DOCSLIB.ORG

Behlen Color Chart

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Color Guide PO Box 22000 Hickory, NC 28603 866-785-7781 (Toll Free) Fax: 800-721-1545 (Toll Free) www.HBehlen.com To order quarts, add “6” to end of part number. Solar Lux™ Stain To order pints, add “5” to end of part number. Solux Lux™ Stain B503-01A4 B503-04A2 B503-07A3 B503-08A7 B503-09A1 B503-09A2 B503-3A10 JET BLACK YELLOW MAPLE MEDIUM DARK GREEN LEMON LT ORANGE LT BROWN WHEAT YELLOW YELLOW MAHOGANY B503-3A11 B503-3A12 B503-3A13 B503-3A16 B503-3A28 B503-4A56 B503-650 MED RED LT RED MED BROWN CORDOVAN BLOOD RED GOLDEN VAN DYKE MAHOGANY MAHOGANY MAHOGANY MAHOGANY FRUITWOOD BROWN B503-660 B503-6A20 B503-6A23 B503-6A26 B503-6A28 B503-6A30 B503-6A40 BROWN MAPLE MED BROWN AMERICAN NUTMEG HICKORY SEA BLUE CHERRY WALNUT WALNUT BROWN Wood Stain 15 Minute B545-08046 B545-08076 B545-08086 B545-08096 B545-08156 B545-08226 Wood Stain WHITE BROWN LIGHT BROWN DK AMERICAN GOLDEN OAK MEDIUM OAK WALNUT WALNUT WALNUT B545-08316 B545-08326 B545-08506 B545-08536 B545-08586 B545-08736 DARK BROWN EXTRA DARK MED BROWN CHERRY RED MAHOGANY MAHOGANY WALNUT WALNUT MAHOGANY Shading & Glazing Stain B514-8176 B514-8186 B514-8266 B514-8476 B514-8486 B514-8786 Shading & Glazing Stain RAW UMBER BURNT UMBER BLACK BURNT SIENNA RAW SIENNA VAN DYKE BROWN Solar Lux™ Stain Highly Fade and UV resistant dye based Non-Grain Raising stain. The deep penetration and colorful transparency brings out the natural beauty of the wood. ¢ Wood Stain 15 Minute This semi-transparent pigment based, wiping stain is non-grain raising and fade resistant. ¢ Shading & Glazing Stain Specialized formulas of highly concentrated colorants and topcoat friendly resins. Allows the creation of unique toning and highlighting effects over almost any sealed surface. NOTE: COLORS ARE APPROXIMATE REPRESENTATIONS OF ACTUAL COLORS USING MODERN PROCESS TECHNIQUES. VARIATIONS MAY OCCUR. Wood Fil™ Wood Putty Wood Fil B741-002 B741-005 B741-007 B741-1000 B741-1006 B741-1008 RAW OAK DARK WALNUT DARK MAPLE NATURAL COLONIAL RED MAPLE MAHOGANY B741-1009 B741-1010 B741-1011 B741-1012 B741-1013 NATURAL FRUITWOOD CHERRY GOLDEN OAK NATURAL OAK AMBER Master Color B500-0025 B500-0035 B500-0055 B500-0065 B500-0075 Master Color BLUE VAN DYKE RED BURNT SIENNA RAW SIENNA BROWN B500-0085 B500-0095 B500-0105 B500-0115 B500-0125 BURNT UMBER RAW UMBER YELLOW WHITE BLACK Japan Color B560-01414 B560-14024 B560-14204 B560-14314 B560-14324 Japan Color DROP BLACK MEDIUM YELLOW ULTRAMARINE BURNT SIENNA RAW SIENNA BLUE B560-14334 B560-14344 B560-14354 B560-14414 B560-14544 B560-14904 BURNT UMBER RAW UMBER VAN DYKE MED CHROME RED BULLETIN WHITE FLAKE BROWN GREEN Master Toner Water Based Grain Filler B103-509 B103-510 B103-512 B103-513 DARK WALNUT PINE TAVERN VAN DYKE NATURAL WALNUT B744-0026 B744-0036 B744-0046 B103-515 B103-518 B103-528 B103-529 BROWN MAHOGANY NEUTRAL GOLDEN OAK WALNUT DK RED MAHOGANY WALNUT Wood Fil™ Wood Putty Water based 3 oz. squeeze tube used for production work on wood repairs. ¢ Master Color Finely ground pigment concen- trate. Hue can be changed without altering the clarity or drying characteristics. ¢ Japan Color Highly concentrated color, can be used for tinting paints, making stains, antiquing and touch up. ¢ Master Toner Unique combination of nitrocellulose lacquer and fade resistant dyes used for shading or blending spot repairs. ¢Water Based Grain Filler Create a smooth, closed grain surface on open grain woods like oak, mahogany and cherry. NOTE: COLORS ARE APPROXIMATE REPRESENTATIONS OF ACTUAL