Ezra Pound in Rimini
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Places to see and itineraries Where we are Bellaria Trento Igea Marina Milano Venezia Torino Bologna Oslo Helsinki Genova Ravenna Rimini Stoccolma Mosca Firenze Dublino Ancona Santarcangelo Perugia di Romagna Londra Amsterdam Varsavia Rimini Bruxelles Kijev Poggio Berni Roma Berlino Praga Vienna Bari Parigi Monaco Napoli Torriana Budapest Verucchio Milano Montebello Bucarest Rimini Riccione Madrid Cagliari Roma Catanzaro Ankara Coriano Talamello Repubblica Atene Palermo Novafeltria di San Marino Misano Adriatico Algeri Castelleale Tunisi Sant’Agata Feltria Maioletto San Leo Montescudo Agello Maiolo Montecolombo Cattolica Petrella Guidi Sassofeltrio San Clemente Gradara Maciano Gemmano Morciano San Giovanni fiume Conca di Romagna in Marignano Ponte Messa Pennabilli Casteldelci Monte AR Cerignone Montefiore Conca Saludecio Piacenza Molino Pietrarubbia Tavoleto Montegridolfo di Bascio Carpegna Macerata Mondaino Feltria Ferrara fiume Marecchia Sassocorvaro Parma Reggio Emilia Modena Rimini Mondaino Sismondo Castle Castle with Palaeontological museum Bologna Santarcangelo di Romagna Montegridolfo Ravenna Malatesta Fortress Fortified village Torriana/Montebello Montefiore Conca Forlì Fortress of the Guidi di Bagno Malatesta Fortress Cesena Verucchio Montescudo Rimini Malatesta Fortress Fortified village Castle of Albereto San Marino San Leo Fortress Montecolombo Fortified village Petrella Guidi Fortified village and castle ruins Monte Cerignone Fortress Sant’Agata Feltria Fortress Fregoso - museum Sassocorvaro Ubaldini Fortress Distances Pennabilli -
Elenco Gratuito Patrocinio Civile
ORDINE DEGLI AVVOCATI DI NAPOLI GRATUITO PATROCINIO Avvocati - Iscritti - Opzione sospesi: Sospesi e non Elenco per ciascun turno dei soli turni selezionati: 03 - Civile Delibera adesione dal 01/01/1900 al 22/06/2021 - Data delibera revoca qualsiasi 22/06/2021 ORDINE DEGLI AVVOCATI DI NAPOLI 2 / 598 ISCRITTI Civile Cognome e nome Arch./Pref. Titolare dello studio oppure Dominus per i praticanti Indirizzi studio / residenza / eventuale altro recapito / e-mail / PEC Telefoni, cellulare, e-mail Fax Avv. ABATE ANNA 1 / 7899 3476139449 Ades.: 13/10/2015 Ind. 1: NAPOLI - 80131 - VIALE COLLI AMINEI, 36 IS. B 0816580432 3476139449 0817435046 [email protected] [email protected] Avv. ABATE DONATELLA 1 / 11130 Ades.: 13/10/2015 Ind. 1: NAPOLI - 80131 - VIALE DEGLI ASTRONAUTI, 19 0817435046 [email protected] * Avv. ABATE LUIGI 1 / 5327 Ades.: 20/12/2016 Ind. 1: NAPOLI - 80137 - PIAZZA CAVOUR 168 081447811 0815647490 [email protected] [email protected] Avv. ABAZIA BARBARA 1 / 17215 3476162191 Ades.: 17/04/2012 Ind. 1: NAPOLI - 80132 - VIA SANTA LUCIA, 20 0815448706 0815448706 [email protected] [email protected] Avv. ABBATE ALESSANDRA 1 / 17590 3457956262 Ades.: 16/01/2018 Ind. 1: NAPOLI - 80127 - VIA BELVEDERE 111, PARCO 0815515969 0815515969 BELVEDERE [email protected] [email protected] Avv. ABBATE GIULIO 1 / 20128 c/o ALENI BENITO Ades.: 09/03/2017 3356223772 Ind. 1: NAPOLI - 80121 - CORSO VITTORIO EMANUELE 115 0817616211 0817616212 [email protected] [email protected] * Avv. ABBATE GUIDO 1 / 2885 c/o CAMERLINGO GIUSEPPE Ades.: 08/10/2002 3287025197 Ind. 1: NAPOLI - 80132 - VIA TOLEDO, 272 081408632 08119204360 081408632 Ind. -
Curriculum Vitae Giuliano Iacolare
Curriculum Vitae Giuliano Iacolare INFORMAZIONI PERSONALI Giuliano Iacolare Via San Francesco D’Assisi, 60 - 80014, Giugliano in Campania (NA), Italia +39 745.25.58 +39 333.7344527 [email protected] – [email protected] www.spotzone.it +39 333.7344527 Sesso M | Data di nascita 17/04/1970 | Nazionalità Italiana Consulenza aziendale in agricoltura Profilo senior Ho maturato la mia esperienza professionale prima come giornalista, con incarichi di responsabile di redazione e direttore in quotidiani e periodici; e successivamente, dal 2001, in qualità di direttore creativo e copywriter nell’ambito dei progetti realizzati