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Understanding the Value of Arts & Culture | the AHRC Cultural Value
Understanding the value of arts & culture The AHRC Cultural Value Project Geoffrey Crossick & Patrycja Kaszynska 2 Understanding the value of arts & culture The AHRC Cultural Value Project Geoffrey Crossick & Patrycja Kaszynska THE AHRC CULTURAL VALUE PROJECT CONTENTS Foreword 3 4. The engaged citizen: civic agency 58 & civic engagement Executive summary 6 Preconditions for political engagement 59 Civic space and civic engagement: three case studies 61 Part 1 Introduction Creative challenge: cultural industries, digging 63 and climate change 1. Rethinking the terms of the cultural 12 Culture, conflict and post-conflict: 66 value debate a double-edged sword? The Cultural Value Project 12 Culture and art: a brief intellectual history 14 5. Communities, Regeneration and Space 71 Cultural policy and the many lives of cultural value 16 Place, identity and public art 71 Beyond dichotomies: the view from 19 Urban regeneration 74 Cultural Value Project awards Creative places, creative quarters 77 Prioritising experience and methodological diversity 21 Community arts 81 Coda: arts, culture and rural communities 83 2. Cross-cutting themes 25 Modes of cultural engagement 25 6. Economy: impact, innovation and ecology 86 Arts and culture in an unequal society 29 The economic benefits of what? 87 Digital transformations 34 Ways of counting 89 Wellbeing and capabilities 37 Agglomeration and attractiveness 91 The innovation economy 92 Part 2 Components of Cultural Value Ecologies of culture 95 3. The reflective individual 42 7. Health, ageing and wellbeing 100 Cultural engagement and the self 43 Therapeutic, clinical and environmental 101 Case study: arts, culture and the criminal 47 interventions justice system Community-based arts and health 104 Cultural engagement and the other 49 Longer-term health benefits and subjective 106 Case study: professional and informal carers 51 wellbeing Culture and international influence 54 Ageing and dementia 108 Two cultures? 110 8. -
Henfield Conservation Area Appraisal and Management Plan January 2018
Henfield Conservation Area Appraisal and Management Plan January 2018 Contents Background 4 Introduction 6 Historic development summary 10 Landscape setting 14 Townscape and historic environment 24 Character areas 28 Views 36 Negative elements 38 Management plan 39 Appendix 1: Historic development 44 2: Gazetteer of listed buildings 46 3: Landscape sensitivity criteria 61 4: Boundary review justification 62 5: Glossary of terms 64 Built Heritage Consultancy 1. Background What does Conservation Area designation mean? On 27th November 2015, Horsham District Council adopted the Horsham District Planning Framework (HDPF). The HDPF sets out the planning The Statutory definition of a Conservation Area is an “area of special strategy for the years up to 2031 to deliver social, economic and architectural or historic interest, the character and appearance of environmental needs for the district (outside the South Downs National which it is desirable to preserve or enhance”. The power to designate Park). Chapter 9, Conserving and Enhancing the Natural and Built Environment, is of particular importance for conservation and design Conservation Areas is given to Local Authorities through the Planning issues. The policies contained within this chapter deal with many themes (Listed Buildings and Conservation Areas) Act, 1990 (Sections 69 to 78). central to the conservation and enhancement of heritage assets and local character more generally, such as: district character and the natural Proposals within a Conservation Area become subject to policies outlined environment (policy 25); the quality of new development (policy 32); in section 12 of the National Planning Policy Framework (NPPF), as development principles (policy 33); and heritage assets and managing well as local planning policies outlined in the Horsham District Council change within the historic environment (policy 34). -
Draft Firle Conservation Area Appraisal