COLORS USING MODERN PROCESS TECHNIQUES. VARIATIONS MAY OCCUR. Jet Spray™ Lacquer Toners B101-0809 B101-0813 B101-0815 B101-0817 B101-0818 B101-0822 Jet Spray ™ DK AMERICAN NATURAL GOLDEN OAK RAW UMBER BURNT UMBER MEDIUM OAK WALNUT B101-0829 B101-0831 B101-0832 B101-0850 B101-0853 B101-0858 B101-0873 MEDIUM DARK BROWN EXTRA DARK MED BROWN CHERRY RED MAHOGANY MAHOGANY MAHOGANY WALNUT WALNUT MAHOGANY B101-0878 B101-0892 B101-F826 B101-G804 B101-G826 B101-L854 B101-S826 VAN DYKE MAPLE FLAT BLACK WHITE GLOSS BLACK GLOSS FRUITWOOD BLACK SATIN BROWN Fill Sticks B230-001 B230-003 B230-005 B230-006 B230-007 B230-004 Fill Sticks MAHOGANY LIGHT BROWN EXTRA DARK FRUITWOOD CHERRY WHITE WALNUT WALNUT B230-008 B230-009 B230-010 B230-011 B230-012 B230-015 B230-017 BLACK MAPLE DK AMERICAN MED BROWN MEDIUM GOLDEN OAK LIGHT WALNUT WALNUT MAHOGANY MAHOGANY B230-018 B230-822 B230-825 B230-832 B230-873 BURNT UMBER MEDIUM OAK CHAMPAGNE BROWN RED MAHOGANY MAHOGANY Scratch Remover B267-001 B267-003 B267-004 B267-005 B267-006 Scratch Remover MAHOGANY LIGHT BROWN EXTRA DARK FRUITWOOD CHERRY WALNUT WALNUT B267-007 B267-008 B267-009 B267-011 B267-013 B267-014 B267-873 GOLDEN OAK BLACK MAPLE MED. BROWN NATURAL VAN DYKE RED WALNUT BROWN MAHOGANY Jet Spray™Lacquer Toners Formulated to blend spot repairs to the surrounding surfaces. Essential for repairs on pieces that were toned by the manufacturer. ¢ Fill Sticks A rub-on putty and wax pencil that fixes and eliminates scars, scratches, and gouges on furniture and other wood items. ¢ Scratch Remover Permanently stains wood, it refinishes worn out spots and scratches on furniture and other wood items. Dries instantly! NOTE: COLORS ARE APPROXIMATE REPRESENTATIONS OF ACTUAL COLORS USING MODERN PROCESS TECHNIQUES. VARIATIONS MAY OCCUR. Burn-In Sticks B320-001 B320-003 B320-004 B320-005 DARK LIGHT BROWN EXTRA DARK FRUITWOOD Burn-In Sticks MAHOGANY WALNUT WALNUT B320-006 B320-007 B320-008 B320-009 B320-010 B320-011 B320-012 CHERRY WHITE BLACK MAPLE DARK AMBER AMBER CLEAR B320-013 B320-015 B320-018 B320-815 B320-818 B320-853 B320-873 DK WALNUT MEDIUM DARK CHERRY GOLDEN OAK BURNT UMBER MED. BROWN RED AMERICAN MAHOGANY WALNUT MAHOGANY Furniture Powders B370-001 B370-003 B370-004 B370-006 B370-007 B370-008 Furniture MAHOGANY LIGHT WALNUT EXTRA DARK CHERRY WHITE BLACK Powders WALNUT B370-306 B370-312 B370-320 B370-331 B370-352 B370-353 ULTRAMARINE DARK GREEN VENETIAN RED MEDIUM BURNT SIENNA RAW SIENNA BLUE YELLOW B370-817 B370-818 B370-825 B370-853 B370-878 B370-892 RAW UMBER BURNT UMBER CHAMPAGNE MED. BROWN VAN DYKE MAPLE WALNUT BROWN Dry Powdered Aniline Stain B366-0012 B366-0022 B366-0032 B366-0042 B366-0072 B366-0092 Dry Powdered JET BLACK SEA BLUE CHERRY RED DARK GOLDEN OAK Aniline Stain MAHOGANY B366-0192 B366-0222 LEMON AMERICAN YELLOW WALNUT Burn-In Sticks Manufactured from the finest colorants and resins. Will not lift out and accepts any type of finish. ¢ Furniture Powders Finely ground pigments formulated with extreme care to achieve quick and permanent spot repairs. ¢ Dry Powdered Aniline Stain Water/Alcohol Soluble. When dissolved in water you will achieve deep penetration resulting in the best light fastness. When dissolved in wood alcohol, these dyes are used as touch- up and repair stains as well as primary wood stains. Alcohol enables rapid drying and will not significantly raise the grain of the wood. NOTE: COLORS ARE APPROXIMATE REPRESENTATIONS OF ACTUAL COLORS USING MODERN PROCESS TECHNIQUES. VARIATIONS MAY OCCUR. Rev. 6/2005 Z120-2046 .
Recommended publications
  • Ask a Master Gardener

