati, OH $375,000 Workshop San Francisco, CA $11,000 Philadelphia, PA $80,000 University of Tennessee Urban Gateways Milkweed Editions Chattanooga, TN $470,000 Chicago, IL $700,000 Brooklyn Institute Minneapolis, MN $75,000 To support implementation of of Arts and Sciences Western Folklife Center $125,000 the Arts Challenge initiative to Brooklyn, NY National Assembly Elko, NV $200,000 design and implement a fully- of Local Arts Agencies integrated arts curriculum in Caramoor Center Washington, DC $140,000 public schools that complies for Music and the Arts Wyoming Arts Council with national, state and local Katonah, NY $270,000 Cheyenne, WY $500,000 learning outcomes. New York Theatre Workshop New York, NY $75,000 FY* $700,000 1995. was obligated in Center Theatre Group/ Mark Taper Forum Nonprofit Facilities Fund Management Evaluation Los Angeles, CA $800,000 Wave Hill, Inc. New York, NY $800,000 Activities Bronx, NY $225,000 Chamber Music Chicago 1 award $254,918 Chicago, IL $105,000 North Texas To support augmentation of Public Broadcasting (in Program Funds) an endowment fund as part Dallas, TX $200,000 of a larger campaign. City of Dallas, Office of Cultural Affairs Mark Anderson * $85,868 was obligated in Oakland Ballet Pacific Palisades, CA $254,918 FY1995. Dallas, TX $296,160 Company & Guild Oakland, CA $95,000 A cooperative agreement to Young Audiences/New York Cityfolk prepare independent feasi­ New York, NY $100,000 Dayton, OH $105,000 bility assessment reports of Pacific Northwest the FY 1995 Challenge appli­ To support augmentation of Ballet Association cants which inform Program the cash reserve fund. Community Music Center Seattle, WA $425,000 management, review panels, San Francisco, CA $75,000 and the National Council on Pacific Symphony the Arts. Currier Gallery of Art Association Manchester, NH $150,000 Santa Ana, CA $250,000

Dell’Arte, Inc. Pan Asian Repertory Blue Lake, CA $75,000 Theatre New York, NY $75,000 The quilt featured

in this poster YOUNG AUDIENCES was created by N E W Y 0 R K the children

participating in the

Young Audiences/

New York program.

142

143

YOtNG AUDIENCES/NEW YORK ¯ ONE EAST 53RD STREET - NE~’ YORK, NY 10022 ¯ (212) 319-9269 FtX: (212) 310-927~ rganizational support is provided in two phases through the Advancement Program. In Phase I, a year of technical assistance and long-range planning, management consultants retained by the Endowment provide on-site consultancies to help grantees. As a result, each grantee crafts a multi-year strategic plan. Phase II grants help participants implement their plans. These grants must be matched three dollars in nonfederal support for every federal dollar awarded.

The 30 organizations participating in the 1995 Phase I are from the following disciplines: arts in education, museums, music, presenting and theater. Histori­ cally, arts organizations that have participated in Advancement have been remark­ ably individual; nonetheless, certain shared characteristics are apparent. Growing needs for audience development, marketing, comprehensive fundraising, effective budgeting, and accounting are high priorities. As developing organizations fre­ quently undergoing change, they view the opportunity to analyze what is hap­ pening to them and to visualize their future as crucial to their sustainability. Advancement consultants provided sensitive, flexible guidance, giving partici­ pants the chance to emerge strengthened, with renewed commitment, and better able to follow their chosen path.

From its beginnings in 1983, Advancement served over 450 organizations defying simple categorization. For example, one of the 1995 Phase I participants, the Montana Repertory Theatre (MRT) is in residence at the University of Montana. Established as a professional Equity touring company in 1977, MRT is a profes­ sional, community-oriented theater that brings live, artistically excellent perfor­ mances and educational outreach to rural and urban areas. Over the last three years, the touring roster of MRT has grown dramatically. Productions have increased from one show per season to four, and the region has expanded from seven to twelve states. Part of the touring expansion was due to the addition of small, one- van-tour shows to accommodate presenters who could not afford the fee for a Rep performance. One of their priorities during Phase I is evaluation and strengthen­ ing of this program as well as developing systems for tour sponsor support.

Another 1995 Advancement participant bringing art to rural areas is the Fort Smith Symphony in Arkansas. Founded in 1923, the Fort Smith Symphony is com­ mitted to providing professional symphonic music that reflects the diversity of the Arkansas River Valley region. The symphony draws audiences from four counties in Arkansas and three counties in Oklahoma to its five-concert subscription series, and it also performs a free outdoor concert and pops concert. While the program­ ming has contributed to a stable audience, the orchestra would like to attract an even larger, more diverse audience. During Phase I, they will do extensive market­ ing research in hopes of attracting this audience. A D VA N C E M E N T

Colorado Music Festival in Boulder received a grant this year to implement ele­ ments of the multi-year plan developed during Phase I. Since its inauguration in 1977, the Festival has promoted an appreciation for musical art through its operation of an international professional orchestra. With the completion of the planning process, the Festival has positioned itself to move forward. It formed a new Programming Committee to reinstate a roster of nationally recognized inter­ disciplinary projects as well as continuing education outreach concerts. Marketing and development were focus areas during Phase I, ensuring that the metropolitan Denver area and the Rocky Mountain region will be aware of their access to high quality performances at the Festival.

Another Phase II grantee is the Woolly Mammoth Theatre in Washington, D.C. Woolly Mammoth is a small, professional theatre committed to producing innova­ tive new plays, developing a company of outstanding ,,,; ~ Washington actors and initiating additional art projects in the broader 144 community. The company has received 28 Helen 145 Hayes nominations and eight awards and is widely acclaimed for its boldness and professionalism. One of their first outreach projects called OUTSIDE WOOLLY incorporates three major components: "Ghosts," a a mural trail leading to the theatre; a series of perfor­ production of the mance, poetry, movement, and visual arts workshops Deep EIlum Theatre with professional artists Group/Undermain and community-based organizations; and a major Theatre in outdoor production for GHOSTS the summer. WRITTEN AND DIRECTED BY JOHN O’KEEFE Dallas, Texas. JANUART ? THROUGH FEBRUARY 13 RESERVATIONS: 747-1424 THE UNDERMAiN THEATRE A D V A N C E M E N T

68 awards $2,084,978 Friends of Olympia Station/ Syracuse Children’s 2 cooperative New Pickle Family Circus Chorus, Inc. Phase II Awards agreements $996,922 Santa Cruz, CA Syracuse, NY The following organizations Fort Smith Symphony Texas Institute for Arts were awarded Advancement Phase I Awards Association, Inc. in Education Phase II Awards of $50,131 Fort Smith, AR Houston, TX each to help implement the strategic plans these The following organizations Gallery Association University of Montana/ groups created in Phase I received nonmatching special of Advancement. needs grants of $6,000 for a of New York State, Inc. Montana Repertory Theatre 15-month period of manage­ Hamilton, NY Missoula, MT 38 awards $1,904,978 ment assistance and strategic planning, cuhninating in the Grand Opera House, Inc./ University of South Florida/ Alice B. Theatre Association creation of a written multi-year Contemporary Art Museum The Grand Seattle, WA strategic plan. Wilmington, DE Tampa, FL 30 awards $180,000 Arizona State University Indian Hill Arts, Inc. Yellow Barn Music Festival Art Museum Bang on a Can, Inc. Littleton, MA Putney, VT Tempe, AZ New York, NY Langston Hughes Young Audiences, Inc. Arkansas Repertory Theatre Cultural Arts Center of Denver Brava! For Women Little Rock, AR in the Arts Seattle, WA Denver, CO San Francisco, CA ARTS Boston Madison Repertory Theatre Boston, MA Center for Photography Madison, WI Management Activities at Woodstock, Inc. University of California/ Montana State University/ Woodstock, NY The following cooperative California Museum of Montana Shakespeare agreements were made to Photography Chicago Chamber Musicians in the Parks review applicants and provide Riverside, CA Chicago, IL Bozeman, MT technical assistance to Phase I grantees. Cantata Singers Climate Theatre Multicultural Education Cambridge, MA and Counseling through 2 cooperative San Francisco, CA the Arts agreements $996,922 Houston, TX Chicago Children’s Choir Concord Community Chicago, IL Music School Arts Resources and New Theatre Technical Services Concord, NH St. Louis, MO Los Angeles, CA $224,940 Children’s Theatre Winston-Salem, NC CSC Repertory, Ltd./ To support management site Classic Stage Company Pegasus Players visits to assess the readiness Chicago, IL Choral Arts Society New York, NY of applicants to participate in of Washington Advancement Phase I. Washington, DC Queens Symphony Deep Ellum Theatre Group/ Undermain Theatre Orchestra The Bay Group Long Island City, NY Chorus of Westerly Dallas, TX San Francisco, CA $771,982 Westerly, RI Redwood Cultural Work To support management of Emmanuel Music, Inc. Colorado Music Festival Oakland, CA consulting and management Boston, MA assistance services to develop­ Boulder, CO ing arts organizations selected Round House Theatre, Inc. Festival of Music, Inc. for participation in Advance­ Corporate Design Englewood Cliffs, NJ Silver Spring, MD ment Phase I. Foundation Boston, MA A D VA N C E M E N T

Cultural Odyssey Macon Symphony Santa Fe Desert Chorale Vermont Symphony San Francisco, CA Orchestra Santa Fe, NM Orchestra Association Macon, GA Burlington, VT En Garde Arts Schoharie Museum New York, NY Milwaukee of the Iroquois Indian/ Wheeling Symphony Society Chamber Theatre Iroquois Indian Museum Wheeling, WV Horse Cave Theatre Milwaukee, WI Howes Cave, NY Horse Cave, KY Wooly Mammoth Theatre National Jazz Service Society for the Preservation Washington, DC Jazz in the City/ Organization of New England Antiquities San Francisco Jazz Festival Washington, DC Boston, MA Young Aspirations San Francisco, CA Young Artists/YA/YA Portland Baroque Orchestra Underground New Orleans, LA Laguna Gloria Portland, OR Railway Theatre Art Museum Arlington, MA Zachary Scott Austin, TX Pro Arte Chamber Theatre Center Orchestra of Boston Unity Concerts Austin, TX League of Historic Cambridge, MA of New Jersey American Theaters Montclair, NJ Zeitgeist Washington, DC San Francisco Arts St. Paul, MN Education Foundation Ventura County Lower Manhattan San Francisco, CA Symphony Association Cultural Council Ventura, CA New York, NY San Francisco Early Music Society Berkeley, CA

146

147 directed arts organizations that repre­ Passing along sent ethnic, inner-city, and rural communities the wisdom of recieve support through the Expansion Arts Pro­ gram. The term ethnic is used in the most inclusive generations through way representing African American, Asian Ameri­ can, Latin American, Native American and the story and song is diverse populations within European American cultures. The Program focussed on those inner-city the mission of cultural organizations which provide access for low- income communities and those rural organizations Brooklyn’s Elders which support indigenous artists. Projects for older Share the Arts. Americans and persons with physical and mental disabilities also come under the Expansion Arts umbrella, for the Program has long been one of the agency’s most active providers of support to underserved constituencies.

Under the Program’s primary category, Expansion ~ Arts Organizations, support was provided in all disciplines for producing, presenting and career- path training activities. In 1995, a grant to the Southern Alleghenies Museum of Art in Loretto, Pennsylvania provided for a series of exhibition programs within the main facility - a renovated gymnasium - as well as for programming at two satellite galleries. Located in an isolated, mountainous area, the Southern Alleghenies Museum of Art has established itself as a significant repository of works by 19th and 20th century regional artists.

The Community Arts Project, known as the King Performing and Cultural Arts Complex, in Columbus, Ohio, received a grant to help meet artistic and adminis­ trative expenses for programnfing reflective of African American culture. Located in two adjoining historic landmarks, the Complex is a central gathering place in its neighborhood of low-income housing develop­ ments, senior citizen apartments, and middle class residences. One of their most popular projects, conducted in partnership with Ohio State University, exposes young people to state-of-the-art electronic equipment used in comprehensive music education classes.

Another grantee under this category, Turtle Quarterly is a journal published by the Native American Center for the Living Arts in Niagara Falls, New York. Expansion Arts funds help underwrite fees for editors and photographers, and over the years, this nationally distributed publication has served as a training ground for Native American professionals in the fields of graphics, photography and creative writing. E X P A N S I 0 N A R T S

Services to Expansion Arts organizations and artists such as conferences, news­ letter publications, ongoing job referral services, research, artist registries, and direct programming were underwritten through the Services to the Field category. In 1995, for example, a grant to the Chinese American Cultural Center in Ann Arbor financed a technical assistance program and related services for Chinese ethnic artists and organizations located throughout Michigan.

The Rural Arts Initiative helped stabilize small arts organizations through a regranting partnership with state arts agencies. Since 1991, this Initiative has helped sustain 80 rural cultural organizations in 20 states. Kansas, Maryland, Mississippi, and Texas were the four states included as grantees in 1995.

Fiscal year 1995 also marked the fourth year of the Arts Education Initiative for students from kindergarten through high school. A two-year grant to the Mexican Museum provided funds for year-round visual arts classes for low-income children from San Francisco’s Mission District. Designed to complement school curriculum, classes in contemporary and traditional arts are a component of the Home Link Mentor Program, an after-school project administered by the local housing devel­ opment corporation and other resources. 148 149 In Buffalo, MollyOIga The Capstone Project, initiated in 1993, attempted to address Neighborhood Art the problem of over-reliance on public funds by some nonprofit Classes celebrated arts organizations through supporting efforts to increase its 35th anniversary earned revenues and individual in 1995. contributions. Capstone is a three-year project which funded four organizations in 1995. Dur­ ing the third and final year of the pilot, Los Angeles’s Japanese 59/95 American Community and Cul- MOLLYOLGA: 35 YEARS tural Center continues to focus on upgrading database systems for ticketing and donor tracking, increasing advertising in major media, and developing cultural HALLWALLS CONTEMPORARY ARTS CENTER BUFFALO, NEW YORK products for sale in gallery shops and mail order catalogues. E X P A N S I 0 N A R T S

310 awards $4,967,090 Anita N. Martinez Bronx Dance Theatre, Inc. Chinese Music Society Ballet Folklorico, Inc. Bronx, NY $6,000 Woodridge, IL $13,000 Dallas, TX $5,000 To support administrative and To support administrative Expansion Arts artistic expenses for the pro­ and artistic expenses of the To support artistic and admin­ resident Silk and Bamboo Organizations istrative expenses for the fessional training program and repertory season. Ensemble and the Chinese Apprentice Program. Classical Orchestra. Grants are awarded to assist professionally directed arts Asian American Buffalo Inner City organizations that are deeply Dance Performances Ballet Co., Inc. Community Music Center San Francisco, CA $5,000 rooted in and reflective of San Francisco, CA $11,000 Buffalo, NY $5,000 ethnically diverse, inner-city, To support administrative and To support administrative and tribal, or rural organizations. To support salaries for the organization’s administrative artistic expenses of developing artistic expenses for Integrated and artistic directors. and presenting Nights of Curriculum, an intensive Harlem, a full-length ballet. sequential music training program for Bay Area youth. Asociacion de Musicos Performing Arts Caribbean Dance Dance/Music Latino Americanos, Inc. Community Music Center Philadelphia, PA $15,000 Company, Inc. St. Croix, VI $9,000 of Houston 76 grants $995,590 To support administrative and Houston, TX $7,000 artistic expenses, including a To support salaries for an music presenting series, the instructor for the professional To support administrative and Abhinaya Dance Company artistic expenses for the center’s of San Jose, Inc. School of Latin Music, referral training program, and for the position of part-time sales/ repertory performance season. San Jose, CA $10,000 and booking services, and publications. bookings coordinator. To support artists’ fees. Compania Folklorica Bailes Flamencos Carter Family Memorial Puertorriquena, Inc. African American Dance $6,000 Music Center, Inc. San Juan, PR $9,000 Ensemble, Inc. San Francisco, CA Hiltons, VA $13,000 To support adzninistrative Durham, NC $21,000 To support the artistic direc­ tor’s and general manager’s To support artists’ fees for and artistic expenses of the To support salaries for the salaries. the center’s concert season company’s repertory season ensemble’s touring and train­ featuring traditional, acousti­ and documentation/marketing ing personnel, and for pro­ cal mountain nmsic. project. duction expenses for new Ballet East Dance Company Austin, TX $6,000 works and the pre-Kwanzaa Charlin Jazz Society, Inc. Coro de Ninos Celebration concert. To support administrative Washington, DC $10,000 de San Juan, Inc. and artistic expenses for the San Juan, PR $15,000 Aims of Modzawe, Inc. repertory season, including To support administrative and artistic expenses of "Jazz for To support faculty salaries for Jamaica, NY $18,000 a performance series and the organization’s music train­ guest artists’ residencies. Seniors" and "Jazz for Chil­ To support administrative and dren," community concert ing and educational programs. artistic expenses of the Cultural series which features regional Arts Program, a sequential Ballet Hispanico jazz artists, and for costs of the of New York Creative Arts Collective, Inc. professional training program Society’s annual jazz festivals. Detroit, MI $7,000 in African dance and music. New York, NY $50,000 To support administrative To support administrative and Chicago Children’s Choir Alabama State Council and artistic expenses for the artistic expenses for the Ballet Chicago, IL $28,000 1995-96 season which includes on the Arts Hispanico School of Dance’s Montgomery AL $3,500 professional training program, To support administrative and concert and recording series, and for the annual student artistic expenses for "After- educational programs, market­ To support administrative and School," a training and perfor­ ing and promotional initia­ artistic expenses for the Wire- company community perfor­ mance series. mance program, and for the tives, and a documentation grass Sacred Harp Singers. "In-School" program, which project. presents the choir in inner-city Bebop and Beyond Ali Akbar College of Music schools and neighborhoods. Dance Giant Steps, Inc. Novato, CA $5,000 San Rafael, CA $13,500 Brooklyn, NY $6,000 To support administrative and To support administrative and Chinese American artistic expenses to expand a To support administrative artistic expensesfor an ongoing Dance Theater, Inc. and artistic expenses of professional training program community outreach and Woodbury, MN $5,000 educational program. Attitude: The Dancers’ Magazine at its main facility and satellite To support artistic and admin­ and a related apprentice school in Freemont, California. istrative costs for the artist­ program in dance journalism. Boys Choir of Harlem, Inc. in-residence program. Andrew Cacho African New York, NY $48,000 Dance Theater Drummers and Dancers To support administrative and Foundation, Inc. Economic Development, Inc. Chinese Cultural artistic expenses of the profes­ Productions New York, NY $33,000 Washington, DC $13,500 sional music training program, San Francisco, CA $8,000 rehearsals, and performances. To support administrative and To support the administrative artistic expenses for the Alvin manager’s salary, and for the To support artistic salaries for the Lily Cai Dance Company. Ailey American Dance Center’s marketing and promotion Student Scholarship and Artists program of the Olantunji Center for African Culture. in Residence programs. E X P A N S I 0 N A R T S

Dance Theatre Homowa Foundation Kariyushi Kai Montana Ballet of Harlem, Inc. for African Arts and San Jose, CA $6,000 Company, Inc. New York, NY $50,000 Cultures, Inc. Bozeman, MT $6,000 Portland, OR To support rehearsal and To support administrative and $6,000 performance fees for the To support administrative and artistic expenses of the profes­ To support administrative resident company and guest artistic expenses for "New York sional dance training school. and artistic expenses for the artists in the concert season. Connection," an annual resi­ touring season, and for the dency program designed to Dayton Contemporary creation and presentation Kulintang Arts, Inc. provide professional develop­ Dance Guild, Inc. of new work. San Francisco, CA $10,000 ment for company members. Dayton, OH $90,000 Inoue Chamber To support administrative and Muntu Dance Theatre To support administrative and Ensemble, Inc. artistic expenses related to artistic expenses of commis­ the creation and production Chicago, IL $13,000 sioning a new work by chore­ New York, NY $3,000 of the repertory season. To support administrative and ographer Warren Spears. To support administrative and artistic expenses of the expan­ artistic costs for the concert Lola Montes Foundation sion of the home season. Dimensions Dance season. for Dances of Spain Theater, Inc. and the Americas Music From China, Inc. Oakland, CA $19,000 Institute of Los Angeles, CA $6,090 New York, NY $13,000 Puerto Rican Culture To support administrative and To support administrative To support administrative and artistic expenses for the pro­ San Juan, PR $15,000 and artistic expenses for "Cali­ artistic costs for the 1996 duction and presentation of To support administrative and fornia Heritage," a perfor­ season, which includes con­ From Aft’can to American, which artistic costs of Coppelia by mance series celebrating the temporary and traditional features the work of the com­ Puerto Rican choreographer unique heritage of California music performances, commu­ pany among other performing Jose Pares for Ballet Concierto. through dance, music, song, nity concerts and touring, a arts ensembles in the San and storytelling. young audiences program, Francisco Bay Area. Instituto Pro Musica and publications. de California Los Lupenos Floricanto Dance Theatre San Francisco, CA $7,000 de San Jose, Inc. New Dance Theatre, Inc. Whittier, CA $10,500 To support administrative and San Jose, CA $9,000 Denver, CO $35,000 To support salaries for the artistic expenses for the tenth To support administrative and To support administrative and theatre’s administrative and annual Dia de los Reyes. artistic expenses for a market­ artistic expenses for on-going 150 executive directors. ing and promotional project professional dance training JapantownArt& including the development of programs. 151 Friends of Ballets Media Workshop materials and video documen­ de San Juan, Inc. San Francisco, CA $9,000 tation, and for consultation New York Chinese fees and staff salaries. Cultural Center, Inc. San Juan, PR $11,000 To support fees for artists New York, NY $9,500 To support administrative participating in the San Memory of salaries and company fees Francisco Taiko Dojo’s African Culture, Inc. To support administrative and for the repertory season. 1995-96 season. Washington, DC artistic expenses for the Cen­ $6,000 ter’s regional touring program Friends of the D.C. Youth Jazzmobile, Inc. To support administrative and which includes performances, Orchestra Program New York, NY $40,000 artistic expenses, the develop­ residency activities, as well as Washington, DC $30,000 ment of new works with origi­ the underwriting of profes­ To support administrative nal scores, reconstruction and sional training programs. To support musicians’ salaries and artistic expenses for the mounting of past work, and for the professional music "Saturday Jazz Workshop marketing and promotional New York Foundation training program. Program," a professional activities for the season. training series for New York’s for the Arts, Inc. New York, NY $5,000 Guateqne Folkloric Taller inner-city youth and the Merit Music Program, Inc. artist-in-residence component. of Puerto Rico, Inc. Chicago, IL $10,000 To support administrative and Corozal, PR $9,000 artistic expenses for Drum- jo Ha Kyu To support artistic faculty songs Production’s 1995-96 To support administrative and Performance Group, Inc. salaries for the tuition-free season, which includes a artistic expenses for profes­ Cambridge, MA $5,000 Conservatory Program, a concert series and a market­ sional training workshops in professional training program ing/promotions program. traditional Puerto Rican dance To support administrative and for Chicago youth. and music. artistic expenses for the reper­ tory season and on-going pro­ Oakland Youth Chorus Miami Symphony Oakland, CA $15,000 H.T. Dance Company, Inc. fessional training programs. Orchestra, Inc. To support administrative New York, NY $25,000 Miami, FL $5,500 KanKouran West African and artistic expenses for the To support artists’ salaries for Dance Company To support artists’ fees and 1995-96 subscription series, the repertory season. Washington, DC $7,000 salaries for the concert season which includes performances, designed to develop a wider, showcases, and collaborative To support administrative culturally-diverse audience. concerts with guest artists. and artistic expenses for the 1995-96 repertory season. E X P A N S I 0 N A R T S

People’s Music School, Inc. Samahan Philippine Zaccho S. E Bloomsburg Theatre Chicago, IL $8,000 Dance Company, Inc. San Francisco, CA $5,000 Ensemble, Inc. $9,000 Bloomsburg, PA $10,000 To support administrative and El Cajon, CA To support administrative and artistic costs for a professional To support artistic expenses artistic expenses incurred for To support artistic and admin­ music training program for for the development and the 1995-96 "Dance Making istrative salaries and fees for inner-city youth and adults. production of new works for Workshop," a community mainstage productions and the company’s 1995-96 season. workshop series for children training programs. Philadelphia of the Bayview neighborhood Dance Company San Jose Taiko Group, Inc. district. Borderlands Theater/ Philadelphia, PA $50,000 San Jose, CA $16,000 Teatro Fronterizo, Inc. Tucson, AZ $5,000 To support administrative and To support salaries and artistic expenses for the pro­ benefits for the full-time Performing Arts To support the seventh annual fessional training program. artistic staff. Organizations - Theater Border Playwrights Project. Brava! for Women Puerto Rico Community Society of the Third Street 70grants $1,079,000 Foundation, Inc. Music School Settlement, Inc. in the Arts San Francisco, CA $5,000 Hato Rey, PR $4,000 New York, NY $10,000 Adelante Corporation To support administrative To support administrative and San Francisco, CA $8,000 To support the administrative and artistic expenses for the artistic expenses for the Per­ director’s salary of Pomo Afro 1995-96 performance season forming Arts Comprehensive To support artistic salaries, play Homo. and training program of Training (PACT) program. development and production. La Rondalla de Ninos de Brava! for Women Humacao. Spanish Dance African Cultural Center in the Arts Arts Company, Inc. of Buffalo, Inc. San Francisco, CA $10,000 Buffalo, NY $5,000 Rebirth, Inc. New York, NY $7,500 To support administrative and Detroit, MI $5,000 To support administrative To support artistic, adminis­ artistic salaries and fees related To support a marketing pro­ and artistic expenses of the trative, and related costs for to the production of Cherrie gram to increase distribution bilingual performance series drama workshops and the­ Moraga’s Heroes and Saints. of the "BeBoppers Method as well as an on-going profes­ atrical productions by the Book and Tape," and "Dis­ sional development workshop Paul Robeson Theatre. Chicago Theatre Company covering Jazz," a two-part program. Chicago, IL $5,000 cassette series. Bilingual Foundation of the Arts, Inc. To support administrative and St. Francis Music Center artistic salaries. Redwood Cultural Little Falls, MN $7,500 Los Angeles, CA $37,000 Work, Inc. To support artistic and admin­ Oakland, CA $7,000 To support administrative and Cresson Lake Playhouse artistic expenses for the pro­ istrative salaries and fees for Ebensburg, PA $5,000 To support staff salaries for fessional training program, Teatro Leido, Teatro Para Los To support administrative the "New Spirituals Project" which includes artists-in­ Ninos, and Teatro Para Los and "Unlearning Oppression," residence programs, develop­ Jovenes. and artistic salaries for the ment programs for adult Allegheny Highlands Regional an artist-in-residency program Theatre. with lectures/demonstrations musicians and teachers, and Billie Holiday Theatre, Inc. in public schools. a summer piano camp. Brooklyn, NY $17,500 Crossroads, Inc. To support artistic salaries for New Brunswick, NJ $24,000 Rejoicensemble, Inc. Theatre Flamenco the core company of actors. New York, NY $5,000 of San Francisco, Inc. To support an audience devel­ San Francisco, CA $7,000 opment program targeting To support administrative and Black Ensemble Theater artistic expenses of the Com­ To support salaries for the Chicago, IL $12,000 African American, Latino, and Asian American populations. munity Concert Series featur­ organization’s artistic and To support artistic and admin­ ing the works of local African administrative directors as istrative salaries for two main- American composers. well as artistic and administra­ Deaf West Theatre tive expenses for the produc­ stage productions. Company, Inc. tion of new work. Los Angeles, CA $5,000 Richmond Jazz Society, Inc. Black Spectrum Richmond, VA $5,000 Theatre Company, Inc. To support administrative and Thelma Hill Performing artistic salaries and fees and To support administrative Arts Center, Inc. Jamaica NY $5,000 supplies for productions. and artistic expenses for the Brooklyn, NY $11,000 To support mainstage produc­ 1995-96 season, including tions and training programs. performances, a guest edu­ To support administrative ETA Creative Arts cator’s series, publications, and artistic expenses for the Foundation and educational and outreach 1995-96 repertory season Blackberry Productions, Inc. Chicago, IL $30,000 programs. which includes "Women New York, NY $5,000 Dancemakers," "Solos, Duets, To support ongoing profes­ and Trios," "Toenails of Steel To support artistic and admin­ sional training and perfor­ Rod Rodgers istrative expenses for the mance programs. Dance Company, Inc. and Asphalt Poetry," as well as annual production of Harlem New York, NY $18,500 the center’s dance workshops. Renaissance II and related programming. To support administrative and artistic expenses for the 1995-96 season. E X P A N S I 0 N A R T S