DRAFT CONSERVATION AREA APPRAISAL FIRLE DESIGNATED 15.10.75 DRAFT FIRLE CONSERVATION AREA APPRAISAL 1 SUMMARY 1.1 Key Positive Characteristics 1.2 Recommendations 2 INTRODUCTION 2.1 The Firle Conservation Area 2.2 The Purpose of a Conservation Area Appraisal 2.3 Community Involvement 2.4 The Planning Policy Context 3 LOCATION AND LANDSCAPE SETTING 3.1 Location and Activities 3.2 Topography and Geology 3.3 Relationship of Conservation Area to its Surroundings 3.4 Biodiversity 4 HISTORIC DEVELOPMENT AND ARCHAEOLOGY 4.1 Summary of Historic Development 4.2 Historical Personalities 4.3 Archaeology 5 SPATIAL ANALYSIS 5.1 Plan Form, Site Layout and Boundaries 5.2 Focal Points, Views and Vistas 5.3 Open Spaces, Trees and Landscape 5.4 Public Realm 6 DEFINITION OF THE SPECIAL INTEREST 6.1 Building Types 6.2 Listed Buildings 6.3 Positive Buildings 6.4 Building Styles, Materials and Colours 7 ISSUES 7.1 The Quality of New Development 7.2 Protecting the Rural Character of the Conservation Area 7.3 Traffic Management and the Public Realm 7.4 Conservation Area Boundary Review 8 RECOMMENDATIONS 8.1 The Quality of New Development 8.2 Protecting the Rural Character of the Conservation Area 8.3 Traffic Management and the Public Realm 8.4 Conservation Area Boundary Review MAP OF FIRLE CONSERVATION AREA LOCAL GENERIC GUIDANCE USEFUL INFORMATION AND CONTACT DETAILS FURTHER READING 1 SUMMARY 1.1 Key Positive Characteristics • Small, almost linear village, primarily focused on The Street and The Dock, with mainly Georgian and Georgianised houses and vernacular farm buildings. -
BBS 129 2015 Feb
ISSN 0960-7870 BRITISH BRICK SOCIETY INFORMATION 129 FEBRUARY 2015 OFFICERS OF THE BRITISH BRICK SOCIETY Chairman Michael Chapman 8 Pinfold Close Tel: 0115-965-2489 NOTTINGHAM NG14 6DP E-mail: [email protected] Honorary Secretary Michael S Oliver 19 Woodcraft Avenue Tel. 020-8954-4976 STANMORE E-mail: [email protected] Middlesex HA7 3PT Honorary Treasurer Graeme Perry 62 Carter Street Tel: 01889-566107 UTTOXETER E-mail: [email protected] Staffordshire ST14 8EU Enquiries Secretary Michael Hammett ARIBA 9 Bailey Close and Liason Officer with the BAA HIGH WYCOMBE Tel: 01494-520299 Buckinghamshire HP 13 6QA E-mail: [email protected] Membership Secretary Dr Anthony A. Preston 11 Harcourt Way (Receives a ll direct subscriptions, £12-00 per annum *) SELSEY, West Sussex PO20 0PF Tel: 01243-607628 Editor of BBS Information David H. Kennett BA, MSc 1 Watery Lane (Receives a ll articles and items fo r BBS Information) SHIPSTON-ON-STOUR Tel: 01608-664039 Warwickshire CV36 4BE E-mail: [email protected] Please note new e-mail address. Printing and Distribution Chris Blanchett Holly Tree House, Secretary 18 Woodlands Road Tel: 01903-717648 LITTLEHAMPTON E-mail: [email protected] West Sussex BN 17 5PP Web Officer Richard Harris Weald and Downland Museum E-mail [email protected] Singleton CHICHESTER West Sussex The society's Auditor is: Adrian Corder-Birch DL Rustlings, Howe Drive E-mail: [email protected] HALSTEAD, Essex CO9 2QL * The annual subscription to the British Brick Society is £12-00 per annum. Telephone numbers and e-mail addresses of members would be helpful for contact purposes, but these will not be included in the Membership List. -
Collection Development Policy 2012-17
COLLECTION DEVELOPMENT POLICY 2012-17 CONTENTS Definition of terms used in the policy 3 Introduction 5 An historical introduction to the collections 8 The Collections Archaeology 11 Applied and Decorative Arts 13 Ceramics 13 Glass 14 Objets d‘Art 14 Jewellery 15 Furniture 16 Plate 16 Uniforms, Clothing and Textiles 17 Flags 18 Coins, Medals and Heraldry 20 Coins and Medals 20 Ship Badges, Heraldry and Seal Casts 21 Ethnography, Relics and Antiquities 23 Polar Equipment 23 Relics and Antiquities 23 Ethnographic Objects 24 Tools and Ship Equipment 26 Tools and Equipment 26 Figureheads and Ship Carvings 27 Cartography 30 Atlases, Charts, Maps and Plans 30 Globes and Globe Gores 31 Fine Arts 33 Oil Paintings 33 Prints and Drawings 34 Portrait Miniatures 35 Sculpture 36 Science and Technology 40 Astronomical Instruments 40 Navigational Instruments and Oceanography 42 Horology 43 Weapons and Ordnance 46 Edged Weapons 46 Firearms 47 Ordnance 49 Photographs