    Ask a Master Gardener

    ASK A MASTER GARDENER COLORFUL WINTER STEMS By Trish Grenfell, Placer County Master Gardener Q Each winter my bloodtwig dogwood has produced a spectacular show with its bright red stems, but this year the branches are a dull grey. What happened? Can you suggest another shrub/small tree with bright winter stems to replace it? A If your bloodtwig dogwood Cornus sanguinea is healthy, there is a simple method to restore its glory next winter: prune it! Late winter or early spring (February-March), before the leaves begin to appear on the stems, is the best time to prune. This allows the maximum time to enjoy the colorful stems, while encouraging vigorous new shoots and foliage for the coming season. For dogwoods with intense bark colors, the branches you want to remove are those older than three years old. Those that need pruning are identified by their lack of desired color. Usually this does not include all the stems, but if you have never pruned, it may mean they all must be pruned this spring. Cut as close as possible to the base (crown) of the plant without cutting that base. If you would like to add additional dogwoods to brighten your winter garden, consider adding a redtwig dogwood - Cornus sericea sometimes called C. stolonifera (red stems), yellowtwig dogwood – C. Flaviramea (yellow-green stems), or Tatarian dogwood – C. alba (blood red stems). Follow the same pruning rules for continued winter color as described for the bloodtwig dogwood. Many willows also provide brilliant winter interest with their colorful, curving bare branches.
  • Brochure Colour Chart New Masters Classic Acrylics

