Ecopoetics No. 4/5 2004-2005

Total Page:16

File Type:pdf, Size:1020Kb

Ecopoetics No. 4/5 2004-2005 ecopoetics no. 4/5 2004-2005 ecopoetics is published annually (except for this double issue) and dedicated to exploring creative-critical edges between writing (with an emphasis on poetry) and ecology (the theory and praxis of deliberate earthlings). Edited and designed by Jonathan Skinner, with editorial assistance from Florine Melnyk. Rates—single issue: $10 ($20 institutions). Two year (two issue) subscription: $18 ($36 institutions). All prices include postage; outside US & Canada, add $5/issue. Please make checks (in US currency) payable to Jonathan Skinner. Letters to the editor are welcome. All manuscripts (please include an electronic copy, or an e-ddress/ link) should be accompanied by a self-addressed, stamped envelope. Please allow some time for response. ecopoetics, no. 6 will appear before the end of 2006 (another oversize issue, to make up for the one year hiatus; we return to our regular format in 2007) Note: as email sometimes gets vaporized, please back up vital correspondence with snailmail. ecopoetics 111 Bardwell Street Lewiston, ME 04240 USA [email protected] This issue is made possible by a generous grant from the James H. McNulty Chair, Department of English, SUNY Buffalo (Dennis Tedlock). Contents copyright © ecopoetics. Copyright reverts to contributors upon publication Periplum Editions ISSN 1536-7479 ecopoetics no. 4/5, 2004-2005 JACK COLLOM......................An Evolution of Writing Ideas, and Vice Versa 3 Paragraphs 61 MARY CROW..............Iquitos Market, Side Trip, Stopover on the Amazon 75 KEN EDWARDS.........................................................................Field Notes 78 LUCAS REINER...................................................................Trees 79, 179, 191 JONATHAN STALLING..............................................................Howl Poems 80 DAVID BERRIDGE.......Materials of Pastoral: A Review of Thomas A. Clark 84 SARA WINTZ..................................Field Notes (Humboldt County Cows) 91 FLORINE MELNYK.......Tomatoes in Hand, I Take the #2 Bus Thru Buffalo 92 ETHAN PAQUIN.........................................................................Deep Wild 93 KENNETH GOLDSMITH..................................................from The Weather 94 JONATHAN SKINNER..............(WITH JULIE PATTON) Project for The Swing 102 SPECIAL DOSSIER: ECOPOETICS ROUNDTABLE 104-139 IAN DAVIDSON................in bog myrtle, No Way Back, from this place 105 PETER LARKIN..................................................Fully from all Scarce to 113 PETER JAEGER..........................................from A Black Tooth in Front 117 JONATHAN SKINNER.....................Statement on “New Nature Writing” 127 ALICIA COHEN.........................................Northwest Inhabitation Log 130 LYNN HARRIGAN............................review of The Book of Music & Nature 140 MEREDITH QUARTERMAIN......A Song in Murderous Time: The Poetry of Richard Caddel 142 KATE SCHAPIRA........................from Indigo Bunting – Didactic Overture The Enchanted Neighborhood 147 CHARLES BERNSTEIN....Colliderings: Maggie O'Sullivan’s Medleyed Verse 157 ARTHUR SZE.....................................Solstice Quipu, La Bajada, The Welt 161 LILA ZEMBORAIN....................................from “Mauve Orchids of the Sea” translation by Rosa Alcalá 164 BILL SYLVESTER.................Reviews of Stacy Szymaszek and Juliana Spahr 168 CLAYTON ESHLEMAN......................................Inside Caryl’s Left Shoulder 175 LYTLE SHAW..................................................................Mulch: A Treatise 180 DOUGLAS MANSON.............................29.14:22.IV.04 The Natural World 192 review of Eleni Sikelianos 194 MARK WEISS......................................................................................Riffs 197 MARCELLA DURAND & TINA DARRAGH.............. Deep Eco Pre-cautionary Ponge-ABLEs: A Collaborative Essay 203 JONATHAN SKINNER.......Reviews of Fletcher, Hinton, Robertson, Snyder, 214 Zephyrus Image; Thumbnail reviews of Iijima, Nowak ROY ARENELLA........................................................................Field Notes 240 MICHAEL BASINSKI..........................................Elephants Ensemble Poem 248 400 copies of ecopoetics, no. 4/5 were printed in the winter of 2005-2006 in 10 pt. Garamond on 100% PCW (post-consumer waste), PCF (processed chlorine free) paper. For more information, see Greg Barber Company (www.gregbarberco.com) Some of Jack Collom’s Paragraphs have appeared or will appear in Facture, no. 3 (2002) and in Exchanges of Earth and Sky (Fish Drum, 2006). Kenneth Goldsmith’s The Weather has appeared as a paper- back (Make Now, 2005). Ian Davidson’s “No Way Back” appeared as a pamphlet of the same title through West House Books (Gargoyle Editions, 2005). The excerpt from “A Black Tooth in Front” is from