Edward R. Murrows Fred Friendly Sig Mickelson Bill Paley Joe Wershba
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Edward R. Murrow
ABOUT AMERICA EDWARD R. MURROW JOURNALISM AT ITS BEST TABLE OF CONTENTS Edward R. Murrow: A Life.............................................................1 Freedom’s Watchdog: The Press in the U.S.....................................4 Murrow: Founder of American Broadcast Journalism....................7 Harnessing “New” Media for Quality Reporting .........................10 “See It Now”: Murrow vs. McCarthy ...........................................13 Murrow’s Legacy ..........................................................................16 Bibliography..................................................................................17 Photo Credits: University of Maryland; right, Digital Front cover: © CBS News Archive Collections and Archives, Tufts University. Page 1: CBS, Inc., AP/WWP. 12: Joe Barrentine, AP/WWP. 2: top left & right, Digital Collections and Archives, 13: Digital Collections and Archives, Tufts University; bottom, AP/WWP. Tufts University. 4: Louis Lanzano, AP/WWP. 14: top, Time Life Pictures/Getty Images; 5 : left, North Wind Picture Archives; bottom, AP/WWP. right, Tim Roske, AP/WWP. 7: Digital Collections and Archives, Tufts University. Executive Editor: George Clack 8: top left, U.S. Information Agency, AP/WWP; Managing Editor: Mildred Solá Neely right, AP/WWP; bottom left, Digital Collections Art Director/Design: Min-Chih Yao and Archives, Tufts University. Contributing editors: Chris Larson, 10: Digital Collections and Archives, Tufts Chandley McDonald University. Photo Research: Ann Monroe Jacobs 11: left, Library of American Broadcasting, Reference Specialist: Anita N. Green 1 EDWARD R. MURROW: A LIFE By MARK BETKA n a cool September evening somewhere Oin America in 1940, a family gathers around a vacuum- tube radio. As someone adjusts the tuning knob, a distinct and serious voice cuts through the airwaves: “This … is London.” And so begins a riveting first- hand account of the infamous “London Blitz,” the wholesale bombing of that city by the German air force in World War II. -
Edward R. Murrow
Edward R. Murrow Edward Roscoe Murrow (April 25, 1908 – April 27, 1965), born Egbert Roscoe Murrow,[1] was an American broadcast journalist and war correspondent. He first gained Edward R. Murrow prominence during World War II with a series of live radio broadcasts from Europe for the news division of CBS. During the war he recruited and worked closely with a team of war correspondents who came to be known as the Murrow Boys. A pioneer of radio and television news broadcasting, Murrow produced a series of reports on his television program See It Now which helped lead to the censure of Senator Joseph McCarthy. Fellow journalists Eric Sevareid, Ed Bliss, Bill Downs, Dan Rather, and Alexander Kendrick consider Murrow one of journalism's greatest figures, noting his honesty and integrity in delivering the news. Contents Early life Career at CBS Radio Murrow in 1961 World War II Born Egbert Postwar broadcasting career Radio Roscoe Television and films Murrow Criticism of McCarthyism April 25, Later television career Fall from favor 1908 Summary of television work Guilford United States Information Agency (USIA) Director County, North Death Carolina, Honors U.S. Legacy Works Died April 27, Filmography 1965 Books (aged 57) References Pawling, New External links and references Biographies and articles York, U.S. Programs Resting Glen Arden place Farm Early life 41°34′15.7″N 73°36′33.6″W Murrow was born Egbert Roscoe Murrow at Polecat Creek, near Greensboro,[2] in Guilford County, North Carolina, the son of Roscoe Conklin Murrow and Ethel F. (née Lamb) Alma mater Washington [3] Murrow. -
The Edward R. Murrow of Docudramas and Documentary