    Brochure Colour Chart New Masters Classic Acrylics

    New Master Classic Acryllic Colours NEW MASTERS C L S A I C S S L I C A C R Y Pigment Identification A601 TITANIUM WHITE PW6 B682 INDIGO EXTRA PB15:2 - PR177 - PBL7 B826 IRIDESCENT SILVER MICA - PBL7 - PW6 NEW MASTERS A602 ZINC WHITE PW4 B683 CYAN BLUE PW4 - PB15:2 - PB29 B827 IRIDESCENT PEWTER MICA - PBL7 - PB15:2 - PW6 C A603 TITANIUM WHITE EXTRA OPAQUE PW6 A684 OLD HOLLAND BLUE LIGHT PW6 - PB15:2 B828 IRIDESCENT BRIGHT GOLD MICA - PW6 L S A604 MIXED WHITE PW6-PW4 C685 MANGANESE BLUE EXTRA PB15 - PB35 - PG50 B829 IRIDESCENT ROYAL GOLD MICA - PW6 A C A605 OLD HOLLAND YELLOW LIGHT PW6-PY184 E686 CERULEAN BLUE PB35 B830 IRIDESCENT BRONZE MICA - PW6 S L I A606 TITANIUM BUFF LIGHT PW6-PY42 A687 OLD HOLLAND BLUE MEDIUM PW6 - PB29 - PB15:2 B831 IRIDESCENT LIGHT COPPER MICA - PW6 S Y A607 TITANIUM BUFF DEEP PW6-PY42-PBR7 B688 OLD HOLLAND BLUE-GREY PW6 - PB29 - PBL7 B832 IRIDESCENT DEEP COPPER MICA - PW6 I C C R B608 OLD HOLLAND YELLOW MEDIUM PW6-PY184 F689 CERULEAN BLUE DEEP PB36 A B609 OLD HOLLAND YELLOW DEEP PW6-PY43 B690 PHTHALO BLUE TURQUOISE PB15:6 - PG7 ‘EXTRA’ means: Traditional colour made from lightfast pigment B610 BRILLIANT YELLOW LIGHT PW6-PY53 C691 PHTHALO BLUE GREEN SHADE PB16 B611 BRILLIANT YELLOW PW6-PY53 D692 COBALT BLUE TURQUOISE PB36 Chemical Composition B612 BRILLIANT YELLOW REDDISH PW6-PY53-PR188 E693 COBALT BLUE TURQUOISE LIGHT PG50 B613 NAPLES YELLOW REDDISH EXTRA PW6-PO73-PY53 B694 PHTHALO GREEN TURQUOISE PG7 - PB15:2 PW 4 ZINC OXIDE B614 FLESH TINT PW6-PR122-PR101 B695 PHTHALO GREEN BLUE SHADE PG7 PW 6 TITANIUM DIOXIDE
  • HIGHLIGHTS of THIS ISSUE This Listing Does Not Affect the Legal Status of Any Document Published in This Issue

    HIGHLIGHTS of THIS ISSUE This Listing Does Not Affect the Legal Status of Any Document Published in This Issue

    WEDNESDAY, OCTOBER 27, 1971 WASHINGTON, D.C. Volume 36 ■ Number 207 Pages 20569-20640 HIGHLIGHTS OF THIS ISSUE This listing does not affect the legal status of any document published in this issue. Detailed table of contents appears inside. PEANUTS— USDA regulation proclaiming 1972 marketing quotas and acreage allotments; effec­ tive 10-26-71 __________ ____ _____ - 20575 COTTON LOAN PROGRAM— USDA regulations on redemptions; effective 10-26-71-------------- 20577 BURLEY TOBACCO— USDA regulation on grade rates for advances to producers on 1971 crop; effective 10-26-71................ .........— .............. 20577 AIR CARRIERS— CAB regulation on use of rec­ ords on microfilm and microfiche; effective 10-27-71 ................. ......... ...................... 20579 CONTRACT APPEALS— NASA regulations; effec­ tive 11-15-71_________ _______________________ ___ 20580 UNFAIR TRADE PRACTICES— FTC cease and desist orders on false advertising (17 docu­ ments) ........................... ..............................20584-20596 ANTIBIOTIC DRUGS— FDA regulation revoking certification of 8 drugs; effective within 40 days unless stayed by objections____________ _____ ____ 20597 INCOME TAX— 1RS regulations relating to examinations of incomes of churches........... ......... 20599 AVAILABILITY OF RECORDS— EEOC rule setting schedule of fees; effective 10-27-71...... ............ 20600 COAL MINE HEALTH AND SAFETY— Interior Dept, regulations for transfer of miners with evidence of pneumoconiosis.................... 20600 Interior Dept, proposal of standards
  • Gamblin Provides Is the Desire to Help Painters Choose the Materials That Best Support Their Own Artistic Intentions