and Film 52 Historic Photographs 52 Film Archive 54 Ship Plans and Technical Records 57 1 Boats and Ship Models 60 Boats 60 Models 60 Ethnographic Models 61 Caird Library and Archive 63 Archive Collections 63 Printed Ephemera 65 Rare Books 66 Legal, ethical and institutional contexts to acquisition and disposal 69 1.1 Legal and Ethical Framework 69 1.2 Principles of Collecting 69 1.3 Criteria for Collecting 70 1.4 Acquisition Policy 70 1.5 Acquisitions not covered by the policy 73 1.6 Acquisition documentation 73 1.7 Acquisition decision-making process 73 1.8 Disposal Policy 75 1.9 Methods of disposal 77 1.10 Disposal documentation 79 1.11 Disposal decision-making process 79 1.12 Collections Development Committee 79 1.13 Reporting Structure 80 1.14 References 81 Appendix 1. -
Westminster Lions Cycle Ride
WESTMINSTER Lions CYCLe ride I N W E S T MCYC I N S T E R A seven mile ride, best done on a END Sunday morning as much of the ride is on major streets, observing a few L of Westminster’s lions. More can be ING found in START ‘London Pride, the 10,000 Lions of London’ by Valerie Colin-Russ. A Lion-head mooring rings aLong the Victoria embankment. Designed by the sculptor Gilbert Bayes, the lions are considered to mark the point of a dangerously high tide, ‘When the lions drink, London will sink’. B south bank Lion At the south end of Westminster Bridge, visible from the Victoria Embankment, this 1837 Lion by W.F. Woodington originally stood atop the Red Lion Brewery on the South Bank site. When the brewery was demolished for the 1951 Festival of Britain, the lion was moved to Station Approach Waterloo - British Rail had a Lion logo at this time. In 1966 the lion was moved to its present location, the red paint having been Mooring rings removed to reveal the statue is made from Coade Stone, a tough, artificial stone that several lions on this trip are made from. Mrs Coade’s factory was also on the South Bank. C roof of oLd home office buiLding, Whitehall (just by the Cenotaph) Queen Victoria sits atop the building with a lion to one side and a unicorn to the other D red Lion pub While this building is Victorian there has been a tavern on this site since 1434, though it has not always been the Red Lion. -
Patcham Conservation Area Appraisal
Patcham Conservation Area Appraisal Designated: 1970 Extended: 1972, 1992 and 2010 Area: 16.21 Hectares 40.05 Acres Article 4 Direction: Proposed Character Statement adopted: 2010 Introduction Location and Setting The historic village of Patcham is located 5.5 km north of Brighton's seafront. It comprises a historic downland village, set beside the A23 and now on the northern edge of the city. The conservation area stretches along Old London Road between Ladies Mile Road to the south and the Black Lion Hotel, to Patcham Place and Coney Wood to the west and northwest, and along Church Hill to the junction with Vale Avenue to the north. Patcham is located in a wide north-south aligned valley. This topography enabled easy passage inland from Brighton, leading in due course to the formation of the London to Brighton road. This strategic location had a major impact on the development of the village, both in terms of its original formation as a hub for the local agricultural economy, and later in catering for trade along the route. The village originally developed around one of several springs that form the source of the Wellsbourne stream. The stream now runs underground. However prolonged heavy rain can cause the stream to surface and flood the area. This occurred most recently in 2000. Amongst its heritage assets, the area contains 33 listed buildings, 1 locally listed building, a scheduled ancient monument and an archaeological notification area (see Existing Designations Graphic). It was designated as a conservation area in September 1970, and extended in September 1972, September 1992 and December 2010. -
Alison Kelly, 'Eleanor Coade at Stowe', the Georgian Group Jounal