per Enti pubblici e privati, nonché PMI OCCUPAZIONE PER LA QUALE principalmente del comparto agroalimentare e turistico. Ho anche collaborato in ricerche e analisi sui SI CONCORRE finanziamenti europei in agricoltura, ho curato e collaborato alla redazione/edizione di pubblicazioni istituzionali per conto di Enti Pubblici e Associazioni in materia di agricoltura, sicurezza, legalità e turismo. DICHIARAZIONI PERSONALI Quale esperto in comunicazione pubblica, dal 2006 ad oggi, ho supportato la Regione Campania nell’attuazione di azioni di comunicazione e animazione sul PSR Campania, FESR e FSE e ho supportato, prima la Regione Campania e quindi la Fondazione POL.I.S., nelle ideazione e nella realizzazione delle principali azioni di comunicazione in materia di politiche integrate di sicurezza, beni confiscati e sostegno alle vittime della criminalità, tra le quali vanno annoverati lo storico evento nazionale sulla legalità al Castello di Ottaviano (NA) e la prima campagna di comunicazione in tema di sicurezza della Regione Campania del 2006. Ho svolto assistenza specialistica in comunicazione e promozione nei settori del turismo e dell’agroalimentare, per la partecipazione della Regione Campania e PMI a fiere nazionali ed internazionali. -
Machiavelli: the Prince
The Prince by Niccolo Machiavelli The Project Gutenberg EBook of The Prince, by Nicolo Machiavelli This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Prince Author: Nicolo Machiavelli Translator: W. K. Marriott Release Date: February 11, 2006 [EBook #1232] Last Updated: November 5, 2012 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE PRINCE *** Produced by John Bickers, David Widger and Others THE PRINCE by Nicolo Machiavelli Translated by W. K. Marriott Nicolo Machiavelli, born at Florence on 3rd May 1469. From 1494 to 1512 held an official post at Florence which included diplomatic missions to various European courts. Imprisoned in Florence, 1512; later exiled and returned to San Casciano. Died at Florence on 22nd June 1527. CONTENTS INTRODUCTION YOUTH Aet. 1-25—1469-94 OFFICE Aet. 25-43—1494-1512 LITERATURE AND DEATH Aet. 43-58—1512-27 THE MAN AND HIS WORKS DEDICATION THE PRINCE CHAPTER I HOW MANY KINDS OF PRINCIPALITIES THERE ARE CHAPTER II CONCERNING HEREDITARY PRINCIPALITIES CHAPTER III CONCERNING MIXED PRINCIPALITIES CHAPTER IV WHY THE KINGDOM OF DARIUS, CONQUERED BY ALEXANDER CHAPTER V CONCERNING THE WAY TO GOVERN CITIES OR PRINCIPALITIES CHAPTER VI CONCERNING NEW PRINCIPALITIES WHICH ARE ACQUIRED CHAPTER VII CONCERNING NEW PRINCIPALITIES WHICH ARE ACQUIRED CHAPTER VIII CONCERNING -
Painting Perspective & Emotion Harmonizing Classical Humanism W
Quattrocento: Painting Perspective & emotion Harmonizing classical humanism w/ Christian Church Linear perspective – single point perspective Develops in Florence ~1420s Study of perspective Brunelleschi & Alberti Rules of Perspective (published 1435) Rule 1: There is no distortion of straight lines Rule 2: There is no distortion of objects parallel to the picture plane Rule 3: Orthogonal lines converge in a single vanishing point depending on the position of the viewer’s eye Rule 4: Size diminishes relative to distance. Size reflected importance in medieval times In Renaissance all figures must obey the rules Perspective = rationalization of vision Beauty in mathematics Chiaroscuro – use of strong external light source to create volume Transition over 15 th century Start: Expensive materials (oooh & aaah factor) Gold & Ultramarine Lapis Lazuli powder End: Skill & Reputation Names matter Skill at perspective Madonna and Child (1426), Masaccio Artist intentionally created problems to solve – demonstrating skill ☺ Agonistic Masaccio Dramatic shift in painting in form & content Emotion, external lighting (chiaroscuro) Mathematically constructed space Holy Trinity (ca. 1428) Santa Maria Novella, Florence Patron: Lorenzo Lenzi Single point perspective – vanishing point Figures within and outside the structure Status shown by arrangement Trinity literally and symbolically Vertical arrangement for equality Tribute Money (ca. 1427) Brancacci Chapel in Santa Maria del Carmine, Florence Vanishing point at Christ’s head Three points in story Unusual -