Peter Jaeger’s Eckhart Cars (Salt, 2004). Charles Bernstein’s essay, “Col- liderings,” will be included in the Salt Companion to Maggie O’Sullivan (Salt Publishing, 2006). Arthur Sze’s poems “Solstice Quipu,” “La Bajada,” and “The Welt” appeared in Quipu (Copper Canyon Press, 2005). Clayton Eshleman’s “Inside Caryl’s Left Shoulder” appeared in My Devotion (Black Sparrow Books, 2004). Ethan Paquin’s “Deep Wild” appeared in The Violence (Ahsahta Press New Series, 2005). All of these pieces have been reprinted with permission of the authors. Thanks to the contributors (and especially to Jack Collom) who waited so long for this issue. Thanks to Jane Sprague for seeds from the Anza Borrego desert (on p. 166). Also, special thanks to Bill Sylvester, to Isabelle Pelissier, and to Florine Melnyk for her invaluable assistance— and, once again, to the folks at Alphagraphics and Quality Bindery here in Buffalo. EDITOR’S NOTES tsunami hurricane earthquake / bark beetle wildfire / western tourists vacation / rising south asian economy / spectacular breakdown of civil / agencies manifesting disarray / played out on television / rebellion founded nations / double vulner- ability / gutted services / bloated police state / seen this before / the pleading sena- tors / no longer in control / shed all vestige of american / not agreeing to rights / the rising waters / lapping at the doorsteps not making a difference / the human hand in unrest / shrimp mangrove salad / stripped tsunami bumps / mainstream media / water drawdowns / under bark and pine / islands and wetlands / worsened the impact / connections do not flicker / behind the smokescreen / “we were attacked” / repeating the obvious / awareness of hands / at the local and regional / blurring of boundaries / who we attacked / developers involved / capitalizing “nature” through trial and error / need a healthy debate / intelligence designed / elephant in the room / mother of all human / temperature climbing / non-linear catastro- phes / collectivize hope / make boundary overlaps / biotechnologies / cross the conventional / working relationships / within the disciplines / between the hard and social / due to the threatened / technocratic humanities / interdisciplinary workers / never supported / balkanized education / taking on border blur sabotage the division / between “pure” and “applied” / alive to the moment / pursuing complexity / explore the connections / between global and local / in the current weather / doubting affirming / testing exploiting / composing new meth- ods / engage unpredictable / collaboration fitness / adaptable to change / reliving symbiosis / inhering playfulness / humanity’s metaphors / hand of the breeder / the cover that “nature” / affords the most powerful more room for everything / specifically “not us” / we love and wonder at / pay- ing attention / even the wood burners / in their separateness / will depend upon / homesteaders surviving / less than the nomads / the adaptable leading / the merely steadfast / who perpetuate divisions / culture and nature / breeding out ignorance / indifference to systems / illusions of purity / metaphors for human / drama are dangerous / confusion more productive / proliferating studies 1 SOME BOOKS BY JACK COLLOM ecopoetics is particularly proud to publish the following essay by Jack Collom along with excerpts from the “field written” essay, Paragraphs. As the following bibliog- raphy attests, Collom has been hard at work on ecopoetics—which he construes as poetry, biology, teaching—for forty years; beneath his playful style rests a long, deep and varied collaboration. Poetry Everywhere (which Jack put together with Sheryl Noethe) is still one of the best manuals for teaching poetry in the schools. Two recent collections (Red Car Goes By and Extremes & Balances) gather an astonishing range of poetry. For anyone who wonders what the birds have to say about all of this, Exchanges of Earth and Sky will be the book to have for 2006. Please send in your responses, as we hope to publish some of them in the next ecopoetics. Poetry Collections (unless noted otherwise, the place of publication is Colorado): Exchanges of Earth and Sky. Fish Drum (New York), 2006 Extremes & Balances. Farfalla Press/ McMillan & Parrish, 2004 Blue Yodel, Blue Heron. (CD, with Dan Hankin and Sierra Collom.) Baksun Books I Know Why the Caged Bird Drinks. Farfalla Press/ McMillan & Parrish, 2003 On Laughter: A Melodrama. (With Lyn Hejinian.) Baksun Books, 2003 Corner Bar. (With Jennifer Heath.) Baksun Books Red Car Goes By: Selected Poems (1955-2000). Tuumba Press (California), 2001 Colors Born of Shadow. (CD, with Ken Bernstein.) TreeHouse Press, 1999 Dog Sonnets. Talisman (New Jersey),
Recommended publications
  • The Development of Literate Identities in Students Identified As Struggling Readers