East-West Players, Inc. Great Leap, Inc. Lime Kiln Arts, Inc. New Federal Theatre, Inc. Los Angeles, CA $40,000 Los Angeles, CA $16,000 Lexington, VA $15,000 New York, NY $4,000 To support the artistic and To support artistic and admin­ To support the creation and To amend a 1994 grant. administrative expenses for istrative salaries and related touring of work based on the the professional theater train­ costs for touring the produc­ region’s indigenous culture. ing program, which includes New Freedom Theatre, Inc. tionsA Slice of Rice andA Philadelphia, PA $30,000 performance opportunities. Grain of Sand. Los Angeles Poverty Department To support artistic and admin­ istrative salaries for producing EcoTheater, Inc. Idris Ackamoor and Los Angeles, CA $10,000 Lewisburg, WV $10,000 Cultural Odyssey classical and contemporary San Francisco, CA $20,000 To support salaries for the plays. To support the creation of core artistic and administrative original theater through To support the 1995-96 activi­ staff and for artists’ fees. New Professional gathering scripts based on the ties of the Medea Project. Theater, Inc. oral history of the people of Mad River Theater Works rural, southern West Virginia. New York, NY $4,000 Institute of Puerto Rican West Liberty, OH $20,000 Culture To support the Professional El Teatro Campesino San Juan, PR $5,000 To support the salaries of mem­ Screenplay/Playwriting Project. San Juan Bautista, CA $35,000 bers of the company, and costs To support artistic and admin­ related to the research and Northwest Asian To support artistic, adminis­ istrative salaries and fees for development of new works. American Theatre trative, and related costs for the development of new works Seattle, WA $15,000 the biannual production of La by Puerto Rican playwrights Millan Theatre Company Virgen dd Tepeyac, workshops, by Virazon. Detroit, MI $25,000 To support artistic and admin­ and community audience istrative salaries for produc­ development. Jomandi Productions, Inc. To support artistic and admin­ tion and training programs. Atlanta, GA $33,000 productions.istrative salaries for major El Teatro de la Esperanza Old Creamery San Francisco, CA $22,500 To support administrative and Theatre Company, Inc. artistic expenses, including Miracle Theatre Company To support expenses for the Amana, IA $17,000 mainstage and touring pro­ Portland, OR $7,500 1995-96 season including gramming. To support artistic, adminis­ salaries, rental space, and To support artistic and admin­ trative, and related costs for marketing. Karamu House istrative salaries for Latino traveling productions. 152 Cleveland, OH $20,000 Perspectives, Festival Navidad, Hispanic Cultural Festival, and Ensemble Theatre Pan Asian Repertory 153 Houston, TX $5,000 To support the production of an Hispanic Plays Reading Theatre, Inc. plays by the resident Perform­ Series. To support artistic and admin­ ing Arts Theatre and the New York, NY $37,000 istrative salaries and fees. Theatre for Young Audiences, Mixed Blood To support artistic and ad­ including guest artists’ fees for Theatre Company ministrative salaries and fees Fairmount Theatre productions, and instructors Minneapolis, MN $25,000 for mainstage and touring of the Deaf for training classes. productions. Cleveland, OH $15,000 To support artistic, adminis­ La Compania de Teatro trative, and related costs for Perseverance Theatre, Inc. To support artistic, admini­ the mainstage season, educa­ strative, and related costs for de Albuquerque, Inc. Douglas, AK $33,000 Albuquerque, NM $8,000 tional touring, productions, mainstage touring, residencies, and training programs. To support a training program and education and outreach To support the artistic and and mainstage productions. programming. administrative fees for tour­ National Asian American ing, and the Termlia!Public Telecommunications Puerto Rican Traveling Frank Silvera Writers’ Reading Script Development Association Theatre Company, Inc. Workshop Foundation, Inc. Project. San Francisco, CA $15,000 New York, NY $45,000 New York, NY $7,500 Latin American To support artistic fees and To support the Training Unit To support administrative and Theatre Ensemble salaries related to productions for Youngsters. artistic salaries and costs. New York, NY $5,000 and training. Rhode Island Black Gala Inc. Grupo de Artistas To support artistic and admin­ National Black Touring Heritage Society istrative expenses incurred in Latinoamericanos Circuit, Inc. Providence, RI $10,000 Washington, DC $35,000 an organizational stabilization New York, NY $12,500 project. To support artistic and admin­ To support artistic and admin­ To support administrative and istrative salaries and fees for istrative salaries and fees for Latino Chicago Theater artistic salaries for producing productions by Rites and bilingual theater productions Company, Inc. African American plays. Reason Theatre. and workshops. Chicago, IL $6,500 New Federal Theatre, Inc. Road Company To support artistic and admin­ New York, NY $40,000 Johnson Civ, TN $24,000 istrative expenses for the production of the stage adap­ To support professional train­ To supportartisticand admin­ tation of Always Running ­ ing workshops and production istrative costs. La V’wla Loca: Gang Days in expenses for the culminating L.A., by Luis Rodriguez. performance showcase pro­ ductions. E X P A N S I 0 N A R T S

SEW Productions, Inc. Teatro Avante, Inc. Artists Collective, Inc. San Francisco, CA $5,000 Miami, FL $14,000 Multidisciplinary Hartford, CT $35,000 To support the positions of To support artistic and admin­ Arts Activities To support artistic, adminis­ artistic director and executive istrative fees and salaries. trative, and related costs for 87 grants $1,510,500 a training program in the director. visual arts, music, dance, and Teatro Latino de Minnesota theater. Sealaska Heritage Minneapolis, MN $5,000 1794 Meetinghouse, Inc. Foundation To support the production of New Salem, MA $5,000 Asian American Juneau, AK $18,000 Jalapeno Kitchen, directed by To support salary assistance for Arts Centre, Inc. To support artistic fees and visiting playwright Rodrigo the position of program director. New York, NY $35,000 salaries for the Naa Kahidi Duarte Clark. Theater. To support artistic, adminis­ Afrikan Poetry Theatre, Inc. trative, and related costs for Teatro Mascara Magica Jamaica, NY $5,000 the presentation and produc­ Seattle Group Theatre Bonita, CA $5,000 tion of programming featur­ Seattle, WA $23,000 To support the "Tribute to an To support artistic and admin­ Elder" series which annually ing Asian American arts and To support artistic fees and istrative fees and salaries for honors a well-known African culture. playwrights’ honoraria for productions by Latino, African American writer. workshops and readings of American, Asian American Asian American Renaissance the MultiCultural Theatre and Anglo artists. Alternative Center for St. Paul, MN $5,000 Works program. International Arts, Inc. To support artistic, adminis­ Teatro Vision de San Jose New York, NY $37,000 trative, and related costs for Sierra Repertory San Jose, CA $5,000 media and photography Theatre, Inc. To support the 1995-96 season, To support the salaries of the including artistic and related workshops, as well as a multi­ Sonora, CA $7,500 artistic director and the busi­ costs for the presentation of disciplinary presenting series To support artistic salaries for ness manager. emerging and mid-career featuring both local and the resident company. artists and composers, as well national artists. Teatro de la Comedia, Inc. as a mentoring program for Spanish Theatre Santurce, PR $5,000 emerging curators. Asian Heritage Council San Jose, CA $9,000 Repertory Co., Ltd. To support the touring of New York, NY $43,500 Garcia Lorca’s Yerma. American Indian To support artistic fees for Services, Inc. To support administrative staff the annual Asian Pacific Per­ $20,000 positions and related costs. Teatro de la Luna Sioux Falls, SD forming Arts Series, and for the commissioning and pre­ Washington, DC $5,000 To support salaries and mar­ keting costs associated with the sentation of new works by St. Louis Black Repertory To support administrative and Asian American artists. Company, Inc. Northern Plains Tribal Arts artistic salaries and supplies programming for 1995-96. St. Louis, MO $23,000 for productions. Beacon Street Gallery and To support production ex­ An Claidheamh Soluis Inc. Performance Company penses, including mainstage Theater by the Blind New York, NY $20,000 Chicago, IL $8,000 productions and educational Corporation To support artistic fees, and programming. New York, NY $13,000 To support artistic and admin­ istrative expenses related to the administrative and associated To support artistic, adminis­ production of Irish and Irish costs for the Cultural Heritage Stagebridge trative, and related costs of Preservation Program. Oakland, CA $5,000 American plays, a music and program development and dance festival, and the quar­ To support administrative performances. terly publication of Irish Arts. Bedford Stuyvesant salaries. Restoration Corporation Theatre North Appalshop, Inc. Brooklyn, NY $40,000 Tulsa, OK $5,000 Su Teatro Whitesburg, KY $50,000 To support artistic and ad­ Denver, CO $7,000 To support the fees for guest To support artistic, admini­ ministrative costs for dance To support administrative artists. strative, and related costs for programming, visual arts and artistic salaries and costs programming. exhibitions, and related edu­ related to programming at Theatre of Yugen, Inc. cational materials. El Centro Su Teatro. San Francisco, CA $10,000 ArteAmericas ­ Boys Harbor, Inc. To support artistic and admin­ The MexicanArts Center Teatro Avante, Inc. istrative salaries associated Fresno, CA $5,000 New York, NY $10,000 Miami, FL $14,000 with mainstage programming. To support staff positions, To support program activities To support artistic, adminis­ including the director, pro­ and faculty salaries for the trative, and technical expenses Venture Theatre gram coordinator, and the pre-professional training pro­ for the 1994-95 season. Philadelphia, PA $5,000 artistic director. gram of the Harbor Perform­ ing Arts Center. To support artistic and ad­ ministrative expenses for developing and producing a multicultural adaption of Entries. E X P A N S I 0 N A R T S

Bronx House, Inc. Christina Community Friends of Indian Pueblo Bronx, NY $5,000 Center of Old Swedes, Inc. the Davis Center, Inc. Cultural Center, Inc. To support artistic and admin­ Wilmington, DE $20,000 New York, NY $20,000 Albuquerque, NM $5,000 istrative expenses. To support artistic and admin­ To support a film program, To support costs of "Shared istrative costs for advanced visual arts exhibitions, a series Traditions: Modern Expres­ Carter G. Woodson and pre-professional training of presentations and inter­ sions," a multicultural arts Foundation, Inc. for aspiring students, outreach pretive programs, and the series. Newark, NJ $30,000 training activities, and per­ Partnerships Progrmn. formances and exhibitions To support partial salaries of Inquilinos Boricuas on African American art and Friends of the Mission en Accion the adtninistrative and pro­ culture. gram staff, new program Cultural Center Boston, MA $20,000 San Francisco, CA $5,000 development, and marketing City of San Antonio To support marketing and and promotional activities. San Antonio, TX $40,000 To support the Executive publicity costs, transportation Director’s salary. costs for access to perfor­ Casa de Unidad To support administrative and mances, and salary assistance Detroit, MI $8,000 artistic expenses of culturally- Friends of for the program coordinator. diverse performances and ex­ the South Broadway To support visual arts exhibi­ hibitions, marketing costs, new tions, performing arts presen­ Cultural Center, Inc. Institute for Puerto Rican productions, and residency ini­ Affairs, Inc. tations, poetry readings, and tiatives at the Carver Center. Albuquerque, NM $5,000 professional workshops. To support expenses related Washington, DC $5,000 Community Arts to ongoing programming. To support partial salary Center for African and Project, Inc. assistance for a part-time arts African American Art Columbus, OH $5,000 Guadalupe Cultural program coordinator. and Culture Arts Center To support artistic and ad­ San Francisco, CA $7,000 San Antonio, TX $50,000 International Agency for ministrative expenses for Minority Artist Affairs, Inc. To support administrative programming through the To support artistic and admin­ salaries for principal staff, Martin L. King Performing istrative expenses. New York, NY $6,000 marketing and promotional and Cultural Arts Complex. To support oration and activities. Guilford Native American exhibitions in the gallery, Dunham Fund for Association, Inc. publication of a bimonthly 154 Centro Cultural Aztlan, Inc. Research and Development Greensboro, NC $10,000 newsletter, arts management San Antonio, TX $15,000 of Cultural Arts training workshops, and a To support artistic and ad­ film/video exhibition. To support administrative and East St. Louis, IL $25,000 ministrative costs for multi­ 155 artistic expenses for exhibi­ To support the artistic and disciplinary programs. tions, literary programs, and International Arts administrative costs to con­ Relations, Inc. associated events. tinue and expand existing Harlem School New York, NY $48,000 programs and projects. of the Arts, Inc. Centro Cultural New York, NY $35,000 To support administrative, de la Raza, Inc. East Bay Center for artistic, and related expenses San Diego, CA $43,000 the Performing Arts To support the pre-professional for theatrical productions, and professional arts training Richmond, CA $28,000 workshops, actors training To support programming, programs in music, dance, labs, gallery exhibitions, and marketing, publicity, docu­ To support artistic and admin­ drama, and the visual arts. attendant activities. mentation, classes, workshops, istrative expenses. and administrative costs. Henry Street Settlement Interstate Firehouse El Centro de Arte New York, NY $42,000 Cultural Center Chinese Culture Washington, DC $8,000 Institute, Inc. To support a program of Portland, OR $7,500 Boston, MA $9,000 To support artistic and admin­ instruction and training in To support ongoing multi­ istrative expenses. music, dance, theater, and cultural, muhidisciplinary To support artistic and admin­ visual arts at the Louis Abron programs. istrative expenses for visual Esperanza Peace Arts Center. arts exhibitions, arts education and Justice Center programs, and a monthly Irish Arts Foundation San Antonio, TX $5,000 Hostos Community College San Francisco, CA $5,000 concert series. Advisory Council, Inc. To support artistic and admin­ Bronx, NY $20,000 To support the 1996 San Chinese-American istrative fees, salaries, and Francisco Celtic Music Festival. Arts Council, Inc. related costs for presenting To support artistic and admin­ New York, NY $20,000 "Mujercanto," a component of istrative expenses for the Hostos Center for the Arts Jamaica Center for PazARTE, an ongoing multi­ the Performing and To support artistic, adminis­ disciplinary arts program. and Culture. trative, and related expenses Visual Arts, Inc. Jamaica, NY $35,000 for the season, including the Ethnic Folk Arts Center, Inc. Houston Asian American annual Chinatown Summer To support artistic, administra­ Festival, Chinese theater New York, NY $30,000 Festival Association Houston, TX $I0,000 tive, and related expenses for productions, exhibitions, To support administrative and the 1995-96 season including and workshops. artistic expenses for the Ethnic To support the artistic, admin­ visual arts, performing arts, Music Concert Series and Folk istrative, and related costs for and arts education programs. Parks events. the Asian Arts-Houston project. E X P A N S I 0 N A R T S

Ollantay Center for Japanese American Cultural La Pena Cultural Center, Inc. Minority Arts Resource and Community Center Berkeley, CA $28,000 Council, Inc. the Arts, Inc. Philadelphia, PA $5,000 Jackson Heights, NY $20,500 Los Angeles, CA $50,000 To support partial salaries for To support administrative To support artistic and admini­ the artistic director and pub­ To support administrative strative expenses for the 1995-96 licity coordinator, and costs of and artistic costs. salaries related to publication season to include visual arts the 1995-96 presenting season. of visual arts books, Ollantay Mississippi Cultural Theater Magazine, and play- exhibitions, mainstage and writing workshops. experimental theatrical pro­ La Raza/Galeria Posada Crossroads, Inc. ductions, children’s workshops, Sacramento, CA $25,000 Port Gibson, MS $12,500 and a performing arts series. Opera Factory To support salaries of the To support artistic and ad­ Chicago, IL $12,500 executive director and admin­ ministrative expenses for Japantown Art & istrative assistant, along with the quilting program and To support promotion and Media Workshop the administrative expenses for storytelling/theater work documentation costs for Span­ San Francisco, CA $22,000 for programs, including the through the Peanut Butter ish and Hispanic programs. To support administrative and annual Canto Series. and Jelly Theater and other artistic salaries and ongoing programs. Pepatian, Inc. programs. Langston Hughes Center Bronx, NY $12,000 Montana Indian Art and for the Arts To support the salary of the Junebug Productions Providence, RI $7,500 Culture Association, Inc. managing director and pro­ Bozeman, MT $6,300 New Orleans, LA $12,000 To support the 1995-96 season duction costs and artists fees for ROMPEFORMA, an To support the New Orleans including a tribute to African To support partial staff sala­ Community Artists Program American women in music, a ries and related costs. artist project featuring per­ gospel play, and an annual formances and workshops to which includes the Environ­ be held in Puerto Rico. mental Justice Festival. jazz concert. Movimiento de Arte y Cultura Latino Americana Junior Black Academy of Little City Foundation de San Jose, Inc. Plaza de la Raza, Inc. Arts and Letters, Inc. Palatine, IL $5,000 San Jose, CA $10,000 Los Angeles, CA $25,000 Dallas, TX $20,000 To support the continuation To support organizational To support artistic fees and re­ To support staff salaries, and expansion of multidisci­ development through partial lated administrative expenses plinary arts programming salary support for administra­ for workshops and master art­ marketing and public relations ist lectures in dance, music, costs. featuring classes and exhibi­ tive staff, contracted artists, tions in visual arts, video arts, and interns. theater, and the visual arts. Kalakendra Limited and performance arts. Pregones Touring Portland, OR $7,500 Near Northwest Manchester Arts Council Puerto Rican Theatre To support a performing arts Craftsmen’s Guild Chicago, IL $5,000 Collection, Inc. program featuring various Pittsburgh, PA $50,000 Bronx, NY $15,000 cultural traditions of the To support costs for the Indian subcontinent. To support educational and Graphic Resource Center To support administrative and presenting programs in the and publication of Context, artistic salaries. Kalihi Palama Culture visual and performing arts. a quarterly arts journal. & Arts Society, Inc. Rose Center and Council for the Arts, Inc. Honolulu, HI $12,500 Metropolitan School New York Foundation for the Arts, Inc. for the Arts, Inc. Morristown, TN $7,500 To support classes and work­ Syracuse, NY $5,000 New York, NY $7,000 shops in traditional ethnic To support artists’ fees, pub­ dance and crafts of Pacific To support a training program To support artistic and admin­ licity expenses, and related Island cultures and Western in visual arts, dance, music, istrative expenses for a multi­ costs for the 1995-96 season of performing and visual arts art forms. and theater through private media gallery exhibition, and group instruction. multidisciplinary productions, programs. presentations, and workshops. Koncepts Cultural Gallery Senior Arts Project Oakland, CA $12,000 Mexican Fine Arts Center Chicago, IL $20,000 Newark Community Albuquerque, NM $7,500 To support administrative and School of the Arts To support the salaries for a To support a performance artistic expenses of publishing Newark, NJ $25,000 and workshop series featuring the quarterly, Konceptualizations, cultural center coordinator and a poetry and music pre­ and secretary, and for adminis­ To support a dance, music, dance, music, theater, visual senting program, including an trative expenses of an out­ drama, and visual arts training arts, and literature. outdoor cultural heritage and reach program. program, including the Inten­ jazz festival. sive Study Program. South East Effective Milwaukee Inner City Development La Pena Arts Council, Inc. Nuyorican Poets Cafe, Inc. Seattle, WA $5,000 Austin, TX $12,500 Milwaukee, WI $10,000 New York, NY $10,200 To support an administrative staff position and costs of To support artistic and admin­ To support administrative To support ongoing events in istrative expenses. and artistic expenses for the area of poetry, music, developing and producing programming, including theater, and the visual arts. promotional materials of the salary assistance for the Rainier Valley Cultural Center. executive director. E X P A N S I 0 N A R T S

Southeast Community Camera News, Inc. Fondo del Sol Cultural Center, Inc. Visual/Media/Design/ New York, NY $19,000 Washington, DC $8,000 Atlanta, GA $15,000 Literary Arts To support administrative and To support "Training New To support artistic and admin­ artistic expenses for the ad­ Directors for a Third Decade," istrative costs. 44 grants $800,500 vanced pre-professional train­ an administrative and organi­ ing program. zational development program Taller Puertorriqueno, Inc. Amigos del Museo which includes partial under­ Philadelphia, PA $20,000 del Barrio Chicago Public Art Group writing for staff and profes­ sional development seminars. To support the multidisci­ New York, NY $15,000 Chicago, IL $18,000 plinary visiting artists program To support artistic and ad­ To support administrative and that will include master artists Frederick Douglass ministrative expenses of the artistic expenses for planning Creative Arts from Puerto Rico. outreach program. and producing site-specific public art projects throughout New York, NY $46,000 Thalia Spanish Theatre, Inc. Asian American the metropolitan area. To support administrative and Sunnyside, NY $20,000 Writers’ Workshop, Inc. artistic expenses for the train­ ing program, the 24th Annual To support administrative New York, NY $6,000 Chinatown History Museum New York, NY $9,000 Black Roots Festival, stage and artistic costs of theatrical To support administrative and readings, and a theatrical productions in Spanish and artistic expenses for marketing To support administrative production. folkloric shows of music and and artistic costs related to dance, programs and publications. "Chinatown Panorama," an Galeria Studio 24 exhibition of contemporary Asian CineVision, Inc. Asian American artists. San Francisco, CA $42,000 Toyo Kami, Inc. New York, NY $34,000 Oakland, CA $5,000 To support administrative To support adzninistrative and Chinese Culture Foundation and artistic expenses for the To support artistic fees and artistic expenses of the Asian 1995-96 exhibition season administrative and marketing of San Francisco American film and video San Francisco, CA $25,000 and related programs for costs of presenting a perform­ series, production services to Galeria de la Raza. ing and visual arts program. Asian American media artists, To support administrative and and the publication of Cinevue artistic expenses for the plan­ Grass Roots Arts and U.B.W., Inc. and a media reference guide. ning and presentation of the 1995-96 exhibition season. Community Effort New York, NY $10,000 West Glover, VT $5,000 156 To support costs of the Com­ Aunt Lute Foundation To support administrative munity Engagement Project San Francisco, CA $12,000 Cine Accion, Inc. San Francisco, CA $11,000 and artistic expenses for resulting in a public perfor­ To support administrative GRACE’s workshop and 157 mance in collaboration with salaries and operational costs. To support administrative and training program. local Haitian and African artistic expenses for "Festival American artists in Miami. Cine Latino." Brandywine Graphic Hammonds House Workshop, Inc. Galleries, Inc. Village of Arts and Philadelphia, PA $50,000 Community Film Workshop Atlanta, GA $10,000 Humanities, Inc. Chicago, IL $6,000 Philadelphia, PA $25,000 To support administrative To support administrative and artistic expenses for the To support administrative and and artistic expenses for the To support artistic, adminis­ "Images of Diversity: Contem­ artistic expenses for the Media 1995-96 exhibition season trative, and related costs for porary Asian Artists’ Prints" Artist Training Program. featuring mid-career and a performing and visual arts exhibition and accompanying established African American program. catalogue, as well as a t~vo­ Community Renewal Team artists. week residency program for of Greater Hartford, Inc. Walt Whitman Cultural visiting artists. Hartford, CT $12,000 Hatch-BiIlops Arts Center, Inc. Collection, Inc. Camden, NJ $5,000 To support administrative Bronx Council on and artistic expenses for the New York, NY $11,500 the Arts, Inc. To support artists’ fees and 1995-96 exhibition season and To support administrative and marketing costs. Bronx, NY $17,000 related interpretive programs artistic expenses for the pro­ To support administrative at the Craftery Gallery. duction of Artist and Influence. Xicanindio Artes, Inc. and artistic expenses for the Mesa, AZ $15,000 1995-96 season which includes Elders Share the Arts, Inc. Ink People, Inc. To support artistic and admin­ an artists’ studio program, Brooklyn, NY $11,000 Eureka, CA $5,000 istrative costs. exhibitions, educational pro­ grams, and the Urban Park To support the salary of the To support administrative Sounds project. performance director. and artistic expenses for the 1995-96 exhibition season. Bronx Museum of the Arts En Foco, Inc. Bronx, NY $15,000 Bronx, NY $11,000 Jump-Start Performance Company To support administrative To support administrative and artistic costs of the En Foco San Antonio, TX $5,000 and artistic expenses for the Satellite Gallery Program. Touring Gallery Program. To support administrative and artistic costs for the expansion of a visual arts program. E X P A N S I 0 N A R T S

