Vip Hospitality

Total Page：16

File Type：pdf, Size：1020Kb

EXCLUSIVE SUITE PACKAGE SATURDAY 19TH MARCH 2016 Fresh from his announcement as one of the headline acts on Australia’s iconic Bluesfest 2016, comes the exciting news that the incomparable TOM JONES will also perform in New Zealand in March next year. Over his 50 year career, Tom Jones has sold more than 100 million records, won a Grammy and two Brit Awards and given us countless hits including; ‘It’s Not Unusual’, ‘Delilah’, ‘Green, Green Grass of Home’, ‘Kiss’, ‘If I Only Knew’, ‘Mama Told Me’, ‘Burning Down The House’ and ‘Sex Bomb’. His career has remarkably gone from strength to strength. Along with sustaining his popularity as a live performer and recording artist for five decades, he has garnered - at the age of 75 - the best reviews of his career for his two most recent albums Spirit In The Room and Praise & Blame. Tom Jones has a fundamental interest in a wide range of music and although he is well known for hits, he is first and foremost an artist with a true Rhythm and Blues soul. He has remained a vital recording artist, with his 1999 album Reload the biggest selling (five million) of his then 35-year career. Our EXCLUSIVE VIP packages are available for groups of 20 or more. Available only on selected shows. Package includes: • Two hour pre-show hosting in your own private suite • Gold Concert tickets • Two hour Sapphire beverage package • Chef’s delicious themed gourmet menu • Souvenir VIP lanyard • Official show merchandise • Red carpet entry to your VIP suite • Dedicated event hosts $349 + gst per guest Please contact Rebecca Widdison to book: 09 358 1250, [email protected] VIP HOSPITALITY.

Copy Link

Recommended publications

An Uncurling Hand Isolation in Public Places
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2011 An Uncurling Hand Isolation In Public Places Kimberly Kelley Lundblom University of Central Florida Part of the Creative Writing Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Lundblom, Kimberly Kelley, "An Uncurling Hand Isolation In Public Places" (2011). Electronic Theses and Dissertations, 2004-2019. 1761. https://stars.library.ucf.edu/etd/1761 AN UNCURLING HAND: ISOLATION IN PUBLIC PLACES by KIMBERLY KELLEY LUNDBLOM B.A. University of North Florida, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Fall Term 2011 Major Professor: Terry Thaxton © 2011 Kimberly K. Lundblom ii ABSTRACT The creative thesis ―An Uncurling Hand: Isolation in Public Places‖ is a collection of poetry concerned with ideological dichotomies: conventional domestication against the exotic, class divides and its implications for identity, and most importantly the feeling of isolation even when surrounded by others. iii I am grateful to Terry Thaxton, whose belief in my abilities was unwavering and life altering. iv TABLE OF CONTENTS INTRODUCTION Writing Life Essay ............................................................................................................
[Show full text]
Note: the Following List Is Only a Sampling of the Songs That Best Describe the Joker’S Wild
Note: The following list is only a sampling of the songs that best describe The Joker’s Wild. This is not an all-inclusive listing. The Joker’s Wild welcomes requests and music from a variety of genres. Ain't That A Kick In The Head Jump, Jive, an' Wail All of Me Just a Gigolo/I Ain't Got Nobody All The Way Just One of Those Things Angel Eyes Kansas City Angelina/Zooma-Zooma Kiss To Build a Dream On, A Are You Havin' Any Fun Lady is a Tramp, The As Long As I'm Singin' Let's Call The Whole Thing Off As Time Goes By Let's Fall in Love At Last Like Young Auld Lang Syne L-O-V-E Baby Please Come Home Love is the Tender Trap Banana Split For My Baby Luck Be a Lady Basin Street Blues Mack the Knife Besame Mucho Memories Are Made of This Best Is Yet To Come Moon River Beyond the Sea Moonlight in Vermont Bim Bam Moonlight Serenade Bla Bla Cha Cha Cha More Blue Alert Mustang Sally Buona Sera My Funny Valentine Can't Take That Away From Me New York, New York Cheek to Cheek Night and Day Come Fly With Me A Nightingale Sang in Berkeley Square Come Rain or Come Shine O Sole Mio Comin' Home Baby Oh Marie Crazy Lady Old Devil Moon Dig That Crazy Chick One For My Baby Do Nothin' Till Hear From Me Papa Loves Mambo Don't Get Around Much Anymore Paper Moon Down The Road I Go Pennies From Heaven Duke's Place Please Be Kind East of the Sun, West of the Moon Please Don't Talk About Me When I'm Gone Easy To Love Pop-A-Diddy Fifteen on Fifteen Shadow of Your Smile, The Fine Romance, A Shape in a Drape Five Guys Named Moe Sing, Sing, Sing Five Months, Two Weeks,