    Gamblin Provides Is the Desire to Help Painters Choose the Materials That Best Support Their Own Artistic Intentions

    AUGUST 2008 Mineral and Modern Pigments: Painters' Access to Color At the heart of all of the technical information that Gamblin provides is the desire to help painters choose the materials that best support their own artistic intentions. After all, when a painting is complete, all of the intention, thought, and feeling that went into creating the work exist solely in the materials. This issue of Studio Notes looks at Gamblin's organization of their color palette and the division of mineral and modern colors. This visual division of mineral and modern colors is unique in the art material industry, and it gives painters an insight into the makeup of pigments from which these colors are derived, as well as some practical information to help painters create their own personal color palettes. So, without further ado, let's take a look at the Gamblin Artists Grade Color Chart: The Mineral side of the color chart includes those colors made from inorganic pigments from earth and metals. These include earth colors such as Burnt Sienna and Yellow Ochre, as well as those metal-based colors such as Cadmium Yellows and Reds and Cobalt Blue, Green, and Violet. The Modern side of the color chart is comprised of colors made from modern "organic" pigments, which have a molecular structure based on carbon. These include the "tongue- twisting" color names like Quinacridone, Phthalocyanine, and Dioxazine. These two groups of colors have unique mixing characteristics, so this organization helps painters choose an appropriate palette for their artistic intentions. Eras of Pigment History This organization of the Gamblin chart can be broken down a bit further by giving it some historical perspective based on the three main eras of pigment history – Classical, Impressionist, and Modern.
  • RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V

    RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V

    RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey
  • What Are Ochre and Umber?

    What Are Ochre and Umber?

    What a「e O⊂hre and Umber? 100% Natu「al I「on Oxide Pigments 〃柵e most economic。l p毎men誌fn the血dustγ’’ ochre (PrOnOunCed o′-ker) is a natura一′ mineral′ earth pigment. Chemic訓y′ it is a hyd「ated ferric oxide′ Chemical formulation: FeO(OH). Och「e is inorganic, Chemica一一y ine「t′ nOn-reaCtive with cement′ mO「tar Or brick′ and New Riverside produces two grades ofOchre pigments that are caIled 548 0chre and NIROX412. 548 Ochre is s=ghtlydarke「・ NIROX412 is mo「e yel看ow and has a greater tint strength. ochre is mined and processed in Cartersv紺e′ GAatthe oniyyear-rOund Ochre mInlng and processing operation in the United States. How応O`hre used? Ochre can be used aIone as a singie pigmentto achieve a range ofcoIors from light bu什to dark bu什simpIy byvaryingthe addition rate. As a wayto achieve a broader range ofcoIorswith a higheryeIIow or red shade, Ochre mayaIso be blended with synthetic pigments and used as a cost effective base. 548 0chre is a brown-yeIIow′ refined natu「al iron OXide pigment (Fe203) with an average particIe Size of-3 microns. it isthe mosteconomicaI bu什 COIor in the pigment industry. Broad appIication use for aii cement appiications. 5櫛くわhIe Umber is a contro看led productfrom a manganese enriched fo「m ofgoethite, a natur訓yoccurrIng InOrganic iron oxide. it is a brown earth pigmentthat is darkerthan the Ochre because ofits manganese and iron oxide content. It is highiyvaiued as a pe「manent pigmenteither in the raw or burntstate. Umber is Iightfast, insoluble in water, 「eSistantto alkaIis and weak acids and non-reaCtive with cement, SOIvents, OiIs, and most resins.
  • 2017 Seedling Catalog