FELLINI's ITINERARY MUSEUM “LUIGI TONINI” Via Tonini 1, Tel 0541 793851 15
you are here! Pennabilli San Leo Republic Mondaino of San Marino Casteldelci Montefiore Gradara Conca Montescudo Verucchio Santarcangelo Torriana and di Romagna Montebello San Giovanni in Marignano Arch of Augustus Malatesta Temple Sismondo Castle Galli Theatre Cinema Fulgor Tiberius Bridge Skyscraper Lighthouse P.le Fellini / Grand Hotel P.le Boscovich / Canal port YOU ARE HERE! ancient name (Ariminus) baptized the city. Emblematic representation of this 10 TIMES RIMINI ancient heritage is the Domus del Chirurgo (Surgeon’s House), the archaeo- Rimini, or rather Ariminum, was established in 268 B.C. thanks to the work and logical site in the central Piazza Ferrari, where you can admire a third-century Ten as the districts that, from north to south, follow one another along the sea, house. Prestigious mosaics and frescoes describe a residence for private use in- genius of the Romans. The 2287 years since its foundation until today have seen each with its peculiarity that makes it unique and special. Starting from Torre tended for the practice of medical-surgical and pharmaceutical profession. The it change many times: Roman Ariminum, medieval municipality, Malatesta town Pedrera, the northernmost locality that takes its name from a saracen tower Domus has returned the richest surgical set of the Roman world: the exception- and Lordship, therapeutic and bathing center with the first beach resort in the that is visible in the vicinity of the beach. Continuing with the area of Viserbel- al collection of 150 iron and bronze instruments is on display at the Museo della nineteenth century, holiday capital, Fellini’s place of memory. -
THE SCARLET CONTESSA Jeanne Kalogridis
THE SCARLET CONTESSA Jeanne Kalogridis About the Author A • A Conversation with Jeanne Kalogridis Reading Group Gold Behind the Novel Selection • “Caterina: A Woman Ahead of Her Time” An Original Essay by the Author • Historical Perspective Keep on Reading • Recommended Reading • Reading Group Questions For more reading group suggestions, visit www.readinggroupgold.com. ST. MARTIN’S GRIFFIN Scarlett Contessa RGG_3.indd 1 3/29/11 12:07 PM A Conversation with Jeanne Kalogridis Could you tell us a little bit about your background, and when you decided that you wanted to lead a literary life? I was a shy, scrawny, unpopular kid with frizzy hair and thick glasses; since I had no social life, I read. I adored dark fantasy and science fiction, and I was writing my own stories as soon as I could hold a pencil. My mom and sisters were always dragging me to the mall on weekends, so while they shopped, I hung in the local bookstore. I think the defining “Caterina moment for me came when I picked up a copy of Ray presented a Bradbury’s The Illustrated Man in a Waldenbooks. special challenge His writing was so beautiful, so lyrical. I decided then that I wanted to write like that. because so little has been written Who are some of your favorite authors? about her.” Angela Carter, Margaret Atwood, and Dan Simmons (especially The Terror and Drood, both historical novels). You have already authored three historical novels about Renaissance Italy, The Borgia Bride, I, Mona Lisa, and, in part, The Devil’s Queen. -
Niccolò Machiavelli on Power*
