Sound Reinforcement (SR)
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Community Services Report 2009-2010
Community Services Report 2009-2010 ach year, the GRAMMY Foundation® gathers the stories of the past 12 months in our Community Services Report. For this report, we are combining the activities Einto a two-year report covering 2009 and 2010. What you’ll discover in these stories are highlights that mark some of our accomplishments and recount the inspiring moments that affirm our mission and invigorate our programs throughout the years. Since 2007, we’ve chosen to tell our stories of the past fiscal year’s achievements in an online version of our report — to both conserve resources and to enliven the account with interactive features. We hope you enjoy what you learn about the GRAMMY Foundation and welcome your feedback. MISSION Taylor Swift and Miley Cyrus and their signed guitar that was sold at a The GRAMMY Foundation was established GRAMMY® Charity Online Auctions. by The Recording Academy® to cultivate the understanding, appreciation, and advancement of the contribution of recorded music to American culture — from the artistic and technical legends of the past to the still unimagined musical breakthroughs of future generations of music professionals. OUR EDUCATION PROGRAMS Under the banner of GRAMMY in the Schools®, the GRAMMY Foundation produces and supports music education programs for high school students across the country throughout the year. The GRAMMY Foundation’s GRAMMY in the Schools website provides applications and information for GRAMMY in the Schools programs, in addition to student content. GRAMMY® CAREER DAY GRAMMY Career Day is held on university campuses and other learning environments across the country. It provides students with insight into careers in music through daylong conferences offering workshops with artists and industry professionals. -
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
AES 123Rd Convention Program October 5 – 8, 2007 Jacob Javits Convention Center, New York, NY
AES 123rd Convention Program October 5 – 8, 2007 Jacob Javits Convention Center, New York, NY Special Event Program: LIVE SOUND SYMPOSIUM: SURROUND LIVE V Delivering the Experience 8:15 am – Registration and Continental Breakfast Thursday, October 4, 9:00 am – 4:00 pm 9:00 am – Event Introduction – Frederick Ampel Broad Street Ballroom 9:10 am – Andrew Goldberg – K&H System Overview 41 Broad Street, New York, NY 10004 9:20 am –The Why and How of Surround – Kurt Graffy Arup Preconvention Special Event; additional fee applies 9:50 am – Coffee Break 10:00 am – Neural Audio Overview Chair: Frederick J. Ampel, Technology Visions, 10:10 am – TiMax Overview and Demonstration Overland Park, KS, USA 10:20 am – Fred Aldous – Fox Sports 10:55 am – Jim Hilson – Dolby Labs Panelists: Kurt Graffy 11:40 am – Mike Pappas – KUVO Radio Fred Aldous 12:25 pm – Lunch Randy Conrod Jim Hilson 1:00 pm – Tom Sahara – Turner Networks Michael Nunan 1:40 pm – Sports Video Group Panel – Ken Michael Pappas Kirschenbaumer Tom Sahara 2:45 pm – Afternoon Break beyerdynamic, Neural Audio, and others 3:00 pm – beyerdynamic – Headzone Overview Once again the extremely popular Surround Live event 3:10 pm – Mike Nunan – CTV Specialty Television, returns to AES’s 123rd Convention in New York City. Canada 4:00 pm – Q&A; Closing Remarks Created and Produced by Frederick Ampel of Technology Visions with major support from the Sports PLEASE NOTE: PROGRAM SUBJECT TO CHANGE Video Group, this marks the event’s fifth consecutive PRIOR TO THE EVENT. FINAL PROGRAM WILL workshop exclusively provided to the AES. -
TOTO Bio (PDF)
TOTO Bio Few ensembles in the history of recorded music have individually or collectively had a larger imprint on pop culture than the members of TOTO. As individuals, the band members’ imprint can be heard on an astonishing 5000 albums that together amass a sales history of a HALF A BILLION albums. Amongst these recordings, NARAS applauded the performances with 225 Grammy nominations. Band members were South Park characters, while Family Guy did an entire episode on the band's hit "Africa." As a band, TOTO sold 35 million albums, and today continue to be a worldwide arena draw staging standing room only events across the globe. They are pop culture, and are one of the few 70s bands that have endured