    THE DEVELOPMENT OF LITERATE IDENTITIES IN STUDENTS IDENTIFIED AS STRUGGLING READERS DISSERTATION Presented in Partial Fulfillment for the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Mary Catherine Sableski, B.S., M.S. * * * * * The Ohio State University 2007 Dissertation Committee: Professor Patricia Scharer, Advisor Approved by: Professor David Bloome Professor Emily Rodgers ______________________________ Advisor College of Education Copyright by Mary Catherine Sableski 2007 ABSTRACT The development of literate identity within academic contexts is influenced by a variety of factors, one of which is the interactions between teachers and students. For struggling readers, literate identity is also influenced by the assigning of a label based on a lack of reading skills. The purpose of this study was to examine the influence of the interactions between teachers and students within a summer one-to-one tutoring situation on the identity development of students identified as struggling readers. The summer one-to-one tutoring program was part of a master’s level course on assessment and evaluation of reading difficulties at a Midwestern university. A qualitative multi-case study approach was used to collect and analyze data. Data were collected over a 6-month period and included observations of tutoring sessions, interviews of both teachers and students, work samples from teachers and students, transcripts of both in-class and on- line university class discussions, and observations and interviews of the students and their new teachers in the fall. Data analysis included thematic coding and microanalysis and revealed two types of interactions between the teachers and the students: those at the point of difficulty and the asking of questions by the teacher.
    [Show full text]
  • Native American Poets and the Voices of History in the Present Tense
    The Spirits Still Among Us: Native American Poets and the Voices of History in the Present Tense Sydney Hunt Coffin Edison/Fareira High School Overview Introduction Rationale Objectives Strategies Classroom Activites/Lesson Plans Annotated Bibliography/Resources Appendices/Standards Endnotes What is life? It is the flash of a firefly in the night. It is the breath of a buffalo in the wintertime. It is the little shadow that runs across the grass and loses itself in the sunset.1 Overview So spoke Crowfoot, orator of the Blackfoot Confederacy in 1890, above, on his deathbed. Even while this was not identified as poetry at the time, much of the wisdom of this Native American speaker comes across to readers poetically. Similarly, much of the poetry of Native American poets can be read simply as wisdom. Though there was a significant number of tribes, and a tremendous number of people at the time of the European invasion, each tribal language displays simultaneously a distinct identity as well as a variety of individual voices. However, the published poetry from native authors across the vast spectrum of tribal affiliations between the beginning and end of the 20th century reveal three unifying themes: (1) respecting a common reverence for the land from which each tribe came, through ceremonial poetry and songs; (2) respecting past traditions, including rituals, truths, and the words of one’s elders; and (3) expressing political criticism, even activism. Editor Kenneth Rosen writes “There may seem to be a great deal of distance between the Navajo Blessing Way chants and a contemporary poem about the confrontations at Wounded Knee, but it’s really not that far to go”.2 In fact, this curriculum unit around Native American poetry endeavors to keep pace with the ongoing experiences of native people, whose words continue to speak to the land, its mysteries, and its voice.
    [Show full text]
  • GEOPOETICS in the ANTHROPOCENE by Eric Magrane
    Creative Geographies and Environments: Geopoetics in the Anthropocene Item Type text; Electronic Dissertation Authors Magrane, Eric Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 00:18:37 Link to Item http://hdl.handle.net/10150/624580 CREATIVE GEOGRAPHIES AND ENVIRONMENTS: GEOPOETICS IN THE ANTHROPOCENE by Eric Magrane ____________________________ Copyright © Eric Magrane 2017 A Dissertation Submitted to the Faculty of the SCHOOL OF GEOGRAPHY AND DEVELOPMENT In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2017 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Eric Magrane, titled Creative Geographies and Environments: Geopoetics in the Anthropocene, and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. ___________________________________________________Date: 4/11/2017 Sallie Marston ___________________________________________________Date: 4/11/2017 Diana Liverman ___________________________________________________Date: 4/11/2017 John Paul Jones III ___________________________________________________Date: 4/11/2017 Alison Hawthorne Deming ___________________________________________________Date: 4/11/2017 Harriet Hawkins Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement.
