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Objectivity, Interdisciplinary Methodology, and Shared Authority
ABSTRACT HISTORY TATE. RACHANICE CANDY PATRICE B.A. EMORY UNIVERSITY, 1987 M.P.A. GEORGIA STATE UNIVERSITY, 1990 M.A. UNIVERSITY OF WISCONSIN- MILWAUKEE, 1995 “OUR ART ITSELF WAS OUR ACTIVISM”: ATLANTA’S NEIGHBORHOOD ARTS CENTER, 1975-1990 Committee Chair: Richard Allen Morton. Ph.D. Dissertation dated May 2012 This cultural history study examined Atlanta’s Neighborhood Arts Center (NAC), which existed from 1975 to 1990, as an example of black cultural politics in the South. As a Black Arts Movement (BAM) institution, this regional expression has been missing from academic discussions of the period. The study investigated the multidisciplinary programming that was created to fulfill its motto of “Art for People’s Sake.” The five themes developed from the program research included: 1) the NAC represented the juxtaposition between the individual and the community, local and national; 2) the NAC reached out and extended the arts to the masses, rather than just focusing on the black middle class and white supporters; 3) the NAC was distinctive in space and location; 4) the NAC seemed to provide more opportunities for women artists than traditional BAM organizations; and 5) the NAC had a specific mission to elevate the social and political consciousness of black people. In addition to placing the Neighborhood Arts Center among the regional branches of the BAM family tree, using the programmatic findings, this research analyzed three themes found to be present in the black cultural politics of Atlanta which made for the center’s unique grassroots contributions to the movement. The themes centered on a history of politics, racial issues, and class dynamics. -
Maurice Kilwein Guevara 3671 S
CURRICULUM VITAE Maurice Kilwein Guevara 3671 S. 2nd Street Milwaukee, WI 53207 Tel.: 414-481-2523 E-mail: [email protected] PERSONAL I was born in Belencito, Colombia and raised in Pittsburgh, PA. EDUCATION 1987-90: PhD, University of Wisconsin—Milwaukee (UWM) Major Areas: Creative Writing and U.S. Literature 1984-86: MFA, Bowling Green State University (Ohio) Major Area: Fiction Minor Areas: Poetry and Literary Translation 1979-83: BA; BS, University of Pittsburgh (Pennsylvania) Majors: English and Psychology DISSERTATION Gregor’s Wings Director: John Goulet The dissertation is a collection of short stories. HONORS 2007: Poems from my collection-in-progress won me a spot at the Norton Island Residency off the coast of Maine (only two poets chosen from 150 poetry manuscripts) 2006: Founding Member, National Latino Writers’ Association 2003: Richard Elman Visiting Writer at Syracuse University. All first-year students studied Autobiography of So-and-so as part of the required Living Authors course at SU. On March 19, I gave a Q/A to approximately 150 students, followed by a reading to a crowd of about 300 people. On March 20, I conferenced with six graduate students in poetry and gave an informal talk on history, autobiography, and imagination to approximately 20 graduate students and faculty. 2002: One of four poets chosen by the Pennsylvania Center for the Book for the Poetry In Public Project (posters of “Once When I was in the Eighth Grade” have been mass produced and have been displayed in public places throughout the commonwealth). This poster debut formally at a reading at Penn State University on March 28, 2002. -
NEA-Annual-Report-1992.Pdf
N A N A L E ENT S NATIONAL ENDOWMENT FOR~THE ARTS 1992, ANNUAL REPORT NATIONAL ENDOWMENT FOR!y’THE ARTS The Federal agency that supports the Dear Mr. President: visual, literary and pe~orming arts to I have the honor to submit to you the Annual Report benefit all A mericans of the National Endowment for the Arts for the fiscal year ended September 30, 1992. Respectfully, Arts in Education Challenge &Advancement Dance Aria M. Steele Design Arts Acting Senior Deputy Chairman Expansion Arts Folk Arts International Literature The President Local Arts Agencies The White House Media Arts Washington, D.C. Museum Music April 1993 Opera-Musical Theater Presenting & Commissioning State & Regional Theater Visual Arts The Nancy Hanks Center 