C-11 Mixing Clear Layering

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LAYERINGLAY Cone 5/6 PC-1 Saturation Metallic* over C-11 Mixing Clear PC- 4 Palladium over C-11 Mixing Clear PC-20 Blue Rutile over C-11 Mixing Clear PC-21 Arctic Blue over C-11 Mixing Clear PC-23 Indigo Float over C-11 Mixing Clear PC-25 Textured Turquoise over C-11 Mixing Clear PC-27 Tourmaline over C-11 Mixing Clear PC-28 Frosted Turquoise over C-11 Mixing Clear PC-29 Deep Olive Speckle over C-11 Mixing Clear PC-31 Oatmeal over C-11 Mixing Clear Reorder No. 11544S No. Reorder Clay: AMACO® White Stoneware No. 11 C-11 Layering Notes: Brush on three layers of base coat. Brush on three layers of top coat. (Let dry between coats.) www.LayeringAmacoGlazes.com Firing: Test tiles have been fired to Cone 6 over C-11 Join the conversation PC-33 Iron Lustre over C-11 Mixing Clear Mixing Clear www.facebook.com/groups/potterschoiceex PC-34 Light Sepia over C-11 Mixing Clear PC-36 Ironstone over C-11 Mixing Clear PC- 39 Umber Float over C-11 Mixing Clear PC-40 True Celadon over C-11 Mixing Clear PC-41 Vert Lustre over C-11 Mixing Clear PC-42 Seaweed over C-11 Mixing Clear PC-46 Lustrous Jade over C-11 Mixing Clear PC-48 Art Deco Green over C-11 Mixing Clear PC-52 Deep Sienna Speckle over C-11 Mixing Clear PC-53 Ancient Jasper over C-11 Mixing Clear PC-55 Chun Plum over C-11 Mixing Clear PC-59 Deep Firebrick over C-11 Mixing Clear Color may vary may Color between printed copies. The Art & Creative Materials Institute AP (Approved Product) seal certifies this product to be safe for use by all ages. Conforms to ASTM D-4236. The Art & Creative Materials Institute CL (Caution Label) seal restricts this product from children under the age of 13. Older users must follow all cautionary labeling. Conforms to ASTM D-4236. PC-61 Textured Amber over C-11 Mixing Clear PC-62 Textured Amber Brown over C-11 Mixing Clear WARNING (PC-1): This product contains a chemical known to the State of California to cause birth defects or other reproductive harm..

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HIGHLIGHTS of THIS ISSUE This Listing Does Not Affect the Legal Status of Any Document Published in This Issue
WEDNESDAY, OCTOBER 27, 1971 WASHINGTON, D.C. Volume 36 ■ Number 207 Pages 20569-20640 HIGHLIGHTS OF THIS ISSUE This listing does not affect the legal status of any document published in this issue. Detailed table of contents appears inside. PEANUTS— USDA regulation proclaiming 1972 marketing quotas and acreage allotments; effec tive 10-26-71 __________ ____ _____ - 20575 COTTON LOAN PROGRAM— USDA regulations on redemptions; effective 10-26-71-------------- 20577 BURLEY TOBACCO— USDA regulation on grade rates for advances to producers on 1971 crop; effective 10-26-71................ .........— .............. 20577 AIR CARRIERS— CAB regulation on use of rec ords on microfilm and microfiche; effective 10-27-71 ................. ......... ...................... 20579 CONTRACT APPEALS— NASA regulations; effec tive 11-15-71_________ _______________________ ___ 20580 UNFAIR TRADE PRACTICES— FTC cease and desist orders on false advertising (17 docu ments) ........................... ..............................20584-20596 ANTIBIOTIC DRUGS— FDA regulation revoking certification of 8 drugs; effective within 40 days unless stayed by objections____________ _____ ____ 20597 INCOME TAX— 1RS regulations relating to examinations of incomes of churches........... ......... 20599 AVAILABILITY OF RECORDS— EEOC rule setting schedule of fees; effective 10-27-71...... ............ 20600 COAL MINE HEALTH AND SAFETY— Interior Dept, regulations for transfer of miners with evidence of pneumoconiosis.................... 20600 Interior Dept, proposal of standards
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Gamblin Provides Is the Desire to Help Painters Choose the Materials That Best Support Their Own Artistic Intentions
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Color Chart Colorchart
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National Gallery Technical Bulletin Volume 24, 2003 National Gallery Company London Distributed by Yale University Press This volume of the Technical Bulletin is published with the generous support of the Samuel H. Kress Foundation and the American Friends of the National Gallery, London, Inc. Series editor Ashok Roy © National Gallery Company Limited 2003 All rights reserved. No part of this publication may be transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without the prior permission in writing of the publisher. First published in Great Britain in 2003 by National Gallery Company Limited St Vincent House, 30 Orange Street London wc2h 7hh www.nationalgallery.co.uk British Library Cataloguing in Publication Data A catalogue record for this journal is available from the British Library isbn 1 85709 997 4 issn 0140 7430 525043 Publisher Kate Bell Project manager Jan Green Editor Diana Davies Designer Tim Harvey Picture research Xenia Corcoran and Kim Klehmet Production Jane Hyne and Penny Le Tissier Printed in Italy by Conti Tipocolor front cover Georges Seurat, Bathers at Asnières (NG 3908), detail of plate 4, page 7 title page Giulio Romano, The Birth of Jupiter (NG 624), detail of plate 1, page 38 ‘Black Earths’: A Study of Unusual Black and Dark Grey Pigments used by Artists in the Sixteenth Century marika spring, rachel grout and raymond white n his Lives of the Artists, Vasari describes ‘an beautiful for all lights and all shadows, and espe- Iastounding piece of painting’ by Sebastiano del cially if it is the one from Venice, which comes in Piombo, a portrait of Pietro Aretino in which there little balls’.8 A terra nera di campana (black earth of may be seen ‘ﬁve or six different kinds of black in bells) is mentioned by Vasari, Armenini, Lomazzo, the clothes that he is wearing – velvet, satin, Borghini and Baldinucci.
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