    [Show full text]
  • Many Voices Press Flathead Valley Community College Table of Contents
    New Poets of the American West -An anthology of poets from eleven Western states- Uni Gottingen 230 r to 2, ft 341 Many Voices Press Flathead Valley Community College Table of Contents Editor's Note: "In This Spirit I Gathered These Poems" by Lowell Jaeger 1 Introduction: "Many Voices, Many Wests" by Brady Harrison 7 Arizona Dick Bakken Going into Moonlight 20 Sherwin Bitsui (excerpted from: Flood Song) 21 Jefferson Carter Match Race 22 A Centaur 22 Virgil Chabre Wyoming Miners 23 David Chorlton Everyday Opera 24 Jim Harrison Blue 25 Rene Char II 25 Love 26 Larson's Holstein Bull 26 Cynthia Hogue That Wild Chance of Living (2001) 27 Will Inman The Bones that Humans Lacked 28 given names 28 mesquite mother territory 29 To Catch the Truth 29 James Jay Mars Hill 30 Hershman John Two Parts Hydrogen, One Part Oxygen 31 Jane Miller xii (excerpted from Midnights) 32 Jim Natal The Half-Life of Memory 33 Sean Nevin The Carpenter Bee 34 Wildfire Triptych 34 Losing Solomon 37 Simon J. Ortiz just phoenix 38 Michael Rattee Spring 39 II David Ray The Sleepers 40 Illegals 41 Arizona Satori 41 The White Buffalo 42 Judy Ray These Days 43 Alberto Rfos Border Lines (Lineas Fronterizas) 44 Rabbits and Fire 45 Refugio's Hair 46 Mi Biblioteca Publica (My Public Library) 47 Rebecca Seiferle Ghost Riders in the Sky 48 Apache Tears 49 Leslie Marmon Silko How to Hunt Buffalo 50 Laurel Speer Buffalo Stones 52 Candyman 52 Luci Tapahonso After Noon in Yooto 53 Miles Waggener Direction 54 Nicole Walker Canister and Turkey Vulture 55 California Kim Addonizio Yes 58 In the Evening, 59 William Archila Blinking Lights 60 Ellen Bass GateC22 61 Women Walking 62 Ode to Dr.
    [Show full text]
  • The Spoken Art of Poetry This Semester in the Monday-Friday Prosody Workshops at the Sitting Room, We Have Been Reading Amy Lowell, E.E
    SONOMA COUNTY LITERARY UPDATE March 1, 2012 The Spoken Art of Poetry This semester in the Monday-Friday prosody workshops at the Sitting Room, we have been reading Amy Lowell, e.e. cummings, Phil Levine, and Jorie Graham. I scoured the Internet for downloadable recordings of poems in the voice of each poet. Ironically, the only poet among these four who was never recorded was Amy Lowell—ironic because she was a jubilant proponent of the oral performance of poems and the musical/emotional breath in words off the page. In her essay “Poetry as a Spoken Art,” Lowell wrote, “Poetry is as much an art to be heard as is music, if we could only get people to understand the fact. To read it off the printed pages without pronouncing it is to get only a portion of its beauty. Poetry will come into its Paradise when carefully trained speakers make a business of interpreting it to the word.” Poetry Out Loud How fortunate for us in Sonoma County that we have so many readers and writers who believe in the spoken art of poetry. On Sunday, February 12, at the Glaser Center in Santa Rosa, we were treated to fourteen young performers presenting twenty-seven poems from memory as part of Sonoma County’s Poetry Out Loud annual high school competition. For those of you who weren’t there, I can assure you, the oral life of poetry is alive and well. This year’s winner was Brynna Thigpen of Maria Carrillo High School performing "The Room" by Conrad Aiken and "Childhood's Retreat," by Robert Duncan.