Alison Kelly, ‘Eleanor Coade at Stowe’, The Georgian Group Jounal, Vol. II, 1992, pp. 97–100 TEXT © THE AUTHORS 1992 ELEANOR CO ADE AT STOWE Alison Kelly towe is famous as the creation of many of the most eminent English architects, sculptors and garden designers, but one name rarely mentioned is that of Mrs SEleanor Coade.1 And yet Stowe had a range of Coade objects apparendy unrivalled at any other country house, stretching across nearly half a century from the 17 70s to at least 1814. Many of the Coade stone objects left Stowe at the sale of 1921, others have been overlooked thanks to Coade stone’s similarity to natural, fine-grained limestone, while the poor cataloguing of the 250,000 Stowe documents in the Huntington Library, San Marino, means that individual bills cannot be identified.2 Nevertheless, it is possible to give some impression of the range of Coade-stone objects at Stowe. In 1776 George Nugent-Temple-Grenville, later 1st Marquess of Buckingham, wrote to his uncle 2nd Earl Temple: “I have however seen a lion in artificial stone which I think will answer our purpose, and as the mold need not in this instance be destroyed I think we may have the pair for £100, perhaps this may be the cheapest way.”3 In fact the lions only came to £40 but the bill, dated 1778, does not specify the type of lion sent.4 The lions on the north portico, now in front of the school sports pavilion, were definitely Coade stone (Fig. I). -
Architectural Features
09 adopted 17 December 2009 architectural features - 1 - architectural features What is an SPD? A Supplementary Planning Document (SPD) is one of the material considerations that can be taken into account when determining a planning application. It forms a part of the Local Development Framework (LDF) and is intended to elaborate upon policies in the Development Plan Documents (DPD). This SPD is one of a series produced by Brighton & Hove City Council and it is to be read in conjunction with the DPDs. Each SPD has been subject to a period of formal consultation and approval under the LDF. In preparing this SPD the council has had particular regard to Government policy as set out in Planning Policy Guidance Note 15: Planning and the Historic Environment and the draft policy in the emerging Planning Policy Statement 15: Planning for the Historic Environment. This draft SPD is intended to provide detailed policy guidance on the repair, restoration and enhancement of historic buildings. It was approved by the Cabinet Member Meeting for Environment on 17 December 2009. It supplements policies HE1, HE4, HE6, HE8 and HE10 and HE11of the Brighton & Hove Local Plan adopted on 21 July 2005. Contents Page Section A - Introduction and General Principles 3 Section B - Roofs 7 Section C - Bays, Gables, Porticos and Porches 14 Section D - Brick, Terracotta, Mathematical Tile and Flint 18 Section E - Render and Mouldings 25 Section F - Windows 28 Section G - Doors 35 Section H - Balconies and Canopies 38 Section I - Boundaries and Paths 42 Section J - Miscellaneous Minor Additions 48 Further Information and Contacts 50 - 2 - architectural features Section A – Introduction and General Principles 1. -
A Walking Tour of Building Stones from Senate House to Tottenham Court Road
A Walking Tour of Building Stones from Senate House to Tottenham Court Road London Illustrated News Dr Ruth Siddall UCL Earth Sciences Gower Street London WC1E 6BT r.siddall@ ucl.ac.uk Ruth Siddall, 1 UCL Earth Sciences 2012 A Walking Tour of Building Stones from Senate House to Tottenham Court Road Ruth Siddall This guide is an update of parts of Eric Robinson’s tour, originally published in 1985. Tottenham Court Road has transformed since then, but many of the stones still remain. The Walk Start Point: Senate House, University of London. 1. Senate House Senate House and Library where designed by Charles Holden and built during 1932-37. This is actually a paired-down version of Holden’s original plans which included buildings occupying the land now taken by Birkbeck College, ULU and the piazza behind these buildings, leading from Byng Place. Nevertheless Senate House is a striking building. The major building material is dressed Portland Stone which has retained a good white colour. The lower courses are of axe-dressed Cornish Granite, probably from Carnsew Quarry. The spacious foyer is both paved and clad with Tivoli Travertine. Leave Senate House via the main entrance onto Malet Street, cross over and continue straight ahead along Keppel Street, pausing at the entrance to the London School of Hygiene and Tropical Medicine on the corner of Keppel Street and Gower Street. 2. London School of Hygiene and Tropical Medicine Also built primarily of beautifully dressed Portland Stone, the London School of Hygiene and Tropical Medicine’s building is of interest architecturally. -