Dance Theater Kenkeleba House, Inc. Multicultural Arts, Inc. Southern California Asian American Studies Central Foundation, Inc. New York, NY $27,000 Los Angeles, CA $26,000 Los Angeles, CA $32,000 New York, NY $20,000 To support athninistrative To support the production To support artistic and admin­ and artistic expenses for the and publication of a special To support administrative and artistic expenses related istrative costs ofAileyCamp, a 1095-06 exhibition season issue of International Review of program administered in col­ and related programs. African American Art featuring to the Asian Pacific Media contemporary African Ameri­ Artists Development and laboration with The Children’s Support Program. Aid Society. Latino Collaborative, Inc. can artists. New York, NY $5,000 National Latino Studio Museum in Dance Theatre To support expenses related to Communications Center Harlem, Inc. of Harlem, Inc. $30,000 "Memorial Grounds," a docu­ Los Angeles, CA $5,000 New York, NY $48,000 New York, NY mentary video by Pedro Pdvera. To support administrative and To support administrative and To support costs of the Danc­ artistic costs for publishing artistic expenses for ongoing ing Through Barriers’ Arts Liga Estudiantes de Arte activities including the Artists­ Exposure program in New de San Juan, Inc. and distributing a compen­ dium on current Latino film in-Residence and Intern York City, to be held at the San Juan, PR $28,000 and video aesthetics. Programs and staff and orga­ Brooklyn Academy of Music To support administrative nization development projects. and Aaron Davis Hall. and artistic expenses for the Native American Center 1996-97 exhibition season, for the Living Arts, Inc. Wing Luke East Bay Center as well as a scholarship and Niagara Falls NY $19,500 Memorial Foundation for the Performing Arts professional training program. Seattle, WA $5,000 Richmond, CA $20,000 To support administrative and To support administrative and To support artistic and ad­ Mexic-Arte artistic expenses of publishing the magazine, Turtle Quarterly. artistic expenses of "Beyond ministrative expenses for Austin, TX $22,000 the Rock Garden: Nontradi­ an after-school performing To support administrative Puerto Rican tional Forms for a New World," arts program. and artistic expenses for the Workshop, Inc. an exhibition featuring the contemporary work of Asian 1995-96 exhibition season New York, NY $5,000 Forces of Nature, Inc. and expansion of an education American craft artists. New York, NY $20,000 To support staff salaries. program. To support artistic and ad­ Young Aspirations/ ministrative costs of intensive Mexican Museum Self-Help Graphics Young Artists, Inc. study of Africa and the African San Francisco, CA $38,000 and Arts, Inc. New Orleans, LA $15,000 Diaspora through dance, music, Los Angeles, CA $33,000 To support administrative To support administrative storytelling, songs, and the and artistic expenses for the To support administrative and and artistic expenses related visual arts. 1995-96 exhibition season artistic costs of a professional to a pre-professional training featuring the work of Mexican training workshop program, program for inner-city African Friends of the D.C. Youth and Mexican American artists. a traveling print exhibition American youth. Orchestra Program program, and the exhibition Washington, DC $20,000 Molly Olga Neighborhood season of artists at Galeria Otra Vez. To support costs of beginner Art Classes, Inc. Arts Education Initiative instruction for school-aged Buffalo, NY $8,000 youth. Social and Public Art To support administrative and Resource Center The Arts Education Initiative artistic expenses of a cost-free Venice, CA $35,000 provides funds to cultivate a Lower East Side studio training program for general knowledge, awareness, Printshop, Inc. inner-city youth and adults. To support administrative and and appreciation of the arts New York, NY $10,000 artistic salaries. among school children. The To support artistic and admin­ Montana Art Gallery Arts in Education Program istrative of New York Prints, an Directors Association Sojourner Productions, Inc. contributed $95,000 in col­ intensive, integrated program Great Falls, MT $5,000 Washington, DC $15,000 laboration funds for a total of studio and outside activities of $270,000. To support administrative To support administrative and for ninth grade special needs and artistic expenses of the artistic expenses for the film 11 grants $175,000 students who attend school on exhibition series for member exhibition series, related pro­ New York’s lower east side. museums and galleries grams, and publication of the City Lights throughout Montana. quarterly Black Film Review. Youth Theatre, Inc. MollyOlga Neighborhood New York, NY $10,000 Art Classes, Inc. Moonstone, Inc. Southern Alleghenies Buffalo, NY $15,000 To support artistic and admin­ Philadelphia, PA $5,500 Museum of Art To support artistic and admin­ Loretto,PA $20,000 istrative expenses for weekly To support administrative and after-school and Saturday istrative expenses for free artistic expenses of a reading To support administrative and theater workshops. studio classes in painting, series, workshops, symposia, artistic expenses for exhibi­ drawing, and clay. and a literary festival. tions at the museum and its two satellite galleries. E X P A N S I 0 N A R T S

Oakland Youth Chorus Guadalupe Cultural Asian American Hispanic Culture Oakland, CA $101000 Arts Center Arts Alliance, Inc. Foundation To support vocal instructor San Antonio, TX $50,000 New York, NY $17,500 Albuquerque, NM $15,000 fees and related costs for the To support the continuation of To support the Presenting To support technical assistance after-school choral training Capstone activities developed Opportunities Pilot which will services to emerging and program for teenaged youth. during years one and two, in­ include attendance at regional established Hispanic visual, cluding the salary for Guada­ booking conferences, work­ performing, and literary Philadelphia Clef Club of lupe’s gift shop manager and shops, distribution of publica­ artists and arts organizations. the Performing Arts, Inc. costs directly related to the tions, and the development of Philadelphia, PA $10,000 operation of the gift shop showcases of works by Asian Institute of Alaska Pacific Panerican artists. To support costs of the Preser­ Native Arts, Inc. Japanese American Cultural Fairbanks, AK $15,000 vation Jazz Series Children’s and Community Center Educational Workshops, Jazz Association of American Los Angeles, CA $35,000 Cultures, Inc. To support a service and Masters Workshops, beginning technical assistance program instruction at Jazz Camp, and To support the continuation of San Antonio, TX $15,000 for Alaska Native artists. Jazz Camp’s culminating Capstone activities developed To support the presentation of performance. during years one and v, vo, Open Dialogue VII, a national Mid-Atlantic including advertisement in symposium on cultural diver­ Chamber Orchestra major media for JACCC Society of the Third Street sity in the arts, planning Washington, DC $4,000 Music School Settlement, Inc. events; development of and forums of TAAC’s new regional New York, NY $10,000 marketing for cultural prod­ representative network, and To support the project "Partner­ ucts available in the gallery exploration of a computer/ ship for Heartland Listeners." To support artistic and admin­ gift shop. modem delivery system. istrative expenses of an after- Montana Arts Foundation school group music, dance, and art classes for local public La Pena Cultural Association of Hispanic Bozeman, MT $10,000 Center, Inc. school students from New Arts, Inc. To support a management and York’s lower east side. Berkeley, CA $49,800 New York, NY $30,000 technical assistance program To support the continuation of To support expenses for core for cultural organizations and Capstone activities developed programs. individual artists. during years one and two, in­ The Capstone Project cluding audience development Atlatl National Association of 158 strategies, upgrading produc­ Latino Arts & Culture tion equipment to enhance Phoenix, AZ $30,000 The Capstone Project was a San Antonio, TX $7,000 three-year program to enhance outside facility rentals, and To support expenses for the 159 Expansion Arts organizations’ other earned inco~ne projects. core programs which include To support the salaries of the efforts to diversify their rev­ the publication of a quarterly executive director, program enue base beyond public and Lori Pourier & Associates newsletter, an exhibition coordinator, and secretary/ receptionist. foundation support. Boulder, CO $27,200 touring program, technical assistance and consultancies, 5 grants $179,300 A cooperative agreement to and direct services through National Black 1 cooperative support a three-day meeting the Native Artists Registry. Programming Consortium agreement $27,200 to serve as a forum for infor­ Columbus, OH $4,000 mation exchange, a financial Black Filmmakers planning workshop, and Hall of Fame To support packaging and Appalshop, Inc. comprehensive technical touring of works by media Whitesburg, KY $38,000 assistance. Oakland, CA $6,000 artists participating in the To support the continuation of To support fees for marketing/ 14th annual international Capstone activities developed public relations consultants. "Prized Pieces" competition. during years one and two, including creating, testing, Services to the Field COMPAS, Inc. Network of Cultural and implementing strategies St. Paul, biN $4,000 Centers of Color that will increase earned Grants were awarded to New York, NY To support activities in collabo­ $6,000 income from radio under­ organizations of regional or To support the publication of writers and corporate donors. national scope which offer ration with the Blandin Min­ quality technical assistance nesota Rural Arts Initiative a newsletter and marketing project to build new models brochure. Bedford Stuyvesant or service to Expansion Arts ofganizations. for rural arts education. Restoration Corporation Visual Arts Research and Brooklyn, NY $6,500 16 grants $200,000 Chinese American Resource Center Relating To support completion of a Educational and Cultural to the Caribbean, Inc. 1994 project. Center of Michigan New York, NY $15,000 Ann Arbor, MI $15,000 African Continuum To support the fourth interna­ Theatre Coalition, Inc. To support a technical assis­ tional symposium, "Cultural Washington, DC $6,500 tance program, marketing, Diversity Based on Cultural newsletter publication, and Grounding (CD IV)," in New To support the forum series the sponsorship of arts pro­ York City in October 1995. and member serviceswhich grams focusing on economic address the management development for artists and needs of its membership and arts organizations. general constituency. ocal arts agencies advance the arts and cultural development through services and programs that reflect the diversity of towns and cities and their residents all across America. Local arts agencies use the arts to impact upon economic development, initiate community revitalization, address social issues, enhance children’s edu­ cation, and showcase the cultural diversity of community residents. Through arts programs in partnership with human and social service groups, they address many of today’s most challenging issues such as crime, racism, homelessness, and at-risk youth. Local arts agencies also support the arts in education through artist residency programs and curriculum design emphasizing the arts. In communi­ ties across the country, local arts agencies award grants to arts organizations and artists, and further support their Children in Towanda, work through an array of programs and services, such as workshops on Pennsylvania enjoy administrative topics, fundraising, performances in the and management assistance. They

also operate facilities, such as per­ improved Keystone formance spaces, museums and galleries, or arts incubators, which Theatre thanks to provide emerging arts organizations with office space, equipment, and Bradford County technical assistance. In many parts of America, local arts agencies serve Regional Arts Council. as the sole providers of the arts for their communities, touching the lives of the youngest to the oldest citizens.

The Local Incentive Category awarded funds to local arts agencies for implement­ ing the recommendations that emerged during a co~nmunity cultural planning process, involving representatives from business, education, government, and the community, as well as artists and arts organization members. Through this process, awareness of the value of the arts to the community is cultivated and strengthened. Grants in this category support arts projects in communities large and small across the country.

The City of Oakland, California’s Cultural Arts Division received $150,000 to activate a comprehensive artist residency and special projects program that will stimulate the arts at the neighborhood level. Through this project, over 200 artists will offer 2,000 hours of cultural services in branch libraries, community centers, senior centers, parks, and public spaces. In this way, the City of Oakland will engage artists who reflect and represent the diverse cultural and artistic expressions of the community. L 0 C A L A R T S A G E N C I E S

The Local Arts Agency Development Category awarded funds to encourage broad-based community-wide involvement in the arts through planning to strengthen funding, programs, and services for arts organizations and artists, and to improve the quality and calibre of local arts agency management through lead­ ership and training programs. Funding was available through Planning grants, Stabilization grants, and Leadership Training and Services to the Field grants.

The Rockford Area Arts Council in Illinois received a Stabilization grant for $20,980 to support its youth arts apprenticeship program. Through this project, six professional local artists will teach and mentor 48 youngsters from low-income families in an eight-week summer program at Arts Place, a building located in a severely depressed area of downtown Rockford. The Arts Council will use the program to help address the city’s crime, violence and self-image problems by matching children with artists who work sensitively and successfully with at-risk youth.

The Arts Foundation of Michigan received a grant of $13,000 to support a state­ wide arts network on ArtsWire, an on-line arts conference. This network will link Michigan’s local arts agencies to statewide arts service groups and culturally 160 diverse arts organizations. Funding will provide the tools to strengthen local arts 161 agencies’ ability to plan strategically, to develop increased financial support, and to enhance arts visibility and community involvement.

Creating a mural

as part of the City

of El Paso’s Art

Afterhours program. L 0 C A L A R T S A G E N C I E S

City of El Paso United Arts Council of Florida State University E1 Paso, TX $50,000 Raleigh and Wake County Tallahassee, FL $20,000 Local Incentive Grants Raleigh, NC $75,000 To support the Arts Afterhours To support an extensive tech­ Program, designed to place To support the implemen­ nical assistance program for Grants were awarded to local Florida’s local arts agencies. arts agencies to initiative local artists in extended resi­ tation of the United Arts two- to three-year programs dencies, and to offer arts Council’s Strategic and Arts designed to strengthen the classes for youth in schools, Education Plans and the National Assembly arts within their communities. housing communities, and Cultural Resources Com­ of Local Arts Agencies community centers. ponent of the Wake County Washington, DC $1,100 14 awards $1,144,000 Comprehensive Plan. To amend a 1994 cooperative City of Gainesville agreement. Arts Partnership of Gainesville, FL $100,000 Greater Spartanburg National Assembly Spartanburg, SC $100,000 To support the implemen­ Local Arts Agency tation of a cultural tourism Development of Local Arts Agencies To implement a new cultural program in Gainesville and Washington, DC $280,980 plan designed to unify and in Alachua County, Florida. enrich the community by A cooperative agreement building cultural resources to provide services to the City of Oakland Leadership Training Local Arts Agency field to and providing an increased, Oakland, CA $150,000 stable base of financial sup­ & Services strengthen the quality of port for the arts. To support the implemen­ community arts programming. tation of a comprehensive community artist residency Grants were awarded to National Assembly Bowling Green Warren local, statewide, regional County Arts Commission and special projects program of State Arts Agencies and national organizations $590 Bowling Green, KY $29,000 designed to support and sti­ for training programs and Washington, DC mulate the arts at the neigh­ To support the Technical borhood level. services. To amend a 1994 cooperative agreement. Assistance Program and the 6 grants $85,500 Youth Arts Initiative designed City of San Diego 4 cooperative North Carolina to address the needs of artists, San Diego, CA $100,000 arts organizations, educators, agreements $583,192 School of the Arts and youth in South Central To support the implementa­ Winston-Salem, NC $12,500 Kentucky. tion of "Project Advance!" Arts Council of Oklahoma City To support the A+ Program designed to assist small and of Arts Education for North Carnegie Hall mid-sized arts organizations Oklahoma City, OK $10,000 Carolina schools and local Lewisburg, WV . $75,000 with institutional stability and advancement. To support administrative arts agencies. To support the restoration expenses for the Arts Council of Oklahoma City. University of Massachusetts of Carnegie Hall by the local Fulton County Arts Council arts agency in Lewisburg. Amherst, MA $20,000 Atlanta, GA $100,000 Arts Foundation To support the Community Chemung Valley To implement three initiatives of Michigan Arts Partnership Training Arts Council outlined in the Arts Council’s Detroit, MI $13,000 community cultural plan. Institute. Corning, NY $60,000 To support a statewide arts network on Arts Wire. To support a new funding Memphis Arts Council program for the Southern Memphis, TN $120,000 Finger Lakes Region of Associated Writing Planning/Stabilization New York StaLe. To support the Memphis Programs Grants Arts Council, in partnership Norfolk, VA $300,522 with the Foote and Cleaborn Chenango County A cooperative agreement to Grants were awarded for the Council of the Arts Homes Tenant Associations development of agency plans, and a consortium of arts support Writers Corps, a Norwich, NY $60,000 project which placed 60 writers community cultural plans, groups, corporations, schools, outreach, and new programs. To support the renovation of community organizations, in inner-city neighborhoods an auditorium in the historic and churches. in San Francisco, Washington, 24 awards $540,000 West Main Street School. DC, and The Bronx to work with children and adults in Pinellas County literacy programs, writing Arts Council of City of Austin Arts Council workshops, and literary arts Fort Worth and Austin, TX $75,000 Clearwater, FL $50,000 activities. Tarrant County $40,000 To implement a mentor To support funding for both Fort Worth, TX program for local artists the newly-established Cultural Association of Community To support the expansion of and arts organizations. Development Grants Program Arts Agencies of Kansas Fort Worth’s neighborhood for arts organizations and Salina, KS $10,000 arts program. the Individual Artists Grants Program. To support an extensive lead­ ership training program for local arts agencies throughout the state. L 0 C A L A R T S A G E N C I E S

Arts Council of COMPAS, Inc. Mono County Arts Council Rockford Area Arts Council Winston-Salem St. Paul, MN $35,000 Mammoth Lakes, CA $13,700 Rockford, IL $21,000 & Forsyth County Winston-Salem, NC $21,000 To support the expansion of To support a public art project To support a youth arts technical assistance services. for the Council. apprenticeship program To support the development for Rockford. of a community cultural plan. Greater Hartford Northampton Arts Council Arts Council Northampton, MA $25,200 Sacramento Metropolitan Arts for Greater Rochester Hartford, CT $26,500 Arts Commission Rochester, NY $40,000 To support the continued To support a neighborhood expansion of programming Sacramento, CA $35,000 To support "Arts in the cultural planning project for for the Council. To support the Community Community," a project the City of Hartford. Arts Partnerships Program. designed to reach at-risk Public Corporation African American youth. Kaw Valley Arts for the Arts Selma and Dallas County & Humanities Long Beach, CA $17,000 Council on the Arts Bradford County Kansas City, KS $17,000 Selma, AL $12,000 Regional Arts Council To support the establishment To support implementation of Towanda, PA $25,000 of a comprehensive technical To establish a pilot re- several components of the arts assistance program to advance granting prograin for arts To support the council in council’s cultural plan. the professional development organizations. its efforts to improve the of artists and arts organiza­ Keystone Theatre facility. Lane Arts Council tions in Long Beach. South Carolina Arts Alliance Eugene, OR $9,500 Rock Hill, SC $17,000 City of San Antonio Queens Council To support implementation on the Arts, Inc. To support an ongoing techni­ San Antonio, TX $27,000 of the Council’s community cal assistance program de­ Woodhaven, NY $15,000 To support a comprehensive cultural plan. signed to help rural arts arts in education plan. To support the organiza­ agencies. Maine Arts Commission tional stabilization efforts of the Council. City of San Jose Augusta, ME $11,200 South Dakotans for the Arts Deadwood, SD $40,000 San Jose, CA $35,000 To support cultural planning Rapid City Fine Arts To support a comprehensive efforts in the town of Lewiston Council, Inc. To support a stabilization and in Hancock County. 162 technical assistance and sup­ Rapid City, SD $17,000 project that will increase com­ port services program for the munication and technical assis­ advancement of multicultural Metropolitan Nashville To support implementation of tance to local arts agencies. 163 arts organizations. Arts Commission "Many Voices...Rapid City’s Nashville, TN $14,900 Cultural Plan." Spencer Area Arts Council City of Spokane To support the arts compo­ Spencer, IA $13,400 Spokane, WA $11,600 nent of the City of Nashville’s To support a project that will To support a community comprehensive community- increase the impact of the arts cultural plan. wide plan. in Spencer, Iowa. ost of the 56 state and jurisdictional arts agencies were created in response to the national example and financial incentive provided by the Arts Endowment. Over three decades the Endowment has invested in the development of arts pro­ grams at the state level through the Basic State Grants administered by the State & Regional Program.

The Endowment’s investment in state arts agencies plays a key part in the overall ecology of support for the nonprofit arts in America. In Fiscal Year 1995, funding from the State & Regional Program and other agency programs helped to lever­ age a total of $259.5 million in state appropriated funds which, in turn, sup­ ported projects generating total revenues estimated at more than $4 billion.

This extensive activity is widely distributed. Last year, state arts agencies were able to award an estimated 26,000 grants to over 18,700 grantees in more than 5,600 communities. Approximately 30 percent of the awards and 14 percent of the funds went to grantees in non- metropolitan areas. State arts agencies reported over 800 Supported through million instances of public participation the Arkansas (about three for each Arts Council, this American) resulting from these projects, celebration in including attendance of exhibitions and Hot Springs performances, par­ ticipation in activities featured glass at schools and com­ munity centers, and artist Dale Chihuly. benefit through radio and television broad­ cast and distribution of printed material. S T A T E & R E G I 0 N A L

The Wyoming Arts State arts agencies support artists and arts Council’s Gallery organizations in all disciplines: last year features the work of awarding $30 million western artists, such for projects in music, $20.4 million in the­ as this photography ater, $20.3 million in the visual arts, and exhibition in 1996. $11.4 million in dance. A total of $83 million, or 46 percent of all state arts agency grant funds, was used to provide general operating support to arts institutions. Funds also went to performances, exhibitions, artist residencies, touring, fellowships, and other assistance to artists. Another major focus for state arts agencies was arts education, with $27 million supporting 7,000 projects in 2,800 communities. 164 Crucial to state arts agencies working together are the seven multi-state regional organizations which receive Regional Arts Programming Grants and project sup­ 165 port from other Endowment programs. They combine their federal funding with state and privately-raised funds to carry out programs that can the most cost- efficiently managed on a regional basis. One of their primary purposes is the administration of fee support for performing arts touring, especially in under- served areas. They also provide fellowships and other assistance to visual artists and undertake projects that address the unique needs of their regions.

The State & Regional Program also administers a portion of the Endowment’s funds designated for projects in artistically underserved areas. Over the past five years, this category has helped stimulate and support arts projects that are making a positive difference in the lives of people in rural and inner city areas. Many of the grants support programs for underserved youth, including California’s resi­ dency programs providing after school artist-run projects for thousands of children in South Central Los Angeles, a project in Arizona which uses interactive television to bring the arts to primary schools, and the YouthReach program in Massachu­ setts, which assists community organizations to involve youth in the arts. S T A T E & R E G I 0 N A L

80 grants $31,031,305 Hawaii State Foundation New Hampshire State Utah Arts Council on Culture and the Arts Council on the Arts Salt Lake City, UT $447,000 Honolulu, HI $440,000 Concord, NH $439,000 Basic State Grants Vermont Council Idaho Commission New Jersey State on the Arts, Inc. Council on the Arts Montpelier, VT $433,000 Awards support the work of on the Arts the state arts agencies. Boise, ID $439,000 Trenton, NJ $513,000 Virgin Islands Council 57 grants $25,816,522 Illinois Arts Council New Mexico Arts Division on the Arts Chicago, IL $555,000 Santa Fe, NM $445,000 St. Thomas, VI $201,000 Alabama State Council on the Arts Indiana Arts Commission New York State Virginia Commission Montgomery, AL $473,000 Indianapolis, IN $489,000 Council on the Arts for the Arts New York, NY $626,000 Richmond, VA $498,000 Alaska State Council Iowa Arts Council on the Arts Des Moines, IA $458,000 North Carolina Arts Council Washington State Anchorage, AK $433,000 Raleigh, NC $503,000 Arts Commission $484,000 Kansas Arts Commission Olympia, WA American Samoa Council on Topeka, KS $455,000 North Dakota Arts, Culture, & Humanities Council on the Arts West Virginia Division Pago Pago, AS $201,000 Bismarck, ND $434,000 of Culture & History Kentucky Arts Council Arts & Humanities Section Frankfort, KY $468,000 Arizona Commission Northern Marianas Charleston, WV $447,000 on the Arts Commonwealth Council Phoenix, AZ $470,000 Louisiana Division of for Arts and Culture Wisconsin Arts Board the Arts, Department Madison, WI $482,000 of Culture, Recreation, Saipan, CM $200,000 Arkansas Arts Council & Tourism Little Rock, AR $453,000 Baton Rouge, LA $474,000 Ohio Arts Council Wyoming Arts Council Columbus, OH $549,000 Cheyenne, WY $433,000 California Arts Council Maine Arts Commission Sacramento, CA $769,000 Augusta, ME $440,000 Oklahoma, State Arts Council of Regional Arts Oklahoma City, OK $462,000 California Arts Council Maryland State Arts Council Programming Grants Sacramento, CA $6,000 Baltimore, MD $481,000 To amend a 1994 grant. Oregon Arts Commission For organizations which serve Massachusetts Salem, OR $460,000 groups of state arts agencies to Cultural Council support programs on a multi- Colorado Council state basis. on the Arts Boston, MA $493,000 Pennsylvania Council on the Arts Denver, CO $466,000 7 grants $3,939,478 Michigan Council for Harrisburg, PA $559,000 Connecticut Commission Arts and Cultural Affairs Arts Midwest Puerto Rican Culture, on the Axts Detroit, MI $531,000 Minneapolis, MN $634,000 Hartford, CT $463,000 Institute of Minnesota State Arts Board San Juan, PR $465,000 To support regional programs and services in Illinois, Indi­ St. Paul, MN $476,000 Delaware Division Rhode Island State ana, Iowa, Michigan, Minne­ of the Arts Council on the Arts sota, North Dakota, Ohio, Wilmington, DE $434,000 Mississippi Arts South Dakota, and Wisconsin. Commission Providence, RI $438,000 District of Columbia Jackson, MS $456,000 Consortium for Commission on the Arts South Carolina Arts Commission Pacific Arts and Cultures and Humanities Missouri State Council Honolulu, HI $238,000 Washington, DC $433,000 on the Arts Columbia, SC $467,000 St. Louis, MO $484,000 To support regional programs and services in the territories Florida Department South Dakota Arts Council Pierre, SD $435,000 of American Samoa, Guam, of State/Division of Montana Arts Council and the Northern Marianas Cultural Affairs Helena, MT $436,000 Islands. Tallahassee, FL $522,522 Tennessee Arts Commission Nashville, TN $483,000 Nebraska Arts Council Mid Atlantic Arts Georgia Council Omaha, NE $444,000 Foundation, Inc. for the Arts Texas Commission Baltimore, MD $634,000 Atlanta, GA $503,000 Nevada State Council on the Arts Austin, TX $625,000 To support regional programs on the Arts and services in Delaware, the Guam Council on Carson City, NV $442,000 the Arts and Humanities District of Coluxnbia, Mary­ land, New Jersey, New York, Agana, GU $201,000 Pennsylvania, Virginia, the Vir­ gin Islands, and West Virginia. S T A T E & R E G I 0 N A L

Mid-America Arts Alliance Arizona Commission Nebraska Arts Council New England Foundation Kansas City, MO $476,000 on the Arts Omaha, NE $10,000 for the Arts To support regional programs Phoenix, AZ $7,000 To support a tour of the Cambridge, MA $52,500 and services in Arkansas, To support a tour of Lines Oberlin Dance Collective/ Kansas, Missouri, Nebraska, Contemporary Ballet in com­ San Francisco in September, Southern Arts Oklahoma, and Texas. munities throughout Arizona 1995. Federation, Inc. in January and February, 1996. Atlanta, GA $52,500 New England Foundation South Carolina for the Arts California Arts Council Arts Commission Western States Cambridge, MA $476,000 Sacramento, CA $10,000 Columbia, SC $10,000 Arts Federation Santa Fe, NM $52,500 To support regional programs To dance residencies by out­ To support the development and services in Connecticut, of-state dance companies of dance presenting in South Maine, Massachusetts, New during the 1995-96 season. Carolina, including a state­ Hampshire, Rhode Island, wide tour by an out-of-state National Services and Vermont. Delaware Division company, during the 1995-96 of the Arts season. Southern Arts Awards supported national Wilmington, DE $8,000 services provided by mem­ Federation, Inc. Southern Arts bership organizations of state Atlanta, GA To support a statewide tour Federation, Inc. $688,478 by the Jazz Tap Ensemble arts agencies and regional To support regional programs during April and May 1996. Atlanta, GA $139,590 organizations. and services in Alabama, To support artists’ fees for pre­ 4 awards $552,725 Florida, Georgia, Kentucky, Hawaii State Foundation senters throughout Alabama, Louisiana, Mississippi, North on Culture and the Arts Florida, Georgia, Kentucky, National Assembly Carolina, South Carolina, Honolulu, HI $5,000 Louisiana, Mississippi, North and Tennessee. Carolina, South Carolina, and of State Arts Agencies To support residencies by Tennessee for the presentation Washington, DC $71,000 Tandy Beal and Company Western States of dance companies during To amend a 1994 cooperative Arts Federation on several Hawaiian islands the 1995-96 season. during the 1995-96 season. agreement for information Santa Fe, NM $793,000 services provided to the state WisconsinArts Board To support regional programs and regional arts agencies and Kansas Arts Commission Madison, WI $35,000 the Arts Endowment. 166 and services in Alaska, Ari­ Topeka, KS $5,000 zona, California, Colorado, To support residency activities Idaho, Montana, Nevada, To support a statewide tour of during a statewide tour by National Assembly New Mexico, Oregon, Utah, an out-of-state dance company the Paul Taylor Dance Com­ of State Arts Agencies 167 Washington, and Wyoming. during the 1995-96 season. pany and Taylor 2 during Washington, DC $281,000 the 1995-96 season. To support NASAA’s programs Louisiana Division of the Arts and services for state arts Department of Culture, agencies for Fiscal ~ar 1995. Collaborative Initiatives Recreation, & Tourism Baton Rouge, LA $15,000 Regional Visual The State and Regional Artist Fellowships National Assembly Program works with other To support a statewide tour of State Arts Agencies by the Elisa Monte Company Washington, DC $194,420 Endowment programs to during the 1995-96 season. Funded in collaboration with support initiatives jointly the Visual Arts Program, grants To support NASAA’s programs planned with state and re­ were awarded to regional and services for state arts gional arts agencies. In 1995, Maine Arts Commission Augusta, ME $21,000 organizations to make $5,000 agencies for Fiscal 1996. two major efforts were sup­ fellowships available in 1996 ported: Dance on Tour To support a collaborative to artists working in painting and Regional Visual Artists National Assembly dance project to be developed or works on paper. of State Arts Agencies Fellowships. by contemporary choreog­ rapher Ann Carlson and the 6 collaborative Washington, DC $6,305 traditional Quebecois dance agreements $315,000 To amend a 1991 cooperative agreement for distribution of Dance on Tour master Benoit Bourque during the 1995-96 season. Arts Midwest Design for Accessibility, An Arts Minneapolis, MN $52,500 Administrator’s Guide to state A cooperative effort of the Mid Atlantic Arts and regional arts agencies. Dance, Presenting and State Foundation, Inc. and Regional Programs, this Mid-America Arts Alliance initiative brings dance com­ Baltimore, MD $141,990 Kansas City, MO $52,500 panies on tour to communities For artists’ fees and related where such events would not administrative costs for dance Mid Atlantic Arts otherwise be possible. presenters in the District of Foundation, Inc. Columbia, Delaware, Mary­ Baltimore, MD $52,500 12 awards $407,580 land, New Jersey, New York, Virginia, Pennsylvania, West Virginia, and the Virgin Islands during the 1995-96 season. y statute, the agency is required to award 7.5 percent of its program funds to state arts agencies and regional consortia for the support of projects that 1) raise the artistic capabilities of developing arts organizations and 2) stimu­ late artistic activity, awareness, and public access to the arts in rural, inner-city and other artistically underserved areas.