    2017 Seedling Catalog

    2017 Seedling Catalog Tomatoes, Peppers & Eggplants 412-501-FARM (3276) www.mygardendreams.com PLEASE NOTE: Seedlings that are good for pots are marked with an * after the variety. OP Type = open pollinated. All tomatoes are indeterminate, unless noted otherwise. New and/or returning varieties are in red! Fruit Size & Days to Type Color Notes Italian Eggplants Shape Maturity Beatrice Hybrid neon violet medium oval 62 High yielding, early and dependable. Black Beauty Heirloom dark purple large oval 90 Sets the standard for all Italian eggplants. purple with white Calliope Hybrid medium oval 64 Unusual and eye catching stripes. stripes Diamond OP dark purple medium oval 78 Productive! Perfect for eggplant parmesan. rosy lavender and Rosa Bianca Heirloom medium round 88 Farm staff favorite! Absolutely gorgeous. white Fruit Size & Days to Type Color Notes Asian Eggplants Shape Maturity Applegreen OP light green medium round 74 Non-bitter, tender and flavorful, mild white flesh. Casper * OP white 6" long 70 No need to peel this non-bitter eggplant. Small fruits are sweet when picked young and Little Fingers OP dark purple 5" long 60 perfect for stir fries. Orient Express Hybrid dark purple 10" long 58 Classic dark purple eggplant in Asian cuisine. Pingtung Long Hybrid light to dark purple 10" long 58 Long, thin pink-purple Asian eggplant. Fruit Size & Days to Type Color Notes Sweet Peppers Shape Maturity Carmen Hybrid red medium horn 70 Best-tasting sweet Italian fryer. Replaces Italia. Bulgarian, Ark of Taste winner. A staff favorite. Deep scarlet Chervena Chushka red medium horn 85 Heirloom with outstanding sweet flavor.
  • A Color Mixing Guide. CREA Your Color Story with Colors You Practice in Advance and Love

    A Color Mixing Guide. CREA Your Color Story with Colors You Practice in Advance and Love

    Use the color cards in this kit as an optional tool as you create. Fill it up with favorite color blends as you work ORY through the workshop (and notes on OLOR ST TE A C how to achieve them again), or pre-plan A color mixing guide. CREA your color story with colors you practice in advance and love. The best way to design beautiful A quick intro to figuring out colors. color schemes is to play! I’m so excited and glad that you’ve decided to paint with me in this workshop. I really hope the information in this booklet is helpful. Don’t be afraid to outsource for further information, Pinterest is a great tool for color schemes, and you can find just about everything else on Google. Enjoy yourself and have fun! THE THE CRAFTER’S CRAFTER’S BOX BOX Mixing paint doesn’t have to be hard! Let’s be honest, mixing colors seems so complicated. I hear that all the time. And anyone who has tried their hand at blending colors and has ended up with several different shades of brown by accident knows what I’m saying. I’m hoping this guide will help walk you though this workshop and also give you the confidence to blend many different shades of brown on purpose. I should also mention that while I feel very knowledgeable about color theory in the application I use it, I’m not actually a master. If this guide isn’t helpful or is conflicting to your college level color theory course, feel free to gently place this in the trash.
  • Color Chart.Pdf

    Color Chart.Pdf

    ® Finishing Products Division of RPM Wood Finishes Group Inc. Color Chart The Original Touch Up Company™ Made in the USA Color Chart ® Finishing Products Division of RPM Wood Finishes Group, Inc. Index Aerosols 1-5 Ultra® Classic Toner & Tone Finish Toner 1-3 Colored Lacquer Enamel 3-5 Shadow Toner 5 Touch-Up Markers/Pencils 5-15 Ultra® Mark Markers 5-9 3 in 1 Repair Stick 9 Pro-Mark® Markers 9-10 Quik-Tip™ Markers 10-11 Background Marker Touch-Up & Background Marker Glaze Hang-Up 11-13 Artisan Glaze Markers 13 Vinyl Marker Glaze Hang-Up 14 Brush Tip Graining Markers 14 Accent Pencils 15 Blend-Its 15 Fillers 15-29 Quick Fill® Burn-In Sticks 15-16 Edging/Low Heat Sticks 16 E-Z Flow™ Burn-In Sticks 16-17 PlaneStick® Burn-In Sticks 17-18 Fil-Stik® Putty Sticks 18-25 Hard Fill & Hard Fill Plus 25-27 PermaFill™ 27 Epoxy Putty Sticks 27-28 Patchal® Puttys 28-29 Knot Filler 29 Fil-O-Wood™ Wood Putty Tubes 29 Color Replacement 30-31 Blendal® Sticks 30 Sand Thru Sticks 30-31 Blendal® Powder Stains 31 Bronzing Powders 31 Dye Stains 32 Ultra® Penetrating & Architectural Ultra® Penetrating Stain 32 Dye Concentrate 32 Pigmented Stains 32-34 Wiping Wood™, Architectural Wiping Stain & Wiping Wood™ Stain Aerosols 32-33 Designer Series Stain, Designer Series Radiant Stain 33-34 Glazes 34 Finisher’s Glaze™ Glazing Stain & Aerosols 34 Break-A-Way™ Glaze & Aerosols 34 Leather Repair 35-37 E-Z Flow™ Leather Markers 35 Leather/Vinyl Markers 35 Leather/Vinyl Fil Sticks 35-36 Leather Repair Basecoat Aerosols 36 Leather Repair Toner Aerosols 36 Leather Repair Color Adjuster Aerosols 37 Touch Up Pigment 37 Leather Refinishing 37 Base Coat 37 NOTE: COLORS ARE APPROXIMATE REPRESENTATIONS OF ACTUAL COLORS USING MODERN PROCESS TECHNIQUES.
  • Liquicolor Permanente Shades 07-10-12.Pdf