the changing trends and styles, and 35 years in to a career enjoy a multi-generational fan base. It is not an exaggeration to estimate that 95% of the world's population has heard a performance by a member of TOTO. The list of those they individually collaborated with reads like a who's who of Rock & Roll Hall of Famers, alongside the biggest names in music. The band took a page from their heroes The Beatles playbook and created a collective that features multiple singers, songwriters, producers, and multi-instrumentalists. Guitarist Steve Lukather aka Luke has performed on 2000 albums, with artists across the musical spectrum that include Michael Jackson, Roger Waters, Miles Davis, Joe Satriani, Steve Vai, Rod Stewart, Jeff Beck, Don Henley, Alice Cooper, Cheap Trick and many more. His solo career encompasses a catalog of ten albums and multiple DVDs that collectively encompass sales exceeding 500,000 copies. -
Final Nominations List the National Academy of Recording Arts & Sciences, Inc
NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 63rd Annual GRAMMY® Awards For recordings released during the Eligibility Year September 1, 2019 through August 31, 2020 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 8. SAVAGE Record Of The Year Megan Thee Stallion Featuring Beyoncé Award to the Artist and to the Producer(s), Recording Engineer(s) Beyoncé & J. White Did It, producers; Eddie “eMIX” and/or Mixer(s) and mastering engineer(s), if other than the artist. Hernández, Shawn "Source" Jarrett, Jaycen Joshua & Stuart White, engineers/mixers; Colin Leonard, mastering 1. BLACK PARADE engineer Beyoncé Beyoncé & Derek Dixie, producers; Stuart White, engineer/mixer; Colin Leonard, mastering engineer 2. COLORS Black Pumas Adrian Quesada, producer; Adrian Quesada, engineer/mixer; JJ Golden, mastering engineer 3. ROCKSTAR DaBaby Featuring Roddy Ricch SethinTheKitchen, producer; Derek "MixedByAli" Ali, Chris Dennis, Liz Robson & Chris West, engineers/mixers; Glenn A Tabor III, mastering engineer 4. SAY SO Doja Cat Tyson Trax, producer; Clint Gibbs & Kalani Thompson, engineers/mixers; Mike Bozzi, mastering engineer 5. EVERYTHING I WANTED Billie Eilish Finneas O'Connell, producer; Rob Kinelski & Finneas O'Connell, engineers/mixers; John Greenham, mastering engineer 6. DON'T START NOW Dua Lipa Caroline Ailin & Ian Kirkpatrick, producers; Josh Gudwin, Drew Jurecka & Ian Kirkpatrick, engineers/mixers; Chris Gehringer, mastering engineer 7. CIRCLES Post Malone Louis Bell, Frank Dukes & Post Malone, producers; Louis Bell & Manny Marroquin, engineers/mixers; Mike Bozzi, mastering engineer © The Recording Academy 2020 - all rights reserved 1 Not for copy or distribution 63rd Finals - Press List General Field Category 2 8. -
Gavin Lurssen: Mastering with a Master ...Ering, Recording and Music
by Larry Crane | Photographs by Larry Crane Mastering engineer Gavin Lurssen has been behind the console since 1991, won three Grammys and one Latin Grammy, and runs Lurssen Mastering — one of Southern California's busiest facilities. He's worked on records like Robert Plant and Alison Krauss' Raising Sand and the Foo Fighters' Sonic Highways, as well as with clients like Ben Harper, Queens Of The Stone Age, Eric Clapton, Miranda Lambert, Rickie Lee Jones, and Elvis Costello. The fascinating Lurssen Mastering Console app/plug-in recently came out, via IK Multimedia, and was developed with Gavin and Reuben Cohen of Lurssen. How much of a lead time do people give you as a mastering engineer? You know, in the early days when I started out this whole thing, it was in '91. There was always a production coordinator. People would book the mastering session about six weeks ahead. Sometimes three months ahead. Nowadays, they get finished with the record, book the mastering, and expect you to be available instantly. I see that all the time. Especially with independent bands or artist-financed projects. We figured out a way to do it though. You get together, gather the team and say, "This is the game we're playing, this is the field we're on. How are we going to make this work?" Then we do it. What kinds of things have you implemented in order to have faster turnaround? Well, it's how fast, how affordable, and how good. The "how good" thing is covered, because of what we do. -
Mr Paul Barker