157 awards $8,173,800 Georgia Council for the Arts Folk and Atlanta, GA $34,500 Traditional Arts To support costs associated Expansion Arts with contracting a folklorist Awards were made in two at the Creative Arts Guild in Awards were made to support categories for folk arts projects Dalton, Georgia to conduct re-granting to rural arts orga­ and for folk arts apprentice­ a survey of traditional arts nizations. ships. in Northwest Georgia. 11 awards $293,760 45 awards $1,153,300 Hawaii State Foundation on Culture and the Arts Alaska State Council Honolulu, HI $20,000 on the Arts Folk Arts Projects To support activities at a Anchorage, AK $30,000 gathering of artists who have participated in the past ten Arkansas Arts Council Alabama State Council years of the Hawaii State Folk Little Rock, AR $30,000 on the Arts Arts Apprenticeship Program. Montgomery, AL $33,100 Kansas Arts Commission Iowa Arts Council Topeka, KS $30,000 To support the continuation of a survey of the traditional arts Des Moines, IA $44,700 Kentucky Arts Council and artists of the Wiregrass To support a state folk arts Frankfort, KY $30,000 Region of southeast Alabama coordinator position. and a documentary recording Maryland State Arts Council of musical traditions of the Maine Arts Commission region. Baltimore, MD $20,000 Augnsta, ME $9,100 Mississippi Arts Commission Alabama State Council To support a marketing bro­ chure and directory of Maine Jackson, MS $33,760 on the Arts Montgomery, AL $34,400 Indian basketmakers to be produced by the Maine Indian Nebraska Arts Council To support the folk art and Basket~nakers Alliance. Omaha, NE $20,000 folklife exhibit "Alabama: Culture and Community." Maine Arts Commission Oklahoma, Angusta, ME $9,000 State Arts Council of Arizona Commission Oklahoma City, OK $15,000 on the Arts To support a survey of local Phoenix, AZ $20,000 folk and traditional arts and Tennessee Arts Commission artists in the Hancock County Nashville, TN $30,000 To support an Arizona Indian and Bethel regions of Maine basketweavers’ gathering. resulting in community cul­ Texas Commission tural plans. on the Arts Colorado Council on Austin, TX $30,000 the Arts and Humanities Denver, CO $12,500 West Virgina Arts and To support the position of Humanities Section folklorist in southern Colo­ Charleston, WV $25,000 rado. UNDERSERVED COMMUNITIES SET-ASIDE

Mississippi Arts Oregon Arts Commission New England Foundation Commission Salem, OR $33,900 State Apprenticeships for the Arts Jackson, MS $21,800 To support a pilot program in Cambridge, MA $30,000 To support the development several underserved communi­ Grants went to support state­ To support a regional folk arts of a Traditional Artists-in­ ties that will offer technical wide folk apprenticeship apprenticeship program in the-Schools program for assistance and artist program­ programs. New England. fourth and fifth grade social ming to artists and neighbor­ studies classes. hood groups. Alabama State Council New Hampshire State on the Arts Council on the Arts Nevada State Council Southern Arts Montgomer); AL $30,000 Concord, NH $30,000 on the Arts Federation, Inc. Reno, NV $27,500 Atlanta, GA $43,200 Colorado Council on New Jersey State Council To support a Folk Arts Pro­ To support a traditional artist the Arts and Humanities on the Arts gram Assistant at the Council. technical assistance project Denver, CO $30,000 Trenton, NJ $30,000 aiding in the development of New England Foundation promotional materials and Guam Council on New Mexico Arts Division for the Arts providing showcasing oppor­ the Arts and Humanities Santa Fe, NM $28,100 Cambridge, MA $30,000 tunities for traditional artists Agana, GU $10,000 of the region. To support "Traditional Arts To support the folk arts North Dakota Council and New England Communi­ apprenticeship program on the Arts Virginia Commission in Guam. ties," a conference of work­ for the Arts Bismarck, ND $30,000 shops, artist showcases, and Richmond, VA $35,000 networking for artists, folk arts Hawaii State Foundation Oklahoma, State Arts and community organizations, To support a fieldworker to on Culture and the Arts Council of and presenters in the region. conduct a survey of traditional Honolulu, HI $29,900 Oklahoma City, OK $20,000 arts in the diverse population New England Foundation of northern Virginia. Idaho Commission Rhode Island State for the Arts on the Arts Council on the Arts Cambridge, MA $17,300 Washington State Boise, ID $18,600 Providence, RI $30,000 Arts Commission To support the "Newcomers Project," which provides an Olympia, WA $22,900 Louisiana Division Utah Arts Council 168 array of technical assistance to To support a gathering of of the Arts Salt Lake City, UT $30,000 traditional artists in recently­ American Indian basketmakers Baton Rouge, LA $10,000 169 immigTated communities in from Washington State tribes. Washington State the region. Maine Arts Commission Arts Commission Western States Augusta, ME $16,100 Olympia, WA $30,000 New Jersey State Council Arts Federation on the Arts Santa Fe, NM $25,000 Minnesota State Arts Board Wisconsin Arts Board Trenton, NJ $22,500 To support a project to tour St. Paul, MN $30,000 Madison, WI $10,000 To support the folk arts several folk arts exhibits both coordinator position at the regionally and nationally and Minnesota State Arts Board Council. a pilot project to provide fee St. Paul, MN $20,000 support to presenters hiring Local Arts Agencies New York State Council folk artists in their venues. Mississippi Arts on the Arts Commission Awards were made to strength­ New York, NY $20,000 Western States Jackson, MS $10,000 en local arts agencies in their Arts Federation capacity to work with rural, To support a Folk Arts Pro­ inner-city, and other under- gram Associate position. Santa Fe, NM $41,600 Missouri State Council on the Arts served areas and communities. To support the folk arts direc­ Funding is channeled through Oregon Arts Commission tor position. St. Louis, MO $30,000 state arts agencies and regional Salem, OR $34,000 consortia. Wisconsin Arts Board Nevada State Council To support a regional folk arts 31 grants $1,860,490 component and public cel­ Madison, WI $40,000 on the Arts ebrations as part of a major To support a statewide folk Reno, NV $18,600 permanent exhibition on arts survey. Alaska State Council the Willamette Valley at the on the Arts Oregon History Center. Anchorage, AK $38,000 To support a project designed to strengthen underserved local arts agencies in Alaska. UNDERSERVED COMMUNITIES SET-ASIDE

Oklahoma, State Arts Arizona Commission Maine Arts Commission New England Foundation on the Arts Augusta, ME $74,020 for the Arts Council of Cambridge, MA $10,000 Oklahoma City, OK $47,790 Phoenix, AZ $66,490 To support a collaboration To support a re-granting with the Maine Arts Sponsors To provide additional funds To support a collaboration initiative for local arts agen­ Association for a locally-based for a previous year’s grant. with the Assembly of Com­ cies that support existing and cultural planning project munity Arts Councils of new programs for underserved designed and administered New Hampshire State Oklahoma, with paid staff communities. by six rural, underserved Council on the Arts positions and on-site tech­ communities in the state. nical assistance for eight Concord, NH $20,560 rural local arts agencies. Hawaii State Foundation To support the organizational on Culture and the Arts Mid Atlantic Arts development of the Arts South Dakota Arts Council Honolulu, HI $12,350 Foundation, Inc. Alliance of Northern New Baltimore, MD $38,850 Pierre, SD $32,770 To support a two-part project Hampshire, a volunteer-run for technical assistance plan­ To support a collaboration statewide assembly of arts To support a collaboration ning for Hawaii’s local arts with the National Assembly organizations that promotes with South Dakotans for the agencies. of Local Arts Agencies for arts in an isolated region. Arts for national training a national project of pro­ events for the staff and board members of statewide assem­ Idaho Commission fessional development for New Jersey State statewide assemblies of local Council on the Arts blies of local arts agencies on the Arts throughout the country. Boise, ID $85,490 arts agencies. Trenton, NJ $38,000 To support a two-part project To support a collaboration Southern Arts Minnesota State Arts Board with the Association of New for underserved local arts St. Paul, MN $56,990 Federation, Inc. agencies that continue success­ Jersey County Cultural and Atlanta, GA $35,420 ful technical assistance pro­ To support a collaboration Historical Agencies for an grams and initiate program­ with the Forum of Regional outreach program. To provide additional funds ming for at-risk youth. Arts Councils of Minnesota to for a 1994 grant. implement a re-grant program New York State Council Institute of for local arts agencies serving on the Arts Southern Arts Puerto Rican Culture four underserved regions. New York, NY $85,490 Federation, Inc. Atlanta, GA $18,000 San Juan, PR $50,800 To support a collaboration Mississippi Arts Commission with the Alliance of New York To provide additional funds To support costs associated Jackson, MS $106,870 with a project designed to State Arts Councils for the for a 1993 grant. raise the artistic capabilities To support a project to third year of the New York of community arts centers. strengthen Mississippi’s State Rural Development Southern Arts underserved local arts Initiative. Federation, Inc. Iowa Arts Council agencies in initiating cul­ Atlanta, GA $132,560 tural development in their Des Moines, IA $84,270 North Carolina Arts Council To support the third year of communities. Raleigh, NC $85,490 To support a local arts agency the Underserved Presenters development program for To support a collaboration Technical Assistance Project. Montana Arts Council with ARTS North Carolina for councils centered around Helena, MT $99,740 presenting and touring. expansion of the organiza­ Tennessee Arts Commission To support a comprehensive tional development program Nashville, TN $47,500 for local arts agencies serving Kentucky Arts Council program of technical assis­ tance and salary support rural and underserved areas. To support technical and Frankfort, KY $84,070 for local arts agencies serving salary assistance for new and existing rural local arts To support a collaboration the majority of Montana’s Ohio Arts Council agencies. with the Kentucky Assembly communities. Columbus, OH $38,000 of Local Arts Agencies for new programs to profession­ To support a collaboration Texas Commission Nevada State Council with the Alliance of Ohio ally staff and train local arts on the Arts on the Arts agencies. Community Arts Agencies for Austin, TX $56,990 Reno, NV $85,490 a program designed to elec­ To support a project designed tronically connect Ohio’s local To support a collaboration arts agencies. with the Texas Alliance for to strengthen the viability of Education and the Arts for local arts agencies to provide technical assistance programs cultural programming in Nevada’s rural and urban and services to local arts underserved areas. agencies in underserved areas. UNDERSERVED COMMUNITIES SET-ASIDE

Vermont Council on the Arts Western States Louisiana Division Montpelier, VT $9,400 Regional Arts Arts Federation of the Arts To provide additionM funds Organizations Santa Fe, NM $104,630 Baton Rouge, LA $30,000 for a 1994 grant. Consolidated A cooperative agreement to To support costs associated support artists’ fees for pre­ with a statewide tour by the Vermont Council Presenting Support senters of music, opera, and Elisa Monte Company during on the Arts, Inc. theater throughout Alaska, the 1995-96 season. Montpelier, VT $106,870 Arts Midwest Arizona, California, Colorado, Idaho, Montana, Nevada, New To support partnership Minneapolis, MN $93,290 Mid-America Arts Alliance Mexico, Oregon, Utah, Wash­ Kansas City, MO $13,125 projects with underserved A cooperative agreement to ington, and Wyoming. local arts agencies in Vermont. support artists’ fees for pre­ To amend a 1994 cooperative senters of music, opera, and agreement for dance touring Virgin Islands Council theater throughout Illinois, through the region. on the Arts Indiana, Iowa, Michigan, Dance on Tour St. Thomas, VI $80,000 Minnesota, North Dakota, Mid Atlantic Arts Ohio, South Dakota, and Foundation, Inc. A cooperative agreement to Arizona Commission Wisconsin. Baltimore, MD $55,000 provide technical assistance on the Arts to underserved local arts Phoenix, AZ $28,000 For artists’ fees and related agencies. Mid-America Arts Alliance administrative costs for dance Kansas City, MO $84,710 To support costs associated presenters in the District of A cooperative agreement to with a tour of Lines Con­ Columbia, Delaware, Mary­ West Virginia Arts Section temporary Ballet in commu­ Charleston, WV $22,630 support artists’ fees for pre­ land, New Jersey, New York, senters of music, opera, and nities throughout the state in Virginia, Pennsylvania, To support West Virginia’s theater throughout Arkansas, January and February, 1996. West Virginia, and the Virgin first peer assistance network Kansas, Missouri, Nebraska, Islands during the 1995-96 utilizing arts administrators Oklahoma, and Texas. Arts Midwest season. and community development Minneapolis, MN $13,125 consultants to provide assis­ South Carolina tance to local arts agencies. Mid Atlantic Arts To amend a 1994 cooperative Foundation, Inc. agreement for dance touring Arts Commission Columbia, SC $15,000 Western States Baltimore, MD $84,825 throughout the region. Arts Federation A cooperative agreement to To support costs associated 170 Santa Fe, NM $109,590 support artists’ fees for pre­ Delaware Division with the development of senters of music, opera, and of the Arts dance presenting in the state, 171 To support a collaboration theater throughout Delaware, Wilmington, DE $7,000 including a statewide tour with the National Assembly Maryland, New Jersey, New To support costs associated by an out-of-state company, of Local Arts Agencies for a during the 1995-96 season. technical assistance project York, Pennsylvania, Virginia, with residency activities during West Virginia, the District of a statewide tour by the Jazz designed to serve local arts Columbia, and the Virgin agencies in rural areas of the Tap Ensemble during April Southern Arts region. Islands. and May of 1996. Federation, Inc. Atlanta, GA $20,000 New England Foundation Hawaii State Foundation To support artists’ fees for pre­ for the Arts on Culture and the Arts senters throughout Alabama, Presenting Cambridge, MA $61,770 Honolulu, HI $15,000 Florida, Georgia, Kentucky, A cooperative agreement to To support costs associated Louisiana. Mississippi, North q~¢o categories were sup­ support artists’ fees for pre­ with residencies by Tandy Beal Carolina, South Carolina, and ported: the Regional Arts senters of music, opera, and and Company on several Tennessee for the presentation Organizations Consolidated theater throughout Connecti­ Hawaiian islands during the of dance companies during the Presenting Support and cut, Maine, Massachusetts, 1995-96 season. 1995-96 season. Dance on Tour. New Hampshire, Rhode Island, and Vermont. Wisconsin Arts Board 17 awards $726,250 Kansas Arts Commission Topeka, KS $15,000 Madison, WI $15,000 Southern Arts To support costs associated Federation, Inc. To support costs associated with residency activities during Atlanta, GA $70,775 with a statewide tour of an out-of-state dance company a statewide tour by the Paul A cooperative agreement to during the 1995-96 season. Taylor Dance Company and support artists’ fees for pre­ Taylor 2 during the 1995-96 senters of music, opera, and season. theater throughout Alabama, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, and Tennessee. UNDERSERVED COMMUNITIES SET-ASIDE

Ohio Arts Council Florida Division of New Hampshire State Columbus, OH $9,480 Cultural Affairs Council on the Arts Special Projects Tallahassee, FL $70,270 Concord, NH $63,920 To support a planning process for the Ohio River Border To support the first year of To support bringing more Arts Midwest Initiative in conjunction with Florida’s revised and ex­ visual, media, and traditional Minneapolis, MN $59,000 the West Virginia Arts and panded Underserved Arts arts programs to rural A cooperative agreement to Humanities Division. Communities Assistance underserved communities plan and convene a sym­ Program. around New Hampshire. posium to assist state arts Washington State agencies and other grantees Arts Commission Idaho Commission New Jersey State in Illinois, Indiana, Iowa, Olympia, WA $18,970 on the Arts Council on the Arts Michigan, Minnesota, North Boise, ID $69,040 Trenton, NJ $131,630 Dakota, Ohio, South Dakota To support planning and development of a statewide To support expansion of the To support the Southern New and Wisconsin on making Jersey Arts Initiative and the their activities available to program to bring traditional Local Arts Council Salary artists into schools in under- Assistance Program, enhance­ Cultural Diversity Initiative. people with disabilities and ment of the Cultural Facilities older adults. served communities. Grant Program, production New York State West Virgina Arts and and distribution of a directory Council on the Arts Humanities Section of arts spaces, and a meeting New York, NY $100,530 on 504/ADA issues. State and Regional Charleston, ~W $9,480 To support a cultural stabiliza­ To support a planning process tion and enhancement initia­ Awards went to state arts Indiana Arts Commission tive for underserved commu­ in conjunction with the Ohio Indianapolis, IN $127,270 agencies for projects in rural, Arts Council for the Ohio nities, a regional partnership inner city, and other under- River Border Initiative. To support continuation of program, and a technical served communities. State Indiana’s "Arts: Rural and assistance program. arts agencies were eligible for Multicultural Program." support to develop plans to North Dakota Council serve these areas and to imple­ Two-Year Project Plans Maine Arts Commission on the Arts ment projects on a two-year Bismarck, ND $54,340 basis. Descriptions of the (First Year) Augusta, ME $77,390 Second Year stage grantees To support cultural heritage To support arts programming can be found in the 1994 projects that develop out of for North Dakota’s under- Arizona Commission served population through a Annual Report. on the Arts the regional assessment and planning processes taking touring arts program. 52 awards $4,081,000 Phoenix, AZ $66,580 place throughout the state. To support the Arizona Arts Northern Marianas Education Distance Learning Massachusetts Cultural Commonwealth Council Project. Council for Arts and Culture Plan Development Boston, MA $111,240 Saipan, CM $35,660 California Arts Council To support continuation of the To support arts education and Idaho Commission Sacramento, CA $215,750 "Youthreach" initiative. master craftsman programs, on the Arts To support the Inner-City Arts transportation of exhibits to Boise, ID $18,970 Latchkey and Summer Arts Missouri State Council Rota and Tinian, collaboration To support a feasibility study Residency Program and the on the Arts with Marianas Cable Vision to plan for the future of litera­ Rural Arts Residency Program. St. Louis, MO $97,870 on a production of performers and traditional arts/artists, and ture programming throughout To support continuation of the other services. Idaho. Colorado Council on the Arts and Humanities development of arts program­ ming in the state’s artistically Ohio Arts Council New York State Denver, CO $117,120 underserved African American Columbus, OH $144,530 Council on the Arts To support the two compo­ communities. New York, NY $18,970 nents of the Council’s Rural To support continuation of the Ohio Appalachian Arts To support planning for an Arts Initiative II. Nebraska Arts Council Art Against Youth Violence Omaha, NE $110,390 Initiative and for continued Delaware Division support for the Coordinated pilot project in the South To support multicultural Bronx. of the Arts Arts Program of the Greater Wilmington, DE $59,650 arts programming in rural Cleveland Neighborhood and urban areas of the state Centers Association. To support arts components through the Multicultural of community festivals, per­ Initiative. formances, workshops, and exhibits to rural and inner city areas, collaborations between community organizations and artists, and for the Kent County Initiative. UNDERSERVED COMMUNITIES SET-ASIDE

Oregon Arts Commission Tennessee Arts Commission Wyoming Arts Council Hawaii State Foundation Salem, OR $91,800 Nashville, TN $131,060 Cheyenne, WY $68,950 on Culture and the Arts To address the needs of rural, To support continuation of To support development of a Honolulu, HI $45,200 folk, refugee, and geogra­ the "Arts: Advancement and statewide communications phically isolated artists and Expansion" project. network, continuation of the Iowa Arts Council arts groups through a pro­ Arts Across Wyoming grants Des Moines, IA $61,700 gram of technical assistance Virgin Islands Council program, and the Under- and financial aid, in conjunc­ on the Arts served Grants Program. Kentucky Arts Council tion with the state’s regional St. Thomas, VI $35,850 Frankfort, KY $66,400 arts councils. To provide project support to artists and arts organizations Two-Year Project Plans Maryland State Arts Council Pennsylvania Council Baltimore, MD $59,800 on the Arts receiving training and techni­ (Second Year) Harrisburg, PA cal assistance that will enhance $141,120 their capacity to serve Michigan Council for To support the funding, tech­ underserved communities. Alabama State Council Arts and Cultural Affairs nical assistance, and network­ on the Arts Detroit, MI $67,700 ing opportunities provided Washington State Montgomery, AL $93,300 through the Strategies for Arts Commission Minnesota State Arts Board Success program and a col­ Olympia, WA $90,190 laborative presenting venture Alaska State Council St. Paul, MN $80,200 with the Pennsylvania Histori­ To support a five-component on the Arts cal and Museum Commission. program for support to Anchorage, AK $57,000 Montana Arts Council underserved communities. Helena, MT $49,300 Puerto Rican Culture, American Samoa Council Institute of West virgina Arts and on Arts, Culture, Nevada State Council San Juan, PR $122,620 Humanities Section and Humanities on the Arts Charleston, ~W $107,730 Pago Pago, AS $39,700 To support artistic opportuni­ Reno, NV $44,800 ties for at-risk youth in inner To support a fellowship pro­ city and rural underserved gram, a program of grants for Arkansas Arts Council Oklahoma, State areas. development of arts programs Little Rock, AR $45,300 Arts Council of for communities, and for a Oklahoma City, OK $49,500 172 Rhode Island State publication for rural and Connecticut Commission Council on the Arts underserved artists and arts on the Arts South Dakota Arts Council Providence, RI $98,440 organizations. Hartford, CT $86,300 Pierre, SD $51,700 173 To support the Arts Workers Wisconsin Arts Board District of Columbia Utah Arts Council program and the Arts Inter­ Madison, WI Commission on the Arts vention collaboration. $70,750 Salt Lake City, UT $52,400 To plan, develop, and imple­ and Humanities Washington, DC $94,600 South Carolina ment assistance to the ex­ Virginia Commission Arts Commission tremely underserved north­ for the Arts eastern counties of Wisconsin, Georgia Council for the Arts Columbia, 8C $140,740 Richmond, VA $102,700 especially those bordering the Atlanta, GA $105,100 To support the rural and upper peninsula of Michigan. inner-city components of the Commission’s Cultural Visions project. nown formerly as the Office of Policy, Planning, and Research (OPPR), this division was reorganized and renamed as the Office of Policy, Research, and Technology (OPRT). As OPPR, the office worked with the Endowment’s pro­ grams, offices, and management in developing long-range policy and planning options for the agency. Its reorganization as OPRT reflected the Chairman’s de­ sire to emphasize issues of information technology as they affect the Endowment and the arts community with regard to policy and planning as the agency moves to address information and communications needs of the 21 st century. As part of this change, the Information Management Division, which runs the agency’s internal computer and information systems, became part of OPRT.

One of the office’s first new initiatives was to develop a World Wide Web site (http://arts.endow.gov), a project shared with the Office of Communications. The goals of the Web site are to significantly increase the accessibility of accurate and up-to-date information from and about the Endowment and the nonprofit arts in America, to create a presence for the agency in the digital core of the new com­ munications environment, and to increase the agency’s internal communications capability.

Another change in the office structure was the addition of the Civil Rights Office, which reflected the Chairman’s commitment to elevating and emphasizing the importance of equity and diversity in the arts and within the Endowment. The move gives the Civil Rights Office a vantage point from which it can effect policy and practices agency-wide, and furthers OPRT’s work with the Office for Access- Ability to ensure more arts opportunities for people with disabilities.

An additional task is analysis of internal grant-award patterns and statistics, and OPRT monitors trends and special areas of interest to the agency, such as the application success rates of minority organizations. Recommendations for changes in policies and practices may result from these analyses.

OPRT also supported the professional development of arts managers through the Arts Administration Fellows Program, which offered eleven-week residencies to promising early- and mid-year arts managers. These residencies provided Fellows with the opportunity to gain a national overview of arts activities and to become familiar with Endowment policies and practices. POLICY, RESEARCH AND TECHNOLOGY

Research Congress, the Executive Branch, and private cultural interests depend on reliable data to formulate and assess cultural policies. The Research Division helps develop the necessary information by examining the cultural needs of the public, identify­ ing ways to enhance access to cultural opportunities, studying the effects of the economy on cultural activities, and documenting the value of arts education to the Nation’s school system.

Four research reports were released by the Division in Fiscal Year 1995. The first, A Practical Guide to Arts Participation Research, provided an historical perspective on the topic and a detailed explanation of what to consider in undertaking an arts participation survey. The next three reports,Jazz in America: Who’s Listening?, American Participation in Opera and Musical Theater, 1992, and Turning On and Tuning In, Media Participation in the Arts, were all based on analyses of the results of three national surveys of arts participation sponsored by the Division and con­ ducted by the Census Bureau in 1982, 1985, and 1992.

In 1995, the Division initiated two research projects concerning arts organization 174 statistics. The first involves the compilation of statistics on arts organizations from the 1992 Census of Service Industries. The second study examines the current 175 data systems that describe the economic condition of arts organizations and compares them to the needs of arts policy makers, practitioners, and researchers. This study will also make recommendations on how to improve the efficiency and utility of future data collection, either through enhancing current systems or developing new systems.

Two other projects sponsored by the Division include a project to create the 1996 Sourcebook of Arts Statistics and an in-depth study of first-time attenders at opera. The latter study involves conducting focus groups at ten opera companies across the country to learn more about those attending opera for the first time, such as which aspects encouraged their further attendance and which did not. Also sponsored in 1995 was an up-to-date and improved version of the Sourcebook of Arts Statistics. The 1996 Sourcebook, like the 1987, 1989, and 1992 versions, will be a compendium of available arts statistics, but it will be printed in two volumes, including a summary and overview. uring 1995, the Special Constituencies Office changed its name to the Office for AccessAbility to focus on not what it does as "special," but rather its mission of encouraging inclusive programming. The new name emphasizes access to the arts for everyone and the abilities of the people the office serves: older adults, individuals with disabilities, and people who live in institutions. The AccessAbility Office provides advocacy and technical assistance to the Arts Endowment, its grantees, other cultural groups, and Federal agencies in making the arts fully accessible.