1100 Pennsylvania Ave. NW Washington. DC 20506 202/682-5400 6 The Arts Endowment in Brief The National Council on the Arts PROGRAMS 14 Dance 32 Design Arts 44 Expansion Arts 68 Folk Arts 82 Literature 96 Media Arts II2. Museum I46 Music I94 Opera-Musical Theater ZlO Presenting & Commissioning Theater zSZ Visual Arts ~en~ PUBLIC PARTNERSHIP z96 Arts in Education 308 Local Arts Agencies State & Regional 3z4 Underserved Communities Set-Aside POLICY, PLANNING, RESEARCH & BUDGET 338 International 346 Arts Administration Fallows 348 Research 35o Special Constituencies OVERVIEW PANELS AND FINANCIAL SUMMARIES 354 1992 Overview Panels 360 Financial Summary 36I Histos~f Authorizations and 366~redi~ At the "Parabolic Bench" outside a South Bronx school, a child discovers aspects of sound -- for instance, that it can be stopped with the wave of a hand. Sonic architects Bill & Mary Buchen designed this "Sound Playground" with help from the Design Arts Program in the form of one of the 4,141 grants that the Arts Endowment awarded in FY 1992. -
100 Years of African American History: a Fiber Art Retrospective by Tina Williams Brewer
100 Years of african american HistorY: a fiber art retrospective by tina Williams Brewer 100 Years of african american HistorY: a fiber art retrospective by tina Williams Brewer This publication was made possible through a generous contribution to Pittsburgh Filmmakers/Pittsburgh Center for the Arts from Alcoa Foundation. It happened... the Courier was there. Rod Doss, Editor and Publisher, New Pittsburgh Courier he Pittsburgh Courier has recorded news affecting The information reported in the Courier had a pro- African-Americans since 1910. My staff and I are found impact on Black politics, world events, civil Thonored to be the “keepers” of what is an incred- rights, sports, entertainment, business and journal- ible and extensive record – both in print and in photo- ism. We are privileged to associate with those giants graphs – of a people’s culture that has had profound who recorded the history of a people’s unwavering impact on American history. march to overcome the many obstacles that withheld The Courier was first published 100 years ago and even- their dignity as a mighty race of people. As the Black tually became the most widely circulated Black news- intellectual W.E.B. DuBois said, “The twentieth century paper in the country with 21 regional editions and an challenge to resolve the issue of color is the greatest international edition. At its height, more than 450,000 challenge America will have to overcome.” His words people received the Courier each week and were were truly prophetic. given the opportunity to read an unvarnished version The series of 10 quilts created by Tina Williams Brewer of cultural and historical events that told the story in this exhibition attempt to provide a broad-based of the Black experience in America. -
And Was Responsible for the Various Offies Related to Public Affairs
DOCUMENT RESUME ED 116 516 HE 006 837 AUTHOR Van Dusen, Albert C. TITLE Program Development and Public Affairs at the University of Pittsburgh. University-Urban Interface Program Report. INSTITUTION Pittsburgh Univ., Pa. SPONS AGENCY Office of Education (DHEW), Wadhington, D.C. Bureau of Research. BUREAU. NO 80725 PUB DATE Jul 72 GRANT. OEG-2-9-480725-1027 NOTE 45p. EDRS PRICE MF-$0.76 HC-$1.95 Plus Postage DESCRIPTORS Alumni; Cultural Exchange; Financial upport; *Higher, Education; Organizational Development; rogram A ministration; *Program Development; Pro ram P anning; *Public Relatiohs; *School Commilni'4.-/ R lationship; State Universities; University Extension; *Urban Universities IDENTIFIERS .