    [Show full text]
  • The Search for the "Manchurian Candidate" the Cia and Mind Control
    THE SEARCH FOR THE "MANCHURIAN CANDIDATE" THE CIA AND MIND CONTROL John Marks Allen Lane Allen Lane Penguin Books Ltd 17 Grosvenor Gardens London SW1 OBD First published in the U.S.A. by Times Books, a division of Quadrangle/The New York Times Book Co., Inc., and simultaneously in Canada by Fitzhenry & Whiteside Ltd, 1979 First published in Great Britain by Allen Lane 1979 Copyright <£> John Marks, 1979 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner ISBN 07139 12790 jj Printed in Great Britain by f Thomson Litho Ltd, East Kilbride, Scotland J For Barbara and Daniel AUTHOR'S NOTE This book has grown out of the 16,000 pages of documents that the CIA released to me under the Freedom of Information Act. Without these documents, the best investigative reporting in the world could not have produced a book, and the secrets of CIA mind-control work would have remained buried forever, as the men who knew them had always intended. From the documentary base, I was able to expand my knowledge through interviews and readings in the behavioral sciences. Neverthe- less, the final result is not the whole story of the CIA's attack on the mind. Only a few insiders could have written that, and they choose to remain silent. I have done the best I can to make the book as accurate as possible, but I have been hampered by the refusal of most of the principal characters to be interviewed and by the CIA's destruction in 1973 of many of the key docu- ments.
    [Show full text]
  • American Book Awards 2004
    BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre.
    [Show full text]
  • The Sounds of Liberation: Resistance, Cultural Retention, and Progressive Traditions for Social Justice in African American Music
    THE SOUNDS OF LIBERATION: RESISTANCE, CULTURAL RETENTION, AND PROGRESSIVE TRADITIONS FOR SOCIAL JUSTICE IN AFRICAN AMERICAN MUSIC A Thesis Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Master of Professional Studies by Luqman Muhammad Abdullah May 2009 © 2009 Luqman Muhammad Abdullah ABSTRACT The cultural production of music in the Black community has traditionally operated as much more than a source of entertainment. In fact, my thesis illustrates how progressive traditions for social justice in Black music have acted as a source of agency and a tool for resistance against oppression. This study also explains how the music of African Americans has served as a primary mechanism for disseminating their cultural legacy. I have selected four Black artists who exhibit the aforementioned principles in their musical production. Bernice Johnson Reagon, John Coltrane, Curtis Mayfield and Gil Scott-Heron comprise the talented cadre of musicians that exemplify the progressive Black musical tradition for social justice in their respective genres of gospel, jazz, soul and spoken word. The methods utilized for my study include a socio-historical account of the origins of Black music, an overview of the artists’ careers, and a lyrical analysis of selected songs created by each of the artists. This study will contribute to the body of literature surrounding the progressive roles, functions and utilities of African American music. BIOGRAPHICAL SKETCH My mother garners the nickname “gypsy” from her siblings due to the fact that she is always moving and relocating to new and different places.
    [Show full text]
  • Intimate Grammars an Ethnography of Navajo Poetry Anthony K
    Main Library Building, 5th floor 1510 E. University Blvd. Tucson, Arizona 85721 www.uapress.arizona.edu CONTENTS Anthropology, 17, 23–25 Archaeology, 26–30 Biography, 10 Border Studies, 20, 24 Ecology, 1, 31 Education, 13, 21 Health, 12 Indigenous Studies, 14–17, 24 Latin American Studies, 18–23, 25 Latino/a Literature, 5–7 Latino/a Studies, 12–13 Are you on Facebook or Twitter? Become a Native Literature, 4 fan and follow us (@AZpress) for the latest Nature, 1, 8 news about the University of Arizona Press. Poetry, 4, 6, 7 See event announcements, special discount offers, and even connect with some of your Regional, 2–3, 11 favorite Press authors! For complete details Travel, 2-3 about all of our books in print, visit our Western History, 8–11 website at www.uapress.arizona.edu. Recently Published Books, 34–36 Recent Best Sellers, 36–39 Sales Information, 40 New Title Index, inside back cover Cover photo: Ponderosa Forest by U.S. Forest Service Cover design by Leigh McDonald Ponderosa Big Pine of the Southwest Sylvester Allred A highly readable guide to ponderosa pine forests For hundreds of years, the massive ponderosa pine of the U.S. Southwest has left multitudes in awe. After spending nearly three decades researching among these trees, Sylvester Allred shares his wealth of experience in the southwestern ponderosa pine forests with the world in Ponderosa. Ponderosa is the first of its kind to provide an introduction to the natural and human histories of the ponderosa pine forests of the Southwest that is accessible to all who wish to enjoy the forests.