Lifelong Learning was the major focus in 1995. The Office initiated an inter­ agency partnership with the White House Conference on Aging, the Department of Health and Human Services’ Administration on Aging, and the National Endowment for the Humanities to make quality arts and humanities opportuni­ ties more widely available to older adults and to increase the sensitivity of profes­ sionals in the field of aging to the potential of arts and humanities programs for, by, and with older persons. The centerpiece of the agreement was a conference on "The Arts, the Humanities, and Older Americans," convened in Washington, D.C. on April 10-11 by the National Council on Aging. The conference focused on the need, demand and character of arts and humanities involving older and disabled adults.

The series of deliberations that followed resulted in carefully formulated recom­ mendations including: promotion and support for universal design; involvement of older artists and scholars in the planning and policy-making process; and sup­ port of increased arts and humanities programs in prevention and health care. This working conference assured that the arts and humanities were on the White House Conference on Aging agenda and resolutions in early May.

Funding from the Coca-Cola Company, Metropolitan Life Foundation and the Arts Endowment made it possible for the National Assembly of State Arts Agen­ cies to print and disseminate over 4,000 additional copies of Design for Accessibility: An Arts Administrator’s Guide to grantees through the 56 state arts agencies. The 700-page guide is the most comprehensive publication to date to help arts groups become fully accessible to the country’s 49 million citizens with disabilities.

The Universal Design Leadership Initiative to educate designers and the public on Universal Design continues to progress. In November, 1994, the Endowment received a Universal Design Award for "its significant contributions to Universal Design" from the Adaptive Environments Center in Boston. On February I0, 1995, the Design Program and the AccessAbility Office convened a meeting of OFFICE FOR A C C E S SA B I LITY

seven key federal agencies and a representative from the National Building Museum to discuss their work in universal design and how this information is being disseminated. A request for proposals was issued to produce slides docu­ menting exemplars of Universal Design from the disciplines of architecture, interior design, landscape architecture, product design and graphic design. Universal Designers and Consultants, Inc. of Rockville, Maryland, was selected to administer the project.

An interagency agreement with the Department of Education’s Rehabilitation Services Administration (RSA) was signed to better educate vocational rehabilita­ tion professionals on the arts as full-time careers and to assist disabled artists with accommodations needed to do their work. Through RSA funding, the first effort took place when we arranged for Lisa Thorson, an accomplished jazz perfor­ mance artist, to keynote an RSA conference on the needs of individuals with dis­ abilities who pursue art careers. In addition, we worked with RSA to identify and disseminate to arts service groups information about 1996 RSA funding opportu­ nities for training and hiring people with disabilities. 176 Another interagency agreement with the Department of Justice resulted in three artists being selected, through local arts agencies, to be trained and placed in 177 one-year residencies at federal correctional institutions. Musician David Cody was in residence at Sandstone, Minnesota; potter Rachel Norris at Bryan, Texas; and playwright!director Paul Johnson at Manchester, New Hampshire. The artists taught, created and presented art in these model programs.

The Arts Endowment’s Working Group on Older and Disabled Americans planned seminars to update and better educate staff on access issues. Working in partner­ ship with the Humanities Endowment, the Institute for Museums Services, and the Advisory Council for Historic Preservation, the Group held two seminars, Making Accessibility a Reality, in October 1995. POLICY, RESEARCH AND TECHNOLOGY

U.S. Bureau of the Census National Assembly Suitland, MD $35,744 of State Arts Agencies Arts Administration Research Washington, DC $6,305 An interagency agreement Fellows 6 awards $226,.644 to produce data tabulations To amend a cooperative agree­ containing financial informa­ ment to print and disseminate 24 awards $143,900 3,500 copies of Design for Ac­ Arts Market Consulting, Inc. tion on arts organizations obtained through the 1992 cessibility: An Arts Administrator’s Cook, Allison V. Boston, MA $25,000 Census of Service Industries. Guide to Endowment grantees. Greensboro, NC $6,000 A contract to conduct a study Total cost of the reprint was of first time attenders at opera The following contract relates to $23,000; the Coca Cola Com­ For a Fellowship in the Dance through focus groups held activity outside the Research pany contributed $10,000, and Program during the 1995 with attenders of 10 different Division, but is included in this NASAA contributed $3,000. summer session. opera companies - nine section for accounting purposes: geographically diverse U.S. National Council Cramer, John Edward companies and one Canadian. William Keens Company on the Aging Washington, DC $5,500 Falls Church, VA $17,600 Washington, DC $15,000 For a Fellowship in the Design Jack Faucett and Associates A contract to facilitate a series A cooperative agreement to Program during the 1995 Bethesda, MD $64,500 of meetings with representa­ convene a mini-conference, spring session. A contract to produce the tives of the museum and visual "The Arts, Humanities and 1996 Sourcebook of Arts Statis­ arts fields to discuss current Older Americans," as part of Garcia-Casillas, Zeida issues, future directions, and tics, a two-volume statistical the 1995 White House Con­ Hato Rey, PR $6,200 reference book with the first potential responses from the ference on Aging as part of volume containing a summary agency. the interagency agreement For a Fellowship in the Music and overview of the available with the U.S. Department of Program during the 1995 arts statistics and a guide to Health & Human Services’ spring session. the full study in the second Administration on Aging and volume. Office for AccessAbility the National Endowment for Guidice, Carol D. the Humanities. Woburn, MA $6,000 6 awards $68,197 Princeton University, For a Fellowship in the Arts in Trustees of U.S. Department of Justice Education Program during the Princeton, NJ $60,000 Graphic Artists Washington, DC $18,000 1995 summer session. Guild Foundation An interagency project to A cooperative agreement to $2,50O study the current state of New York, NY support three one-year artists Hale, Jeffrey national data collection sys­ To update the Disabilities residencies in Federal correc­ Arlington, VA $5,500 tems on nonprofit arts organi­ Symbols Project and dissemi­ tional institutions, jointly zations through discussions nate graphics to grantees. funded with the U.S. Depart­ For a Fellowship in the Office with arts policymakers, re­ ment of Justice. of Policy, Research & Technol­ searchers, grantmakers, and ogy during the 1995 summer Institution Programs, Inc. session. practitioners to ascertain its Oklahoma City, OK $9,400 Technical Assistance adequacy and make recom­ Activities mendations for improvements. A cooperative agreement to $13,297 Kennedy, Diane M. organize, establish, monitor Falls Church, VA $5,500 and evaluate three artists To support efforts including Seven Locks Press For a Fellowship in the State $23,800 residencies in Federal correc­ organizing and conducting Carson, CA tions institutions in conjunc­ access seminars, peer sessions, and Regional Program during the 1995 summer session. A contract to provide develop­ tion with the Endowment’s and panels for arts service mental editing and printing interagency work with the groups such as the National of a report on the condition U.S. Department of Justice. Assembly of State Arts Agen­ Leiva, Lily M. and needs of artists based on cies in Nebraska, the U.S. New Orleans, LA $6,200 four draft monographs. Institute of Theater Technol­ For a Fellowship in the Design ogy in Nevada, and Dakotans Program during the 1995 for the Arts in North Dakota; summer session. for Access Seminars for the staff of the Endowment and three other Federal agencies; Littleton-Cruz, Helen and for disability consultants Brooktondale, NY $6,100 to work with Endowment For a Fellowship in the Chal­ Working Groups on Older lenge and Advancement and Disabled Americans. Program during the 1995 summer session. POLICY, RESEARCH AND TECHNOLOGY

Long, David B. Miller, Michael F. Reinharth, Miriam Vu, Huong T. Ithaca, NY $6,000 Hagerstown, MD $5,500 Washington, DC $5,500 Seattle, WA $6,900 For a Fellowship in the For a Fellowship in the Folk For a Fellowship in the Inter­ For a Fellowship in the Visual Museum Program during & Traditional Arts Program national Program during the Arts Program during the 1995 the 1995 spring session. during the 1995 summer 1995 spring session. spring session. session. Mange, Jennifer Rosal, Ana Ixchel Wallner, Eric Washington, DC $6,200 Morton, Elizabeth Austin, TX $5,900 San Francisco, CA $6,850 Somerville, MA $6,000 For a Fellowship in the Visual For a Fellowship in the Arts For a Fellowship in the Pre­ Arts Program during the 1995 For a Fellowship in the Office Administration Fellows Pro­ senting Program during the summer session. of Policy, Research and Tech­ gram during the 1995 fall 1995 spring session. nology Program during the session. Marasigan, Christine R. 1995 spring session. Weisburger, Anita H. Kodiak, AK $6,500 Stone, Hallie L. Washington, DC $5,500 For a Fellowship in the Folk & Nolte, Penelope R. Bloomington, IN $6,200 Potsdam, NY $6,000 For a Fellowship in the Inter­ Traditional Arts Program For a Fellowship in the Litera­ national Program during the during the 1995 fall session. For a Fellowship in the State ture Program during the 1995 1995 summer session. and Regional Program during spring session. Maxwell, Eileen the 1995 spring session. Wunderlich, Mark Washington, DC $5,500 Thompson, Janel Brooklyn, NY $5,850 Oster, Andrea L. For a Fellowship in the Fairbanks, AK $7,000 Reston, VA $5,500 For a Fellowship in the Litera­ Office of the Congressional For a Fellowship in the Chal­ ture Program during the 1995 Liaison during the 1995 For a Fellowship in the Arts in lenge and Advancement spring session. spring season. Education Program during the Program during the 1995 1995 spring session. spring session.

178

179 anels are composed of artists, arts administrators, patrons and at least one layperson who does not work for an arts organization. Panels are also composed to reflect the aesthetic, geographic and ethnic diversity of America. They meet at the Endowment’s headquarters throughout the year to consider all applications and make recommendations to the National Council on the Arts. Panel meetings usually last several days so that a thorough review of all applications may take place.

Conflict of Interest In order to avoid even the appearance of any conflict of interest, no individual may serve on a panel that would consider his or her organization’s application. The Endowment employs split panels in some cases, so that individuals affiliated with organizations may serve on panels which do not consider their organization’s application. Where split panels are used, each of the separate panels is listed individually as Panel A, Panel B, etc.

After each panel meets, its recommendations are forwarded to the National Councilon the Arts for their consideration at one of their quarterly meetings. The Council may approve or reject those recommended applications. All of the approved applications are then forwarded to the Chairman who makes the final decision on which grants are awarded. D A N C E P A N E L S

Richard Pilkinton Kirk Peterson Dance Company Grants Dance Company Grants (Layperson) Artistic Director (Panel A) (Panel B) Vice President Hartford Ballet General Construction Hartford, CT Charon Battles Salvatore Aiello Washington, DC Leonard Plavin (Layperson) Program Officer Artistic Director David Rousseve President Pennsylvania Council North Carolina Dance Theater Artistic Director on the Arts Charlotte, NC New England David Rousseve Reality Furniture Company Harrisburg, PA New York, NY Charon Battles Lewiston, ME Jean Pierre Bonnefoux Program Officer Laurie Uprichard Sukanya Rahman Chair, Ballet Department Pennsyh,ania Council on the Arts Director Indiana University Harrisburg, PA Dancer/Choreographer Dancespace Project Orr’s Island, ME Bloomington, IN New York, NY Jean Pierre Bonnefoux Septime Webre Suzanne Carbonneau Chair, Ballet Department Sarah Wimer Writer/Historian Indiana University Artistic Director Staff Administrator American Repertory Ballet Chevy Chase, MD Bloomington, IN Center for Asian Studies New Brunswick, NJ Suzanne Carbonneau University of Texas Susan Fait-Meyers Austin, TX Program Director Writer/Historian National Dance Chevy Chase, MD Lila G. York Services to the Field Residency Program Director, PNB Offstage New York, NY Matt Krashan Pacific Northwest Ballet Pooh Kaye Director, Meany Hall Seattle, WA Artistic Director Barry Glass University of Washington Eccentric Motions Artistic Director Seattle, WA New York, NY AMAN Folk Ensemble Cynthia Mayeda (Chair) Choreographers Los Angeles, CA Fellowships, Round II Alonzo King Chair Artistic Director Matt Krashan Dayton Hudson Foundation Lines Dance Company Director, Meany Hall Minneapolis, MN Suzanne Carbonneau San Francisco, CA 180 Writer/Historian University of Washington Frank Wicks (Layperson) Seattle, WA Chevy Chase, MD Kari Margolis Educator Co-Artistic Director 181 jo Long Orr’s Island, ME Douglas Dunn (Chair) Adaptors, Inc. Director Artistic Director Minneapolis, MN Carver Community Rio Grande Union Cultural Center Choreographers New York, NY Arnecia Patterson (Chair) Fellowships, Round I San Antonio, TX Joe Goode Managing Director Dayton Contemporary Cynthia Mayeda (Chair) Remy Charlip Artistic Director Joe Goode Dance Company Chair Choreographer Dayton, OH Dayton Hudson Foundation San Francisco, CA Performance Group Minneapolis, MN San Francisco, CA Kirk Paterson Rita Felciano Pat Graney Artistic Director Stephen Petronio Writer Hartford Ballet San Francisco, CA Artistic Director Artistic Director Pat Graney and Dancers Hartford, CT Stephen Petronio Seattle, WA Dance Company Ishmael Houston-Jones Naima Prevots Choreographer New York, NY Chair, Dance Department New York, NY Joan Gray President The American University Gema Sandoval Daniel Lewis Muntu Dance Theatre Washington, DC Artistic Director Chicago, IL Danza Floricanto Dean of Dance Gregory Schank Los Angeles, CA New World School of the Arts Miami, FL Joanna Haigood Theater Manager Artistic Director Hostos Community College Linda Shapiro John McFall Zaccho Dance Theater Performing Arts Center Choreographer Choreographer San Francisco, CA Bronx, NY Minneapolis, MN Miami Beach, FL Chuck Helm Harley Strickland Lowell Smith Dianne Mclntyre (Chair) Director of Performing Arts (Layperson) Principal Dancer Choreographer Wexner Center Clinical Social Worker Dance Theatre of Harlem New York, NY Ohio State University Atlanta, GA New York, NY Columbus, OH Susana di Palma Lisa "l~�lke Frank Wicks (Layperson) Artistic Director Monica Moseley Executive Director Educator Zorongo Flamenco Librarian, Dance Collection Chicago Dance Coalition Orr’s Island, ME Dance Theater New York Public Library Chicago, IL Minneapolis, MN New York, NY D E S I G N P A N E L S

Oscar Fernandez Paul Farmer David Lee Design Initiatives Graphic Designer Deputy Planning Director Architect Moorehead Design Public Safety Building Vice President Columbus, OH Pittsburgh, PA Stull and Lee, Inc. Adrienne Nescott Hirsch Boston, MA Director of Corporate Education Luis Hoyos Lorraine Howes Roosevelt University Associate Architect Head of Apparel Design Laurie M. Makela Chicago, IL CPE + E Architects Rhode Island School Design Director Los Angeles, CA of Design Walker Arts Center Raymond Huff Providence, RI Minneapolis, MN Architect Kedakai Lipton Ray HuffArchitects, P.A. Environmental Designer Maureen C. Jenson Eric Martin Charleston, SC Associate Producer Editor Architect/Multi-Media/Educator James Lipton Productions Avcom Publishing, Ltd. School of Arts, CalArts Linda Norlen New York, NY Woodland Hills, CA Los Angeles, CA Associate Chair Graphic & Packaging Herman Milligan (Layperson) Eric Martin Marion A. McCollam Executive Director Design Department Senior Marketing Analyst Director of Computer Lab Art Center College of Design Norwest Corporation School of Arts Cultural Arts Council of Pasadena, CA Minneapolis, MN Houston/Harris County Los Angeles, CA Houston, TX Alyce Russo Grover Mouton (Chair) Nancy Robins Herman Milligan (Layperson) Director of Planning & Architect Vice President, Production Development Professor of Architecture Senior Marketing Analyst Turner Publishing, Inc. Norwest Corporation Roosevelt Island Tulane University Atlanta, GA Operating Corporation New Orleans, LA Minneapolis, MN Roosevelt Island, NY Paula Scher (Chair) Tim Parsey Grover Mouton (Chair) Graphic Designer Architect Randy Swearer Industrial Designer Pentagram Apple Computer Professor of Architecture Director, Division of Design New York, NY Tulane University University of Texas Cupertino, CA New Orleans, LA Austin, TX Cathrine Sneed Brenda Scheer Director Thomas Nicholson Urban Designer Gail Thomas The Garden Project President Chief Executive Officer Associate Professor San Francisco, CA University of Cincinnati Thomas Nicholson Associates Dallas Institute of New York, NY Humanities & Culture Cincinnati, OH Harry Teague Dallas, TX Elizabeth Schlosser Architect Michael Rock Preservationist Harry Teague Architects Acting Director Elizabeth Schlosser Fine Art Aspen, CO School of Art Project Grants Denver, CO Yale University to Organizations Susan K. Westfall New Haven, CT Julie Silliman Designer Laurie Beckelman Administrative Director Ford Motor Company Jeff Soule Preservationist Los Angeles Forum Dearborn, MI Director Vice President for Architecture Center for Rural Pennsylvania LaSalle Partners Los Angeles, CA Harrisburg, PA New York, NY Overview Harry Teague Architect Deborah Dalton Project Grants Laurie Beckelman Landscape Architecture Professor Harry Teague Architects to Individuals Preservationist Aspen, CO University of Oklahoma Vice President Norman, OK Nathaniel Dickerson LaSalle Partners Sylvia M. Woodard New York, NY Natalie DeBlois (Layperson) Graphic Designer Principal Two Twelve Associates, Inc. Architect New York, NY Austin, TX The Dickerson Group Cobble Hill, NY FOLK & TRADITIONAL ARTS PANELS

Clydia Nahwooksy Judith A. Gray Judith A. Gray National Heritage Native American Specialist Folklife Specialist Folklife Specialist Fellowships Lincoln, NE American Folklife Center American Folklife Center Library of Congress Library of Congress Gage Averill Joseph T. Wilson Washington, DC Washington, DC Executive Director Ethnomusicologist/Educator National Council for Worth Long Worth Long Music Department the Traditional Arts Wesleyan University Folklorist Folklorist Middletown, CT Takoma Park, MD Atlanta, GA Atlanta, GA

Brian Bibby Isabel K.E Wong Judith McCulloh Inta Carpenter Educator/Ethnomusicologist/ Executive Editor & Associate Director Performer/Educator/Curator Administrator Sloughhouse, CA Director of Development Folklore Institute University of Illinois University of Illinois Press Indiana University Champaign, IL Hal Cannon Champaign, IL Bloomington, IN Artistic Director ~,Vestern Folklife Center Clydia Nahwooksy C. Gordon McCann Elko, NV Folk Arts Organizations (Layperson) (Layperson) Native American Specialist Owner/Operator George Holt (Chair) Also review grants for State Lincoln, NE Springfield Blueprint Supply Folklife Consultant Apprenticeships & Under- Springfield, MO Chapel Hill, NC served Set-Aside Olga Nfijera-Ramirez Anthropologist/Educator Judith McCulloh (Chair) University of California, Executive Editor & Worth Long Santa Cruz Folklorist Panel A Director of Development Santa Cruz, CA University of Illinois Press Atlanta, GA Champaign, IL Gage Averill (Chair) Bess Lomax Hawes Beverly Patterson Ethnomusicologist/Educator Beverly Patterson Folk Arts Consultant Folklife Specialist Music Department North Carolina Arts Council Folklife Specialist Arlington, VA Wesleyan University Raleigh, NC North Carolina Arts Council Middletown, CT Raleigh, NC Marsha MacDowell Amy K. Stillman 182 Curator Hal Cannon Assistant Professor of Music Elizabeth E. Peterson Michigan State Artistic Director University of California, University Museum Folk Arts Consultant 183 Western Folklife Center Santa Barbara Catonsville, MD Michigan State University Elko, NV Santa Barbara, CA East Lansing, MI David M. Roche Varick Chittenden C. Gordon McCann Richard Van Kleeck Ethnomusicologist/ Director, Traditional Arts Artistic Director/Producer (Layperson) of Upstate New York Director/Producer Kentucky Center for the Arts Point Richmond, CA Owner/Operator Professor of English Springfield Blueprint Supply Louisville, KY SUNY College Amy K. Stillman Springfield, MO of Technology Canton, NY Assistant Professor of Music Maria-Isabel Miranda Panel B University of California, Folklorist/Educator Gerald L. Davis Santa Barbara California State Folklorist/Educator Gage Averill Santa Barbara, CA University, Northridge Rutgers University Ethnomusicologist/Educator Nancy Sweezy Oxnard, CA New Brunswick, NJ Music Department Wesleyan University Folk Arts Administrator/Manager Kurt Dewhurst Middletown, CT Arlington, MA Director Hector Vega Michigan State Elizabeth A. Dear University Museum Curator Ethnomusicologist/ East Lansing, MI CM Russell Museum Educator/Conductor Great Falls, MT Bayam6n, PR I N T E R N A T I 0 N A L P A N E L S

Olga Garay Carole Ann Klonarides Media Curator U.S./Canada/Mexico Director of Cultural Affairs ArtsLink Collaborative Miami-Dade Projects - Performing Long Beach Museum of Art Creative Artists’ Community College Long Beach, CA Residencies Miami, FL Arts/Literature Michael Mezzatesta Dennis Ferguson Acosta Juana Guzman Richard Bailey Director Executive Director Development Coordinator (Layperson) Duke University Latino Museum of History, Department of CEO/Chairman Museum of Art Art, and Culture Cultural Affairs Bailey Lauerman & Associates Durham, NC Santa Clarita, CA Chicago, IL Lincoln, NE Eugenie Tsai Victor Perera Renee Levine-Packer Roberto Bedoya Director Writer, Educator Dean of Continuing Studies Project Associate Whitney Museum Berkeley, CA Maryland Institute Getty Center at Champion College of Art Santa Monica, CA Stanford, CT Pablo Schugurensky Baltimore, MD (Chair) Martha Coigney M.K. Wegmann Program Manager Victor Perera Director Arts Consultant Washington State Arts Writer, Educator International Theatre MK Arts/Junebug Theater Commission Berkeley, CA Institute New Orleans, LA Seattle, WA New York, NY Fred Wilson Kathleen Davis Fellowships/Residencies Ellis Finger Visual Artist (Layperson) Pre-Screening Panel Director New York, NY Personnel Counselor Performing Arts Center/ United States Lafayette College Information Agency Ella Baff Easton, PA ArtsLink Residencies Washington, DC Artistic Administrator Cal Performances Fran Holden Ben Cameron Berkeley, CA Executive Director Senior Program Officer Colorado State Arts Agency U.S./Canada/Mexico Caroline Beasley-Baker Dayton Hudson Foundation Denver, CO Minneapolis, MN Creative Artists’ Visual Artist Residencies ­ New York, NY Mark Jones Patricio Chavez Host Organizations/ Artistic Director Curator Overview Panel Wallace Chappell Limon Dance Company Centro Cultural del la Raza Director New York, NY San Diego, CA Hancher Auditorium/ James Abbott University of Iowa Amy Lamphere (Layperson) Carol Edelman Iowa City, IA Director (Layperson) Zylstra Communications Wagon Train Project Yankton, SD Partner Annette Carlozzi Lincoln, NE Edelman Naiman Visual Arts Producer Portland, OR Phyllis Brzozowska Cultural Olympiad Executive Director Atlanta, GA CityFolk ArtsLink Collaborative John Moore Dayton, OH Projects ­ Executive Director Lorin Cuoco African Continuum Associate Director Visual Arts/Media Dan Cameron Theater Coalition International Writers Center/ Washington, DC Art Critic Washington University Richard Bailey New York, NY St. Louis, MO (Layperson) Louise Shaw CEO/Chairman Executive Director Kim Chan Pablo Schugurensky Bailey Lauerman & Nexus Contemporary Director of Dance & Program Manager Associates New Performance Lincoln, NE Arts Center Washington State Atlanta, GA Washington Performing Arts Commission Arts Society Seattle, WA William Horrigan Washington, DC Michael Wilkerson Curator of Media Arts Director Baraka Sele Wexner Center Ragdale Foundation Dennis Ferguson Acosta Columbus, OH Director of Performing Arts Lake Forest, IL (Chair) Center for the Arts at Executive Director Yerba Buena Gardens Latino Museum of San Francisco, CA History, Art, and Culture Santa Clarita, CA I N T E R N A T I 0 N A L P A N E L S

Norman Frisch Myra Melford International The Fund for U.S. Artists Performing Arts Consultant Pianist and Composer Projects Initiative at International Festivals Swampscott, MA New York, NY Jeraldyne Blunden Jon Jang Roberto Sierra Jazz Musician and Composer Artistic Director Group A Pianist and Composer Dayton Contemporary Dance San Francisco, CA Cornell University Ithaca, NY Company Lofts Bradley Jo Long Dayton, OH Performance Director Director Dana Tai Soon Burgess Diverse Works Carver Community Director Steve Gong Houston TX General Manager Cultural Center Moving Forward San Antonio, TX Washington, DC Pacific Film Archive James Bau Graves Los Angeles, CA Artistic Director Gayle Maurin Bobbi Tsumagari Portland Performing Arts (Layperson) Independent Producer James Bau Graves Portland, ME Artistic Director Washington, DC New York, NY Portland Performing Arts Ron Himes Portland, ME Sid McQueen Roberta Uno Producing Director Director Artistic Director Kitty Green St. Louis Black Repertory International Arts Association New World Theater (Layperson) Company Atlanta, GA Amherst, MA St. Louis, MO Owner Joan Tower Gullah Enterprises Arnecia Patterson St. Helena Island, SC Professor of Music Group D Managing Director Bard College Juana Guzman Dayton Contemporary Annandale-on-Hudson, NY Joan Meyers Brown Dance Company Development Coordinator Dayton, OH Executive Director Department of Philadelphia Dance Company Cultural Affairs Rufus Reid Group C Philadelphia, PA Chicago, IL Jazz Bassist and Educator Dwight Douglas Andrews Mallory Digges 184 Jeff Hooper Teaneck, NJ Musician, Professor (Layperson) Producing Director Baraka Sele Emory University Owner of residential Mad River Theater Works Atlanta, GA construction company 185 West Liberty, OH Director of Performing Arts Waltham, MA Center for the Arts Caron Atlas Susana Torruella Leval Yerba Buena Gardens San Francisco, CA Development Director Mar& Ehrlich Executive Director Appalshop Composer/Jazz Musician Museo del Barrio Margaret Leng Tan Whitesburg, KY New York, NY New York, NY Pianist Martin Bresnick Brooklyn, NY Gustavo Matamoros Cleo Parker Robinson Professor and Composer Composer/Sound Artist Artistic Director Yale University Miami, FL New Dance Theater School of Music Denver, CO Group B New Haven, CT Roman Paska Director and Performer Ned Rifkin (Chair) Martin Bresnick Mary Farrell (Layperson) New York, NY Director Professor and Composer Hospital Administrator High Museum of Art Yale University Massachusetts Kay George Roberts Atlanta, GA School of Music General Hospital Conductor and Professor of Music New Haven, CT Boston, MA Cambridge, MA Andrea Wagner Managing Director Suzanne Carbonneau Ellis Finger San San Wong On the Boards Dance Historian & Critic Director Development Director Seattle, WA Chevy Chase, MD Performing Arts Center/ Theater Artaud Lafayette College San Francisco, CA Robert Wisdom Kim Chan Easton, PA Actor Director of Dance & Los Angeles, CA New Performance Leana Flowers Washington Performing (Layperson) Kelvin Yazzie Arts Society Senior l~ce President I~sual Artist Washington, DC Shorebank Corporation Flagstaff, AZ Chicago, IL Dudley Cocke Director Roadside Theater Whitesburg, KY L I T E R A T U R E P A N E L S