[Show full text]
CODE BLEU Thank You for Joining Us at Our Showcase This Evening
PRESENTS… CODE BLEU Thank you for joining us at our showcase this evening. Tonight, we are featuring Code Bleu, led by Sean and Faith Gillen. Performing together for over twenty years, Code Bleu has become one of the most sought – after orchestras in New York. Code Bleu possesses a unique blend of fun, excitement and elegance that will leave your guests endlessly raving about your wedding. Featuring eight powerful lead vocalists, horns, keyboards, guitar, bass, drums and percussion, they can reproduce virtually any musical style. Code Bleu Members: • ELECTRIC, ACOUSTIC GUITARS, VOCALS………………………..………SEAN GILLEN • VOCALS AND MASTER OF CEREMONIES……..………………………….FAITH GILLEN • VOCALS AND KEYBOARDS..…………………………….……………………..RICH RIZZO • VOCALS AND PERCUSSION…………………………………......................SHELL LYNCH • KEYBOARDS AND VOCALS………………………………………..………….…DREW HILL • BASS……………………………………………………………………….….......DAVE ANTON • DRUMS AND SEQUENCING………………………………………………..JIM MANSFIELD • SAXOPHONE, VOCALS, FLUTE, AND GUITAR….……………ANTHONY POLICASTRO • VOCALS………………………………………………………………….…….PAMELA LEWIS • TRUMPET AND VOCALS……………….…………….………………….ALYSON GORDON www.skylineorchestras.com (631) 277 – 7777 #Skylineorchestras DANCE : BURNING DOWN THE HOUSE – Talking Heads BUST A MOVE – Young MC A GOOD NIGHT – John Legend CAKE BY THE OCEAN – DNCE A LITTLE LESS CONVERSATION – Elvis CALL ME MAYBE – Carly Rae Jepsen A LITTLE PARTY NEVER KILLED NOBODY – Fergie CAN’T FEEL MY FACE – The Weekend A LITTLE RESPECT – Erasure CAN’T GET ENOUGH OF YOUR LOVE – Barry White A PIRATE LOOKS AT 40 – Jimmy Buffet CAN’T GET YOU OUT OF MY HEAD – Kylie Minogue ABC – Jackson Five CAN’T HOLD US – Macklemore & Ryan Lewis ACCIDENTALLY IN LOVE – Counting Crows CAN’T HURRY LOVE – Supremes ACHY BREAKY HEART – Billy Ray Cyrus CAN’T STOP THE FEELING – Justin Timberlake ADDICTED TO YOU – Avicii CAR WASH – Rose Royce AEROPLANE – Red Hot Chili Peppers CASTLES IN THE SKY – Ian Van Dahl AIN’T IT FUN – Paramore CHEAP THRILLS – Sia feat.
[Show full text]
Monday December 21, 2020
AXS TV Schedule for Mon. December 21, 2020 to Sun. December 27, 2020 Monday December 21, 2020 6:00 PM ET / 3:00 PM PT 8:00 AM ET / 5:00 AM PT The Big Interview The Big Interview Neil Young - Music legend Neil Young sits down for a rare and candid interview about his career, Buddy Guy - Guitar legend Buddy Guy reflects on his life, career, and the blues on this episode of his music and his environmental activism. The Big Interview with Dan Rather. 7:00 PM ET / 4:00 PM PT 9:00 AM ET / 6:00 AM PT Rock Legends Eric Clapton: The 1970s Review Women Who Rock - Women have sung on jazz, pop and soul tracks since the 1930s, but when Eric Clapton’s musical journey through the seventies is recalled, from his days with musical it came to rock, however, there were few women in the 1950s who wrote and performed their collectives after Cream disbanded, to his hugely successful solo career, as told by musicians and own songs. In the 60s, artists such as Grace Slick and Janis Joplin were fronting A-list bands. biographers who knew him best during that period. All-female garage bands, such as The Runaways and Fanny, achieved limited success. As rock developed in the late 60s and 70s alongside the women’s liberation movement, women refused 12:00 PM ET / 9:00 AM PT to be just the pretty singer or the manufactured glam groups. This episode features bands such B.B. King With Special Guests Terrence Howard, Richie Sambora and Solange as Heart, Suzie Quatro and The Bangles.