RMM Vol. 0, Perspectives in Moral Science, ed. by M. Baurmann & B. Lahno, 2009, 335–354 http://www.rmm-journal.de/ Manfred J. Holler Niccolò Machiavelli on Power* Abstract: This paper uses the concept of power to analyze Machiavelli’s The Prince and the Dis- courses on the First Ten Books of Titus Livius. This helps to distil the elements that form the Machiavelli program that has its short-term aim in the formation of a national state of Italy. A unification of Italy under the umbrella of a princely family (such as identified with Cesare Borgia) was meant to be the first stage in an evolutionary process which, in the end, could lead to a more or less stable republican system. For the latter, the Roman Republic as described in the Discourses is Machiavelli’s model. The use of power, but al- so the minimization of cruelties, and the participation of the people, either in the form of militia to successfully fight foreign armies or to support the princely government, are major ingredients to this process. 1. Introduction The Prince has no power. This is the immediate consequence of applying We- ber’s seminal concept of power to Machiavelli’s The Prince as we will see below. Of course, this conclusion seems highly paradoxical since Niccolò Machiavelli has been praised and condemned as prophet of unconstrained power. It seems that there is more to power in Machiavelli’s writings as common understanding and superficial interpretation suggest. In this paper I scrutinize The Prince and the Discourses with the concept of power hoping to get a deeper insight in Ma- chiavelli’s political and philosophical ideas. -
Lawyers in the Florence Consular District
Lawyers in the Florence Consular District (The Florence district contains the regions of Emilia-Romagna and Tuscany) Emilia-Romagna Region Disclaimer: The U.S. Consulate General in Florence assumes no responsibility or liability for the professional ability, reputation or the quality of services provided by the persons or firms listed. Inclusion on this list is in no way an endorsement by the Department of State or the U.S. Consulate General. Names are listed alphabetically within each region and the order in which they appear has no other significance. The information on the list regarding professional credentials, areas of expertise and language ability is provided directly by the lawyers. The U.S. Consulate General is not in a position to vouch for such information. You may receive additional information about the individuals by contacting the local bar association or the local licensing authorities. City of Bologna Attorneys Alessandro ALBICINI - Via Marconi 3, 40122 Bologna. Tel: 051/228222-227552. Fax: 051/273323. E- mail: [email protected]. Born 1960. Degree in Jurisprudence. Practice: Commercial law, Industrial, Corportate. Languages: English and French. U.S. correspondents: Kelley Drye & Warren, 101 Park Avenue, New York, NY 10178, Gordon Altman Butowski, 114 West 47th Street, New York, NY 10036- 1510. Luigi BELVEDERI – Via degli Agresti 2, 40123 Bologna. Tel: 051/272600. Fax: 051/271506. E-mail: [email protected]. Born in 1950. Degree in Jurisprudence. Practice: Freelance international attorney since 1978. Languages: English and Italian. Also has office in Milan Via Bigli 2, 20121 Milan Cell: 02780031 Fax: 02780065 Antonio CAPPUCCIO – Piazza Tribunali 6, 40124 Bologna. -
The Cambridge Companion to Piero Della Francesca
Cambridge University Press 978-0-521-65254-4 - The Cambridge Companion to: Piero Della Francesca Edited by Jeryldene M. Wood Excerpt More information Introduction Jeryldene M. Wood Piero della Francesca (ca. 1415/20–92) painted for ecclesiastics, confrater- nities, and the municipal government in his native Sansepolcro, for monks and nuns in the nearby towns of Arezzo and Perugia, and for illustrious nobles throughout the Italian peninsula. Justly esteemed as one of the great painters of the early Renaissance, Piero seems to balance abstraction and naturalism effortlessly, achieving unparalleled effects of quiet power and lyrical calm in such masterpieces as the Resurrection for the town hall of Sansepolcro and the Legend of the True Cross in the church of San Francesco at Arezzo (Plate 1 and Fig. 9). In these paintings, as throughout his oeuvre, clear, rationally conceived spaces populated by simplified fig- ures and grand architecture