Conservation Bulletin 01
Conservation Bulletin, Issue 1, February 1987 Buildings at Risk 1 Editorial 2 Heslerton Parish Project 2 RTAS and Cowdray House, Midhurst 3 Mathematical tiles 4 Church grants 4 Government grant for English Heritage in 1987 4 Grants, August to November 1986 5–6 Civic Trust awards 6 The Ecclesiastical Exemption 7 Medieval remains, Clerkenwell 7 The Historic Buildings Resurvey 8 The Monuments Protection Programme 8 Redevelopment at the Royal Mint 9 Stanwick Roman villa 10 Farming and ancient monuments 11 Rescue archaeology! What next? 11 Organisation chart 12 (NB: page numbers are those of the original publication) BUILDINGS AT RISK: TIME FOR ACTION Now that the re-survey of buildings in England is drawing to a close, the attention of local authorities is being drawn to the impact of the increased numbers of protected buildings in their areas. By the end of the year there are likely to be more than 500,000 historic buildings on the list. These can be considered a finite cultural resource – to be cherished, enjoyed and preserved for the future. However, they cannot all be museum pieces and if left unused, they can quickly fall into neglect and decay. About four listed buildings each week are demolished because they have no ‘reasonable beneficial use’, but many more stand idle for want of positive action. They are buildings at risk. Surveys have suggested that of the half million listed buildings, more than 46,000 will already be under threat from redundancy, dilapidation and lack of care. In 1981 Lord Montagu produced a report which set out an approach to the problems of these buildings. -
100 Years Commitment to Craftsmanship Terracotta and Faience
100 YEARS COMMITMENT TO CRAFTSMANSHIP TERRACOTTA AND FAIENCE Lambs are a specialist manufacturer of hand pressed architectural terracotta and faience. The company manufactures bespoke ceramics to match all architectural periods. Every piece of Lambs terracotta and faience is individually hand formed to a meticulous standard by our highly skilled craftsmen. Our ceramicists are passionate about their profession. They are sculptors and mould makers who can hand press and finish architectural ceramics to the highest standards. Their works are comparable to the craftsmen of James Stiff and Son, Coade Stone and Doulton. The skills of Lambs’ ceramicists have been honed through years of experience yet their foundation is a deep academic understanding of design, manufacture, historical methods and cutting edge techniques. Every item of Lambs terracotta and faience is personally signed; something our ceramicists are simply not prepared to do unless it is perfect. We have purchased computer-controlled kilns to ensure the colour and size consistency of our ceramics. We can produce a range of colour samples for your approval within days. When we are fully satisfied with a piece of terracotta or faience we take the same care delivering it to you as we have creating it. The products Lambs make are a testament to our skill, and their longevity a reflection of our commitment to quality. “When we urgently required replacement architectural terracotta only Lambs were able to help. They surveryed the damaged existing material and delivered high quality replacements on time and on budget.” MARTIN NORTHEY OF COLLINSTOWN CONSTRUCTION Large: Faience detail from the Bluebird Café where Malcolm Campbell built his famous car, showing the legendary Bluebird motif and the floral detail Small left: Pineapple unit from Ipswich Town Hall soon after being drawn from the kiln Small right: Pedestal unit being finished at the Lambs terracotta workshop BRICKS AND ARCHES For Lambs, brick making isn’t merely a business; it is in our blood.