*Pennsylvania (Pittsburgh) ABSTRACT The Office of Program Development and Public Affairs (PDPA) from its inception in September 1967 to July 1971 was primarily concerned with advancing the total University with its traditional mission of teaching and research and with facilitating the University's emerging concerns for,public service. The Office assisted with the program development of new directions of the Universtity, especially state-relatedness and the urban dinension, and was responsible for the various offies related to public affairs. The report emphasizes the historical origind and developments of the several offices and functions in the area of PDPA and provides a detailed description of the content and foci of these programs. These offices include news and publications, governmental tions, development and alumni affairs, \cultural and educational exchange, university press, special events,, Stephen Foster Memorial, Heinz Memorial Chapel, urban and community 'services, and university -urban interface program. (tAuthor/JMF) *************************************** ******************************* Documents acquired by ERIC include many informal unpublished *, * materials not available from other soirees. -
The Hate Issue
The Hate Issue JewKkKlansman Zimmerman comes to terms with his Jewishness only when Brett Ashley Kaplan forced to by … antisemites. Spike Lee arrived at the 2019 Oscars in an awesome (John David Washington), who, upon seeing an royal purple suit (a tribute to his late friend Prince) with inconspicuous ad in the local newspaper enticing white matching cool, chunky glasses, sporting giant knuckle supremacists to join the KKK, decides to infiltrate the rings with HATE and LOVE in large block letters; the rings local chapter. In the process, he befriends David Duke via had been featured in his 1989 film Do the Right Thing. telephone, and ends up thwarting the Klan’s murderous The gesture provoked multiple resonances. For one, intentions against the Black Power movement. Two of the the Oscars failed to do the right thing by not nominating four screenwriters, Charlie Wachtel and David Rabinowitz, his 1989 film for best picture. Moreover, the rings served changed the historical white, non-Jewish police officer as a memorial to the actor who so memorably portrayed whom Stallworth describes as his “undercover alter ego Radio Raheem, Bill Nunn, who died at sixty-two in 2016 Chuck” into the Jewish “Flip” Zimmerman. (The other of leukemia, and whose character was murdered by two screenwriters are Lee and Kevin Willmott.)ii white cops. The rings also struck an evocative chord by reminding us of the rise of hate speech under Trump. BlacKkKlansman received accolades for offering a In Do the Right Thing, Radio Raheem explains to Mooki corrective to some of the negative images of Jews (Lee) that LOVE and HATE represent an ever-present viewers had railed against in earlier Lee productions “static,” always drawing together like our fingers inter- and for disrupting a racialized hierarchy that places twined in a kissing fist. -
A Spike Lee Joints Retrospective, Jun 29—Jul 10
BAMcinématek and the Academy present By Any Means Necessary: A Spike Lee Joints Retrospective, Jun 29—Jul 10 Kicks off with a 25th anniversary screening of Spike Lee’s Do the Right Thing for Closing Night of BAMcinemaFest with Lee and cast in attendance 15 films in 35mm plus a rare 16mm print of Lee’s debut, Joe’s Bed-Stuy Barbershop: We Cut Heads The Wall Street Journal is the title sponsor for BAMcinemaFest, BAMcinématek, and BAM Rose Cinemas. Brooklyn, NY/May 22, 2014—From Sunday, June 29 through Thursday, July 10, BAMcinématek and the Academy of Motion Picture Arts and Sciences present By Any Means Necessary: A Spike Lee Joints Retrospective, a 12-day series spanning three decades and commemorating the 15th anniversary of BAMcinématek, which launched in 1999 with a survey of Lee’s career. The writer-director-actor’s consistently surprising work displays a boundless visual imagination, some of the most fearlessly intelligent discourse on race relations in American cinema, and an ability to infuse independent projects and big-budget blockbusters alike with his edgy, energetic style. From June 27—July 27, the Academy will also present a west coast retrospective of Lee’s work at the Academy’s Linwood Dunn Theater and the Bing Theater on the Los Angeles County Museum of Art campus. Kicking off the New York retrospective and closing BAMcinemaFest on June 29 is a 25th anniversary celebration of Lee’s Oscar®-nominated Do the Right Thing. The streets of Bed-Stuy boil in Lee’s tale of tensions run high on Brooklyn’s hottest day of the year. -
National Endowment for the Arts Annual Report 1979