Media History Monographs 12:1 (2010) ISSN 1940-8862 The Edward R. Murrow of Docudramas and Documentary By Lawrence N. Strout Mississippi State University Three major TV and film productions about Edward R. Murrow‟s life are the subject of this research: Murrow, HBO, 1986; Edward R. Murrow: This Reporter, PBS, 1990; and Good Night, and Good Luck, Warner Brothers, 2005. Murrow has frequently been referred to as the “father” of broadcast journalism. So, studying the “documentation” of his life in an attempt to ascertain its historical role in supporting, challenging, and/or adding to the collective memory and mythology surrounding him is important. Research on the docudramas and documentary suggests the depiction that provided the least amount of context regarding Murrow‟s life (Good Night) may be the most available for viewing (DVD). Therefore, Good Night might ultimately contribute to this generation (and the next) having a more narrow and skewed memory of Murrow. And, Good Night even seems to add (if that is possible) to Murrow‟s already “larger than life” mythological image. ©2010 Lawrence N. Strout Media History Monographs 12:1 Strout: Edward R. Murrow The Edward R. Murrow of Docudramas and Documentary Edward R. Murrow officially resigned from Life and Legacy of Edward R. Murrow” at CBS in January of 1961 and he died of cancer AEJMC‟s annual convention in August 2008, April 27, 1965.1 Unquestionably, Murrow journalists and academicians devoted a great contributed greatly to broadcast journalism‟s deal of time revisiting Edward R. Murrow‟s development; achieved unprecedented fame in contributions to broadcast journalism‟s the United States during his career at CBS;2 history. -
Edward R. Murrow: Journalism at Its Best
ABOUT AMERICA EDWARD R. MURROW JOURNALISM AT ITS BEST TABLE OF CONTENTS Edward R. Murrow: A Life .............................................................1 Freedom’s Watchdog: The Press in the U.S. ....................................4 Murrow: Founder of American Broadcast Journalism ....................7 Harnessing “New” Media for Quality Reporting .........................10 “See It Now”: Murrow vs. McCarthy ...........................................13 Murrow’s Legacy...........................................................................16 Bibliography ..................................................................................17 Photo Credits: 12: Joe Barrentine, AP/WWP. Front cover: © CBS News Archive 13: Digital Collections and Archives, Page 1: CBS, Inc., AP/WWP. Tufts University. 2: top left & right, Digital Collections and Archives, 14: top, Time Life Pictures/Getty Images; Tufts University; bottom, AP/WWP. bot tom, AP/ W WP. 4: Louis Lanzano, AP/WWP. Back cover: Edward Murrow © 1994 United States 5: left, North Wind Picture Archives; Postal Service. All Rights Reserved. right, Tim Roske, AP/WWP. Used with Permission. 7: Digital Collections and Archives, Tufts University. 8: top left, U.S. Information Agency, AP/WWP; right, AP/WWP; bottom left, Digital Collections Executive Editor: George Clack and Archives, Tufts University. Managing Editor: Mildred Solá Neely 10: Digital Collections and Archives, Tufts Art Director/Design: Min-Chih Yao University. Contributing editors: Chris Larson, 11: left, Library of American -
An Analysis of the Parallel Frames in the Media Used To
AN ANALYSIS OF THE PARALLEL FRAMES IN THE MEDIA USED TO DESCRIBE COMMUNISM IN THE EARLY COLD WAR AND TERRORISM IN THE POST-9/11 ERA By: SAVANNAH CARTER A THESIS Presented to the Department of Journalism and Communications and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2015 Acknowledgements I would like to thank Professors Suzanne Clark, Jane Cramer, and Gretchen Soderlund for their patience and insights, which aided immensely in allowing me to delve into not just one, but two crucial periods in American history. In addition, I am sincerely grateful to all of the members of the Robert D. Clark Honors College, specifically Thesis Coordinator Miriam Jordan and my past professors for their guidance in the research and thesis development process. Without their help this undertaking would not have been possible. And finally, I would like to acknowledge my amazing family, in particular my parents Larry and Cheryl as well as my sister Victoria Carter for being patient with me this past year. From talking sense into me during countless tearful phone calls, to reading through my hundred page drafts and listening to me rant about even the most mundane aspects of the process, I couldn’t be more grateful for all of their love and support. Truly this thesis is for them. iii Table of Contents Key Terms vi Introduction 1 Chapter 1: The Early Cold War Years I. Post World War II and the Official Start of the Cold War 4 A. Brief Historical Context 4 B. -