    Liquicolor Permanente Shades 07-10-12.Pdf

    LIQUICOLOR PERMANENTE INTENSE INTENSE INTENSE INTENSE GOLD RED NEUTRAL (RN) INTENSE RED (RR) RED VIOLET (RV) RED VIOLET (RRV) BASE INTENSE NEUTRAL (NN) NEUTRAL (N) ASH (A) ASH (A) ASH (AA) ASH (AA) NEUTRAL(GN) GOLD (G) REDPELIRROJO NEUTRAL (RN) RED (R) INTENSEPELIRROJO RED (RR) REDPELIRROJO VIOLET (RV) REDPELIRROJO VIOLET (RRV) NEUTRAL INTENSO NEUTRAL CENIZO CENIZO CENIZO INTENSO CENIZO INTENSO DORADO NEUTRAL GOLDDORADO (G) PELIRROJONEUTRAL PELIRROJORED (R) PELIRROJOINTENSO PELIRROJOVIOLETA VIOLETAPELIRROJO INTENSO LEVEL/NIVEL DORADO NEUTRAL PELIRROJO INTENSO VIOLETA VIOLETA INTENSO 12 HIGH-LIFT BLONDE 12N/HL-N 12A/HL-V 12AA-B/HL-B 12AA-BV 12G / HL-G HIGH LIFT HIGH LIFT HIGH LIFT ULTRA HIGH LIFT ULTRA HIGH LIFT GOLDEN BLONDE NEUTRAL BLONDE COOL BLONDE COOL BLONDE BLUE COOL BLONDE BLUE VIOLET 10 LIGHTEST BLONDE RUBIO CLARÍSIMO 10N/12B1 10GN/12G2 OUR FIRST NN 10G / 12G LIGHTEST NEUTRAL BLONDE LIGHTEST GOLD LIQUID COLOR LIGHTEST GOLDEN BLONDE blondest beige NEUTRAL BLONDE blondest blonde blondest gold 9 VERY LIGHT BLONDE RUBIO MUY CLARO 9NN 9N/89N 9A/26D 9A-N/40D 9AA/20D 9AA-BV/30D VERY LIGHT RICH VERY LIGHT VERY LIGHT VERY LIGHT COOL VERY LIGHT ULTRA VERY LIGHT ULTRA COOL NEUTRAL BLONDE NEUTRAL BLONDE COOL BLONDE NEUTRAL BLONDE COOL BLONDE BLONDE BLUE VIOLET lightest neutral blonde winter wheat topaz arctic blonde flaxen blonde 8 LIGHT BLONDE RUBIO CLARO 8NN 8N/88N 8A / 28D 8GN/27G 8RN / 71RG 8R / 29R LIGHT RICH LIGHT LIGHT COOL BLONDE LIGHT GOLD NEUTRAL LIGHT RED NEUTRAL LIGHT RED BLONDE NEUTRAL BLONDE NEUTRAL BLONDE autumn mist BLONDE
  • Color Chart Colorchart