    [Show full text]
  • DJ Song List by Song
    A Case of You Joni Mitchell A Country Boy Can Survive Hank Williams, Jr. A Dios le Pido Juanes A Little Bit Me, a Little Bit You The Monkees A Little Party Never Killed Nobody (All We Got) Fergie, Q-Tip & GoonRock A Love Bizarre Sheila E. A Picture of Me (Without You) George Jones A Taste of Honey Herb Alpert & The Tijuana Brass A Ti Lo Que Te Duele La Senorita Dayana A Walk In the Forest Brian Crain A*s Like That Eminem A.M. Radio Everclear Aaron's Party (Come Get It) Aaron Carter ABC Jackson 5 Abilene George Hamilton IV About A Girl Nirvana About Last Night Vitamin C About Us Brook Hogan Abracadabra Steve Miller Band Abracadabra Sugar Ray Abraham, Martin and John Dillon Abriendo Caminos Diego Torres Absolutely (Story Of A Girl) Nine Days Absolutely Not Deborah Cox Absynthe The Gits Accept My Sacrifice Suicidal Tendencies Accidentally In Love Counting Crows Ace In The Hole George Strait Ace Of Hearts Alan Jackson Achilles Last Stand Led Zeppelin Achy Breaky Heart Billy Ray Cyrus Across The Lines Tracy Chapman Across the Universe The Beatles Across the Universe Fiona Apple Action [12" Version] Orange Krush Adams Family Theme The Hit Crew Adam's Song Blink-182 Add It Up Violent Femmes Addicted Ace Young Addicted Kelly Clarkson Addicted Saving Abel Addicted Simple Plan Addicted Sisqó Addicted (Sultan & Ned Shepard Remix) [feat. Hadley] Serge Devant Addicted To Love Robert Palmer Addicted To You Avicii Adhesive Stone Temple Pilots Adia Sarah McLachlan Adíos Muchachos New 101 Strings Orchestra Adore Prince Adore You Miley Cyrus Adorn Miguel
    [Show full text]
  • The Little Magazine in America, Mid-1950S to Mid-1980S
    The Little Magazine in America, mid-1950s to mid-1980s: A Collection from the Golden Age of the Small Press Mimeo Revolution We are pleased to offer for sale an extraordinary collection of little magazines from the golden age of the small press mimeo revolution. The collection documents, with great breadth and depth, the intellectual, spiritual, and material diversity of poet-driven publishing in the US and, to a lesser extent, Canada and the UK from the mid-1950s to the mid-1980s. Keith and Rosmarie Waldrop review page proofs at Burning Deck Press (Providence Journal, 1980s). The present collection has emerged in tandem with our ongoing projects to chronicle and archive the proliferation of avant-garde underground small press publications, including the acclaimed New York Public Library exhibition and book A Secret Location on the Lower East Side, curated and written by Steve Clay and Rodney Phillips, as well as our new expanded resource website, From a Secret Location, launched in January 2017 by Granary Books. The collection includes a strong representation of seminal works from various movements and groupings such as the New York School, British Poetry Revival, Beats, Black Mountain, San Francisco Renaissance, Ethnopoetics, Black Arts, Venice West, Meat poets, Wichita Vortex, and Language poets. Concrete and visual poetry is also well represented. One of the chief strengths of the collection is its range of inclusivity, which reveals an international network of poet-driven and -distributed publications that developed into a vast underground economy, from Vancouver to Cardiff and Bolinas to Buffalo, with hundreds of stops in between.
    [Show full text]
  • VOL 0088 ISSUE 0016.Pdf
    You are Always a Guest Here Before You are a Customer Home of Famous Names in Men's Quality Clothing Hickey-Freeman ... Society Brand ... Burberry .. ."GGG"... Alpagora... British-R... Dobbs GILBERT'S 813-817 S. Michigan St. SOUTH BEND'S LARGEST STORE FOR MEN LETTERS Athens, February 1, 1947 DEAR FELLOW STUDENTS: We send you our greeting from Greece; at last—after the very many catastrophes and terrible damages that our country has suffered during the occupation. We begin just now to set­ DANCING every Wednesday, Saturday and Sunday tle our schools and university. We wanted so much to come in touch with atihe you, but we had not any chance for that. So I decided to wxite you myself, representing my class, and ask you some informations about your studies and life in the university. You must first excuse me for my mis­ takes (as I have enough) because as you understand it is not a long time since I learn English. I don't want to believe that you won't excuse me that. So I dare to write to you, doing at the same time practice in -writing English letters. And now let me write you our news and ideas. The last year all students have a unique mania to come to America. That's the modern mania. We have heard a lot of your good education. Our class lives with the hope that some day after some years we will be able with the exchange of students to come there. Our high schools and university are full of thou­ sands of students, and we haven't enough laboratoiies or equipment for these.
    [Show full text]