SHOULD NEWSPAPERS CRUSADE? Answer: Yes George Chaplin
----------------------~----------------------------------------------------------~-~ Ieman• orts October~ 1949 SHOULD NEWSPAPERS CRUSADE? Answer: Yes George Chaplin Turnover Among Newsmen William M. Pinkerton The Guild and Education Norval Neil Luxon The Character of the Newspaper Job Louis M. Lyons V A Dutchman Looks at the U. S. Press Jan Roelof Klinkert A Country Editor's Creed Donald A. Norberg The Story Behind the Story "CBS Views the Press" Seminar on Russia Houstoun Waring Nieman Scrapbook Letters Nieman Notes Nieman Reports is published by the Nieman Alumni Council, elected by former Nieman Fellows at Harvard University. It aims to provide a medium for discussion by newspapermen of problems common t.o their profession. Nine out of ten sub!Scriber·S to Nieman Reports and very many of its contributors are not themselves former Nieman Fellows but share a belief in the purpose of the Nieman Foundation "to promote and elevate standards of journalism in the U. S." NIEMAN REPORTS and receptions given by large corporations, and under the heading, "They Made It Possible" on the NEA programs, 22 firms and organizations were thanked for "making this con NiemanReports vention a success." Seventeen hosts were business concerns and organizations, including General Motors, the United States Brewers Foundation, Ford Motors, Geneva (U. S.) Steel, Kennecott Copper and the Utah Manufacturers Asso Nieman Reports is published by the Nieman Alumni ciation. Geneva Steel and Kennecott have large operations, Council: John MeL. Clark, Claremont, N. H.; Paul L. so like the other Utah companies they could legitimately Evans, Mitchell, S. D.; Lawrence A. Fernsworth, New play host to Utah visitors. York City; Thomas H. -
Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero. -
Film & Media Studies
The University Press Group Film Studies & Media Studies University of California Press Columbia University Press Princeton University Press Complete Catalogue Autumn 2021 Catalogue Contents Page University of California Press New Titles ............................................ 1 The University of California Press strives to drive progressive change by seeking out and Billy Wilder .......................................... 4 cultivating the brightest minds and giving them voice, reach, and impact. We believe that scholarship is a powerful tool for fostering a deeper understanding of our world and Austrian Film Museum .................. 6 changing how people think, plan, and govern. The work of addressing society’s core challenges—whether they be persistent inequality, a failing education system, or global Best of Backlist ................................ 7 climate change—can be accelerated when scholarship assumes its role as an agent of Backlist ............................................... 11 engagement and democracy. ucpress.edu Index ................................................... 43 How to order .................................. 66 Columbia University Press Columbia University Press seeks to enhance Columbia University’s educational and research mission by publishing outstanding original works by scholars and other intellectuals that contribute to an understanding of global human concerns. The Press also reflects the importance of its location in New York City in its publishing programs. Through book, reference, electronic -
Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer -
Fall 2009 Open Entry Newsletter Marshall Prize Winner!
