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John Amplas Education JOHN AMPLAS OFFICE: 412-392-8126 [email protected] www.johnamplas.com EDUCATION/ QUALIFICATIONS Professional Actor 1975- Present Professional Teacher 1982- Present Professional Director 1984- Present BFA, Theater Arts, Point Park College 1972-1976 U.S. Army enlisted January 1969 Vietnam 1970 Honorable Discharge, Specialist 5th Class October 1971 Playhouse Theater Acting School 1963-1966 I would like to emphasize, not unlike many people in this world, my personal life experiences have been the basis and foundation of my education and has informed my professional teaching, acting and directing for Point Park University. Awards/Achievements Stage • Director of Bruce Robinson’s MIA March 25th through April 7th World Premiere for the Playhouse Rep. Now in the Studio Theatre at the Playhouse. Please note: even as a director for the Rep. We have a student crew learning about professional theatre under the tutelage of a professional production staff. We are still teaching. Also three of the six cast members of the cast are graduates and working actors. • Lead Actor in the original cast and pictured on the cover of Tammy Ryan’s newly published F.B.I. Girl, Directed by our current Chair Sheila McKenna. Another Rep. World Premiere with several graduates of our program. • Pennsylvania Governor’s Award for Outstanding Production of The Exonerated 2007 • Cecil Kit Award for Outstanding Service to the Department 1982, 90’ 92’ 96’ • Point Park College Theatre Company Award for Outstanding Directing and Producing 1982-91 • American College Theatre Festival for Meritorious Achievement in Directing The Day Room 1989Academic • Stepfamilies of Pittsburgh Sensitivity Award in Directing Hansel and Gretel 1988 Film • Participant with Film Retrospective Conventions in: Pittsburgh, Indianapolis, Maryland, Cleveland. New York City, New Jersey, Texas, Seattle, Buffalo, Calgary Canada, and Germany. My appearances are always with the acknowledgement of my professional association with Point Park University. • No Pets directed by Tony Buba participated in the London Film Festival 1994 • Martin directed by George Romero recognized by The Museum of Modern Art as “Best in Genre” 1997 • Martin was recently ranked in the Top 10 of all time favorite Genre Films. See www.johnamplas.com • Daddy Cool by Brady Lewis opened the Pittsburgh Film Festival 2002 ACADEMIC APOINTMENTS 1999-Present- Tenured Associate Professor Point Park University, Conservatory of Performing Arts Full time instructor in the Theatre Arts department, teaching all four years of acting and first and second year directing. Spring of 2012 two new courses added: freshman audition and the acting/directing process for technicians/designers. Responsible for maintaining all student records regarding grading and daily lesson plans, designing and developing course curriculum, mentoring and guiding students, and attending all faculty and university meetings. 1992-1998 – Assistant Professor Point Park College, Fine Applied and Performing Arts Full time instructor in the Theatre Arts Department, teaching freshman, sophomore, and junior acting and directing, freshman rehearsal and performance and co-teaching senior seminar. Responsible for maintaining all student records regarding grading, daily lesson plans, and designing and developing course curriculum. 1985-1992- Adjunct Faculty Point Park College, Fine Applied and Performing Arts Instructor (with full time class load) in the Theatre Arts Department teaching freshman acting, freshman rehearsal and performance, sophomore, stage makeup, co-teaching directing and senior seminar. Responsible for maintaining student records regarding grading, daily lesson plans, and designing and development of course curriculum. 1982-1984- Part Time Instructor/Guest Artist Point Park College, Fine Applied and Performing Arts Instructor teaching freshman acting, freshman rehearsal, performance, and stage makeup course curriculum. Responsible for professional acting, directing and stage management assignments. Responsible for maintaining student records regarding grading, daily lesson plans, designing and developing course curriculum. 