coexist with exquisite naturalistic observations: reflections on the polished surfaces of gems and armor, luminous skies, and sparkling rivers and streams. The sixteenth-century biographer Giorgio Vasari praised Piero’s close attention to nature, the knowledge of geometry seen in his pictures, and the artist’s composition of learned treatises based on the study of Euclid.1 His perceptions about the intellectual structure of the painter’s work remain relevant to this day, for Piero’s art, like Leonardo da Vinci’s, has attracted a wide audience, appealing not only to enthusiasts of painting but also to devotees of science and mathematics. In fact, Vasari’s belief that the scholar Luca Pacioli stole Piero’s math- ematical ideas, which is expressed vehemently throughout the biography, doubtless contributed to the recognition and recovery of the painter’s writ- ings by later historians. -
The Mazzocchio in Perspective
Bridges 2011: Mathematics, Music, Art, Architecture, Culture The Mazzocchio in Perspective Kenneth Brecher Departments of Astronomy and Physics Boston University Boston, MA 02215, U.S.A. E-mail: [email protected] Abstract The mazzocchio was a part of 15th century Italian headgear. It was also a kind of final exam problem for students of perspective. Painted by Uccello, drawn by Leonardo, incorporated into intarsia and prints through the 16th century, it still appears occasionally in 21st century art. Here we review its history; show 3D models made by hand in wood and using stereolithography in plastic; and report two novel visual effects seen when viewing the 3D models. Brief History of the Mazzocchio in Paintings and in Graphics The origins of the kind of geometrical mazzocchios discussed in this paper are obscure. They are said to derive from supports for headgear worn in Renaissance Italy during the 15th century. No actual three- dimensional examples survive from that period. Mazzocchios are featured in three major paintings by Paolo Uccello made between 1456 and 1460 and in his fresco of “The Flood” (Figure 1a). Leonardo Da Vinci also illustrated them and may have built models of the skeletal version in the late 15th century (cf. Figure 2a). Whether the wooden “checkerboard” version was actually worn on the head or around the neck is unclear. It seems more likely that a fabric version could have actually functioned as a headpiece. Figures 1 a (l.) & b (r.): (a) Detail from the fresco in Florence “The Flood and Waters Subsiding” by Paolo Uccello (ca. 1448) and (b) a pen and ink perspective study of a mazzocchio by Paolo Uccello (in the Louvre, Paris). -
Piero Della Francesca
the cambridge companion to Piero della Francesca Edited by Jeryldene M. Wood University ofIllinois, Urbana-Champaign published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru,UK 40 West 20th Street, New York, ny 10011–4211, USA 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcón 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org © Cambridge University Press 2002 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2002 Printed in the United Kingdom at the University Press, Cambridge Typeface Fairfield Medium 10.5/13 pt. System QuarkXPress® [GH] A catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data The Cambridge companion to Piero della Francesca / edited by Jeryldene M. Wood. p. cm. – (Cambridge companions to the history of art) Includes bibliographical references and index. isbn 0-521-65254-5 – ISBN 0-521-65472-6 (pbk.) 1. Piero, della Francesca, 1416?–1492 – Criticism and interpretation. 2.Art, Renaissance – Italy. 3. Art, Italian – 15th century. I. Wood, Jeryldene. II. Series. ND623.F78 C26 2002 759.5 – dc21 2001043485 isbn 0 521 65254 5 hardback isbn 0 521 65472 6 paperback I. Encyclopedias and dictionaries ag5.c26 1990 031-dc20 isbn 0 521 39538 3 hardback isbn 0 521 39539 3 paperback Contents List of Illustrations page vii Acknowledgments xiii Contributors xv Introduction 1 Jeryldene M.