    Color Chart Colorchart

    Color Chart AMERICANA ACRYLICS Snow (Titanium) White White Wash Cool White Warm White Light Buttermilk Buttermilk Oyster Beige Antique White Desert Sand Bleached Sand Eggshell Pink Chiffon Baby Blush Cotton Candy Electric Pink Poodleskirt Pink Baby Pink Petal Pink Bubblegum Pink Carousel Pink Royal Fuchsia Wild Berry Peony Pink Boysenberry Pink Dragon Fruit Joyful Pink Razzle Berry Berry Cobbler French Mauve Vintage Pink Terra Coral Blush Pink Coral Scarlet Watermelon Slice Cadmium Red Red Alert Cinnamon Drop True Red Calico Red Cherry Red Tuscan Red Berry Red Santa Red Brilliant Red Primary Red Country Red Tomato Red Naphthol Red Oxblood Burgundy Wine Heritage Brick Alizarin Crimson Deep Burgundy Napa Red Rookwood Red Antique Maroon Mulberry Cranberry Wine Natural Buff Sugared Peach White Peach Warm Beige Coral Cloud Cactus Flower Melon Coral Blush Bright Salmon Peaches 'n Cream Coral Shell Tangerine Bright Orange Jack-O'-Lantern Orange Spiced Pumpkin Tangelo Orange Orange Flame Canyon Orange Warm Sunset Cadmium Orange Dried Clay Persimmon Burnt Orange Georgia Clay Banana Cream Sand Pineapple Sunny Day Lemon Yellow Summer Squash Bright Yellow Cadmium Yellow Yellow Light Golden Yellow Primary Yellow Saffron Yellow Moon Yellow Marigold Golden Straw Yellow Ochre Camel True Ochre Antique Gold Antique Gold Deep Citron Green Margarita Chartreuse Yellow Olive Green Yellow Green Matcha Green Wasabi Green Celery Shoot Antique Green Light Sage Light Lime Pistachio Mint Irish Moss Sweet Mint Sage Mint Mint Julep Green Jadeite Glass Green Tree Jade
  • Plant Pathology Circular N0.263 September 1984

    Plant Pathology Circular N0.263 September 1984

    Plant Pathology Circular No. 263 Fla. Dept. Agric. & Consumer Serv. September 1984 Division of Plant Industry TAR SPOT OF MAHOGANY 1 N. E. El-Gholl and T. S. Schubert The genus Swietenia consists of seven or eight species and belongs to the mahogany family Meliaceae. West Indian mahogany, Swietenia mahagoni (L.) Jacq., the first species described (2), is also known as Spanish mahogany or Madeira redwood (4,5), and is native to southernmost Florida, including the Keys (2 ,5), and some West Indian islands (2). The tree reaches a height of up to 75 feet (23m) (4) with a swollen or buttressed trunk and a much-branched, often spreading crown (2,3). Ma­ hoganies are handsome street and shade trees for tropical humid climates. They cast diffuse, pleasing shade and have an attractive spherical crown (2,5). Mahogany, among the most prized and beautiful of cabinet woods, is obtained from S. macro­ phylla and~· mahagoni (2). Of the disease-causing microorganisms affecting ~- mahagoni, Phyllachora ~wieteniae Petr. & Cif. (6) is considered a serious leaf-spotting fungus. Mahogany tar spot may render nursery-grown plants unsalable because of unsightly foliage and/or defol­ iation and reduce plant vigor by impairment of the photosynthetic process. c Fig. 1. Tar spot of mahogany. A) Upper leaf surface. B) Specks (clypei) on green and on necrotic background. C) Lower leaf surface. (DPI Photo #703018 by V. Jane Windsor). 1 Plant Pathologists, Bureau of Plant Pathology, P. O. Box 1269, Gainesville, FL 32602. SYMPTOMS AND SIGNS. Mahogany tar spot appears as 3-lOmm spots (Fig. IA) composed of circularly to ovally arranged groups of 0.1-0.2mm shiny black raised specks on the upper leaf surface.