1978-1981- Guest Artist, Point Park College, Fine Applied and Performing Arts Responsible for professional acting and stage management assignments. Actor In: Brecht on Brecht - Dir. James O. Prescott A Life In The Theatre – Dir. James O. Prescott 50th Playhouse Anniversary and Reunion Production The Little Foxes – Dir. Don Wadsworth Stage Manager: The Shadow Box – Dir. Don Wadsworth Without Apologies – Written by Thom Thomas Producer 1984 1996 Point Park College Theatre Company Artistic Director/Producer 1998 Playhouse Theatre Company/Three Play Summer Season Albee’s Zoo Story, Krapp’s Last Tape directed by Raymond Lane Tammy Ryan’s Pig directed by Sheila McKenna Associate Artistic Director 1998 – Present Playhouse Rep. of Point Park University 60 Productions: Duties and responsibilities as necessary; attend and oversee process for all Playhouse Rep. productions. Oversee casting ensuring graduate student production requirements are met. Assist with organization and attend all audition and casting sessions. Serve as liaison between guest artists and production staff. Oversee with chair regarding undergraduate audition and casting policies. Work with C.O.P.A.’s Audience Development /Marketing Director. When asked attend M.F.A. auditions and assist Program Director of Graduate Studies in the recruitment of graduate acting program. Assist the Artistic Director in the development of production calendar, including scheduling of productions, production meetings and special events. Serve on the Advisory Board for the Conservatory of Performing Arts. Other duties as assigned by the Artistic Director University Service • Faculty Assembly • Presidents Strategic Planning Briefings • Open House Participation • Curriculum Committee • Curriculum Sub Committee • Library Oversight Committee • Middle States Standard 7 Committee Theatre Department C.O.P.A. Service • Faculty Meetings • Advising • Curriculum Committee • Artistic Committee • Acting Unit Meetings • B.F.A. Auditions • Incoming Freshman Auditions • Recruitment/Off Campus • Unified Audition Tour • August Wilson Scholarship Advisor Current professional affiliations with learned societies and organizations. • Director of the August Wilson Monologue Competition The Pittsburgh Chapter of The August Wilson Monologue Competition is in its third year. The A.W.M.C. Pittsburgh was Co-found by me and actor Bill Nunn, also a Pittsburgh Native. We received permission from Vice President Lindblom and assistance from Joe McGoldrick Head of Artistic Recruitment, to audition and recruit deserving young students involved in the competition with the offer of scholarship money they normally would not have access to. We currently have six student recipients now in attendance as part of Point Park University’s Acting Program in C.O.P.A. As of this date all six students are thriving with G.P.A.’s above 3.00. Both as a faculty member of Point Park University’s C.O.P.A. program and also as young man in need of help to enter collage way back when, I am extremely proud of this service. • Coordinating Advisor for the National A.W.M.C. in New York City at the August Wilson Theatre. Sponsored by Kenny Leon’s True Colors Theatre Company in Atlanta, Georgia. COURSES TAUGHT (CURRENT SYLLABI ATTACHED) FRESHMAN ACTING I (CURRENT COURSE) One semester course for freshman theatre majors. Topics include; introduction to acting technique based in the rehearsal and performance system of Stanislavski, especially those related to script analysis and determination of psycho-physical actions. To develop a vocabulary and process of working to achieve a believable and repeatable stage performance, through discussion, coaching and exercise in a rehearsal/workshop environment. Each actor is critiqued and guided toward the successful completion of a scene with the emphasis on process not product. The expected student outcome includes; basic analysis of a play and character from an actor’s point of view, basic understanding of a play’s and character’s dramatic action by scoring the text with objectives, beats, and intentions and expressed with psycho-physical action. Explore the world of the play by understanding the given circumstances. To maintain truthfulness in the portrayal of a contemporary character in a realistic play and above all to be willing to take risks, free of fear. AUDITION TECHNIQUES (CURRENT COURSE) One semester course for freshman acting majors. Topics include preparing for auditions through monologue work, cold readings and scene study. The expected student outcomes include; feeling more confident in audition situations. To have the young actor be able to present themselves in a professional manner. To be able to choose appropriate monologue and scene material. To apply fundamental acting techniques when preparing audition monologues and scenes. THE ACTING/DIRECTING PROCESS (CURRENT COURSE) One semester introduction to the acting and directing experience, focusing on communication and collaboration between theatre disciplines. The class will provide the designer/technician with a better understanding of the actor’s and the director’s process. Topics include; learning and understanding actor, director terminology for effective communication. Practical exploration of basic approaches to acting based on the Stanislavski System and the instructor’s experience. Practical exploration of basic directing technique based on several
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