[Show full text]
Schedule Quickprint TKRN-FM
Schedule QuickPrint TKRN-FM 11/28/2020 7PM through 11/28/2020 11P s: AirTime s: Runtime Schedule: Description 07:00:00p 00:00 Saturday, November 28, 2020 7PM 07:00:00p 04:27 INTO THE GROOVE / MADONNA 07:04:27p 04:11 YOU SHOULD BE DANCING / BEE GEES 07:08:38p 03:49 I'M COMING OUT / DIANA ROSS 07:12:27p 03:32 BIG SHOT / BILLY JOEL 07:15:59p 03:00 YOU MIGHT THINK / CARS 07:18:59p 03:32 BOOGIE NIGHTS / HEATWAVE 07:22:31p 03:40 THE HEAT IS ON / GLENN FREY 07:26:11p 03:10 HANDCLAP / FITZ & THE TANTRUMS 07:29:26p 03:30 STOP-SET 07:36:10p 03:49 JUMP / VAN HALEN 07:39:59p 03:42 I'M EVERY WOMAN (EDIT) / WHITNEY HOUSTON 07:43:41p 05:02 LOWDOWN / BOZ SCAGGS 07:48:43p 03:57 I'M YOUR BOOGIE MAN / K.C. & THE SUNSHINE BAND 07:52:40p 03:30 STOP-SET 08:00:00p 00:00 Saturday, November 28, 2020 8PM 08:00:00p 04:13 LOVE SHACK / B-52'S 08:04:13p 02:40 TAKE THE MONEY & RUN / STEVE MILLER BAND 08:06:53p 03:30 PUMP UP THE JAM / TECHNOTRONIC 08:10:23p 03:56 DRIVER'S SEAT / SNIFF 'N' THE TEARS 08:14:19p 03:39 WORKING FOR THE WEEKEND / LOVERBOY 08:17:58p 03:52 MAC ARTHUR PARK / DONNA SUMMER 08:21:50p 02:57 WAKE ME UP BEFORE YOU GO-GO / WHAM! 08:24:47p 04:27 BORN IN THE U.S.A.
[Show full text]
The Future of Youth Justice: a Community-Based Alternative to the Youth Prison Model Patrick Mccarthy, Vincent Schiraldi, and Miriam Shark
New Thinking in Community Corrections OCTOBER 2016 • NO. 2 VE RI TAS HARVARD Kennedy School Program in Criminal Justice Policy and Management The Future of Youth Justice: A Community-Based Alternative to the Youth Prison Model Patrick McCarthy, Vincent Schiraldi, and Miriam Shark Introduction Executive Session on [F]airly viewed, pretrial detention of a juvenile Community Corrections gives rise to injuries comparable to those associated This is one in a series of papers that will be with the imprisonment of an adult. published as a result of the Executive Session on —Justice Thurgood Marshall Community Corrections. It is, in all but name, a penitentiary. The Executive Sessions at Harvard Kennedy School bring together individuals of independent —Justice Hugo L. Black standing who take joint responsibility for rethinking and improving society’s responses to an issue. Members are selected based on their Is America getting what it wants and needs by experiences, their reputation for thoughtfulness, incarcerating in youth prisons young people who and their potential for helping to disseminate the get in trouble with the law? work of the Session. Members of the Executive Session on Community If not, is there a better way? Corrections have come together with the aim of developing a new paradigm for correctional policy For 170 years, since our first youth correctional at a historic time for criminal justice reform. The Executive Session works to explore the role of institution opened, America’s approach to youth community corrections and communities in the incarceration has been built on the premise that a interest of justice and public safety.