National Endowment for the Arts National Endowment for the Arts Washington, D.C. 20506 Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1979. Respectfully, Livingston L. Biddle, Jr. Chairman The President The White House Washington, D.C. February 1980 1 Contents Chairman’s Statement 2 The Agency and Its Functions 4 National Council on the Arts 5 Programs Deputy Chairman’s Statemen~ 8 Dance 10 Design Arts 30 Expansion Arts 50 Folk Arts 84 Literature 100 Media Arts: Film/Radio/Television 118 Museum 140 Music 172 Opera-Musical Theater 202 Special Projects 212 Theater 222 Visual Arts 240 Policy and Planning Challenge Grants 272 Evaluation 282 International/Fellows 283 Research 286 Special Constituencies 288 Office for Partnership Executive Director’s Statement 296 Education (Artists-in-Schools) 299 Federal-State Partnership (State Programs) 305 Intergovernmental Activities 312 Financial Summary 314 History of Authorizations and Appropriations 315 Chairman’s Statement A Common Cause for the Arts isolated rural coraraunities to the barrios and Perhaps nothing is raore enviable--or raore ghettoes of our inner cities. The dreara---that daunting--than the opportunity to raake a prac of access for all Araericans to the best in art- tical reality out of a visionary dreara. I happen is becoraing reality. to have this unusual privilege. As special assist But reality, as we all know, is a thorny ant to Senator Claiborne Pell frora 1963 to thing, with catches, snares and tangles. -
UNIVERSITY of PITTSBURGH PRESS Sp17catalog.Qxp Layout 1 12/21/16 2:28 PM Page 2 Butterflies of Pennsylvania
SP17Catalog.qxp_Layout 1 12/21/16 2:28 PM Page 1 Spring 2017 Summer UNIVERSITY OF PITTSBURGH PRESS SP17Catalog.qxp_Layout 1 12/21/16 2:28 PM Page 2 Butterflies of Pennsylvania ow do you tell a Striped Hairstreak but- County-by-county maps show where each Hterfly from a Regal Fritillary butterfly? By species has been recorded within the state, using Butterflies of Pennsylvania, the most and graphs detail when they are present and comprehensive, user-friendly field guide to most likely to be seen. date of all of the species ever recorded within Butterflies are arguably the most recog- Pennsylvania’s 46,056 square miles. nized, studied, and beloved of all insects. They Over 900 brilliant color photographs il- are essential to healthy ecosystems, agricul- lustrate both the upper and under side of male tural viability, and ultimately human and animal and female specimens of each species. Infor- survival. Butterflies of Pennsylvania will serve mation on distinguishing marks, traits, as a handy reference for a broad readership wingspan, habitat, larval host plants, and including students and educators, backyard handy facts offer assistance for field identifi- butterfly enthusiasts and gardeners, conser- cation. The images depict the butterflies in vationists and naturalists, public and school their native environments, as well as finely de- libraries, entomologists, lepidopterists, and tailed museum-quality mounted specimens. butterfly watchers in general. NATURE/ENTOMOLOGY/FIELD GUIDES MARCH Paper / Flex bound $24.95t 978-0-8229-6455-1 5.75 x 8.75 • 336 pp. 900 color Illustrations Of Related Interest: Butterflies of West Virginia and Their Caterpillars Thomas J. -
The Homewood Project
PITTSBURGH BLACK MEDIA FEDERATION PRESENTS AMERICAN HEROES: THE HOMEWOOD PROJECT Recognizing the Power and Influence of Local African-American Male Engagement and Leadership Why look for American Heroes in Homewood? ar too often, when many heroes, linked to Homewood because they Fpeople think of Homewood currently live there, work there or volunteer there. today, they don’t think of heroes. Largely, they are mostly unsung heroes – men who quietly go on their way making a difference Maligned and misunderstood, in Homewood because their hearts are in what Homewood is seen as a they do. fractured community, separate Dr. Ervin Dyer and distinct from the fabric This project recognizing black male heroes in Project Coordinator of the larger Pittsburgh and Homewood is important because, for men who and member of the face so many obstacles in life, this effort helps to Pittsburgh Black United States. With such a Media Federation toxic view and biased narrative change the way black males