Michael F, Hunt Translators Program Administrator Creative Writing Prose for Music, Dance Fellowships Panels & Literature Sherman Alexie John Balaban (Chair) Missouri Arts Council Writer, Poet Writer, Translator St. Louis, MO Spokane, WA Professor Poetry University of Miami Karen Kennerly Coral Gables, FL Katherine Dunn Editor, Writer Agha Shahid Ali Writer, Essayist, Journalist Executive Director Thomas Christensen Poet, Translator Portland, OR PEN American Center Assistant Professor of English Translator, Book Critic, Consultant New York, NY University of Massachusetts Percival Everett Editor-in-Chief Amherst, MA Writer Mercury House E. Ethelbert Miller Richmond, CA Chair, Creative Writing Poet, Editor John Ashbery Department Director Nina Kossman Poet, Playwright, Essayist, University of African American Translator, Professor California, Riverside Translator, Educator, Poet Resource Center Bard College Riverside, CA Greenpoint, NY Howard University New York, NY Washington, DC Kaye Gibbons (Co-Chair) Julia Lin Jorie Graham Writer Translator, Essayist Catharine Scheibner Poet, Translator Raleigh, NC Professor of English (Layperson) Professor Ohio University Fundraising Consultant, University of Iowa Ray Gonzalez Athens, OH ~Vriter, Editor, Poet Attorney Writers Workshop Monument, CO Iowa City, IA San Antonio, TX Ellen Watson Translator, Poet Kelleen Zubick Karyl Kyle (Layperson) Cynthia Kadohata Conway, MA [Vriter Poet Boulder, CO Executive Director Los Angeles, CA Gerhild Williams Writers’ Conferences Susan Mitchell (Layperson) and Festivals Poet, Editor, Translator, Essayist Tracy Kidder (Co-Chair) Associate Provost Denver, CO Mary Blossom Lee Professor Writer, Editor Professor of German & of Creative Writing Williamsburg, MA Comparative Literatures Florida Atlantic University Washington University Boca Raton, FL St. Louis, MO Assistance to Alison Lurie Literary Magazines Writer, Essayist, Editor Robert Pinsky (Co-Chair) Professor of English Poet, Translator, Editor Cornell University Audience Development Laura Furman (Chair) Professor Ithaca, NY Fiction Writer, Essayist, Editor Boston University Roberto Bedoya Associate Professor Boston, MA Lorrie Moore Poet, Playwright, University of Texas Writer, Editor, Essayist Literary Curator Austin, TX Luis Rodriguez Professor of English Project Associate Poet, Essayist University of Wisconsin Getty Center for Douglas Messerli Publisher Madison, WI the History of the Arts Poet, Playwright, Tia Chucha Press & the Humanities Editor, Educator Chicago, IL Bob Shacochis Los Angeles, CA Publisher Writer, Essayist, Educator Sun & Moon Press Susan Tichy Tallahassee, FL Jean d’Amico Los Angeles, CA Poet, Essayist Director Assistant Professor Billy Shore (Layperson) River Oak Reading Series Mary Oliver George Mason University Founder, Executive Director Oak Park, IL Poet Fairfax, VA Share Our Strength Bannister Writer Washington, DC Charles Harris (Chair) in Residence Al Young (Co-Chair) Critic, Essayist Sweet Briar College Poet, Editor, Screenwriter, Christopher Tilghman Director, Unit for Provincetown, MA Essayist, Fiction Writer Writer Contemporary Literature Palo Alto, CA Harvard, MA Professor of English Illinois State University Bloomington, IL L I T E R A T U R E P A N E L

John Taylor Williams Peggy Barber (Layperson) Professional Development Professional Development Associate Executive Director Local Arts Trustee, Attorney 1994 1995 American Library Association Partner Chicago, IL Palmer & Dodge Boston, MA David Bradley (Co-Chair) Peggy Barber Lee Briccetti Novelist, Essayist, Screenwriter Associate Executive Director Poet, Educator Shawn Wong Professor of English American Library Association Executive Director Fiction Writer, Editor Temple University Chicago, IL Poet’s House Philadelphia, PA Associate Professor of New York, NY American Ethnic Studies Lee Briccetti Lee Briccetti University of Washington Poet, Educator Judith Doyle Poet, Educator Seattle, WA Executive Director Co-Director Executive Director Poet’s House Poet’s House Curbstone Press H. Edward Young, Jr. New York, NY Willimantic, CT Consultant New York, NY Associate Publisher Judith Doyle Lisa Domitrovich Kaye Gibbons The Source Co-Director Fiction Writer Executive Director Curbstone Press New York, NY Raleigh, NC Small Press Distribution Willimantic, CT San Francisco, CA Kaye Gibbons Billy Shore Small Press Assistance/ Mark Jarman (Chair & Layperson) Distribution Projects Fiction Writer Executive Director Poet, Essayist, Librettist Raleigh, NC Share Our Strength Professor of English Washington, DC Carolyn Forch6 (Chair) Vanderbilt University Billy Shore Poet, Editor Nashville, TN (Chair & Layperson) Ira Silverberg Professor of English Executive Director George Mason University Dennis Maloney Editor, Publicist Share Our Strength Associate Publisher Rockville, MD Poet, Translator Washington, DC Publisher & Editor Serpent’s Tail New York, NY Thomas Keneally White Pine Press Josie Talamantez Fiction Writer, Screenwriter Fredonia, NY Multieultural Arts Development Josie Talamantez 186 Distinguished Professor Program Manager of English & Diane Peavey California Arts Council Multicultural Arts Development Program Manager Comparative Literature Journalist, Literary Sacramento, CA 187 University of California, Irvine Services Director California Arts Council Irvine, CA Idaho Commission Michael Wart Sacramento, CA on the Arts Poet, Educator Michael Wart Winter Prosapio Boise, ID Executive Director (Layperson) Poet, Educator The Guild Complex Executive Director Executive Director Winter Prosapio Chicago, IL San Antonians Against (Co-Chair) The Guild Complex Lawsuit Abuse Executive Director H. Edward Young, Jr. Chicago, IL San Antonio, TX San Antonians Against Consultant Paul Yamazaki Lawsuit Abuse Associate Publisher Shannon Ravenel San Antonio, TX Buyer, City Lights Bookstore The Source I/ice Chairman, Board Editorial Director ~Summit, NJ Algonquin Books Peter Stitt of Directors of Chapel Hill Editor Council of Literary Chapel Hill, NC The Gettysburg Review Overview Magazines & Presses Professor of English San Francisco, CA Ira Silverberg Gettysburg College John Balaban H. Edward Young, Jr. Editor, Publicist Gettysburg, PA Associate Publisher Writer, Translator Consultant Serpent’s Tail Professor Associate Publisher New York, NY University of Miami The Source Coral Gables, FL Summit, NJ M E D I A A R T S P A N E L S

Richard Peterson David Ross Victor Nunez Artistic Director Director Independent Filmmaker American Film Institute USA Film Festival Whitney Museum Tallahassee, FL Dallas, TX of American Art Dee Davis New York, NY John Pierson Media Services Director Anthea Raymond Producer’s Representative Appalshop, Inc. (Layperson) New York, NY Whitesburg, KY Attorney/Business Consultant Narrative New York, NY Barbara Scharres Sally Jo Fifer Pre-Screening Director, Film Center Executive Director School of the Art Morrie Warshawski (Chair) Janna Gelfand Bay Area Video Coalition Media Arts Consultant Institute of Chicago San Francisco, CA Vice President Chicago, IL St. Louis, MO Port Townsend Anthony Gittens Film Company Director Port Townsend, WA The Arts on Television/ The Black Film Institute Film/Video Production University of the District Caroline Kaplan Millennium Projects of Columbia Assistant Director of Washington, DC Programming and Production Lynne Dundon (Layperson) Documentary BRAVO Cable Network Corporate Trainer John Roche (Layperson) Pre-Screening New York, NY Stone Mountain, GA President David Liu Charles Hobson Business Research Publications Patricia Boero New York, NY Director of Programming Film/Television Producer Media Program Officer & Production Vanguard Films George Schaefer (Chair) The John D. and Catherine T. Independent Television New York, NY MacArthur Foundation Service Theater/Film/Television Director Chicago, IL Los Angeles, CA St. Paul, MN Lloyd Kaiser Former President Dan Ladley QED Communications, Inc. Film/Video Curator Oakmont, PA Media Arts Centers/ Mary Riepma Ross Final Review Panel National Services Film Theater Davia Nelson Lincoln, NE Orlando Bagwell Executive Vice President and Feature Film Casting Vera Davis Director/Writer Independent Film and Marc Weiss Director of Documentary Documentary Radio Video Maker Co-Executive Producer Production Blackside, Inc. Producer/Sound Artist Sarasota, FL "P.O.V. (Point of View)" San Francisco, CA New York, NY Boston, MA Leasa Farrar-Frazer Christopher Sarson Gail Blackwell (Layperson) Education Specialist/ Television Producer Film Programmer Experimental Psychologist Baltimore, MD President, Blue Penguin National Museum Pre-Screening Productions of African Art Kathy Geritz Boulder, CO Washington, DC Claire Aguilar Assistant Curator for Film Joan Shigekawa William Nichols Manager for Broadcast Pacific Film Archive Programming Berkeley, CA Associate Director of Arts Professor of Cinema Studies KCET-TV and Humanities San Francisco State University Rockefeller Foundation Santa Cruz, CA Los Angeles, CA Geoff Gilmore (Chair) Director New York, NY Richard Herskowitz Margie Nicholson Film Festival Programming Director Sterling Van Wagenen Consultant & Special Projects Virginia Festival Sundance Film Festival (Chair) John D. and Catherine T. of American Film Salt Lake City, UT Independent Film and MacArthur Foundation Charlottesville, VA Television Producer Chicago, IL Salt Lake City, UT M E D I A A R T S P A N E L S

Kevin Singer (Chair) Maria Emilia Martin The Arts on Radio Independent Producer Senior Producer Film Preservation Executive Director National Latino Radio Project John Clark Association of Independents Austin, TX Joseph Grillo (Chair) Station Manager, WDA V-FM in Radio (A.I.R) Commerce, WX Clinical Psychologist Davidson College Gregory Rikor (Layperson) Culver City, CA Davidson, NC Director Edith B. Smith Advanced Consumer Madison D. Lacy Marsha Rose Joyner Consultant Technology Former General Manager, Independent Filmmaker President and Executive Producer Microsoft Corporation New York, NY Hawaiian National WDCU-FM Redmond, WA Broadcast Corporation University of the District Richard Mills (Layperson) Honolulu, HI of Columbia Njemile Rollins Washington, DC Business Consultant Independent Producer Vienna, VA Geri Pizzi Baltimore, MD Radio Producer/Reporter Karen Sheldon Overland Park, KS Radio/Audio Art Projects Andrew Tolan Independent Producer Director of Public Services Northeast Historic Film Joan Rabinowitz Diane Y. Green Tucson, AZ Bucksport, ME Executive Producer Education Director Jack Straw Productions Carver Center Milos Stehlik Seattle, WA San Antonio, TX Co-Director Facets Multimedia Anthea Raymond Reggie Hicks Chicago, IL (Layperson) Independent Producer Attorney/Business Consultant Former General Manager, New York, NY WCLK-FM Atlanta, GA

188

189 M U S E U M P A N E L S

Alan Chong Associate Curator of Paintings Special Exhibitions Panel B Utilization of Museum Cleveland Museum of Art Resources: Education, Cleveland, OH Nancy J. Blomherg Presentation of Panel A Curator of Native Art Collections, and Douglas Dreishpoon Denver Art Museum Catalogue Curator of Contemporary Art Philip Brookman Denver, CO Tampa Museum of Art Tampa, FL Curator of Photography Doreen Bolger & Media Arts Director Panel A Barnet Fain (Layperson) Corcoran Gallery of Art Museum of Art Washington, DC Chief Executive Officer Rhode Island School Lucinda Barnes Carpet Giant & of Design Curator of Modern & Fain’s Carpet Centers Cheryl Brutvan Providence, RI Curator Contemporary Art Barrington, RI Allen Memorial Albright-Knox Art Gallery Amada Cruz Buffalo, NY Art Museum Edward Lind Manilow Curator of Exhibitions Oberlin College Director of Education Museum of Ron Chew Oberlin, OH Albany Institute of Contemporary Art History & Art Director Chicago, IL Wing Luke Asian Museum Claudine Brown Albany, NY Seattle, WA Deputy Secretary for Jeff Fleming the Arts & Humanities Susan Rossen Peter Doroshenko Curator Smithsonian Institution Executive Director Southeastern Center for VCashington, DC of Publications Former Engelhard Curator Contemporary Art Contemporary Arts Museum Art Institute of Chicago Winston-Salem, NC David Ebitz Houston, TX Chicago, IL Director Jay McKean Fisher Wylie Ferguson III John and Mable Ringling Beth Schneider (Chair) (Layperson) Curator of Prints, Drawings Museum of Art Education Director & Photographs Teacher Sarasota, FL Museum of Fine Arts Baltimore Museum of Art Houston, TX Walnut Hills High School Baltimore, MD Cincinnati, OH Kathryn Johnson (Chair) Chairman, Education Division Diana Strazdes Karin Higa Mary Nooter Roberts Minneapolis Institute of Arts Curator of American Art Curator of Art Consulting Curator Minneapolis, MN Stanford University Japanese American Museum of Art Museum for African Art National Museum New York, NY Robin Martin (Layperson) Stanford, CA Los Angeles, CA President & Allen Rosenbaum (Chair) Chief Executive Officer Roslyn Walker Adrienne Lash Jones The Deer River Group Director (Layperson) Curator The Art Museum Washington, DC National Museum Princeton University Associate Professor & Chair of African Art Princeton, NJ Department of Betsy Quintana Washington, DC African-American Studies Visual Arts Programmer Oberlin College Utah Arts Council Paul Schimmel Oberlin, OH Chief Curator Salt Lake City, UT Care of Collections: Museum of Contemporary Art Jock Reynolds (Chair) Conservation & Collection Los Angeles, CA Kevin Smith Director Curator of Education Maintenance Addison Gallery of Thomas Gilcrease Institute Carol Troyen American Art Associate Curator of of American History & Art Phillips Academy Tulsa, OK American Paintings Andover, MA Panel A Museum of Fine Arts Sonnet Takahisa Boston, MA Gary Tinterow Joanne Carter Assistant Director for School, (Layperson) Engelhard Curator of Youth & Family Programs Olga M. Viso European Paintings Pupil Personnel Services Secretary Assistant Curator for The Brooklyn Museum in Charge of Admissions (Ret.) Metropolitan Museum of Art Brooklyn, NY Contemporary Art New York, NY High School of Telecommu­ Norton Gallery of Art nication Arts & Technology West Palm Beach, FL Townsend Wolfe Sag Harbor, NY Director & Chief Curator Panel B Arkansas Arts Center Susan Danly Little Rock, AR Margaret Archuleta Curator of American Art Curator of Fine Art Mead Art Museum Heard Museum Amherst College Phoenix, AZ Amherst, MA M U S E U M P A N E L S

David Findley Michelle Scalera Kathleen Sherrerd Chief Conservator Chief Conservator (Layperson) Overview North Carolina Museum of Art John and Mable Ringling Vice Chairman, Board of Trustees Raleigh, NC Museum of Art Philadelphia Museum of Art Richard Andrews Sarasota, FL Philadelphia, PA Director Barbara Heller (Chair) Henry Art Gallery Head Conservator Michael Shapiro University of Washington Detroit Institute of Arts Former Director Panel B Seattle, WA Detroit, MI Los Angeles County Museum of Art James Ballinger Robert Bergman Michael Komanecky Los Angeles, CA Director & Chief Curator Director Curator Phoenix Art Museum Cleveland Museum of Art Phoenix Art Museum Edward Zapanta (Layperson) Phoenix, AZ Cleveland, OH Phoenix, AZ Neurosurgeon Pasadena, CA Steven Biltekoff (Layperson) Patricia Cruz Elizabeth Lunning Vice President/Treasurer (Ret.) Deputy Director of Programs Paper Conservator Bison Foods Company Studio Museum in Harlem The Menil Collection Professional Buffalo, NY New York, NY Houston, TX Development: Museum David de la Torre Vishakha Desai Judy Ozone Training & Fellowships for Associate Director Director Object Conservator Museum Professionals Honolulu Academy of Arts The Asia Society Galleries National Gallery of Art Honolulu, HI New York, NY Washington, DC Panel A Vishakha Desai Anne Focke John Twilley Director Art Consultant Senior Research Chemist Jan Krulick (Chair) Asia Society Galleries Seattle, WA Los Angeles County Curator of Education New York, NY Museum of Art Phoenix Art Museum Anne Hawley Los Angeles, CA Phoenix, AZ Katharine Lee Director Director Isabella Stewart Gardner James Mundy Virginia Museum of Hne Arts Museum 190 Panel B Director Richmond, VA Boston, MA Frances Lehman Loeb Ronni Baer Art Center Fay Chew Matsuda David Levy 191 Curator of European Art Vassar College Executive Director President & Director High Musemn of Art Poughkeepsie, NY Chinatown History Museum Corcoran Gallery of Art Atlanta, GA New York, NY Washington, DC Peter Nisbet Emily Dyer Curator Ned Rifkin Evan Maurer Assistant Director for Busch-Reisinger Museum Director Director Collection Management Harvard University High Museum of Art Minneapolis Institute U.S. Holocaust Cambridge, MA Atlanta, GA of Arts Memorial Museum Minneapolis, MN Washington, DC Christina Orr-Cahall A. Bret Walker (Chair) Director Director Ned Rifkin Mary Ellen Goeke Norton Gallery of Art Indianapolis Museum of Art Director Head of Exhibitions West Palm Beach, FL Indianapolis, IN High Museum of Art & Registration Atlanta, GA Cincinnati Art Museum Eduardo Pineda Sylvia Williams Cincinnati, OH Coordinator of Youth & Director Donald Russell School Programs National Museum of Afi’ican Art (Layperson) James A. Moisson (Chair) San Francisco Museum Washington, DC Former Executive Director Administrator for Operations of Modern Art Washington Project Harvard University San Francisco, CA Inez Wolins for the Arts Art Museums Director Washington, DC Cambridge, MA Gwendolyn Robinson Wichita Art Museum Executive Director Wichita, KS Linda B. Shearer Charles G. Patterson DuSable Museum of Director Conservator African American History Williams College Denver Art Museum Chicago, IL Museum of Art Denver, CO Williamstown, MA V I S U A L A R T S P A N E L S

Barbara Goldstein (Chair) Heidi Kumao Visual Artists Artists Communities Public Art Manager Visual Artist Organizations Seattle Arts Commission Faculty Jerri Allyn Seattle, WA Syracuse University Syracuse, NY Albert Chong Visual Artist Director Mags Harries Visual Artist and Faculty Visual Artist Jill Medvedow (Chair) University of Colorado Education and Public Programs Bronx Museum of the Arts Faculty Deputy Director for Programs Boulder, CO School of the Museum Curator of Contemporary Art New York, NY of Fine Arts/Boston Isabella Stewart Gardner Kate HorsfieId Museum Michael Collier Cambridge, MA Curator Boston, MA Video Producer and Poet, Arts Administrator Associate Professor of English Joe Lewis Executive Director Visual Artist Walter Parsons (Layperson) Video Data Bank University of Maryland Catonsville, MD Faculty Chief Operating Officer Chicago, IL California Institute KCTS Television John Dodson (Chair) of the Arts Seattle, WA Betty Klausner Administrator (Laypersou) Conductor Department of Scott Rankin Trustee Music Director Cultural Affairs Visual Artist San Francisco Art Institute Bryan Symphony Orchestra Faculty Cookville, TN Los Angeles, CA San Francisco, CA Illinois State University/ Steven Oliver Normal Joe Goode Katy Kline (Layperson) Chicago, IL Curator Choreographer President Director Artistic Director Oliver and Company List Visual Arts Center Joe Goode Collector Painting Fellowships Massachusetts Institute Performance Group Berkeley, CA San Francisco, CA of Technology Julie Augur (Layperson) Cambridge, MA Patricia Phillips David Ishii (Layperson) Collector Critic Aspen, CO Bing Lee Owner Curator David Ishii Bookseller Visual Artist Chair of the Art Department Rodney Carswell Program Coordinator Seattle, WA State University of New York Visual Artist School of Visual Arts New Paltz, NY New York, NY Ree Schonlau Faculty Arts Administrator University of Illinois/Chicago Alfred Quiroz Oak Park, IL Michael Marinez Curator Visual Artist Executive Director Visual Artist Faculty David Diao San Antonio, TX Bemis Center for University of Arizona Visual Artist Contemporary Arts Tucson, AZ Judy Moran (Chair) Omaha, NE Faculty Independent Study Program Visual Artist and Ernest Whiteman Dr. Chen Yi Whitney Museum of fieelance art consultant Visual Artist Composer/Musician/ American Art San Francisco, CA Community Programs New York, NY Ethnomusicologist Coordinator Composer-in-Residence Julyen Norman Walker Art Center Denzil Hurley V~sual Artist The Women’s Philharmonic St. Paul, MN San Francisco, CA Visual Artist V~sual Arts Coordinator Faculty Mid Atlantic Arts Foundation University of Washington Baltimore, MD Visual Artists Other Genres Fellowships Seattle, WA Paula Owen Public Projects Suzanne Bloom Hung Liu Executive Director Visual Artist Visual Artist Hand Workshop - Virginia Lisa Corrin Faculty Faculty Center for Crafts Arts Curator University of Houston Richmond, VA Mills College Educator Houston, TX Oakland, CA The Contemporary Mason Riddle Baltimore, MD Edgar Heap Of Birds Sylvia Plimack Mangold Art Critic and Curator Visual Artist Visual Artist St. Paul, MN Tom Finkelpearl Faculty Washingtonville, NY Visual Artist University of Oklahoma Buzz Spector Curator Norman, OK Terri Sultan (Chair) Visual Artist and Faculty Director University of Illinois Curator of Contemporary Art Percent for Art Program Corcoran Gallery of Art Champaign, IL City of New York Department Washington, DC of Cultural Affairs New York, NY V I S U A L A R T S P A N E L S

Ree Schonlau Anne Focke (Co-Chair) Works on Paper Overview Executive Director Art Consultant Fellowships Bemis Center for Seattle, WA Gregory Amenoff Contemporary Arts Rupert Garcia Visual Artist Omaha, NE Judith Rirshner New York, NY Director Visual Artist CesarTrasobares Faculty School of Art and Design Nayland Blake VisualArtist University of Illinois San Jose State University Art Consultant Oakland, CA Visual Artist Chicago, IL San Francisco, CA Miami, FL Eddie Granderson David Levy Tom Borrup Nadine Francis West Director and President Visual A rtist (Layperson) Curator Executive Director Corcoran Gallery of Art Director Intermedia Arts Minnesota Executive Assistant to the Mayor Washington, DC Hartford, CT City Gallery East/Bureau Minneapolis, MN of Cultural Affairs Fay Chew Matsuda Atlanta, GA Anne Focke (Chair) Executive Director Art Consultant Museum and Visual Arts Chinatown History Museum Susan King (Chair) Seattle, WA Planning New York, NY Visual Artist Advisory Panel Evan Maurer Proprietor Glenn Harper Director Paradise Press Editor Gregory Amenoff Los Angeles, CA Art Papers Minneapolis Institute of Arts Visual Artist Minneapolis, MN Atlanta, GA New York, NY Richard Shack Ned Rifkin (Co-Chair) (Layperson) Judith Kirshner Nayland Blake Collector Director Director Visual Artist High Museum of Art Miami, FL School of Art and Design San Francisco, CA University of Illinois Atlanta, GA Patricia Watldnson Chicago, IL Tom Borrup Linda Shearer Curator William Larson Executive Director Director Director Intermedia Arts Minnesota 192 Visual Artist Williams College Museum of Art Minneapolis, MN Washington State University Faculty Museum of Art Williamstown, MA 193 Pullman, WA Maryland Institute Vishakha Desai College of Art/Baltimore Collegeville, PA Director Nadine Francis West The Asia Society Galleries (Layperson) New York, NY Executive Assistant to the Mayor Hartford, CT M U S I C P A N E L S

David Lang Ronald Myers (Layperson) Fellowships Composer/Founder Music Festivals Minister and Physician Bang on a Can Belzoni, MS Middlebury, VT Mark D. Malkovich, IV Director of Marketing Composers Joan Tower & Development Chamber Ensembles Composer Newport Music Festival Dwight D. Andrews Asher Edelman Professor Portsmouth, RI Maria Coldwell (Co-Chair) of Music Flutist Composer Bard College Ronald Myers (Layperson) Executive Director Assistant Professor of Music New York, NY Minister and Physician Early Music Guild of Seattle Theory &Jazz History Belzoni, MS Seattle, WA Emory University Atlanta, GA Jazz Frederick Noonan Julian Dixon (Layperson) Computer Manager Shih-Hui Chen Associate Director of * Also served on Prescreening Programming Boston Communications Composer session Lincoln Center for Group Malden, MA the Performing Arts Malden, MA Mili Bermejo New York, NY Janice Giteck Vocalist/Composer Rick George Composer-in-Residence Assistant Professor, Sarah Rothenberg Clarinetist Music in Motion Voice Department Pianist Director of Grant Programs Kirkland, WA Berklee College of Music Artistic Director Georgia Council Cambridge, MA Da Camera for the Arts Eleanor Hovda (Co-Chair) Houston, TX Atlanta, GA Composer Terri Lyne Carrington St. Paul, MN (Co-Chair)* Jacqueline M. Taylor Daniel Heifet~ Drummer/Composer (Co-Chair) Concert I/iolinist Ingram D. Marshall Glendale, CA Executive Director Ellicott City, MD Composer Chamber Music Society of Hamden, CT John Coles Lincoln Center Mary Lou Humphrey New York, NY Senior Promotion Manager Cindy McTee Trumpeter/ Flugelhorn Player G. Schirmer, Inc. Composer Philadelphia, PA William Vickery (Co-Chair) New York, NY Associate Professor of Executive Director Afusic Composition Lola Pedrini (Layperson) Florida Philharmonic Kathy Judd (Co-Chair) University of North Texas President of the Board Orchestra Executive &Artistic Director Denton, TX Earshot Jazz Ft. Lauderdale, FL Music at Gretna Seattle, WA Las Vegas, NV Timothy Savinar (Layperson) Kenny Rogers Jazz Special Projects/ Jeffrey Mumford Real Estate Manager Saxophonist/Flutist/ Composer San Francisco, CA Clarinetist/Composer Services to the Field Washington, DC Instructor Robert Sierra Nasar Abadey Vincent Wagner (Co-Chair) Jazzmobile Drummer/Composer Composer Workshop Program Music Director Composition Educator New York, NY Washington, DC Maverick Concerts Cornell University New York, NY Ithaca, NY Dennis Tini (Co-Chair)* Judy Carmichael (Co-Chair) Pianist/Conductor Jazz Pianist Sag Harbor, NY Chairman, Department of Music Jazz Ensembles Composers Pre- Wayne State University Eric Gould (Co-Chair) Screening Panelists Farmington Hills, MI Jazz Pianist/Composer Carol Britto Shaker Heights, OH Jazz Pianist Daniel Asia Herbert Wong New York, NY Composer Jazz Writer/Historian Hugh "Rusty" Hassan Co-Music Director Palo Alto, CA Geraldine De Haas Musical Elements Radio Producer/Host "Jazz Sunday" ­ Jazz Singer, Producer/Director Tucson, AZ WDCU-FM Radio Chicago, IL Jazz Pre-screening Washington, DC Michael Daugherty Art Hoyle Composer Andrew White Mark D. Malkovich Jazz Trumpeter Associate Professor Saxophonist/Composer/ Director of Marketing & Gary, IN of Composition Music Publisher Development University of Michigan Washington, DC Newport Music Festival Ann Arbor, MI Portsmouth, RI M U S I C P A N E L S