Volume 37 No. 2 Fall 2009 Open Entry Newsletter Marshall Prize Winner! Portia Vescio made a winning bid in MAA’s Annual Meeting Silent Auction. She holds her prize – a gift basket from Schuler’s Restaurant & Pub, June 26, 2009. President’s Little Caesar’s Michigan Michigan Annual Ewing Civil HIGHLIGHTS Corner 3 50th Anniv 4 Circuses Exh 6 Collections 10 Meeting 12 War Coll 16 Rebecca Bizonet (2009-2011 serving two years remaining of 2008- MAA Board Members, Fall 2009 2011 term) Benson Ford Research Center Whitney Miller The Henry Ford President (2009-2012, serving one year remaining of 2008-2010 term) 20900 Oakwood Blvd. University Archives and Historical Dearborn, MI 48124-5029 Collections, 101 Conrad Hall (313) 982-6100 ext. 2284 Michigan State University [email protected] East Lansing, MI 48824-1327 (517) 355-2330 Nancy Richard (2009-2011, serving two years remaining of 2008- [email protected] 2011 term) University Archives Vacant Grand Valley State University Vice-President/President-Elect (2008-2010) 1 Campus Drive NOTE: Whitney Miller (elected Vice President/President-Elect Allendale, MI 49401 in 2008) assumed the responsibilities of President in 2009. The (616) 331-8726 Vice-President position will remain vacant until the next election in [email protected] June 2010. If the MAA Board deems this to be an unsatisfactory situation, an interim Vice-President will be appointed. Melinda McMartin Isler (2009-2012) & MAA Online, Editor Susan Panak University Archives Secretary (2008-2010) Ferris State University Hugh A. and Edna C. White Library Alumni 101 Spring Arbor University 410 Oak Street 106 E. -
Films in the Library: a General Catalog With
791 ass0 FILMS IN THE LIBRARY: A GENERAL CATALOG WITH FILM AND BROADCASTING FILMOGRAPHY OF NORTH TEXAS STATE UNIVERSITY LIBRARY FILMS THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE By Carl A. Saltarelli, B. A. Denton, Texas August, 1977 Saltarelli, Carl A., Films in the Library: A General Catalog with Film and Broadcasting Filmography of North Texas State University Library Films. Master of Science (Speech Communication and Drama), August, 1977, 150 pp., bibliography, 26 titles. The purpose of the study was to compile a catalog of two sections: (1) a comprehensive, alphabetic, annotated list of North Texas State University (NTSU) Library films (the general catalog); and (2) a classified and cross- referenced film and broadcasting filmography of NTSU Library films. The catalog represents all films available for dis- tribution from the NTSU Library as of July, 1976. The cata- loging and compilation process is described. An analysis is made of the NTSU Library film collection. The titles of 13 films are recommended for addition to the collection. TABLE OF CONTENTS CHAPTER I. INTRODUCTION. Problem Purpose Justification Scope and Limitations Previous and Related Works Procedure Format Definition of Terms II. ASSEMBLY PROCESS . * - . 12 Catalog Basics Cooperation of the Media Library Filmography Basics Catalog Design Filmography Design Catalog Film Research Catalog Development Filmography Film Research Filmography Development III. SUMMARY AND RECOMMENDATIONS . 30 Goals of the Study The Film Collection Financial Problems Suggestions Films on Film and Broadcasting Suggested Films for Purchase FILM CATALOG . 41 I. -
University of Pardubice Faculty of Arts and Philosophy Mccarthyism in Hollywood Deni Pitarka Bachelor Thesis 2019
University of Pardubice Faculty of Arts and Philosophy McCarthyism in Hollywood Deni Pitarka Bachelor Thesis 2019 2 3 Acknowledgement I would like to express my gratitude to my supervisor, Mgr. Michal Kleprlík, Ph.D., for his valuable comments and advice he provided for this thesis. I would also like to thank my family for their support. 4 Prohlášení Prohlašuji, že jsem bakalářskou práci vypracoval samostatně, že jsem řádně citoval všechny použité prameny a literaturu a že práce nebyla využita v rámci jiného vysokoškolského studia či k získání jiného nebo stejného titulu. Byl jsem obeznámen, že se na moji akademickou práci vztahují práva a povinnosti vyplývající ze zákona č. 121/2000 Sb., autorský zákon a zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60odst. 1 autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Beru dále na vědomí, že v souladu s § 47b Zákona č.111/1998 Sb., o vysokých školách a o změně a doplnění dalších zákonů (zákon o vysokých školách) ve znění pozdějších předpisů, a směrnicí Univerzity Pardubice č. 9/2012, bude práce zveřejněna v Univerzitní knihovně a prostřednictvím Digitální knihovny Univerzity Pardubice V Pardubicích, dne 31. prosince 2018 ………………………….. Deni Pitarka 5 ANNOTATION The Bachelors thesis concerns the phenomenon Red Scare and the House of Un-American Activities Committee, which was established in 1938 to investigate communism activity within the United States of America.