RECEIVED 0 5 JUL 201Z HOUSE OF REPRESENTATIVI8 STANDING COMMITTBI ON INFRASTRUCTURE AND COMMUNICATIONS The Committee Secretary House of Representatives Standing Committee on Infrastructure and Communications P.O.BOX 6021 PARLIAMENT HOUSE CANBERRA ACT 2600 AUSTRALIA, Dear Sir or Madam, A simple, brief and hopefully to the point illustration of the ongoing exploitation of the Australian consumer by the world's largest music retailer, Apple's " i-tunes" I enclose examples of what would be described as a "back catalogue" item with a Nine (9) dollar difference in pricing, with the Australian dollar sitting at parity with the US dollar. This is how it is with most music products, 1000's of pages of submission are not needed, just ask Apple to explain, justify this example , I understand that if Apple set their price and people pay then the argument for it to stop seems weak but their pricing is immoral and exploitative . They know they are the market leader and use their market power to make excessive profits. It seems that they have been guilty of this sort of behaviour in other countries and have been forced to change their pricing, In America they were seen to be charging an unfair price for their sonically inferior product when compared with the CD and were forced to change their pricing. They have been censured recently over their immoral advertising of products and "4G" compatibility Hopefully something can be done to ensure that Australia is not just an easy target for huge corporations like Apple Yours sincerely PAUL BARKER Music a Rock i Warren Zevon Album Review After the release of Warren Zevon's fourth album, Bad Luck Streak in Dancing School, he was clean and sober for the first time years, and on-stage he was determined to make the most of his newrtound strength and self-control. -
Convention Program
AES 145TH CONVENTION OCT PROGRAM OCTOBER 17–20, 2018 JAVITS CONVENTION CENTER, NY, USA The Winner of the 145th AES Convention * * * * * Best Peer-Reviewed Paper Award is: Session P1 Wednesday, Oct. 17 The Effect of Pinnae Cues on Lead-Signal Localization 9:00 am – 12:00 noon Room 1E11 in Elevated, Lowered, and Diagonal Loudspeaker Config- urations—Wesley Bulla, Belmont University, Nashville, PERCEPTION TN, USA; Paul Mayo, University of Maryland, College Park, MD, USA Chair: Elizabeth McMullin, Samsung Research America, Valencia, CA, USA Convention Paper 10066 9:00 am To be presented on Thursday, Oct. 18, in Session 7—Perception—Part 2 P1-1 Improved Psychoacoustic Model for Efficient Perceptual Audio Codecs—Sascha Disch,1,2 Steven van de Par,3 * * * * * Andreas Niedermeier,1 Elena Burdiel Pérez,1 Ane Berasategui Ceberio,1 Bernd Edler2 The AES has launched an opportunity to recognize student 1 Fraunhofer Institute for Integrated Circuits IIS, members who author technical papers. The Student Paper Award Erlangen, Erlangen, Germany Competition is based on the preprint manuscripts accepted for the 2 Friedrich Alexander University, International Audio AES convention. Laboratories Erlangen, Erlangen, Germany A number of student-authored papers were nominated. The 3 University of Oldenburg, Oldenburg, Germany excellent quality of the submissions has made the selection process both challenging and exhilarating. Since early perceptual audio coders such as mp3, the The award-winning student paper will be honored during the underlying psychoacoustic model that controls the encod- Convention, and the student-authored manuscript will be consid- ing process has not undergone many dramatic changes. ered for publication in a timely manner for the Journal of the Audio Meanwhile, modern audio coders have been equipped with Engineering Society. -
NEW RELEASE GUIDE May 29 June 5 ORDERS DUE APRIL 24 ORDERS DUE MAY 1