Theresa Jenoure Maureen Ragan (Layperson) Don Roth (Co-Chair) Jazz Composer/Performer Attorney President Music Professional Curator Lyme, NH Oregon Symphony Augusta Savage Art Gallery Portland, OR Training/Career Amherst, MA Conrad Susa Development Composer Rita Souweine Joe LaBarbara San Francisco, CA Past Chair Susan Allen Jazz Dru~nmer Maryland Arts Council Harpist Reseda, CA Bowie, MD Associate Dean of Music Orchestras California Institute of the Arts Wendell Logan (Co-Chair) Los Angeles, CA Composer, Saxophonist Composer in Residence/ Wayne S. Brown (Co-Chair) Margo Garrett Chairman, Department Executive Director Composers Overview of Jazz Studies Pianist, Vocal Coach Louisville Orchestra Chair in Accompanying Oberlin Conservatory Louisville, KY Oberlin, OH Chen Yi and Coaching Composer/Holinist Hung-Kuan Chen University of Minnesota Wanda Macon (Layperson) San Francisco, CA Minneapolis, MN Pianist Assistant Professor of English Auburndale, MI Jackson State University George Cisneros Kenneth Keeling Composer/Computer Consultant Jackson, MS Richard M. Dyer Clarinetist San Antonio, TX Head, Music Department Kenny Rogers (Co-Chair) Music Critic University of Tennessee Boston Globe Nancy Clarke Knoxville, TN Saxophonist, Composer Cambridge, MA Musical Director Executive Director American Music Center Jean Kellogg New Hope Ensemble Shirley Furry New York, NY Verona, NJ Pianist Executive Director Dean, Levine School West Virginia Symphony Anthony Davis Charleston, ’~W of Music Choruses Composer Washington, DC New York, NY Gary L. Good Holly Sargent Marian Dolan (Co-Chair) Orchestra Consultant Jacob Druckman (Chair) (Layperson, Co-Chair) 194 Choral Conductor/Founder Fox Point, WI Composer Associate Dean for Yale University Professor of Composition External Affairs 195 Summer Chorus Ara Guzelimian Yale University John E Kennedy School Haverford, PA Artistic Administrator Milford, CT of Government Aspen Music Festival Lee Erickson Harvard University & School Laura Kuhn Boston, MA Chorus Director Aspen, CO Musicologist Milwaukee Symphony Assistant Professor Albert K. Webster Orchestra Lydia Kontos of Cultural History (Co-Chair) Milwaukee, WI Executive Director Arizona State University Arts Consultant Elaine Kaufman Cultural Phoenix, AZ New York, NY Josef Knott (Co-Chair) Center/Lucy Moses School Associate Director for Music & Dance Libby Larsen of Choral Activities Sussex, NJ Composer Music Recording Artistic Director Minneapolis, MN of Opera Theater Sheila McClure (Layperson) University of Arizona Financial Consultant Michael Caldwell Belinda Shaw (Layperson) Pianist Tucson, AZ Santa Monica, CA Senior Management Accountant Martin, TN Federal Deposit Insurance Michael Malek Marilyn Rife Corporation Joseph Dash Executive Director Percussionist/Assistant Washington, DC Southwest Arkansas Principal Timpanist Arts & Entertainment Arts Council San Antonio Symphony Consultant Kevin Stalheim New York, NY Hope, AR Orchestra Artistic Director San Antonio, TX William Noll Present Music Jerry Gordon (Co-Chair) Milwaukee, WI Artists Representative Jon Robertson Record Producer Mayfair Artists Conductor & Music Director Augusta Read Thomas Evidence Music, Inc. Conshoshocken, PA Representatives Redlands Symphony Composer Atlanta, GA Orchestra Composition Faculty Janice Johnson (Layperson) Redlands, CA Eastman School of Music Jacqueline Pierce Arts Patron Boston, MA Mezzo-Soprano Laguna Beach, CA Choral Contractor New York, NY M U S I C P A N E L S

Homer Lambrecht Cindy McTee Lydia Kontos Kenny Rogers (Co-Chair) Composer (Co-Chair) (Co-Chair) Director of Recordings Associate Professor of Executive Director Composer/Saxophonist Minnesota Composers Forum Music Composition Elaine Kaufman Cultural Musical Director Lauderdale, MN University of North Texas Center/Lucy Moses School New Hope Ensemble Denton, TX for Music & Dance New York, NY Anne McLean Sussex, NJ Producer Timothy Savinar Sarah Rothenberg Library of Congress (Layperson) Wendell Logan Pianist Music Division Real Estate Manager Composer/Saxophonist Artistic Director Washington, DC San Francisco, CA Chairman, Department Da Camera of Jazz Studies Houston, TX Rim Sloan Robert Sierra Oberlin Conservatory Concert Pianist Composer Oberlin, OH Dmitry Sitkovetsky Lawrence, KS Composition Educator Violist Cornell University Jacqueline Pierce Artistic Director Ithaca, NY Mezzo-Soprano Soloist Seattle International Choral Contractor Music Festival Services to Composers New York, NY Seattle, WA Special Projects Daniel Gawthrop Joseph Polisi Peter Smith Composer/Organist Executive Director Richard M. Dyer Bassoonist Stafford, VA President Grand Rapids Symphony Music Critic The Juilliard School Grand Rapids, MI Janice Giteck Boston Globe New York, NY Composer-in-Residence Caznbridge, MA Chen Yi Music in Motion Composer/Violinist Kirkland, WA Janice Johnson San Francisco, CA (Layperson) Arts Patron Santa Monica, CA OPERA-MUSICAL THEATER PANELS

Ernesto Alorda Michael Ching Robert Orchard Professional Companies Artists Relations Director General Director (Co-Chair) Seattle Opera Association Opera Memphis Managing Director Seattle, WA Memphis, TN American Repertory Theater Gordon Davidson Libby Larsen Cambridge, MA Panel A (Co-Chair) (Co-Chair) Artistic Director Composer Myrna Ruffner Robert Bailey Mark Taper Forum Minneapolis, MN (Co-Chair) General &Artistic Director Los Angeles, CA Executive Director Portland Opera Association Hannibal Peterson Tulsa Opera Pordand, OR Juan Herran, M.D. Composer/Instrumentalist Tulsa, OK (Layperson) Austin, TX Ian D. Campbell (Co-Chair) Chairman of Willie Waters General Director Pulmonary Medicine Deborah Sandier Conductor/Artistic Director San Diego Opera Orlando Regional (Co-Chair) Florida Grand Opera San Diego, CA Medical Center General Director Miami, FL Orlando, FL Opera Festival of Elizabeth Childs New Jersey Maury Yeston Program Associate Ione Princeton, NJ Composer Minnesota State Arts Board Co-Artistic Director New York, NY St. Paul, MN Pauline Oliveros Gertrude Sprenger Foundation Arts Commissioner Janice Mancini Del Sesto Kingston, NY City of Auburn Services to the Field/ (Co-Chair) Auburn, WA General Director Brian Kellow Professional Artist Boston Lyric Opera Managing Editor Charles Strouse Development Boston, MA Opera News Composer New York, NY New York, NY Diane Claussen Rodney E. Hood (Layperson) (Co-Chair) Community Investment Blanche Lewis Ira Weitzman Managing Director Coordinator Executive Director Director of Musical Theater George Street Playhouse NationsBank Opera Factory Lincoln Center Theater New Brunswick, NJ 196 Raleigh, NC Chicago, IL New York, NY Carolyn Ann Coverdale 197 Christopher Keene Jerilee Mace (Layperson) General Director Managing Director Panel B Director, Bu.~iness Unit New York City Opera Des Moines Opera Blue Cross & Blue Shield New York, NY Des Moines, IA Boston, MA John Aler Brian Laczko Mark Weinstein (Co-Chair) Tenor Josephine Emmons Managing Director Executive Director University Park, MD Cultural Programs Manager Tennessee Repertory New York City Opera Irene Antoniu City of Auburn Theatre New York, NY Auburn, WA Nashville, TN President American Opera Society Malcolm Fraser Charles Morey Oak Brook, IL Chairman of Opera Artistic Director New American Works Karen Allen Baxter Cincinnati College ­ Pioneer Theater Company Conservatory Salt Lake City, UT Managing Director Aurora, IN Afro-American Studies/ Tim Sanford Panel A Rites & Reason Theater Alfred Kennedy Associate Artistic Director Providence, RI Executive Director Literary Manager Idris Ackamoor Atlanta Opera Playwrights Horizons Artistic Director Pearl Lattaker Atlanta, GA New York, NY Cultural Odyssey Deputy Attorney General San Francisco, CA State of California Sylvia Olden Lee Los Angeles, CA Ibcal Coach Panel B Susan H. Carlyle Washington, DC (Layperson) Barry Mines Charles Abbott Anesthesiologist Artistic Director Michael Morgan Houston, TX Lime Kiln Arts (Co-Chair) Artistic Director Lexington, VA Maine State Music Theater Resident Conductor Brunswick, ME Oakland East Bay Symphony Washington, DC P R E S E N T I N G P A N E L S

Charlene Belanger Maryann Bonino Alexine Clement Jackson (Layperson) Presenting (Layperson) Founding Director Community Representative DeCamera Society Board Member Organizations - Panel A Maine Broadcasting System Los Angeles, CA kotomac, MD Lewiston, ME Lisa Booth Linda L. Hoeschler William Chapman Nyaho Manager/Agent Lee BeRon Executive Director Pianist Lisa Booth Management Concert Manager Minnesota Composers Forum Assistant Professor of Piano New York, NY Betton Concert Artists St. Paul, MN University of Southwestern Denveq CO Louisiana Jo Bunton-Keel Janice Lane.Ewart Lafayette, LA Executive Director Rem Cabrera Senior Program Director Eulipions Cultural Center Grants & Program Administrator Arts Midwest Maury Okun Denver, CO Metro-Dade Cultural Minneapolis, MN Co-Founder & Executive Director Affairs Council Detroit Chamber Winds Mark Cianca (Chair) Miami, FL Rosalie Lang (Layperson) Troy, MI Director, Arts & Lectures Human Services & University of California Wallace Chappell (Chair) Public Administration Wayne Self Santa Cruz, CA Director Olga, WA Performing Arts Division Coordinator Norman Frisch Hancher Auditorium University of Iowa Stephen Rosenthal Mid-America Arts Alliance Director of Programming Iowa City, IA Executive Director Kansas City, MO Hopkins Center Amherst Saxophone Society Dartmouth College Duane Ebata Williamsville, NY William Warrell Hanover, NH Managing Director Founder & Executive Director Lawrence J. Simpson District Curators, Inc. Pat Graney Japan America Theatre Los Angeles, CA Managing Consultant Bethesda, MD Choreographer Mogus Group Seattle, WA Richard Kapp Cleveland, OH Music Director Dance Presenting Lisa James Linda Tillery Development & Philharmonia Virtuosi Dobbs Ferry, NY Musician/Recording Artist Ella Baff Management Consultant Oakland, CA Atlanta, GA Artistic Administrator Jo Long Cal Performances Douglas Wheeler (Chair) Toby Mattox Director Berkeley, CA Executive Director Carver Cultural Center President Society for the Performing Arts San Antonio, TX Washington Performing Donald Byrd Houston, TX Arts Society Artistic Director & Choreographer Liz Silverstein Washington, DC Donald ByrdfI’he Group John Thorpe Artist Representative New York, NY Managing Director Siegel Artist Management Network of Cultural Evanston, IL Music Presenting ­ Suzanne Carbonneau Centers of Color Panel B Dance Critic & Historian New York, NY Margaret King Stanley Chevy Chase, MD Director of Presentations John Luther Adams Alleluia Panis San Antonio Symphony Composer Christopher D’Amboise Executive &Artistic Director San Antonio, TX Fairbanks, AK Choreographer Kulintang Arts Philadelphia, PA Oakland, CA David R. White John Blake Executive Director F~olinist/Composer/Arranger Chuck Davis Patrick Whelan Dance Theater Workshop Philadelphia, PA Founder &Artistic Director Touring Community New York, NY African-American Relations Director Tina Chancey Dance Ensemble State Arts Council of Oklahoma Founding Member & Durham, NC Oklahoma City, OK Music Presenting ­ Producing Director Rhoda Grauer (Chair) Panel A Hesperus Richard Worthen (I.ayperson) Arlington, VA Director of Media, Retired architect Performances & Lectures Martin Ashby Albuquerque, NM Charles Helm (Chair) The Asia Society Director of Performing Arts New York, NY Manchester Craftsmen’s Guild Director of Performing Arts Pittsburgh, PA Wexner Center Amy Lamphere Presenting Ohio State University Founder & Executive Director Organizations - Panel B Leon Bates Columbus, OH Wagon Train Project Musician Lincoln, NE Jon Aaron Philadelphia, PA Bonnie Jo Hunt Founder & President President & Artistic Director Aaron Concert Management Artists of Indian America, Inc. Boston, MA Albuquerque, NM P R E S E N T I N G P A N E L S

Randall Rosenbaum Alexine Clement Jackson Kim Konikow Deputy Director (Layperson) Dance on Tour ­ Executive Director Permsyk,ania Council Arts volunteer State Component Minnesota Dance Alliance on the Arts Potomac, MD Minneapolis, MN Harrisburg, PA Toby Mattox Al Head (Chair) Yusef Lateef Executive Director Executive Director Composer/Playwright Consolidated Society for the Performing Arts Alabama State Council Visiting Professor of Music Application Pilot Houston, TX on the Arts University of Massachusetts for Presenters Montgomery, AL Amherst, MA Dee Waller Ferne Caulker Joan Meyers Brown Co-Director, Arts in Education Gustavo Matamoros Choreographer Executive Director Louisiana Division of the Arts Director Baton Rouge, LA Artistic & Executive Director Philadelphia Dance Company KooThi Dance Company South Florida Philadelphia, PA Composers Alliance Evy Warshawski Milwaukee, WI Robert Browning E1 Portal, FL Managing Director Beth BradleyFox Executive Director & Edison Theatre Yukie Shiroma Director ofPrograms&Serv#es Artistic Director St. Louis, MO Director of Dance World Music Institute Western States ArtsFederation Santa Fe, NM Mid-Pacific Institute New York, NY Honolulu, HI Carolelinda Dickey Dance on Tour- Gema Sandoval Executive Director Regional Component Choreographer Elizabeth Streb Pittsburgh Dance Council Founder & General Director Choreographer Pittsburgh, PA *Also served on State Component Danza Floricanto/USA Faculty, Harvard Dance Center New York, NY Chad Fremin (Layperson) Los Angeles, CA Principal/vice President Shelley Cohn (Chair) Nancy Trovillion Executive Director Frank L. Sonntag Director of Research Executive Director Assistant Director Advanced Strategic Research Arizona Commission Dance St. Louis North Carolina Arts Council Baton Rouge, LA on the Arts Raleigh, NC Phoenix, AZ St. Louis, MO Victor Gotesman (Chair) 198 General Manager Ken May Cerritos Center for Deputy Director Commissioning Projects Artists’ Projects the Performing Arts South Carolina Arts Regional Initiative 199 Cerritos, CA Commission Christina Adachi (Layperson) Columbia, SC Founder & President Caron Atlas (Chair) Edward Nelson Angel Island Asian American Senior Grants Officer Director Arnecia Patterson* Theater Company American Festival Project Michigan Council for Chicago, IL the Arts and Cultural Affairs Managing Director Appalshop Detroit, MI Dayton Contemporary John Luther Adams Whitesburg, KY Dance Company Baraka Sele Dayton, OH Composer/musician Lorraine Garcia-Nakata Fairbanks, AK Artistic Director of Performing Arts Associate Managing Director Center for the Arts at Ira Perman* Gus Edwards Center for the Arts at Yerba Buena Gardens Executive Director Playwright, Associate Professor Yerba Buena Gardens San Francisco, CA Anchorage Concert San Francisco, CA Association Arizona State University Sheldon Softer Chandler, AZ President Paul Kawata (Layperson) Tina Ramirez Sheldon Softer Management H. Ellis Finger (Chair) Executive Director New York, NY Choreographer/Founder Director National Minority Ballet Hispanico Williams Center for the Arts AIDS Council New York, NY Lafayette College Washington, DC Easton, PA Presenting Networks Barbara Russo Pepon Osorio Executive Director Janie Geiser Artistic Director Michael Alexander (Chair) New Jersey State Theater/visual artist Pepatian Artistic Director Council on the Arts New York, NY Bronx, NY California Plaza Trenton, NJ Los Angeles, CA James Bau Graves Rose Parisi LeAnne Weill (Layperson)* Artistic Director Artists’ Services Coordinator Lisa Booth President Portland Performing Arts Illinois Arts Council Manager/Agent Gus Weill, Inc. Portland, ME Chicago, IL Lisa Booth Management Baton Rouge, LA New York, NY Steve Kent Elena Ronquillo David R. White Consulting Director & Dramatuvg Director, School Art Program Pat Graney Executive Director/Producer Carpetbag Theater, The Road Fulton County Arts Council Choreographer Dance Theater Workshop Company & Roadside Theater Atlanta, GA Seattle, WA New York, NY Laguna Beach, CA T H E A T E R P A N E L S

David Saar Victoria H. Nolan (Chair) Professional Theater Artistic Director Managing Director Support to Individuals/ Childsplay, Inc. Yale Repertory Theatre Fellowships for Companies - Panel A Tempe, AZ New Haven, CT Playwrights Christina J. Adachi Seret Scott John O’Neal, Jr. Judith W. Andrucki (Layperson) Director Artistic Director/Playwright (Layperson) Journalist Teaneck, NJ Junebug Productions Associate & Partner Chicago, IL New Orleans, LA Isaacson & Raymond Stephen J. Albert Lewiston, ME Penelope Haru Snipper Managing Director Professional Theater (Layperson) Barhra Berlovitz Desbois Hartford Stage Companies - Panel B Arts Patron Hartford, CT Minneapolis, MN Artistic Director Janet Allen Theatre de la Jeune Lune Minneapolis, MN Jessica Andrews Associate Artistic Afanaging Director Director/Dramaturg Services to the Field Sheri Goldhirsch The Shakespeare Theatre Indiana Repertory Theatre Indianapolis, IN Artistic Director Washington, DC Laura Aden Young Playwrights, Inc. Vincent Anthony Executive Director New York, NY Rodrigo Duarte Clark Artistic Director New Jersey Theater Group Artistic Director Florham Park, NJ Larry Leon Hamlin E1 Teatro de la Esperanza Center for Puppetry Arts Atlanta, GA Producer/Artistic Director Oakland, CA Dawn Chiang National Black Paul Vincent-Davis Jane Campbell Lighting Designer Theatre Festival New York, NY Winston-Salem, NC Artistic Director Managing Director Honolulu Theatre for Youth Puppet Showplace Theatre Peter W. Culman Brookline, MA Honolulu, HI Roberta Levitow Managing Director Freelance Director Clinton Turner Davis Center Stage Santa Monica, CA Albert Greenberg Co-Artistic Director Director Baltimore, MD Ken Ludwig A Traveling Jewish Theatre Brooklyn, NY Zack Manna Oakland, CA Playwright Joanne H. Eaton Executive Director Washington, DC Broadway Cares/ Anne R. Hamburger Executive Director Equity Fights AIDS Andrew Tsao Executive Producer Vigilante Theatre Company Bozeman, MT New York, NY Resident Director/ En Garde Arts New York, NY Literary Manager Phillip W, Esparza Edward A. Martenson Indiana Repertory Theatre Executive Director Indianapolis, IN Woodie King, Jr. Managing Director El Teatro Campesino The Guthrie Theater Producing Director Minneapolis, MN Luis Valdez New Federal Theatre San Juan Batista, CA New York, NY Playwright/Artistic Director Bridget George M. Brian Murray El Teatro Campesino Robert Leonard Producing Director Executive Director San Juan Batista, CA San Francisco Urban Institute Artistic Director Touchstone Theater San Francisco, CA Wendy Wasserstein The Road Company Bethlehem, PA (Chair) Johnson City, TN David Henry Hwang Donna Pedace Playwright Executive Director New York, NY Kari Margolis Playwright New York, NY Eugene O’Neill Artistic Director Memorial Theater Center Margolis/Brown Adaptor Movement Theater Edith H. Love Waterford, CT Minneapolis, MN Managing Director Alliance Theater Company Atlanta, GA ARTS IN EDUCATION PANELS

Mike Miller Edward Gero David Shookhoff Arts Education (Layperson) Actor Education Director Partnership Grants Principal Bethesda, MD Manhattan Theatre Club Cane Run New York, NY Elementary School Gary Gibbs (Chair) Angelique Acevedo Louisville, KY Yolande Spears Artist & Visual Arts Teacher Education Director Bear Creek High School Houston Opera Education Program Manager Philip Smith Houston, TX Bushnell Memorial Hall Lakewood, CO (Layperson) Hartford, CT School Board Member Silvya A. Kirk Sherilyn Brown Juneau, AK Arts in Education Director (Layperson) Assistant Principal National Impact Rhode Island State David Stahl Carl Albert Council on the Arts Music Director Senior High School Projects Panel Providence, RI Charleston Symphony Midwest, OK Charleston, SC Mona Jimenez John Coe Irene Lee Media Artist Executive Director Kay Swan (Chair) Teacher Executive Director Wyoming Arts Council Field Representative Mid-Pacific Institute Media Alliance/WNET Cheyenne, WY Iowa Sesquicentennial Honolulu, HI New York, NY Commission Hollis Headrick Waukee, IA Patty Ortiz Pamela Loving Arts in Education Director Program Manager (Chair & Layperson) New York State Council Assistant to the President for on the Arts Young Audiences/Colorado Arts Plus Panel Council on the Arts Institutional Diversity New York, NY Denver, CO GMI Engineering & Management Institute Philip Horn Kris Cooley Flint, MI (Layperson) Arnecia Patterson Executive Director Managing Director Pennsylvania Council Teacher Jane Polin on the Arts Cedar City, UT Dayton Contemporary Dance Company Comptroller & Program Manager Harrisburg, PA Dayton, OH Human Services Shirley Trusty Corey Contributions Division 200 Executive Director Lance Linares Florence Pullen The GE Fund Executive Director Arts Council of New Orleans Fairfield, CT New Orleans, LA (Layperson) 201 Cultural Council Teacher of Santa Cruz County Martin J. Skomal Gary Devault Commons Lane Santa Cruz, CA Manager of Arts Education Fine Arts Supervisor Elementary School Florissant, MO & Community Programs Naomi Long Madgett Wayne County Schools Nebraska Arts Council Wooster, OH Poet Nancy Rawles Omaha, NE Detroit, MI Pete Edwards Writer Seattle, WA Susan E. Spaulding Chairman Coordinator, Dance Initiative Osceola School Board Minnesota Center Kissimmee, FL for Arts Education Golden Valley, MN C H A L L E N G E P A N E L S

Alyce Russo Nadine Saitlin (Chair) Alyce Russo Challenge Review Director of Planning & Executive Director Director of Planning & Development Illinois Alliance Development Committee Roosevelt Island for Arts Education Roosevelt Island Operating Corporation Chicago, IL Operating Corporation Jessica L. Andrews Roosevelt Island, NY Roosevelt Island, NY Former Managing Director The Shakespeare Theatre Deborah Stuart Dance Randy Swearer Washington, DC Executive Director Professor of Graphic Design Very Special Arts Philip C. Bither Department of Art Susan Bonaiuto (Chair) New Hampshire University of Texas Director of Programming Austin, TX Director Wentworth, NH Flynn Theater New Hampshire State Burlington, VT Council on the Arts Richard Van Kleeck Gail Thomas Concord, NH Media Producer Chief Executive Officer Elinor Cheung (Layperson) Dallas Institute of Kentucky Center for the Arts Editor Jane Delgado Louisville, KY Humanities & Culture Executive Director West Publishing Company Dallas, TX Eagan, MN Bronx Museum of Art Allison Vulgamore Bronx, NY Executive Director Arthur Jacobus Atlanta Symphony Orchestra Expansion Arts L. James Edgy, Executive Director Jr. Atlanta, GA San Francisco Ballet Former Assistant Director San Francisco, CA Tarabu Betserai of Development Michael Warr Coordinator, Multi-Residency Cincinnati Art Museum Executive Director Liz Lerman Art Program Cincinnati, OH Guild Complex Artistic Director City of Pasadena Arts Division Writer’s Voice-Duncan YMCA Pasadena, CA Sam Grogg Dance Exchange Chicago, IL Washington, DC Dean, School of Filmmaking Gerri Combs North Carolina Julinda Lewis-Ferguson Director of Education Programs School Challenge Discipline Associate Critic J.B. Speed Art Museum of the Arts Louisville, KY Winston-Salem, NC Panels Dance Magazine St. Albans, NY Jane Delgado Raymond Hanley John McFall (Chair) Executive Director Executive Director Arts in Education Bronx Museum of Art Greater Columbus Choreographer Miami Beach, FL New York, NY Arts Council Frank R. Alvarez Columbus, OH (Layperson) Kevin McKenzie Glenda K. Joe Superintendent Artistic Director Founder 6.4 Executive Director Rodney Hood (Layperson) Caldwell School District Asian-American Community Investment American Ballet Theatre River Vale, NJ New York, NY Festival Association Coordinator Houston, TX NationsBank Gisele Ben-Dor Raleigh, NC Arnecia Patterson Music Director Managing Director Jereann King (Layperson) Pro Arte Chamber Orchestra Dayton Contemporary Director of Programs Richard Klein Cambridge, MA Literacy South Director Dance Company Dayton, OH Durham, NC Duke Ellington School Jean T, Irwin for the Arts Arts Education Coordinator Abel Lopez (Chair) Washington, DC Utah Arts Council Design Associate Producing Director Salt Lake City, UT GALA Hispanic Theatre William Larson Washington, DC Director, Graduate Studies Peggy Jonas Adrienne Hirsch in Photography General Manager (Layperson) Maryland Institute Oscar N. Jonas Director, Corporate Education Folk & Traditional Arts College of Art Memorial Foundation Roosevelt University Baltimore, MD Arlington Heights, IL Dalton, GA Kurt Dewhurst Jane s. Moss Richard A. Klein Ray Huff Director Vice President for Programming Director Architect Michigan State University Museum Lincoln Center for Ellington School Ray HuffArchitects the Performing Arts for the Arts Charleston, SC East Lansing, MI New York, NY Washington, DC Linda Norlen Barton Phelps, FAIA Concetta Morales-Rothwell Associate Chair Principal Visual Artist Graphic & Packaging Design Barton Phelps & Associates Des Moines, IA Art Center College of Design Los Angeles, CA Pasadena, CA C H A L L E N G E P A N E L S