are perceived and of the community, it’s all the how they perceive themselves. We want the men more important to see there are heroes there. to be seen as heroes and we want others to see them that way as well. The Pittsburgh Black Media Federation’s “American Heroes: The Homewood Project” is an The Pittsburgh Black Media Federation’s attempt to (re)connect the community’s African- work has been done in partnership with Feel American men to the larger American story, to Like Going On, a local collaborative of black show that there are heroes in Homewood who, photographers that now has a blog partnership despite the odds, contribute to the spiritual, with the Pittsburgh Post-Gazette. -
National Endowment for the Arts Annual Report 1981
National Endowment for the Arts National Endowment for the Arts Washington, D.C. 20506 Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1981. The fiscal year covered in this report preceded my tenure as chairman. Respectfully, F.S.M. Hodsoll Chairman The President The White House Washington, D.C. May 1982 Contents Chairman’s Statement 3 The Agency and Its Functions 4 National Council on the Arts 5 Programs 6 Dance 8 Design Arts 38 Expansion Arts 64 Folk Arts 118 Inter-Arts 140 International 166 Literature 170 Media Arts: Film/Radio/Television 192 Museum 228 Music 282 Opera-Musical Theater 358 Theater 374 Visual Arts 406 Policy and Planning 462 Challenge Grants 464 Endowment Fellows 474 Research 478 Special Constituencies 480 Office for Partnership 486 Artists in Education 488 Partnership Coordination 497 State Programs 500 Financial Summary 505 History of Authorizations and Appropriations 507 I , i li,ili~il|illlililil|liilil ill, i ,,I, llili,, lil I i iill,a liiilili,L,,i I i,i,i i,i,i ..... ii, 3 Chairman’s Statement sympathetic to the very real needs of our cultural What follows reflects much more than an outline of programs and a listing of grants. Rather, it organizations." Calling on us to redouble our efforts to leverage new private support for the presents a picture ~f the vitality of America’s artistic life--stretching from Alaska to Florida, arts, the President quoted Henry James: "It is art that makes life, makes interest, makes impor from Maine to Hawaii. -
Mike-Frank G
Mike-Frank G. Epitropoulos, Ph.D. Senior Lecturer of Sociology University of Pittsburgh Faculty Director, Pitt in Greece & Pitt in Cyprus Programs University Senate Athletic Committee, Elected, Second Term - A&S 2412 Posvar Hall Pittsburgh, PA 15260 [email protected] (412) 648-7118 (O), (412) 537-3994 (Mobile) EDUCATION 1999 Ph.D. University of Pittsburgh, Sociology 1991 M.P.I.A. University of Pittsburgh, Public & International Affairs Certificate: International Political Economy 1989 B.A. University of Pittsburgh, Economics Magna Cum Laude – Departmental Honors Certificate: West European Studies Abroad Athens University of Economics & Business (ΑΣΟΕΕ), Athens, Greece. Independent Study Term Abroad (through University of Pittsburgh) LANGUAGES English, Greek, Italian & Spanish SPECIALIZATIONS / INTERESTS Sociology of Development (Tourism) Political Economy / Political Ecology State Theory Social Movements Globalization / Americanization PROFESSIONAL POSITIONS 2017- Senior Lecturer, Department of Sociology, University of Pittsburgh 2013- Director, Pitt in Cyprus (Study Abroad), University of Pittsburgh 2012- Director, Pitt in the Aegean Program (Study Abroad), University of Pittsburgh 2011-16 Lecturer, Department of Sociology, University of Pittsburgh. 2011- Director, Pitt in Greece Program (Study Abroad), University of Pittsburgh. 2007-11 Visiting Lecturer, Department of Sociology, University of Pittsburgh. 2006-07 Visiting Professor, TEI of Pireaus – Spetses Island Campus, Tourism Studies, Spetses, Greece. 2006-07 Visiting Professor, IST – University of Hertfordshire (UK), Athens Campus, Tourism Studies, Greece. 2005-06 Professor and Chair, Department of Applied Sociology, and concurrent Chair of Department of Business / MBA Program, University of Indianapolis – Athens Campus, Greece. 2001-05 Visiting Lecturer, Department of Sociology, University of Pittsburgh. 1990-2001 Teaching Fellow and Adjunct Faculty, Department of Sociology, University of Pittsburgh.