ada–music.com @ada_music NEW RELEASE GUIDE May 29 June 5 ORDERS DUE APRIL 24 ORDERS DUE MAY 1 2020 ISSUE 12 May 29 ORDERS DUE APRIL 24 JACKSON BROWNE This MAY 29TH release features two singles from the forthcoming new studio album from JACKSON BROWNE to be released in October 2020. TRACK LIST SIDE A SIDE B 01 DOWNHILL FROM EVERYWHERE 01 A LITTLE SOON TO SAY KEY FACTS H High quality 180-gram 12” vinyl release, also available in CD. H Price & positioning campaigns being set up across retail. H “DOWNHILL FROM EVERYWHERE” premieres on The Discovery Channel on April 22, 2020 as part of the documentary A Story About Plastic. H Jackson will be performing “A LITTLE SOON TO SAY” at the 2020 NON-COMMvention in Philadelphia on May 12, 2020. H World Cafe interview with Jackson to air Spring 2020. H Keynote August 4 at Triple A Conference Boulder, CO. SEE JACKSON ON TOUR WITH JAMES TAYLOR 5/15 Smoothie King Center - NEW ORLEANS, LA 6/17 PPG Paints Arena - PITTSBURGH, PA 5/16 Toyota Center - HOUSTON, TX 6/18 Giant Center - HERSHEY, PA 5/18 Dickies Arena - FORT WORTH, TX 6/19 Bethel Woods Center For The Arts - BETHEL, NY 5/21 Maverik Center - SALT LAKE CITY, UT 6/21 Grand Theater At Foxwoods Resort Casino - LEDYARD, CT* 5/22 Extramile Arena - BOISE, ID 6/23 Berglund Center Coliseum - ROANOKE, VA 5/24 Tacoma Dome - TACOMA, WA 6/24 Charleston Coliseum - CHARLESTON, WV 5/25 Moda Center - PORTLAND, OR 6/26 KFC Yum! Center - LOUISVILLE, KY 5/27 Chase Center - SAN FRANCISCO, CA 6/27 Fedex Forum - MEMPHIS, TN 5/28 Honda Center - ANAHEIM, CA 6/29 Infinite Energy -
Downbeat.Com June 2014 U.K. £3.50
JUNE 2014 U.K. £3.50 DOWNBEAT.COM JUNE 2014 VOLUME 81 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom -
12 2 2014 17 Escena Portada.Qxd (Page 1)
81-83-45-46-15/ 81-83-45-40-80 Ext. 209 y 216 MONTERREY, N. L. LUNES 15 DE MARZO DE 2021 RESPONSABLE: JOSAFAT PONCE G. LOS GANADORES DEL GRAMMY Impone Beyoncé récord MEJOR ARTISTA NUEVO My Voice / Linda Ronstadt MEJOR ÁLBUM DE MÚSICA Megan Thee Stallion MEJOR ÁLBUM POP VOCAL DE TEATRO MEJOR ÁLBUM COUNTRY TRADICIONAL Jagged Little Pill Wildcard / Miranda Lambert American Standard / James MEJOR COMPILACIÓN DE MEJOR PRESENTACIÓN Taylor SOUNDTRACK PARA UN SOLISTA POP MEJOR GRABACIÓN DANCE MEDIO VISUAL Watermelon Sugar/ Harry Styles 10% / Kaytranada ft. Kali Uchis Jojo Rabbi / Various Artists en los premios Grammy MEJOR INTERPRETACIÓN MEJOR ÁLBUM MEJOR SOUNDTRACK MELÓDICA RAP INSTRUMENTAL ORIGINAL PARA UN MEDIO Lockdown/ Anderson Pack CONTEMPORÁNEO VISUAL MEJOR ÁLBUM DE POP Live at the Royal Albert Hall / Joker / Hildur Guðnadóttir, Ciudad de México/ El Universal.- LATINO O URBANO Snarky Puppy MEJOR CANCIÓN ESCRITA YHLQMDL / Bad Bunny MEJOR ACTUACIÓN DE PARA UN MEDIO VISUAL La cantante Beyoncé pasó a la his- CANCIÓN DEL AÑO METAL No Time to Die / No Time to Die, toria en la entrega de los premios Can't Breathe/ H.E.R. Bum-Rush/ Body Count Billie Eilish O'Connell y Finneas MEJOR CANCIÓN RAP MEJOR ÁLBUM DE MÚSICA Grammy la noche de este domingo. Baird O'Connell Savage/ Megan Thee Stallion ft. ALTERNATIVA MEJOR EMPAQUE DE Gracias a su colaboración junto a la Beyoncé Fetch the Bolt Cutters / Fiona GRABACIÓN rapera Megan Thee Stallion, la esta- MEJOR ÁLBUM POP VOCAL Apple Vols. 11 & 12 / Doug Cunningham dounidense sumó su trofeo número Future Nostalgia -
Convention Program
AAEESS113737th CCoonnvvenenttiionon ProProggramram October 9 – 12, 2014 Los Angeles Convention Center, LA, CA, USA At recent AES conventions, authors have had the option Session P1 Thursday, Oct. 9 of submitting complete 4 - to 10- page manuscripts for 9:00 am – 12:30 pm Room 308 AB peer-review by subject-matter experts. The following paper has been recognized as winner of the AES 137th SPATIAL AUDIO—PART 1 Convention Peer-Reviewed Paper Award. * * * * * Chair: Jason Corey, University of Michigan, Ann Arbor, MI, USA The Audibility of Typical Digital Audio Filters in a High-Fidelity Playback System— 9:00 am Helen M. Jackson, Michael D. Capp, J. Robert Stuart, P1-1 MPEG-H Audio—The New Standard for Meridian Audio Ltd., Huntingdon, UK Universal Spatial / 3D Audio Coding— Convention Paper 9174 Jürgen Herre,1Johannes Hilpert,2 Achim Kuntz,1 To be presented on Saturday, October 11, in Session 14 Jan Plogsties2 —Perception—Part 2 1International Audio Laboratories Erlangen, Erlangen, Germany * * * * 2Fraunhofer Institute for Integrated Circuits IIS, The AES has launched an opportunity to recognize stu- Erlangen, Germany dent members who author technical papers. The Student Recently, a new generation of spatial audio for- Paper Award Competition is based on the preprint manu- mats were introduced that include elevated loud- scripts accepted for the AES convention. speakers and surpass traditional surround sound A number of student-authored papers were nominated. formats, such as 5.1, in terms of spatial realism. The excellent quality of the submissions has made the To facilitate high-quality bitrate-efficient distribu- selection process both challenging and exhilarating.