Charlotte Heth Joyce L. Lew (Layperson) Associate Dean Director (Retired) of Fund Local Arts Agency/ Media Arts School of the Arts Distribution State & Regional University of California, United Way for Dwight M. Ellis (Layperson) Los Angeles Combined Panel Southeastern Michigan Vice President of Human Los Angeles, CA Detroit, MI William Aguado National Association Mary Margaret Navar Robert J. Marshall Executive Director (Layperson) Bronx Council on the Arts of Broadcasters Performing Arts Washington, DC Massage Therapist Program Director Bronx, NY Austin, TX Western States Sam Grogg Arts Federation Larry Baza Elizabeth E. Peterson Dean, School of Fihnmaking Santa Fe, NM Executive Director North Carolina School Consultant in African Centro Cultural de la Raza for the Arts American Studies Clara Miller San Diego, CA Winston-Salem, NC College Park, MD Executive Director Non-Profit Facilities Fund Bill Bulick (Chair) Jacqueline Kain (Chair) Gary Stanton New York, NY Executive Director Director of Broadcasting Assistant Professor of Metropolitan Arts KCEToTV Historic Preservation Deborah Stuart Commission Venice, CA Director of Research Executive Director Portland, OR Mary Washington College Very Special Arts Micki McGee Fredricksburg, VA Raymond Hanley New Hampshire Director of Programs Wentworth, NH Executive Director The National Writers Richard Van Kleeck (Chair) Greater Columbus Philip Thomas Arts Council Voice Project Artistic Director/ New ~brk, NY Producer of Television Director of Education Columbus, OH Kentucky Center for the Arts New Jersey Performing Laura Waterman Wittstock Louisville, KY Arts Center Thomas McClimon President Newark, NJ (Layperson) Sally Yerkovich Managing Director Migizi Communications, Inc. Office of Programs & Minneapolis, MN l~siting Scholar 202 Department of Literature Technical Assistance Performance Studies U.S. Conference of Mayors Museum New York University Sandra Martz Washington, DC 203 New York, NY Founding Editor & Publisher Barbara Neal James L. Edgy, Jr. Papier-Mache Press Director of Development Watsonville, CA Executive Director Interdisciplinary Colorado Council Cincinnati Art Museum Cincinnati, OH Deborah Ott on the Arts Denver, CO John C. Barsness (Chair) Founder & Executive Director Executive Director Jonathan Green Just Buffalo Literary Center Alfreda Borden Norman Director Montana Institute Buffalo, NY of the Arts Foundation (Layperson) California Museum Bozeman, MT Kalamu ya Salaam Assistant ~ce President of Photography University of California Senior Partner &Neighborhood Nancy K. Duncan Development OJficer Riverside, CA Bright Moments Productions Bank of America Texas Storyteller New Orleans, LA Peter Hassrick Story Performances Dallas, TX Omaha, NE Catharine Scheibner Director (Layperson) Peter Plumb (Layperson) Buffalo Bill Ann P, Evans Attorney Historical Center Attorney Murray, Plumb and Murray Cod); Executive Director Monument, CO Portland, ME Lawrence Arts Center Rick Hill Lawrence, KS Alexander Taylor Mary Regan Assistant Director of Publisher & Co-Director Dr. Bennett Lentczner Executive Director Public Programs Curbstone Press North Carolina Arts Council National Museum of Dean, School of Visual Willimantic, CT Raleigh, NC the American Indian & Performing Arts Washington, DC Winthrop University Michael Warr (Chair) Cheryl Yuen Rock Hill, SC Director Arts Consultant R. Andrew Maass Writer’s Voice of the Duncan YMCA LaGrange Park, IL Director Tampa Museum of Art Executive Director Tampa, FL Guild Complex Chicago, IL C H A L L E N G E P A N E L S

Bendrew Jong, FAIA Sylvia Ortiz.Revollo Michael McDonough Dr. Sam W. Grabarski (Layperson) Director of Finance & Executive Director Architect Board Member Business Affairs Minnesota State Arts Board Executive Director The Mexican Fine Arts Boston Symphony Orchestra St. Paul, MN Julia Morgan Center Center Museum Boston, MA for the Arts Chicago, IL Frank Jacobson (Chair) Lafayette, CA Julie Rather (Layperson) President & Chief Laurel Reuter Board Member Executive Officer Edith H. Love Director Brooklyn Philharmonic Scottsdale Cultural Council/ Managing Director North Dakota Orchestra Center for the Arts Alliance Theater Company Museum of Art New York, NY Scottsdale, AZ Atlanta, GA Grand Forks, ND Allison Vulgamore Susan Lipman Rafael Rios-Rodriguez Grace C. Stanislaus (Co-Chair) Executive Director (Layperson) Arts Administrator Executive Director Performing Arts Chicago President Robel Group, Ltd. Brooklyn, NY Atlanta Symphony Orchestra Chicago, IL Atlanta, GA Chicago, IL Susan Taylor (Chair) Leonard L. Love Director General Manager & Tazewell Thompson Artistic Director Davis Museum & Opera-Musical Theater Chief Financial Officer Cultural Center Ruth Eckerd Hall Syracuse Stage Syracuse, NY Wellesley College Ian D. Campbell New Port Richey, FL Wellesley, MA General Director Jane s. Moss Susan L. Zeder San Diego Opera Vice President for Programming Playwright San Diego, CA Lincoln Center for Professor Music University of Texas Elizabeth M. Childs the Performing Arts New York, NY Austin, TX Richard Bains Operating Support Director of Educational Program Associate Phyllis O’Neill Minnesota State Programming & Youth Orchestra Executive Director Visual Arts San Francisco Arts Board Portland Performing Arts, Inc. Symphony Orchestra St. Paul, MN Portland, ME San Francisco, CA David Fraher (Chair) Janice Del Sesto (Chair) Executive Director Milton O. Thompson Arts Midwest Bruce Coppock (Co-Chair) General Director (Layperson) Boston Lyric Opera Minneapolis, MN Executive Director Attorney, General Partner St. Louis Symphony Boston, MA Grand Slam III William Larson Orchestra Indianapolis, IN St. Louis, MO Rodney Hood (Layperson) Professor of Photography Director of Graduate Studies Community Investment Ella King Torrey Julie Duke Coordinator in Photography 14ce President for Development NationsBank Director Maryland Institute Raleigh, NC Pew Fellowships in the Arts College of Art Charlotte Symphony Philadelphia, PA Orchestra Baltimore, MD Charlotte, NC Bill Mason Director of Operations Stella A. McGregor Shirley Greitzer Lyric Opera of Chicago Theater Arts Coordinator Director of Placement & Chicago, IL Central Artery/Tunnel Project Professional Advancement Steve Albert Lexington, MA The Julliard School Marjorie Samoff Managing Director New York, NY Producing Director Hartford Stage Company Judy Moran American Music Hartford, CT Arts Consultant Dr. Raymond Harvey Theater Festival San Francisco, CA Music Director Philadelphia, PA Jessica L. Andrews (Chair) Fresno Philharmonic Managing Director Lari Pittman Orchestra Thomson Smillie The Shakespeare Theatre Visual Artist Fresno, CA General Director Washington, DC Los Angeles, CA Kentucky Opera Apo Hsu Louisville, KY Cliff Fannin Baker Bernadine Tabler Speers Music Director Producing Artistic Director (Layperson) Oregon Mozart Players Arkansas Repertory Theatre Vice President & Division Portland, OR Little Rock, AR Manager Presenting & Banc One Indiana Commissioning Joseph Kalichstein Joanne H. Eaton Corporation Executive Director Indianapolis, IN Pianist Claudine K. Brown The Julliard School Vigilante Theatre Company New York, NY Deputy Assistant Director Bozeman, MT for Arts & Humanities Smithsonian Institution Washington, DC A D V A N C E M E N T P A N E L S

Herman Milligan Phase II Review Phase I Discipline Panels (Layperson) Music Senior Marketing Analyst Caron L. Atlas Norwest Corporation Eileen T. Cline Director Arts in Education Minneapolis, MN Dean American Festival Project Grover Mouton (Chair) Peabody Conservatory Appalshop Tomas Benitez of Music Whitesburg, KY Professor, Department Baltimore, MD Executive Director of Archilecture Jocelyn Bolle Self-Help Graphics Tulane University Monterey Park, CA Joseph Jennings Executive Director New Orleans, LA Music Director Monadnock Music Sherilyn L. Brown San Francisco Chanticleer Francestown, NH Tim Parsey San Francisco, CA Director, Arts in Education Design Manager Rhode Island State Robert Browning Apple Computer Caryl Kassoy (Layperson) Council on the Arts Cupertino, CA Executive &Artistic Director Providence, RI Past President World Music Institute Brenda Scheer Colorado Music Festival Brooklyn, NY Boulder, CO Steven S. Goodman Associate Professor Executive Director of Urban Design Charles Cassell The Educational Steven Monder (Chair) President University of Cincinnati Executive Director Video Center Cincinnati, OH Charlin Jazz Society New York, NY Cincinnati Symphony Washington, DC Elizabeth Schlosser Orchestra Joanne S. Hoover (Chair) Cincinnati, OH Libby Chiu Preservationist Consultant Elizabeth Schlosser lqne Art Director, Institutional Corrales, NM Toby Saks Advancement Denver, CO Artistic Director Boston Conservatory Seattle Chamber Marion C. Pittman-Couch Julie Silliman of Music (Layperson) Music Festival West Roxbury, MA Director Seattle, WA Assistant Principal Los Angeles Forum Kennedy Middle School for Architecture Deborah Edward Winston-Salem, NC Cynthia Siebert 204 Executive Director Los Angeles, CA Executive Director Austin Children’s Museum Kay Swan Friends of Chamber Music Austin, TX Field Representative Kansas City, MO 205 Iowa Sesquicentennial Museum Chad Fermin (Layperson) Commission Neal H. Stulberg Principal/vice President Des Moines, IA William J. Chiego Conductor/Pianist Director of Research Director Santa Monica, CA Advanced Strategic Research Marion Koogler McKay Baton Rouge, LA Art Museum Design Laura H. Willumsen San Antonio, TX Executive Director Gary Good Wheeling Symphony Arts Consultant Laurie Beckelman Nancy L. Hodes Wheeling, WV Fox Point, WI Vice President (Layperson) LaSalle Partners Management Consultant Rex Gulbranson New York, NY Hodes Associates Presenting Design/Organizational Albany, NY Development Director Deborah Dalton Arizona Commission Associate Professor Dahlia Morgan Ludy B. Biddle Executive Director on the Arts College of Architecture Executive Director Phoenix, AZ University of Oklahoma Florida International Carving Studio Norman, OK University Art Museum Shrewsbury, VT Fay Chew Matsuda (Chair) Miami, FL Executive Director Oscar Fernandez Jenny Dixon Chinatown History Museum Graphic Designer Jane c. Nylander (Chair) Executive Dil~ctor New York, NY Moorehead Design Director Lower Manhattan Cultural Council Columbus, OH Society for the Preservation Susan Moritz of New England Antiquities New York, NY Luis Hoyos Managing Director Boston, MA Roger Fairfax (Layperson) A Contemporary Theater Architects Seattle, WA CPE+E Architects Carlos Tortolero President Los Angeles, CA Director Fairfax Communications June Wiley Mexican Fine Arts Center Pittsburgh, PA Kedakai Lipton Museum Administrative Director Stephen Jay San Francisco Girls Chorus Designer Chicago, IL New York, NY Dean of Performing Arts University of the Arts Philadelphia, PA A D V A N C E M E N T P A N E L S

Caryl Kassoy Susan Slocum Sandra Karuschak Ludy B. Biddle Consultant Managing Director Executive Director Former President Albuquerque, NM Court Theater Carving Studio Colorado Music Festival Chicago, IL Shrewsbury, VT Boulder, CO George T. Tzougros (Chair) Dahlia Morgan Program Manager Stephen J. Richard (Chair) E’vonne Coleman-Rorie Wisconsin State Arts Board Executive Director (Chair) Director Madison, WI Arena Stage Executive Director Florida International Washington, DC Durham Arts Council University Art Museum Eleanor San San Wong Durham, NC Miami, FL Development Director Rick Shiomi Artistic Director Jenny Dixon Marion Pittman-Couch Theater Artaud (Layperson) San Francisco, CA Theater Mu Executive Director Minneapolis, MN Lower Manhattan Assistant Principal Cultural Council Kennedy Middle School Winston-Salem, NC Theater Sava B. Thomas (Layperson) New York, NY Attorney Rick Shiomi New York, NY Joanne S. Hoover Idris Ackamoor ConsuRant Artistic Director Artistic Director Molly White Corrales, NM Theater Mu Cultural Odyssey Executive Director Minneapolis, MN San Francisco, CA Orcas Theatre & Joseph Jennings Music Director Laura H. Willumsen Laura Aden Community Center Eastsound, WA San Francisco Chanticleer Executive Director Executive Director San Francisco, CA Wheeling Symphony New Jersey Theatre Group Wheeling, WV Florham Park, NJ Sandra Karuschak Phase I Final Review Managing Director Eleanor San San Wong E’vonne Coleman-Rorie Court Theater Development Director Executive Director Peter Bermingham Chicago, IL Theater Artaud Durham Arts Council Director & Chief Curator San Francisco, CA Durham, NC University of Arizona Museum of Art Tucson, AZ

E X P A N S I 0 N A R T S P A N E L S

William Kornrich Mari Torres de Hutchinson Kristin Jackson Dance/Music Director Management Consultant Choreographer & Educator Rose Center and Servicios Artisticos New York, NY Council for the Arts Condado, PR Lee Betton Morristown, TN Trinidad Lopez Owner & Principal Manager Professor of Art Betton Concert Artists Belinda Menchaca Multidisciplinary University of Texas, El Paso Denver, CO Director, Dance Program E1 Paso, TX Guadalupe Cultural Jon Ching (Layperson) Jose Franco Bright Arts Center (Layperson) Nilda Morales Desktop Publisher/Translator San Antonio, TX Ceramist & Educator Fresno, CA Deputy Director for Regional Affairs Woodbridge, CT Halifu Osumare Eileen T. Cline Office of the Mayor Founder/Artistic Director Washington, DC Mikell Pinkney Dean, Conservatory. of Music Black Choreographers Assistant Professor of Theater & Peabody Institute Moving, Inc. Coordinator of Minority Affairs Baltimore, MD William Chin Pahoa, HI Artistic Director University of Florida Gainesville, FL Charles Farmer Chicago Children’s Choir George Sams Chicago, IL Executive Director Musician/Composer Karen Marie Ransom Community Music Center Management Consultant (Chair) Portland, OR St. Louis, MO Arts Consultant Oakland, CA E X P A N S I 0 N A R T S P A N E L S

Conchita Reyes Jereann King Arts Program Coordinator (Layperson) Capstone Project Arts Education Initiative Kansas Arts Commission Director of Programs Topeka, KS Literacy South Roberto Barragan Daniel Baker (Chair) Durham, NC (Layperson) Associate Executive Director Alyce Sadongei Executive Director Missouri Repertory Theater Theater Community Financial Kansas City, MO Training Coordinator Resource Center of Martin Hernandez National Museum of South Central Los Angeles Fernandina Chan Theater Critic the American Indian Los Angeles, CA Dancer, Choreographer, Educator Los Angeles Weekly Washington, DC Boston, MA Los Angeles, CA joy Beaton (Chair) John H. Seto (Chair) Management and Charles Hicks Roella Hsieh Louie Executive Director Development Consultant Professor of Music Grants Director Chinese Cultural Center Sarasota, FL Conductor, Symphonic Band City of Los Angeles Cultural San Francisco, CA Governors State University Affairs Department George Charles Koch Homewood, IL Palos X~rdes, CA Painter Visual/Media/ Employment & Maria Sasso (Layperson) Roland L. Reed Design/Literary Training Specialist President Director, Graduate U.S. Department of Labor M.S. International Playwriting Program Steve Charles Washington, DC Corporation The Catholic University Curator Vienna, VA of America Sacred Circle Gallery Edward Nelson Washington, DC United Indians of Senior Grants Officer All Tribes Foundation Michigan Council for Overview Rosalba Rolon (Chair) Seattle, WA Arts and Cultural Affairs Executive/Artistic Director Detroit, MI Daniel Baker Pregones Touring Gerri Combs Associate Executive Director Puerto Rican Theater Director of Education Programs Robert Wadsworth Missouri Repertory Theater New York, NY J.B. Speed Art Museum Program Director Kansas Cit); MO Louisville, KY Boston Foundation 206 Joan D. Sandier Boston, MA Joy Beaton Arts Consultant Marlina Gonzalez-Tamrong Development & New York, NY Assistant Director/ Management Consultant 207 Curatorial Associale Services to the Field Sarasota, FL Emred Steele Film & Video Department (Layperson) VCalker Arts Center Cynthia Hardy Lee Betton Accountant (Ret. ) Minneapolis, MN (Chair, Layperson) Owner & Principal Manager General Motors Director of Education Betton Concert Artists Corporation Samuel Chuen-Tsung Hoi 6.4 Training Denver, CO Southfield, MI (Chair) Franklin County Dean Auditors Office Cynthia Hardy Daniel Tamez Corcoran School of Art Columbus, OH (Chair, Layperson) Education & Outreach Washington, DC Director of Education & Training Coordinator Jose D. Colchado Franklin Count), Auditors Office Dallas Theater Center Helen Lucero Dean, College of Creative Columbus, OH Dallas, TX Curator & Communication Arts Museum of International Northern Arizona University Samuel Chuen-Tsung Hoi Folk Arts Flagstaff, AZ Dean Pilot Projects/ Albuquerque, NM Corcoran School of Art Rural Arts Initiative Thomas Johnson Washington, DC Rosalie A. Ortega Producing Director Gordon Braithwaite Visual Artist Old Creamery Karen Marie Ransom Special Assistant Pasadena, CA Theatre Company Arts Consultant to the Director Garrison, IA Oakland, CA D.C. Department of Fletcher Robinson Recreation & Parks (Layperson) Mayumi Tsutakawa Rosalba Rolon Washington, DC Dermatologist Curator, Art Critic Executive/A rtistic Director St. Thomas, VI Wing Luke Memorial Museum Pregones Touring Aria Luisa Cardona Seattle, WA Puerto Rican Theater Communications Specialist Pheoris West New ~brk, NY Office of Equity Associate Professor of Art Michigan Department The Ohio State University John H. Seto of Education Columbus, OH Executive Director Lansing, MI Chinese Cultural Center San Francisco, CA L 0 C A L A R T S P A N E L S

Raona Roy Vicki Huggins Cook Bill Bulick (Chair) Local Incentive Category Executive Director Executive Director Executive Director RCCA: The Arts Center Rock Hill Arts Council Metropolitan Arts Troy, NY Rock Hill, SC Commission Janet Brown Portland, OR Executive Director Alberto Soto Peter J. Miller South Dakotans for the Arts (Layperson) Vivian Donnell Rodriguez Deadwood, SD Grants Program Director Tucson/Pima Arts Council Municipal Administrator Executive Director Tucson, AZ Egg Harbor, NJ Metro-Dade Art in David Guerrero Public Places Professional Photographer Blanca Uzeta O’Leary Romalyn Tilghman Miami, FL Roanoke, VA (Layperson) Arts Consultant Juveline Defense Attorney Long Beach, CA Rick H. Jones* Vivian Donnell Rodriguez Houston, TX Executive Director (Chair) Patryc Wiggins Hamilton-Fairfield Arts Executive Director Artist Association Metro-Dade Art in Guild, NH Hamilton, OH Public Places Underserved Miami, FL Set-Aside Panel Lance M. Linares* Local Arts Agency Executive Director Vicki Huggins Cook John Beheler Cultural Council of Executive Director Indian Arts Expo Director Development Panel Santa Cruz County Rock Hill Arts Council Art Instructor Aptos, CA Rock Hill, SC United Tribes This was a split panel. All Technical College of those listed served on the Julie Numbers Smith* Victoria Lord Bismarck, ND Planning & Stabilization Community Development Executive Director Panel. Those marked with Director/Performing Arts Ketchikan Area Arts & Beverly A. Brown an asterisk also served on Touring Coordinator/Arts Humanities Council Community Development the Leadership Training & in Rural Towns Specialist Ketchikan, AK Consultant Services to the Field Panel. Idaho Commission Brooklyn, NY on the Arts Anthony P. Marquez Daniel Baker* Boise, ID (Layperson) Vivian Donnell Rodriguez Associate Executive Director Chief Counsel (Chair) Missouri Repertory Theatre Nola Ruth California Joint Legislative Executive Director Kansas City, MO Executive Director Ethics Committee Metro-Dade Art Missouri Association of Commissioner in Public Places John Beheler* Community Arts Agencies Sacramento Metropolitan Miami, FL Indian Arts Expo Director Columbia, MO Arts Commission Arts Instructor Sacramento, CA Gregory Geissler United Tribes Alberto Soto* Arts Consultant Technical College Grants Program Director Anthony Radich Denver, CO Bismarck, ND Tucson/Pima Arts Council Executive Director Tucson, AZ Missouri State Council David Guerrero Syd Blackmarr* on the Arts Professional Photographer Executive Director St. Louis, MO Roanoke, VA Arts Experiment Station Tifton, GA Alberto Rafols Technical Assistance & Beverly Brown* Outreach Manager Community Development Metropolitan Arts Consultant Commission Brooklyn, N¥ Portland, OR S T A T E & R E G I O N A L P A N E L S

Pamela Holt Ricardo Hernandez State & Regional Executive Director Arts in Underserved Director of Programs Program Advisory Panel D.C. Commission Communities Panel Texas Commission on the Arts & Humanities on the Arts Washington, DC Austin, TX Barbara Bayless Peggy Bagger Minority Arts Coordinator Millicent Kim Executive Director Ohio Arts Council Jane Hiatt Council Member Virginia Commission Executive Director Columbus, OH State Foundation on on the Arts Richmond, VA Mississippi Commission Nicolette Clarke Culture & the Arts on the Arts Honolulu, HI Executive Director Vernon Chimegalrea Jackson, MS Vermont Council Marion McCollum Native Arts Program Director on the Arts William Pratt Executive Director Alaska State Council Montpelier, VT Director of Cultural Arts Council of on the Arts Organizational Services Houston/Harris Counties Anchorage, AK Montana Arts Council Jose Colchado Houston, TX Dean, College of Creative Ann Rivers Davis Helena, MT & Communication Arts Paul Minicucci Manager, Community Arts Bea Premack Northern Arizona University Consultant Development & Multicultural Flagstaff, AZ (Layperson) California Senate Joint Programs & Services South Dakota Arts Council Committee on the Arts Georgia Council for the Arts Will Conner Aberdeen, SD Sacramento, CA Atlanta, GA Chief Operating Officer Anne Sarcka Mid-America Arts Alliance Barbara Russo (Chair) Lou DeLuca Kansas City, MO Community Arts Officer Executive Director Director Vermont Council New Jersey State Kentucky Arts Council Sam Grabarski on the Arts Council on the Arts Frankfort, KY Montpelier, VT Executive Director Trenton, NJ Minnesota State Derek Gordon Regina Smith Arts Board Larry D. Williams (Chair) St. Paul, MN Programs & Services Director (Layperson) Director of Education Culture Works Kennedy Center for Superintendent Dayton, OH 208 Jane Hiatt Great Falls Public Schools the Performing Arts Executive Director Great Falls, MT Wasington, DC Mississippi Arts Commission 209 Jackson, MS F I N A N C I A L S U M M A R Y

Summary of Funds Available1 Fiscal Year1995

Appropriation: Regular Program Funds2 $ 109,000,000 Appropriation: Treasury Funds (to match nonfederal gifts) 16,137,300. Appropriation: Challenge Grant Funds (to match nonfederal gifts) 12,375,137 Appropriation: Planning, Research and Technology3 545,380

Total Federal Appropriations 138,057,8174

Nonfederal Gifts5 456,571 Interagency Transfers5 746,630 Unobligated Balance, Prior Year5 12,821,023

Total Funds Available $ 152,091,041 Excludes administrative operating funds. Not |ess than 27.5 percent for support of state arts agencies and regional arts groups; not less than 7.5 percent for support through the underserved communities set-aside. Administrative funds (see Office of Planning, Research & Technology). Reflects FY 95 rescission of $4,000,000 in grantmaking funds. Includes only grantmaking funds.

Funds Obligated Fiscal Year 1995 Challenge Grant Obligations Commitments/ Obligations~

Dance $ 7,120,747 $ 965,000 Design 2,836,027 1,425,000 Folk & Traditional 3,269,700 455,000 International 893,000 -­ Literature 4,370,565 300,000 Media Arts 8,923,500 2,100,000 Museum 9,024,175 2,650,000 Music 10,890,625 2,640,000 Opera-Musical Theater 5,057,000 1,450,000 Presenting 5,272,000 1,330,000 Theater 7,268,035 2,050,000 Visual Arts 4,391,500 660,000 Arts in Education 7,116,595 1,220,000 Expansion Arts 4,967,090 1,266,000 Local Arts Agencies 2,452,692 2,561,160 State & Regional 31,031,305 1,850,000 Underserved Communities Set-Aside 8,173,300 -­ Advancement 3,081,900 -­ Challenge 254,9186 -­ Planning, Research & Technology8 435,046 75,000

Total Funds Obligated8 $126,829,720 $ 22,997,160

Challenge Grants are show in the column to the right. Includes obligations of prior year commitments. Of the $22,997,160 shown, $21,078,617 was obligated in fiscal year 1995. Includes Arts Administration Fellows and Office of AccessAbility. Program obligations reflect fiscal year 1995 transactions and, in some cases, may differ from final allocations due to variations in the obligations of two-year monies or receipt of gifts and funds from other agencies. F I N A N C I A L S U M M A R Y

Appropriations for the National Endowment for the Arts

Fiscal Year Appropriations Administrative Funds’

1966 $ 2,534,308 727,000 1967 7,965,692 1,019,500 1968 7,174,291 1,200,000 1969 7,756,875 1,400,000 1970 8,250,000 1,610,000 1971 15,090,000 2,660,000 1972 29,750,000 3,460,000 1973 38,200,000 5,314,000 1974 60,775,000 6,500,000 1975 74,750,000 10,783,000 1976 82,000,000 10,910,000 Transition Quarterb 33,937,000 2,727,000 1977 94,000,000 11,743,000 1978 123,850,000 1979 149,585,000 210 1980 154,610,000 1981 158,795,000 211 1982 143,456,000 1983 143,875,000 1984 162,223,000 1985 163,660,000 1986 158,822,240 1987 165,281,000 1988 167,731,000 1989 169,090,000 1990 171,255,000 1991 174,080,737 1992 175,954,680 1993 174,459,382 1994 170,229,000 1995 162,311,000

From 1966 through 1977, funds were provided jointly for the National Endowment for the Arts and the National Endowment for the Humanities for Administrative costs. In 1976, the Federal government changed the beginning of the fiscal year from July 1 to October 1, hence the Transition Quarter. C R E D I T S

Published by the Photographs: Office of Communications page 5 Cherie Simon, Director David Stephenson

Keith Donohue page 6 Publications Director Jill Evans page 7 Design: Eileen Benjamin Cox & Associates, Inc. Silver Spring, Maryland page 20 Courtesy Department of Arkansas Heritage page 60 Melville McLean page 84 Courtesy Saint Louis Symphony National Endowment for the Arts page 102 1100 Pennsylvania Avenue, NW Joan Marcus Washington, DC 20506-0001 page 109 202/682-5400 Brenda Prager page 160 Tom Felton page 161 Stella Gutierrez

Posters and graphics courtesy of grantees.

This annual report is available in large print or cassette recording upon request to the Office for AccessAbility, phone 202/682-5532, Voice/TT: 202/682-5496

For a list of publications available from the Endowment, visit our World Wide Web site at http://arts.endow.gov.