[Show full text]
MOVE Bombing Or What Is Called “May 13, 1985” in West Philadelphia, Was a Pivotal Moment in the Mayoral Reign of Wilson Goode and Was the First Time a U.S
James Madison University JMU Scholarly Commons Proceedings of the Tenth Annual MadRush MAD-RUSH Undergraduate Research Conference Conference: Best Papers, Spring 2019 MOVE: Philadelphia's Forgotten Bombing Charles Abraham Follow this and additional works at: https://commons.lib.jmu.edu/madrush Part of the United States History Commons Abraham, Charles, "MOVE: Philadelphia's Forgotten Bombing" (2019). MAD-RUSH Undergraduate Research Conference. 1. https://commons.lib.jmu.edu/madrush/2019/move/1 This Event is brought to you for free and open access by the Conference Proceedings at JMU Scholarly Commons. It has been accepted for inclusion in MAD-RUSH Undergraduate Research Conference by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. MOVE: Philadelphia’s Forgotten Bombing Charles Abraham James Madison University In a fortified rowhouse in West Philadelphia, a bomb dropped by Philadelphia Police killed eleven MOVE members, including five children, and burned down sixty-five other houses after a lengthy standoff between the two groups. MOVE was a cult-like organization which eschewed technology, medicine and western clothing, where members lived communally, ate raw food, left garbage on their yards, and proselytized with a loudspeaker, frustrating the residents of Osage Avenue. The MOVE Bombing or what is called “May 13, 1985” in West Philadelphia, was a pivotal moment in the mayoral reign of Wilson Goode and was the first time a U.S. city bombed itself. The bomb dropped on the MOVE rowhouse with only marginal consequences to the city government because of previous encounters with MOVE and antipathy in the public towards the MOVE organization resulting in the group falling into obscurity.1 1 For further reading on cults in America, see Willa Appel, Cults in America: Programmed for Paradise (New York: Holt, Rinehart, and Winston, 1983) which discusses the phenomenon of cults and how one is indoctrinated or breaks out of a cult.
[Show full text]
Burning Down the House
BURNING DOWN THE HOUSE The Destruction of Pennsylvania Hall, the Construction of Identity, And the Crisis of Abolition in Antebellum Philadelphia By: Rosalie Hooper Submitted to Professors Bethel Saler and Andrew Friedman In partial fulfillment of the requirements of History 400: Senior Thesis Seminar April 20, 2012 ABSTRACT In 1838, Pennsylvania Hall was constructed on the corner of Sixth Street and Race Street in Philadelphia. The managers of Pennsylvania Hall, the Pennsylvania Hall Association, intended for the building to serve as a testament to "the principles of Pennsylvania: 'Virtue, Liberty, and Independence.' They believed that Pennsylvania Hall would facilitate free discussion of slavery and other issues "not of an immoral character." Pennsylvania Hall opened to the public on May 14, 1838 with lyceums, abolitionists, and temperance groups scheduled to use the Hall as a forum for dialogue throughout the week. Three days later, a mob burned Pennsylvania Hall to the ground. The destruction of Pennsylvania Hall decisively changed how antebellum Philadelphians thought about slavery and abolition. Philadelphians used retellings of the events of Pennsylvania Hall's destruction to create and perform their own identities, incorporating the notion of slavery as an intrinsic part of their sense of self. Examining how members of the mob that destroyed Pennsylvania Hall, the Pennsylvania Hall Association, the Anti-Slavery Convention of American Women, and officers of Philadelphia's municipal government used Pennsylvania Hall's story to advance their interests forms the basis of this project. Each group refracted Pennsylvania Hall's story through a lens of their own interests and biases, thus creating many different interpretations of the singular events of the Hall's destruction and establishing their own understandings of the contentious and unstable categories of race, class, gender, and citizenship.
[Show full text]
1. Rush - Tom Sawyer 2
1. Rush - Tom Sawyer 2. Black Sabbath - Iron Man 3. Def Leppard - Photograph 4. Guns N Roses - November Rain 5. Led Zeppelin - Stairway to Heaven 6. AC/DC - Highway To Hell 7. Aerosmith - Sweet Emotion 8. Metallica - Enter Sandman 9. Nirvana - All Apologies 10. Black Sabbath - War Pigs 11. Guns N Roses - Paradise City 12. Tom Petty - Refugee 13. Journey - Wheel In The Sky 14. Led Zeppelin - Kashmir 15. Jimi Hendrix - All Along The Watchtower 16. ZZ Top - La Grange 17. Pink Floyd - Another Brick In The Wall 18. Black Sabbath - Paranoid 19. Soundgarden - Black Hole Sun 20. Motley Crue - Home Sweet Home 21. Derek & The Dominoes - Layla 22. Rush - The Spirit Of Radio 23. Led Zeppelin - Rock And Roll 24. The Who - Baba O Riley 25. Foreigner - Hot Blooded 26. Lynyrd Skynyrd - Freebird 27. ZZ Top - Cheap Sunglasses 28. Pearl Jam - Alive 29. Dio - Rainbow In The Dark 30. Deep Purple - Smoke On The Water 31. Nirvana - In Bloom 32. Jimi Hendrix - Voodoo Child (Slight Return) 33. Billy Squier - In The Dark 34. Pink Floyd - Wish You Were Here 35. Rush - Working Man 36. Led Zeppelin - Whole Lotta Love 37. Black Sabbath - NIB 38. Foghat - Slow Ride 39. Def Leppard - Armageddon It 40. Boston - More Than A Feeling 41. AC/DC - Dirty Deeds Done Dirt Cheap 42. Ozzy Osbourne - Crazy Train 43. Aerosmith - Walk This Way 44. Led Zeppelin - Dazed & Confused 45. Def Leppard - Rock Of Ages 46. Ozzy Osbourne - No More Tears 47. Eric Clapton - Cocaine 48. Ted Nugent - Stranglehold 49. Aerosmith - Dream On 50. Van Halen - Eruption / You Really Got Me 51.
[Show full text]
AXS TV Schedule for Mon. October 5, 2020 to Sun. October 11, 2020 Monday October 5, 2020
AXS TV Schedule for Mon. October 5, 2020 to Sun. October 11, 2020 Monday October 5, 2020 4:00 PM ET / 1:00 PM PT 8:00 AM ET / 5:00 AM PT Final 24 The Big Interview Tupac Shakur - September 7, 1996, although reluctant about going to Las Vegas to play a gig, Kid Rock - The original American badass, Kid Rock sits down with Dan at his Tennessee moun- Tupac eventually relents, and enjoys some high-stakes gambling before attending a heavy- taintop “Trouble-wide” motor home. weight prizefight featuring his friend, Mike Tyson. Pumped up by Tyson’s victory, Tupac is himself involved in a violent brawl, and heads back to his hotel to freshen up. When Tupac finally arrives 9:00 AM ET / 6:00 AM PT at the club for his own performance, a white Cadillac pulls up and a gunman fires a heavy round The Rise and Fall of The Clash of bullets at the rapper’s car, mortally wounding him with a punctured lung. The only up-close and personal film about the juggernaut band The Clash, and their meteoric trajectory through rock ‘n’ roll history, The Rise and Fall of The Clash features previously unseen 5:00 PM ET / 2:00 PM PT footage of the band at work and at play as well as new interviews with Mick Jones and those The Day The Rock Star Died who knew them well. Elvis Presley - With an enormous body of hit singles, commercial success in many genres, includ- ing pop, country, blues, and gospel music, Elvis Presley is the best-selling music artist in the 10:10 AM ET / 7:10 AM PT history of recorded music.
[Show full text]
Ethan Johns Selected Producer, Mixer & Musician Credits
ETHAN JOHNS SELECTED PRODUCER, MIXER & MUSICIAN CREDITS: Allison Pierce The Year of The Rabbit (Sony Masterworks) P E Mu A Seth Lakeman ft. Wildwood Kin Ballads Of The Broken Few (Cooking Vinyl) P co-M I'm With Her Forthcoming Album (TBD) P White Denim Stiff (Downtown) P M Boy & Bear Limit of Love (Nettwerk) P M Tom Jones Long Lost Suitcase (Virgin) P M Mu Ethan Johns with The Black Eyed Dogs Silver Liner (Three Crows/Caroline International) Mu W Paul McCartney New (MPL/Concord) P Mu Laura Marling Once I Was An Eagle (EMI) P E M Mu Ethan Johns If Not Now Then When (Three Crows) P E Mu W The Vaccines The Vaccines Come of Age (Columbia) P Tom Jones Spirit In The Room (Island UK) P M The Staves Dead & Born & Grown (Warner) co-P co-M The Staves The Motherlode: EP (Warner) co-P co-M Kaiser Chiefs Future Is Medieval (Fiction/B-Unique) P E M Priscilla Ahn When You Grow Up (Blue Note) P E M Mu Michael Kiwanuka "I'll Get Along" and "I Won't Lie" from Home Again P E M (Deluxe Version) (Polydor) The Boxer Rebellion The Cold Still (Absentee) P E M Red Cortez Forthcoming Album P E M Tom Jones Praise And Blame (Island UK) P E M The London Souls The London Souls (Soul On 10/DD172) P E M Laura Marling A Creature I Don't Know (EMI) P E M Laura Marling I Speak Because I Can (EMI) P E M Paolo Nutini Sunny Side Up (Atlantic UK) P E M Ray LaMontagne Gossip in the Grain (RCA) P E M Mu Grammy Nomination - Best Engineered Album 2009 Ray LaMontagne Till the Sun Turns Black (RCA) P E M Ray LaMontagne Trouble (RCA) P E M Turin Brakes Dark On Fire (EMI) P E M Joe
[Show full text]
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
[Show full text]